#tool trailers New South Wales

[jasperbracy]

Why You Need Tool Trailers for Your New South Wales Business

Starting a business can be an exciting venture, but it also comes with its unique set of challenges. One essential aspect often overlooked is the efficient management of tools and equipment. This is where tool trailers in New South Wales come into play.

Boosting Efficiency and Productivity

A tool trailer from verified trailer builders in New South Wales is more than just a storage unit; it's a mobile workshop. By centralizing your tools and equipment in one secure location, you streamline your operations. Imagine the time saved by not having to search for tools across multiple job sites. With everything organized and accessible, your team can focus on tasks, not searching.

Protecting Your Investment

Tools and equipment represent a significant investment for any business. Exposure to the elements can damage them, leading to costly repairs or replacements. A tool trailer provides a secure and weatherproof environment, safeguarding your assets. Additionally, it reduces the risk of theft, giving you peace of mind.

Professionalism and Brand Image

A well-maintained tool trailer reflects your business's professionalism. It creates a positive impression on clients and customers, showcasing your commitment to organization and efficiency. A branded trailer can also serve as a moving advertisement, increasing brand visibility.

Adaptability and Flexibility

New South Wales is known for its diverse terrain and job sites. A tool trailer offers the flexibility to transport your equipment to any location, regardless of accessibility. Whether you're working in urban areas or remote locations, your tools are always at your fingertips.

By carefully considering your business needs and selecting the right trailer, you can optimize your operations and set your business up for success.

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[letterboxd]

The Eyes of TIFF.

Programmers for the 46th Toronto International Film Festival chat about the degrees of intensity they look for in a festival film, and help us zoom in on the gems from TIFF’s 2021 program, by genre and region.

“Intensity can be achieved in so many different ways. I know it when I feel it. You feel it in your gut.” —Cameron Bailey

It’s almost business as usual for TIFF this year. In-person events and red carpets return, but a healthy virtual program is also available for Canadian-based folk unable to travel, as the Covid-19 pandemic continues its onslaught.

TIFF co-head and artistic director Cameron Bailey has been with the festival for just over half its life, and says while some of the technology has changed in that time—“you’re no longer sitting in front of a TV monitor with VHS tapes… or waiting for 35mm prints to be spooled up and projected for you”—the “basic process of falling in love with movies” has not.

It’s a challenge, Bailey says, to winnow down the films he falls in love with for the final TIFF lineup. And even then, it is an annual challenge for film lovers tight on time to narrow down their own selections. So, ahead of the fest, Bailey joined fellow TIFF programmers for a Twitter Spaces conversation with our editor in chief Gemma Gracewood, in order to help Letterboxd members make some watchlist decisions.

Joining Bailey were Thom Powers (TIFF Docs), Peter Kuplowsky (Midnight Madness), Robyn Citizen (senior programming manager), Diana Sanchez (Special Presentations, Spain, Latin America, Portugal and the Caribbean), Diana Cadavid (International Cinema) and Nataleah Hunter-Young (Africa, “the Middle East” and the Black Diaspora).

Edited highlights of the conversation follow, so have your watchlists close at hand.

‘The Eyes of Tammy Faye’, written by Abe Sylvia and directed by Michael Showalter.

Thank you all for joining me today. You watch a lot of films as you’re going through the selection process. How does one make itself stand out to you? Cameron Bailey: For every programmer it’s going to be something different. For me, it comes down to an intangible quality of intensity. That can be emotional intensity, it can be the intensity of formal elements, the cinematography, the performances, the writing. Some sense of concentrated emotion and momentum, where you get the sense that a filmmaker is trying to find a way to distill the essence of what they’re trying to do and communicate it to an audience through all of the tools that cinema provides. That doesn’t mean the movie has to be fast-paced or have a lot of dramatic jolts, as intensity can be achieved in so many different ways. I know it when I feel it. You feel it in your gut.

What would you say are some of the performances that have struck you the most this year? CB: Jessica Chastain is the lead in a film we’re premiering called The Eyes of Tammy Faye, directed by Michael Showalter. If you were watching TV in the ’80s and ’90s, you will remember Tammy Faye Bakker, and her husband, Jim Bakker, who were TV televangelists. You couldn’t miss Tammy, as she had these giant eyes and makeup with giant eyelashes, and this is essentially her story. It’s hard to know at first that it’s Jessica Chastain underneath all of that makeup, but she gives a performance that’s not just about the exterior. It’s about a woman who is shaped by a difficult upbringing, shaped by this incredibly deep need she has for affirmation, to be on TV, to be in front of the camera, and that guides her decisions into extremes. She’s fantastic in it.

Benedict Cumberbatch is back with two films. He is the lead in Jane Campion’s The Power of the Dog. It’s an understated, slow-burn performance in some ways, which he can do so well. He’s also in a film that’s on the opposite end of the dramatic spectrum, The Electrical Life of Louis Wain. It’s based on a real person, and when you watch the film you will be amazed that this person actually existed. Wain, in the early part of the twentieth century, was a prodigious painter who turned his talent towards painting thousands of cats. Cute cats, big eyed cats, fuzzy, adorable cats. He’s largely responsible for cats becoming as big as they are as domesticated pets. It’s a wild story.

