#to see if it was a better method

[raccoonaday]

35: Fishing Raccoon

[hitwiththefandomz]

Master Leonardo has some tricks to show Casey for his first Christmas

[divineandmajesticinone]

CENTURY OF LOVE (2024) I 1.04 "Vee is the fox that conceils himself in Ms. Wad's fate. Like the nine-tailed fox that possessed the consort Daji."

[5-pp-man]

no you don't get it. i literally love stories where they dive into people's hearts/minds (literally or figuratively) sm it's my favourite type of storytelling.

[jesuis-assez]

↠ Tim & Lucy ↳ 2x01 - Impact

[shmorp-mcdurgen]

gee wiz, it sure is cool that Gordon survived the resonance cascade, I sure hope he's doing well

Finally decided to give Gordon a ref for my au Aftermath (which i've talked about here. Once.)

Also bonus:

[piecesofchess]

Tartarus is still a little broken and that's Fun !

[pyrosomatic-metamorphosis]

tbh i think that even unwinnable fights should be winnable. some of the BEST fights i've ever run as a dm were ones i built kill the players (in a fun way. I had some cutscenes prepped so even the loss would be a different flavour of win)- but then they were clever bastards and managed to either win the fights or pull themselves out of trouble. I think it's perfectly fine to plan for a fight that players aren't supposed to win, but you need to let them. if they can't win, they can't lose, and the meaning of that encounter is diminished. do that too many times, and they stop trusting you to give them roleplay prompts and start expecting to sit there waiting while you drive the story for them.

but if they can win... if there is always the chance to win, no matter how impossible the odds, then they ALWAYS have hope. they always get invested. they feel the big emotions of success or the big emotions of failure, and you fucking Win as a dm/roleplay prompter/lead bastard.

[callofthecorvus]

Connected Timelines Ramble: Backing off my previous 'Geno has an ex' headcanon, what if Dust happened to be that ex? I can see them bonding over shared trauma: surviving a genocided timeline and losing their brothers.

So when Dust eventually came clean about his past, that he genocided his own timeline [and others under Nightmare], even if he felt guilty and wanted to change, the heartbreak and betrayal Geno would have felt was devastating.

Even if it was originally done to stop Chara, the fact that he continued to genocide other timelines was despicable in Geno's eyes. Dust became the very same person he hated, and all Geno could see when looking at Dust was her. He broke it off instantly and Dust respected his decision and never contacted him again.

Given that Nightmare and Dream have now been at peace for decades, they're often invited to the same get togethers. They've never told anyone else about their previous relationship, so they act all awkward around each other and nobody knows why.

[dctrfate]

one of the fundamental issues i see with post-resurrection barry allen is that both writers and fans need to elevate him to a more “powerful” position than wally to prove he’s better or equal to his flash. but like. that's not how barry functions as a character. barry is a creative problem solver who doesn't need speed because he uses his powers as a secondary tool in preference to his mind. meanwhile, wally is far more intuitive and his powers work as an extension of his own consciousness so he'll resort to speed first and a viable plan of action second. to remove this characteristic from barry and make him so reliant on speed inadvertantly proves that he can't stand on his own BECAUSE of this constant comparison. tldr; barry shouldn't be the fastest most specialist speedster to ever have been created because he has his own strengths apart from speed mcgee wally and so engages with the audience differently to begin with.

[antirepurp]

how do we feel about silver with a fixation, an obsession even, to become something more powerful. a god even. a child striving to surpass his own physical limitations to harness a power that lets him become to sole arbiter of what he deems to be justice, even if it were to destroy his own body in the process. a selfish desire to finally be the one who gets to decide who gets to suffer in this world, masked under genuine care and a wish to do the right thing by any means necessary

[television-overload]

The Jeanne Benoit arc is so brutally painful to watch, like it tears me apart I get so conflicted emotionally

On one hand, I love seeing Tony growing up, opening his heart (foolishly and accidentally), getting an idea of what he's like in a romantic relationship (I keep saying "I CAN'T WAIT TO SEE THIS BUT WITH ZIVA" every few minutes—he's SO sweet)

But on the other hand, it's like watching a train wreck. Can't look away, but you know disaster is imminent. Pain all around. Ziva is worried out of her mind. Flirting had been dialed up to 10. Tony is hiding secrets from everybody and his heart is stretched thin. Everyone is gonna get hurt, so every sweet moment is like a knife in the gut. You know Jeanne doesn't deserve this. And ultimately the woman Tony needs is right there worrying for his health and well being, but they're just babies and have no clue what's in store for them.

It makes me SICK

Excellent TV, 10/10, they don't make em like this anymore. Where's the Tylenol

[awesometothe3rd]

[kirisclangen]

Zelda

She/her, 65 moons, cis molly

[kittykatninja321]

Brothers in Blood but instead of framing Dick for murder Jason's doing full on Hannibal Lecter shit like meticulously set up traps and situations and fucked up trolley problems and psychological manipulation trying to coerce Dick into organically murdering someone himself. Why? They were doing anything with Jason's character in this era, why not. Lets get psychological with it