#toho quotes

[avafaye-vnyl]

They’ve been together for so long, even now in 2024, they fought and annoy each other A LOT, but yunho have nvr spoken ill of changmin.

[x]

[lovehaleylo]

(Fake) Godzilla slice of life anime screenshots

[adm-starblitzsteel-4305]

Rodan: What do you want for breakfast?

Mothra: I WISH TO DEVOUR THE UNBORN.

Godzilla:

Godzilla: She want eggs.

[graspingremlinhands]

GODZILLA: Wretched worm, I will make you regret your insolence and the day you soiled the air of my territory with your disgusting carcass!!!!

KING GHIDORAH: What airs you give yourself, of pride for a weak little king, too stupid to recognize the futility of his resistance. Soon thy head shall decorate my throne, and thy precious land shall perish by the fire of my wrath!!!

MEGALON: Enemies to lovers, 300k, slowburn, forced proximity, the first "I love you" said in the last chapter.

GIGAN: GIRL, WHAT THE FUCK!?!?

[spinejackel]

weird art house bitch that smells bad (he/she/they)

[chernobog13]

I like dis one. One monster looks one way, an' da otha monster looks da otha way. And this guy's sayin' "Whaddaya want from me?"

[namesisfortombstones]

"When you think of King Kong plain fighting Godzilla, it is stupid." -- Ishiro Honda on the story of King Kong vs. Godzilla

"I did not create Godzilla for this." --Ishiro Honda, grumbling about the second Godzilla that he did not create dancing the Shie

"Starting to get reeeeeeally tired of Honda's shit." --Me

[furyofthemidwest]

Adorable little love monster

[pancake-breakfast]

Sorry it took me so long to get these notes up. Between internet issues and pure busy-ness, it's been rough. But here they are! The notes from AX Day 1's Trigun Stampede panel! Now with images! (Sorry for Chilchuck's head in most of them. He's awfully tall for a half-foot.)

Trigun Stampede presented by Toho Animation, Studio Orange, and Crunchyroll

The guests for this panel were Yoshihiro Watanabe (producer at Orange) and Katsuhiro Takei (producer at Toho animation), with Steve Liu from Crunchyroll hosting. (They had a translator as well, but Watanabe promptly stole her job.)

One other thing I'm going to note before we get started is that this was Takei's first time talking about all this in front of an audience since Episode 12 aired. He kept looking out at the practically full auditorium (the panel was held in one of the ballrooms, so easily one of the biggest rooms at the venue) and seeing all the fans and cosplayers and just grinning from ear to ear. He was clearly very exited.

Introduction

They started off by playing a quick video recapping Season 1. (It really made me want to watch the show on a big screen. It looks great even on a projector!) After the video, Liu started in on the interview questions. Please don't take anything below as a direct quote unless it's in quotation marks; I'm not that fast with my notes, so I'm mostly paraphrasing and relying on my memory, either of which could include my own misinterpretation or just be flat-out wrong.

The first question was, how do you feel about the future of the series?

Watanabe said their passion (for creating more of the series) was burning within them.

Takei noted that when the show was initially announced at AX some years back, they were very nervous about it since they were remaking a well-known and well-loved title, but today, looking out at all the fans, he felt a lot more confident.

Behind the Scenes of Trigun Stampede

They then showed some concept art from the famed Trigun Bible. This included what Watanabe called "Vash's projection of Rem." Seems like they came up with this design before coming up with Vash's dark design.

They also shared some concept art of what most people assume to be spiky-haired Vash...

...but which Watanabe quickly noted is actually Vash in Episode 1. You know, when he's hanging upside-down. Takei added that Muto, the director, was a bit mischievous and had a tendency to lie to the staff about when certain designs would appear in the series. He apparently hid a handful of Easter eggs and foreshadowing (like Vash having spikier hair) throughout the series.

They also had some concept art of Knives and of Vash's wing.

They then showed some concept art for some friends all y'all might recognize if you read the manga....

