#totally do not have brainworms about it

[snailasleep]

very normal about black hair vash (+doodle of oddish vash)

crazy effects thing that happened when i put a filter on

[bugcatcherkit]

anybody else ever start rotating One Extremely Tiny Detail in their mind over and over and over again. And it won't leave. currently that detail is that Every single teddy bear in Minori/Mogami's enclosure is wearing something around its neck except for This Specific One. why is it naked

The fact that they're all wearing something around their necks is already a bit unsettling because of the (probably) Strangulation associations (big thing for many mp100 antagonists, but Specifically and Especially Mogami). And then that one specific bear (and it's the same one both times I think?) has nothing. Front and centre and on purpose. It makes it More Unsettling somehow. Does anyone understand or is it just a me thing

[ghostly-squid]

Time travel fix-it? No. Time travel worse-it.

[talentforlying]

i'm about to run off to class but i've been going positively apeshit about shakespeare for the last three hours so like: what shakespeare play would y'all most associate your muses with?? in terms of story themes, related aesthetics, character arcs/tropes, etc?? or see if i can assign them one that fits if you'd like, idk, i'm vibing

[roobylavender]

(Really long ask ahead i’m sorry!) I think your thoughts on dick and his similarities vs differences to bruce are so interesting! Personally i’m wondering how much of NTT played an influence on this kind of characterization bc i’ve never fully finished ntt but i read like nearly all the pre-80s batman 1940 issues lol and dick very much was portrayed as more idealistic than bruce in some ways while more no-nonsense (? For lack of better word) in other ways, like when it comes to batman easing up a little on selina for romance reasons LOL. Though ofc dick totally turns into - well, a dick - in team books, as i grow older i find myself far more compelled by a potential story of an 18 yr old who seemed to have the whole weight of the world on his shoulders (by his own perception) and breaking under his own impractically strong sense of duty and sky-high expectations for others, then realizing as he grows older that it doesn’t have to be that way esp after seeing the perspectives of characters like kory, wally, joey, roy, etc. Like personally as someone who never really had a huge interest in NTT anyway, i’m surprised at how desperately people want to hold on to the characterization of dick when he was 18-19 and never letting him grow past that, like it’s so difficult for me to believe that at age 25 he would be the same uptight controlling kid that he was at 19. Maybe i’m biased though bc i was like one of those insufferable INTJ internet stereotypes as a teenager, and while that worldview did bring me achievements i’m proud of like the fact that i’m in med school rn studying what i love, i still know that at age 22 i have changed SO much from when i was 18 and i can’t imagine any reasonably mature or normally-functioning person (let alone someone high-functioning like dick) not doing the same lol. Especially since dick is the kind of person who would literally die if he’s not constantly growing and evolving past his faults bc of his insufferable perfectionism, idk how he’d be willfully blind to the negative effects of his worldview in early NTT and refuse to grow from there. He even has a quote that’s like “i’ve spent years as a student of my own behavior” which i always found highly encouraging bc i know he really does want to improve himself even at his worst. It reminds me of that Marcus Aurelius quote: “if someone can prove me wrong and show me my mistake in any thought or action, i shall gladly change. I seek the truth, which never harmed anyone; the harm is to persist in one’s own self-deception and ignorance.” But what are your thoughts? (Thank you for reading all this 🥹)

oh i absolutely agree! i cannot tell you how many times i think about the person i was a couple years ago and who i am now like i cringe so much omg.. maturity is an ever persistent process even if we don't recognize its effects immediately and it absolutely is crazy to think that anyone would remain in such a static state of mind for several years on end. esp when like you said dick is someone who wants to be better! so despite his several hypocrisies it is nonetheless in his best interests to look internally and analyze and evolve. and i feel like that very much could have happened had there been any actual segue between dick's breakup with kory and his re-entry into the batfam. i don't think there was much of a connection between these two sets of writers at all and so what you got is what felt like two very distinct parts of dick's life that didn't necessarily reveal a bridge point. so it's not entirely unrealistic that dick may grow to be the person (at least to some extent) that bat canon portrayed him to be in the years that followed but i certainly think as it stands it felt unearned and like all of his issues explored in ntt were conveniently swept to the side without any semblance of closure (albeit i do think some of these issues are addressed in outsiders '03 but in that dickheaded way that winick explores things generally. so i'm not sure it's the kind of closure people actually want). it's very sad and ig that's what people cling to more than anything. it's not that they're opposed to him growing to be a better person but that they're opposed to a version of dick who feels like he sprung out of nothing

[morninkim]

decided Wren and their world's version of Elle had a kinda toxic romantic/horny fling during that campaign's timeskip - excerpt from the thing i'm writing for it under the cut

(idk if this getting posted anywhere since it is uh. definitely smut. and i don't have anywhere to appropriately and comfortably post that atm. but mostly just using it to practice writing again and i liked this little bit so sharing it hehe)

[prismbearer]

Meanwhile, at Falcon's Nest.

Resource: (Link)

Bonus: Persi in a foul mood because any time I think something is a cute date--or rather, Persi is going to try to interpret it that way--I ruin it...

[secondpersonpoetry]

Franziska Linkerhand, Brigitte Reimann

[dragondawdles]

ok so I feel like I should preemptively apologize because I'm not sure what you had in mind when you expressed interest in seeing/hearing ideas from me on this but it probably wasn't me just taking that and running and ending up with my own draconified rough designs (+notes) for the three of them but uh! I may be a little silly

hi sending this ask as a free pass to draw as many dragons as you want forever

BUT if you want a specific direction may I propose lizzie joel and/or jimmy? :0c

Omg thanks for the free pass, so generous!!

