#top AI tools for social media

[creationinfoways94]

AI marketing solutions use data and client profiles to identify the most effective ways to interact with customers. Then, they automatically provide customized messages at the ideal time to enhance productivity. Many modern tools use generative AI to perform more tactical tasks.

[wraithlafitte]

if i could just content block everything AI from my life that would be great

[tricksfunn]

Top 10 AI Tools Transforming Lives in May 2024

Artificial intelligence (AI) is rapidly transforming our lives, and May 2024 is no exception. From creating stunning visuals to streamlining workflows, these new AI tools are pushing the boundaries of what’s possible. Let’s explore the top 10 that are making waves: Text AI Revolution Copy.ai (Revamped): This popular writing assistant just got an upgrade. It now offers even more creative text…

[webchily]

Top 10 insane Digital Marketing tools that helped you grow on day to day business

10 Tools to Help Entrepreneurs Streamline Their Businesses.Every entrepreneur possesses a distinct set of skills that can benefit their business. However, relying solely on their expertise and knowledge may not suffice. There are instances when technology can provide necessary assistance. That's why we've curated a list of ten highly-rated tools that can help optimize your business operations and streamline workflow.

Here are brief descriptions for the top 10 insane digital marketing tools that can help grow your business on a day-to-day basis:

Google Analytics: This powerful tool helps you analyze website traffic, track user behavior, and measure the effectiveness of your marketing campaigns.

SEMrush: A comprehensive tool for SEO analysis, SEMrush helps you find profitable keywords, analyze competitors' strategies, and optimize your content for search engines.

Hootsuite: Manage all your social media accounts in one place with Hootsuite. Schedule posts, monitor conversations, and track analytics across multiple platforms.

Mailchimp: A popular email marketing tool, Mailchimp allows you to create and send professional-looking newsletters, automated campaigns, and personalized messages to your subscribers.

Yoast SEO: A must-have plugin for WordPress websites, Yoast SEO helps you optimize your content for search engines and provides real-time feedback to improve your on-page SEO.

BuzzSumo: Find the most shared content in your niche, identify influencers, and analyze competitors' strategies with BuzzSumo's comprehensive content analysis tool.

Canva: Create professional-looking graphics and visual content without the need for design skills using Canva's user-friendly drag-and-drop interface.

Google Ads: Drive targeted traffic to your website and increase conversions with Google Ads, a powerful online advertising platform.

Zapier: Automate repetitive tasks and streamline workflows with Zapier, a tool that connects hundreds of apps and services.

Ahrefs: A comprehensive SEO tool that offers competitor analysis, backlink tracking, and keyword research. Ahrefs is a great tool for businesses looking to improve their SEO strategies.

These digital marketing tools are essential for any business looking to grow its online presence and stay ahead of the competition. Incorporating these tools into your day-to-day operations can help you streamline your marketing efforts, improve your website's performance, and generate more leads and sales.

Also,here are the top 5 free digital marketing tools that can help grow your business on a day-to-day basis:

Small SEO Tools: A free plugin or free tools to help website owners and digital marketers improve their SEO efforts..

Hootsuite: A free tool that allows you to manage multiple social media accounts, schedule posts, monitor conversations, and track analytics across different platforms.

Buffer: A free social media management tool that allows you to schedule and publish posts, analyze engagement metrics, and manage multiple accounts.

Trello: A free project management tool that helps you organize and prioritize tasks, collaborate with team members, and track progress.

HubSpot CRM: A free customer relationship management tool that helps you manage leads, track interactions, and automate sales processes.

These free digital marketing tools can help businesses of any size optimize their marketing efforts and achieve their growth goals on a day-to-day basis without breaking the bank.

[twnenglish]

Top 5 AI Tools To Supercharge Your Social Media Content Creation

Being on top of the game in the ever-changing world of social media can be difficult. Any social media plan should include content development, but it can be challenging to produce captivating, engaging content that connects with your audience. Tools for artificial intelligence (AI) are fortunately available to assist. There is a range of AI-based solutions that may help you boost your social media content creation and deliver your message effectively, from producing original ideas to optimizing material for maximum interaction. The process of creating content is becoming more and more streamlined and simplified with the aid of AI tools. AI-based solutions can increase the overall quality of the content produced while also saving time and money. This article will examine 5 AI tools that can speed up your production of social media content. These technologies can help you increase interaction and reach more customers, from content curation to analytics.

We'll look at five of the top AI platforms and tools in this article to help you develop and improve your social media content.

What is AI and how can it help with social media content creation?

Although artificial intelligence (AI) has been around for a while, it has only lately started to have a substantial impact on social media and modern corporate processes. The goal of artificial intelligence (AI), a subfield of computer science, is to build intelligent machines by simulating human cognitive processes including learning, decision-making, and problem-solving. Artificial intelligence (AI) has emerged from the realm of science fiction and into the realm of practical applications as digital technologies and powerful computer power have become more widely available. The potential for AI to revolutionize social media and digital marketing is enormous. Businesses may save time and money while boosting the impact of their messaging by using AI to generate, edit, and optimize content.

5 AI Tools To Supercharge Your Social Media Content Creation

You may speed up the generation of your social media content using a range of AI tools.

The top 5 AI tools for content development and optimization will be discussed.

1. AI-Powered Content Creation, Rephrasing & Ideation Platforms

Utilizing AI-powered algorithms, generative content platforms enable you to produce interesting content. These tools let you enter data and make a story out of it. Then, you may use your unique tale to produce a range of interesting content, such as pictures, movies, articles, and more. Additionally, it helps you find popular information that is pertinent to your audience and makes it simpler for you to share it with your followers.

Here are the Top 5 AI-Powered Content Creation Tools as per Think With Niche Editorial Team:

(i)- RYTR An All-in-One AI Content Writer

Try Rytr.me For Free

(ii)- CONTENTBOTAdvanced AI Writer

Try ContentBot.ai For Free

(iii)- Copy AIFree AI Content Generator

Check Copy.ai Website

(iv)- SMART COPY BY UNBOUNCEJUMPSTART YOUR COPYWRITING

Try Smart Copy For Free

(v)- WRITESONICAnN ALL-IN-ONE AI CONTENT WRITER

Try WritesonicFor Free

2. AI-Powered Content Analysis & Optimization Tools

When reviewing the performance of your social media material after it has been posted, content analysis tools are fantastic. These programs gather information from your social media accounts and assist you in choosing the best times to post your most interesting material for maximum effect. While content optimization tools can help you quickly find the material that is most appealing to your audience and give it top priority for increased social media presence. These applications employ AI to find popular subjects and produce data-driven suggestions for sharing content on your social media networks.

3. AI-Powered Concept Mapping Platforms

You may envision your content strategy and foresee potential problems in your social media efforts with the aid of concept mapping tools. These tools employ AI to produce maps that illustrate the relationships between your material and foresee potential problems in advance.

Read This Full ARTICLE, Click Here

[zvaigzdelasas]

A few years ago, I noticed that a number of factories in China had started opening TikTok accounts and posting footage from their assembly lines. The videos offered a rare glimpse into global supply chains, and millions of Western TikTok users marveled at teddy bears being stuffed with polyester fiberfill, machines dipping gardening gloves into hot liquified nitrile rubber, and quality assurance testers seeing whether cheap cigarette lighters worked. (My friend and former colleague Andrew Deck wrote a great story about factory TikTok for Rest of World in 2021.)

