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louisupdates · 3 months ago
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‘I feel lucky as it’s the right time to come play in India’
Renuka Vyahare
Louis Tomlinson featured in Bombay Today [11.3.2025]
TRANSCRIPT:
English singer-songwriter and former One Direction band member, Louis Tomlinson made his India debut at a music fest in Mumbai on Sunday. Louis brought an intimate energy to the music festival, captivating the crowd with his signature blend of Britpop and indie pop. Fan swayed and sang along to his numbers, Drag Me Down, Night Changes, and Saturday, to name a few. The 33 year-old singer from Doncaster, England, made a confession. “Never in a million years did I ever think I’d be in India as a young lad, and never did I think I’d be performing here. It’s mind-blowing, man. I can’t get my head around it. I love you,” he said. Ahead of his performance, we met with Louis and struck an exclusive conversation which revolved around India, his music, and more…
🎶.
This is your maiden performance in India. What are your thoughts like going into the show?
I always try and manage my own expectations. I don’t really know what to expect. This is my first time here. There’s a reason why I’m here, that’s for sure. I’ve felt the presence online from Indian fans, and it’s a place I’ve always wanted to come to. So, it feels like a real honour to be here. When I saw the number of people waiting outside the airport just for me to arrive, that’s always a lovely feeling. As soon as I kind of touched down, I had that confidence that I’ve got that support, and that was a nice feeling. 
Shawn Mendes wore the Indian cricket team jersey on Saturday. Do you follow the game back home? 
Cricket is very big in the UK. My great-granddad used to have an old cricket ball for a long time. As a young lad, I remember playing with it quite a lot. Beyond that, I don’t follow the game too much, to be honest. I respect the sport, for sure, but I’m not a massive cricket fan.
What do you think of India as a global music destination? Coldplay performed here, Ed Sheeran was here for a while. Various global artistes are now frequently performing in the country. 
It’s a surprise to me that we never came here with One Direction. I hear the band was big in India. It was a missed opportunity for us. Although, as you said, it is more common now with the likes of Ed and Coldplay coming here. I feel lucky because it’s the right time to play in India. I do think like all things in life, the music industry tends to be a bit rigid. As soon as you see Ed and Coldplay come over, then it’s brilliant for everyone else. It sets a precedent for how amazing the shows are in India and what is possible over here.
Right from The Beatles to now Coldplay and Ed Sheeran, English artistes have a strong connection with India. What was your perception of the country before landing here? 
When I was 16 or 17 years old, I never imagined that I would be in a band someday. Probably the thing that might have been furthest away, like a dream, was playing in a place like India, so far from home and with a completely different culture and food. That’s a luxury. That’s something I never thought I’d be in a position to do. So just to be here and take in the excitement is amazing. I’ve been fighting to come for the last five, six years because it’s such an exciting place to explore. You know, if I go back to England and tell anyone that I’ve been to India, I’ll watch their ears prick up. They’ll be interested because it’s just a really, really exciting place to visit. I feel very lucky to be able to play here.
You are in Bombay for the first time. Is this a brief visit or are you hoping to explore the city? 
I am just taking in as much as possible because this trip, given the nature of the festival, we’re in and out. I’m going to spend about 48 hours here and leave right after the show, so my time is limited. My mission is to absolutely nail the show and hopefully to come back and do my own tour here. And it’ll be at that time where I will probably have more time to explore, take in the culture and eat more food. Because I’ve realized how much of a Brit I sound when I say the only curry I’ve had so far is butter chicken. That’s pretty British, isn’t it? The food is definitely better here, even the butter chicken I had last night. 
You started off quite young as a singer. You’ve been a contestant, judge, band member and now solo artist. What have been your learnings?
I was always taught for a young age to trust my gut, and I think in an industry like this, you are constantly surrounded by different opinions, some are valid and some are not. At some point you have to trust yourself and trust your gut. 
