#too alike or too different?

[temporary-tats]

Drew a little comic today!

Viz, let Blake be a little shit to Raven in v10 and my life is yours.

Per usual, do not reupload without credit/permission. Thanks folks!

(My ko-fi, should you wish!)

[gingermintpepper]

There are many things people expect from one called 'God of Blood'. Always, the first thought is the blood of war, the blood of violence, the blood of the weak shed for the goals of the strong. Ares doesn't think of the blood of battle at all. When he thinks of blood, he envisions the many tied knots of blood bonds and bonds forged in the blood of battle. Blood sons and blood daughters, blood brothers and battle sisters, blood oaths and blood vengeance - he watches over them all and keeps close each one of these bonds.

One cannot begrudge his displeasure then when he realises he cannot tell Leto's offspring apart just by looking at them.

It was easier when it was just Artemis. Dark hair curled about her shoulders, a fierce mien whenever Father summons her to the mountain, a scattering of bones and blood shed whenever she was disturbed; the eldest child of Leto was a wild thing, sharp toothed with sharper claws always at the ready. There's whispers of her being a twin, of her other half being made to crawl on their belly as penance for their sin of god-slaying but Ares pays it little mind. What twins look alike among their number? Even dog litters are born distinct with all their unique markings inlaid in their fur. Artemis' twin too would be much more than their sister's mirror image.

Pouring over his list now, he wishes anything about Phoebus Apollo was that simple.

Mirror image did not begin to describe it. The twins were the same height, the same build, had the same colour and texture hair, ate the same raw food and drank the same amount of nectar. There was no difference in how they dressed, no difference in the company they kept, no variance in the weapons they used. There are some days Ares still cannot believe Phoebus will grow into a man and not some nymph with the way his ears have that slender point. He watches them now, sitting together beneath a shady palm and stringing their bows in an uncanny unison and curses because he still cannot tell them apart. What use is his skill in knowing blood when they both have the same damn blood running through their veins? What bond is there to sense when they are tied so tightly together, Ares can scarcely tell brother from sister?

He sighs. Unadorned and completely alone, the only way to know who is who is to speak to them. He'll have to find more ways to tell them apart from a distance. Surely they cannot stay this similar all the rest of their immortal lives.

[moonilit]

it’s something how both Kory and Dick really dislike each others fathers and for valid reasons and yet neither of them want to admit ‘yes my father was actually horrible to me’ to themselves

i guess they were too young back then and admitting your father did hurt you for selfish reasons was too much, they still wanted the approval from them or at least to know if the hurt they had to endure had a meaning at least

Like really, its not a conversation they would have within the first few years of being together its probably too raw but with time, when they can’t cope anymore who is better at understanding what it feels like and stand by their side than each other?

[cerealbishh]

"The world's lucky to have you."

[0xeyedaisy]

Some unfortunate fellas

[linipikk]

this is my Lara Croft gf collection

[aruinedthing]

season 1 louis telling his family he dipped from the opera cause he was bored and got hungry & then lestat afterwards calling him on acting like he didn't enjoy the opera when he very much did; season 2 louis telling armand he doesn't want to come to the theatre because he had enough of that back in the states... 35 years and still lying about the theatre to hide how much he loves lestat huh

[iwritenarrativesandstuff]

Obsessed with Fyodor’s as yet unknown backstory today. And not just in the ‘I need to know’ way but… idk there’s something about the way he seems to wholeheartedly believe that what he is doing will result in the removal of sin. Thinking about how he doesn’t have a god complex but is instead a follower of what he believes to be god’s will. Thinking about how he places himself as above others anyways by taking their free will from them. I think about how his ability didn’t attack him and instead seems to be working with him. The gem is in his hand, the hands he kills with, the righteous hand? I think about that gakuen profile that I can’t find anymore but I know I saw where his likes are generally good and selfless things like peace, and about how, if this is true, he’s been an extreme idealist all along. I think about how senseless violence, the people who can’t stop killing each other, seem to disgust him. That he wants to cleanse it. That he repeatedly uses the very thing he wants to cleanse as a weapon regardless. I think about him and Dazai being foils and wonder if his plan to remove the sin of ability users includes his own self-destruction. I wonder where his self-assurance in the necessity of his cruelty and the perfection of God’s intentions comes from. I wonder how old he actually is.

As funny as the idea is to me that he’s just like that… is it kind of weird that I hope whatever his deal is ends up being a gut-punch?