And sure!! I havent had too many amazing ideas for Jim or Joel... other than canary characteristics for Jimmy, obvs, and something swampy and threatening for Joel (because he is a goddamn menace). I imagine Lizzie as some water blorbo because of the sailor skin and her whole thing in Empires that I have only approximate knowledge of. And thats all I got! If you've any ideas I'm very excited to hear/see them 👁

[a-killer-obsession]

OKAY I DID IT, I FIGURED OUT THE LAYOUT

Disclaimer: it seems like the size of the ship changes every time we see it, but the newest eps vs wano seem pretty consistent so I went with that and used Wire's height for scale

Floor layouts under the cut ✂️

Edit: you can find clearer/more detailed versions here

Layout based on the 31 member crew that Oda confirmed. I also took in to account that a significant portion of the members are fucking massive, so everything is bigger which matches the scale it's drawn in. Floors are approx 5m high with 2m wide doors in most places, which makes sense when a good portion of the crew are 3m tall.

Sorry about my handwritting lmao I'm so tired but I have serious brainworms and couldn't sleep

The specifics:

Kid's Floor

Of course he has his own floor

Quarters include his own private dining space which I imagine would also include a workdesk, bedroom with king sized bed and probably a couch, walk in closet, and bathroom definitely large enough for a massive tub

Workshop also has bathroom entrance for when he's feelin lazy

Ladder space in the middle goes straight through, this is so crew going to the castle deck don't access his floor

Commander's floor

Heat, Wire and Killer have their own rooms and a private lounge just for them and Kid

Heat and Wire share a large bathroom, definitely big enough for normal bath

Heat and Killer have king sized beds, Wire's bed is almost as wide as a king but mostly it's made especially long

Small decking that runs the whole way around, unspoken rule that crew aren't allowed there since windows peer into commander's rooms

Killer could probably fit a drumkit in his room 👀

Cannon Deck

We get peeks of this in the anime and in Oda's notes but they're fuzzy so I just did my best

Made a mistake tho, cannon platform should be whole way around back like a U shape to account for 3 cannons facing backwards, total 9 cannons

Theoretically this is where the helm should be so uh that's where I put it

Screenshots make it look like they also store a lot of other weapons here

Main deck

Forecastle includes navigation room with bookcases, central table, and desk for paperwork

Forecastle also has infirmary with two longer than normal beds to account for larger crewmates, and a desk for crew doctor to keep notes

Door between nav and infirmary cos Kid is lazy

Kitchen and pantry. Given the rooms are 5m from floor to ceiling I imagine that pantry would have a small mezzanine accessed by a ladder to take advantage of vertical space (and would be a sick place to nap)

Galley/dining hall contains 3 bench style tables, seating 10 large crewmates each, with one extra fancy chair at the end of one for Kid

Lower deck

Did my best to do some math to figure out how many larger than normal beds were required and decided on 6 bunks for 12 larger crewmates

Additional rooms for average sized crewmates include 4 rooms with 2 bunks each, and one room with 1 bunk, making for a total of 30 beds below deck. That means, counting the commanders for the 31, there are currently 3 empty beds, so a few rooms aren't complete full

Probably looks like fuck all space but its actually significant for a ship living quarters

According to google you only need 1 toilet per 10 people and 1 shower per 40 but that seems like BS. Bathroom has 4 large, accessible sized toilets, 4 showers, long benches down the center and a long counter with plenty of space and mirrors for makeup, given how many crewmates wear it

Also, storage room. Could be converted to extra room for another bunk

Hold

Access via ladder

4 cells. No toilets, you get a bucket ✌️ tbh might not even have beds but there's room for em anyway

Desk in case they need to keep an eye on prisoners

3 storage rooms, but i think one of these would actually be a torture room. Probably the one by the desk.

Mechanisms for power and water are probably in one of these rooms as well as a lot of materials for ship repairs

Also of note

Crows nest is definitely big enough for a bench, definitely big enough for... activities. Not as big as the Sunny's though I dont think a gym would fit, I think it'd be more likely that gym equipment is kept on the cannon deck

Idk if the mizzenmast is supposed to go all the way through but that physically can't happen with where the helm needs to be based on screenshots so ✌️

Crows nests are definitely access via climbing nets

Please absolutely feel free to use this as a reference for fanfictions, but I'd appreciate a shout out if you do 💖

[lisafication]

This post is uh, extremely normal I swear

So hello yes I am absolutely On My Bullshit regarding my new favourite game. 

That’s right, it’s the cannibal incest game, The Coffin of Andy and Leyley. And I’m here to shove five thousand words of pretentious analysis down your throat because, and I do not exaggerate, I think it is one of, if not the best written game I have ever played. And I have played a lot of games, including Baldur’s Gate 3, Final Fantasy XIV and Undertale, to name a few narrative luminaries to come to mind.

That wordcount is not an exaggeration. My brainworms are extremely powerful and now you can share them with me as I walk you through my insane skyscraper of inference-driven analysis.

Or you can click away. I really wouldn’t blame you, it’s quite a lot.

Content Warnings: …Yes?

(To drop the bit for a moment, The Coffin of Andy and Leyley covers extremely disturbing material and challenges you to examine aspects of living in this world that many have taken for granted all their life, it is not a comfortable game, this will cover similar topics and will often echo the game’s unremitting scepticism on basic principles of society and humanity and you should look after yourself first. My Content Warning is framed as a joke, but it’s also quite real in that the game is designed to make you uncomfortable and there’s no shame in that not being for you.)

This was originally posted on and formatted for Sufficient Velocity, and you can probably more easily read and discuss it with me here.

With that said, let’s dig in. I have had to split this into multiple posts because tumblr will only allow so many images. There will be spoilers for all endings.

She’s excited, are you?

It’s All About Ashley

It really is, isn’t it? I mean, for approximately eighty percent of the total game as currently released and the entirety of Episode 1, you’re in control of Ashley, just as she’s in control of her and Andrew’s relationship for 80% of the game, up until the various ending sequences where it begins to slip. The only other characters who really matter at all in and of themselves are Andrew and her mother — and the former is under her thumb, and she eats the latter. It’s all about Ashley. Even her obsession with Andrew is, ultimately, about Ashley.

But who is Ashley? What is Ashley? Why is Ashley, even? Let’s take a look.

Ashley as presented to us in Episode 1 is very straightforward, so let’s list off the traits we’re given — she is malicious, she is fearless, she lacks empathy, she doesn’t have anything resembling a conscience, she demands Andrew belong to her and her alone, she has him at her beck and call.

