#tracking the wolf verse

[citadelrock]

Ultra-Rare Aesthetics - Part 1/?

Sean Diaz - Life Is Strange 2 "Soy un ladrón y chinga tu madre."

[xxstxriesfromashxx]

A Little Taste of Danger

@parvumchao continued from xx

Ooh, he liked that answer - sounds to him like she could hold her own, maybe even put up a fight. His grin grew wider as his imagination painted many pictures following that thought. Dare he even say it just enough to get his blood pumping down south.

"Can't help but wonder, frail," the moniker he used for any woman, more often than not to berate but in some cases - like this one - to challenge. He takes one large step towards the brunette, his 6'3" frame towering over her. Victor had no concept of personal space and even if he did he certainly wouldn't care. His finger comes up to her cheek, the very tip of a claw pressing just gently enough against her skin to start, but there would be little hesitation in applying more pressure. "Just how much of a little taste are you looking for?"

[line-of-fire]

So, headcanons/general info for various characters here in honor of pride month

Pixie- bisexual, not exactly closeted, but isn't out to many people as she doesn't find her sexuality to be something worth discussing, especially when romantic relations are something so far outside what she feels she's able to have

Wolf- demiromantic trans woman. I might elaborate in a future post, but Shadow Company was the first place she was really able to live as herself, as Alkka Salo. Really was a fresh start for her that was desperately needed

Voitto- biromantic + is on the ace spectrum. Hasn't necessarily caught onto the ace thing yet.

Sweet Tea- gay, and I'll leave the details for a future post, but I'll leave it at the fact that he is incredibly grateful for the 291 and it's members.

Romeo- pansexual + nonbinary (uses they/them pronouns!).

Borealis- polyamorous bisexual. Canonically married to one Mikhail Zohlansky in the Phoenix verse.

Jaybird- bisexual. Fairly casual about it, she's no stranger to puns/jokes about it.

Spuds- definitely Not Straight. That's all he chooses to elaborate on it if asked, partially because he's still unsure of what exactly he thinks he is, partially because he dislikes being questioned about it. He likes who he likes and that's nobody's business as far as he's concerned.

[astrangetorpedo]

Julien Baker Track by Track - An Interview with Apple Music

“Everybody is scared of death or ultimate oblivion, whether you want to admit it or not,” Julien Baker tells Apple Music. “That’s motivated by a fear of uncertainty, of what’s beyond our realm of understanding—whatever it feels like to be dead or before we're born, that liminal space. It's the root of so much escapism.”

On her third full-length, Baker embraces fuller arrangements and a full-band approach, without sacrificing any of the intimacy that galvanised her earlier work. The result is at once a cathartic and unabashedly bleak look at how we distract ourselves from the darkness of voids both large and small, universal and personal.

“It was easier to just write for the means of sifting through personal difficulties,” she says. “There were a lot of paradigm shifts in my understanding of the world in 2019 that were really painful. I think one of the easiest ways to overcome your pain is to assign significance to it. But sometimes, things are awful with no explanation, and to intellectualise them kind of invalidates the realness of the suffering. I just let things be sad.”

Here, the Tennessee singer-songwriter walks us through the album track by track.

Hardline

“It’s more of a confession booth song, which a lot of these are. I feel like whenever I imagine myself in a pulpit, I don't have a lot to say that's honest or useful. And when I imagine myself in a position of disclosing, in order to bring me closer to a person, that's when I have a lot to say.”

Heatwave

“I wrote it about being stuck in traffic and having a full-on panic attack. But what was causing the delay was just this car that had a factory defect and bomb-style exploded. I was like, ‘Man, someone got incinerated. A family maybe.’ The song feels like a fall, but it's born from the second verse where I feel like I'm just walking around with my knees in gravel or whatever the verse in Isaiah happens to be: the willing submission to suffering and then looking around at all these people's suffering, thinking that is a huge obstacle to my faith and my understanding, this insanity and unexplainable hurt that we're trying to heal with ideology instead of action.”

Faith Healer

“I have an addictive personality and I understand it's easy for me to be an escapist with substances because I literally missed being high. That was a real feeling that I felt and a feeling that felt taboo to say outside of conversations with other people in recovery. The more that I looked at the space that was left by substance or compulsion that I've then just filled with something else, the more I realised that this is a recurring problem in my personality. And so many of the things that I thought about myself that were noble or ultimately just my pursuit of knowing God and the nature of God—that craving and obsession is trying to assuage the same pain that alcohol or any prescription medication is.”

Relative Fiction

“The identity that I have worked so hard to cultivate as a good person or a kind person is all basically just my own homespun mythology about myself that I'm trying to use to inspire other people to be kinder to each other. Maybe what's true about me is true about other people, but this song specifically is a ruthless evaluation of myself and what I thought made me principled. It's kind of a fool's errand.”

Crying Wolf

“It's documenting what it feels like to be in a cyclical relationship, particularly with substances. There was a time in my life, for almost a whole year, where it felt like that. I think that is a very real place that a lot of people who struggle with substance use find themselves in, where the resolution of every day is the same and you just can’t seem to make it stick.”

Bloodshot

“The very first line of the song is talking about two intoxicated people—myself being one of them—looking at each other and me having this out-of-body experience, knowing that we are both bringing to our perception of the other what we need the other person to be. That's a really lonely and sad place to be in, the realisation that we're each just kind of sculpting our own mythologies about the world, crafting our narratives.”

Ringside

“I have a few tics that manifest themselves with my anxiety and OCD, and for a long time, I would just straight-up punch myself in the head—and I would do it onstage. It's this extension of physicality from something that's fundamentally compulsive that you can't control. I can't stop myself from doing that, and I feel really embarrassed about it. And for some reason I also can't stop myself from doing other kinds of more complicated self-punishment, like getting into co-dependent relationships and treating each one of those like a lottery ticket. Like, 'Maybe this one will work out.'”

Favor

“I have a friend whose parents live in Jackson, where my parents live. They’re one of my closest friends and they were around for the super dark part of 2019. I'll try to talk to the person who I hurt or I'll try to admit the wrongdoing that I've done. I'll feel so much guilt about it that I'll cry. And then I'll hate that I've cried because now it seems manipulative. I'm self-conscious about looking like I hate myself too much for the wrong things I've done because then I kind of steal the person's right to be angry. I don't want to cry my way out of shit.”

Song in E

“I would rather you shout at me like an equal and allow me to inhabit this imagined persona I have where I'm evil. Because then, if I can confirm that you hate me and that I'm evil and I've failed, then I don't any longer have to deal with the responsibility of trying to be good. I don't any longer have to be saddled with accountability for hurting you as a friend. It’s something not balancing in the arithmetic of my brain, for sin and retribution, for crime and punishment. And it indebts you to a person and ties you to them to be forgiven.”

Repeat

“I tried so hard for so long not to write a tour song, because that's an experience that musicians always write about that's kind of inaccessible to people who don't tour. We were in Germany and I was thinking: Why did I choose this? Why did I choose to rehash the most emotionally loaded parts of my life on a stage in front of people? But that's what rumination is. These are the pains I will continue to experience, on some level, because they're familiar.”

Highlight Reel

“I was in the back of a cab in New York City and I started having a panic attack and I had to get out and walk. The highlight reel that I'm talking about is all of my biggest mistakes, and that part—‘when I die, you can tell me how much is a lie’—is when I retrace things that I have screwed up in my life. I can watch it on an endless loop and I can torture myself that way. Or I can try to extract the lessons, however painful, and just assimilate those into my trying to be better. That sounds kind of corny, but it's really just, what other options do you have except to sit there and stare down all your mistakes every night and every day?”

Ziptie

“I was watching people be restrained with zip ties on the news. It's just such a visceral image of violence to see people put restraints on another human being—on a demonstrator, on a person who is mentally ill, on a person who is just minding their own business, on a person who is being racially profiled. I had a dark, funny thought that's like, what if God could go back and be like, ‘Y'all aren't going to listen.’ Jesus sacrificed himself and everybody in the United States seems to take that as a true fact, and then shoot people in cold blood in the street. I was just like, ‘Why?’ When will you call off the quest to change people that are so horrid to each other?”