I’m still recovering from watching The Power of the Dog’s trailer earlier today, and had to promise myself that I wouldn’t take up this entire time talking about Jane Campion’s obsession with hands. The Spencer trailer dropped as well, which has a lot of buzz around it. CB: Yes, Spencer is a remarkable portrait. Some of us remember Princess Diana, some of us have watched The Crown, and so have a very recent image, but this is a completely different performance that Kristen Stewart gives. She’s remarkable in it. I think everybody’s going to want to see this film.

‘Charlotte’, written by David Bezmozgis and Erik Rutherford, directed by Tahir Rana and Éric Warin.

Are there any other titles you’d like to get the buzz started for, Cameron? CB: On the animation side, I would say people should look out for a film called Charlotte, by Tahir Rana and Éric Warin. It’s a Canadian film telling a story based in World War II Europe about a woman in a Jewish family [exiled] in France during the occupation of France by the Nazis. She can feel what is coming. She decides to paint everything about her life, and her family’s life, trying to document what she feels is going to be very fragile, and what she might lose altogether.

As it turns out, before the end of the war she was taken away to a death camp by the Nazi regime, and she didn’t survive, but her paintings have survived and they were turned into a book, along with the story of her family. The animation is just gorgeous. I think that’s one that awards bodies are going to be paying attention to. It’s one of the best animated films I’ve seen in quite a while.

Thom, what are some of the documentary titles that you and the team think those awards bodies will have their eyes on? Thom Powers: A big one to pay attention to is The Rescue, by Chai Vasarhelyi and Jimmy Chin, who won the Oscar for their last film, Free Solo. Their new film is looking at the Thai cave rescue [in 2018], when a group of young soccer players and their coach got trapped by monsoon floods in a cave. When we were watching the news, we were seeing the journalists reporting from outside the cave. What this film does is bring you inside that rescue using footage that’s never been seen before. Chai Vasarhelyi and Jimmy Chin are masters at the documentary adventure genre, and also [at] bringing a real human side to the people involved, which they do again here.

I’ll also mention Becoming Cousteau, by Liz Garbus, and Julia, a film about Julia Child, directed by Julie Cohen and Betsy West, who made the Oscar-nominated documentary RBG a few years ago. So many of us during the pandemic had to rediscover ourselves in the kitchen, and Julia Child’s life was about making people feel more comfortable in the kitchen, which makes it a terrific film to watch at this time.

‘Saloum’, directed by Jean Luc Herbulot.

Peter, what’s a movie from this year’s Midnight Madness lineup you’d love to recommend? Peter Kuplowsky: We’ve got a lot of firsts at Midnight this year. We have Saloum, the first time a West African film has ever been in Midnight. We’ve also got Zalava, which is the first Iranian film to play in Midnight. Our opening film for Midnight Madness is Julia Ducournau’s Titane, which is playing at the Princess of Wales theater, and will be a spectacle to behold. When I’m looking for Midnight Madness, I like hearing the audience make certain noises in the room, whether that’s a gasp or screams or laughter. I feel that every note on the scale is going to be played during Titane by the audience.

Brilliant. Now, we’re going to bring in some audience questions. First up is Vincent, who says that one of their favorite films is Georges Franju’s Eyes Without a Face, and asks if there are any films in this year’s TIFF lineup you could recommend for a fan of that film? PK: I’ve really been encouraging people to check out the films I just mentioned, Zalava and Saloum, and I think Zalava especially would fit here, as it’s more of a horror-drama. It begins as something that is steeped in the supernatural, but as it escalates it becomes something of a pitch-black comedy while still maintaining a gravitas to it. I think it’s one of the most fascinating discoveries in the genre space this year.

CB: I’d also add Good Madam, by Jenna Bass, from South Africa. It is a chilling movie, with a bit of an Eyes Without a Face vibe. If you like that sort of approach to cinema, I think you’ll like that.

PK: Vengeance Is Mine, All Others Pay Cash just won the Golden Leopard at Locarno. With a title like that, this is a film that feels like it’s going to be sort of a strictly pulp crime film, but it’s so much more. It’s deeply romantic, incredibly eclectic, and beautifully shot on 16mm film. It feels like a film that was hidden away, shot in the late ’70s or early ’80s. It’s a throwback to 1980s Hong Kong action films, while also, I can’t stress this enough, being one of the most romantic films in the festival. You’ll fall in love with this relationship while it’s also working in fight sequences and magical realism.

Nataleah, what’s something you would recommend from your TIFF selections from Africa, “the Middle East” and the Black Diaspora? Nataleah Hunter-Young: One I’d highly recommend is Costa Brava, directed by Mounia Akl, from Lebanon. Even amidst what’s going on in Lebanon right now, the film offers a beautiful and engrossing portrait of a family that includes a grandmother who’s a non-actor, but has impeccable comedic timing (that travels through the subtitles if you don’t speak Arabic).

