#to me fantasy is its own beautiful perfect can do no wrong genre and sci-fi is just future tech space junk

[kythed]

💕Hello! If it's all right was could I ask for a matchup? I'm a straight gal, 5'2" tall gal with pale skin and a thin form. I also have long brown hair, blue eyes and glasses.

As for personality, I'm kind, reliable and hardworking, though a little awkward in large social groups. I enjoy joking around and prefer looking at the bright side of things. My mbti is infj (and ennegram 9w1). I prefer my friends to be considerate and open-minded, someone who doesn't judge anyone by their first impression. I make a lot of bad jokes, so they need to have a sense of humour as well, or at least tolerance for mine😅

My biggest hobby is writing, which I think about almost around the clock. Fantasy and horror are my favourite genres to write, and for character inspiration I often do people-watching. I also sing, mostly in a choir, and go out for hikes in the nature because I love the fresh air and beautiful sceneries. My worst fear is letting people dear to me down and not being there for them in their time of need. I try my best to check up on them but sometimes I wonder if I'm doing enough . . .

My motto would be "If you're going to do it, make sure you don't have regrets later." as I strongly dislike leaving what I start unfinished. It makes me anxious.

My love languages are quality time, acts of service and words of affirmation. I'd like my s/o to know that I overthink often, that my silence doesn't mean I'm angry on uninterested but that I'm stuck in my own thoughts. A deal-breaker is definitely narcissism. Confidence is great but I don't like anyone who thinks the world envolves around them.

Thank you for taking time to read this! I hope it was all righ. Have a great day😊

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thanks for the request ! i hope you enjoy :-)

- this was an incredibly easy choice for me; it just makes all around perfect sense-- I match you with kuroo tetsurou

- you need someone to keep you moving in the right direction because you burden yourself with way too much shit that shouldn’t even be your responsibility

- he helps you to identify what you really want in life and makes you pick n choose a couple of goals to focus on at once rather than doing everything and anything (something tells me you have a hard time prioritizing and saying no to people)

- you help him stop n smell the roses every once in a while because that man doesn’t know when to take a break

- you both share this incredible attention to detail and you both highly value and love getting to know other people

- he’s the one who booked you your first appointment with a publishing house once you finished your first novel and he used his death glare to scare the poor publisher into giving you a higher percentage of royalties on each sale

- SCRABBLE. y’all play a highly competitive game of scrabble every friday night and you always win. this typically culminates in kuroo throwing a tantrum and tickling you mercilessly until you agree it was “practically a tie” (nevermind the fact that you literally won twice the points he did)

- you love fantasy, kuroo loves sci-fi so your conversations are constantly peppered with ridiculous rants and arguments (e.g. “who would win in a fight, a dragon or a tie fighter?” “definitely a dragon babe, i mean it has fire and--” “okay but what if the tie fighter was piloted by a jedi?”)

- physical touch may not be one of your love languages but it sure is one of his-- he’s constantly got his chin resting on your head, or he’s slipping his hand around yours, or putting it on your lower back-- he also really loves giving you these crazy bear hugs (like picking you up and swinging you around type shit) because he likes to feel all big n protective

- I mean the man is literally almost a foot taller than you so can you blame him?

- you guys have literally the worst inside jokes that no one else understands but they send you into hysterics each times until you’re both crying with laughter (lots of terrible puns, yo mama and knock knock jokes that don’t even make sense)

- like once y’all were on a trip to rome and caught a cab to your hotel from the airport but then it took a wrong turn and it ended up that it actually wasn’t a cab and you had just climbed into the back of some little old italian man’s car

- so now whenever y’all are driving somewhere and accidentally go the wrong direction one of you says “mama mia!” in a terrible italian accent and you start screaming with laughter ITS LITERALLY SO OBNOXIOUS LMAOOO

- because you’re both so intuitive that the relationship is like being two halves of a whole-- you can instantly tell when the other is even the slightest bit down and adjust your behavior accordingly

- AND y’all remember the most random shit about each other

- like he once absentmindedly mentioned he loved this particular brand of orange juice and then you started buying only that brand to stock the fridge and he absolutely loves you for it

- and on your first date when you went hiking you pointed out a clump of flowers on the side of the path you thought were pretty so on the way back he secretly picked one and dried it in the pages of a heavy dictionary and got it framed for your birthday

- honestly it’s just little considerate things like this that make the whole relationship

- he always makes sure to involve you in group conversations because he knows it’s your tendency to be shy and hang back

- good conversation is a big deal for you guys but so is quiet time-- you frequently cook dinner together without exchanging a single word, just kinda doing your own thing (like you’ll chop the salad and he’ll make the pasta) and listening to your playlist

- speaking of music, you used to refuse to sing for him until one day he heard you singing in the shower so he crept right up next to the door and recorded it on his phone, and then when you opened the door he shrieked “AHA! CAUGHT YOU!” which nearly scared the shit outta you and made you drop your towel

- but, ya know, you don’t even need to be self-conscious about your singing around this man because he doesn’t have a musical bone in his body and will think that every single note coming out of your mouth sounds like an angel chorus

- overall you guys are that couple that is just so clearly in tune with each other, you know each other like you know yourselves and it’s such a delight to see (hanging out with you is a third wheel’s nightmare tho)

your song: first date by blink-182 (he loves punk pop and you think it’s dorky as hell but he’s adorable when he’s playing the imaginary drums and head banging-- he actually got you to accompany him on the air guitar eventually and it’s lit asf) plus the song perfectly captures the easy, eager way you guys love each other

your favorite movie to watch together: the fellowship of the ring. he wasn’t really into the idea at first (he wanted to watch terminator) but now he’s as big a tolkien fanatic as there is. once you brought him to one of those fantasy renaissance fairs and y’all had the time of your lives.

your relationship in one quote: “In all the world, there is no heart for me like yours. / In all the world, there is no love for you like mine.” - maya angelou

[negativereader]

Everything Wrong With the Twilight Saga: Why was it so popular?

So, I’ve been hedging around this for a while. I’ve talked about it, I’ve mentioned it, but now I’m going to actually talk a little bit about it. Also, I felt that I honestly couldn’t end this Everything Wrong With series without talking about the reason why it was so popular.

Twilight’s popularity wasn’t something that anyone really expected. It wasn’t released to much fanfare, and it certainly didn’t get much in the way of publicity. Right when Twilight was coming out, YA was experiencing something of a slowdown. The Harry Potter books were still chugging along like no one’s business, but people were starting to realize that making knock-offs wasn’t going to sell well.

There were a lot of action books, and a lot of ‘real life issues’ books like before, but fantasy and sci-fi didn’t seem to know where it wanted to go. Did it want to go more in the epic direction, like Eragon and some of the repackaged ‘YA’ fantasy that had been moved over from the adult section were doing? Did they want to be humorous like The Wizard, the Witch and Two Girls from Jersey? Was it going to be wrapped up in real teen issues?

A lot of things were getting thrown at the wall, and one of them just happened to stick.

And ever now, no one is completely sure why.

Why Do People Love the Twilight Series?

I’ve made this blog on insulting this series. I’ve attacked the poor plotting, awful characters, confused planning, and questionable themes. Yet, for all of my, and others critique, this series was, in its heyday, ungodly popular.

And I’m going to take a look at the things that I think really appealed to fans to make a compelling enough read for them to keep wanting more.

The Setting

Settings are extremely important in fiction. A ghost story set in the Southeastern U.S. is going to be very different than one set in the Southwestern U.S. and both will be completely different than one set in Japan. Not only do they have different histories and lore which should contribute to how their written, but they have a different feel. The Southeast brings to mind hanging Spanish moss, abandoned plantations, long family histories, and small towns that have existed since the country was founded and have a good share of morbid stories, the Southwest brings to mind ghost town, forgotten mines, mountaineers who disappeared, and violent ends of gamblers. Settings set tones, expectations, and get people in the mood for a story.

Forks was an amazing choice of a setting. The Pacific Northwest is a tragically underused area in fiction, and it lends itself so well to creepy stories. There are still a lot of areas where people just don’t live, so it’s one of the last big wilderness areas in the country, it’s often overcast, giving an aura of gloom and mystery to the whole thing, and it just sort of seems like, if there were strange things left in the world (or at least in the U.S.), it would be here.

The setting might have been chosen by Meyer purely because she wanted her sparkling vampires to remain hidden, but she also managed to choose one of the best settings if she wanted to give a feel for the mysterious. You see the eerie looking trees in the background, or the fog, and it feels like there’s something strange going on before anything even happens.