Since then, hundreds of other Chinese factories have joined TikTok. Some of them produce industrial equipment that would never be bought by normal people, like dump trucks or bottle labeling machines. And while the older factory accounts were often created by marketing agencies, these newer ones seem to largely be the work of earnest salespeople trying to find new customers. Many of them are relying on AI translation and text-to-speech tools, making the videos unintentionally sound very funny.

One of these manufacturers is a company called Donghua Jinlong, which is headquartered in Hebei province about 200 miles from Beijing. It sells “high quality industrial grade glycine,” a type of nutritional additive that evidently sounds silly and abstract to people who never need to think about how processed food is made. Donghua Jinglong and its glycine have become a relatively big meme on TikTok, Instagram, and X over the last few days, and some of the company’s videos are getting over 100,000 views (even though its official account only has roughly 4,400 followers).

Donghua Jinlong itself, however, doesn’t seem to have any idea what’s going on. People in the comments keep begging it to make official merch, but the company doesn’t understand why anyone would want a sweatshirt or t-shirt with the name of an industrial manufacturer on it. Shitposters have also started referencing the Donghua Jinlong meme in the comments of videos from other Chinese factories.

A company called HengYuan, for example, posted a video of what can only be described as a machine for filling Tide Pods, and one of the top comments is someone asking “Could you pack food grade glycine in this?”

Clearly baffled, HengYuan responded, “No. This is used to pack detergent in PVA Film.”

The Donghua Jinlong meme is a great microcosm of what’s actually happening on TikTok when it comes to content from China. Some people might argue that Chinese manufacturers are choosing to post on the app because its parent company, ByteDance, is also from China. In other words, these factories could be held up as an example of TikTok allowing Chinese influence to grow in the US (albeit a bizarre one).

But Donghua Jinlong also has a Facebook page with even more followers, it’s just that no one is engaging with its posts there. That’s because there are likely very few people searching social media for a new glycine supplier at any given time. TikTok, however, doesn’t rely on users to actively seek out content, it serves videos to them via an algorithm. So now tons of random people are coming across glycine manufacturers and Tide Pod machines by accident, and they’re happily turning the whole thing into a joke.

I personally find these videos to be fascinating, both because It’s cool to learn how things are made, and because they provide the opportunity to watch in real time what happens when random Chinese companies come into contact with American social media users. I don’t think this is the type of Chinese influence lawmakers are imagining when they worry about TikTok, but it’s arguably much more interesting and human.

[yukipri]

Some thoughts on Cara

So some of you may have heard about Cara, the new platform that a lot of artists are trying out. It's been around for a while, but there's been a recent huge surge of new users, myself among them. Thought I'd type up a lil thing on my initial thoughts.

First, what is Cara?

From their About Cara page:

Cara is a social media and portfolio platform for artists. With the widespread use of generative AI, we decided to build a place that filters out generative AI images so that people who want to find authentic creatives and artwork can do so easily. Many platforms currently accept AI art when it’s not ethical, while others have promised “no AI forever” policies without consideration for the scenario where adoption of such technologies may happen at the workplace in the coming years. The future of creative industries requires nuanced understanding and support to help artists and companies connect and work together. We want to bridge the gap and build a platform that we would enjoy using as creatives ourselves. Our stance on AI: ・We do not agree with generative AI tools in their current unethical form, and we won’t host AI-generated portfolios unless the rampant ethical and data privacy issues around datasets are resolved via regulation. ・In the event that legislation is passed to clearly protect artists, we believe that AI-generated content should always be clearly labeled, because the public should always be able to search for human-made art and media easily.

Should note that Cara is independently funded, and is made by a core group of artists and engineers and is even collaborating with the Glaze project. It's very much a platform by artists, for artists!

Should also mention that in being a platform for artists, it's more a gallery first, with social media functionalities on the side. The info below will hopefully explain how that works.

Next, my actual initial thoughts using it, and things that set it apart from other platforms I've used:

1) When you post, you can choose to check the portfolio option, or to NOT check it. This is fantastic because it means I can have just my art organized in my gallery, but I can still post random stuff like photos of my cats and it won't clutter things. You can also just ramble/text post and it won't affect the gallery view!

2) You can adjust your crop preview for your images. Such a simple thing, yet so darn nice.

3) When you check that "Add to portfolio," you get a bunch of additional optional fields: Title, Field/Medium, Project Type, Category Tags, and Software Used. It's nice that you can put all this info into organized fields that don't take up text space.

4) Speaking of text, 5000 character limit is niiiiice. If you want to talk, you can.

5) Two separate feeds, a "For You" algorithmic one, and "Following." The "Following" actually appears to be full chronological timeline of just folks you follow (like Tumblr). Amazing.

6) Now usually, "For You" being set to home/default kinda pisses me off because generally I like curating my own experience, but not here, for this handy reason: if you tap the gear symbol, you can ADJUST your algorithm feed!

So you can choose what you see still!!! AMAZING. And, again, you still have your Following timeline too.

7) To repeat the stuff at the top of this post, its creation and intent as a place by artists, for artists. Hopefully you can also see from the points above that it's been designed with artists in mind.

8) No GenAI images!!!! There's a pop up that says it's not allowed, and apparently there's some sort of detector thing too. Not sure how reliable the latter is, but so far, it's just been a breath of fresh air, being able to scroll and see human art art and art!

To be clear, Cara's not perfect and is currently pretty laggy, and you can get errors while posting (so far, I've had more success on desktop than the mobile app), but that's understandable, given the small team. They'll need time to scale. For me though, it's a fair tradeoff for a platform that actually cares about artists.

Currently it also doesn't allow NSFW, not sure if that'll change given app store rules.

As mentioned above, they're independently funded, which means the team is currently paying for Cara itself. They have a kofi set up for folks who want to chip in, but it's optional. Here's the link to the tweet from one of the founders:

And a reminder that no matter that the platform itself isn't selling our data to GenAI, it can still be scraped by third parties. Protect your work with Glaze and Nightshade!

Anyway, I'm still figuring stuff out and have only been on Cara a few days, but I feel hopeful, and I think they're off to a good start.

I hope this post has been informative!

Lastly, here's my own Cara if you want to come say hi! Not sure at all if I'll be active on there, but if you're an artist like me who is keeping an eye out for hopefully nice communities, check it out!

[mostlysignssomeportents]

A year in illustration, 2023 edition (part one)

(This is part one; part two is here.)

I am objectively very bad at visual art. I am bad at vision, period – I'm astigmatic, shortsighted, color blind, and often miss visual details others see. I can't even draw a stick-figure. To top things off, I have cataracts in both eyes and my book publishing/touring schedule is so intense that I keep having to reschedule the surgeries. But despite my vast visual deficits, I thoroughly enjoy making collages for this blog.

For many years now – decades – I've been illustrating my blog posts by mixing public domain and Creative Commons art with work that I can make a good fair use case for. As bad as art as I may be, all this practice has paid off. Call it unseemly, but I think I'm turning out some terrific illustrations – not all the time, but often enough.