‘Snakehead’, written and directed by Evan Leong.

Robyn, what’s a movie that surprised you most during your selections this year? Robyn Citizen: I always recommend that people check out our Discovery section because that’s where we find new talent and nurture new voices. The film that really surprised me this year was Snakehead, by Evan Jackson Leong. Some people will know him from a documentary called Linsanity, and he did another documentary about evangelism in Korea. Snakehead has been a ten-year labor of love for him. He had to do a Kickstarter for the film, which is loosely based on the life of a woman named Sister Ping, who had a human trafficking ring that was the biggest trafficking ring for about 20 years.

The film tackles what’s going on now with vulnerable populations being trafficked into America, in particular Chinatown in the US, and the main character, played by Shuya Chang, has to fight to find her daughter. It’s an exciting film, and very moving. It’s extremely tightly edited, and it looks fantastic.

We’ve got our next question here from a member who says their favorite genre is science-fiction. While Dune is at the top of their watchlist, are there any other sci-fi selections you could recommend? PK: I would recommend After Blue (Dirty Paradise), which is a perverse science-fiction by Bertrand Mandico. It reminds me a lot of the French animated film Fantastic Planet. This one is about a planet which is inhospitable to men because of the way hair grows. The plot follows a young teenage girl who accidentally unleashes a notorious criminal that she and her hairdresser mother have to stalk through the alien landscape that is full of bizarre creatures and liquids and gases. I feel it’s kind of like the inverse of Dune, and an opportunity to explore a bizarre ecosystem.

NHY: I would totally insist that this member see Neptune Frost, from Saul Williams and Anisia Uzeyman. It’s a difficult film to put into words, but I’ve been summing it up by calling it an Afro-sonic sci-fi musical.

Whoa, that sounds like a whole new subgenre. NHY: That’s just the beginning. There’s a lot to experience in this film. It’s a cosmic romance that follows an intersex hacker and a coltan miner who make their way to this kind of dream space where they connect with others as they travel through these lush mountainous regions of Rwanda and Burundi. It’s a beautiful anti-narrative that is impeccably colored and totally consuming. It’s a must-see for anybody who loves cinema.

Diana, what would you say is the best debut feature that you’ve seen among this year’s international selections? Diana Cadavid: There are so many wonderful new talents, but I think I’ll go with an Argentinian filmmaker named Agustina San Martín. Her film, To Kill the Beast, is a co-production between Argentina, Brazil and Chile, and she worked for nine years to put this all together. She started working on it when she was 21, and we were actually having a conversation yesterday about her process, and how it’s a film that deals with the growth of a woman, and female desire. There’s this idea of the beast, something that’s either from inside or from outside forces, trying to control the human mind and body. It’s a very interesting film, gorgeously shot and very atmospheric.

‘Yuni’, written by Prima Rusdi and Kamila Andini, directed by Andini.

We’ve got another question here from David, who says their favorite films are humanistic dramas, citing Hirokazu Kore-eda as one of their favorite directors. Would anybody have any recommendations for David? CB: I can recommend at least one film, called Yuni, an Indonesian film from Kamila Andini. This is a naturalist drama about a high-school girl who is one of the top students in her class, and has a great group of friends. We slowly begin to see that her life is being constrained by one man after another, and then something happens at school, which begins to narrow her possibilities for her future. She’s trying to figure out things like sexuality and romance and what she wants to do with her future, and all of these obstacles keep getting placed in her path. It’s told in a very gentle way, but very incisive as well. Each scene really matters, taking you deeper inside this girl’s life.

RC: Our senior programmer Giovanna Fulvi programmed a film called Aloners, a South Korean film by Hong Sung-eun. This is her first feature, and it’s very much a film of our time. It is about a woman who works in the gig economy at a credit-card customer-service call center. It’s a very transient existence. She doesn’t talk to anybody, she eats by herself, she doesn’t really want to associate with the people in her apartment building. One day, one of her neighbors who has tried to talk to her many times passes away, and she has to re-interrogate the way that she’s been living her life, and figure out if it’s worth starting to form some human connections.

Next up is a question from Matt Neglia, from the Next Best Picture podcast. Matt says that he’s a massive fan of epics, whether they’re three hours long or just telling an expansive story with lots of world-building. Apart from Dune, are there any other films in the lineup that you would describe as epic? CB: While Joachim Trier’s The Worst Person in the World might not strike you on reading its synopsis as an epic, I think it actually is an emotional epic. It’s the story of a young woman who’s trying to figure out her life. Her romance with one boyfriend doesn’t quite fit the bill for her, and she begins this looking and exploring. Trier and his writer and lead actor do remarkable work, blowing open the idea of a person trying to define who they are at this turning point in their life. They make these stakes massive and they have all kinds of interesting, innovative, formal elements in [the film] as well. It’s incredibly cinematic. If you’ve seen Joachim Trier’s other films, this is kind of the conclusion of a trilogy that he’s made.