The Supernatural

People like strange stuff. This shouldn’t be a surprise, but it always sort of is. Every time TV breaks from its reality TV/soap opera/sitcom and does something supernatural, everyone is all over it. Look at Supernatural, Stranger Things and even the first few seasons of Sleepy Hollow. People love the supernatural, and teenage girls are no different. It’s something that people don’t seem to understand, even now, but never seems to fail.

Teenage girls are no different. In fact, I can remember, as a teenager, actively looking for stories that involved a supernatural love interest, and even though the paranormal romance genre has died down, it still exists in some form or other.

The idea of the supernatural gives a feeling that what they’re reading is a fantasy, but also allows things that could have never happened to happen. It makes the story feel more epic, more important and more interesting. It adds to the atmosphere and gives a feeling like anything can happen, as well as adds new dimensions, such as theorizing.

The Powerful Powerless Plain Beautiful Protagonist

While I hate this trope, it’s a powerful one. Bella Swan is a perfect protagonist for a fantasy like this. She’s weak enough to that the reader can play out their rescue romance fantasies, but also grows to become the strongest vampire in the series. She plays out the reader’s insecurities on their looks and tells them that they really are beautiful.

More importantly though, while looking at Bella objectively, she’s a terrible person, she’s a character who was designed for the reader to insert themselves through. They can attribute motives and reasons to her actions that make sense to them. It is one of the reasons why, when you look at fanfic, you see so many different Bellas. You see ones who are snarky, ones who are kind, ones who are funny, clever, brave and so many things, that the reader wishes that they were.

Because that is what Bella is. She’s sort of like Barbie. She’s got an identity, but it’s not important. What’s important is that she plays a role for the reader to fantasize through.

What’s more, the idea of a normal person having to navigate the supernatural world with little more than a blocking ability is interesting, since she’s being forced to survive against much, much more dangerous creatures than herself. This is a perfect fantasy, and it’s not surprising that a lot of young women loved it.

The Man Who Saves and Is Saved

This is essentially the romance novel equivalent of having your cake and eating it too.  Edward Cullen essentially fulfills the dream of both being saved like a princess by prince charming, but also being able to save him from the darkness in himself. While, in reality, he’s actually a pretty poor character who flips from the ‘bad boy’ to the moral savior and honestly, like most of Meyer’s character really is more of a fantasy than a person, it doesn’t matter.

No one here is really looking for a story or a real character. They’re looking for a dream, and Edward, while I can’t stand him, is that dream for many people, or at least he was. He was dark, tortured, yet also more than capable of supporting Bella when she needed him.

What was more, he was just ‘in love’ with her. She didn’t have to earn his love. They never had to meet, slowly come together, and fall for one another. Bella, and thus the reader, never had to work. The fantasy was just there, waiting to be enjoyed.

The Gothic Revival

All of my critiques have been given before to another genre. One that, during the Regency and Victorians era’s in England was discouraged for ladies of quality to read because people thought that it essentially ate your brain. It was filled with swooning women, dark and brooding men, mysterious and dark castles, hints of the supernatural, empty wilderness, and…well…vaguely uncomfortable depictions of either foreigners or Catholics, often both.

The original Gothic romance.

In essence, Twilight and all of the paranormal romances that have followed it are a revival of the Gothic, following the same themes, ideas and patterns that people wrote back in the eighteenth century. It follows similar themes, settings and even patterns as the original.

Forks is the perfect Gothic setting. Cloudy, isolated, with a hint of something strange, but enough that is normal to be uncanny. It remains mysterious, but also intriguing. It’s strange, but yet familiar enough for it to be an ideal setting that hints that there might be something wrong, but acts as a bridge between the real world and the magical. To the point that Meyer originally wanted to name her book Forks.

Bella Swan is the essential Gothic heroine, foolish, flat, and dull, but at the same time, at least according to the author, kind, pure, resourceful and filled with qualities that should be admired and rewarded. She exists for the reader to experience the drama through her, but also is rewarded, not for what she does, but for who she is, living out the wildest dreams and fantasies of the reader, but doing so in a way that always remains grounded in the idea that she is a good girl.

Edward Cullen is the Gothic hero, both Byronic in his tortured element, but also heroic and ‘safe’ for the reader to fantasize about. This is no Anne Rice vampire, even if Rice should be considered responsible for Edward’s creation. He exhibits contradictory traits, but all of them are what the reader wants at different times. When the reader wishes to be protected, he is the protector, but when she wishes to be the protector himself, he is both emotionally, and later physically, dependent on Bella as she transcends humanity.

Paranormal romance is the Gothic, repackaged and remade for the modern world. The themes remain the same, as to the critiques of it. This is true of all genres. They do not really die. They just repurpose themselves. Because the fundamentals that created the Gothic, young women with contradictory desires, entering the world of adulthood and the strange and unstable that that represents, and coming into a physical maturity that implies many changes, who want to both be protected and loved, but also to be respected and rewarded on their own merits, have not changed.

This isn’t necessarily a bad thing, even if Twilight itself was a deeply flawed novel. Meyer made many mistakes but bubbling under the surface was the potential for a good book. Not only that, but the basic themes of the story, those of change, of trying to find a place in the world, of suddenly dealing with romance in a more long-lasting way, were all things that spoke to the readers, both the teenagers and the older women. Don’t get me wrong, I still think that the Twilight Saga is trash, and the obsessed fans of its heyday were both obnoxious and a little worrying, but, as I said, the aspects that appeal to people are still there, and they’re not going anywhere.

The Gothic, Paranormal Romance, whatever you want to call it, might be in a slump now, but all it’ll take is one decent writer to revitalize it, and the trend will start again. After all, what good is a supernatural story without death and rebirth?

[sambinnie]

How are you? I wish I had something more incisive to greet you with, but the speed with which everything occurs means it would be irrelevant, distasteful or a viral punchline a few hours later. 

I have been to the cinema for the first time in six months, and continued my regular habit exactly where I’d left it by attending a first-thing-in-the-morning screening of Tenet with only one other person in the cinema, sitting miles away and also on their own (the only way to watch a film, I say). Fucking Tenet, though. I mean, I have really missed going to the cinema, partly because I love films and partly because there’s such a small-scale decadence to occasionally going there solo at 10am on a Tuesday morning, and those tiny pleasures (which, of course, are currently no longer tiny) are just the things to keep me going.

But the film. Oh god, the film. I wish… I wish I could collate my thoughts into something which doesn’t just rapidly descend into a frustrated scream. I wish success didn’t mean people couldn’t say no to you. I wish I liked Nolan’s Batman films, for a start, since so many seem to get so much from them (see also: Breaking Bad, Killing Eve and Line of Duty), but I’ve always found them silly, really dumbly written, and badly made — I can’t hear much of the dialogue, and the action sequences are frequently shot with so many cuts and movement that’s it’s impossible to follow, something George Miller could teach him about so beautifully — and they’re so bloody solemn. Gotham is a grim place, but there’s a boring pomposity in fetishing that one-note grimness, and Nolan has it nailed. Having a character genuinely laugh at something doesn’t render your film light-weight; it creates contrast, and human engagement, something these serious (but sci-fi)/serious (but fantasy)/serious (but adult man dresses in a cape) films too often lack, as if a strained, one-note way of speaking will cancel out the frivolous, actually enjoyable genre aspect of the film. 

That lack of humanity is shared by Tenet. After a certain point, I simply don’t care. Is the nuke going to explode before Batman can something something something? *shrugs* Will the Tenet team manage to stop some sort of bad thing happening? Yes? No? Don’t mind, fine either way. Is Tenet nice to look at? Yes, but in a sort of “Christ, are we still holding up billionaire oligarch lifestyles as an aspirational thing at the moment?” very pre-2020 mood. Does it make sense? No, but that alone doesn’t mean it isn’t good — some great films, and some great Nolan films, take several goes to fully enjoy, and some are more enjoyable with every watch. Do I give a single fig about the outcome of the film or for any character after 20 minutes? Nope.

One major issue is that Nolan has made Inception, a masterpiece of film-making meta-commentary. How, once you’ve watched Cobb and Ariadne discuss the leaping-about way of conversations in films/dreams (stopping and starting in completely new locations) can you take the same thing seriously between Neil (Neil. Neil.) and The Protagonist? (I would like to see how many women read this screenplay along the way and just gave a small, inner sigh at the main character being named 'The Protagonist’.) As their boring expositional chats chop between pavement and public transport and plaza, one can’t help remembering how well Nolan previously pointed this out, yet has reverted to that self-conscious device to no benefit at all. It’s like he’s never seen his own films.