In Episode 2, we’re ostensibly shown how she has him at her beck and call— she leverages the threat of reporting Nina’s death over him and had him swear to be with her forever. We’re shown that even as a child she was “just, like that” — but as a child, she hadn’t learnt to live with it yet, to laugh at the farce of it all.

Yeah, exactly like that!

And she does this throughout Episode 1 — The Coffin of Andy and Leyley is a remarkably silly game much of the time, finding moments of absurdity and levity against a backdrop blacker than pitch — and most of the time, your internal narration is coming from Ashley and the jokes will not-infrequently come at her own expense.

She will later get negged by her human sacrifice for her poor ritual circle drawing

Her reaction to being told that her soul is as dark and viscous as tar is “You guess you already knew that” — it’s confirmation to her, not new information. Ashley knows who she is. But who taught her this? There’s layers to this, nothing in this game is as simple and straightforward as it appears at first sight, which is why I’ve been obsessing over it for days.

While it’s common in fiction, the truth of the matter is, most ‘bad people’ really do think they’re good people. But Ashley has never once thought of herself as a good person — or perhaps better put as a person worthy of love — as we learn across Episodes 1 & 2, with our flashbacks to Andy and Leyley and the VERY VERY QUIET!!!

I really wish I had space in this essay to talk about this, but I’d like to touch on these being traits usually more easily forgiven in young boys than young girls at some point.

If she removes all other options, only then can she expect him to like her.

This is something that is echoed in the modern day — her seeming self-assurance is easily shaken and she reaches out to the world — usually Andrew — to affirm and validate her, soothing her insecurities, using any tool she deems necessary. Even when her life is on the line when Andrew has her by the throat at the climax of Episode 1, the only ‘compelling reason’ she can give Andrew to not kill her is her ability to soothe his nightmares. When he tells her there are sleeping pills for that…

Most people would have a bit more to argue for their existence.

While she, unlike Andrew, acknowledges having had friends before the quarantine… you know she’s got a point that they didn’t even bother to answer her calls, that was clearly not something the state was interfering with given Andrew’s calls with his mother and his girlfriend, and given her general demeanour it’s not hard to imagine that… they weren’t ever very close. When we see her and Nina talk in the infamous ‘box scene’, it’s clear that Nina doesn’t like her very much, despite Andrew’s assessment of Nina as being one of Ashley’s friends.

We see further support for her general lack of companionship in her dream sequence in the Burial route — Leyley and Leyley Alone. No matter what you do, you can’t place the pink plushy at the family table, the flowers won’t bloom if you give the Julia and Nina plushies her own as a companion instead of Andrew’s — and if you’re bold enough to go for the ‘incest route’, in the ‘Love’ room you see that no one ever looks happy to be with her in the childlike depictions of her history, nor is she happy in turn, save for when she’s with Andrew. In a bit of heavy-handed metaphor, the player then overwrites all of these tense, upset, hard moments with Andrew, having him fill in for everyone else in life — and happy with her.

Once Upon A Lousy Life…

THE END

And that’s why she needs him to affirm her, because no one else ever has and no one else ever will. It’s even included in their comic beats — when the siblings are getting along well, they’ll often play a game where Andrew dramatically overpraises Ashley while she demands more; it’s a comedic bit but I mean — it really does matter to her!

For the record, she opened a door. She gets a little heart in a speech bubble after this exchange.

We have a great example of this dynamic, that of insecurity and affirmation, in Episode 1, after Andrew has killed for her, butchered for her, his girlfriend broke up with her, he’s seemingly thrown his entire life away for her… she’s still insecure over her relationship with him, she’s uncertain of her control and she needs him to reaffirm it for her.

This is her victory, surely?

Andrew affirms her once, with his usual dead-eyed look.

But she's still not so sure.

He actively reaches out to affirm her again with cheer.

Look how happy she is!

While it’s most obvious and clear cut here, it’s hardly the only case. Let’s look back to the aftermath of Andy and Leyley and the VERY VERY QUIET!!! (I’m not using the other name). Leyley is, after similarly extreme acts — he murdered a girl and hid her body for her — convinced Andy doesn’t like her and she needs this leverage to keep him around, to meet her basic needs for survival. Because that’s what this is — she receives no care of affection elsewhere, so she forces it out of the only source she sees available through the means she sees as necessary.

I really hope we see some of their earlier childhood in Episode 3

What exactly made her like this? Was it just neglect, or something more specific…

She needs this to be the case because otherwise she doesn’t believe he’d stay.

This pattern repeats throughout — Ashley’s insecurities are hit on and she reaches out to Andy to affirm that she is not alone, and she will use any and every tool to exploit her ostensible control over him and force him to be what she needs him to be — and as long as she has that, as long as she is everything to him and it’s not possible for him to leave, she’s happy. As long as she thinks he loves her in her very particular, very peculiar view of love, she’s content, come what may. As long as Andy and Leyley are together, they can take on the world.

Let’s talk about that view of love, because there’s always more layers to unpack here I’m only scratching the surface with this essay — Ashley consistently refers to anyone else Andrew may have befriended or spent time with as a whore, a slut, a bitch — highly gendered insults that bring to mind the idea that he’s cheating in some way. But it’s not even about sex — when Andrew mentions that their parents had friends, she accuses them of cheating on each other in the same way!

There’s a lot to unpack about Ashley’s view of femininity and the role the patriarchy plays in their relationship.

Any kind of emotional engagement, any kind of commitment, any kind of life outside of your significant other is, to Ashley, cheating. Because that’s what she needs from Andrew, a seeming complete and total commitment, secure in her place as the only thing in his life, because she cannot understand anyone picking her if they have a choice.

This insecurity she has in her relationship is what drives her to empower the trinket — he can’t leave her as long as she can protect him with prophetic dreams, after all. She needs every kind of leverage she can get because until she succeeds in being everything to him, in devouring him so completely she has him in her thrall mind, body and soul she can’t be sure of herself — hell, her dream sequence in Burial has you placing Andrew’s signature green plushy, ‘the best thing in the world’ in a cage far away from anything else.