You are known for your fashion and your music. As a trendsetter, what inspires you? What gets you going?
Musically, it’s lyrics. I think that’s my strongest suit as a writer. I really appreciate deep lyrics. I admire someone like Sam Fender. He has good conceptual lyrics. As far as fashion is concerned, I always dress down. And in recent years, it’s become trendier to dress down. So, the whole time, it’s suited me very well. 
You have acted a bit. Are you aware of Bollywood and the film culture here? 
I am aware of the film culture in India. I haven’t really watched a Bollywood film though. Maybe you could give me a recommendation. if someone from Bollywood is listening, I’m in!
What are you like when no-one’s watching? With social media so much of a celebrity’s life is out there. 
I’d like to think I’m not too different from what you see on camera. I always try to carry myself in an honest way. I suppose just by the nature of the job, behind the cameras, I’m a little bit more low-key. But yeah, I’d like to think that I’m pretty similar to how I am now. 
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laclasseworld-blog · 2 days ago
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saeedmohammed025 · 2 days ago
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The Future of Technology: Why AM Coding Training is Essential for Aspiring Developers
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In today’s digital age, technology is evolving faster than ever before. From artificial intelligence and machine learning to blockchain and cloud computing, the tech world is witnessing revolutionary advancements that are shaping the way we live and work. For aspiring developers and tech enthusiasts, staying updated with the latest programming skills is no longer a choice but a necessity. This is where AM Coding Training in Kochi plays a crucial role in preparing individuals for the dynamic demands of the tech industry.
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semanticlp · 19 days ago
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ADF Foods Q4 2025 Conference Call
ADF Foods Q4 2025 Conference Call #conferencecall #concall #earningscall #adffoods #adffoodsshare – YouTube https://www.youtube.com/watch?v=g0WW9xSrv-0 Disclamer – The conference call/presentation materials/informations used in this video are copyright material of the company and have been fairly used solely for educational purposes. The information shared in this video is for educational…
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translationadda · 2 months ago
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kumpenny-solutions · 7 months ago
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todays-xkcd · 30 days ago
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Frankly, given their extreme gravitational fields and general instability, even 12-inch globes should probably be banned.
Globe Safety [Explained]
Transcript
[A standard globe of the Earth is shown. It stands on a typical stand which holds it by two arms at the poles, so it can turn around like the Earth does. The Earth is turned so it shows Australia at the bottom and most of Asia, including the entire India to the left. Only the very tip of Alaska can be seen of the Americas. Above the globe there is a double ended arrow that goes to two small lines that align with the edges of the globe (indicating the diameter). The arrow has been split in the middle and two lines of text are written in the gap. Above this text there is another line of text.] Remember: 4 inches minimum
[Beneath the globe there are two small drawings. The left shows the Earth and to the left of the Earth there is a double ended arrow ending at two lines that indicated the diameter of the Earth going from top to bottom. The distance of this is written in inches to the left. From the Earth an arrow points to another drawing, this time the typical depiction of a black hole, with a "hat" like shape. A triangular warning sign is shown a the top right of the black hole with an exclamation mark inside.] 7/10"
[Caption below the panel:] The Earth's Schwarzschild radius is about 0.35 inches, which is why safety regulations require desktop globes to be at least 4 inches in diameter.