Similarly, the much-lauded aeroplane scene is completely without the necessary ingredient of tension because we’ve already been shown what happens, not just in other films but in this one, about fifteen minutes before. It’s like Bill & Ted promising they’d do whatever it was they needed right now, but in the future, and their momentary problem being solved by a loose sense of timey-wimey future self-ness. There’s nothing at stake at the airport, and between us being shown what happens and the scene beginning, nothing has happened for us to even hope the mission isn’t completed. It felt like the criminally underused Himesh Patel was in an instructional video for fuss-free plane-borrowing; compare it to the similar scene in Casino Royale (perhaps the only modern Bond film worth bothering with) and the flatness and mechanical nature of Tenet is all too apparent. The twists of the film, such as they are, are likewise foreseeable for even the least Pauline Kael among us. Who could it be under the mask? WHO COULD IT POSSIBLY BE? 

The Prestige, an earlier film of Nolan’s, is such a contrast to this that I’m stunned I didn’t watch it the moment I came home to clear my brain out. It’s smart, logical, moving, tense, engaging, and if there are plot holes (probably) I didn’t care because a) I really, really cared about what happened to each person, each of whom spoke and behaved like humans, not AI script-bots, and b) it gave this household a v useful shorthand nickname for anyone who wanted something one day but completely inexplicably changed their mind or denied it the next. I recommend it. I do not recommend Tenet. 

Of course, I feel guilty for caring so much about this, and writing about some fucking multi-squillion-dollar film with everything else happening. I am feeling extremely, crushingly ineffectual presently, and have completely come off all social media which from time to time would remind me of the efficacy of protest, of letter-writing and petition-signing and contacting one’s MP, so change feels hopeless and November’s blows seem inevitable. I am trying to knit my mind back together before then with small acts of body-work: cooking and running, drawing and swimming. I worry that I will drown in guilt and fear if I stop for a moment. It is pathetic, but I am still breathing, for now. 

My cynicism-filter is also at its finest mesh, because it cannot cope with the reality of our leaders and the UK’s political discourse: only small-fry stuff gets through, the Sali Hugheses and Jack Monroes, small-time fantasists who manipulate and virtue-signal to build lives of back-slapping consumerist celebration and Twitter Power Leader Boards. I’ve listened again to The Purity Spiral, and also to Desperately Seeking Sympathy, and wondered how many intelligent, kind-hearted people waste time supporting these innocent, victimised mini-Trumps just because they use the right buzzwords and also appear to hate the Tories. 

I wish I could give you some of the lights in my heart that keep me going — the occasional pure moon-eating delight of the people I live with — but here are more feasible treats instead.

Mike Birbiglia’s podcast Working It Out is a treasure, particularly the first episode with Ira Glass, which I think everyone who works in a creative field will listen to and wish they had an Ira Glass to critique their work. I like the idea of documenting works in progress, and not carrying any shame when things don’t work yet.

The Rose Matafeo episode of The Horne Section podcast, because I love her and I love stupid and brilliant songs. Several housemates have discovered Taskmaster too, which makes this a nice bridge.

Sarah & Duck, the BBC programme for tiny children. We never really used kids’ TV when they were little, but this now functions as a salve for when we’ve watched something truly terrifying like Poirot or a Marvel film, and besides the fact that Duck is absolutely fucking hilarious, the animation is staggeringly beautiful. The Islamic geometric patterns of the garden hedge; the soft blue-green hum of the “glow” section of the library, filled with lamps and luminescent books; the motes of dust caught in the sun-rays of Scarf Lady’s window. It’s a balm. 

Thanks to two housemates becoming great cooks over lockdown, I’ve rediscovered lots of my cookbooks and found 2015’s Simply Nigella to be a real corker. The rice with sprouts, chilli and pineapple, the drunken noodles and the Thai noodles with cinnamon and prawn are worth the entry fee alone. It’s quite chicken- and pomegranate seed-heavy, but even if you don’t like those, it’s extremely nice to be eating something that isn’t on our usual five-meal rota (and is also extremely delicious).

I was solo for some of the summer, and managed to watch a few excellent films, including BlacKkKlansman, The Peanut Butter Falcon and Love & Friendship. Cannot recommend these highly enough (*whispers* particularly the latter because it’s as painfully sharp as Austen should be, and we’d made the mistake of watching Emma. and I’m still so cross I’m not sure I’m ready to discuss everything that was wrong with it publicly yet).

I read Esther Williams’ memoir, The Million Dollar Mermaid. Perfect for anyone who loves that period of Hollywood, and full of juicy (as well as some pretty traumatic) episodes from the swimmer and actress’s amazing life. To give you a sense of it, chapter one is called “Esther Williams, Cary Grant, and LSD”. Super good. 

I hope you all keep well, pals x

[bishreview]

Top 20 Films of the Year

I think it’s about time I did something about films so here’s my list for the top 20 movies. This year has seen a rise in quality superhero films, some strong horror flicks, but I’ve felt genres like comedies and science fiction have really dropped. This list will include films that were released to Australian audiences in 2017 but will miss the Oscar nominated ones at the start of the year because they were classified as 2016 still. Enjoy.

20. Spider Man: Homecoming

Superhero films really did well this year, with Spider Man’s first lead film in the MCU a pleasure to watch from start to finish. Focusing on the high school aspect rather than the superhero aspect (like all previous movies of the hero have done), Holland brings the role to new levels of excitement, humour and reliability, making this maybe the best film incarnation of the hero.

19. Split

Split is a different sort of film. It’s a super-villain film, disguised as a psychological thriller, disguised as a horror. James McAvoy’s role as the character Kevin, a person who has multiple personalities, is incredible as he switches between different personalities, with their own characteristics, with ease.  M. Night Shyamalan looks like he’s making a comeback, and it’s exciting to watch.

18. Raw

Have you ever watched a film so gross but so engaging that you can’t look away even though you’re disgusted by what you’re watching? Because that’s Raw. Julia Ducournau’s unique film about cannibalism is incredibly unique and brilliant, whilst also being one of the hardest to watch films I’ve ever seen. Big warning to those with weak stomachs.

17. Star Wars: Episode VIII - The Last Jedi

The Last Jedi will probably go down as the most decisive Star Wars film ever. Disney have made it clear that they are avoiding canon in their trilogy, turning away from the comics and focusing on the films. With The Last Jedi they took it further, taking risks throughout the whole movie. In doing so, they made the most unique Star Wars film yet, and maybe the strongest since the original trilogy, focusing on the balance of the force instead of the usual ‘good vs. evil’.

16. John Wick: Chapter Two

John Wick is such a brilliantly written character. Although the second instalment in the hit-man, revenge franchise looks more into his past and the organisation he was a part of, we still know little about the ‘Boogeyman’. Keeanu Reeves is brilliant as the titular character and Derek Kolstad has again written another amazing story, creating one of the most interesting and unique cinematic universes.

15. A Ghost Story

There are some movies which capture your imagination and place you in a story that you can escape in. A Ghost Story is a different story. It’s heartbreaking but makes you feel warm. Casey Affleck and Rooney Mara are brilliant as the two leads, holding a chemistry which is hard to create so naturally. Although it’s slow at times, there is a certain beauty throughout the movie, drawing you into the love story even at it’s slowest moments

14. Logan Lucky

Logan Lucky is a really fun film. With a great cast including Adam Driver, Channing Tatum, Riley Keough, and Daniel Craig, the heist film is an entertaining watch. Although heist films sometimes feel cliched, Logan Lucky utilises the American car racing competition NASCAR as its setting, allowing the film to explore a different range of characters, making it one of the most intriguing heist movies in years.

13. Wonder Woman

The DCEU is getting really hard to watch. Justic League, released late this year, was more of the same average flicks which has plagued the franchise since Man of Steel. Before that though was Wonder Woman, the cinematic universe’s saving grace. Gal Gadot is incredible as the iconic superhero, carrying the movie all the way through with her engaging performance. Mid-way through the year I stated this film was the saving grace of the franchise, and that could never be more true now.

12. The Big Sick

Rom-com’s have never really been my thing. I often feel their stories have been done over and over again and that the genre doesn’t try to be do anything different. The Big Sick though is a story which hasn’t even been attempted by the industry yet, a movie about religious and cultural traditions and progressing forward with them. Kumail Nanjiani explores his real life story in such a tongue in cheek way that you can’t help but love the story and the characters.

11. The Lost City of Z

I was remembering this film the other day (I’ve only watched it twice) and the feelings I got from it still gives me the chills. The exploration of the jungle in James Gray’s film about real life explorer Percy Fawcett is gorgeous. It’s a slow burning movie that depicts Fawcett’s addiction to the Amazon rainforest in such a mesmerising way that you often forget that he’s searching for gold, rather just wanting to live in the Amazon. Charlie Hunman is brilliant as the lead and it’s a movie that will stick in your mind for a long time.