(x)

[yxngbxkkie]

#1 3RACHA supporter

okay, so i think this is the cutest thing on earth. my last installment of 3racha in NY for global citizens, and i'm so proud of myself for getting three fics out in two days 😌 i hope you guys enjoy it! let's hope my creative juices will stay with me 🫢💓

feedback is greatly appreciated 🥰

This is all for Jisung. This is all for Jisung. You keep repeating to yourself. You and your best friend flew to New York to surprise your boyfriend's, Jisung and Chan, at the festival they're performing at. What you didn't expect was a monsoon.

The two of you managed to make it to the front of the crowd, having the perfect view of the stage. Excitement flows through your veins as you wait for 3RACHA to take the stage.

You glance down at the Han Quokka skzoo in your hands, adjusting the shirt it's wearing. Someone beside you nudges your arm, causing you to glance over to see your best friend.

"Are you okay?" She asks you, a look of concern in her eyes.

"Yeah, sorry! I'm just getting a little impatient," you chuckle, moving your wet hair out of your eyes. "We haven't been able to see them for weeks on end. I just want to see my baby."

The shorter woman rests a hand on your arm, comforting you. "I know. They'll be on stage soon!" She reassures you with a smile.

You shiver underneath the orange poncho you're wearing as your eyes drift back up to the stage. You squeeze the quokka in your hands, feeling the excess water dripping down your hands.

The announcer calls out 3RACHA's name, causing you to jump slightly. People around you start screaming as a video plays on the blocked television screen.

A smile comes to your lips when you see Jisung on the screen. Your heart pounds against your chest as the Stray Kids anthem begins to play.

You glance down at your friend, seeing her Wolf Chan sitting in front of the lower part of her face. You shake her shoulder in excitement, bringing your gaze back to the stage.

A gasp escapes your list as you can see your friends and boyfriend standing on the side, their gazes settled on the crowd. You quickly turn to your friend, almost yelling into her ear where they're standing so she can see Chan.

"Oh my god," she says loud enough for you to hear.

"I know, I know. There's our boys," you almost cry, feeling the tears begin to well up.

The first song they perform is 3RACHA, a classic for this trio. You keep your eyes trained on Jisung the entire time, waiting for his eyes to meet yours.

You capture multiple pictures and videos of the members, feeling proud that they're here. When they finish their song, they start talking about all the problems in the world and that they need our help to make a difference.

Heyday is the next song, and you bounce in your spot, dancing and singing along to them. Jisung walks over towards where you're standing, and you stand on your toes, trying your best to capture his attention.

"Han Jisung, I love you!" You scream out, waving your skzoo around.

You grin widely as your gaze meets his. He continues to rap his verse, and you watch his boba eyes widen. You swiftly point to your best friend as well, conveying the message to let Chan know.

Jisung finishes his verse, giving you a subtle nod before throwing out a heart. Stays around you scream at his action, causing your heart to flutter.

After 3RACHA's set is over, you and your friend make your way out of the crowd. You can feel your phone vibrating in your pocket, and you fish it out before answering it.

"Hanji, you guys did amazing," you greet him instantly, smiling ear to ear.

"You guys are here?! For real?!" He asks excitingly. A chuckle leaves your lips, and you assure him that you're really here. "Where are you guys? I'll send Skijigi out to get you two."

You stop in your tracks as you stand by the tent that's selling food and water. "Uhm, we're right by the flag that says ultimate VIP and the tent that's selling food and drinks," you inform him, hearing him pass the message on to their manager.

"He's going out there now. It shouldn't be too long until he finds you," Jisung mentions, a quick sigh leaving his lips after. "I can't believe you're here. I missed you so much."

"I missed you too, baby. I was getting so impatient waiting for you to perform," you laugh into the phone, tucking some wet hair behind your ears. "Hey, do you by chance have extra clothes?"

You can hear Jisung rummage through his bag as he mumbles incoherently to himself. He lets you know that he indeed does have extra clothes you can change into.

"I see Skijigi! I'll see you in a minute, baby," you mention, tapping your friend's shoulder before heading in his direction.

"Okay, I love you."

You smile fondly. "I love you too."

You bid each other goodbye before you hang up, slipping your phone back into your pocket. Skijigi greets the two of you with a quick hug before leading you to where 3RACHA is.

As soon as you see Jisung, you're sprinting. You weave around people walking, throwing out an apology before colliding into your boyfriend's arms.

"My baby," Jisung whispers into your ear, twirling you around. "You're so beautiful."

You laugh at his compliment, knowing for a fact you look like a hot mess. "Such a charmer, Hanji," you grin, placing your hands on his cheeks.

He leans forward to capture your lips in a quick kiss. "I gotta keep you around somehow," Jisung jokes after pulling away.

You roll your eyes, shaking your head. "You don't even have to try, baby," you confess to him, resting your forehead on his.

"Thank you for coming. I'm so grateful for you," Jisung whispers while setting you back on your feet.

"Of course, baby. I'm your number one 3RACHA supporter," you wink, pressing a chaste kiss on his lips.

Changbin laughs as he walks by the two of you, shaking his head at how dramatic you both can be. Jisung grins, scrunching his nose slightly. "Yes, you are, my baby."

~

tagging: @thewxntersoldier @reddesert-healourblues @spacegirlstuff @moon0fthenight @foxinnie8 @like-a-diamondinthesky @prettymiye0n

[frnkiebby]

AAAAA WAIT DID YOU JUST CALL ME GAY?? 🤬 I HOPE BY TWO QUEERS YOU MEAN YOURSELF AND TYLER😒

either way, here are some songs I recommend 😍😍

SWEET / I THOUGHT YOU WANTED TO DANCE : it's my favourite song, and a whole 9 minutes track. Sometimes Tyler merges two different songs into one track, and I Hella love it🫶🫶 same goes for GONE, GONE / THANK YOU

The entire Igor album, actually. It's 40 minutes something and like the better version of the demolition lovers (sorry not sorry),, I HIGHLY encourage looking for the meaning

Talking about Igor, I'd say NEW MAGIC WAND is popular for a goddamn reason. I LOVE THAT SONG!!! it's so horror-ish

IFHY : debatable but the best song out of the Wolf album,, it's like you're listening to an insane client have a monologue...and it's relatable

DEATHCAMP and SMUCKERS are my favourite too,, honourable mention for 2SEATER. I'm sure I'm just listening to SMUCKERS for the Kanye feature tho,, his verse is HILARIOUS 😭😭

No Tyler, you can't ask out a girl by telling her "Awh, you look malnourished"....but WusYaName is INSANELY chill (the whole "call me when you get lost" album is great actually)

See you again is like good but it's too overplayed that I can't listen to it normally again, but I love the entire thing🙏🙏

She : it's like....rlly goddamn dark...okay Tyler, we get it, you liked her so much you had to stalk her?? (And the girl screaming is actually making the atmosphere weirder) and although I'm the BIGGEST Frank Ocean hater, I'll let this one slide because his voice is so nice i forgot what he's singing...

Yonkers is like a joke song I think about the stereotypical New York beats?? But I'm so glad it even WENT in the debut album🔥🔥

On a side note, i love Tyler so much because his like the outlier of rap and hip-hop in general 😭 like actually, he's weird but who doesn't love a little weirdness???

WHOOPSIE

tbh, and this might actually start landing me in situations i stg, but i have this habit of assuming everyone is some flavor of queer bc i am?

like even for people irl.

my brain just goes ???heterosexuality???that exists??? so that’s my bad lmfao

anywho, 👏🏻👏🏻 that’ll be my mission today to check these out!! i’m excited, i love checking out new to me music :3 ~🎃

[wheredidhiseyebrowsgo]

Heyo! I was wondering if you knew many steter/sterek prison aus? I'm not well versed in ao3 filtering yet, thanks! 😊

Sure.

Those Hidden Places by Mimiminaj

(1/1 I 18,799 I Explicit I Sterek)

He doesn’t belong here.

