#toselli

[garadinervi]

Marcel Broodthaers, Door A (Porte A), (painted vacuum-formed plastic plate), 1969, Edition of 7 [MoMA, New York, NY. © Succession Marcel Broodthaers / ARS, New York / Sabam, Brussels. Photo: © Erwin De Muer and Cedrik Toselli]

[bizarreauhavre]

Luigi Toselli, 19th century, plaster.

[movienized-com]

Historien om Sverige

Historien om Sverige (Serie 2023) #AlecToselli #MagnusAfSandeberg #JohanBerg #MyraMayers Mehr auf:

Serie / The history of SwedenJahr: 2023- Genre: Abenteuer / Dokumentarna serie / History Hauptrollen: Alec Toselli, Magnus Af Sandeberg, Johan Berg, Myra Mayers … Serienbeschreibung: Eine große Geschichte über die Geschichte Schwedens. Über die Menschen und Kräfte, die es geformt haben – von der Eiszeit bis heute…

[robynsassenmyview]

Things still rotten in the state of Roodeplaat

"Things still rotten in the state of Roodeplaat", a review of 'Death of a Whistleblower', by Ian Gabriel, on the Johannesburg Film Festival 2024.

RUN, there is no tomorrow. Emma Louw (Inez Robertson) discovers something she should not, in Death of a Whistleblower. Photograph courtesy Imdb. WHEN A GOOD storyteller has the skill to worm their way into an established monolith of history, there’s always some meat for a fantastic story. But Ian Gabriel’s Death of a Whistleblower is a lot more than just a great yarn that cuts deliciously close…

[edizionimedusa]

Ieri sera alla presentazione del libro di piccolo formato di Franco Toselli, Quasiarte, da un disegno di Lisa Ponti. Piacevole e distesa. Pubblico discreto e assolutamente “democratico”, a suo agio perché capace di diffonderlo. I ritratti, sintetici e cristallini, di artisti e amici che hanno calcato le pareti delle gallerie di Toselli, emergono con forza delicata e vitalissima. Una scrittura solo apparentemente aforistica e scarna, in realtà una prova di vera poesia in prosa. Che piacere, sereno e pacato, nel tourbillon dell’arte contemporanea. Ha concesso agli astanti, nella bottega di Cecé Casile, la fine del pomeriggio e l’inizio della sera quieta, finalmente pacificata, nel gorgo milanese di fine mese. Dialogava nella meraviglia di leggersi con le parole di Federico Nicolao. A tracolla le due macchine fotografiche di Thomas Pagani, analogiche, con tutti i bianchi e tutti i neri del mondo. Tutti bastavano a loro stessi e il mondo a loro.

Franco e Aurora (Orlandi) mentre lavoravano ad alcuni testi del libro. © Foto di Thomas Pagani

[pastrufazio]

Ieri sera alla presentazione del libro di piccolo formato di Franco Toselli, Quasiarte, da un disegno di Lisa Ponti. Piacevole e distesa. Pubblico discreto e assolutamente “democratico”, a suo agio perché capace di diffonderlo. I ritratti, sintetici e cristallini, di artisti e amici che hanno calcato le pareti delle gallerie di Toselli, emergono con forza delicata e vitalissima. Una scrittura solo apparentemente aforistica e scarna, in realtà una prova di vera poesia in prosa. Che piacere, sereno e pacato, nel tourbillon dell’arte contemporanea. Ha concesso agli astanti, nella bottega di Cecé Casile, la fine del pomeriggio e l’inizio della sera quieta, finalmente pacificata, nel gorgo milanese di fine mese. Dialogava nella meraviglia di leggersi con le parole di Federico Nicolao. A tracolla le due macchine fotografiche di Thomas Pagani, analogiche, con tutti i bianchi e tutti i neri del mondo. Tutti bastavano a loro stessi e il mondo a loro.

Franco e Aurora (Orlandi) mentre lavoravano ad alcuni testi del libro. © Foto di Thomas Pagani

[kerubimcrepin]

An update on Welsh & Shedar - Part 1

Recently, Kim Bruges has been posting a lot of materials in regard to various Krosmoz media, which includes the previously-posted animatic videos.

And today brings us to the topic of Welsh & Shedar, of which we now know new details.

"Character: Bechamel. These are my own design researches but the 2 last images are reference posings based on designs reworked by a collective work. (I seem to remember that it was Carlo Toselli who proposed the final design seen in the trailer)."

Unlike most people's theories, the ecaflip girl's name is not Shedar, it turns out. X)

"character: Khan Karkass. I did not design Khan. this is just a reference posing."

"character: Rillette (unused research) that character is a bellaphone."

As was the common theory, this character was a bellaphone, which were previously observed in the Wakfu series.