[flashdoesahundredyarddash]

Under blue moon, I saw you 🦇

[witsserviceablesubstitute]

I'm enjoying the shades of DA2 that exist within the DATV characters. Varric and Harding— area surface dwarf struggles despite being a grounding influence on their friends. Isabela and Taash— saucy Rivaini pirates and their complicated relationship with themselves and the Qunari. Neve and Aveline— jaded justice on the streets of a broken city. Lucanis and Anders— an intense possessee is community obsessed and sleep deprived. Davrin and Fenris— an intense warrior elf is uneasy with weird magic and finding his footing. Bellara and Merrill— neurodivergent academic elves and their feelings of acute alienation.

[flour-is-a-spice]

The potential friendship between Connor and North is something that really interests me. Would she ever trust truly him? And if she did, what would their dynamic be?

[bochedogmeat]

This is so stupid and I kind of want to add more to it but. Blehh. So here it is like this for now… anakin gleefully recounts his master’s childhood trauma to ahsoka because he thinks its funny

[seiwas]

thinking about off-season atsumu in his 30's looking a little bit too like ukai keishin 😭 bright yellow hair slicked back by a thin headband, dark roots peeking through—it's the dead of the night and he's wearing flip flops and a pair of athletic shorts for a very short trip to the convenience store

[vero-niche]

i still couldn't say with 100% certainty who the dad is

[duskdog]

@queen-lance made a post that reminded me of the thoughts I've long had about these panels.

This is Ollie, explaining to Mia why he's not going to train her to become Speedy, no matter how much she pouts about it. And he's right to be concerned about enabling kids to jump into this crazy life that he leads. This is an Ollie who saw this life lead his son down a dark path that could have killed him. Who saw his best friend go out of his mind and murder people, who had to kill said best friend, and who then died, himself. He's grown, he's changed, and he's seen first-hand what this life can do to a person -- and he doesn't want that for Mia. From the first moment he met her, he saw her as a child who wasn't being treated like a child -- and when she eventually came under his care, by God, he was going to make sure that she had the childhood she always deserved. To Ollie, getting involved in this superhero game is the opposite of that. It's taking that childhood away again, inflicting new scars atop the old ones that still haven't healed. To Ollie, sending Mia out there into harm's way is barely any different than sending her back to the life she came from. But the reason that it falls flat in Mia's eyes is because... well... look what he's saying, and who he's saying it to. This is a rich boy who grew up privileged, who didn't realize how spoiled and selfish he was until reality slapped him in the face, telling a girl who grew up abused by someone who should have loved and protected her, who hasn't known anything except the worst, dirtiest things that people can do to a child, that "it's a nastier world out there now". Can you imagine how absolutely, frustratingly laughable that must sound to her? "Local dweeb finds out world is actually pretty shitty, film at 11." This "nastier world" isn't new to her. It's the way the world has always been. It's not going to stop being nasty just because she lives with Ollie now. Her childhood isn't actually something she can ever get back -- and she tells him so at least once when she talks about her dad, that she stopped being a child a long time ago. He's telling her that keeping her at home is keeping her safe from the bad guys... but the bad guys in her life were at home the whole time. She doesn't want to become a superhero because she's a thrill-seeker, or because she's naïve about the true nature of the world. In her eyes, the world is going to be cruel either way -- the difference is whether she's being empowered to fight back, or whether she's going to keep struggling to fight back. She's going to fight either way -- because that's what she is, a fighter -- but there's a difference between surviving and thriving. Superheroing, to Mia, is fighting the fight against this dirty world with better tools. Ollie has the ability to train her into someone with the skills to protect herself more effectively, and -- even more importantly -- to protect other people. Because that's something that's important to her, which she'll express to him later on: the ability to be, for someone else, the person who should have been there for her and never was... until the day Ollie handed her a little business card that gave her the little bit of hope that she needed in order to save herself. The very first person, in her entire life, to reach a hand out to her in kindness was a stranger in bright tights, toting around a bow. Is it really any wonder that she wanted so badly to be that tight-wearing stranger for someone else?

To Ollie, superheroing was stepping out of his relatively safe world and choosing one that's full of fighting and pain in order to sacrifice for others. To Mia, it's acquiring a new and improved arsenal to meet a world that was never safe in the first place, that was already full of fighting and pain -- an arsenal that allows her the choice of how she's going to experience that pain, and what she's going to do with it, instead of being a slave to it.

[moonscape]

i don't really like confessions blogs because i feel like they just fuel the fire for fandom discourse but ngl i agree with pretty much everything that's been posted on the is*t one so far so i'm okay with it for now lol 👍