...but in case you didn't, I'll identify the characters below:

Top Row: Vash the Stampede, Millions Knives, Meryl Stryfe, Roberto Deniro (the blank one), Legato Bluesummers

Bottom Row: Monev the Gale, Dominique the Cyclops, Leonof the Puppet-Master, E.G. the Mine, Nicholas the Punisher, Midvalley the Hornfreak, Hoppered the Gauntlet, Rai-Dei the Blade (his name doesn't actually look like Rai-Dei here, though, so they may be calling him something different or they may just be subbing in kanji; it's too small for me to tell), Grey the Ninelives, Livio the Double Fang, Zazie the Beast, Elendira the Crimsonnail

If you're sitting there thinking, "Aww, they came up with all these designs but we saw so few of them!" then I have news for you! Watanabe said we should be keeping an eye out for more of these folks in the next part.

Favorite Scenes

Next, Liu asked both of the guests about their favorite scenes, and before they got into talking about them, we were shown a video not just of the final scene, but the storyboard, the rough cut version, and the version used for dubbing, all on one screen.

Takei answered first, and he chose the scene from episode 1 where Vash goes up against Chuck Lee, a.k.a. the military policeman from July.

(The audience kept laughing at Vash's wonderfully goofy face in the storyboard.)

When asked why he loved that scene, Takei noted that everything they wanted to accomplish in Trigun Stampede was encapsulated in it. In the manga and '98, Vash is more funny and tough (although "a good-looking guy"), and here in Stampede, he's rather more wimpy (although "still a good-looking guy"). This scene is a good blend of both sides of Vash.

It also showcases a "good action scene," which he clarified by noting there aren't many anime where so much drama and emotion is centered around one bullet. Takei also noted (though it's hard to convey to you all via still images) that Muto trusted his animators to improve on the storyboards. He's not as strict as some other directors and didn't want them to feel confined to stick to it too closely, but rather wanted them to enhance what was storyboarded out as they felt was appropriate.

Which leads to Watanabe's choice for favorite scene: the one where Vash is running through his shattered memories toward Rem and finally breaks free of Knives' prison and yeets Knives himself out. (Alas, Watanabe did not, in fact, use the word "yeet.")

Watanabe said he chose this scene because he loved the details that the team added to it after the storyboarding. The storyboard just had Vash running, but they added all these subtle movements and emotion that created a much stronger impact. When the completed scene was presented in Studio Orange, all who saw it were in awe.

Upcoming Trigun Stampede Merch

First up, as many of you already know, we have the Special Edition DVD/Blu-Ray set, which is currently available via preorder on Crunchyroll.

Second up is a new Vash figure! So new they haven't finished coloring it yet, BUT they did note this will be Black Vash (a.k.a. Grape Juice Vash) from Ep. 12. Takei is particularly excited about this because he always wanted to get the Black Vash figure from back in the day, but wasn't able to, and now he's gonna be able to get his own Stampede version. This figure is actually designed by the same person who designed the Vash figures for the manga back in the day. Interestingly, after they picked him but before they met to collaborate on designs, he came up with the current design for the figure. This worked out exceedingly well, since the design Orange wanted for the figure was basically the same thing.

Also, this Vash figure will soon have a Wolfwood companion figure. Because you can't have just one of them. The Wolfwood figure is still being designed, so alas, no images of it yet.

There's also been a restock of the orders for the clothes collaboration they had with SuperGroupies before, so a bunch of that stuff will be available again soon. They're also adding a new item to the lineup, and that's a black version of the Vash jacket. (I checked their website and it looks like they might also be adding a Livio EoM jacket. Hot.)

Preview Stuff for the Next Season

Ok, first and foremost, I'm gonna note there was NO TRAILER SHOWN, so let's crush those hopes now lest they linger and lead to disappointment. What they DID show was this:

First, a preview image of the characters for the upcoming season....

TBH, the only difference I really noticed is Knives' hair seems fluffier, but new art is always nice! Also, this one looks like a win for foot, ankle, and/or hand fetishists.

Second, we got a lovely video thanks from Nightow himself!

(He said he wanted to be there, but unfortunately there wasn't a strong enough headwind for him to run to the con. And for the curious, he's wearing a Guillermo del Toro shirt.)