It’s the first thought that crosses Derek’s mind as he watches the new inmates spill into the cafeteria. The kid stays close to the wall, eyes scanning all the exits and skimming over the tables. If he’s trying to get a barring for his surroundings he’s doing a shit job of it, something made completely evident as Lewis shoulders him from behind and the kid almost jumps to flatten himself against the wall.

Or

Stiles is the new inmate at Derek's prison. He really didn't expect to fall in love with the mouthy little brat.

Sixteen Years In Hell by gaydestiny

(7/7 I 23,914 I Explicit I Sterek)

So this was finally it. He was being escorted by an armed guard through a pair of double doors and into actual prison. Where he would be sharing living quarters with convicted killers, probably. Stiles may have been a bit of a badass in his own right, but he was still just a 16 year old kid, he used to be an honor student for fuck's sake, how was he supposed to deal with this?

Never Cage A Rabid Wolf by tty9

(26/26 I 49,734 I Explicit I Sterek)

Stiles is sent to prison, and gets assigned to a cell with-

“Hale?!” Scott gasped as his gaze followed Stiles’s. “You got Derek Hale?! Oh boy, man, good luck with that buddy, that guy is a psycho!” His voice had become worryingly high pitched. Stiles’s heart started thumping in his chest, and he swore it actually skipped a beat when Hale looked up at them, his eyes searing into Stiles’s who quickly dropped his head. His beef (or was it pork?) slop suddenly looked very interesting.

Could Frame Thy Mortal by orphan_account

(15/15 I 42,271 I Explicit I Steter)

"It’s normal. Spending every waking second watching Hale is normal. In many ways, Hale is his whole universe: tracking his movements, waiting for what he does next, wondering what he’s thinking. The only outside stimulation he gets otherwise is the shower visits, and even then it’s only when Chris is the one taking him that he gets any engagement. 

Stiles knows Hale like he knows the water pipe. The sixty two bars that line the side of their cage. Like the minute of cold water that hits Stiles’ skin before the heat finally comes in the shower block. "

Held in an Argent facility, never knowing who he can trust, Stiles pays for his survival with the only currency he has.

[drconstellation]

The Golden Lions of Heaven

S2 has several prominent lion symbols in it, and at first watch they don’t appear to have anything to do with the main story line. But there are lions in both seasons, and they are all connected.

Lions are intrinsically linked with royalty, and are often called King of the Beasts or King of the Jungle. They also symbolize courage, nobility and strength.

Whenever lions appear in GO they are always coloured gold, which is associated with Heaven. Nearly all the angels have some bit of gold on them somewhere - unless they have just discorporated.

In Christian iconography Jesus is represented as a lion upon his return. When he was crucified he was a sacrificial lamb, but the Second Coming is a time when he returns to reign again. As a descendant of the royal house of David, it therefore seems quite logical to assign this symbol to the king of kings.

There is also this paragraph from the Medieval Bestiary:

“In Christian allegory, the three main natures of the lion each have a meaning. The lion erasing its tracks with its tail represents the way Jesus concealed his divinity, only revealing himself to his followers. The lion sleeping with its eyes open represents Jesus, physically dead after crucifixion, but still spiritually alive in his divine nature. The lion roaring over his dead cubs to bring them to life represents how God the father woke Jesus after three days in his tomb.”

There is also an often misquoted line “when the lion shall lie down with the lamb,” but it’s not that at all. The full verse is:

“The wolf shall live with the lamb, the leopard shall lie down with the kid, the calf and the lion and the fatling together, and a little child shall lead them.” [Isiah 11:6]

It is referring to a time of peace that should come once Jesus returns. Somehow I don't think we are going to get that in S3.

The Two Lions in the Dirty Donkey

There are two large golden lions sitting on the ends of the bar in the Dirty Donkey. Because one of the underlying themes in S2 is about the Second Coming, even if its not obvious until the end, its fairly easy then to interpret these two as being connected to this event. The Dirty Donkey itself can be seen in several ways: a simple donkey that needs a wash, or a black horse. Both are relevant to referencing Jesus. In the former, Jesus rode a donkey into Jerusalem the first time to signify he came in peace, but the second time he arrives will be like on the back of the black horse of a conqueror come to rule. One lion for each occurrence.

The Lion under the lamp in Jimbriel’s room

While there is some argument for Jim’s character in S2 re-creating parts of the life of Jesus from two thousand years ago, such as the cleansing of the temple and facing temptation from demons. I think we shouldn’t also forget that this is also Gabriel the Herald, and he was doing some ominous heralding of doom at various points in S2 that in hindsight we can see were warning us about the Second Coming. So this lion at the base of the lamp Jimbriel is playing with has to alert us to Jimbriel’s connection with Jesus. (I will probably revisit and add/rewrite this one in the future, I think there is a bit more to it)

The Lion Rampant on Aziraphale’s Ring

At the end of S2 we learn that Aziraphale has been manipulated into going back to Heaven to run the Second Coming by the Metatron. In hindsight, its hard to see how he wouldn't be involved, somehow. What is surprising, however, is that this expert in prophecy didn't see it coming - but then he didn't expect to see Jimbriel arriving either!

Usually the first thing we notice about Aziraphale's ring is the stylized lion rampant on the shield. We know it's definitely a lion because it upright - if it was down on all four paws it would be referred to as a leopard. The upright tail tells us its on guard.

There are more elements to the ring that also add to the story here, it's a much more complex ring than Michael's. The crown on the top is a symbol of victory and sovereignty, and also a connection to God, who considered the "King of all." On either side of the shield are two stylized sprigs of laurel, reinforcing a picture of triumph and fame.

Then there are a fringe of feathers, banded in sharp triangular spikes. Feathers signify willing obedience and serenity of mind in heraldry, so I would tend to lean towards the former. The triangles represent celestial rays, so they reinforce his obedience to the will of Heaven.

You might think, "well this makes sense, Aziraphale is a Principality, he's a protector, that's why there is a lion," but I think it more complicated than that. It tells us something about both the past and the future at the same time. The purpose of the rings remain a mystery to us at the moment, in that we don't know why some angels have them and others don't, or if they have any function. Aziraphale has a tendency to touch his when he is feeling troubled or worried (its easy to miss if you aren't paying attention,) so perhaps it helps to strengthen his connection to Heaven somehow, or is a reminder of his duties.

There is another connection Aziraphale has to a lion, and that is through his past status as a cherubim in the Job minisode in S2E2.

As pointed out in this post, the pattern is stylized to represent the four wings that Cherubim are said to have, with a pearl in the center for an eye. These Cherubim also have four faces: an ox, an eagle, a lion and a man. Well, we sort of get all of those with Aziraphale at some point in the wider story. And the angel set at the eastern gate of Eden with the flaming sword was supposed to be a Cherubim, too. Yes, Aziraphale changed rank from Cherubim to Principality, we just don't technically know whether it was a step up or down...

The Honolulu Roast Lion

There is a lion you don’t see in S2 – the lion logo for the Honolulu roast coffee, mentioned briefly on a blackboard in the background of a shot inside the coffee shop.

The islands of Hawaii were a kingdom up until 1893, when a commercial coup took them over and allowed them to be annexed by the US. You can read more about it here. While the op in that post relates it the Eldritch Ball in S2E5, it still connects a lion to royalty.

The lion at the beginning of S1E1

Right at the beginning we have a lion as well – a real live lion! After Adam and Eve leave the Garden of Eden they meet a big lion out on the dunes. As Aziraphale and Crowley watch and talk atop the walls of the Garden, Adam confronts the lion with the flaming sword Aziraphale gave him and eventually kills the lion before he walks away with Eve.

What are we to think of this? I've see one op suggest that it was Aziraphale "throwing them to the lions" as his first act. To me it seems more like Adam has just slain God instead to gain their freedom.