‘Listening to Kenny G’, directed by Penny Lane.

Next up, we have Sarah, who is looking for movies about music, and also some body horror. CB: We’ve got a number of great music docs this year. I have to mention Dionne Warwick, the queen of Twitter, who is the subject of Dionne Warwick: Don’t Make Me Over. It tells the story of this incredibly talented, determined and glamorous musician who broke so many barriers. She toured in the south during the Jim Crow era, making gains as a Black woman in the music industry and in the pop-music industry, not the so-called race-record or Black-music industry, which simply wasn’t done at the time. This documentary tells that story, and also shows her later work in the ’80s contributing to the fight against stigma and hysteria during the AIDS crisis.

PK: I’ll follow up Cameron by mentioning the Alanis Morissette film Jagged. We’ve also got a film about the great jazz pianist, Oscar Peterson, called Oscar Peterson: Black + White. Lastly, there’s a film about Kenny G, called Listening to Kenny G.

Diana Sanchez: For the body horror, I’d like to mention the debut film by Ruth Paxton, titled A Banquet. It’s about a young woman who insists her body is no longer her own, and is a service to a higher power. Her mother has no idea what to think. She stops eating, and her mother doesn’t know [whether] to believe her or not. I love Ruth Paxton’s work, the way she shoots the film, the way she shoots the food. It’s almost, as she refers to it, pornographic. It looks delicious and gross all at the same time.

I’d also like to flip to comedy quickly to mention Official Competition. The film stars Penélope Cruz, Antonio Banderas and Oscar Martínez. Cruz plays a filmmaker who puts together a well-known theater actor and a well-known box-office glamor guy, played by Banderas. The film speaks to the tension between high art and more popular art, testing those boundaries. It’s incredibly funny.

We’d love to squeeze a few more films out of everyone for our watchlists. Could you each recommend one film and try to sell it in ten words or less? CB: Let me try. Sundown, by Michel Franco. Tim Roth falls apart beautifully in Mexico.

TP: I’m going to go with the Mexican documentary, Comala. Filmmaker Gian Cassini explores the legacy of his father, who was a Tijuana hitman.

PK: I’ll go with Saloum, which is basically From Dusk Till Dawn in West Africa.

RC: I’m going to say The Wheel, a movie by Steve Pink. If you like Who’s Afraid of Virginia Woolf?, this is like that with a younger couple in a much more humane, intimate key.

DS: I’ll say I’m Your Man, a sci-fi where Maren Eggert dates a robotic Dan Stevens.

PK: I know Diana has been recommending a film called OUT OF SYNC, about an artist who begins to experience the sound of the world going out of sync. She starts hearing sounds from the past because people and things are out of sync with their surroundings.

NHY: I’ll go with The Gravedigger’s Wife, directed by Khadar Ahmed. It showcases the horn of Africa unlike you’ve ever seen it on screen.

Finally, for Cameron: with fall coming, what is the best TIFF 2021 movie to watch under a blanket, either because it’s cozy or because you’re terrified, or both? CB: Great question, which gives me a chance to talk about Earwig, the new film by Lucile Hadžihalilović. If you’ve seen Innocence or Evolution, her two most recent films, you’re prepared in terms of tone, but you’ve not even seen Lucille make a film quite like this. It’s eerie, disturbing, hypnotic, mesmerizing. You can’t stop watching, but you’re always afraid that something awful and horrifying is about to happen… and maybe it might.

‘Night Raiders’, written and directed by Danis Goulet.

To bring it all back home, what would you say is the Canadian film of 2021? CB: It’s always hard to say, but I think in a year where we have Danis Goulet’s feature Night Raiders, that’s got to be the one. Danis has made some exceptional short films over the last few years that people might know. Her feature takes on the horrific, devastating story of residential schools and children torn from Indigenous families and put in institutions where the goal was to erase their Indigenous identity. She takes that terrible, real history that we’re grappling with right now in Canada, and turns it into a piece of speculative fiction, a kind of propulsive thriller.

By turning it into fiction rather than reality she can use all of the tools of cinema to tell a terrific story that’s exciting and has high stakes, but also has this deep resonance of a truth that we are, I hope, coming to terms with in this country.

The Toronto International Film Festival runs from September 9 to 18. This conversation has been edited for length and clarity. Follow TIFF on Letterboxd, and follow our Festiville HQ for regular festival updates.

[turnerheavyhaulage]

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[dinamicus]

as I promised to @elenatria 

this probably needs a number of corrections

But, here: Chris's interview where he talks unknown aspects about his family

Chris Hemsworth's confessions:her children and Thor's "ridiculous" outfit

 The actor, the only superhero whose weapon is a Diy tool's, is a guy  with  a lot humor sense y much more  common sense than this fits in  mesh clothes.

  The premiere of Thor:Ragnarok is  in Octuber, and he 's the new ambassador  for Boos Bottle and reveals that his idol has nothing to do with the movie business

 Germany, September 13, 2017

 To understand why Chris Hemsworth has become one of the most desired guys in the planet, it's better not to become obssesed with his (certainly excessive) measures.