Nightow being a fan of Stampede and overjoyed that so many people love his story isn't new. (Wonderful, but not new.) What IS new is he drew this nice little piece of art for us all.

He said this was his first time drawing Stampede Wolfwood. He had to get them to send him 3D images of the Punisher to be able to get it right, but he enjoyed making it! He said "it felt old and new at the same time." He can't believe next year will be the series' 30th anniversary. (Congrats, OG fans. Now we can all feel old together.)

The third thing they released was this.

Given the amount of trouble I've had posting this, I'm sure plenty of you already know that the next season/final chapter is going to be called Trigun Stargaze. Liu asked Takei about this title, and Takei said something like, "I don't know what this is about. Trigun Stargaze? What's that? This is news to me." He then (after noting he had just been joking) launched into what little he could tell us about the upcoming season.

He said he can't talk about the reason for the specific title, but that manga readers can probably make some good guesses.

Trigun Stargaze will take place 2 1/2 years after Stampede. They want to keep in mind the original concept behind Stampede, that being that because the previous Trigun stories have been so amazing, what they create needs to be amazing, too. He said they're proud of what they've made so far. It went beyond your imagination. He hopes Stargaze will go beyond your imagination, too.

Cosplayer Highlight

They decided to call all the cosplayers up to the space in front of the stage next. There were SO MANY COSPLAYERS!! Foolishly, I didn't take a panorama.

Costumes included '98 and Stampede versions of Vash, Wolfwood, and Meryl, as well as a handful of Millys (Millies?), not one but TWO groups doing Barbie & Ken-styled Vash and Wolfwood (the Barbie Vashes shouted, "Hi, Barbie!" at each other when everyone went to sit back down), an old-school Legato, a Zazie, and a group fully cross-playing the characters (with Meryl and Milly being male while Vash and Wolfwood were female; they did NOT change the costumes for any of the characters).

Liu handed out prizes to a few of them (they didn't have nearly enough prizes for all of them), and then they had all the cosplayers bunch up and face the stage and the guests turn around and took a picture of everyone. (If anyone has a link to the picture anywhere, let me know and I'll add it here. No, you can't see me in it; I'm much too far over to the side.)

Guests' Closing Thoughts

They were actually running early on the panel, so Liu opened it up to any additional comments either of the guests would like to make.

Takei still seemed overwhelmed by all the cosplayers (like I said, he spent the whole panel grinning from ear to ear at the audience), and he noted he had been worried about the Stampede characters being accepted by the fans. This was his first time seeing all the cosplayers, and he said that made him "feel safe."

Watanabe said he loved looking at the "multiverse" of Trigun. It had these previous iterations, and now it has Stampede, and the fans have both adopted it and adapted it, blending the different versions together and even adding their own things, and he really appreciates that. Takei added that while they created Trigun Stampede, if in 50 or 100 years, a new Trigun series is made, that would be great.

The animation for Stargaze is in process. Watanabe said he just recently saw some of it (a clip of only a few seconds that he, of course, couldn't show us) and it blew him away.

Both Watanabe and Takei are fans of the manga and the original series, and Takei said he's really wanted this series to happen, so he hopes we all look forward to it, too.

[slimecicle-updates]

Charlie replied to Ranboo on twitter!

[Image ID:

A cropped screenshot of a tweet by DiscussingFilm @/DiscussingFilm that was quote retweeted by Ranbalt @/ranaltboo with a reply by Slimecicle @/Slimecicle.

DiscussingFilm’s tweet reads “First look at Godzilla in Toho’s ‘GODZILLA: MINUS ONE’. In theaters on December 1.” Attached is a still from the film, showing its version of Godzilla’s face. It has its jaws opened to an extreme degree.

Ranboo’s quote retweet reads “Me when im absolutely YARFIN down that burger”.

Charlie’s reply reads “dropping a fat like on this tweet, ranboo. Absolutely legendary yarfing tweet. Inspiring to yarfers and gobblers WORLDWIDE.”

End ID]

[perlenidea]

My cute handmade brooch “Goldfish” made of Italian Paillettes, Japanese beads and leather.