10. Thor: Ragnarok

2017 was a great year for the MCU, and Thor: Ragnarok was the shining light. Although the previous Thor films have been some of the more weaker entries in the franchise, Ragnarok was able to give the titular character his best story yet, combining the comic with the Planet Hulk storyline. With incredible performances by Chris Hemsworth, Cate Blanchett, Mark Ruffalo, Tom Hiddleston, Tessa Thompson and Jeff Goldblum, NZ director Taika Waititi created the best and most fun Thor that has ever hit the big screen.

9. The Beguilded

The Beguilded was a strange watch. Based on the 1971 novel of the same name, the film explores lust, forbidden love, obsession, fear and hate in a stable manner, balancing these themes effortlessly. Sofia Coppola has deservedly won awards for this film and will hopefully be nominated for a few more after being snubbed at the Golden Globes.

8. Silence

If I were to pick a film that I have seen this year that still disturbs me it would be Silence. Set in 17th century Japan, during the Tokugawa shogunate, Silence follows two Christian priests (Adam Driver and Andrew Garfield) trying to track down their mentor (Liam Neeson) whilst continuing to spread their outlawed religion. The movie is very graphic and doesn’t hold back on the Crucifixion techniques that were implemented during this period. Garfield also delivers the performance of his career, pulling you in emotionally to his character’s experience. 

7. War On The Planet of the Apes

It was always going to be hard to complete the Apes trilogy, as the first two films of the franchise were both amazing. War though is best of the three. An incredibly emotional experience as we watch Caesar and his fellow apes fight for survival against humans. Andy Serkis is again incredible as Caesar, continuing to prove that he’s the best actor in a motion capture suit.

6. Logan

Superhero movies were truly a shining light in 2017. The fourth comic book movie on this list (and the highest), Logan (based on Old Man Logan comic) is an incredible experience. Allowing the movie to have a restricted rating was a risk but it paid of as it allowed the character to be at his brutal best. Hugh Jackman will always be Wolverine and Logan was a perfect way to send off nearly two decades of the character on the big screen.

5. A Monster Calls

A Monster Calls (can also be called How to Tear Someone’s Heart Out) is the saddest film of the year. It hits you deep in the feels, ensuring the audience cries their eyes out by the end of the film. Lewis MacDougall is incredible as the lead, and the supporting cast are brilliant, especially Liam Neeson as the voice of The Monster. The film blends a heartbreaking story about cancer with a beautiful fantasy world, utilising water-colour animations to bring the audience into the imaginary world. 

4. T2: Trainspotting

T2 has been a long time coming. A sequel to the incredible original (Trainspotting) has been rumoured for a while, and Danny Boyle has finally delivered two decades on. Bringing back the beloved Scottish gang, led by Ewan McGregor, T2 doesn’t hold back on themes of getting old, reminiscing on youth, and trying to make up for the mistakes of youth. With all four of the characters being on a path which joins them back together, fans of the original will feel blessed with this sequel, whilst new fans will straight away connect with their stories. 

3. The Disaster Artist

The Disaster Artist is a perfect homage to the greatest film of all time, The Room. Delving into the creation of the aforementioned masterpiece, The Disaster Artist is about more than having a laugh at the people who were involved in making it. Instead it allows a sympathetic view on the desire to be an actor, to create film as an art form. Both Tommy Wiseau and Greg Sestero are respectfully portrayed by the Franco brothers, allowing a look into the hardships they faced during the making of The Room. It’s a fantastic story, both hilarious and relatable, and could be the Franco brothers best performances.

2. Dunkirk

I’ve always felt like Christopher Nolan has an obsession with outdoing himself every movie. After the epic (albeit flawed epic) which was Interstellar, it looked like he was going to stick on the sci-fi route which had dominated so many of his previous films. Instead he made Dunkirk a history piece about the Allies biggest failure in World War II, the loss of France. The film is tiring to watch, moving slowly and feeling like it’s in a constant route, as every small victory is followed by the plan going wrong. Fionn Whitehead is terrific in his debut mainstream role, and Kenneth Branagh, Mark Rylance, Tom Hardy and Harry Styles also bring in strong performances, suggesting that Dunkirk may be Nolan’s best work.

1. Get Out

I watched Get Out again last night and it still hits me the same way as it did the first time I watched it. Jordan Peele’s directorial debut is incredible. The comedian jumps into a genre unfamiliar to him, in a horror/thriller, and he delivers. Get Out is a unsettling film, raising issues of racism (and anti-racism) without making it overbearing. Daniel Kaluuya is incredible as the lead and will hopefully get rewarded during award season, and the supporting cast of the film (notably Lakeith Stanfield and Betty Gabriel) help create a chilling atmosphere throughout the whole film. The twist ending also may be one of the most impactful non-events in film history, with the expectation of what is going to happen making more of a statement than what actually happens (it will make more sense once you see it). Get Out is an incredible film, close to the best for this decade so far, and my number one film for 2017.

That’s my film list. It came out later than I wanted it to but I’ve just been hammered with work at the moment. I’ve completed the Top 50 Singles of 2017 list and that will be released tomorrow so stay tuned for that. Thanks for the support and hopefully you’ve enjoyed this list.

[akocomyk]

The Top 10 Books I Read in 2017

Funny how I wasn’t able to read as much books as I wanted to despite the fact that I wasn’t really doing anything for two and a half months.  I was able to read 25 books in 2017, just enough to hit my Goodreads 2017 Reading Challenge.  Usually, I go over my pledged number of books.  This was the only time, if I remember right, that I wasn’t able to surpass my reading challenge.

Finishing that challenge was an effort, mind you.  I finished reading the last book for 2017 on December 30, and i pushed myself just so that I can finish the challenge.  I blame all this slow reading to Miss Peregrine.  If you’ve read my thoughts on that book, you’d know why.

Going back to the real purpose of this blog... Of the 25 books I read this year, 15 were considered for this list.  I know that’s quite a lot, but that’s good, in reality.  That means I'm now more careful on choosing which books to read.

The sad part about this—similar to my dilemma last year—is that I have too many books that I want to include in the list.  It’s with great regret that I won’t be able to put them in here even if I wanted to.

Anyway... here it goes.

*The books in here are included regardless of their genre, release date, and author—whether they be Filipino or international.  As long as its a book that I’ve read within the given year, they can be considered for the list.

(Scores are on a scale of 1-5, inspired by Goodreads’ rating format)

10.  A Hat Full of Sky by Terry Pratchett (2005)

SCORE: 4.250

This is the second book in Pratchett’s Tiffany Aching series.  I really loved the first book and I’m so thrilled that whatever it is I liked from the first one continued with this—at times, even better.  But I’m a nothing-bests-the-original type of person, so the first book scored higher for me.  You’ll see it further on this list.

9.  The Inexplicable Logic of My Life by Benjamin Allire Sáenz (2017)

SCORE: 4.275

One thing that t I really love about Sáenz‘s books is the tone of his writing.  It’s utterly simple, yet very poetically beautiful—which for me makes it very quick and easy to read.

His other book that I read, Aristotle and Dante Discover the Secrets of the Universe, is one of my favorite books.  Having known that he recently released a new book, I din’t mind that it’s still only available on hardbound, I immediately bought it when it came out.  I had high expectations for it.

This book gave me the same feelings when I read Ari and Dante, though it wasn’t as effective.  Toned-down would be a good word for it.  There are parts where it would hit you right on the heart.  Ironically, this is what the books is all about—love.  It’s about all types of love, even if the book never had an ounce of romance in it—maybe just a little bit.

8.  The Wee Free Men by Terry Pratchett (2003)

SCORE: 4.330

The story in itself is very similar to a fairy tale and you can even identify a few references grabbed from the classics.  But unlike those old tales of fantasy, this one is void of all the atrocities and rather has common sense and unwavering cleverness—not to mention, an ample amount of humor.

One thing that I also love about the book is that all characters are very likable and have distinct personalities—even the tertiary and background characters have personalities, it’s insane!

See full review

7.  The Girl Who Drank the Moon by Kelly Barnhill (2016)

SCORE: 4.345

I always love a book with amazing characters who have deeply rooted motivations.  This is what I adored about this book.  It felt like all the characters have valid reasons why they were doing the things that they did in the story, and the way it just pushed the plot forward and how everything went to be is just enchanting.

This is a book meant for children but it can certainly be enjoyed by any person of any age—except for the toddlers who can’t read, obviously.  This book is for the people who looooove fantasy.  I got into reading because of fantasy books—hello Chronicles of Narnia—and this creation by Barnhill is a unique jewel in the midst of middle grade to young adult novels which nowadays are starting to sound too similar to one another.