Last year, I rounded up my best art of the year:

https://pluralistic.net/2022/12/25/a-year-in-illustration/

And I liked reflecting on the year's art so much, I decided I'd do it again. Be sure to scroll to the bottom for some downloadables – freely usable images that I painstakingly cut up with the lasso tool in The Gimp.

The original AD&D hardcover cover art is seared into my psyche. For several years, there were few images I looked at so closely as these. When Hasbro pulled some world-beatingly sleazy stuff with the Open Gaming License, I knew just how to mod Dave Trampier's 'Eve Of Moloch' from the cover of the Players' Handbook. Thankfully, bigger nerds than me have identified all the fonts in the image, making the remix a doddle.

https://pluralistic.net/2023/01/12/beg-forgiveness-ask-permission/#whats-a-copyright-exception

Even though I don't keep logs or collect any analytics, I can say with confidence that "Tiktok's Enshittification" was the most popular thing I published on Pluralistic this year. I mixed some public domain Brother's Grimm art, mixed with a classic caricature of Boss Tweed, and some very cheesy royalty-free/open access influencer graphics. One gingerbread cottage social media trap, coming up:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

To illustrate the idea of overcoming walking-the-plank fear (as a metaphor for writing when it feels like you suck) I mixed public domain stock of a plank, a high building and legs, along with a procedurally generated Matrix "code waterfall" and a vertiginous spiral ganked from a Heinz Bunse photo of a German office lobby.

https://pluralistic.net/2023/01/22/walking-the-plank/

Finding a tasteful way to illustrate a story about Johnson & Johnson losing a court case after it spent a generation tricking women into dusting their vulvas with asbestos-tainted talcum was a challenge. The tulip (featured in many public domain images) was a natural starting point. I mixed it with Jesse Wagstaff's image of a Burning Man dust-storm and Mike Mozart's shelf-shot of a J&J talcum bottle.

https://pluralistic.net/2023/02/01/j-and-j-jk/#risible-gambit

"Google's Chatbot Panic" is about Google's long history of being stampeded into doing stupid things because its competitors are doing them. Once it was Yahoo, now it's Bing. Tenniel's Tweedle Dee and Dum were a good starting point. I mixed in one of several Humpty Dumpty editorial cartoon images from 19th century political coverage that I painstakingly cut out with the lasso tool on a long plane-ride. This is one of my favorite Humpties, I just love the little 19th C businessmen trying to keep him from falling! I finished it off with HAL 9000's glowing red eye, my standard 'this is about AI' image, which I got from Cryteria's CC-licensed SVG.

https://pluralistic.net/2023/02/16/tweedledumber/#easily-spooked

Though I started writing about Luddites in my January, 2022 Locus column, 2023 was the Year of the Luddite, thanks to Brian Merchant's outstanding Blood In the Machine:

https://pluralistic.net/2023/09/26/enochs-hammer/#thats-fronkonsteen

When it came time to illustrate "Gig Work Is the Opposite of Steampunk," I found a public domain weaver's loft, and put one of Cryteria's HAL9000 eyes in the window. Magpie Killjoy's Steampunk Magazine poster, 'Love the Machine, Hate the Factory,' completed the look.

https://pluralistic.net/2023/03/12/gig-work-is-the-opposite-of-steampunk/

For the "small, non-profit school" that got used as an excuse to bail out Silicon Valley Bank, I brought back Humpty Dumpty, mixing him with a Hogwartsian castle, a brick wall texture, and an ornate, gilded frame. I love how this one came out. This Humpty was made for the SVB bailout.

https://pluralistic.net/2023/03/23/small-nonprofit-school/#north-country-school

The RESTRICT Act would have federally banned Tiktok – a proposal that was both technically unworkable and unconstitutional. I found an early 20th century editorial cartoon depicting Uncle Sam behind a fortress wall that was keeping a downtrodden refugee family out of America. I got rid of most of the family, giving the dad a Tiktok logo head, and I put Cryteria's HAL9000 eyes over each cannonmouth. Three Boss Tweed moneybag-head caricatures, adorned with Big Tech logos, rounded it out.

https://pluralistic.net/2023/03/30/tik-tok-tow/#good-politics-for-electoral-victories

When Flickr took decisive action to purge the copyleft trolls who'd been abusing its platform, I knew I wanted to illustrate this with Lucifer being cast out of heaven, and the very best one of those comes from John Milton, who is conveniently well in the public domain. The Flickr logo suggested a bicolored streaming-light-of-heaven motif that just made it.

https://pluralistic.net/2023/04/01/pixsynnussija/#pilkunnussija

Old mainframe ads are a great source of stock for a "Computer Says No" image. And Congress being a public building, there are lots of federal (and hence public domain) images of its facade.

https://pluralistic.net/2023/04/04/cbo-says-no/#wealth-tax

When I wrote about the Clarence Thomas/Harlan Crow bribery scandal, it was easy to find Mr. Kjetil Ree's great image of the Supreme Court building. Thomas being a federal judge, it was easy to find a government photo of his head, but it's impossible to find an image of him in robes at a decent resolution. Luckily, there are tons of other federal judges who've been photographed in their robes! Boss Tweed with the dollar-sign head was a great stand-in for Harlan Crow (no one knows what he looks like anyway). Gilding Thomas's robes was a simple matter of superimposing a gold texture and twiddling with the layers.

https://pluralistic.net/2023/04/06/clarence-thomas/#harlan-crow

"Gig apps trap reverse centaurs in wage-stealing Skinner boxes" is one of my best titles. This is the post where I introduce the idea of "twiddling" as part of the theory of enshittification, and explain how it relates to "reverse centaurs" – people who assist machines, rather than the other way around. Finding a CC licensed modular synth was much harder than I thought, but I found Stephen Drake's image and stitched it into a mandala. Cutting out the horse's head for the reverse centaur was a lot of work (manes are a huuuuge pain in the ass), but I love how his head sits on the public domain high-viz-wearing warehouse worker's body I cut up (thanks, OSHA!). Seeing as this is an horrors-of-automation story, Cryteria's HAL9000 eyes make an appearance.

https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men

Rockefeller's greatest contribution to our culture was inspiring many excellent unflattering caricatures. The IWW's many-fists-turning-into-one-fist image made it easy to have the collective might of workers toppling the original robber-baron.

https://pluralistic.net/2023/04/14/aiming-at-dollars/#not-men

I link to this post explaining how to make good Mastodon threads at least once a week, so it's a good thing the graphic turned out so well. Close-cropping the threads from a public domain yarn tangle worked out great. Eugen Rochko's Mastodon logo was and is the only Affero-licensed image ever to appear on Pluralistic.

https://pluralistic.net/2023/04/16/how-to-make-the-least-worst-mastodon-threads/

I spent hours on the sofa one night painstakingly cutting up and reassembling the cover art from a science fiction pulp. I have a folder full of color-corrected, high-rez scans from an 18th century anatomy textbook, and the cross-section head-and-brain is the best of the lot.

https://pluralistic.net/2023/05/04/analytical-democratic-theory/#epistocratic-delusions