The Lions on Crowley’s “throne”

There are two lion heads on the arm rest of Crowley’s “throne” (I don’t know what else to call it, really) in his Mayfair flat in S1. If I understand correctly, this should first be viewed as a homage to the US show Supernatural, as this chair is the exact copy of the one the demon Crowley in that show sits in, only his one is black. But if I’m to look at it in terms of GO symbology, my brain keeps going [error 503: Server cannot process the request due to a system overload; should be a temporary condition...] because I can’t quite believe what its telling me. And I should, because I’m the one running around touting a list that is now 22 items long for why Crowley was once a very powerful archangel and written a batshit-crazy meta on King Arthur themes presenting in GO. So I’ll just present my quandary this way: There are lions, they are golden, of course, so they are connected to Heaven, and a symbol of royalty – but they are being used by a demon in a residence paid for by Hell…(too.much.gold...! what were they thinking?)

Further reading: The Golden Lion by Cobragardens

[heartz4shauna]

werewolf!shauna headcanons?

omd don’t start me… also i know NOTHING about the omega verse so i apologise if that’s what u we’re looking for ily

🐺she tried so hard to make sure no one noticed that she was leaving the cabin at ungodly hours of the night. you noticed though obvs..

🐺you noticed how odd she was acting during the day when misty would mention a full moon.

🐺she’d growl softly whilst eating and she’d look around to make sure no one heard her

🐺you found her about a mile or so behind the cabin, ravaging on some poor animal, which is probably why no one else could find food.

just imagine this scene with a lot more blood and fur.

🐺she’d notice you and look at you like that too. the amount of FEAR in her eyes is so odd to see, especially when she’s kneeled over, wolfing down (pun intended) on the poor beast that wandered into her sight.

🐺once she actually processes that’s it’s YOU she scurries away whimpering in fear like you’ve got a gun. you, being fucking terrified, SPRINT back to the cabin. you don’t tell anyone what you saw because if you did what would shauna do? she’d probably feed on you too, you thought.

🐺when you woke up in the morning everything was normal, or about as normal as it could get in the wilderness. shauna was sleeping where she normally did, not covered in hair or blood dripping down her chin.

🐺she’s the first one to say something, “look, i know you saw me last night. you can’t tell anyone.” you just nod, fascinated that she’s so chill about the situation.

🐺so, you keep your mouth shut. you start noticing more of her wolfish traits. becoming more possessive over her things, feeling less inclined to do what she’s been asked, getting angry and storming off at the smallest things.

🐺her worst days were when the team were starting their menses. just being around of any of you would drive her fucking INSANE!!! so, during said time, she’d sneak off to her own secret little place away from the cabin to call herself down. she even started to try and keep track of when another full moon was so she could feed again.

🐺after a good feed, she wouldn’t eat anything for a day or two after because of how much she ate. the team noticed and asked her about it. and she tried to act SO casual about it like, “i dunno. just not hungry, i guess.” which wasn’t entirely a lie

i got nothing else. hope this was okay love u xx

[cowboydisaster]

Lobo

reupload; originally posted on 14 february, 2023

read part two here

pairing: werewolf!Arthur Morgan x reader

word count: 5.2k

summary: You're on the run, hiding from the law. One night, your dog runs into the woods and comes upon a poor creature stuck in a bear trap. This isn't just some normal wolf... His eyes are the color of the ocean and he seems to understand you. The wolf continues to visit you, shifting back and forward between man and beast. He offers you his name, and eventually his heart.

a/n: this was originally a submission for the rdr events valentines exchange! This was my first ever werewolf fic and I was hella intimidated by it, but it was SO fun. I'm definitely down to do a part two if that's something people want. Let me know! Important things to know about this fic because everyone writes werewolves differently: - A werewolf's eyes glow red when they have found their mate, and after they've found their mate, their eyes glow red during very emotional/vulnerable moments. - A mating bite is just a way for the bond to seal between the two. It can be given by one or both parties -Arthur is a fully normal human being, aside from the fact that he can shift to a wolf. -Werewolves can shift between human and wolf at any time in this fic, not just on a full moon - The full moon makes a werewolf more primal. i.e. wanting to run, wanting to stay shifted as a wolf. It also makes the wolves more drawn to their mates and more protective

also as a little warning I am not well versed in werewolf lore, so if anything in this fic is way far off I apologize.

fic is below the cutoff

Your stallion's hooves slosh in the mud as you canter, riding towards a little area near Valentine that you’re planning to camp at for the night. The moon is full tonight, resting high in the sky and casting the night in an eerie, pale glow with dark shifting shadows. For the last few weeks you've been on the run, sleeping under the stars or in abandoned houses and buildings as you drift further and further away from Saint Denis. It wasn't your fault really. The man you killed? Well he deserved it. But every action has consequences… You’ve been drifting since it happened, never staying in one place too long. Parts of you miss your old life, the structure of society and sleeping in a bed. But the freedom that your current life offers is unmatched.

You've made it all the way up to the cliffs now. It would probably be safe to stick around, surely you're far enough away by now. But an itch under your skin urges you to keep running, to get far away so that they will never find you. Pushing the doubts out of your mind, you whistle, and hear a bark in answer from your Australian Shepherd, Marley. He's running beside your black thoroughbred, Ares, just as eager as you to set up camp for the night. 

After some convincing that the law won't find you this far north, you slow Ares down to a trot, passing by a lightly wooded area along the train tracks. Beyond the trees is a small opening. It's big enough for you to comfortably set up a little camp, but wooded enough to protect you from the near constant drabble of rainfall, and more importantly any wandering eyes from the tracks. You deem the spot safe for the night, whistling for Marley to follow as you trot through the treeline.

It's been a tough few weeks. Your clothes have been growing a little looser around your frame, and your little stash of money from your father’s savings has depleted to nothing. You don't know how to hunt, you're from the city. With no means to get food, your options have depleted to two: steal or starve. There's already a bounty on your head and you don't plan on increasing it, but you know what they say about desperation. Twice now you've stolen saddlebags off of tethered horses in search of food or money. You've rationed your supplies enough to get you this far, but now? Well you're pretty well screwed. 

Hopping down from Ares with a pat of gratitude, you reach into one of the stolen saddlebags in search of something useful. Something soft touches your hand, and you pull out some clothes. There's two shirts and two pairs of jeans. With a sigh, you shove the clothes back into the bag. They're of no use. They're way too big for you, but maybe you can repurpose the cloth later. You step around Ares’ backside to reach into the other side of the bag. Luckily, you find two pieces of salted beef. 

“Well, we got dinner, boy.” You smile, tossing one up into the air and watching as Marley catches it in his mouth. 

You don't have a tent, never got one after escaping Saint Denis, and you don't have a bedroll either. So as per usual, you opt to find shelter under a large oak tree, laying on your saddle blanket and resting your head on your saddle in the dirt. It makes a decent pillow, and it provides Ares with some relief for the night. After finishing your dinner, you eye your boys. Ares is lying in the grassy patch ahead of you, enjoying the subtle rainfall after a long day’s run, and Marley curls up in the grass at your side. 

“Don't worry boys, we’ll find somewhere more permanent soon, alright?” You whisper to them, almost drifting to sleep. You try to stay awake to watch the night. The moon is so full, so bright, unlike any night you’ve seen before. It's equally beautiful and mysterious. The grass dances in the breeze, shining under the moon’s white light while being tapped by slow sprinkling rain. Your eyes slip shut… and Marley barks. 

You know Marley. He’s your best friend, and Marley only barks at danger. Immediately you sit up on the saddle blanket, gripping the handle of your knife out of instinct. 

“What is it boy?” You whisper, scanning the treeline to no avail. Ares has stood up, and is whinnnying, stomping his feet and tossing his head in trepidation. 

Every hair on the dog’s back is standing straight up, and he bares his teeth towards the eastern side of the forest with a low growl. Your brows knit together, as you see no lights or signs of anything. 

“Marley, what's the matter?” You coo, reaching out to calm the dog, but he's too quick. He barks, and takes off into the east side of the forest. 

“Shit, Marley!” You yell after the dog. 