 It's enough put aside the tape measure  and watch some SNL's sketches  on Youtube to conclude that maybe the muscle that works best for this Australian( 33 )is the laugh.

 Few know about  self-parody so much as the Elsa Pataky's husband.( spanish, 1976,Madrid)  when he mocks his own success or his status as stereotype from muscular guy.It turns out that the action star, the celebrated incarnation of Thor, the sexiest hero in the Marvel universe, is a born comedian.

 Hemsworth, the new image of Boss Bottle perfume by Hugo Boss, wait for us.He appears tanned,in contrast to on another cloudy day in Metzingen, a town in southern Germany where the central building of the German company is located, created by the Riehle & Partner architectural firm. In this office, everything from work spaces to rest spaces responds to that Germanic precision of which the firm is proud.

 The actor is accompanied by his agent, a mature and attractive woman with the rictus and the uniform (black and expensive) that seems to be made for someone who exercises  lightning rods's proffesion for celebrities.

It's comforting to observe how the actor treats her (to her and all those around him) with those unforced manners that distinguish a good education.Hearty,too, but in balanced measure.

He was born in 1983 in Melbourne and grew up in "an aboriginal community". "I remember going without shoes, surrounded by buffalo and crocodiles," he says. He's brother of the also actors Luke and Liam Hemsworth.Hemsworth started his career at 18 years age in the popular Australian series Home and Away, a long tv series and local star's factory begins in late 80s,which have circulated, among others, Naomi Watts, Heath Ledger, Simon Baker, Guy Pearce, Fisher Island or Dannii Minogue.The natural step for every actor who triumphs in this land ( at the antipodes)is to travel to Los Angeles, and that's how Hemsworth jumped with barely 25 years age to the harsh fighting ring of Hollywood.

 It was not easy. Too big, too tall and too muscular for most roles, maybe that experience gave him a bath of humility that has only been positive in the long run.It's like that, if you put his name on Google, along with Elsa Pataky, family and muscles, another of the most repeated words is precisely that, humility.In that, the always present search engine is right

 From a closer point of view, he calls the attention his absolute lack of pretensions, the good nature, the affable smile and, yes, Chris Hemsworth is one of those actors who do not fulfill the rule and his appearance in person is better than on screen.

 Finally, in 2010 and thanks to the Thor's first movie, his luck changed.He becames in one of the highest paid actors in Hollywood. Since then and to the beat of the Marvel saga everything in his life grows without stopping.However, he seems to be a man attached to reality, with an idyllic memory of his childhood. But not so much of his adolescence.

 "As a child I learned a lot from the land, nature and aboriginal culture, their dances and traditions. In my house we were very lucky for that experience, my best memories revolve around those years "

 He has a closed accent and a neck excessively burned by the sun. Signs that reveal his new life: "Yes, now we live in Australia".

 The chosen place is the paradisiacal Byron Bay, a town with just 5,000 inhabitants, belonging to the state of New South Wales, on the east coast of the country, and that in tourist guides is presented as "the happiest place on the planet ... hippie, quiet and simple"

 "When we have children, Elsa and I decided that this would be our home" explain"We did not want to live in a city where we could never disconnect from work. In Los Angeles everything reminds you of the show business.Everything you see and all the people you talk to remind you of what you have or, even worse, what you have lost, and that did not seem good to our children. "

 "In Australia we live near the beach, in contact with nature, until they go to school without shoes, they spend the day running without clothes, they are raised like wild children, and that is something wonderful that they have these moments of their life. They love living like that and I think it's been a great decision. "

  With Pataky he got married in 2010. They have three children: India Rose, Tristan and Sasha. The actor doesn't hide that his values born on his origin family - his father was a teacher and his mother, a social worker - .A family pressed for lack of money.

 "From my parents and my brothers, I learned that the important thing in this life is to be good and generous.Also, to have compassion for others, and that it does not matter where you come from or where you have been raised.

The  Life is nothing other than the decisions you make. My parents taught us to be free in our decisions. We grew up without any money and as a child I was very aware of the stress they were going through at home to pay the bills each month."

 "I remember perfectly asking them when they could finish paying for the house and I remember too that they told me that they would probably never finish doing it.That feeling of frustration marked my adolescence, but I don't know why, really. Actually, that was the reason why I started working as an actor, it was an easy way to earn money.At the beginning, that was my only goal: pay the house, forget the bank. It was very weird because the day we finally liquidated all the debts,I had to look for a real reason to do what I was doing and that scared me a lot. I had to find out if I wanted to act or not.And that's when my great luck came: I really liked it! "

   Hemsworth mentions his wife more than once, even her name emerges to justify that his face is now identified with a perfume like Boss Bottled. "Elsa liked the smell."

  From the antipodes( the reports likes this word O_o), she answers by e-mail what are the  attributes that she  most admired of her partner.

