#topic: films

[tayfabe75]

"It's funny, you know, we've been making a kind of film about the band since we were like, sixteen and we just started putting it together now and if you look at some of the footage, it's amazing."

March 14, 2014: Matty admits that the band has been documenting their journey since they were sixteen. (source)

[sergle]

(re: sssniperwolf and jacksfilms) It's laughable that she escalated it that hard. Don't get me wrong, I'm pretty sure stalking him like that is illegal and it's terrifying regardless, but Jack said in a stream (can't remember which one) that he wasn't about bringing up past controversies of hers or cancelling. And now she shows up outside his house (wtf!!!). Like he was willing to only call her out for stealing and freebooting but she's gone and stalked him and Jack doesn't seem like the type of guy to take that shit. Actual WTF moment from her part. wild

omg long post below bc apparently I have opinions: YES!! THAT'S WHAT'S SO INCREDIBLE ABOUT THIS... Jack has been genuinely diligent about keeping things on-topic in his streams, and hasn't brought up any of her other Stuff, or anything Personal. Despite the fact that she kickstarted the whole thing by making it INCREDIBLY personal and attacking his physical appearance... His goal has been to call out and bring attention to content theft, and he's stuck with it. Dude's also cared about this for years, and she's not the first content thief he's criticized. He just hates the way that freebooting has become so accepted-- to the point where youtube praised her for "coming up with such creative video ideas"? Hey! Ew! Dude wasn't trying to get her cancelled though, there was no smear campaign of her character. He's been rallying to get her to CREDIT the creators that she relies on for all of her content. It would set a precedent for all other "react" channels on the platform for one of the biggest channels on youtube to actually give credit where credit is due. Or, god forbid, get permission first? It's not hard. It's already done the job of making some other people who do "react content" self-analyze whether or not their content is transformative, and to maybe care about crediting the creators they rely on for their genre to work. There is a way to make this kind of video that isn't so slimy. And making fun of her lackluster-at-best reactions is so far from even being a big deal. Bc she literally does just sit there and say nothing. Plus, his goal has a clear End built into it: if she started shouting out the creators she takes content from, and put links directly to their pages in her video descriptions, the job would be done! That's what he's asking her to do. Real bare minimum stuff. It legit would have been easy to steer away from the content theft and to also talk about her history of lying to her audience! her ghosting a dying kid with cancer who was a big fan of hers! the fact that she's been arrested for armed robbery! her history of transphobia! He would also get more clicks that way, which is what she claims is his sole goal- to get more clicks. I'll bring it up though! She's been a terrible person the whole time, and has kept a steady course of manipulating her audience of young children and/or, let's be completely honest, simps- into thinking that she's a Wholesome creator. (And now, into thinking she's an innocent victim.) All of the actual effort put in by her has gone toward optics, not the content she puts out. A carefully constructed online persona, for one, but also literal appearances. Jack totally can't say this, bc she already went off the handle and said the only reason he doesn't like her is bc he Hates To See A Woman Be Successful. But I can! That was a cheap shot for her to use that argument when, for once, it's not applicable! Much the opposite, even! Dudes online wouldn't go to bat for her if she didn't look the way she does. And it weakens any case she'd have against him by making baseless claims like that. She banks hugely on being an attractive woman to get her clicks/following. A massive amount of effort is put into her appearance. The makeup, the lip fillers, putting her hair in little pigtails, the chokers and tube tops, the big non-prescription Nerd Glasses, the thumbnails where she has her mouth open in That Expression?

I don't even have to say anything. But making a weird facial expression and putting your hair in pigtails aren't moral failings. Showing up at someone's real life home (whose address you shouldn't even have access to), filming the front of their house at night, doxxing them to your audience of millions of people? Because you were mad at them online? That is fully scary! Yeah girl I'm pretty sure that Jack can press charges! There is absolutely no way to take the moral highground now that she's literally stalked him, and doxxed his home. She tried to goad him and Erin (Jack's wife) out of the house, also, which creeps me out even more-- because what was she planning to do? The fact that she's been arrested for violent crime before does pop into my mind! lmao! Jack was streaming a game at the time that she was outside his home, and these clips of him, his friends, and Erin reacting in real time to what is genuinely a scary situation have been taken down in case he needs to use them in legal action. Shit is legitimately serious!

[regicidal-defenestration]

Something I'm sad didn't make it into the Nimona film was more about Ballister's arm like, the comic had a whole thing about the Institute not having use for a one-armed hero, and that being part of why they began framing him as the villain

[multiversemittens]

James Somerton crowdfunded tens of thousands of dollars then claimed it was just too difficult to make a short film.

As if students aren't out there making short films with camcorders in their friend's mum's basements.

[pdalicedraws]

As an ex barista: coconut is by far the best of the non dairy milks. Not only does it taste good but it actually foams properly.