Available for orders

[adm-starblitzsteel-4305]

MinusGoji: I mean, sure, I have my bad days, but then I remember what a cute smile I have.

BONUS:

BOOP!!!

[graspingremlinhands]

Godzilla and Ghidorah as parent be like:

San(Ghidorah): GUYS GUYS THE BABY IS NOT BREATHING!!! Godzilla: San, that's a rock, the baby is over here on my side. San: Ok ok, goodnight everybody. (5 minutes later) San: GUYS SOMETHING IS WRONG WITH THE BABY! Ni: DIPSHIT THE BABY IS SLEEPING OVER THERE, SHUT THE FUCK UP!!!!!

[hrodvitnon]

Ok, forgive me if the following is a bit aggro but I feel like a lot of people seem to forget some very important facts about Godzilla (the IP, not the character)

I genuinely can't take people who place blame on directors for 'bad Godzilla characterization' seriously. Especially Dougherty and Wingard. Before I get into my rant, I just feel the need to remind everyone of this quote Wingard gave in regards to writing Godzilla for GvK:

Toho actually has an entire laundry list of rules Godzilla needs to follow that came out around GvK's release. The actual list is super long and with a lot of frankly weird points, but this is one of their main ones. Theatrical Godzilla doesn't emote. That is what they tell directors and that's a rule they need to follow. But, on the same token, there are ways around it and some directors are afforded some negotiating power on this front. The quote, for example, is in reference to Goji's famous smile from GvK.

One of the largest ways around it in fact is having characterization come from external sources that aren't the films. In fact, almost every single piece of info that builds Godzilla's character in the MV comes either from moments in the films that are intentionally vague, things like the comics or novelizations, or Word of God tweets from Edwards and Dougherty (sidenote: the reason you never hear about stuff like the Dougherty tweets coming from Wingard is that he literally doesn't have Twitter. A lesson I think we can all learn from). This is not unintentional, these are literally the only times they're allowed to get away with breaking a few of these rules.

Wingard, Doughtery, Edwards- all are huge Godzilla fanatics and it gets on my nerves a tad when people tear into them for rules out of their control. I probably don't need to tell everyone that Dougherty used to retweet ship art for Mothzilla and engaged with fans at length back when he was still on Twitter (Oh yeah, he also has since left Twitter. Man, maybe these directors had the right idea or something?); and Wingard has come out saying he wants to do a Godzilla-focused movie next if Legendary lets him come back, probably because he himself recognizes he's been playing favorites a little bit. I'm sure the directors would love to give Godzilla more depth and personality, it's just that Goji's always been Toho's favorite boy that they're very picky about. Like- I hate to be that guy- but we easily could've gotten the Transformers treatment and gotten saddled with a director like Michael Bay for one of these films and the Monsterverse would be dead on arrival. These people clearly care but are obliged to follow some ground rules they may or may not agree with. Godzilla's characterization is left mostly ambiguous for this reason. Audiences are supposed to fill in the blanks. Hell, people in this blog/hellsite have already done that! We've done that with our own interpretations and that's what the directors are going for in lieu of being allowed to do that themselves. May just be a me thing, but I'd much rather have audience interpreted characterization and very high quality content then shitty/no content and Godzilla becoming a dead franchise again.

And- in regards to the Twitter stuff-

-I don't care. Nobody should care. Just- just don't even give them the light of day and let their asinine takes die in the darkness. It's better this way.

I understand all this. I understand. I've heard that Toho has their rules for what not to do with their favorite monster, and I still think "Godzilla can't emote" is a dumb rule, but what the fuck can I do about it beyond the usual fan content. I know this. I get it.

I'm just getting tired of discussing it and want to stop before the discussion starts going in circles or something.

I'm going to go outside for a while.