Ultimately, it really is all about Ashley — even her seeming obsession with Andrew ultimately comes back to her own insecurities. If she is everything to ‘the best thing in the world’, some of that ‘best’ must surely reflect on her! 

But that’s enough about the more normal, straightforward and understandable sibling. 

That was not a joke.

Andrew’s Rank 100 Deception

The greatest trick the Devil ever pulled was convincing the world that he did not exist.

Let me explain.

You might have noticed that in the previous section I often use language such as ‘ostensibly’ or ‘seemingly’ to describe Andy and Leyley’s relationship, and there’s a good reason for that. From the beginning of the game through to its end, Andrew is lying to you, the player, without ever falsely representing or misinforming you about events that occurred.

The common, or obvious ‘initial take’ on Andrew as presented in Episode 1 is fairly straightforward. The game primes you to think this way, it frames things and strings reveals just right so as to make it very easy to overlook the incongruities it introduces in Episode 2. He’s a victim. Plain and simple, Ashley is his abuser and he is her victim and would be fine, a normal albeit kinda depressed guy without her.

It really is not a difficult conclusion to draw

You can go all the way through the game, have him try to accept his mother’s olive branch and enter the Decay route as a method for him to finally actualise his desire to get out from Ashley’s thumb and it makes sense, it’s a reasonable way for the story to go, given his character.

You see him this way because the game primes you in Episode 1 to view their relationship like Andrew does — he’s lying. He’s lying to himself, he’s lying to Ashley and he’s so good at it — Deception Rank 100 — he even lies to you. Without misrepresenting a single event or otherwise misleading you directly, the game gets you to buy into his preferred self-perception. Nina? Ashley. Julia? Ashley. The murders they commit in the course of the game? Ashley, Ashley, Ashley, it’s not his fault he’s not to blame he’s just a doormat at the beck and call of his demonic sister.

But he wants to be there. From the very outset, the very first puzzle, that’s made clear. Does anyone else remember this exchange, from right at the beginning of the game?

Ashley wants to investigate the music!

Andrew disapproves…

…Or does he?! 

Like. Listen. Okay. You do not frown when saying ‘Nope’ and then smile when saying that you’ll instead tag along if they do it if your heart is at all in the no. That’s not an objection, that’s using Ashley as his excuse. Especially if you immediately throw her the balcony key that she could not possibly have gotten from you by force (more on Andrew’s ability to use force later).

This is the very first time you control both characters together with Andrew following Ashley instead of off on his own, the first adventure, the first puzzle! 

But put a pin in that for now, let’s talk about his initial framing in Episode 2 first. Episode 1 has set us up to, generally speaking, believe the superficial framing of the siblings as portrayed in its promotional art:

The question that we then ask, right at the heart of it is… why is he a doormat? We explore this in his dream sequence in Episode 2, which does make it clear that the boy’s not okay but— it’s real easy, given the priming from Episode 1 to make you think that he’s the one with the originally functional moral compass, to think that that him being fucked up is damage done to him by Nina’s death and being bound to Ashley for his entire life. She corrupted him.

But, well, is that the case?

You're primed to ignore this as manipulation (which it is) but the best manipulation has some truth to it.

Precisely two things spur Andrew to action in the entire game, consistently — they are the fear of consequences and Ashley. And the first incident of that fear, the very first time we’re shown his seeming moral compass as a kid — the first time it’s really hammered home that it’s a fear of consequences rather than any true moral qualms is after Nina’s death. And why does he fear consequences here?

……

The ‘natural’ read that many take away from this sequence, particularly those who have only played Decay, is that Ashley browbeat him into doing this against his will, using emotional blackmail to overwhelm his objections, and then used the event itself to bind him to her forever as her personal doormat.

In a strict sense, this is true. But this doesn’t match up with the details, something the game uses shock to encourage you to overlook. That outburst is before any kind of threat has been made, and absolutely nothing either of them say anything about it being morally bad until Ashley weaponises ‘you’re a bad person’ against Andrew — morality didn’t seem to enter his mind or the equation at all until Ashley brought it up. More than that, his greatest fear and driving motivation even prior to that is, as shown above, being taken away from Ashley.

She, of course, recognises this and uses it against him. But she never needed to, it didn’t change anything about Andrew’s attachment to her, it was there to address her own insecurities.

Just like to touch on how a lot of his affirmations are preceded by him confirming her insecurities.

I adore this phrasing

There’s a second prong to this as well, to the question of ‘who really calls the shots here’ because — Andrew can, at any stage, apply an ‘ultimate veto’ of physical violence. The game is very clear to the player that that is on the table — even when they were children, when Andy swears their blood oath, he briefly considers killing her — and take note of how he ultimately got a ‘winning’ condition out of her by not specifying there wouldn’t be others and she is forced to accept that, there. Even outside of their most serious confrontations, Ashley is portrayed as having to convince, manipulate or otherwise coerce Andrew into going along with her schemes — she really can’t make him do anything, she doesn’t have the supremacy in violence and, to a lesser extent, capability that would allow her to. 

Andrew, you are like ten years old.

The truth of the matter is, Ashley can only make Andrew do anything because he lets her. I don’t mean in the sense that I’m saying abuse victims let their abusers emotionally abuse them, I mean in the sense that he is clearly considering his options on the table and choosing to discard those that could stop her, or bring an end to any of this. He needs her.

But it’s true that he hates her, too. He has to hate her, because if he doesn’t hate her, if he isn’t forced to have done this, that means… he’s responsible. And nothing, at the start of the story, is as important to Andrew as avoiding the consequences of his own actions, not even Ashley. By the midpoint, he loves her, he hates her, he can’t live without her, he wants to kill her — by the end… well, that depends if you’re on Decay or Burial, but more on that in a bit.

A great scene to study for this dynamic is the climax of Episode 1, when Andrew grabs Ashley by the throat and considers strangling her to death. She’s pushed him too far with hurtful words and assault, and he’s seemingly had enough.

It’s still framed as a question of risk, of consequences happening to him. 

Like, this is not the usual behaviour of someone who’s been pushed past their breaking point.