With a sigh, you run over to Ares, not even bothering to put the saddle back on. You sit on him bareback, quickly urging the stallion into the forest after your dog. It's difficult to navigate the dark forest, but Ares needs no guidance as he weaves around trees and jumps over fallen logs after your dog. You have to hang on for dear life as he jumps a particularly large log, as it's much harder to sit without the aid of your saddle. Slowing Ares down to a slow trot, you stick two fingers on your lip and whistle as loud as you can. It's too dark to see anything, and the rain has picked up, soaking your hair and causing rivulets of water to drip into your eyes and drench your clothes. 

You hear his returning bark, and you spur Ares in the direction of the familiar sound. After cantering around a few more trees, you spot Marley. He’s cowering on the ground, shaking with his head on the ground in submission. At first you’re afraid he’s been hurt, and you jump down from your stallion to approach the dog. 

“Marley…?” You whisper, slowly approaching him. 

The breath leaves your lungs when you hear it; The loudest howl you have ever heard. It’s mangled and painful, and so, so close. Your heart beats rapidly, time slows, and you can feel the moment its eyes are on you.  Slowly, you turn around. 

In front of you is the largest wolf you have ever seen in your life. Well, you’ve never seen a wolf other than in the paper but this wolf- there's something different. It’s a male, surely the alpha of his pack, if he has one. He has a sandy blonde coat, broad head and shoulders, and even standing on all fours, the wolf is almost as tall as you. But the most stark detail is his eyes. They are bright, a green-blue mixture that can be compared to the blend of the tide and the sky. There’s something so human about his gaze that you’re almost knocked to the ground by its strength. The wolf’s eyes are locked onto your own, and it tries to step towards you, but stops suddenly and cries out in pain. Your eyebrows draw together, and you step around the right side of the massive wolf. His eyes stay on yours, and suddenly you feel no fear. It’s like you’re supposed to be here, you're supposed to find him. It causes your breath to hitch in your throat, and a dull pressure to buzz in your chest, but you ignore it, continuing your observation of the animal. 

“Oh, you poor thing.” You whisper under your breath upon the sight of his mangled, bloody back leg. It's caught in a particularly nasty bear trap, who knows how long he’s been stuck here. You eye the wolf carefully for a moment, and when you sense no aggression, you step forward. The trap is a pressure lock, and you can dismantle it with your bare hands. Determined, you wipe your hands on your jeans. 

“Alright, now I’m gonna set you free, but you can't eat me, okay?” 

You swear the wolf chortles at your comment, and you lean down in the mud, pressing down on the bear trap with all your might. It clicks a few times, meaning that it’s close to opening. You stop pushing the trap and gasp in shock when you feel the wolf press his nose into your waist, inhaling deeply as if he is savoring your scent. You stutter, and quickly continue pressing down on the trap until it fully snaps open. The wolf takes one full deep breath of your scent, and then throws his head up towards the full moon and howls. It's so loud that your ears almost hurt, but it's not nearly as strong as the pressure in your chest, the unfamiliar buzz that is threatening to rip you in two. You clutch at your rib, gasping in shock when the wolf brings his head back down to look into your eyes. The wolf’s blue irises have been replaced with two deep crimson circles that stare back at you. Your heart pounds in your chest, and you can hear it. But just as quickly as you found him, he is gone. He turned tail and ran, limping away on three legs. You’re left in shock, mouth agape, sitting against the wet forest floor.

— two weeks later —

You search through the bottom of the same leather bag that you’ve checked three times, foolishly hoping to find some food for you and Marley. You need to find something soon, or you’re going to have to venture into town, which may or may not end up with your neck in a noose. With a sigh, you toss the bag on the ground by your campfire. Tears threaten to fall as you pet your shepherd dog, apologizing for the lack of dinner. Ares is already laying in the grass, and you decide to hit the hay as well. Like every night, Marley curls up beside you while you try to fall asleep. His steady breathing, and eventually his snores almost lull you to sleep, but you’ve been having trouble sleeping. For the past two weeks all you’ve been able to think about is him. You know what he is now, you remember the stories that your Pa used to tell you. The legends of beasts in the west, far more dangerous than the outlaws inhabiting it. Well, they weren’t just stories. You think of him every night, wondering why he ran, why he’s this far east in the first place. Tonight is no different, in fact the ache in your ribcage is especially strong tonight. You’ve felt it ever since that night. 

Eventually, you’re able to quiet your mind, blinking foggily as sleep overtakes your senses. Just as your eyes begin to flutter shut, two blue circles blink from behind the treeline, and then you fall asleep. 

— the next day —

The evening sun wakes you up, surprisingly warm despite the cold day. The light filters through the trees, casting your face in a yellow glow. You'd slept almost the entire day, but you needed it. You haven't been sleeping well, too busy thinking of the wolf. You yawn, sitting up and stretching your arms before checking for your boys. Marley is chewing on a stick beside the charcoal left over from the campfire, and Ares has his head to the ground, grazing on some fresh grass. As you go to stand up, something fiery red catches your eyes and you snap your neck in its direction. About five feet away from your makeshift bedroll is a fox. It's been killed, perfectly hunted in such a manner that the pelt is in perfect condition. With your brows drawn together, you lean over and pick up the fox. Two neat, large canine teeth marks have punctured the animal's neck. 

This was him. 

You're overcome with relief at the fact that he's okay. After he'd run off you weren't sure where he went, or if he had a pack, and someone to fix his wound. You've been thinking about the man for weeks, wondering what he looks like, sounds and acts like, what his name is. Quickly you pull out your hunting knife, taking your time to skin the animal neatly. Every cut is articulate, something you learned from working for the trapper in Saint Denis. You know how to clean, cut and cook an animal, just not how to actually hunt one. You rest the red pelt fur down against the dirt to dry, and then get to work on your fire. Marley brings you back enough twigs and sticks to get a fire going, and before long you're placing nice cuts of meat over the fire, cooking a decent meal for the first time in a while. Marley seems grateful as well, coming over to the campfire to check on the food with his mouth watering. 

It's a good breakfast, well dinner. You don't have much to season the meat with, but a few pieces of oregano manage just fine. You and Marley share the fox, saving the rest of it for the following days. With the day pretty much over before you've even started it, you pull out your journal. 

Ever since that night in the woods, I feel this ache. It's like a rope. I don't understand it much, but… it's pulling me to him. I know it is. He left me a fox- first good meal we've had in a day. That's gotta mean something, right? 

Your fountain pen stops on the paper, and some ink pools out of it, leaving an ink blot. Your eyes widen at the sound of a twig snapping, and the feeling in your ribs intensifies. You carefully close the leather journal, setting it down on the ground before pulling your knees up to your chin and smiling. 

"Come out. I know you're here." You call out boldly, standing up from the ground and facing the forest in the direction of the snap. You can feel eyes on you, but you can't pinpoint his exact location. Behind you, Ares begins to spook, pawing at the ground and snorting in irritation. Marley growls, and you follow his gaze until you see the wolf. 

He's even more beautiful in the daylight. Now you can really see the contrasts in his coat color, like brindle between tan and brown. His eyes are just as striking without the added glow from the moon, and now they shine bright blue. He steps out from the forest slowly, head down to placate you. He steps right up to you, almost eye to eye. The buzzing in your chest is so strong, like the rope is pulled so tight that it's on the verge of snapping. 

"You ain't no regular wolf… I've heard the legends, but I didn't think there would be any of you this far east…" 

The wolf's eyes close and he nudges his head into your side, one again inhaling your scent. You're not sure why he does it, but you don't mind. Hesitantly, you bring your hand up to the wide spot between his ears. You expected his fur to be coarse, but you're wrong. It's soft, like thick layers of silk. Your hand glides over his head, petting his ears while he leans further into you. 

"Thank you for the fox." You whisper, smiling sheepishly at the familiar stranger. 

Slowly, he turns around, going towards where your saddle blanket is laid out on the ground. He gently takes the serape blanket in his maw, backing up and dragging it with him until he's a bit away from you, hidden in the shadows of some trees. You watch on, confused, turning around a few times to coo to your animals. You can hear some growling, some uncomfortable joint cracking, and then to your surprise, the exasperated groan of a man. Your eyebrows dart up in surprise, and your jaw drops when he steps out of the shadows. 