Those old French anatomical drawings are an endless source of delight to me. Take one cross-sectioned noggin, mix in an old PC mainboard, and a vector art illo of a virtuous cycle with some of Cryteria's HAL9000 eyes and you've got a great illustration of Google's brain-worms.

https://pluralistic.net/2023/05/14/googles-ai-hype-circle/

Ireland's privacy regulator is but a plaything in Big Tech's hand, but it's goddamned hard to find an open-access Garda car. I manually dressed some public domain car art in Garda livery, painstakingly tracing it over the panels. The (public domain) baby's knit cap really hides the seams from replacing the baby's head with HAL9000's eye.

https://pluralistic.net/2023/05/15/finnegans-snooze/#dirty-old-town

Naked-guy-in-a-barrel bankruptcy images feel like something you can find in an old Collier's or Punch, but I came up snake-eyes and ended up frankensteining a naked body into a barrel for the George Washington crest on the Washington State flag. It came out well, but harvesting the body parts from old muscle-beach photos left George with some really big guns. I tried five different pairs of suspenders here before just drawing in black polyhedrons with little grey dots for rivets.

https://pluralistic.net/2023/06/03/when-the-tide-goes-out/#passive-income

Illustrating Amazon's dominance over the EU coulda been easy – just stick Amazon 'A's in place of the yellow stars that form a ring on the EU flag. So I decided to riff on Plutarch's Alexander, out of lands to conquer. Rama's statue legs were nice and high-rez. I had my choice of public domain ruin images, though it was harder thank expected to find a good Amazon box as a plinth for those broken-off legs.

https://pluralistic.net/2023/06/14/flywheel-shyster-and-flywheel/#unfulfilled-by-amazon

God help me, I could not stop playing with this image of a demon-haunted IoT car. All those reflections! The knife sticking out of the steering wheel, the multiple Munsch 'Scream'ers, etc etc. The more I patchked with it, the better it got, though. This one's a banger.

https://pluralistic.net/2023/07/24/rent-to-pwn/#kitt-is-a-demon

To depict a "data-driven dictatorship," I ganked elements of heavily beribboned Russian military dress uniforms, replacing the head with HAL9000's eye. I turned the foreground into the crowds from the Nuremberg rallies and filled the sky with Matrix code waterfall.

https://pluralistic.net/2023/07/26/dictators-dilemma/#garbage-in-garbage-out-garbage-back-in

The best thing about analogizing DRM to demonic possession is the wealth of medieval artwork to choose from . This one comes from the 11th century 'Compendium rarissimum totius Artis Magicae sistematisatae per celeberrimos Artis hujus Magistros.' I mixed in the shiny red Tesla (working those reflections!), and a Tesla charger to make my point.

https://pluralistic.net/2023/07/28/edison-not-tesla/#demon-haunted-world

Yet more dividends from those old French anatomical plates: a flayed skull, a detached jaw, a quack electronic gadget, a Wachowski code waterfall and some HAL 9000 eyes and you've got a truly unsettling image of machine-compelled speech.

https://pluralistic.net/2023/08/02/self-incrimination/#wei-bai-bai

I had no idea this would work out so well, but daaaamn, crossfading between a Wachowski code waterfall and a motherboard behind a roiling thundercloud is dank af.

https://pluralistic.net/2023/08/03/there-is-no-cloud/#only-other-peoples-computers

Of all the turkeys-voting-for-Christmas self-owns conservative culture warriors fall for, few can rival the "banning junk fees is woke" hustle. Slap a US-flag Punisher logo on and old-time card imprinter, add a GOP logo to a red credit-card blank, and then throw in a rustic barn countertop and you've got a junk-fee extracter fit for the Cracker Barrel.

https://pluralistic.net/2023/08/04/owning-the-libs/#swiper-no-swiping

Putting the Verizon logo on the Hinderberg was an obvious gambit (even if I did have to mess with the flames a lot), but the cutout of Paul Marcarelli as the 'can you hear me now?' guy, desaturated and contrast-matched, made it sing.

https://pluralistic.net/2023/08/10/smartest-guys-in-the-room/#can-you-hear-me-now

Note to self: Tux the Penguin is really easy to source in free/open formats! He looks great with HAL9000 eyes.

https://pluralistic.net/2023/08/18/openwashing/#you-keep-using-that-word-i-do-not-think-it-means-what-you-think-it-means

Rockwell's self-portrait image is a classic; that made it a natural for a HAL9000-style remix about AI art. I put a bunch of time into chopping and remixing Rockwell's signature to give it that AI look, and added as many fingers as would fit on each hand.

https://pluralistic.net/2023/08/20/everything-made-by-an-ai-is-in-the-public-domain/

(Images: Heinz Bunse, West Midlands Police, Christopher Sessums, CC BY-SA 2.0; Mike Mozart, Jesse Wagstaff, Stephen Drake, Steve Jurvetson, syvwlch, Doc Searls, https://www.flickr.com/photos/mosaic36/14231376315, Chatham House, CC BY 2.0; Cryteria, CC BY 3.0; Mr. Kjetil Ree, Trevor Parscal, Rama, “Soldiers of Russia” Cultural Center, Russian Airborne Troops Press Service, CC BY-SA 3.0; Raimond Spekking, CC BY 4.0; Drahtlos, CC BY-SA 4.0; Eugen Rochko, Affero; modified)

[cheritzteam]

[The Ssum] December Update - Harry Ending & Video Call Support and Season 2 Update Schedule

Hello, dear lab participant.

We’re announcing the updated schedule for <The Ssum>‘s December update.

Harry Day 201 to Ending (71 days) + Full Video Call Support => December 20, 2023

June Season 2 (Half Season) + New Ssumone Season 1 (Half Season) => Q1 2024

*Please note that the original schedule for June’s Season 2 update, previously set for December this year as per November and in-app notices, is now shifted to early 2024. In December, we’ll introduce the update for Season 1 Ssumone Harry’s ending and exciting video call support. We apologize for the delay of Season 2’s new stories that many lab participants anticipated by the end of this year.

On top of Day 201 to his ending (71 days), exciting video call features will be added, thanks to the support from those who cherished Harry.

December 20, 2023

Experience a refreshed encounter with Season 1’s captivating Ssumone, Harry!

We deeply regret the delay for researchers awaiting June’s Season 2 and the new Ssumone. We are committed to meeting you as soon as possible in 2024.

Through Cheritz and The Ssum’s official social media, we plan to provide weekly updates leading up to the release. You can easily stay informed by subscribing via the following links:

Cheritz Official Tumblr : Follow this blog now! Cheritz Official X(Twitter) : Link The Ssum Official Instagram : Link

We are committed to preparing the best possible content in the remaining time to deliver a more enjoyable experience.

Your continued support is greatly appreciated.

*We would like to inform you in advance that AI will be utilized in the December update content. It will be used in some of the video call backgrounds, leveraging outcomes from an AI tool that employs copyrighted sources as basic materials before completion. There will be no AI involvement in the characters, posters, or art for other games, and there are no future plans for such involvement. Please note that any claims of AI being used in characters are not accurate. For more details regarding AI usage, please refer here. This decision aims to provide faster updates to you. However, as it’s a sensitive issue for some, we ask for your understanding and careful consideration🙇‍♀️

Thank you.