6.  The Perks of Being a Wallflower by Stephen Chbosky (1999)

SCORE: 4.405

I had setbacks when I decided that I wanted to read it.  It was on the bottom of my I-plan-to-read-list primarily because I’ve already watched the film adaptation and I’m worried that I wouldn’t appreciate the book that much since I already know the story and thought that it would take away too much of the book’s charm.

BUT I WAS WRONG.

I didn’t really plan on reading it but on June 10, when I was alone in our house and wanted to do something so that I won’t get bored, I went out to find a book and eat at a local café.  Turns out, this was the cheapest book I found that actually pulled my interest.

Anyway, the book—much like the film—is very touching and fun to read.  Like, I never would’ve thought that the book was written during the 90′s because it gave me the modern YA feels, like it totally blended in with the books that I love reading.

It gave me the feels.  You know, the weird feeling in your heart when you read a book or watch a film.  It was very prevalent in this book.

5.  The Name of the Wind by Patrick Rothfuss (2007)

SCORE: 4.475

I got this book as a Christmas gift from a fellow Star Wars nerd.  She loved it that’s why she gave me a copy.  Basing from the reviews it got from Goodreads, it is an amazing book.  AND IT LIVED UP TO MY EXPECTATIONS. 

I just love how the characters are fully made up… although some feel like cardboard cutouts, I don’t mind.  I mean, they’re very minor characters.  At most, the main characters are very interesting.

It’s a good substitute to those who are reading the A Song of Ice and Fire series.  It has the same amount of epicness, same amount of characters, ample amount of secrecy and mysteries, but thankfully not as grandiose and confusing\ as GRRM’s (yeah, as much as I love the ASOIF books, sometimes it goes a little too far).

It’s a really thick book which I would normally get bored of reading in the middle, but that didn’t happen.

4.  Simon Vs. the Homo Sapiens Agenda by Becky Albertalli (2015)

SCORE: 4.605

It is a truly wonderful book that proudly represents the LGBTQ community.

I love how Albertalli wrote it in such a sarcastic tone, and it reminds me of the time when I have a similar tone in writing—the time before I started doing all those melodramatic stuff.

There are times in the book that I almost wanted to cry.

Also, it’s one hell of a page-turner.  I couldn’t stop reading it!  The book laid open on my desk at work and I occasionally read a few pages every now and then.  I wanted to know how it ends so badly.

I also love the way that the story is also very engaging to the readers, like the way that you want to share with Simon’s adventure and search for the mysterious identity of Blue.  I had speculations.  I said, if this would be him, the story would be stupid.  If this would be a girl, it would be disappointing (and Will Grayson-ish).  If it was this other characters, it just doesn’t make any sense.  But there’s this minor character who would probably fit.  AND I WAS DAMN RIGHT.  I predicted it but it was good, because all the other options would make a really bad story.  I predicted it but it was good, because if I was the one who wrote the story, I would’ve written it the same way.

3.  Scythe by Neal Shusterman (2016)

SCORE: 4.610

This is only my second Neal Shusterman book and I think I’m starting to become a fan.  In this novel, he created a world that is so thought-provoking, and he made it distinct among the over-crowded dystopian novels of the recent years.

I recommend this to anyone who loved reading The Hunger Games—or just to anyone who loves to read—because it gives you the same emotions.  Different story, same feeling.  It will surprise you.  It will scare you.  It will excite you.  And at a certain point, it will crush your heart.

See full review

2.  We Are the Ants by Shaun David Hutchinson (2016)

SCORE: 4.615

This book portrays the message that no person in this world has a perfect life.  We are all flawed, and we all have reasons to be unhappy.

I was heavily impressed at how Hutchinson was able to incorporate that factor in all of his characters.   That is what I like most about this book.  Anyone in the world who loves to read may be able to have a connection to it—naturally, everyone of us has imperfections and we can empathize on the characters because of that.

I love the little sci-fi things that are enclosed in-between chapters, including the main premise that Henry (the main character) is abducted by aliens.  And I love the mystery by the end as to whether or not these abductions are true or just a figment of Henry’s imagination. *Spoiler alert, if you’re wondering how this part of the story is resolved… it was never resolved*

He’s depressed and he probably has anxiety so this could possibly his mind’s manifestations to cope up with his life.  This real-unreal phenomenon kinda reminds me of A Monster Calls… you know, you’re not sure if whether or not the Monster was real or not.

This factor adds a little interaction with the readers as it forces us to use our own creativity and rely solely on our imagination on how this all adds up.  It can be true.  It cannot be true.

And also, the book has these occasional moments that will really crush your heart.  You know how much I love books that do that to me.

AND THE AWARD FOR THE BEST BOOK I READ IN 2017 GOES TO...

1.  The Kite Runner by Khaled Hosseini (2003)

SCORE: 4.630

I’ve seen this book on store shelves a couple of times and I always overlooked it.  Probably because the cover isn’t very much appealing to me, and I’m not a usual fan of books that center on war themes, especially those that are set in the middle east.

So when I finally paid attention to it, and saw the good reviews it had on Goodreads, I said to myself.  “I effin’ need to read this.”

Also, one of the reasons why I decided to read it is for this list.  At the time, this list was dominated by YA novels, all of which have LGBTQ themes in them.  Had We Are the Ants topped the list, for three years straight, YA-LGBTQ books bagged the top plum.  I have nothing against these type of books—I like them, obviously—but I thought that I just need some sort of variety.

Going back to this book... this has left me scarred.  There are scenes in the book that I will never, ever be able to forget.  Like there were scenes that I read while I was inside a bus on my way home, and I had to stop reading because I didn’t want people to see me crying in public.  Unfortunately, I still cried.

For me, this book tells us that life will always be full of sh*t.  You may have your good days, but it will always try to test you.  Other than that, it tells us that there are people in this world who would die for honor, and for love.

I will no longer tell anymore about this book.  I suggest that you should just read it.  I highly recommend it.  Definitely one of my favorites.

Other books considered for this list were I Wrote This for You by Iain S. Thomas, Fangirl by Rainbow Rowell, Chasers of the Light by Tyler Knott Gregson,  Kids of Apetite by David Arnold, and Everything, Everything by Nicola Yoon.  I really wish that they were in the top—especially the poetry books by Thomas and Gregson, that would’ve been a first—but I only need ten and 2017 was just crowded with good books.

I read better books this year than the past year.  You can just tell from the ratings.  The tenth place on this was already on 4.250—I had to include a third decimal to break the ties, that’s why the scores are so close.  Last year’s tenth was at 3.68, and the first book to actually go higher than 4.250 was All the Light We Cannot See with 4.32, last year’s fourth placer.  Last year’s first placer— I’ll Give You the Sun which scored 4.57—was edged out by this year’s with 4.630.

I wish I would still have the same dilemma for 2018.  I know it’s a problem, but it’s a good problem.

Happy book-reading this 2018!

[ryanmeft]

2019 in Film, Part 1

We’re closing out the decade with one of the best years for film I can remember. There was so much great stuff in 2019 that it got me back to writing reviews after I had given them up as a hopeless endeavor in an age of polarized opinions. We had A-list actors turning in top-notch work about deteriorating relationships and alternate histories of Hollywood. We had forgotten or controversial actors---Antonio Banderas, Sienna Miller, Adam Sandler, Paul Walter Hauser, among others---proving they deserved to be A-list. We had great new films from the likes of The Safdie Brothers, Robert Eggers, Greta Gerwig, Noah Baumbach, Pedro Almodovar and more. It wasn’t all sunshine and roses. Clint Eastwood did his best to undermine his own filmmaking with sexist and anti-press leanings. Disney continued to gobble up everything it could, threatening the future of legitimate filmmaking and the theatre business. And some excellent creators turned in movies that, well, didn’t meet the hype. But what year is perfect? Below, a compendium of every 2019 film I saw, and my absolutely correct opinion on each one. This covers films through the letter G, and I’ll be posting H-N and O-Z shortly. I’ll also be updating these lists as I add new reviews and see more movies, since I live in the arse end of nowhere and there’s still a lot I haven’t seen. Enjoy.

21 Bridges: 3 Stars

-A throwback to the relatively stripped down cops-and-criminals thrillers of the 90’s, this tightly made and well acted tale of corruption will appeal to anyone who remembers the likes of The Fugitive.

Full Review: https://tinyurl.com/urvdfx2

Ad Astra: 3 Stars

-A toothless finale and a weak role for Tommy Lee Jones can’t derail the quality of Brad Pitt’s performance, one where most of the character is developed inside his head.