He tells Ashley that he wants to kill her, because she’s just going to throw another fit and that’s a risk to him. She is… not framed as being able to fight back (she does have a gun here, and more on that in a later essay, maybe). He’s so calculated in how he approaches his use of violence here, which isn’t at all what you’d expect of someone about to commit a crime of passion… but it’s very easy to overlook because of the abuser/victim narrative that the player fits his behaviour into the narrative that the game primes them to accept, brushing incongruities under the carpet.

At the start of Episode 2, we get to control Andrew for the first time, and the first obvious holes in his cover start to show. Some of this is optional — you only learn that he’s been faking having nightmares in order to share a bed with Ashley if you choose to go back into the motel room and check the bed, for example — but not all of it.

----(See reblogs for the second half)

[the-fandom-is-now-my-life]

I apologize in advance, but the brainworms did a heckin screech and I felt the need to share the chaos.

Imagine, if you will, that our Creator let's it slip that they've interacted with other worlds before reaching Teyvat. (Played other video games) Imagine having to explain that in these other worlds, they may or may not have been interested in the denizens of those realms...sometimes in the romantic sense, which led to wedding bells and/or children.

Cue the uproar from the Genshin cast. The Creator, Blessed Maker of All...you have courted others? Have been married?? You have had children??? Their image of you being pure and untouchable, blown apart into tiny little pieces of confetti. 🎉

Though many loathe to admit it, they are curious...who are these people, what are they like? Is there a common factor in your selection of spouses? You would only pick the very best of a realm to choose as a potential partner, surely another being of creation...or perhaps a demigod?

It leads to the proverbial red string board getting made, the Archons trying to find out who is your most likely pick from their regions. It's all for your safety, your Benevolence! If you insist on having a partner, they must find the perfect match for you! You deserve only the best of the best, after all.

Bonus points if the Creator was a fan of games like the Harvest Moon/Rune Factory series. They're gonna need to make a list of all their partners, there are so many options to choose from. >>_>>

I'll admit I never played any of those games so I skimmed through the harvest moon wiki and chose one of the bachelors and chose some other game characters lol. Plus a game for all of you, guess the characters.

Though I do think that the reader having children before causes a bit of whiplash because it's totally unexpected, mostly because there were no records of you taking spouses or kids, even knowing you ‘have’ (play) other worlds is a surprise that causes a bit of a crisis. Either way here are some head cannons.

“I must admit, your grace is awfully attached to Qiqi” Zhongli hums as he blows on his white tea, a small cloud of steam leaving.

Qiqi doesn't pay him much mind, her head coddled under your chin like a little puppy, between her hands there is a small bird plushie “Well, I must admit she does kind of remind me of one of my little ones” Your hand softly pats her head, a few strands of hair moving as you do.

He stills as you spoke, eyes fixated on his cup “your… little ones?”

“Mhm?” Without looking up from the braid you were giving to the little girl you just nod “yep, she is quite soft spoken like Milenoe”

“... I wasn't aware your grace had sired children” there was never any mentions about holy spawns or spouses taken by you in any manuscript he got his hands on.

“Well, I never chose a couple from this world, so there wouldn't be any descendants” the comment slips airly from your lips as Qiqi slides off your lap towards baizhu who had finished checking the books from your bookshelf. “Do you want to see her? She started elementary school a few weeks ago” without waiting for an answer a screen appears displaying a tall man with black hair and horns standing regally behind you and a child with emerald eyes and horns.

“She looks rather shy”

You hum nodding “she is as shy as her father when he was her age. There aren't many children her age she can play with so she was pretty lonely her first 50 years”

“50 years?”

“her dad is a slow maturing species” so it should be 10 times the life expectancy than humans. Not that long for him but certainly longer than usual.

•°•°•

“It's a wonder to see how you manage to get Klee to change her mind about going fish blasting,” albedo scribbles some data half mindedly as he watches you hover next to Klee, who showed you a new drawings every few minutes “she is so stubborn even with Alice”

“Well I do have experience with headstrong children, Pardine is as focused on her goal as her father” one of your hands fall on her blonde hair, bright but still darker than Pardine’s almost champagne blonde and her red eyes polar opposite to her icy ones, a carbon copy to her dad. Even if your genetics rarely showed up on any of your kids it was uncanny how similar she looked to her dad and aunts “but I will admit she does annoy many guards asking to train her”

Albedo just laughs it off, listing the few loose characteristics of one of her spouses. Venti has been annoying him about his nation almost getting no information so he hopes a few spare tidbits and Klee’s rough drawing of a blond blue eyed man with a big shield works for whatever weird thing the archons have going on.

•°•°•

“Your Grace has married before?!” Ayaka gasps as you take a stroll around the nature surrounding her home. Her hand had swiftly unfolded her fan in front of her face.

“Mhm, I don't know why people get so surprised, after all it would be weirder if I spent so much time somewhere but took no lovers” you laugh at her slightly seeing her slightly flustered “it's almost a tradition at this point, to wed someone from each world. Want to see some family portraits?” She nods fervently looking at the tablet like thing that appeared on your hands, first a white haired cowboy like man is kneeling on the ground holding a baby by the armpits surrounded by three wolves ,seemingly playing with an older child, by the time the next imagine passes Ayaka is almost hanging by your shoulder, asking things about the siblings and begging to see more photos of your babies.

“And who did you take from teyvat?” Ayaka looks up sweetly at you, she has always held you in high regard and now that you are in Inazuma she can't help but get giddy thinking about how you decided to spend the stay in her state and most of your time with her.

Feigning surprise you tap your chin with your index finger “now that I think about it I didn't choose anyone yet... maybe it's about time”

“Then that means you could pick my brother!” She wraps her hand around your own, smiling as if she got the best idea ever “I could even call you older sibling!... If you wanted so of course”

“Big brother you remember how you told me you would find me a proper bachelor”

“If this is about wanting me to rush it won't work”

“It's not about it, I found you someone”

“Fine, as you please, need I remind you my standards are quite high”

“It's their grace!... Why are you choking on your tea!?”