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laclasseworld-blog · 4 days ago
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macaiv · 3 months ago
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Source: Sky Sports Italy Twitter
Transcript:
Meeting Esteban Ocon So I met Esteban for the first time in Abu Dhabi and then we worked together for the post-season test and then also we did TPC testing in Jerez so we've already spent quite a long time together on track. Then we did a training camp together end of January in Geneva so that was quite fun and I think we got to know each other on a personal level as well so I think that's a good start to the year. Embedding Esteban into the team I think because Esteban's already been in the paddock for a long time and the F1 paddock is like a big family, a lot of people already know him from past teams or something. So that obviously went quite easy and since we're a British team with British humour we integrate people quite well so that's never an issue and on things he's been taking from other teams with him I think there's some things he's still used to from Force India even but since we're a small team it's quite easy to implement changes very quickly. Key to relationship between Driver and Race Engineer It's actually been quite fun because the responsibilities completely change. I think performance engineer is actually quite a hard job in this team but you stay very much in your own bubble with your car. As a race engineer you obviously have to coordinate much more and just make decisions all the time so knowing what all the other groups are doing and how they work also the guys on the car helps a lot to just make better decisions so I think that was a big bonus for me to be a performance engineer in this team before. New role as Race Engineer It's actually been quite fun because the responsibilities completely change from a performance engineer. So I think the performance engineer job is actually very hard but you're kind of stuck in the bubble of your own car. So as a race engineer you just have to zoom out and make a lot of decisions, listen to a lot of people and organise a lot of stuff. But understanding how all of these groups work, the guys on the car but also the people who focus on car performance helps you a lot to just make better decisions. Pre-season testing So obviously we have two new drivers and also the key people, loads of key people have changed. So I think their focus was mostly on integrating all the key people and improving communication amongst each other. And obviously also we're focusing on getting the most out of the car we've built. And I think so far not just in Bahrain but also the filming day in Silverstone and even TPC testing in Jerez, I think we've definitely achieved that and made good progress. Personal lessons Personally I've learnt a lot how to communicate better with Esteban and how we get the most out of each other. But also working with the team and understanding which course to make to the mechanics. That's, I think, been my biggest takeaway. Expectations going into Melbourne I think I never really have expectations and also we won't know until qualifying or even the race, but so far I think there's nothing saying we can't be on par with our performance last year or even improve from that, so I'm quite positive. Becoming First Female Race Engineer in Formula 1 Personally, I just want to focus on doing a good job and getting the best out of the team and the car. For me, being the first female race engineer in F1 is actually quite sad, but I think the problem with that is just representation. So if my face being on TV can make girls and young women think they can achieve this too, I'm actually quite happy.
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louisupdates · 3 months ago
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Louis Tomlinson India 2025 promo:
- LOUIS’ Instagram reel, IG story
- ARRIVAL: Zoom TV entrance in shorts, SHOWSHA, the “small one,” photos, video, legs
- RADIO ONE INTERNATIONAL/ 94.3:
Meet & Greet: [video] [video] [aarti] [aarti] [welcome] [welcome] [welcome] [video] [video] [video] [massive thank you] [video] [video] [video] [autograph] [TWITTER]
Link to YouTube full interview
Not singing “Bigger Than Me”
Videos with transcriptions:
How does it feel to finally play in India? [x] [x]
How surreal is the full circle moment of sharing a billing with Green Day? [x] [x]
Pre-show ritual/ favorite song to perform/ Indian food in India [x]
Preference for small towns vs cities/ passion of fans taking off Louis’ shirt [x]
Showcasing young artists at AFHF/ picking outfits for tour [x]
The Greatest/ Silver Tongues/ Arctic Monkeys/ reading fan signs at concerts and forgetting lyrics [x]
Fun things LT team post-show / FITF being more “Louis” than Walls [x]
Lolla Chicago/ not singing Bigger Than Me/ message for Louies [x]
- INDIA TODAY interview, on television [x], Instagram, reel, saying “pyaar” “almost fluent in Hindi”
Twitter video
Interview video part 1
Interview video part 2
Videos with transcriptions:
Why it took so long to come to India [x]
On trying something besides butter chicken (like chaat and pani puri) and what to expect at Lolla India [x]
What’s the ‘Louis’ style of entrance/ Louis’ spice tolerance level/ where would you like to go with your “big little unit” of fans [x]
Preshow ritual/ favourite song to perform/ favourite fan moment at the shows/ surprising cover song?/ Louis speaks Hindi, “pyaar” [x]
What’s the one thing that past Louis cannot believe about the present Louis [x]
- ROLLING STONE INDIA interview
- ROLLING STONE INDIA HQ photos, Instagram, colorized
- Green Day full circle, he’s rock royalty, watching Green Day [video] [video] [photo, HQ photo, photo, angel filter], giggling with Oli, Oli and Louis gossip girls
- HQ LOLLA INDIA press photos: [x] [x] [x] [x] [x], Matt Vines, Krystle, Oli, Helen, dumptruck, LT TEAM
- BOMBAY TIMES interview, front cover
- DECCAN HERALD article
- SHOWMO [video]
- HINDUSTAN TIMES article
- MID-DAY article
- TELEGRAPH INDIA article
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d444lso · 5 months ago
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teaser 1: throw it away. prev | next
transcript below
Ernesto: She is dead, Gloria. I know she was your daughter and this whole thing is hitting you the hardest, but we need you to face reality.