"His honesty and his sense of humor:he always makes us laugh. I have learned a lot with him, I'm impressed by his work's capacity and how he overcome oneself. I have learned to be more patient, less impulsive and more rational, we have grown a lot together "

 Their common path, he says, will be closer to Spain in the future. "I've been in Madrid and Barcelona for work, it really was two or three days nothing more. Before we lived what our profession forced us, but since we decided to break with that and settle in Australia things have changed. I know ,for Elsa it is important that our children speak Spanish and know her culture,too"

"She always speaks to them in her language, although they respond in English. The truth is we would like to spend more time in Spain, travel with them a couple of times a year and spend at least a month together there. Maybe, that's could my Spanish got improves . Do you know that Elsa speaks four or five languages?Is not that something insulting?

Everyone says that Australians and Spaniards are alike, and I think it's true, we are very passionate and social, we like festive life, friends, going out, dinners, barbecues ... Surely that's why we get along so well.."

  To the question abouth who are his idols, his referents, Hemsworth offers a unexpectedly answer, worthy of one of the protagonists of The Great Wednesday, cinematic bible of surfing and the only film that practitioners from the religion of the waves recognize as a masterpiece .

 For Hemsworth, it's clear: "Along to my parents, Kelly Slater, the 11-time world surf champion, is my great idol," he confesses. "For me he was a god because of everything he did and how he did it. His determination, how he loved the sport, how he transmitted that love, inspired me a lot as a kid. To top it off, over the years I have come to know him and it has been very exciting for me, because my idol from my young years turns out to be a great guy that I like very much, "he laughs.

  We proved that  Hemsworth's heroes are flesh and blood, and so, he remembers that it was hard for him to enter into the skin of the mythological Thor,whose third installment, Thor: Ragnarok, opens on October 27. Hemsworth takes up the role of the Norse god in a film that features actors Tom Hiddlestone, Cate Blanchett, Idris Elba, Benedict Cumberbatch, Anthony Hopkins and Mark Ruffalo, among others.The synopsis is more or less the following: the  Marvel's God of the Thunder (Chris) will have to deal with the fatal Hela,(his compatriot Blanchett), who at the beginning of the film destroys the almighty Mjölnir (Thor's hammer) Hela invades Asgard,and the defeated son of Odin (Thor) finishes in the planet Sakaar fighting like a gladiator next to Hulk (Mark Ruffalo). Together, with the help from Valkyrie (Tessa Thompson) and Loki (Tom Hiddleston), they will have to stop Hela. Does it sound a bit convoluted? The thing works better in images, according to the movie's first trailer.

 Interestingly, the  photography's director from Ragnarok is the Spanish Javier Aguirresarobe, who for six months lived with the team in Australia, where the film was filmed. A film, says the collaborator of directors such as Woody Allen, Pedro Almodóvar or Alejandro Amenábar, which is nothing like what he had done until to date and whose visual display sums up with two words: " it's monstrous"..

 "You become in one part in a chain, you work side by side with the visual effects team and create an atmosphere, that ultimately,you don't know very well  how it'll come out of all at the end,." And in the center of that universe, the actors: "Chris already has a lot of experience and knows how to fight very well against nothing" Aguirresarobe only praises him: "He's normal, very natural. A cheerful and happy guy. Always smiling. he's very human. they live in that paradise of Byron Bay and being with them is a pleasure. He's a sensational, quiet guy. He transmits everything with his eyes and his looking"

  According to Aguirresarobe, both Hemsworth and Cate Blanchett does make him think that the Australians "are not purely Hollywood, they are something else". "It's amazing the physical and dramatic exercise of Cate Blanchett in the film. Lift the leg as in an aurresku( local dances form basque, I think). What a woman! "

   Hemsworth's sense of humor also helps him empathize with a character, and he delivery to it with more than just superpowers. Despite this, he admits that the first time he wore Thor's suit he couldn't help and the nervous laugh entered him: "All the time I looked myself ridiculous, I thought that nobody was going to like it. And the first time I wore it on, the suit was too small for me! Really, it was pretty ridiculous. The truth is that for a while I felt very silly. "

  After seven years stuck in thor's skin, the actor has had a lot of time , and that's why he says that Thor: Ragnarok has arrived the change that the character needed.

 "It's very different from previous films and that's something I needed because I was getting very bored with him and myself. I needed something new, I feel that everything was so much familiar.  I needed feel scared again in a set, leave my comfort zone and feeling that something unexpected could happen at any time. It's been so different that I just can be grateful to the director, Taika Waititi, for giving to Thor such a fresh air. He has done a really interesting job and I'm sure that the movie will surprise all us a lot. " Regarding the future, and despite the fact at least one new sequel has been announced, he's prudent: "Contractually I do not have any more obligations, but it'll depend on what they offer me. The truth is that I enjoyed so much with this last film that right now I would not mind repeating at all. But we'll see. "

 With his personality,so grounded to the reality, he admits that his was never escaped towards reading superhero comics. "I liked Superman, things like that, but nothing else"

  Even if today it gave him superpowers he would have it quite clear: "First I would change the most obvious things: I would give with the hammer in the head to some another human beings for change our attitude towards the planet, we have very little time left.But above all, I would intervene in our way of communicating, all the negative consequences of social networks. I would try to make everything go back a little slower, a little more seriously, that things would not be seen only as transitory impacts. The things would ceased to be adored or despised , without let exist a range of grays in between. I would like to erase all the bad things that simplistic way of seeing the world has brought. "

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Buy Tradesman Trailer in New South Wales for a Cost-Effective Business Solution!