•°•°•

“There isn't one damned coincidence…” Raiden slaps her head against the table with the rough drawings and some information about them “a king, a captain, a cowboy, a damned sorcerer…”

“Maybe there isn't supposed to be a coincidence” Nahida guesses “maybe they just look for someone who catches their eye”

“It doesn't help out as much as you think it does” the tsaritsa crosses her legs and leans against the back of the chair “if we are doing people with very clear characteristics maybe Ajax could fit nicely? Redheads aren't very common”

“Mhm, maybe but don't they have a liking for smart men? Then Alhaitham would be closer to their past couples”

“Well if we are going by that logic they should like the geo archon, as one of them has dragonic features” the tsaritsa side eyes Zhongli from the other side of the table.

Sighing deeply Furina, who came in place of Neuvillette, chimes in “It is their decision who they want to marry and even if they wanted to!”

"obviously you would be so calm, after all they are very close with your iudex. Don't get so cocky, I heard the commissioner Ayato is interested in the idea"

[shares-a-vest]

Just a Shirt (Read on ao3)

wc: 1.9k | Rated: T | cw: Mild descriptions of Steve's s4 injuries (mostly the scar on his neck), Hospital mention, Brief mention of nightmares

Tags: Eddie Munson Loves Steve Harrington, Steve Harrington Needs a Hug, Post s4 Fix-it (Everyone Lives), Hellfire, Fluff and Angst (Happy Ending), Love Confessions, Injury, Cuddling

Eddie makes Steve a customised Hellfire shirt, just for him. Based off this ficlet/headcanon. But the BIGGEST thank you goes to @tangerinesteve (formally babydollbaron) for their incredible tags below. They gave me the biggest and softest brainworms. I hope I did your wonderful ideas justice!

“Here-p,” Eddie mumbles, pushing a too-neatly folded shirt into Steve’s hands.

“Uh, thanks,” his boyfriend hums, quirking a brow in confusion.

Eddie shrugs the whole thing off for good measure because it’s just a shirt – that’s all it is.

... But not really.

Like, at all.

He looks away, avoiding Steve’s gaze. While their relationship isn’t too new for gifts, it might be too fresh for a t-shirt that screams, ‘You are part of me and I can see that you are in pain and I think I can fix it. Nay, I need to make you comfortable’.

Yeah… it’s perhaps a little too premature for something that says all that.

So Eddie looks at the floor, his beige sock blending into the similarly-coloured carpet that lines Steve’s bedroom. His foot really only looks like an actual foot and not a patch of carpet thanks to the hole in his sock that is currently exposing his pinky toe.

It’s just a shirt, he desperately reminds himself as he catches Steve unfurling it out of the corner of his eye.

It’s just a shirt.

A customised Hellfire shirt he made especially for Steve.

One that is two sizes too big, made of the softest cotton and led to an emptying of his wallet to obtain. A Hellfire shirt that has short sleeves and a loose, scooped neck Eddie fashioned himself after borrowing a sewing book from the library. A neckline he sewed on Mrs Pemberton’s machine after crossing the trailer park and answering a slew of questions from an all too inquisitive Max Mayfield.

It’s a Hellfire shirt in its logo only – despite what his friends might think. Or the fuss all his pea-brained lost little sheepie buddies kicked up along the way.

They have been a total nightmare these past few weeks, scheming and plotting and sabotaging like a little hoard of gremlins. But Eddie supposes he can really only blame himself.

He should have never said anything, never asked Gareth for the original master copy of the Hellfire logo he knows his best friend keeps filed away in secret on the rare occasions they let in new members. Or to get new t-shirts printed in instances of spilled beverage-based stain emergencies. But then Gareth of course squealed to Jeff, who teased Eddie mercilessly before blabbing to Freak, who, well… Freaked about the possibility of a jock joining Hellfire.

The shock. The horror! Oh, the humanity!

And then came what was nothing short of a campaign via Dustin, Mike and Will, all collectively working to not only prevent Eddie from something he wasn’t even going to do in the first place but to also create a drama so seismic that rumours got around the whole of Hawkins that one Eddie Munson would no longer be running his little ‘demonic’ social club.

Or at least that’s what Wayne said Ernie at the plant had told him that his son had said.

The only thing is, Eddie feels more than a little sorry for Lucas Sinclair, a kid now sulking around, utterly crestfallen that his favourite Laundry Basket Friend isn’t also secretly a full-blown nerd.

It’s just that Eddie wanted to give Steve a nice, soft, comfy shirt he had hoped he would look at just like he is right now.

Besides, Steve had admitted that he liked the Hellfire logo months back when they first started dating. Told Eddie it was, “So creative, man”, after expressing some mild disappointment that he hadn’t shown up for their first date wearing it.

He smiles at the memory, Steve’s eyes lighting up as soon as he hopped into the Beemer, far too eager to head off to Benny’s Diner that he hadn’t even bothered to let Steve chivalrously walk up to the front stoop of the new and improved Casa de Munson.

“Eddie…” Steve says, his voice just above a whisper and sounding just as soft as the too-important shirt in his grip.

“Don’t worry,” he snorts, “I’m not making you join or anything it’s just… You said you haven’t been sleeping well…”

He gestures with his hand, searching for the right words. Better words that won’t sound so monumental and weighted as Steve’s eyes trail right along the shirt’s scooped neckline.

The hem is probably a little flimsy, but hopefully, Steve won’t fucking claw at it like the old Tigers gym shirt he almost tore in two a few weeks back after bolting upright in a sweat after a nightmare. That is what did it – really set Eddie on his mission. Seeing Steve’s sniffles turn to tears and how he tried to hide them away, shrugging Eddie off before rushing to the ensuite bathroom.

He had come back a few minutes later, eyes red as he hugged his arms across himself, appearing small and frightened but acting cold as ice.

“Yeah…” Steve nods before mouthing what appears to be the word, “soft”, as he balls the fabric between his fingers.

“Hell, I know you haven’t been sleeping,” Eddie continues to ramble, “Just… tossing and turning. Also your… Y’know…”

He gestures to his own neck, referring to the still-reddened scar around Steve’s. One that Eddie knows leaves his throat scratchy and hoarse at the slightest provocation. A mark that nosey townspeople gawk at when Steve is at work, leaving him all embarrassed and well, not like Steve ‘The Hair’ Harrington at all.