Gloria: And what is reality right now, Ernesto? Driving to a drug den at 5 AM to pick up my granddaughter, who is barely conscious? Having the Lam family look at us with shameful gazes because they know everything in our life is falling apart? Or is it the fact that my daughter died a terrible death and all you did was stand there and watch?
Manuel: [shuffling around] This is bullshit, man! Why should we help you when you kept Soledad from us?! You say you’re 'all about family', but we all know you fuckin’ hated us-
Arturo: Manuel. Sit down or leave the room.
Manuel: Why should I? He deserves to get a fucking earful. Soledad is gone and look at his daughter! My niece- your granddaughter. She hasn’t said a word! She’s probably out of this world! Look at me! I’m talking about you and you’re quiet as fuck. Are you high? Are you high right now?!
time jump
[club music]
[club music continues] Gem: India? Are you coming back inside?
India: Go in without me, it's cold out here. I'll be back in a minute
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moriche · 8 months ago
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Inktober Day Nine - Sun
Veryn frowned at the transcription, his eyes burning, a dull, hollow ache within his chest, unable to shed the doubt that somehow, the guards had been right. His trial followed next. That, he could recall; waiting on a bench for hours, shackled hand and foot; the shame of being branded; the excruciating pain. He read through the formalities of being processed into prison; through the details of his height and weight; the colour of his eyes; his only scars of note from childhood falls. Fear in a Handful of Dust
India ink and watercolour on paper, 14,8 x 21 cm Pencil on paper, 14,8 x 21 cm
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newspeciespodcast · 1 month ago
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Two New Damselflies from Northeast India!
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Truly, I think my newest obsession is damselflies. Their look is sleek, their lifestyle is fast and furious, and they have so many important scientific stories to tell.
Hearing Shantanu talk about them was such a great experience because of his knowledge, but also because he's just so passionate about them- not just these new species, but the others too, and the contexts they exist in. In this episode we talked about how British colonial expeditions to Northeast India negatively shaped access to the region, making this research a critical look into the biodiversity of a very understudied natural area. We also discussed the different ways of documenting that biodiversity, including new records for India, and what the future might hold for these new species.