Investing in a tradesman trailer in New South Wales offers a highly cost-effective business solution for various industries and trades. These trailers serve as versatile support, providing convenience, efficiency, and mobility for businesses operating in construction, landscaping, maintenance, and other sectors. 

Additionally, well-established suppliers of tool trailers in New South Wales are designed to accommodate a wide range of tools, equipment, and materials, making them suitable for diverse business needs. Whether transporting machinery, carrying supplies, or serving as a mobile workshop, these trailers offer versatility that maximizes operational efficiency.

5 Reasons Why Purchasing a Tradesman or Tool Trailer for Businesses:

Well-established suppliers deliver top-quality tradesman or tool trailers, designed to accommodate a wide range of tools, equipment, and materials, suitable for diverse business needs. Whether transporting machinery, carrying supplies, or serving as a mobile workshop, these trailers offer versatility that maximizes operational efficiency.

Using an appropriate trailer from a trusted supplier, businesses can streamline workflows and complete tasks more efficiently. It can help reduce downtime and concentrate on finishing projects on schedule by having all necessary tools and equipment easily available on-site, which eventually increases productivity and profitability.

Buying a trailer will save money in the long run as compared to leasing or renting tools and cars. Purchasing good-quality trailers can help avoid ongoing rental costs and take advantage of the tax advantages linked to commercial asset ownership, businesses can eventually experience large financial rewards.

Businesses can boost exposure and promote their brand while on the go with customisable branding options. Everywhere it goes, a branded trailer draws attention and boosts brand identification, working as a mobile advertisement that propels sales and business expansion.

Their trailers are designed with advanced features that protect priceless equipment and materials from harm, like reinforced doors, lockable compartments, and durable construction. Businesses may minimise losses and safeguard their assets by lowering the danger of theft and damage, which further adds to cost-effectiveness.

Meanwhile, businesses can find a trusted tailer supplier nearby by visiting online platforms such as business forums and online marketplaces on social media. They also must analyse their products, services, pricing, and communication with customers to understand what their customers need.

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Improve Efficiency and Convenience: Tool Trailers for Sale in New South Wales!

Reputable providers of tool trailers in New South Wales are made to hold a variety of tools, machinery, and supplies, which makes them appropriate for many commercial requirements. These trailers provide versatility that optimises operational efficiency, whether they are being used as a mobile workshop, for hauling supplies, or for moving machinery.

Many well-established trailer producers, manufacture incredibly cost-effective tradesman or builders trailers for sale in New South Wales for a wide range of businesses and trades. These versatile trailers offer secure, mobile storage for tools, equipment, and materials, helping tradespeople stay organized and efficient on the job.

Whether anyone is a plumber, electrician, or builder, having a dedicated trailer can reduce the risk of lost or damaged tools and save time. Additionally, these trailers can be customized to suit specific business needs, further enhancing productivity. For tradespeople looking to boost their efficiency and streamline operations, investing in a high-quality trailer is a smart and affordable move that will pay off quickly.

Five Justifications for Businesses to Invest in a Tradesman or Tool Trailer:

Businesses in the construction, landscaping, maintenance, and other industries can benefit from the convenience, effectiveness, and mobility that these trailers offer.

Reputable vendors provide high-quality tool or tradesman trailers that can hold a variety of tools, equipment, and supplies, meeting a range of business requirements.

These trailers provide versatility that optimises operational efficiency, whether they are being used as a mobile workshop, for hauling supplies, or for moving machinery.

Businesses can improve workflows and accomplish jobs more quickly by using a suitable trailer from a reliable source. With all required tools and equipment readily available on-site, it can assist in minimising downtime and focus on completing projects on time, thus increasing productivity and profitability.

Meanwhile, businesses should find trusted trailer manufacturers and suppliers to buy high-quality trailers, avoid recurring rental expenses, and benefit from the tax benefits associated with commercial asset ownership.

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Invest in Tailored-Finish Box Trailer for Sale in Newcastle New South Wales!

Well-known commercial trailer suppliers provide a variety of cost-effective and durable box trailer for sale in Newcastle New South Wales. Their durable and sturdy building materials are reliable for companies in the maintenance, landscaping, construction, and other sectors with adaptable, effective, and portable support.

Additionally, trustworthy suppliers offer a wide range of contemporary business trailers, such as enclosed trailers in New South Wales, tailored to complement their existing business operations and workflow. These trailers are designed to fit a wide range of tools, materials, and equipment, making them perfect for several commercial needs.