And Steve hadn’t even told Eddie about that part. Nope. He found out from Robin, who swung by the mechanic one afternoon, inconsolable about her best friend spending their shift at Family Video hidden away in Keith Anderson’s stinky loser palace of an office.

“Mhmm,” Steve nods, pursing his lips.

Eddie knows he isn’t mad – it’s just something his boyfriend doesn’t talk about. That he doesn’t like talking about.

He needn’t ramble anymore, really – fill the silence between them or attempt to explain himself because, in a flash, Steve slips off his tight-fitting navy polo and replaces it with his new Hellfire shirt.

And Eddie can’t help but beam at a job well done.

It hangs nicely. Loose enough to sleep in, but not billowing so much to swallow that physique entirely. The neckline sits just where he had hoped too, much lower than the regular Hellfire shirts, scooped below Steve’s collar bones so that even if it stretches in his sleep, it couldn’t possibly pull and tug at his scar.

It’s perfect.

Exactly what he wanted to give Steve, who looks down at the devilish, very metal logo – a sight that is sure to scare off his snooty parents for good if they ever see it.

Before he knows it, Steve lunges for him and Eddie feels his cheeks squish against his boyfriend’s hands as he is kissed.

And kissed.

And kissed some more.

Kisses that last for long enough and grow softer with every peck that Eddie soon feels his legs buckling and he forgets altogether what they are even doing up here, in Steve’s bedroom, in the middle of the day on a warm summer afternoon.

It’s just the he –

“ – I love you,” Steve smiles when he comes up for air and – 

His eyes blow wide in an instant.

And Eddie is sure his own do too – maybe even pop right out of his goddamn skull with an audible gasp in there somewhere as well as they both fully realise what has just been said.

Steve loves him?

Just the same as he loves Steve. So much that he is blurting it out now, in the middle of his bedroom on a warm, mid-summer afternoon – perhaps months too early when they are probably, most likely still in the honeymoon phase.

All because of one perfect t-shirt.

Steve’s brow pinches together and his jaw goes slack as he looks away.

“I…” he trails off, drumming his fingers on Eddie’s shoulders.

“Stevie...” he tuts, smiling back at him.

He steps closer still, closing any remaining space between them as he loops his arms around his partner’s middle and squeezes him tight.

Eddie backs them a step back, then another. Then another until he is at a safe enough distance to rock Steve back and collapse onto the bed.

They fall with a conjoined, “Hmphf” – one that knocks the wind out of Eddie’s already breathless lungs and has Steve momentarily distracted away from whatever inner turmoil he had going on a moment ago. As he lands on top of his boyfriend, Eddie gets a feel of the shirt, now warmed by Steve’s permanently hot body temperature. A feeling that makes it seem even softer.

Like it is already worn in and loved.

He wants to ball a handful of it up in his fist and never let go.

But Eddie forces himself to sit upright, settling down in a straddled position to hover over Steve’s clothed form. He smiles down at the sight beneath him, his giddiness short-lived and quickly fading as a big, brown and now glistening set of panicked eyes return.

“Stevie,” he whispers, running his hand up Steve’s torso.

He ghosts his fingers with a featherlight touch over the printed logo, an illustration he had first scribbled on the back of his math book in his junior year.

Eddie leans forward and takes Steve’s hands, clasping them tight and one by one, he brings them to rest above his head where his super-soft signature swoop is sticking every which way, mussed by the bedspread.

He can’t help but chuckle a little at the sight – momentarily giving into the greedy feeling he gets when he thinks about how this Steve is the one he gets all to himself.

But Steve frowns, those expressive brows looking positively pained now as if only one thing could possibly soften them.

“I love you too,” Eddie says, freeing a hand to delicately pluck at Steve’s loosened neckline, “Obviously.”

“You do?” Steve asks.

Eddie nods as a visible relief washes through Steve’s eyes, leaving his brows to soften up so much he wonders if his boyfriend might now cry.

And before he can say or do anything more, Steve bolts upright, once again leaving Eddie feeling winded and more than a lot flushed this time as he wraps his arms around him and buries his face in his neck, snuffling close like the world’s cuddliest puppy.

They stay like this for a long while, simply breathing in sync as they hold each other. And soon Steve begins to sink, his body going lax as his head slips down onto Eddie’s shoulder.

“I really wanna sleep,” he hums as tears seep through Eddie’s own plain black t-shirt.

“You wanna try now?” Eddie offers, pulling back enough to give an encouraging little smile.

Steve nods, refusing to let him go as they lower down together as one, his eyes fluttering shut when his head meets the bedspread.

“Wanna get all cozy under the covers?” Eddie continues, nudging at the bedding.

He really doesn’t want to move too much more – not when Steve looks like this.

Relaxed.

Loved.

Comfortable and wrapped up in a softness Eddie would like to keep him cocooned in forever.

But as he always does, Steve moves for them and rolls to the side. He snuggles in close, burrowing his head between the crook of Eddie’s neck and the mattress all protected and safe. Eddie palms around for the blanket and haphazardly wraps what sliver of it is free around them, shielding his partner a little more for good measure.

It’s good like this.

Calm. Warm.

Soft.

[strwberri-milk]

hiiii, hope you're doing well 💖💖💖

i had an idea, and i don't think it's been done before - what do you think are their favorite parts of you to kiss? sfw or nsfw, totally up to you! i personally would love to see kaeya, diluc, dain, alhaitham, kaveh, and childe, but open to anybody else you have brainworms about!!! (i see you sneaking rafayel into things lately and i LOVE it)

LMAOO sorry rafs just rotting my brain rn its terminal :/ im just gonna start smacking him down wherever i feel like it - im open to writing for the others but im not gonna do it organically so send me requests for them!!

I see Kaeya as a big hand kisser. He loves to just grab your hands and pepper your knuckles or the tips of your fingers in his affection then hold them tightly as the two of you walk. He also definitely loves to kiss your temple. It gives him the chance to whisper soft words into your ear (or teasing depending on his mood) and is just another sweet way to give you affection.

