#to me my movie classics

[artemistartarus]

I'm not putting in any Miyazaki movies because we all know they'd win.

[ilovemesomevincentprice]

Bringing this back.

VINCENT PRICE introduces The Vincent Price collection of Fine Art for Sears and Roebuck (1962)

[cak31ssuperi04]

Barbie protagonists but make it My Scene

[panthermouthh]

“When I run over the frightful catalogue of my sins, I cannot believe that I am the same creature whose thoughts were once filled with sublime and transcendent visions of the beauty and the majesty of goodness. But it is even so; the fallen angel becomes a malignant devil. Yet even that enemy of God and man had friends and associates in his desolation; I am alone.”

[choccy-milky]

modern AU seb and clora's first interaction 📘📗 (and by modern AU i actually mean super trope-filled high school romance set in the 80's/90's LOL)

[lovezhype]

lolita (1997) film stills ୨୧

[audreys-hepburn]

20 YEARS OF MEAN GIRLS Released on April 30th, 2004

[velvet4510]

Note: this list references the 1961 version of West Side Story and the 1954 version of A Star Is Born.

[formulanni]

Rush was such a good movie I wish it was real :-/

Tag list: @st-leclerc @rubywingsracing @saviour-of-lord @three-days-time @the-wall-is-my-goal @albonoooo @ch3rubd0lls

[sweeetestcurse]

Derek Meres as Classic Predator in Predators (2010)

[rtbyg]

the silliest gingers ever!

[lemonavocado]

"oh i love frankenstein! my favorite quote from the novel is i have love in me the likes of which you can scarcely imagine-" grabs you by the throat and chokes you violently

[tossawary]

I don't have a solid plot attached to this idea, I don't currently really have the desire to drop everything to go write "The Hobbit" fanfiction, but for a while I've had the idea of *gestures vaguely" some post-canon story (probably some form of fix-it) taking place before, during, and after a grand dwarven opera performance in Erebor.

Because I am absolutely certain that the Lonely Mountain had an absolutely stunningly beautiful Royal Opera House (and plenty of other, less grand performance halls) that, at the city's height, was putting at least one show every single day. Orchestral symphonies, operas and operettas, dramatic plays, dance performances... you name it, they had it and more. The various cultures of Middle Earth evidently ADORE music, dwarves absolutely included. The Company all bring instruments to Bag End to play and sing themselves off before their quest!

Also, beyond the music side of things, with how dwarves are named as master crafters? Smiths and toymakers and magicians? No way that they did not have some of the most gorgeous costumes, sets, and effects on the planet. Dwarves would go WILD with their articulated stage puppets, I know it.

One of my biggest issues with the film trilogy is that it failed to deeply explore the Company as people who had lost their home, beauty and culture included. Smaug not only killed countless people, entire families, and leave many of the survivors poor and desperate, the dragon went on to hoard their heirlooms and life's work and leave these priceless gold treasures UNUSED. It is an additional heartbreak to imagine Smaug tearing through Erebor neighborhood by neighborhood, house by house, so that he could tear out every gemstone in, say, mosaic made by someone's grandmother that sat above the breakfast table every morning. To think that Smaug in the aftermath tore magical lanterns off the walls, the sort that might have been decorated with animals or flowers, to make some daycare walkway just a little more cheery for the children, and in his greed left a dead city in the dark.

The live-action movies put both Smaug and the Balrog in these... absolutely enormous chambers that serve somewhat unclear purposes. The king's treasure vault and a former marketplace, I think? (Moria has been raised by goblins, I can forgive the emptiness.) It's a quick visual depiction of Thror's uncontrollable gold lust to give him a Scrooge McDuck room, sure, instead of anything with an actual organizational system (normally, I assume dwarves are big on sorting their vaults if they have one). Super big columns and hallways and staircases do somewhat effectively communicate the "lost glory" of Moria (I am very fond of these movies!!!), even if I also think it's not as interesting as it could have been. And the other obvious purpose of big, open warehouse-like spaces is 1) it's easier to animate the big creatures moving around in them generally and 2) it allows the films to show off the full-bodied visual spectacle of their big creatures.