Whether being utilized as a mobile workshop, transporting equipment, or delivering supplies, these trailers' adaptability maximizes operating efficiency and supports various industries effectively.

Key Reasons for Buying Commercial Trailers for Businesses:

Reputable suppliers provide excellent-quality trailers that are frequently utilised for multiple kinds of tools, equipment, and supplies for various business uses. Additionally, these trailers are being utilised as a mobile workshop, moving machinery, or carrying supplies, their versatility maximises operating efficiency.

Using an appropriate trailer from a reputable supplier can help businesses increase efficiency and streamline procedures. It is simpler to concentrate on finishing jobs on time and reduce downtime when the necessary tools and equipment are available, which ultimately increases productivity and profitability.

Leasing or renting any old trailer might be more expensive than buying one straight from a well-known manufacturer, and companies can take advantage of the tax benefits that come with owning commercial property.

Businesses can expand their reach and market their brand while on the go with customisable branding options. A branded trailer serves as a mobile advertisement that boosts sales and company expansion by drawing attention and enhancing brand identification wherever it goes.

Overall, select the right trailer supplier for your business needs through detailed market research. Evaluate whether the trailer is included with modern features like lockable compartments, reinforced doors, and robust construction that prevent harm to priceless parts and supplies.

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Tradesman Trailers in New South Wales: The Perfect Work Partner

The tradesman trailers in New South Wales are a necessary investment for any contractor, plumber, carpenter, electrician, gardener, or other tradesman to keep your tools, equipment, and supplies safe and well-organized while working. If you work as a tradesperson in New South Wales (NSW), you are aware of how important having the proper tools is to your day-to-day operations.

Options for Storage and Arrangement With Excellent Material Quality

The longevity and durability of the enclosed trailer in New South Wales are determined by its material. Because of its strength and longevity, steel trailers are perfect for transporting large cargoes. But they can be hefty, and they could need extra care to keep from rusting. Although aluminium trailers are less expensive, they are lighter, more corrosion-resistant, and require less upkeep.

To meet your unique demands, look for a trailer with built-in toolboxes, shelves, and compartments. Verify that the trailer can support the weight of your equipment, supplies, and tools. The weight capacity of tradesman trailers varies, so it's critical to select one that meets your company's needs. Both the trailer and the car carrying it may sustain harm if it is overloaded.

Ramps and Features for Loading That Are Compatible with Towing

To make loading and unloading easier, think about getting a trailer with built-in ramps or a low-loading design if you need to move huge objects or heavy machines. For smooth and convenient access, several trailers have hydraulic ramps, particularly for moving heavier cars or machinery. Make sure your car and the trailer are suitable. To make sure you can safely pull the trailer, check the connection type and the truck or van's towing capability.

Choose a weatherproof trailer if you're moving equipment or products that might be harmed by inclement weather. To keep your equipment and supplies secure in any situation, many tradesman trailers have weather-resistant covers or enclosed compartments.

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Why Tradesman Trailers in New South Wales are Revolutionizing Work Processes?

Many recognised businesses presently prefer using tradesman trailers in New South Wales that help transform the way professionals work with flexibility, affordable, and effortless mobility.

Additionally, Recognised suppliers provide customizable storage solutions in tradesman trailers to keep tools and other essential goods organized and readily accessible, thus, reducing downtime spent searching for equipment.

Similarly, using an enclosed trailer in New South Wales is essential for various trades, secure storage and effortless transportation for tools, equipment, and materials. These trailers are designed to protect goods from theft, weather, and damage during transit effectively.

Various tradespeople like builders, electricians, and plumbers need to bring needful tools and equipment directly to the job site. These trailers are designed as a mobility solution for carrying essential tools, materials, and equipment in one go, saving time on multiple trips and completing tasks efficiently.

Why People Should Buy Specific Trailers for Commercial Needs?

When tradespeople source specific trailers such as an enclosed design trailer from a trusted supplier, they ensure that the design is adequate to organize necessary tools, equipment, and items to keep them easily accessible, reducing time spent searching for them on the job site. Additionally, these suppliers provide advanced design enclosed trailers that can be used as a mobile workspace, easy to perform tasks like repairs or assembly right on location on demand.

Tradesman or enclosed trailers can maintain a professional appearance, and showcase a well-organized, tidy setup for tradespeople who deliver mobile services.

They can ask for customizable interiors from suppliers to make ample space for all necessary tools, easier to transport everything they need to enhance work efficiency, reduce stress, and perform smoothly and effectively for small residential needs to large-scale commercial or industrial needs.

In many cases, businesses ask for personalised trailers from renowned suppliers to increase the visibility of their brand and attract attention and brand recognition wherever it goes like a mobile advertisement that drives sales and business growth.

Overall, if anyone needs a customised tradesman enclosed trailer or any other design they need, should contact a reliable trailer provider near them on the internet and online business communities. They must examine their products, services, pricing, and interaction with clients to figure out what their customers require.

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