He's the most attractive man you've ever seen. His wolf form is a perfect match to his human form, he has tanned, sun-kissed skin, peppered with freckles. He's covering the lower half of his naked body with the blanket, but it doesn't hide his strong, chiseled chest. Clearly he takes care of himself. His build is muscular and broad. His hair is the same sandy blonde as his wolf's coat, and those eyes, they're just as beautiful now as they are as a wolf's. You don't realize that you're staring until he talks.

"You ain't afraid of me?" He questions, almost unbelieving that you haven't run away yet. His brows knit together just enough for a petite line to make itself evident on his forehead. 

"No… you've been nothing but kind and you've helped me. Hell, you coulda ate me." You chuckle. 

At the mention of that night, you remember the trap and his injury.

"How's your leg?" You ask. Your eyes move down his right calf and you see a freshly pink, rough scar marking the wound where only two weeks ago he was torn into. No human could ever heal that fast, it must be a werewolf thing. 

"S'healed. Got fixed up in no time." He says, drawl low and deep. He moves over towards the fire and sits on the ground, you follow. 

"What are you doin' out here anyway? Ain't safe, 'specially not by yourself." He inquires, making sure he's covered with the blanket as he looks to you for an answer. 

You're not sure how you know, but you know that you can tell this man the truth. And yet you find yourself hesitating, so instead you rebuttal his question. 

"I could ask you the same, mister." You quirk, smiling a bit as Marley trots over to sit by you.

"Well what's your name, then? Finally get to speak to ya, I should know your name." You ask. 

You're shocked that somehow your manners slipped and you forgot to introduce yourself, but the introduction feels… odd. It's like you've known him for years. You tell him your name, to which he smiles, nodding his head like he approves, or is proud of it. 

"My name's Arthur Morgan." He chortles. As if the situation isn't indecent enough, you just remember that you have an extra pair of larger clothes from the stolen bag that might fit Arthur perfectly. 

"Oh, I have some clothes that might fit you. Don't even bother askin' how I came about these but- should be clean and hopefully your size." You say, standing up and grabbing the stolen saddlebag of clothes. Your boots squish in the wet grass as you bring the bag over to Arthur. 

He takes the bag, and with no shame, drops the blanket to the ground. 

Oh. 

So apparently the part of his body that was earlier covered by the blanket was the best part. You can't help it, and he doesn't mind. You watch as he grabs clothes from the bag. There's a trail of soft brown hair that trickles from his chest hair and dips down to the base of his shaft. You gulp, closing your eyes and forcing yourself to look away from the absolute masterpiece that rests between his legs. 

When Arthur is decent, you turn around, cheeks still flushed bright pink from shock and embarrassment. He hands the saddle bag out to you, which you take and toss back towards your saddle on the ground. Both of you glance to the west, realizing that the sun is setting and it will be dark soon.

"I better get goin'. It'll be dark soon…" Arthur whispers, as if there's something he wants to do or say but can't bring himself to. His eyes look to the ground, and he tips his head to you before turning around. 

To his surprise, you grab his wrist. The tether between you two grows so strong that it hurts. 

"Arthur, please don't go. Why don't you stay the night? Head back to wherever it is you go to in the morning." You practically whimper. 

He doesn't even have to think, of course he'll stay, for you he will.

— four hours later —

The night is cold, very cold. The combined effect of your lack of coat and the slowly approaching winter doesn't help. You're curled into the tightest ball you can manage, hugging your knees and shivering. It's miserable, the type of cold that seeps into your bones. Arthur had shifted before laying down for the night, and you can hear his steady breathing behind you. He hasn't slept all night. You've drifted in and out of sleep, but he has stayed awake all night, watching you, protecting you, checking the perimeter a few times. 

As soon as you begin to shiver, Arthur stands up. He circles you a few times, whining as if he is debating with himself over something. But as you whimper, miserable from the night's cruel nature, Arthur trots over. He lays at your back, and you practically moan at the relief. Arthur is so warm. You turn around, curling yourself into him. His fur is like the softest blanket you've ever felt, and his body radiates heat. It's cathartic. 

"Why are you helpin' me? Bein' so kind?" You whisper, nuzzling your nose into his warm fur.

Arthur presses his wet nose into the crook of your neck, inhaling your scent once again. Just like the first night you met him, the color in his eyes bleeds to red. It's beautiful, and you look into them, curious about the change of color. You can feel that tug in your chest again, it's strong tonight, but you ignore it, pressing yourself into his frame until blissful sleep finally overcomes you. 

When you wake up he's gone. 

— twelve days later —

Arthur… I saw him up on the ridge above my camp today. I don't know if he runs in a pack, or why in the hell he's so far east, but… he keeps an eye on me. I swear I see those green eyes just beyond the treeline when I fall asleep. I can feel his presence when he's nearby, like something is pulling me to him. I have this drive to be around him in a way that I can't explain, like I need him… but I haven't seen him since that cold night. 

You steady your hand, focusing on the old oak tree ahead of you. As you exhale, you release the knife, smiling as it lands directly into the thick trunk of the oak tree. 

You trod over to the tree, bending down to pick up the few knives that you've lodged into the tree, and the two that landed on the ground. Marley barks excitedly, and you turn around to find the source. 

Arthur…

He steps out of the woods slowly, head held down as he approaches you in his wolf form. He's breathing heavily, as if he was running for a while to get here.  

"Been wonderin' why you haven't come to see me. Had me worried some hunter had you mounted on their wall." You joke, reaching out to pet Arthur's head. His eyes slip shut, and he pushes his nose into you, almost roughly, as if he needs this like a starved man. He once again inhales your scent deeply.

It's then that you notice something in his maw. Your eyebrows knit together as you hold out your hand. He opens his mouth, dropping a rolled up piece of paper and a wooden wolf into your hand. You're confused as to why he didn't just tell you whatever it is the note says, but you don't have time to ask as he turns tail and runs away, eyes red. 

"Arthur, don't go!" You cry out to no avail. 

The buzz in your chest grows as he runs and you ignore the ache, looking down to the items in your hands. The little wooden wolf is beautiful. It's been hand carved from a piece of oak and a knife. Tears well in your eyes as the ache in your chest grows, and you open the note. 

I'm sorry. I can't stay around you. It's hard to explain, but it's better if I leave you be. That ache in your chest, like something pulling you? I feel it too, and more than anything, I wanna be with you, but it's not fair for me to do that to you, darlin. ‐ Arthur. 

Rivulets of tears run down your cheeks as you sit on the ground, hugging your knees. You've been doing research, stopping into libraries to read books on legends of western wolves and lycanthropes. You've learned how they used to run in large packs, how they were hunted almost to extinction. But most importantly, you learned about their mates. 

They can't choose their mates, instead they are pulled together by the moon. You think over the feeling in your chest, how many times you've written about the invisible tether that  pulls the two of you to each other.

Is Arthur your mate…?

And if he is, why is he leaving you?

— two weeks later — 

The moon is full tonight, and all you can think of is Arthur. You know he'll be out running tonight, and you hope that he comes by. You haven't seen him in weeks, and it's only made your ache to be around him stronger. Maybe the moon will alter his control, drive him to come see you. You’ve been stopping in at libraries in town, sneaking just enough to hide your face from the passerbys. Every book on lycanthropes that you've been able to find has been thoroughly analyzed. You know why he’s hiding. And dammit, if he would just come back you could convince him to stay. You rest a stray leaf in between the pages of your book to mark your page before setting it down on the ground. Marley trots over and you chuckle as he lays down on your bedroll. 

It's late, past midnight as you stand up and start to dress down for the night. You’re not worried about wandering eyes, it's dark, and anyone who steps foot in your camp to look will be met with a bullet. You strip your jeans and shirt, standing bare in the grassy opening. You run your fingers through your hair, before reaching onto the ground for a clean shirt. Just as you go to grab the cloth, you hear it. A low, deep, growl resonates from the forest, it’s him. Through the opening in the trees you can see glowing red eyes, and relief washes over you. His crimson orbs are locked into the little wooden wolf that is tied around your neck. 