[clubpenguinkiller]

you think im a relatively normal girl up until i start quoting world of golden toho to an audience of one (myself) over and over again until i get annoyed you don’t understand and pull up the video and show it to you smiling and gleefully giggling and talking in unison with it and i keep looking at you expectantly but you’re completely lost and are mildly uncomfortable and are dead silent throughout the entire video and then it ends and im laughing so hsrd im crying and you get really really really scared of me

[astoundingbeyondbelief]

Kaiju Week in Review (December 11-17, 2022)

After the success of last year's Pacific Rim Ultimate Omnibus, Legendary Comics has launched a Kickstarter for a MonsterVerse Omnibus collecting Godzilla: Awakening, Skull Island: The Birth of Kong, Godzilla: Aftershock, Godzilla Dominion, and Kingdom Kong. It blasted past its funding goal on the first day. The Omnibus will eventually make it to retail, but naturally the Kickstarter rewards include some exclusives, like a slipcase and a different cover, as well as higher-tier bonuses like enamel pins and the ability to get drawn into the comics.

The biggest draw if you've already bought the five comics above is the debut of "Call to Action", written by Brian Buccellato and illustrated by Zid. Logline: "[S]et during the events of Godzilla vs. Kong, a Naval fighter pilot with a personal attachment to Godzilla is put to the test when his squadron is called upon to intercept the King of the Monsters." Well, I'm a sucker for mining drama out of incredibly minor characters, and Zid's the best artist these MonsterVerse comics have seen. If access to that story's all you care about, consider the $15 tier, which nets you a PDF of the Omnibus. K-D-M, who's proven to be a reliable source, is also saying that a number of the minor Titans (Na Kika, Amhuluk, Tiamat, and perhaps others) will receive Monarch bios as well. Those have been delightful sources of lore in the past.

Speaking of comics, @mekagojira3k published the first issue of his self-adaptation of All Your Ruins on WebToon. Read it immediately, it's gnarly as shit! There's a kaiju with crosses on its back taunting a mysterious masked figure and what I'm choosing to interpret as a nod to the Age of Giant Condor!

I couldn't wait for the Week in Review to post about this, but it merits repeating: The Asylum is celebrating its 25th anniversary with a Destroy All Monsters-style epic called 2025 Armageddon. (Insert scare quotes around "epic" if you wish.) Most exciting to me is the return of Mega Shark, whose series inexplicably ended in 2015 just as it and the Kaiju Renaissance were finding their stride. It's also playing in five fairly random theaters across the country until the 22nd (sorry, should've gotten this post out faster). The rest of us will have to hold off until the VOD release on the 23rd.

After it placed second in the last two Movie Monster Series fan polls, Bandai has thrown up its hands and given Super Mechagodzilla a vinyl, just in time for the 30th anniversary of Godzilla vs. Mechagodzilla II next year. January 31st is the release date for that one. They also announced a third poll, this time allowing fan submissions to determine the 10 nominees instead of making the shortlist in a smoke-filled room themselves. Yes, that means Zilla, Bagan, and the Giant Condor are theoretically on the table (but no Godzilla incarnations allowed). All's you need is a Godzilla Store account to nominate a kaiju and eventually vote.

Finally, for you Dagahra fans out there, his first figure in ages is coming soon from the Kaiju Out of the Laws line. Shame those are so expensive.

Here's the teaser for the Kaiju No. 8 anime—and yes, it's going to be part of the Toho kaiju canon. I got caught up with the manga earlier this year and found it pretty enjoyable. An older protagonist is unusual for this type of story, and I like how he's constantly drawing on his experience cleaning up kajiu corpses after taking on the more glamorous work of fighting them. You also gotta admire the boldness of calling a metamorphosing character Kafka.

SciFi Japan has a first look at a film due next year called Kaiju: Island of Fire. The production company is based in Japan, but there's a lot of Hollywood talent in this one, including writer/director Andrew L. Phillips, who has a background in stunt acting. Inspired by 3Y Films, they've also brought back some veteran kaiju actors: Kent Gilbert (the swishy ship commander in Godzilla vs. King Ghidorah), Chuck Wilson (the Futurian Wilson in same), Inge Murata (every Japanese kaiju movie that's needed a German since Monster X Strikes Back), and Tomoko Ai (Katsura Mafune in Terror of Mechagodzilla). No story details yet, although you can probably guess the setting. I like the suit design of what is presumably the anti-kaiju team too, at least from the back.