She has appeared on the famous leaked preview image, and some of the W&S concept art, all of which depict her in a more chibi style. Considering this character's absence from the Welsh & Shedar trailer, she may have been scrapped, but we may never know.

"character:Mou (the big cat)."

character: Mulou. This is my design research but it has been heavily changed by a collective work. The final version is visible in the trailer

"character:"mama" (i'm not sure to remember the real name). This is not my design but just a board for expressions."

(There are more concepts of her, but its hard to download images from instagram...)

Also, interestingly, this character's design is quite similar to this Aux Tresors and Wakfu Season 4 background character design. Possible inspiration/reusage?

small strip showing the eyes in the clouds. it shows that the idea of the eyes is in Tot's mind since long time ago. He finally used them in Wakfu season 4.

(There are more parts to this strip, but I only grabbed the last three to save time)

We had already seen this in the trailer, btw!

The next part will have the more interesting concept art and information, pertaining to Sipho and Zabel.

[uelman]

Welsh & Shedar posts by Kim Bruges

Recently Kim Bruges, lead animator for Ankama Animations, has created new social media accounts in order to share various concepts, animatics and credit the work of animators that were sadly left out of the credits, or simply inform of who made what parts of the series we all know and love. You may follow him on Twitter (https://x.com/kimbrugesanim) and on Instagram (https://www.instagram.com/kimbruges)

And you may have noticed this from the title, but he has recently shared with us various concepts of the scrapped Welsh&Shedar series from 2011! As claimed on each post, anything he shares is either scrapped content or things we already saw on the trailer, but it's still really interesting to analyze.

First of all, we have some concepts of Bechamel, the Ecaflip girl in the main cast! The final design was made by Carlo Toselli, whereas the concepts were made by Kim himself.

We also got to see some concepts of Sipho, who was originally created for this series and then re-used for the Wakfu OVAs. Most interestingly, in this story he would have had a pretty boy humanoid form, and he would keep some of his draconic features while shapeshifting!

This next character is one that did not appear in the Welsh&Shedar trailer we all know, but she did appear on concepts of other iterations of the series, notably the ones shared by Fabrice "Ntamak" Nzizi and in one Dofus cartoon illustration that was mistakenly used for Kerub's Treasure by FranceTV, which I'll also share here. She is a Bellaphone by the name of Rillette.

And last but not least, we have the name of the main antagonist of the series, Zabel! Just like how Sipho was re-used for the Wakfu OVAs, he too was referenced there: the place where the Forgotten Siblins group together to discuss is the ruins of Zabel's Tower, in the Kingdom of Winds. Here's some of his concepts, and the last one is his final design that we saw on the trailer.

Sadly we didn't get any new concepts or information on the little guy with the winged facemask, but honestly this is already A LOT, I am always really excited to find new Welsh & Shedar stuff.

I hope you all enjoyed this, don't forget to check out the other stuff Kim has uploaded to his social media accounts, it's incredible work!

[marionmorse]

sorry okay I'm so sorry but

The visual of Engie sing-yodeling a cute little southern serenade is damn good. Think about the yodeling in Let's Ride Into The Sunset Together or a Texan'd-up cover of Mary Schneider's cover of Toselli's Serenade. He'd probably do it for Medic or Heavy - Medic not knowing how to react in the moment but showering him with love after and Heavy sitting down and soaking in the song with a happy little sparkle in his eyes (he adores operas because I said so (do you understand me? Is this making sense? Are we connected?))

Anyway, I genuinely love the idea of Bidwell and Jeremy being brothers, Bidwell being older OF COURSE! It's so much more funny to imagine spy being both of their fathers just like seven years apart, with Bidwell soaking up Spy's composed and eloquent side and Jeremy inheriting in the impulsivity, the bloodlust, the pip-squeak-ness (and the "charm.")

Their sibling rivalry just exists despite them not sharing a childhood, every time they have a chance meet there are just. daggers in their eyes. I mean - they've met before by "coincidence" and their personalities just contrast so much, they annoy each other by existing. Everyone else on the team (besides spy) is caught so off guard because "why does this random guy who works for the munitions supplier seem to know scout??"

Still, neither of them knowing about spy could be interesting, though I feel it's better that Bidwell would. Also - when they're all three together it's SO funny because the whole dynamic is just Spy and Spy 2. And uhhhh... Spy himself wrapped in a twister of weird feelings and shame when Bidwell confronts him all upset. Like as much as Jeremy annoys him, he DESERVES to know, man..! My thoughts are as scattered as Spy's children around the globe...

Finally ahh... Imo, Bidwell's mother wouldn't be the same as Scout's. One way or another, she isn't around. but when all comes out about parenthood aand.. absent fathers and.. mothers and family and stuff... Scout's ma welcomes him in with open arms. it's quite healing, okay? She's a genuine sweetheart (because I said so.)