Cheritz

[katy-l-wood]

AI and the Bursting of the Social Media Bubble: How to Survive as a Creative

I've been wanting to put my thoughts on AI and Social Media into a more collected format, so I've written up a longer post on it on my blog on my website, and I'm sharing it here as well.

---------

Let’s face it, being a creative is becoming a rougher and rougher ride lately, especially if you’re a creative who grew up on the internet. A lot has changed in just the last year. The downfall of Twitter, the rise of AI. For awhile there we had a golden age of social media platforms that could really help us build our audience and careers, only for that all to start evaporating seemingly overnight, leaving a lot of creators stranded and disoriented. Look on any site right now and you’ll find creators terrified of losing everything to AI, creators terrified of losing their audience if their main social media presence gets shut down or banned, creators completely unsure of how to navigate the industry with half their tools taken away.

It sucks.

But, at the same time, as quick as it feels, this has been a long time coming. The social media bubble has been primed to burst for awhile now. What made social media a great tool for creators in the beginning was its authenticity. Social media was social. You found people you liked, you followed them, and you saw what they posted in the order they posted it. There were no games. No tricks. Ads that were present were less intrusive, less targeted, and less frequent. People weren’t as determined to play numbers games with who could get the most followers, the most likes, the most most most. An independent creator or small studio might sell to you, but you knew there were people behind those products. You knew there was a person who cared, who just wanted to show you the neat thing they made, not drive up their metrics or try out all those Cool Tricks they learned in a business psychology class.

Then big companies said “hey, we want a piece of that pie too,” so they started hopping on to social media as well. But it didn’t work for them, not the way it did for independent creators, because it wasn’t authentic. It was marketing. There wasn’t a person who cared behind the screen, it was some kid hired fresh out of school and handed a brand standards packet and told to make it work. They didn’t care about really connecting with people, they cared about sales and sales alone.

The big companies didn’t like that it wasn’t working for them, oh no. People should be giving them attention too!!!1! So the shift began. Ads got more targeted and more frequent. Algorithms grew in size and scope, driving people towards content they never asked for or showed any real interest in, barely showing things that people had actually followed at all. Social media stopped being social. It became marketing media and, as a consequence, small creators got buried in the deluge. Some gave up, some did their best to trundle along doing what they could, and some tried to play the game under its new rules only to have their audience still evaporate because, without a huge marketing budget, the corporate method doesn’t work at all. A few got lucky and went viral, rising to the top without having to play by the rules, but many of those struggled to maintain it and crashed back down soon after.

Then there’s the homogenization. Facebook bought Instagram. TikTok exploded in popularity, so Youtube added Shorts and Instagram added Reels. Twitter added longer and longer content options, despite being a micro blogging site. Patreon took off, so everyone started adding paid content options. Social media sites were so terrified of someone doing better than them that they all became exactly the same. Before, you had an account on every site because they each did something different. They each had their own value. But now they’re all the same, so why bother having multiple accounts if you can accomplish the same thing on each one? These companies have shot themselves in the foot by no longer offering anything unique, then got mad that they were bleeding and blamed their users even though they were the ones holding the gun.

And, of course, Twitter is over there bleeding out on the floor. Plenty of social media sites have risen and fallen over the years—Myspace, DeviantART, to name a couple—but Twitter is the first one to be so maliciously and quickly taken out with a shot to the head. Almost overnight creators have lost a major source of connection to literary agents, art directors, job boards, and just a generally vibrant network of other creators and supporters. A few contenders tried to step into the ring to replace Twitter, but all seem to have fizzled out within a few months.

Amidst the social media meltdown, a new player stomped onto the scene: Artificial Intelligence. It swept in just as quickly as the demise of Twitter and at about the same time. Within just months it went from generating strange blobby horses with too many legs to almost perfectly replicating the styles of well known artists. Which, understandably, made everyone panic. As soon as it was on the scene we saw major publishers using it to create book covers (rather than hire an artist), news sites using it to create graphics (rather than hire an artist), people using it to pump out low quality books to put on Amazon (rather than learning to write themselves), and plenty more. We learned that the data sets these AI were trained on were all stolen art and writing. We watched everyone wave off our concerns and tell us we were overreacting, that this was just the “democratization of art.” Nevermind that a computer doesn’t need to pay rent, or fill the fridge, or pay medical bills.

The AI saga is still ongoing, and likely will be for a long time yet. But this article isn’t about AI in and of itself, so we’ll leave it there.

In the latest development of the social media bubble burst, the RESTRICT act got thrown into the pile. Falsely dubbed the “TikTok Ban,” the RESTRICT act is a vastly overreaching bill that would decimate the internet as we know it. It actually doesn’t mention TikTok at all within the text of the bill, TikTok is just the Trojan horse being used to try and push the bill through. It has, however, garnered vehement disagreement from both sides of the aisle so who knows what will happen there.

That’s where we stand right now. Many social media sites are dying, AI is stealing work, and the government is trying to destroy the internet as we know it. Good times. Good times. So what the hell are us creators supposed to do? Well, there’s a few ways to go about it and a few good ways to protect yourself.

Firstly: remember that you are unique. AI is not actually intelligent, it cannot actually learn, it can just cobble together data with zero actual understanding of what that data means. Only you can come up with your characters, your stories, your designs. Even an AI trained exclusively on your work cannot create the things you will create in the future. An AI can’t know why it’s important to draw seams on clothing to give the shapes more form, it can’t know why it’s important to show not tell in a story, it can’t understand the importance of proper kerning in a logo. Do you think Good Omens (both the book and the show) would have the nuanced characterization it does if there weren’t real people with real experiences behind its creation? Your creations are yours, you learned the things you needed to to bring them to life, you cobbled together dozens of tiny, seemingly inconsequential experiences from your own life to create them, and that is why they will always have value.

Secondly: be authentic. Be excited about your own work. Be a person. Don’t just push your content and shop and sales all the time. Relax. Geek out about a fandom. Share a meme. Get in a lengthy friendly debate about ancient copper merchants. You don’t have to, and shouldn’t, overshare your personal life, but you can and should still be a person. You are not a corporation and trying to act like one, trying to keep pace with what they do, will just hinder you. Being authentic will build trust between you and your audience, and that is key to creating a stable environment. An extension of this: don’t beg. Your audience does not owe you attention. Give them a reason to care and they will, even if it takes awhile.

Thirdly: own your audience. Have your own website, even if it is a simple single page business card website to point people to other places. Make it your hub so that people—fans, art directors, agents, etc.—will be able to find you and reach out to you even if your social media sites go down. Have a newsletter that people can sign up for, and back that data up frequently. Don’t rely on any social media website to hold your following for you, because it can vanish overnight and suddenly you’ll be back at square one. But a CSV of emails backed up onto a couple of hard drives? That’s YOURS. Substack died? Oh well, you backed up the CSV a couple days ago and now you can just upload it to a different newsletter platform and pick up right where you left off.