But I think it would have also kicked ass to put Smaug in Erebor's former Royal Opera House or something, some enormous theatre decorated across generations. That could be big! The ART (statues, fountains, banners, windows, general architecture) that you could put on the exterior, which has had its face ripped open for the dragon to get inside? The ART that you could put INSIDE (mosaics, murals, and more) as Bilbo sneaks inside? Ohhh, you could include so many potential lore references with thematic relevance!

Also, Bilbo could get jump-scared by old articulated stage puppets or something. IT'S THE DRAGON-! Oh, no, it's some old opera prop. (Yes, we're talking more about an actual adaptation of "The Hobbit" rather than fanfiction concepts now.)

Sure, there's raw material treasure and coins hoarded here in this place, but there would also be musical instruments and toys and household tools and cookware and fancy dishes, wedding jewelry and anniversary gifts and family shrines and festival costumes, fountain statues and street lamps and mailboxes and business signs, and other evidence that people really LIVED here. These are all ordinary objects that Bilbo recognizes from the Shire.

We could tie these objects directly back to objects we saw featured in Bilbo's home early in this adaptation, which he was trying to "protect" from the dwarves during their "That's what Bilbo Baggins hates" song. There are half-burned portraits of people's late parents here too. Did he think that there weren't any dwarves who made doilies or handkerchiefs embroidered with flowers? Of course they made things like that too.

It's perfectly symbolic to, say, place Smaug's bed in an area like the king's throne room. The dragon is now the King Under The Mountain. But I think it would be deliciously haunting to have the throne room of Erebor be empty, the throne half-broken, the silver stripped from the walls and moved elsewhere, because Smaug doesn't care about Thror's old audience chamber. What's a dwarf king to a dragon? He burns the same as all the others. The dragon has instead made his bed in a beautiful public place of art and culture that was for the people, by the people, surrounded by the lovingly crafted belongings of the ordinary people he killed. Gold is gold to a dragon whether it's in a coin or a candlestick.

I think if you really want to sell one of the key messages of "The Hobbit", which in my opinion is: "If more of us valued food and cheer and song above hoarded gold, it would be a merrier world." then you ought to throw yourself behind EREBOR being a place where food and cheer and song had value, not just the Shire. Thorin isn't lost at the end because he's a dwarf and dwarves don't value such things, but because he as a specific person who makes the mistake of weighing pride and gold over people, and he comes to regret that on his deathbed.

So, back to the fanfiction idea, I think that Erebor had music again in it as soon as dwarves started living in it again. It will take decades and decades before the Royal Opera House is half as splendid as it was before, and there is a performance there with beautiful costumes and puppets and sets comparable to those that came before, some traditional historical show that is part of specific seasonal holiday for dwarves. But that very first winter, when the future still looked grim, I think the dwarves cleared out a small stage and cast the roles of this traditional musical retelling of their history among them, based on who knew the parts best, because they aren't just miners and smiths and soldiers, and there was music again in Erebor that winter despite all the damage that the dragon did.

[ayushipop]

the violence in bottoms (2023) is so satisfying in a way i don't really know how to put into words. somewhere between the violence against women that movies sometimes shy away from too much but also Lean Into a little too much (spectrum of either not depicting realistic violence/harassment due to discomfort with it or the "you can't hit her she's a girl!" concept vs gratuitous sensationalized violence). like it's that "boys will be boys" kind of roughhousing that girls are excluded from if the narrative frames them as too delicate / feminine / untouchable. and i see them beating the shit out of each other and it feels Good. they're not untouchable dolls nor are they objects to project malice and gratuitous violence onto! it's not even fully about the empowerment or seeing girls be able to fight back (which does feel amazing in its own right and the movie does a great job of delivering it) like even seeing like, idk black widow beat up a bunch of guys in a marvel movie doesn't feel the same as how bottoms does it. it feels unpolished and grounded and realistic and satisfying. #girlswillbegirls

[ghostdays]

This pic of david cronenberg is so cunty

[canislupusangelus]

THEY DID THE THING!!!!!!!!!! The gingersnaps(and jennifers body) hallway thing!!!!!!!!!!!!!!!!!!