Maybe overly fluffy but considering the TF2 universe it's what they deserve. Found family is wonderful but re-found family... ourgh...

[luigidelia]

Tutte le date di febbraio

gio 1 feb, matinée | 𝗟𝗔 𝗚𝗥𝗔𝗡𝗗𝗘 𝗙𝗢𝗥𝗘𝗦𝗧𝗔 | 𝗖𝗮𝗹𝗱𝗲𝗿𝗮𝗿𝗮 𝗱𝗶 𝗥𝗲𝗻𝗼 (𝗕𝗢), Teatro Spazio Reno ven 2 feb, matinée | 𝗟𝗔 𝗚𝗥𝗔𝗡𝗗𝗘 𝗙𝗢𝗥𝗘𝗦𝗧𝗔 | 𝗖𝗮𝗹𝗱𝗲𝗿𝗮𝗿𝗮 𝗱𝗶 𝗥𝗲𝗻𝗼 (𝗕𝗢), Teatro Spazio Reno sab 3 feb, ore 21 | 𝗔𝗦𝗣𝗘𝗧𝗧𝗔𝗡𝗗𝗢 𝗜𝗟 𝗩𝗘𝗡𝗧𝗢 | 𝗖𝗮𝗹𝗱𝗲𝗿𝗮𝗿𝗮 𝗱𝗶 𝗥𝗲𝗻𝗼 (𝗕𝗢), Teatro Spazio Reno mar 6 feb, matinée | 𝗘 𝗟𝗔 𝗙𝗘𝗟𝗜𝗖𝗜𝗧𝗔̀, 𝗣𝗥𝗢𝗙? | 𝗡𝗮𝗽𝗼𝗹𝗶, Teatro Nuovo mer 7 feb, matinée | 𝗘 𝗟𝗔 𝗙𝗘𝗟𝗜𝗖𝗜𝗧𝗔̀, 𝗣𝗥𝗢𝗙? | 𝗡𝗮𝗽𝗼𝗹𝗶, Teatro Nuovo gio 8 feb, matinée | 𝗘 𝗟𝗔 𝗙𝗘𝗟𝗜𝗖𝗜𝗧𝗔̀, 𝗣𝗥𝗢𝗙? | 𝗡𝗮𝗽𝗼𝗹𝗶, Teatro Nuovo ven 9 feb, ore 21 | 𝗖𝗔𝗥𝗔𝗩𝗔𝗚𝗚𝗜𝗢. 𝗗𝗜 𝗖𝗛𝗜𝗔𝗥𝗢 𝗘 𝗗𝗜 𝗢𝗦𝗖𝗨𝗥𝗢 | 𝗠𝗮𝘀𝘀𝗮𝗳𝗿𝗮 (𝗧𝗔), Teatro Comunale sab 17 feb, 20:45 | 𝗖𝗔𝗥𝗔𝗩𝗔𝗚𝗚𝗜𝗢. 𝗗𝗜 𝗖𝗛𝗜𝗔𝗥𝗢 𝗘 𝗗𝗜 𝗢𝗦𝗖𝗨𝗥𝗢 | 𝗡𝗼𝘃𝗼𝗹𝗶 (𝗟𝗘), Teatro Comunale dom 18 feb, ore 19 | 𝗖𝗔𝗥𝗔𝗩𝗔𝗚𝗚𝗜𝗢. 𝗗𝗜 𝗖𝗛𝗜𝗔𝗥𝗢 𝗘 𝗗𝗜 𝗢𝗦𝗖𝗨𝗥𝗢 | 𝗠𝗼𝗹𝗳𝗲𝘁𝘁𝗮 (𝗕𝗔), Cittadella degli Artisti mer 21 feb, matinée | 𝗘 𝗟𝗔 𝗙𝗘𝗟𝗜𝗖𝗜𝗧𝗔̀, 𝗣𝗥𝗢𝗙? | 𝗖𝘂𝗻��𝗼, Teatro Toselli gio 22 feb, matinée | 𝗘 𝗟𝗔 𝗙𝗘𝗟𝗜𝗖𝗜𝗧𝗔̀, 𝗣𝗥𝗢𝗙? | 𝗩𝗶𝗰𝗲𝗻𝘇𝗮, Teatro Astra ven 23 feb, matinée | 𝗘 𝗟𝗔 𝗙𝗘𝗟𝗜𝗖𝗜𝗧𝗔̀, 𝗣𝗥𝗢𝗙? | 𝗠𝗶𝗿𝗮𝗻𝗼 (𝗩𝗘), Teatro Cinema Comunale sab 24 feb, ore 21 | 𝗖𝗔𝗥𝗔𝗩𝗔𝗚𝗚𝗜𝗢. 𝗗𝗜 𝗖𝗛𝗜𝗔𝗥𝗢 𝗘 𝗗𝗜 𝗢𝗦𝗖𝗨𝗥𝗢 | Modigliana (FC), Teatro dei Sozofili mar 27 febbraio, matinée | 𝗟𝗔 𝗚𝗥𝗔𝗡𝗗𝗘 𝗙𝗢𝗥𝗘𝗦𝗧𝗔 | Brindisi, Teatro Impero mer 28 feb, matinée | 𝗘 𝗟𝗔 𝗙𝗘𝗟𝗜𝗖𝗜𝗧𝗔̀, 𝗣𝗥𝗢𝗙? | 𝗟𝗲𝗰𝗰𝗲, Cantieri Teatrali Koreja gio 29 feb, matinée | 𝗘 𝗟𝗔 𝗙𝗘𝗟𝗜𝗖𝗜𝗧𝗔̀, 𝗣𝗥𝗢𝗙? | 𝗟𝗲𝗰𝗰𝗲, Cantieri Teatrali Koreja