Find this episode, a transcript, and more on the New Species website or listen wherever you get your podcasts
And definitely check out Shantanu’s amazing website, Odonata of India: https://www.indianodonata.org/
Episode image credit: Shantanu Joshi
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polari · 1 year ago
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লিখি লোৱা, মই এজন মিঞা ("Write Down 'I am a Miyah'", 2016) by Hafiz Ahmed, translated from Assamese to English by Shalim M. Hussain, began a movement of resistance poetry among Assamese Muslims of Bengali descent, referred to as Miya Poetry after a slur used to describe this community. From Abdul Kalam Azad, for Indian Express ("Write...I am a Miya", 2019):
This poem went viral and other young poets started responding to him through poems. The young poets also started reclaiming “Miya”, a slur used against us, as our identity with pride. This chain of Facebook posts continued for days, reiterating the violence, suffering and humiliation expressed by our community. As time passed, more poets wrote in various languages and dialects, including many Miya dialects. The nomenclature ‘Miya Poetry’ got generated organically but the poets and their associates have been inspired by the Negritude and Black Arts movements, and queer, feminist and Dalit literary movements, where the oppressed have reclaimed the identity which was used to dehumanise them. The trend transcended our community. Poets from the mainstream Assamese community also wrote several poems in solidarity with the Miya poets while some regretted not being poets. Gradually, this became a full-fledged poetry movement and got recognised by other poets, critics and commentators. The quality and soul of these poems are so universal that they started finding prominence on reputed platforms. For the first time in the history of our community, we had started telling our own stories and reclaiming the Miya identity to fight against our harassers who were dehumanising us with the same word. They accused us of portraying the whole Assamese society as xenophobic. The fact is we have just analysed our conditions. Forget generalising the Assamese society as ‘xenophobic’, no Miya poet has ever used the term ‘xenophobic’ nor any of its variants. The guilt complex of our accusers is so profound that they don’t have the patience to examine why we wrote the poems.
Amrita Singh, writing for The Caravan ("Assam Against Itself", 2019), detailed the political backlash against Miya Poetry, in particular the above poem.
On 10 July this year, Pranabjit Doloi, an Assam-based journalist, filed a complaint at Guwahati’s Panbazar police station accusing ten people of indulging in criminal activities “to defame the Assamese people as Xenophobic in the world.” Doloi claimed that the ten people were trying to hinder the ongoing updation of the National Register of Citizens, a list of Assam’s Indian citizens that is due to be published on 31 August. The premise of Doloi’s complaint was a widely-circulated poem called, “Write down I am Miya,” by Hafiz Ahmed, a school teacher and social activist. “Write. Write down I am a Miya/ A citizen of democratic secular republic without any rights,” Ahmed wrote. The police registered a first information report against Doloi’s complaint, booking all ten persons for promoting enmity between groups, among other offences. [...] At the press conference, Mander emphasised that people in Assam are in distress because of the NRC’s arbitrary and rigid procedures. “One spelling mistake when you are writing a Bengali name in English … that is enough for you to be in a detention center, declared a foreigner,” Mander said. “If you are not allowing this lament to come out in the form of poetry, then where is this republic of India going?”
Ahmed's poem is influenced in structure by "Identity Card", a 1964 poem by by Palestinian poet Mahmoud Darwish which uses the symbolic figure of the Palestinian working man to confront Israeli occupiers. Darwish's identity card, a symbol of Israeli subjugation transformed into a cry of Palestinian national identity, is reshaped by Ahmed into the National Register of Citizens for Assam and the accompanying fear of statelessness and disenfranchisement for the Miya people.
This solidarity between writers from oppressed groups is, of course, not one that ends with Darwish and Ahmed, nor with the Black, queer, feminist, and Dalit influences of Miya Poetry. As long as there is oppression, there will be companionship and recognition reflected in art and activism. On December 13, 2023, Black Agenda Report reprinted Refaat Alareer's "If I Must Die", acknowledging the connection between Alareer's poem and "If We Must Die" by Claude McKay, written in 1919 in response to the Red Summer white supremacist riots. In 2000, Haitian community activist Dahoud Andre translated "If We Must Die" into Kreyòl, and the Black Agenda Report editorial honors Alareer in a similar way, reprinting "If I Must Die" with an accompanying Kreyòl translation. (POEM: If I Must Die, Refaat Alareer, 2023.)
Transcripts under the cut.
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[Hafiz Ahmed Transcripts (Assamese and English):
লিখি লোৱা, মই এজন মিঞা
লিখা, লিখি লোৱা মই এজন মিঞা এন. আৰ. চিৰ ক্রমিক নং ২০০৫৪৩ দুজন সন্তানৰ বাপেক মই, অহাবাৰ গ্ৰীষ্মত জন্ম ল’ব আৰু এজনে তাকো তুমি ঘিণ কৰিবা নেকি যিদৰে ঘিণ কৰা মোক?