Full Review: https://tinyurl.com/whkonyy

The Aeronauts: 2 Stars

-This attempt to emulate the adventure epics of the Golden Age of Hollywood features spectacular sights and two great actors doing their best, but falters when developing an interesting story or drawing us into their struggle for survival. Currently streaming on Amazon Prime.

Full Review: https://tinyurl.com/tce4ps6

The Aftermath: 1 Star

-Lifeless, listless and generally not knowing what it wants to be, the movie switches back and forth from serious post-war thriller to cheesy erotic novel, and fails at both.

Full Review: https://tinyurl.com/vjfefuq

Ash is Purest White: 4 Stars

-A patient poem of life, which leads you to believe it will be one thing---a crime drama about small time street hoods in a dying industrial town---and instead becomes a quiet ode to personal perseverance. One of the year’s best films.

A Beautiful Day in the Neighborhood: 3 Stars

-Tom Hanks is ephemeral as the children’s icon with the recently resurgent reputation, and Matthew Rhys and Chris Cooper are effective as the estranged, battling father and son who Rogers helps to heal. The definitive statement on Rogers is last year’s documentary Won’t You Be My Neighbor? This movie is mostly a fantasy drama revolving around Rogers’ ethos, with minimal insight into the man.

Alita: Battle Angel: 2 1/2 Stars

-Featuring stunning technology, good performances (especially from Mahershala Ali and Rose Salazar) and an incredibly weak script co-written by James Cameron, this is the kind of movie that would absolutely kill if you got a better screenplay to go with it. Hopefully they get a second try.

Full Review: https://tinyurl.com/qnl3ggd

American Woman: 3 1/2 Stars

Sienna Miller has flown under most stardom’s radar, and here in this small film no one saw gets one of the year’s best performances. She’s an irresponsible mother who has to learn to grow up after her daughter’s disappearance, but that is mere plot. The key is the sympathy the film has for the problems of people we wouldn’t ordinarily cheer on.

Full Review: https://tinyurl.com/uz7x67z

Avengers: Endgame: 3 Stars

-Fan service through and through, Endgame delivers every thrill you could possibly want with few real surprises, but also leaves you wondering where the MCU could possibly go from here.

Birds of Passage: 4 Stars

-A fictionalized look at the rise of the drug trade in Colombia, this Godfather-like film traces the fall of indigenous cultures to the lure of international criminal activity with a steady hand and a de-emphasis on overt violence.

Full Review: https://tinyurl.com/ww8m98v

Blinded by the Light: 3 Stars

-You really do gotta be a Springsteen fan, but if you are, this one is ready to make you smile and cheer. You may forget it after you leave the theatre, but then, it has already done its job.

Booksmart: 3 1/2 Stars

-Olivia Wilde continues the rehabilitation of the once trashy teen comedy, making a movie about alienation and identity that can stand alongside films like The Duff, Eighth Grade and Edge of Seventeen. It may not break any new ground, but it is so relatable and so funny it doesn’t really have to.

Brightburn: 1 1/2 Stars

-A for effort, F for execution. There’s blood to be wrung from the “What if Superman were evil?” stone, but instead of taking the concept and giving us a unique take-off of the world’s most well known superhero, the movie is content to repeat the famous origin story, weakly flipped to the horror genre.

Brittany Runs a Marathon: 3 Stars

-It isn’t without its cliches, but it’s nice to see a good film like this which doesn’t lionize impossibly perfect looking people as the only ones who can realize a dream. Jillian Bell is both off-putting and likable, a rare trick. Currently streaming on Amazon Prime.

By the Grace of God: 4 Stars

-Frances Ozon’s dispassionate, drama-lite look at three men taking on a skin-crawlingly vile abusive priest is impossible to look away from, even when characters are simply discussing their lives. Ozon makes ordinary life lived with trauma almost as tense for the audience as for those living it.

Captain Marvel: 3 Stars

-When people say the MCU movies are factory-produced, this one could be Exhibit A. It does almost nothing wrong and takes almost no risks, leaving a movie that’s fun while you’re watching it and forgotten as soon as you’re not. Bonus points for Annette Bening playing a murderous A.I.

Full Review: https://tinyurl.com/sw8247t

Captive State: 1 Star

-An intriguing sci-fi premise with a lifeless script, the potential for interesting twists and turns is neutered by a lack of narrative flare.

Cats: 1 Star

-The kind of movie that makes you want to shower afterwards.

Full Review: https://tinyurl.com/tzjx5v8

The Current War: 2 1/2 Stars

-More flash than substance, which in an odd way makes it a suitable treatment of the very publicity-minded battle between Edison and Westinghouse. Overall, it feels more like an educational video or a History Channel special, but there are things worth the trip, like the performance of Benedict Cumberbatch.

Full Review: https://tinyurl.com/urewluk

The Dead Don’t Die: 0 Stars

-Jim Jarmusch has made some of the finest films I’ve ever seen and some of the worst. This unfunny, painfully obvious satire is firmly in the latter camp.

Full Review: https://tinyurl.com/w8bafdl

Doctor Sleep: 3 1/2 Stars

-An absolutely delicious villain coupled with overall strong performances and engaging, old-school filmmaking result in one of the better of the many Stephen King adaptations.

Full Review: https://tinyurl.com/sns6nhh

Dora and the Lost City of Gold: 3 1/2 Stars

-It takes a show meant to educate young kids about languages and turns it into a genuinely funny, exciting and engaging adventure movie that pulls of an “All-ages Indiana Jones” vibe shockingly well. One of the few movies that actually needs a sequel.

Full Review: https://tinyurl.com/t7tzyxq

Dumbo: 3 Stars

-The original is outdated enough that for once a Disney remake doesn’t feel like a cash grab, and Tim Burton turns in a beautiful movie with a great villain (who, strangely enough, is an obvious stand-in for Walt himself).

Full Review: https://tinyurl.com/wnkkvuz

Fast Color: 3 Stars

-A decidedly different superhero movie that scuttles itself a bit with its own franchise ambitions, but the first two acts deliver a serious story focusing on things superhero movies rarely touch on: addiction, abandonment, forgiveness and parenthood.

Full Review: https://tinyurl.com/sgytshn

Ford v Ferrari: 3 Stars

-Two hours of the movie is bog-standard biopic stuff elevated by Damon and Bale’s performances. The last third is an incredibly thrilling, no-special-effects race scene that will get the blood pumping even if you don’t give one whit about race cars.

Godzilla: King of the Monsters: 2 Stars

-An improved emphasis on visuals helps this one be better than its predecessor, but that ain’t saying a whole helluva lot.

Full Review: https://tinyurl.com/vcuhc44

The Good Liar: 2 Stars

-A strange mix of obvious twists and spoilers you couldn’t possibly see coming, the movie feels like it both plays fair and cheats with the audience. It’s a lurid potboiler elevated considerably by the immense talents of Mirren and McKellan, who are playing well below their weight class here.

Gloria Bell: 3 Stars

-Julianne Moore turns in a lovable, relatable performance in a movie that doesn’t otherwise differentiate itself much from the divorced-people-finding-their-life-again sub-genre of feel good movie.

Greta: 2 1/2 Stars

-The sleazy thrills of seeing Isabelle Huppert, one of the best of actresses, playing an unhinged psycho stalker is worth the price of admission, but the film itself doesn’t do enough to stand out from the thriller pack.

[erictmason]

Top 10 Disney Movies They SHOULD Remake

The Great Disney Remake Train shows no sign of stopping, especially after its most recent entry, “Beauty and the Beast”, managed to make a killing at the box office despite being, y’know, pretty Not Good At All.  Combine that with the fact that, last year, they were even willing to do a remake of “Pete’s Dragon”, a movie which has only ever been a cult classic at best, and it becomes clear there’s basically no aspect of its considerable film library Disney isn’t willing to mine going forward.  So, rather than bemoan the admittedly-tiresome reality of just how Corporate that strategy is, I thought I’d take the opportunity to think over a few Disney films that I’d actually like to see receive a remake.  The only criteria here are pretty simple:

1.) If Disney publicly attached its name to the film in question, regardless of in what capacity, it’s eligible.  

2.) The movie cannot have been remade by Disney already, nor can a remake be, concretely, in the offing.  There are a lot of prospective remakes supposedly under development at Disney right now, but if they don’t have as much as an announced director, I don’t count them as really underway.

Otherwise, though, it’s basically all fair game.  So let’s see what Disney movies might, in fact, have something to gain by being revisited, shall we?