[garadinervi]

Giuseppe Chiari: 'Arte', Edizioni Toselli, Milano, 1974, p. 1 [Saint-Martin Bookshop, Bruxelles-Brussel. Fondazione Bonotto, Molvena (VI). © Giuseppe Chiari]

[abwwia]

Joan Jonas, Organic Honey’s Vertical Roll, 1972. Performance at Galleria Toselli, Milan, 1973. Picture credit: Courtesy the artist and Gavin Brown’s enterprise, New York/Rome. © ARS, New York, and DACS, London, 2020. Photo: Giorgio Colombo (page 77)

[movienized-com]

Oliva (2023)

Oliva (2023) #LucianoLeyrado #JuanLeyrado #AndreaFrigerio #IgnacioToselli #RominaFernandes #OrnellaCattaneo Mehr auf:

Jahr: 2023 (September) Genre: Comedy Regie: Luciano Leyrado Hauptrollen: Juan Leyrado, Andrea Frigerio, Ignacio Toselli, Romina Fernándes, Ornella Cattaneo, Humberto De Vargas, Bananita Gonzalez, Gustaf, Pablo Musetti … Filmbeschreibung: Gina wird endlich ihren Schwiegervater, Pascual, treffen, einen Olivenölproduzenten, der seine Arbeit liebt. Was sie nicht weiß, ist, dass sie bei diesem…

[noegiuliani]

Moore Warframe trailer compositing !

FULL TRAILER ON YOUTUBE https://youtu.be/4gi_9Ypouuc

CREDITS BELOW

Client : Digital Extremes

Production: Passion Paris

Director: David Pagaille

Executive Producer: Andrew Caulcutt & Marc Bodin-Joyeux

Producer: Chamseddine Kaddouri

Assistant Director: Chamseddine Kaddouri

Art Direction & Illustration : David Pagaille

Storyboard, Animatic & Editing : David Pagaille

Character Designs: David Pagaille

Backgrounds: David Pagaille & Quentin Regnes

Umeshu Lovers : Justine AXL Chalieux, Camille Boulestin, JULIETTE BUTTIGIEG, Juliana Mackowiak, Sylvain Sarrailh, Armance de Bonis & Jenny Mati

CG modelisation for Background & Props : Vox-A studio : Hugo Braillon & Thibault Diguet

Layout: David Pagaille, Léni Marotte, Solène Michel & Charline Lemoal

Animation supervisor : Léni Marotte

Animators: David Pagaille, Léni Marotte, Théo Tran Ngoc, Solène Michel, Pierre Watteyne, Carlo Toselli, Léonard BISMUTH & Charline Lemoal

FX animation supervisor : Ines Scheiber

FX animators: Ines Scheiber, Oscar COTTE, Husain Untoro, Solal Girardin & Chhay-tek UNG

Clean / Light Assistants : Rosalie Perrot, Florence LIBAUD, Chhay-tek Ung, Solal Girardin, Zoé Partouche-Pluchon, Eva Lagrange-Baron, Chloé VIALA

Colorisation Supervision: Rosalie Perrot & Chhay-Tek Ung

Colorists: Matis Inserra , Nell Lambert, Sophie Tisseyre

Compositing Supervisor: Thomas Ricquier

Compositing Artists: Victoria Jardine, Noé Giuliani, Mathieu B., Chloé VIALA, David Pagaille

Grading: Post-production: Nightshift Paris

Grading Artist: Maxime Mourey

Post-producer: Camille Gérard

Sound Production: BADJE Auditoriums

Sound Supervisor: Emmanuel Rebaudengo

Sound Designers: Célia Sayaphoum, Nicolas Besse

Music: Antoine Duchene

[salantami]

Giuseppe Toselli, known as Bepi Suà or Bepi of the candies,  in the 1960s Toselli began to decorate the façade with geometric patterns, using the vibrant colors of Burano. He painted and repainted the house without stopping, constantly changing the look of his home.