লিখি লোৱা, মই এজন মিঞা পতিত ভূমি, পিতনিক মই ৰূপান্তৰিত কৰিছোঁ শস্য-শ্যামলা সেউজী পথাৰলৈ তোমাক খুৱাবলৈ মই ইটা কঢ়িয়াইছোঁ তোমাৰ অট্টালিকা সাজিবলৈ, তোমাৰ গাড়ী চলাইছোঁ তোমাক আৰাম দিবলৈ, তোমাৰ নৰ্দমা ছাফা কৰিছোঁ তোমাক নিৰোগী কৰি ৰাখিবলৈ, তোমাৰে সেৱাতে মগন মই অনবৰত তাৰ পিছতো কিয় তুমি খৰ্গহস্ত? লিখা, লিখি লোৱা মই এজন মিঞা গণতান্ত্ৰিক, গণৰাজ্য এখনৰ নাগৰিক এজন যাৰ কোনো অধিকাৰ নাইকিয়া মাতৃক মোৰ সজোৱা হৈছে সন্দেহযুক্ত ভোটাৰ যদিও পিতৃ-মাতৃ তাইৰ নিঃসন্দেহে ভাৰতীয়
ইচ্ছা কৰিলেই তুমি মোক হত্যা কৰিব পাৰা, জ্বলাই দিব পৰা মোৰ খেৰৰ পঁজা, খেদি দিব পাৰা মোক মোৰেই গাঁৱৰ পৰা, কাঢ়ি নিব পাৰা মোৰ সেউজী পথাৰ মোৰ বুকুৰ ওপৰেৰে চলাব পাৰা তোমাৰ বুলড্‌জাৰ তোমাৰ বুলেটে বুকুখন মোৰ কৰিব পাৰে থকাসৰকা (তোমাৰ এই কাৰ্যৰ বাবে তুমি কোনো স্তিও নোপোৱা) যুগ-যুগান্তৰ তোমাৰ অত্যাচাৰ সহ্য কৰি ব্ৰহ্মপুত্ৰৰ চৰত বাস কৰা মই এজন মিঞা মোৰ ��েহা হৈ পৰিছে নিগ্ৰো কলা মোৰ চকুযুৰি অঙঠাৰ দৰে ৰঙা সাৱধান! মোৰ দুচকুত জমা হৈ আছে যুগ যুগান্তৰৰ বঞ্চনাৰ বাৰুদ আঁতৰি যোৱা, নতুবা অচিৰেই পৰিণত হ’বা মূল্যহীন ছাইত!
Write Down ‘I am a Miyah’ Hafiz Ahmed, 2016 trans. Shalim M. Hussain
Write Write Down I am a Miya My serial number in the NRC is 200543 I have two children Another is coming Next summer. Will you hate him As you hate me?
write I am a Miya I turn waste, marshy lands To green paddy fields To feed you. I carry bricks To build your buildings Drive your car For your comfort Clean your drain To keep you healthy. I have always been In your service And yet you are dissatisfied! Write down I am a Miya, A citizen of a democratic, secular, Republic Without any rights My mother a D voter, Though her parents are Indian.
If you wish kill me, drive me from my village, Snatch my green fields hire bulldozers To roll over me. Your bullets Can shatter my breast for no crime.
Write I am a Miya Of the Brahamaputra Your torture Has burnt my body black Reddened my eyes with fire. Beware! I have nothing but anger in stock. Keep away! Or Turn to Ashes.