“I know why you left, Arthur, why you think it would be best for me.” You whisper, extending your hand out as Arthur steps out from the woods slowly. His paws are massive, expertly stepping over the terrain as he inches forward. 

“I've been reading and learning about wolves… I'm your mate, aren't I?” You say, barely above a whisper. Arthur leans in and licks your collarbone lightly. His eyes are so beautiful, deep red like roses. 

“I feel it all the time. It’s like a tether, I can’t stop thinking about you.”

You sigh as Arthur just stands there, listening to what you’re saying. 

“Be great if I could hear what you’re thinkin’.” You bite a little, irritated that you are always talking but can never hear him. 

You watch as he shifts. It's a fluid movement, much more graceful than you would have expected, and in just a few moments he is standing in front of you. His eyes have returned to their soft blue, and you lean in to press your hand against his cheek. Both of you are completely bare before the other, and yet neither of you are uncomfortable. He looks to you with a question.  

“You would tie yourself, you would mate to a stranger?” He asks, eyes glowing red for just a moment on the latter half of the sentence. You chuckle at his misconception. Arthur gently takes your wrist in his hand, bringing it up to his lips and kissing the tender skin on the inside of your wrist. He doesn’t miss the way your breath hitches in your throat. 

“Arthur, you’re not a stranger,” you chuckle, “In this time I’ve known you, you've shown me your character time and time again. I was hungry, cold, alone, and now I’m not.”

You both feel a buzz of electricity run through you, and Arthur groans deeply as he wraps his hands around your soft waist.

“Arthur, I- I need something, but I don’t know what it is. Please-” You moan against him, the tether clouding your mind. He presses his lips to your forehead, gently kissing down your temples. 

“I know what you’re feelin’ and I can make it better, but darlin’ you know how this works, right?” He asks, squeezing your hips a little. Something comes over you and you can't feel anything but him, you need him. 

“I want to be yours, Arthur.” You mewl, pressing your nose into his chest. Arthur growls so deep, it breaks you out of your trance for a moment. His blue eyes lock onto yours. 

“You look at me. Don’t let the bond fog your head, you want this?” He asks, gripping you tightly. 

“Yes.” You whisper with more clarity than you’ve ever felt. For the first time in your life, you feel at home. This is where you should be, what you are meant for. 

He’s yours

Arthur’s eyes remain locked onto yours as he lifts your wrist up to his lips. Your breath quickens in anticipation as he gently bites down on the side of your wrist. 

It’s unlike anything you’ve ever felt before. Suddenly you are whole. You are part of something bigger, you are with him. His other half. Your souls are permanently bonded and you can feel him all around you. You gasp at the raw emotion of it all. The tether between you and him pulls even tighter for a moment before it snaps and releases. There is no need for it anymore, as you are one. Tears fall down your cheeks as you lean up to kiss Arthur. Everything is right when your lips crash together. He moves against you as emotions sweep through you like a wave, crashing and swirling together.

taglist: @margofiore @mrsarthurmorgan7 @woman-with-no-name @tillith @luvliewriting @pine4pple-b0i @photo1030 @dudsparrow @holyratrimony

[safetycar-restart]

Hiiiii can we get a cat! Max like where his cat instincts just get the better of him like purring ,love for cuddles and maybe even his heat

Pls I realy miss this au hybird/ d/s

Oh my god yes we need to discuss this AU more!! I miss it so much, for anyone new or anyone needing a reminder, here is some of the concepts we've discussed in the AU: cat!max, cat!Lando, cat!Oscar, cat!estaban, bunny!Charles, bunny!Arthur, dog!Logan and wolf!Pierre. We've also discussed poly!Charles/pierre and poly!Logan/Oscar in this verse. But of course we can absolutely discuss other drivers or apply this AU to motogp as well. So if anyone has any ideas/requests, let me know!! I'd love to bring this AU back :))

Anyway, onto cat!Max!

So we said that max has spent most of life repressing his cat hybrid instincts, his dad hated that side of him. So when you met him, he tried so hard not to show that side of him.

Except of course you encouraged him to be himself, letting him show his cat instincts because you know how much it must hurt him to fight it. It's also especially hard for him to fight his instincts with you? You hug him so tightly and whisper praise in his ear and he has to physically step away to stop himself from purring and clinging to you.

But as he gets more comfortable, he starts to let those instincts show and once that can of worms is open... it's open.

He'll spend the whole day at the track, behaving himself and suppressing all of his instincts and then the moment the hotel door closes behind the two of you at the end of the day... he just pounces on you.

If he's tired, he demands immediate cuddles and the cuddles MUST include petting. He lays on top of you, purring as you pet him and talk about random things. If you stop petting him, he'll whine and use his tail to get you to start petting him again, literally wrapping his tail around your wrist and pulling your hand wherever he wants it.

He just becomes such a demanding kitty? Behind closed doors he's truly the cutest cat hybrid, purring so loudly and loving cuddles.

And he also loves playing? He LOVES laser pointers, happily chasing the red dot around the room as you move the laser pointer. He enjoys the feather toys as well, especially when you just kinda dangle them in front of him and letting him bat them with his hands.

Just... happy cat!max.

[feralportalmaster]

Eurovision 2024 songs that remind me of the Life Series

“SAND” by SABA (Denmark): Desert Duo

Literally the name of the song is sand

“Guess we built a castle out of sand” metaphorical and literal reference to the Sand Fortress from Third Life

“Yesterday I had you by my side, now we’re just like strangers in the night” general reference to the splitting of friendships between seasons

“Doomsday Blue” by Bambi Thug (Ireland): Double Life PearlescentMoon

Witch themes, Scarlet Pearl

“I know you’re living a lie” Scott living with a soulmate who isn’t actually his

“I guess you’d rather have a star than the moon” solar/tarot themes, Scott=Star, Pearl=Moon, Scott choosing to value himself and his chosen partner over Pearl

“Your favourite color, compared to the others is doom, doomsday blue” Scott’s association with the colour blue

(also plz check out @aresonist they made art of pearl and Doomsday Blues which is awesome)

“Ulveham” by Gåte (Norway): Double Life PearlescentMoon (yes again)

“Ho gav meg ein ham som ulve grå” (Then she gave me skin like a grey wolf), wolf themes remind me of Tilly and her wolf army

“Ho svor meg einsam i skogjen gå” (She cursed me to walk the forest alone), Pearl being abandoned

The song talks about a young maiden who’s mother died (Scott’s relationship with Pearl) and was replaced by an evil stepmother who cast her out (Scott’s relationship with Cleo)

The song also talks about the maiden not being satisfied until she spilled the blood of both her stepmother and her brother (Cleo and by proxy Martyn)

“The Code” by Nemo (Switzerland): Eyes and Ears AU Martyn InTheLittlewood

“I, I went to Hell and back, To find myself on track”, something something Vtuber lore

“I broke the code” general language about hacking the computer system, aka breaking the code of the Watchers

“Somewhere between the O's and ones, That's where I found my kingdom come, My heart beats like a drum” this verse makes me think of Limited Life finale??

(tbh this song could also be Watcher Grian)

Should I add any more songs??

[monstrous-tournament]

Ankh-Morpork City Watch Tournament!

Detritus is the longest-serving troll member of the Ankh-Morpork City Watch. Before getting this job, Detritus had been a splatter (like a bouncer, but with more force) at the Broken/Mended Drum. During the Moving Pictures Craze, he got involved with Ruby, who wanted him to better himself; thus his change of careers. He is very well-versed in patiently questioning suspects, training new recruits, and Being Tactful. He wears adapted battle elephant armor and carries a 2000-lb-draw siege crossbow (the Piecemaker) as a hand weapon.

Angua is a werewolf, from a noble werewolf family in Überwald. She has a reliable nose and can track any thief, killer, or miscellaneous miscreants. She is constantly on guard against her animalistic instincts. She strives to be a vegetarian (at least in human form) and pays for the chickens she eats as a wolf, because animals don't. She has occasional dog-like habits and problems; she finds Mr. Fusspot's squeaky bone toy hard to put down, for example, and has both a bed and a basket in the place where she lives.