Fourthly: figure out what kind of creative you want to be. Yeah, some work is going to be lost to AI. Yeah, you’re going to miss out on some jobs because you can’t chat with art directors on Twitter anymore. But there will always be work out there for creatives, even if it is different than you used to imagine. Maybe you won’t be able to get into concept art with a huge gaming company the way you dreamed, but that doesn’t mean you can’t find a great indie studio to work with. Maybe you won’t be able to get a traditional publishing deal because you don’t like their values anymore, but that doesn’t mean you can’t run a great self-publishing campaign on Kickstarter.

Fifthly: support other creators. Share their work. Point art directors their way if you don’t have time for a particular job. Introduce them to your own audience. Boost their commission info posts. Build your network.

Lastly, ask yourself this: are you going to stop consuming content from your favorite creators just because AI exists? Just because Twitter died? Are you going to shelve all your favorite books because AI is out there? Stop looking at art that isn’t made by an AI? No. You’re not. You’re going to keep consuming the things you love, and so will everyone else. Maybe not in the same ways, maybe not in the same amounts, but they will.

One final note: do you know what happened when photography started to become widely available and affordable? Illustrators panicked. If newspapers could just snap a quick photo of the latest news, they wouldn’t need to hire illustrators. If catalogues could photograph their products, they wouldn’t need to hire illustrators. It was a huge shift in the entire industry, and illustrators did lose work. But you know what? A century later, we’re still here. We still have value. We still get work. We still create amazing things that can’t be done any other way. Our ancestors have weathered this storm before, and we will weather it this time, even if we get a little banged up in the process.

If you enjoyed this content, tips are very much appreciated! (But 100% not required!)

[canmom]

Yes, what 'AI art' promises to do is something that has happened many times before in capitalism. Even in the 'art industry', we've seen technology all but do away with entire lines of work, such as the illustration styles that withered after photography proved to better serve the needs of advertisers and clients who wanted a realistic likeness.

And it sucked for those illustrators. Maybe not the well established ones, but the ones who had hoped to enter that industry. Just as it sucked for the textile industry workers when the mechanical loom appeared.

Trying to suppress AI art through legal means may be a strategy with little chance of success and high potential for collateral damage. The Luddites found that machine-breaking proved an ineffective strategy (edit: because the government killed them), the miners of Wales were not able to stop Thatcher closing the pits and importing materials (edit: because the government beat the shit out of them). But to treat workers - in one of the few lines of work to still offer any sort of intrinsic fulfilment, at least in theory - who may be responding in a knee-jerk way to an impending threat to their ability to continue that practice and possibly survive at all, with scorn and derision? To justify that with Marx? Come off it.

Certainly, sure, the real enemy was capitalism all along. If AI were never invented, art would still be a precarious industry where you have to work stupidly hard on a speculative basis to even get a chance to get a foot in the door. An industry valuing predictability would still prefer to elevate bland, repetitive artwork; it would still push the chosen few artists who make it and get jobs to work themselves into an early death; we would still be faced with the implications of turning creation into 'content' in a social media feed. In a less precarious world, one where artists were free to pursue our practices with ample support and no fear of not making rent if there's a bad month, AI image generators would not even be a concern.

But we don't live in that world and I have no idea how to bring it closer. There isn't a 'start the revolution' button I can just press if I don't like my lot under capitalism.

What AI promises to do, what its proponents claim, really is to make everything worse in this industry. AI has many limitations compared to a human artist, but that doesn't matter for doing damage. For the employed artist, the threat of AI is going to become a similar labour discipline tool as the threat of outsourcing to a country where labour is cheaper, or the threat of installing robot tills in retail. "Don't make too much of a fuss, we can replace you." It doesn't matter if it isn't entirely true, it's another cudgel against labour organising.

In the already often miserably exploitative world of small scale illustration commissions which many artists use to support themselves while learning? Now you don't just have to compete against Fiverr's race to the bottom. The good chaps at Silicon Valley have helpfully built an obedient data centre than can do a 'good enough' job for many clients even faster and cheaper, that never gets tired. You'd better hope you have a loyal audience already, or else the independent income and exec function to work on art as a hobby on top of everything else you need to do to get by. Illustration commissions is already a pretty saturated market, turning something that ought to be a dream job into a grind. So... let's add more pressure, eh?

Worse, a lack of realistic routes to learn will likely ripple on up, similar to how the miserable conditions and high attrition of inbetweeners in anime led to a situation where there aren't enough key animators, so the industry increasingly draws from self-taught hobbyists and relies on a limited pool of overworked sakkans to paper over the gaps caused by their lack of training.

None of these problems are unique to AI. But they're all going to be made worse by it. And obviously people are going to be afraid of that coming, before we know how it will all shake out for sure. That's not a stupid reaction.

The argument over what is Real Art(TM) may be corny, but it reflects the fact that for most of us trying to make art, it is not nearly so fulfilling to type prompts into a computer and pick your favourite result as it is to draw on your own visual library and experiences and understanding of light and form and symbols and shape and etc., to go through the meditative process of solving the problems of the drawing yourself, to get the satisfaction of 'omg I made that' at the end. I'm sure creating the AI system in the first place had that sort of fulfilment for its programmers, but using it is to be a curator more than a creator, or at least to shift the creativity into coming up with combinations of keywords rather than directly making pictures, and that just doesn't grab me in the same way at all. If people enjoy it that's genuinely great for them, but I don't think very many people who set out to be an artist would get the same satisfaction out of typing prompts. It's not something we wanted automated. (Perhaps we could compare it to creating an aimbot for an FPS game.)

But that's a fairly tricky thing to articulate, so it is not surprising that it gets mixed up in ideology like 'artiness is proportional to hours spent'. Unfortunate, but that doesn't make the intuitive alarm signal misplaced. If AI art can find a niche as just another tool for expression, great, I'll shut up - but if it becomes a widespread sentiment of 'why are you wasting your time painting, just let the AI do it', we've lost something valuable. 'We want to replace artists' is the explicit sentiment of many of the AI's creators and proponents, so it's not like this is a baseless fear.

Trying to develop an art practice under capitalism is always a pretty awkward bargain at best. AI won't destroy the drives that lead us to make art, and won't do much to liberate us either. My hope is that it will become an easily ignored sideshow to the kinds of art I like; my fear is that this is only the beginning of its impact and a lot that's valuable will be lost in the chaos.

Did photography 'liberate' illustration? It's true that after the demise of the realist painting of Loomis's generation, new forms of illustration arose: scifi and fantasy illustration, many kinds of stylised illustration. But idk, that argument feels weird - if you cut down a tree to build a house where it used to stand, and a new tree grows nearby, is that liberating trees? It's hard to put any valence on that. In any case, AI proponents are trying for a fully general replacement to all types of illustration, including potential new ones. (Perhaps that's nothing more than tech cult hype; at the moment its stylistic repertoire is more limited.)

And perhaps we might expect, as capitalism continues to throw off labour without much hope of new industries arising to absorb it, that there will come a point where the balance tips and for better or worse, a vast social transformation unfolds suddenly and unexpectedly.

Would be nice if I can live long enough to see it.

Living off commissions is already proving not viable for me, regardless of AI - so I'm training to go into a different creative industry (game dev) where there's more demand in the present era, and I'll have to develop visual art more slowly, with whatever energy and executive function I can spare. I hope I will enjoy working in game dev, and I'm lucky to have skills that even make it an option, but I don't love that I have to make that decision based on what can keep a roof overhead and not on what I most want to spend my time learning to make. And I can only imagine the feeling of someone who found a seemingly stable niche doing something they truly enjoy, and now face getting thrown back into this corner.