Diluc is also a hand kisser. He focuses his kisses to your knuckles and your palm. He just likes the way it feels for his lips to brush against your hand, looking up at you and melting at the almost reverent look on your face as he presses a delicate kiss against your skin.

Dainsleif adores pressing kisses against your temple as well. He likes to breathe you in, remind himself that the moment he's in is very real and that you're here, standing in front of him. He'll always hold you tightly against him to ground himself, finding comfort in your presence.

Al Haitham has a habit of pressing kisses against your shoulders, whether or not you've got them covered. This comes from the fact that he likes to hold you while he reads books, keeping you close to his chest. It's easiest for him to reach your shoulders when laying down together, so it's become his favourite place to press kisses.

Kaveh likes to give you kisses on your cheek. It's sweet and maybe a little cliche but it's very him. He'll cup your face in his hands and tilt your face to the side to pepper kisses to your face, smiling brightly all the while.

Childe likes to press kisses just behind your ear. He likes the way you stiffen against his chest, hands on his body as he pulls you in by the waist and leans in. You can hear the soft sound of his breathing in your ear, almost falling to your knees if it weren't for the strong grip he has around your waist.

Rafayel has a scent kink so of course he's going to love to press kisses against your neck and collar. He likes to pull you in, have the weight of your body sitting on his lap as he gently nips and bites just under your chin, trailing his lips down until he's found a comfortable place to rest against you and just sit in your presence.

[mad-hare]

Of all things I accidentally gave myself car brainworms. Related to my search for a new car, hatred of how modern cars have screens and no dials. Also Ontario’s roads are becoming MORE deadly instead of less and the government is blaming screens as a likely cause.

My first enemy I have already accepted was the push to start button. The sensation of using a key to start an engine is so unique and we’ve lost that in most cars now. Another enemy I really want to refuse to accept is dials or buttons for changing gear instead of an old fashioned stick. Of course there are modern luxuries like how my car would warn me if I turned on a blinker to change lane and there was someone in my blind spot (which I always was aware of because I do check myself but the extra security was nice). Not a big fan of when cars try to keep themselves within a lane without my permission because they’re not totally great at deciding what a road line is all the time. Like beep at me and let ME decide if we’re proceeding the way I am planning or not, don’t shove me over.

Anyway my hatred of technology led me to the “how hard could it be to restore a classic car” path and caring about aesthetics I decided to look up how hard could it be to repaint a car. Turns out it’s like, over 50 sanding steps, no exaggeration. The comments were lovely.

[danganphobia]

thinkign about laishuro but in a college au setting. mini fic kinda incoming im having brainworms.

toshiro keeps to himself and doesn't really talk to many people (but i like to think he's already good friends with kabru because they share some of the same classes together) but he shares this one class with this incredibly talkative guy that the professor absolutely despises named laios that always makes the class fucking bust out laughing. laios is the class clown but he's popular because he's just that guy that kinda knows everybody. and he sits next to toshiro and often asks him about assignments or to copy his notes because he didn't get to read all the slides on time. meanwhile toshiro's just like ok whatever (doesnt think anything of it)

since kabru already knows laios by default toshiro kinda gets roped into his whole friend group of different majors but i like to imagine they're all good friends because they're in the DnD club and toshiro's initiated like Immediately against his will. every now and then the club hangs out after classes and it's actually really Obvious that laios likes toshiro. he's like going out of his way to make sure the newbie is "comfortable" and other than kabru it's laios who toshiro ends up talking to the most. laios is sitting next to him the whole night, leaning in when toshiro needs to say something because it's super loud at the restaurant and everyone's like Lmao this is so painful.

kabru the instigator is like "guys let's add toshiro to the group chat" and he's making eyes at farlyn and marcille and chilchuck, who's just like fucking facepalming because they're horrible at being subtle, and it's laios who's like "OH YEAH TOTALLY, toshiro what's your number?????" so toshiro gives his number and he's added to the DnD group chat but really it was just a ploy for laios and toshiro to start texting each other. it works bc laios texts toshiro individually and says "hey its laios from bio i got ur number from the dnd gc i hope it's okay lol" i can see this fucking happening when kabru and toshiro are hanging out and kabru's like "bitch i FUCKING KNEW IT!!" and toshiro's like "of course i know it's him. why does he have to say that. he's very odd." kabru's just Staring at him like my dear friend laios likes you. toshiro's confused because ????? the thordens talk to like everybody on campus i think he's just friendly. and kabru says there's at least 20 other people in your class that he could ask for notes and assignments yet he always asks you. he's always asking all their friends where toshiro is when he's not around. he's like the first to look for toshiro when he walks into a room that laios KNOWS toshiro is in. he's always excited to see you to come club meetings. he texts you like every other day. he's even asked you to hang out, alone??? many times??? like how people ask each other on dates????

toshiro telling kabru its just to work on assignments together. and kabru brings up laios walking him all the way back to their dorm and giving him a hug, and toshiro can agree that's a bit Strange but it's "not even a big deal" until he's wide awake in bed at night thinking of the last time laios hugged him after walking him home and he's red in the face like FUCK. THERE'S SOMETHING WRONG WITH ME.

anyways toshiro unable to handle the fact that what he has, as kabru calls it, is a Crush(TM) and refuses to believe it so he begins avoiding laios until it becomes a big thing. laios is genuinely upset and thinks he did something wrong. so he tracks toshiro down to ask him about it and he's rambling on about being an idiot and thinking he did something to make toshiro uncomfortable, toshiro doesn't rlly know what to do bc all his feelings the past few weeks have been piling up and is about to explode and he just. grabs laios and kisses him square on the lips.

a minute passes and they stare at each other. and laios is just like. Wat. toshiro's internally freaking out. and when he opens his mouth and says "laios-" laios cuts him off and very shyly asks, "can you... uh, can you do that again?"

toshiro just feels himself relax. laughs. and laios laughs. and toshiro kisses him again.

anyways i need fanart of this so bad bye