]
[Mahmoud Darwish Transcripts (Arabic and English):
سجِّل أنا عربي ورقمُ بطاقتي خمسونَ ألفْ وأطفالي ثمانيةٌ وتاسعهُم.. سيأتي بعدَ صيفْ! فهلْ تغضبْ؟ سجِّلْ أنا عربي وأعملُ مع رفاقِ الكدحِ في محجرْ وأط��الي ثمانيةٌ أسلُّ لهمْ رغيفَ الخبزِ، والأثوابَ والدفترْ من الصخرِ ولا أتوسَّلُ الصدقاتِ من بابِكْ ولا أصغرْ أمامَ بلاطِ أعتابكْ فهل تغضب؟ سجل أنا عربي أنا اسم بلا لقبِ صَبورٌ في بلادٍ كلُّ ما فيها يعيشُ بفَوْرةِ الغضبِ جذوري قبلَ ميلادِ الزمانِ رستْ وقبلَ تفتّحِ الحقبِ وقبلَ السّروِ والزيتونِ .. وقبلَ ترعرعِ العشبِ أبي.. من أسرةِ المحراثِ لا من سادةٍ نُجُبِ وجدّي كانَ فلاحاً بلا حسبٍ.. ولا نسبِ! يُعَلّمني شموخَ الشمسِ قبلَ قراءةِ الكتبِ وبيتي’ كوخُ ناطورٍ منَ الأعوادِ والقصبِ فهل تُرضيكَ منزلتي؟ أنا اسم بلا لقبِ! سجلْ أنا عربي ولونُ الشعرِ.. فحميٌ�� ولونُ العينِ.. بنيٌّ وميزاتي: على رأسي عقالٌ فوقَ كوفيّه وكفّي صلبةٌ كالصخرِ... تخمشُ من يلامسَها وعنواني: أنا من قريةٍ عزلاءَ منسيّهْ شوارعُها بلا أسماء وكلُّ رجالها في الحقلِ والمحجرْ فهل تغضبْ؟ سجِّل! أنا عربي سلبتُ كرومَ أجدادي وأرضاً كنتُ أفلحُها أنا وجميعُ أولادي ولم تتركْ لنا.. ولكلِّ أحفادي سوى هذي الصخورِ... فهل ستأخذُها حكومتكمْ.. كما قيلا!؟ إذنْ سجِّل.. برأسِ الصفحةِ الأولى أنا لا أكرهُ الناسَ ولا أسطو على أحدٍ ولكنّي.. إذا ما جعتُ آكلُ لحمَ مغتصبي حذارِ.. حذارِ.. من جوعي ومن غضبي!!
Identity Card Mahmoud Darwish, 1964 trans. Denys Johnson-Davies
Put it on record. I am an Arab
And the number of my card is fifty thousand I have eight children And the ninth is due after summer. What's there to be angry about?
Put it on record. I am an Arab
Working with comrades of toil in a quarry. I have eight children For them I wrest the loaf of bread, The clothes and exercise books From the rocks And beg for no alms at your door, Lower not myself at your doorstep. What's there to be angry about?
Put it on record. I am an Arab.
I am a name without a title, Patient in a country where everything Lives in a whirlpool of anger. My roots Took hold before the birth of time Before the burgeoning of the ages, Before cypress and olive trees, Before the proliferation of weeds.
My father is from the family of the plough Not from highborn nobles.
And my grandfather was a peasant Without line or genealogy.
My house is a watchman's hut Made of sticks and reeds.
Does my status satisfy you? I am a name without a surname.
Put it on record. I am an Arab.
Color of hair: jet black. Color of eyes: brown. My distinguishing features: On my head the `iqal cords over a keffiyeh Scratching him who touches it.
My address: I'm from a village, remote, forgotten, Its streets without name And all its men in the fields and quarry. What's there to be angry about?
Put it on record. I am an Arab.
You stole my forefathers' vineyards And land I used to till, I and all my children, And you left us and all my grandchildren Nothing but these rocks. Will your government be taking them too As is being said?
So! Put it on record at the top of page one: I don't hate people, I trespass on no one's property.
And yet, if I were to become hungry I shall eat the flesh of my usurper. Beware, beware of my hunger And of my anger!
]
65 notes · View notes