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[venusjailer]

I’m tempted to start making American Psycho video essays because at this point the YouTube selection for our fandom is limited to one of the following:

1) American Psycho Ending (Explained Like I’m 5)

2) IS PATRICK BATEMAN A PSYCHOPATH OR A NARCISSIST? — TikTok Psychologist Weighs In

3) How to Dress Like Patrick Bateman as a High School Freshman

4) Patrick Bateman sigma phonk edits compilation (i’m literally him) 🐺🥶🗿🔥

[welcome-to-green-hills]

I swear in Project Shadow, Shadow was quite similar to Sonic in a...goofy way :3 Yes, he was more sensible XD But still was allowed to be a goofball in his own right...splashing Maria while brushing his teeth...drawing on his homework...stuffing himself with pizza slices (Me too Shadow, me too) :3 There's something so...similar ;)

❤️🥺❤️ YES! They are absolutely goofballs! Little fluffy babies! ❤️🥺❤️

They’re similar yes when they’re younger. And each took a different path…

[raiiny-bay]

everyone say hi to cricket

Interviewer: Can you state your name and age please? Cricket: Cricket... 19. Interviewer: [whispering] Look into the camera. Interviewer: And what's been happening to you, Cricket? Cricket: ...I'm... mutating. Interviewer: Can you show us what you mean? Cricket: ... Cricket: ... Okay. [Cricket holds his hand towards the camera]

[manderleyfire]

– What's keeping us apart ain't even real, your daddy, his religion, it's got nothing to do with us. – It's not just his, it's mine too. I've got the same spirit in me, why don't you see that?

Alice Englert and Walton Goggins in Them That Follow (2019), dir. Dan Madison Savage & Brittany Poulton

[church-history]

God's children are not for sale

[cuartoretorno]

Misfits and Elvira Mistress of the Dark 80tas

New Romantics? Horror Punk? que fue Bro?

[hasaniwalker]

A word about Alice

“Have you seen that evil Alice in Wonderland game at best buy?”

That was how I was introduced to it. A game that would stay with me for years after. I had no idea what the person was talking about at my high school in the A.V. room. I was there frequently, editing my first stop motion film (An adaptation of Edgar Allan Poe’s the Raven).  They told me she had a knife and there was a thin cat next to her. I was intrigued and the next time I was at best buy I wandered to the Computer Game department and found the box.

That’s when I was introduced to American McGee's Alice.

I feel like I should mention, I was not and still am not really a PC gamer. I do console games mostly and reserve my computer for animation and editing. This game however, I needed to play it.  I was gripped by the image. The stark red background. The haunting stare of the character. the hand on the knife. It was unapologetically dark and I was obsessed. 

I went online wanting to learn more. It was early 2000 and my home internet was still dial up. I still recall going online to the Alice website and finding a countdown page. It was a music box, a child singing in the background, a terribly broken  tune looping as the box threatened to open. It was haunting and perfect.  I’d come home from school and for the short moment while I was the only one there, I’d go to the site and let that strange tune play though the house. At the end of the countdown, the box opened to reveal a decaying baby doll head (All of this is from memory and may be distorted by time. I unfortunately can’t find any images of the countdown page.) It stirred something in me to see that page come to life. It was the early days of internet. The time of MySpace. So the site was crude by today’s standards, but it was the most amazing thing to me at the time.

I’d leave it open on one of the computers while I was in A.V. at school. friends would come and we’d watch Alice move (sitting up from her seat, marveling at her blade, dusting off her dress.)

And of course, take time to show anyone the trailer.

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I remember this time of being a teenager entering adulthood, feeling misunderstood, anxious, scared, and losing myself in the music of Garbage, Poe and Crystal Method. Alice fit right in to the aesthetic of everything I saw at the time.  If Wednesday was the goth friend saying and liking macabre things, Alice was the older teen sister angry with the world and ready to scream at it with you. She was grunge, she was dark, she was frightening and wonderful.

I couldn’t afford the game, but I could afford the soundtrack. I ordered it from Amazon. A site that was also in it’s early days at the time. I hadn’t ordered much form the site, but I needed this.

I’ll always remember when the email alert came. My package had been delivered. There was a storm that day. I lived in Phoenix Arizona, and when we have storms it looks like the world is ending. The sky was dark, the thunder was loud. You had to get inside. I came home and went to the mailbox. The CD shape of the package nearly made my heart stop. I knew what it was, but holding it felt like an achievement.  I listened to that music daily.

Now, so you know, I didn’t just admire this game from afar. I did get the game for my birthday one year. I had talked about it so much that it was almost certain my mom would remember. It was the first computer game I owned. I was terrible at using a keyboard for games and couldn’t get through the first few levels without a huge amount of struggle. It was a lot of getting used to and I loved it.  