10.) Atlantis: The Lost Empire (Gary Trousdale/Kirk Wise, 2001):

I don’t necessarily share the immense nostalgic affection with which quite a few Disney fans view the original “Atlantis: The Lost Empire”.  Even so, I do feel like it’s a movie with an easily workable core and a solid cast of characters which, by virtue of the rather-desperate circumstances under which it was made (the movie was pretty transparently aiming to capitalize on the then-recent explosion of Anime into the American mainstream, to the point where some suspect it cribbed more than slightly from “Nadia: The Secret of Blue Water”), came out rushed and incoherent.  A remake, able to capitalize on the aforementioned Nostalgia cache the move has built up over the years thanks to its atypical-for-Disney aesthetic and tone, could very easily step in and fix those flaws (not least of all by doing more to address the White Savior stuff that fuels the plot).  As well, I can’t help but feel like Live Action/full-stop CGI animation could prove a much better fit for the Mike Mignola-designed aesthetic of the original.  And, if nothing else, don’t you want to find an actress capable of bringing Kidagakash to life?

9.) Oliver and Company (George Scribner, 1988):

For the most part, the beginning of the “Disney Renaissance”, that period of consistent box-office and critical success Disney experienced during the late 80’s and early-to-mid-90’s, is credited to the 1989 release of “The Little Mermaid”.  And to be sure, that mega success is unquestionably important.  But prior to that, Disney kept itself afloat with somewhat humbler success stories.  But where, to my mind anyway, 1986’s “The Great Mouse Detective” is basically perfect as it is, its successor, a peculiar attempt to translate Charles Dicken’s classic “Oliver Twist” to modern-day New York City with animals as its primary characters, feels like an interesting concept marred in the execution.  Keep the animal conceit, sure, and maybe some of the songs too.  But dump the more dated stuff (Bill Sykes as a predatory lender especially) and try to find some way to put Dickens’ edges back into the story a bit.  Definitely work to make the cast better defined and more engaging, too. Do all that, and you could wind up with a version of this story that is just crazy enough to work.  

8.) Condorman (Charles Jarott, 1981):

You know what’s all the rage these days at the movies?  Superheroes.  And wouldn’t you know it, Disney currently owns the absolute cream of that particular crop in the form of Marvel Studios.  But, as the smash-hit successes of both “Deadpool” and “Logan” over at 20th Century Fox have shown, audiences are also growing hungry for works that poke fun at, deconstruct, and do something to meaningfully comment on the nature of the genre as a whole.  So far, though, Marvel Studios proper, and thus Disney itself, has yet to capitalize on that quickly-growing trend.  The thing of it is, though, they already have a perfect vehicle to do so if they choose to use it.  The original “Condorman” is not an especially good film, awkward and uneven as it is.  But its dopey attempt to send up Spy Films and superheroes, combined with the brilliant design of its title “hero” (in reality a dorky comic book artist who stumbles into an espionage plot almost purely by accident), creates, to my eye at least, a perfect blueprint for a potential remake to run with in a sharp, satirical direction.  

7.) The Aristocats (Wolfgang Reitherman, 1970):

The 1970’s were not one of Disney’s better periods, either creatively or financially, and a lot of that can be seen pretty clearly in “The Aristocats”.  It’s not without its charms, to be sure, but it’s also pretty obviously just “101 Dalmatians” all over again, except with contemporary-England-and-dogs swapped out for old-school-France-and-cats.  Still, there’s nothing intrinsically wrong with that idea, and hey, as far as I’m concerned, cats could always use more movies about them that portray them in a positive light.  Plus, the opportunities for a remake to improve on this one are almost painfully obvious: heighten the absurdity, tighten the pacing, and if you’re really feeling daring, maybe do more with the class gap between O’Malley and Duchess the original only ever lightly touched.  It’s the absurdity element that feels especially key to me, though, especially in terms of differentiating “Aristocats” from “101 Dalmatians”.  The original’s best moments are unquestionably its most ridiculous, after all, and amping that up, could do a lot to inject the movie with a more unique and enjoyable sense of personality.  

6.) The Black Cauldron (Ted Berman/Richard Rich, 1985): At this point, "The Black Cauldron"'s reputation as one of the biggest flops in Disney history precedes it, even given the not-insignificant cult following it's picked up after finally receiving its first home video release in 1998 (nearly a decade and a half after its theatrical run).  But lost in analysis of its contentious place in the studio's canon is the fact that it's also a weirdly garbeld adaptation of the first two books of Lloyd Alexander's "Chronicles of Prydain" cycle of fantasy novels.  And as often happens in those cases, that means there are a lot of details that go unexplained or unresolved, from running gags like Flewder's harp and its breaking strings to significant plot points like the magic sword Taryn discovers.  But a big recurring choice in a lot of Disney's remakes of late is restoring elements of the source material that the previous Disneyification left out, and I don't know that any movie in the canon would benefit from that choice more than "The Black Cauldron".  You can keep the broad structure of the original, i.e. the characters of the first Prydain book, "The Book of Three", placed into the general plot of the second book for which the film is named.  But not only can we add some clarification around the edges (seriously, it is so easy to connect the story of that sword to even the heavily-revised version of the Horned King Disney created), more importantly we can also implant a lot more of the arch tone the books had, which would go a long way toward reconciling the original's rather confused take on the more-than-slightly deconstructionist story elements, to say nothing of likely making the movie less of a chore to sit through.  Supposedly, a new "Chronicles of Prydain" movie is in fact under development at Disney, so who knows?  Maybe we'll get the chance to see if this idea could actually work sooner than we think.

5.) The Black Hole (Gary Nelson, 1979): You've probably noticed a running theme of my choices here, namely that a lot of them come from eras where Disney, facing the loss of its traditional audiences in the wake of a changing cultural landscape, decided to start experimenting well outside their usual wheelhouse.  And perhaps the most wildly experimental periods of them all occurred in the late 70's and early 80's, when Disney committed its efforts to making some surprisingly-dark Sci-Fi/Fantasy live-action films.  But where 1982's "Tron" became a cult classic (if not an especially strong box office success) and 1983's "Something Wicked This Way Comes" has its Ray Bradbury source material to keep it alive in the cultural memory, "The Black Hole" has more or less fallen down the memory hole.  Not that it's hard to figure out why; its grim, existential tone and nightmarish imagery (most noticeably its robotic villain Maximillian) combined with its vague, confusing plot make it a movie without much in the way of a natural audience.  And while that sort of thing is no easier to sell to a massive audience now than it was back then, there is nonetheless too much potential that can be dug out of "The Black Hole" without really having to alter too much of the fundamentals.  Working to really dig into the sense of cosmic dread of the original, clarifying the moral and personal conflicts that drive its central antagonist, the Captain Nemo-esque Reinhardt, maybe easing up on the cutesy robot sidekicks (or else leaning into them as a way to underscore just how unnerving the atmosphere really is)...but most importantly, working to earn the frightfully illogical ending of the original.  Of all the picks on this list, "The Black Hole" strikes me as the least likely, because even today an outright Horror movie seems outside the Disney purview...but for that very reason, it feels all the more compelling a choice.

4.) The Hunchback of Notre Dame (Gary Trousdale/Kirk Wise, 1996): Even just a couple years ago, I don't know that I would have put this one on here at all, let alone this high up.  Disney's first "Hunchback" movie, while certainly not perfect, is nonetheless one of the more uniquely mature and well-crafted entries in the canon, and I don't know that the various simple nips and tucks one could make to it (like committing to the Gargoyles as solely creations of Quasimodo's imagination, as was originally planned) would really warrant a full-blown remake.  But then, early last year, I learned about a Broadway-style stage musical based on the movie (adapted from a German production from 1999).  This version, though it retains the original's soundtrack and some of its creative choices, incorporates a lot more of Victor Hugo's brutally-dark novel into the story (in particular, it is one of the only adaptations ever that allows Frollo to be the archdeacon of the cathedral as he was in the book).  That is not a choice I ever would have expected Disney to sanction (indeed, the original German version is a much more straightforward adaptation of the Disney movie), but now that I know they have, I'd say it is a very, very intriguing notion to bring that idea to the big screen.  Like "The Black Hole", that would indeed mean a movie the tone, themes, and aesthetic of which would indeed be well outside the studio's usual box, but not only is that a risk the company can afford to take more so now than ever before, I'd say there's a not-insignificant audience out there that is waiting for them to make exactly that kind of choice.  After all, as Disney and the studios it owns take up more and more space on the release schedule, a movie like this one could be might be welcomed as a positive sign that the studio can and will use its power position to take genuine risks.  