[outcastpack]

Seven sentence sunday (a few hrs into monday)

Tagged by @mmoosen

This is from a new addition to the newest verse that "Over all the butterflies" is part of(Which I really need to stop turning one-shots into verses) (I also got a little side tracked for this and did maybe a lil too much but oh well)

"Come on," Theo said softly, holding a hand out towards the chimera sat on his bed. "I want to show you something."

Liam slowly took the offered hand, letting Theo pull him out the room and out the house to the truck sat in the drive way. He felt uneasy leaving his car and his bag full of everything he owned and valued down the road.

Even if he had been sleeping in Theo’s room more and more almost every nightbor day for the past week. The wolf leaving the window unlocked for Liam to climb in while he's at work or to let him slip in through the nights.

He stared out the window, watching the streets and houses as the Theo manoeuvred the truck along the roads - the quiet of the night, making everything seem oddly peaceful even for Beacon Hills.

Liam's stolen heart dropped as the truck finally came to a stop, the street around them familiar. He didn't even realise he had stepped out until the wind blew at his face while he glanced around.

The old tree with a broken rope swing, a mini hopscotch course across the road along the pavement having faded through years of rain and time. Many things familiar, yet having faded and deteriorated since the last time he was here.

He felt Theo follow him, not standing too close, but just close enough he could feel the warm and comforting presence radiating off him. Liam came to a standstill by a streetlight, breath hitching, and Mason's heart plummeting beneath its cage in his chest.

A missing person's sign was taped to it. The paper could only be a few weeks old. He was staring at his nine year old self. Another note underneath in the unmistakable handwriting of Jenna Dunbar. 'I'll leave the light on to guide you home.'

Liam felt his entire body shake, the urge to let out a viceral scream building as years and years of the emotions he kept locked away in that box of the child that died on the operating table all those years ago swung open.

"She never stopped looking. She's still looking." Theo whispered softly, bringing a grounding hand to lay on Liam’s shoulder. His body the only thing that was probably stopping Liam from sinking to the floor.

Across the street from them both, a house stood out to Liam amongst all the others - the one with the tree and broken swing. The one with the porch light on.

Tagging @equallyloyalandlethal @chasing-chimeras @transdunbar @theoceanismyinkwell @thiamsxbitch @ksbbb @wolfboy88 (sorry if anyone's done it, ignore if has)

[syoish-aot]

Jean/Reader/Eren verse in which...

Eren is a local veterinarian

Every once and a while a big fluffy dog will show up to his clinic (usually late at night) with no owner.

This dog is normally showing signs of some sort of minor injury (limping, lethargy, restlessness, etc.) so Eren, being the nice vet that he is, takes this "stray" dog into his clinic and does a quick exam to make sure it's okay

The dog doesn't have a collar or a microchip but he isn't worried because he knows what's going to happen next (since it's what always happens next)

what happens next is Jean Kirstein shows up

Jean, the owner of the dog, is forever losing track of it

He claims that his dog is really good at getting out of his back fence (to which Eren always says "then you need to do the responsible thing and keep an eye on her in when she's in the back yard") this normally leads to them bickering but whatever

Jean gets his dog back

and when he gets back to his house the first thing he says is "I swear to god I'm going to let them spay you next time!"

At which point the dog transforms from a dog to you, the reader, a werewolf with a big 'ol crush on the local veterinarian but you're too shy to talk to him in person so you get his attention in wolf form instead

"But Jeannnnnn... it's always so funny watching you guys fight" you tell Jean, your human roommate, with a pout.

Jean (who's very weak for your pouting and has trouble saying no to you yes he has a crush, no he's never going to do anything about it because you're all goo goo heart eyes for that stupid vet) just grumbles something about how one day he's not going to pick you up at all and you'll end up at the pound.

You just jump up and give him a big hug.

Then you lick the side of his face for good measure (and because it's cute when he gets all annoyed by your dog-like tendencies hehe~)

[adamwatchesmovies]

The Bad Guys (2022)

The Bad Guys falls just short of being an evergreen, newly-minted animated classic. The visuals are dynamic, the characters memorable, there are plenty of big laughs, the voice acting is terrific and the dialogue is a joy to listen to. It becomes a bit conventional towards the end but that’s hardly a deal-breaker; more of a demonstration of how good the rest of the movie is.

In a world where humans and anthropomorphic animals co-exist, Mr. Wolf (voiced by Sam Rockwell) is the head of "The Bad Guys". With Mr. Snake (Marc Maron), Mr. Shark (Craig Robinson), Mr. Piranha (Anthony Ramos) and Ms. Tarantula (Awkwafina), there’s nothing they can’t steal and no situation they can’t escape from. When their luck finally runs out, Wolf convinces state governor Diane Foxington (Zazie Beetz) and Police Chief Misty Luggins (Alex Borstein) they can change their ways.

From the opening scene, you know this movie will be something special. We begin with Mr. Snake and Mr. Wolf talking in a diner and their dialogue feels like a deleted scene from Pulp Fiction. From there, we meet the delightfully nasty crew. Well, I say nasty, but they’re more mischievous than “bad”. Or maybe it’s just that the characters are so charming you give them all a pass. I’m sure guinea pigs would have a very different opinion of Mr. Snake than me, for example. That brings us to an aspect of this world that’s a lot of fun: the loose “rules”. In films like Zootopia or Cars, the societies have clearly been hammered out by the development team but a part of you still wonders about food, cattle, the world’s history, etc. In The Bad Guys, there are anthropomorphic animals and “real” animals, both Mr. Shark and Mr. Piranha can breathe air and few aspects of day-to-day life are sized for Ms. Tarantula. It's like "Rules? What rules?" but the story is too funny for you to stop and think about any of that. Mr. Shark, for instance, is a master of disguise but he’s clearly terrible at it - being, you know, a big shark walking around on two legs. Somehow, he still manages to fool everyone, despite always choosing the most outlandish disguises and ridiculous characters to portray. It makes no sense, but it makes for all sorts of surprises, each funnier than the last. You can just tell everyone involved in this film had a great time thinking of visual gags and little moments that would flesh out the characters. Some are more developed than others but all of the villains feel integral to their team.

Visually, The Bad Guys has a lot to offer. The animation is sort of a blend between traditional 2D and the more recent, more experimental style we saw in Spider-Man: Across the Spider-Verse, with the action scenes being the stand-outs. Mr. Wolf is the leader, the dedicated pickpocket and the getaway driver. There are at least three big chase scenes with so many pieces moving you can hardly keep track of them all. None of the action is actually disorienting; it just distracts you enough for you to be surprised by the punchlines.

Following the Bad Guys as they come up with plans, execute them, improvise on the fly when things don’t go right, show off their charms (you can sense there’s a bit of a something-something about to go on between Mr. Wolf and Diane Foxington), and prove why they’ve never been caught before is so much fun it’s a shame the movie eventually has to follow a more standard plot. I’m not complaining that they eventually get caught, or that they have to pretend to be good to fool Professor Marmalade (Richard Ayoade). All that’s enjoyable, particularly the scenes where the thieves have to fight their animal instincts to make their ruse convincing. My criticism for The Bad Guys, my only criticism, really, is that eventually, we have to have a big, epic conclusion with a bigger, meaner villain than the villains we’ve been following this whole time. I wish the film had taken a few more cues from Ocean’s Eleven and just had them wipe the smug look off of someone’s face than use their very particular set of skills to essentially turn into conventional heroes. It’s a small gripe. Ultimately, this is a delightful picture. Fast-paced, smartly written and most importantly, hilarious.

The Bad Guys is an animated film the whole family can enjoy. Adults, in particular, will laugh hard at the way the film takes inspiration from movies children would normally have no interest in (and shouldn’t watch anyway) and makes them fit in this world of talking animals. Kids will have a blast too. If this gets a sequel (the mid-credit scene hints at more to come) and the writers decide to take a few more chances, I could see myself giving it an even better score than the 4/5 I’m awarding The Bad Guys. (July 25, 2023)