The AI problem may just be a symptom of capitalism, but that just makes it less tractable. It may be 'just a tool', but that tool is embedded in a whole mess of social relations. Who runs the AI, who stands to benefit? Better to articulate a critique of AI-in-capitalism that navigates around the blind alleys than to cast scorn on people reaching for the first way out they can see to a genuinely bleak situation.

[delyth-thomas-art]

Tired Webcomic Creator Noises

Gags … ah yes lets make art into mindless content spat out by Ai cos we've been literally killing creators with inhumane workloads to spit out as many episodes as possible for mindless consumption.

I make my comics with passion and love of the craft! I have a degree in Comics, I spent years...years learning, practising, experimenting, adapting. I recall the days where you may get a page a week, or a few at the start of the month back in the 2000s era of self hosted webcomics and smackjeeves. (Rant below)

I've had to learn how the whole scrolling format worked to adapt to where all the readers had gone to, having been taught the traditional print page formats. And now cos its suddenly a massive money maker for these few hosts and they've pushed creators to the brink with the sheer volume they want pumped out that of course they want to use AI.

But it will speed up colouring! I have multiple tools available by the software I use and made by the wonderful people who love creating that colouring isn't that much of a chore, Its my fav part honestly. And its also a job sector within comics, colourists are skilled artists and this is another way to trim the fat, to pocket more money and keep churning out the 5th millionth villainess story.

Yes I am in most views a tiny creator, I haven't even broken their 1000 sub goal to even try applying for ad rev in the near 5 ish years on webtoon. But what I make I love, I spend hours researching folklore, scripting, drafting the whole kabudle like many other creators. And other than the kind supporters on my Patreon and Ko-fi I don't make much from the hours, days, weeks I pour into what I make. But at least I know its made with my own hands. That its made with love as corny as that sounds.

Ai is creeping its tentacles into everything, now ethically trained ai tools to help smaller creators would be fine. Most creators already rely on 3d tools to speed up things like backgrounds for webcomics. But when we don't know what its trained on, and is marketed wholesale as something anyone can use to make "content" is where it gets insidious. I am all for anyone with the desire to create and tell a story to go out there and do so, whether a beginner or a master. Part of the joy of a long running webcomic is seeing the artist grow both artistically and literary. But with ai it will be all one homogenous style, a copy of what ever is the hot thing. We already have amazon stuffed to the teeth with ai generated books, videos, merch and more all to be sold in some get rich quick manner. (need I point at the Willy's Wonderland incident). Youtube videos being spat out by faceless accounts stealing and regurgitating content at the speed no human video making team can easily match without cutting out quality or fact checking.

It is tiring. Creatives as a whole are treated poorly for decades, and now with the rapid late stage capitalism, website /social media enshitification and the blind headlong rush into the next big money making thing (watches the nft crash). I can't deny Covid sped this up, as everyone was locked inside and turned to what we creators made for comfort. But that content eating boom, lead to more demand, faster output and tighter budgets. We are seeing journalists being cut, game designers in their thousands and recently Dreamworks cutting a bunch and pushing to make their Robot film come out sooner due to public demands.

Skilled creatives are being treated like disposable fast food restaurant employees. Used til they burn out, get injured and even die! And then are simply replaced.

I've never been a creator with huge ambitions to work at places like DC, Marvel or Top Cow. I simply wished to create and share stories with the world, to bring smiles, to create art that evokes emotions, inspires others to look around themselves and create too.

Art is for everyone. You just need to take that scary jump, there is a whole array of welcoming communities willing to teach and share. I wouldn't have improved so much without the kindness of the webcomic groups I've discovered and learnt from. Everyone is always learning, and there no shame in not knowing how to do a thing. Even I started with the cheesy how to draw books as a kid and made my own pokemon and digimon.

Don't let the world treat your art as content. It is "ART" as much as what's kept in the louvre is seen as art, so is that little stick man doodle on a postit.

So Try something new, try a new material, a new style.

And support the artists you enjoy, tip their Ko-Fi, pledge to their Patreon, buy a sticker or print. Share their posts and tell them what you love about what they make.

Don't let machines steal away the art in HEART.

[owlcryptid]

✨OwlCryptid's Guide to Bluesky for Artists and People who are Sick Of the Other Site✨

Hello! I heard that you are sick of That Other Social Media? Don't want the hassle of having to feel like you're starting over again on a new website? Here are some tips and tools to help set up your Bluesky account and get going!

At a basic glance, functionality wise Bsky is basically twitter, except you get a lot of moderation and customization tools! And you don't get buried or shadowbanned for using certain words or putting a link in your post! Also hashtags are actually useful here! Isn't that amazing?

✨Starting out

If you have a twitter account, you can use this extension on Chrome who checks automatically for same @ and display names in your follow list and lets you easily refollow the accounts directly from here. It's not 100% accurate, but I wwas able to refollow a lot of accounts and mutuals from this already! Just go on your follow list and activate the extension.

See? easy!

Ok, great, you have a good portion of your follows back with that! But if you want more, you can also use Starter Packs! Those are curated lists made by other people that lets you follow a batch of accounts at once. Here are a few (Those are art oriented and not made by me, but there are many different themed ones):

OC artists and creatives - Webcomic artists - Adorka Variety pack

✨Custom Feeds

Custom feeds can be made by users and show you posts that are curated by a custom algorithm. You can choose to pin them on top of your timeline, or they show up on the right side of your screen by default. By default Bsky has a tab that shows you your follows in chronological order and a "Discover" tab that is closer to a classic algorithm curated tab (That you can unpin if you don't like it. personally, I did!). But we can do even better!

Here are a few feeds that I like:

Mutuals (what it says on the tin. shows you only posts from mutuals)

Quiet posters (Posts from accounts you follow that don't post often and might get buried otherwise)

Discover art! (Art posts that have less than 20 likes. Great for dicovering small artists!)

Any of the art feeds by wanderlingworld (theres a lot of them. Check the profile under the feeds tab)

✨Content Filters!

Go to Settings>Moderation, there you can choose to enable, disable or warn about adult content in posts (with "Warn", it shows a blurred image. Check "Hide" and it won't show you the post at all.) There are separate settings for different typs of adult content.

✨Moderation Lists!

Those are lists that let you block or mute accounts En Masse. These are curated by individual users so it's advised to check them before using, though. Here are some of the ones I use:

AI Artists - The Great AI/NFT/Crypto Cull - Content Scrapers - Far Right Accounts

✨Labellers!

Those are tools that make little labels show up under a person's display name. Can be useful to see if an account is recent, or has been spam posting for example. Very useful to see if you're looking at a bot or a troll. There are different options you can change. Here is the one I use!

That was a wayyyy longer post than I'm used to, but with that you should be set! If you have questions dn't be afraid to message me or shoot me an ask. With that said, enjoy Bsky, use hashtags, don't forget to reskeet things you like on your profile and have fun!