From the opening cinematic, the menu screen, the sound of the bell when you start the game. It was exactly what I wanted.

At the time I couldn’t think of another game like Alice. It felt tailored made from people with my mindset. A frightful game with a deep story and a character I immediately identified with. At a time where games had very action oriented goals, Alice gave a backstory of an asylum even coming with a patient log for Alice. All of it detailing the terrible fire, her mental state, and the struggle she was going through.

The best part of this was that I wasn’t alone in my admiration for this story. You could walk into Hot Topic and Tower Records and be greeted by large Alice statues modeled from the box art that captured my imagination from the start.

I wanted to see more of this character. I dreamed of seeing a movie someday.

And it almost seemed like I would get my wish.

There was news that a film was being developed of Alice with Wes Craven directing and possibly Natalie Portman or Sarah Michelle Gellar playing Alice. part of me hoped for an animated film with the original voices, but I was still gripped by this news.

At the time, I didn’t consider myself a horror person (feels weird to write that now since I think I’ve always really been one). I didn’t really seek out horror films and avoided gore. But I wanted Alice to by a disturbing and imaginative experience. I wanted to be scared watching this while feeling for the main protagonist and wanting her to reclaim her mind.

In a world where this film went the way I hoped, people would have movie nights today of Midsommar, Pearl and Alice. It would be a film that would take you somewhere you were afraid to go, but couldn’t look away from.

But then...I heard the movie wasn’t happening...and news of Alice stopped.

I never stopped thinking about that macabre girl and her journey through a tattered land of her mind. I listened to the music, revisited the game and also drew her now and then. lines from the game even made it into my typical dialogue (”Promise only what you can deliver” wise words).

I also still dreamed of seeing a film someday and would imagine who would play Alice (for a while I kept seeing Emma Watson as the character, but also still like the idea of an animated Alice.)

Then, one day, watching Attack of the Show on G4. I saw the most unexpected image.

Alice was coming back, and this time she would be on consoles.

The thrill was back, and as soon as a trailer came out, I immediately shared it with everyone.

undefined

I was quick to buy the game when it came out, and it was wilder than I could have hoped. A gripping story with tragedy, beautiful animations and moments that sent a chill through me. The kind of chills that made me pause the game and take in what I was seeing. The sight of a monstrous train rampaging through wonderland was a gift. The way Alice’s mind would unravel things was mesmerizing. Seeing life in London through her eyes and getting more of the history of the character (and the twist of the Red Queen’s identity) it was perhaps the only game that really pulled me in fully. I love games like the Arkham series, Bioshock, Horizon, Silent Hill, and so on. Alice to me felt like something more. I wasn’t trying to save a city or save someone, I was playing to help retain someone’s sanity.

The fascination with this character and world was just as alive as when I first saw all of it. I bought the art of book and still go through it and use it as a bit of inspiration if I have a creativity block.

 I carried my love for the character all the way to my work in animation and even built a stop motion puppet while I was working on Guillermo Del Toro’s Pinocchio film. A character who I was so taken by in high school now stood on my desk.

All this is to say that this take on Alice Liddell and her fantasy world has had a great influence on me. I was prepared to continue following this story and I hoped to someday see her find her way to the big screen and have a final story where she would come to peace with what happened to her.

The news that the tale of Alice is not going to continue is devastating. It’s troubling to see so many stories be brought to an abrupt end. for finales to never be given and answers to questions to be lost forever. 

There are a lot of stories that I believe deserve to be told, but we’re constantly given entertainment that’s simple, easily digestible, with nothing to say except to reference nostalgia and trend online. It’s hard to find something that you can connect with. Something that you need a moment to think about after you’ve seen it. Something that gets you emotionally. These things are found mostly in the passion projects of creatives. The projects they pour so much into and want to present to the world.  The projects that are not just made with earnings in mind, but also how you’ll connect to the audience. I think these projects are important. They push us to look further in and to question how we connect and interact with a story.

Too easily these types of ideas are thrown aside now and it’s harder for anyone to finish the tale they wanted to present to the world if it doesn’t fit with what a studio algorithm says. It may be a dark time to be a creative right now, but I’ll remember the stories that I connected with. The ones that hit an emotional part of me and made me stop and think about a new perspective on life, fear, depression, joy and how I connect to these things.

Thank you American Mcgee and the Alice team for taking me and many others through a Wonderland that reached into our very soul. 

[jdsgothwife]

(/silly, of course, i love being friends with people with different interests than mine) inspired by @church-of-clowns

[pynkhues]

I recently read an article in which Quentin Tarantino stated that fewer movie stars exist as a result of "Marvel movies in Hollywood." I think Jennifer Aniston made a similar argument before saying that there are no longer any movie stars. I'm not sure what that means. I can think of a lot of movie stars right now, such as Zendaya, Timothee Chalamet, and Zoey Deutch etc. what do you think? I'd love to hear your thoughts on this and Quentin's comments.