[genericpuff]

(about the bell post) i dont know anything about lore olympus but is there something inherently bad in using free stock images? like, thats what stock images are for right? i know that its probably lazy or whatever but is that the only problem? /genuine

Part of the issue with using stock photos is licensing. Like fonts, they're in abundance online and easy to snag for "free", but as soon as you enter commercial work, it becomes a legal minefield. Stock photos typically belong to either individuals or corporations that rely on people buying the rights to those photos to use them; if they don't, they could very well be sued for copyright infringement.

In that respect, emojis fall into a similar grey area. Some emojis are public domain/open source meaning they're free to use for everyone. But many are not. It's why different social media platforms and different phone providers use different emoji's - it's not purely for branding (though that is a factor as Facebook emojis have become distinguishable from Android emojis) but also for ownership.

So, in the legal sense, I do not know if the bell emoji that Rachel used in LO is legally hers to use, or if it's even subject to such laws (it could be an open source image meaning it's free-for-all). I'm hoping for her sake she's not breaking any sort of copyright ownership laws, but I'm also not a lawyer and wouldn't know how to get that information even if I wanted to lmao

Aside from the legal, it's also just... sigh I'm gonna get into more opinionated territory here, but even if something is open source, even if you're legally free to use a stock photo or other tool to create your comic, there's also the ethics/integrity of it. Lore Olympus is not a Canvas comic. It is not an indie hobbyist project. It's a commercial product with multiple people working on it behind the scenes, book deals, merch deals, a TV deal, and an upcoming feature at this year's SDCC, with Rachel headlining alongside Cassandra Claire (Mortal Instruments) and Jeff Smith (BONE). Webtoons is trying very hard to market LO as a 'flagship' series and convince the public that it can stand alongside other literature juggernauts.

What I'm trying to say here is, if Rachel did legally use it, it doesn't make it any less cheap. There's a lot of discussion in the art field over the usage of external tools and assets in art creation, especially here in the west. 3D models, AI shaders, gradient maps - there are tons of things that exist now that stand to benefit artists, but can be abused or used poorly, being used as less of a tool to benefit an artist with pre-existing skills and more as a cheap shortcut to circumvent actual skill/effort.

The bell emoji isn't the heart of the issue I pointed out in that post. If it were an isolated thing, if LO were an otherwise impeccable comic with high-effort art and just one little picture of a bell, it wouldn't be that big of an issue.

But LO isn't that comic. The recipe of its art development week after week has become very cheap and low-effort, and the bell is really just the cherry on top.

And just to make it clear, I do stand by artists being able to use tools that make their lives easier. None of this is to say it's wrong to use stock images, or 3D models, or gradient maps, or whatever have you. Those tools exist to help and can be used in fun and experimental ways to bring new perspectives and life to your work. And I'm not going to scrutinize whatever shortcuts are being used in a comic that's being made for free by a hobbyist or someone who's still learning.

But like all tools, there are still ways to use them to the detriment of your own work, either due to a lack of understanding as to how that tool works, or lack of effort to blend it into your work. It can make it glaringly obvious that third-party assets are being used, and can often distract from what you've drawn (the complete opposite of what most people are trying to achieve).

When I think of art shortcuts and tools being used poorly, I think of Let's Play and its stock photo background characters.

I think of Time Gate: [AFTERBIRTH]'s stiff default 3D models that result in lifeless poses and restricted body types, which I am VERY eager to move on from LMAO

I think of LO's 3D backgrounds with only 1-2 colors thrown in and the characters floating in front of them. Or sometimes no characters at all even when people are speaking.

And of course, I think of the emoji bell, which could have easily just been drawn as a door or an actual doorbell, and not some random grey bell copied and pasted from a Google search.

All that's to say, too much reliance on poorly-implemented assets can take a great piece of work down to a mediocre one. Of course, the assets definitely aren't the only issue with LO, but they are definitely a piece of the problem. There might not be anything 'wrong' with using assets, but they can still be used poorly or result in cheap-looking work and that's primarily what I'm calling out here.

[aiinsightsandoverview]

Galambo: Transforming Visual Search with Cutting-Edge AI Technology

Ever wished for a tool that turns your images into a treasure trove of information? Galambo, the innovative AI-powered image search engine, is revolutionizing how we interact with visual content by providing in-depth insights and context that go beyond simple image recognition.

Galambo is leading the charge in advanced image search technology, utilizing powerful artificial intelligence to offer a deeper understanding of your photos. Unlike traditional search engines that only provide surface-level results, Galambo’s AI dives into the nuances of each image to deliver rich, contextual information that enhances your search experience.

One of the most compelling features of Galambo is its AI-driven predictive search. When you upload an image, Galambo’s sophisticated algorithms analyze its content and suggest relevant search queries. This predictive capability streamlines your search process, delivering accurate and relevant results quickly, and saving you valuable time.

Additionally, Galambo offers a dynamic interactive search feature. By clicking on different elements within an image, you can uncover additional details and related information. This feature transforms the search experience into an interactive exploration, allowing you to delve deeper into the context and significance of your images.

Galambo’s integration with various platforms further sets it apart. It seamlessly connects with mapping services to pinpoint locations, taps into extensive databases for comprehensive insights, and links with social media for a broader perspective. This all-in-one approach ensures you have all the information you need right at your fingertips.

Privacy and security are also top priorities for Galambo. The platform employs advanced security measures to protect your data, ensuring a safe and secure search experience.

In summary, Galambo is more than just an image search engine; it’s a powerful AI tool that enhances how you explore and understand visual content. With its advanced features, interactive search capabilities, and seamless integrations, Galambo is an essential tool for anyone looking to gain deeper insights from their images. Experience the future of image search with Galambo by visiting Galambo.

[theaichronicle]

Galambo: Transforming How We Discover Information from Images

Imagine being able to uncover the rich history or hidden details of any photo with just a click. Galambo, an AI-powered image search engine, makes this possible, providing a fresh and exciting way to explore visual content.

Galambo is changing the game when it comes to image searching. Whether you want to find out more about a landmark, identify an object, or connect with services related to an image, Galambo makes it all straightforward and fascinating.

One of the most impressive aspects of Galambo is its predictive search capability. The AI uses the uploaded image to suggest relevant search queries, ensuring you receive accurate and quick results. This feature has greatly improved the way I search for information, making it a smooth and enjoyable process.

The interactive search is another game-changer. By clicking on various elements within an image, you can uncover additional details and related content. This interactive approach adds an engaging and educational layer to the search experience, making each image a gateway to a deeper understanding.

Galambo’s integration with other services makes it even more powerful. It connects with mapping services to pinpoint locations, accesses databases for detailed insights, and syncs with social media platforms for broader perspectives. This comprehensive integration ensures you always have a wealth of information at your fingertips.

Privacy and security are also top-notch with Galambo. The platform employs robust security measures to protect your data, allowing you to search and explore confidently.

Overall, Galambo isn’t just an image search engine; it's a groundbreaking tool for visual exploration. Its intuitive design, advanced AI features, and extensive integration make it a must-have for anyone keen on discovering the hidden stories in their photos. Whether you’re a researcher, a student, or simply someone with a curious mind, Galambo offers a unique and enriching experience. Start your journey of visual discovery with Galambo today by visiting Galambo.