QuillBot's

Months ago, when you sent me this ask, anon, I wrote out a really long reply and as soon as I hit post, my laptop crashed and ate the answer, and I was so annoyed at myself for not saving my reply, that I couldn't bring myself to try and re-write an answer. I'm really sorry for that, especially because I think this is such an interesting ask (or well, two asks, because I think the death of the movie star and the impact Marvel's had on the broader concept of a movie star, are kinda two different things).

I've been thinking about it a bit again recently though, particularly as the Oscar race gears up, and Jacob Elordi and Charles Melton''s respective stars are rising in an industry currently desperate to find the new young Hollywood male 'talent', and I've been thinking about it again because honestly?

I agree with Jennifer Aniston, I think the movie star is dead.

We are a long, long way from Golden Age Hollywood where actors like Cary Grant and Marilyn Monroe could captivate a public imagination in a way that translated to big box office effect, after all. Hell, we're even out of New Hollywood, an era dominated by names like Al Pacino, Jack Nicholson, and Jane Fonda, and the Blockbuster era with Tom Cruise, Sylvester Stallone and Harrison Ford.

My original reply went into a lot of the different reasoning as to why this is (like with many things, I don't think there's any one reason for it), in particular how the advent of streaming has changed our relationship with films and TV shows, how the saturation of the market has diluted the staying power of celebrities, how social media and the perceived accessibility of celebrities removes personal mystique which in turn removes intrigue and increases a sense of entitlement, and the fact that so many people having stopped going to the cinema means that the experiential element of seeing a film in a setting larger than life has been diminished.

I think call out culture plays a role too, with any actor on the rise being torn down by tweets they made eight, nine or ten years ago impacting how their star rises, I think the dismantling of the studio system (which is a good thing!) also harmed actors in the long run as studios stopped investing the same resources into making and training stars (they used to be able to sing, dance and act! Now some can barely even act!), and I think, of course, the rise of prestige TV changed the industry substantially (after all, movie stars were movie stars - they traditionally did not, and would not, do TV, which created a clear class structure in terms of screen-based storytelling).

And yeah, I think the language shift from film and TV to content has done irrepairable damage to the artistry of filmmaking and the consideration of a movie star as an actor at the top of their field instead of an actor with the most Insta followers or YouTube subscribers (after all, if everything's content, isn't it the same thing? [no lol]).

Which I guess is kind of where Quentin Tarantino's argument comes in, right? What he's saying is that Marvel's made it so that the IP - the content itself - is the star, not the actor, and I'd say he's probably right with that.

Think of it this way - back in the New Hollywood/Blockbuster era, Harrison Ford was the movie star - he was leading new franchises left-right-and-centre between Star Wars and Indiana Jones, sci fi epics like Blade Runner, leading action thrillers like Patriot Games, The Fugitive and Clear and Present Danger and getting nominated for Oscars for Witness.

He was a movie star in every sense of the word because you could hinge a film - one with a new concept, not just remakes or sequels - on him and be virtually guaranteed a success. He was what sold the tickets, the director just hopefully had to make something good enough people would leave the cinema glad they saw.

Tarantino's argument is the Marvel model - - hell, even the new Star Wars properties, turned the franchise into the star, for better or worse, which means original films can't compete because nobody knows the IP. Back when Harrison Ford was at the top of his game, his name was what helped original films including smaller, standalone works like Witness find an audience, but the studios have changed that. Capitalism has changed that.

Properties with existing audiences and deep pockets for merch were prioritised, only now those franchises are faltering and you've got a generation trained that 'cinematic events' are reserved for blockbusters in established universes, instead of taking a risk on a new film because you know you love an actor who's in it.

Do I think we could go back?

Maybe, but probably not.

I think the place we are now in the history of cinema / TV / 'content' means you can't make a movie star anymore because I think the industry is simply so different that no actor can break through in the same way that even Leonardo DiCaprio could 30 years ago. That industry doesn't exist anymore, actors aren't guaranteed draws (Bones and All proved that for Timothee Chalamet, and Wonka I think could go a similar way), or they have to heavily rely on other industries to become household names which I think dilutes them as a pure 'movie star' (Zendaya's a great example of this - I like her a lot, but how many movies has she even been in? They built her career up in peripheral industries long before they tried to sell her as a movie star, and frankly, I'd question her even as a leading actress yet given she's typically only either been in ensemble casts or clear supporting).

It's a whole new world, and yeah, I think the movie star is dead.

[lesbianwithchainsaws]

Talking to other people about movies is so embarrassing. No, I haven't seen any of those critically acclaimed movies you've mentioned. Yes, I've seen every obscure and bad horror movie you can think of

[biromantic-barbie]

Barbie is everything | He's just Ken

do not repost/remove my username.