3.) The Rescuers (Wolfgang Reitherman/John Lounsbery/Art Stevens, 1977): Sometimes, you want to see a remake because the original has some kind of untapped potential; a wasted premise, an unexplored thematic angle, that sort of thing.  Other times, you want to see a remake because you love the original, and simply want to see the thing you love expanded upon.  That isn't quite the case for how "The Rescuers" wound up in this slot; I do love that movie, indeed it and its sequel (the very first Disney-made sequel to one of its animated films, and by a fair margin the best of them to date) are among my personal favorites of the Disney canon.  But you know what else I love?  The original "Miss Bianca" books by Margery Sharp, to which the film version, whatever else its merits, bears only the faintest resemblance (in particular, as you might note from the admittedly unofficial name I gave to the series, Bianca herself is much more emphatically the main character).  It's another case, in other words, of a Disney movie whose remake could benefit tremendously from returning to the source material and re-integrating it into the overall mixture.  But it's also the case, to my mind at least, where it's not only the easiest to reconcile the original movie with said source material (like "The Black Cauldron", the original movie essentially plucks the characters from one book and plugs them into the plot of another, though the attendant adjustments to the characters are less radical in this case, and the plots of both books have a lot more overlap), but also the easiest for me to envision what, exactly, the resulting movie would look like.  I realize that one can count, on one hand, without needing all the fingers, the number of actually-good movies centered around realistic tiny CGI characters interacting with a real-life environment, but I can think of no story more ideally suited to the format than "The Rescuers".

2.) Bedknobs and Broomsticks (Robert Stevenson, 1971): When one thinks of "splashy Disney musical primarily done in live-action but with significant animated elements", one naturally thinks first of "Mary Poppins".  Which makes sense, because "Mary Poppins" is a stone-cold classic (with a sequel/remake/??? on the way in the not-too-distant future, in fact).  But, even as its attempts to replicate that earlier success are pretty transparent, "Bedknobs and Broomsticks" has always struck me as an underrated little gem in its own right.  An ambitious narrative combining witchcraft with World War II, magical talking animals, and more, it's always resided mostly in "Poppins"' shadow, but its peculiar, distinctive identity not only could stand a bit more attention, it feels like a strong enough basis for a story that a second bite at the apple would seem warranted.  A remake in the present day would not have to contend with the legacy of "Mary Poppins" quite so tightly (even setting aside the aforementioned new "Poppins" film coming down the pipe), which means it wouldn't feel the need to imitate it quite so consciously, allowing the particular personality of its own story to shine through.  Because, for real, especially these days?  The idea of an older woman, seeking to explore the full potential of her abilities forced to contend with the relentless destruction of the Nazi War Machine, as seen through the prism of her reluctantly taking on a group of helpless kids in need of shelter?  Almost feels too relevant, on multiple levels, to The World Today, even as you don't need to draw the necessary lines all that explicitly to make those connections compelling.  And that's without even touching a finale that feels like it's begging for the modern effects industry to give it a go.  A "Bedknobs" remake, in other words, would not only rehabilitate a too-often-overlooked original, but provide a great experience in its own right.

1.) Robin Hood (Wolfgang Reitherman, 1973):   Hear me out on this one, folks.  I love this movie too, a great deal.  A lot of people my age do; even as it is still largely considered "minor" Disney at best, it has become a real nostalgic touchstone for a whole generation of kids.  And it's a great deal of fun, with wit and genuine whimsy and wonderful characters and even a remarkably adult perspective on Romance that is nonetheless entirely in keeping with Disney's usual fairy-tale love stories.  But even with all those things being true, it was also made on a nearly non-existent budget, not only forcing large chunks of it to be done by way of re-used animation (with some swipes going back as far as "Snow White And The Seven Dwarves", for goodness sake), but forcing the whole thing to just sort of...stop, rather than properly end.  It seems to me a remake could easily resolve both those problems (oh what I would not give to see the film's originally-planned ending executed properly), without losing an ounce of the special charm that made the original such an enduring movie for me and so many others.  Heck, it might even provide Disney a good excuse to do a cel-based movie for the first time in over half a decade, since they have every reason to think this thing would have a strong built-in audience that will show up no matter what and can thus afford to risk one last try at the olden ways.  After all, two of their biggest hits of 2016 were "The Jungle Book" (a remake) and "Zootopia" (a movie about anthropomorphic animals, with a fox as one of its lead characters no less).  Still, it's the creative more so than the financial potential that secures "Robin Hood" the top slot here.  The original is a good, special movie, but there is so obviously a great well of potential right there in plain view, begging for the opportunity to truly realize itself.  And that's the best reason for a remake there is, in the end.

[whimsiesofanerdgirl]

JANUARY 2020 YA FANTASY + ROMANCE BOOK RELEASES

JANUARY 2020 YA FANTASY & ROMANCE BOOK RELEASES

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JANUARY 7TH RELEASES

Title: City of Stone and Silence (The Wells of Sorcery #2), Author: Django Wexler, Publisher: Tor Teen, Publish Date: January 7, 2020; Genres + Tags: Young Adult, YA, Fantasy, Sci-Fi, Sci-Fi Fantasy, YA Fantasy, YA Sci-Fi Fantasy, Science Fiction

Synopsis: Django Wexler's City of Stone and Silence is the second book in the cinematic fantasy Wells of Sorcery Trilogy featuring a fierce young woman skilled in the art of combat magic on an epic mission to steal a ghost ship...

Title: Come Tumbling Down (Wayward Children #5), Author: Seanan McGuire, Publisher: Tor Books, Publish Date: January 7, 2020; Genres + Tags: Young Adult, YA, Fantasy, YA Fantasy

Synopsis: The fifth installment in Seanan McGuire's award-winning, bestselling Wayward Children series, Come Tumbling Down picks up the threads left dangling by Every Heart a Doorway and Down Among the Sticks and Bones When Jack left Eleanor West's School for Wayward Children she was carrying the body of her deliciously deranged sister--whom she had recently murdered in a fit of righteous justice--back to their home on the Moors. But death in their adopted world isn't always as permanent as it is here, and when Jack is herself carried back into the school, it becomes clear that something has happened to her. Something terrible. Something of which only the maddest of scientists could conceive. Something only her friends are equipped to help her overcome. Eleanor West's "No Quests" rule is about to be broken.

Title: A Heart So Fierce and Broken (Cursebreakers #2), Author: Brigid Kemmerer, Publisher: Bloomsbury YA, Publish Date: January 7, 2020; Genres + Tags: Young Adult, YA, Fantasy, Fairy Tale, Retellings, Romance, Beauty and the Beast, A Curse So Dark and Lonely

Synopsis: In the sequel to New York Times bestselling A Curse So Dark and Lonely, Brigid Kemmerer returns to the world of Emberfall in a lush fantasy where friends become foes and love blooms in the darkest of places. Find the heir, win the crown. The curse is finally broken, but Prince Rhen of Emberfall faces darker troubles still. Rumors circulate that he is not the true heir and that forbidden magic has been unleashed in Emberfall. Although Rhen has Harper by his side, his guardsman Grey is missing, leaving more questions than answers.

Win the crown, save the kingdom.

Rumored to be the heir, Grey has been on the run since he destroyed Lilith. He has no desire to challenge Rhen--until Karis Luran once again threatens to take Emberfall by force. Her own daughter Lia Mara sees the flaws in her mother’s violent plan, but can she convince Grey to stand against Rhen, even for the good of Emberfall? The heart-pounding, compulsively readable saga continues as loyalties are tested and new love blooms in a kingdom on the brink of war.

Title: Nameless Queen, Author: Rebecca McLaughlin, Publisher: Crown Books for Young Readers, Publish Date: January 7, 2020; Genres + Tags: Young Adult, YA, Fantasy, High Fantasy

Synopsis: One girl must make a name for herself--or die trying --in this royal fantasy where an unknown peasant becomes the ultimate ruler. But how long can she keep the crown if everyone wants her dead? Perfect for fans of Furyborn, Red Queen, and Everless. Everyone expected the king's daughter would inherit the throne. No one expected me. It shouldn't even be possible. I'm Nameless, a class of citizens so disrespected, we don't even get names. Heck, dozens of us have been going missing for months and no one seems to care. But there's no denying the tattoo emblazoned on my arm. I am queen. In a palace where the corridors are more dangerous the streets, though, how could I possibly rule? And what will become of the Nameless if I don't?

Title: The Night Country (The Hazel Wood #2), Author: Melissa Albert, Publisher: Flatiron Books, Publish Date: January 7, 2020; Genres + Tags: Young Adult, YA, Fantasy, YA Fantasy

Synopsis: The highly anticipated sequel to Melissa Albert’s beloved, New York Times bestselling debut The Hazel Wood! In The Night Country, Alice Proserpine dives back into a menacing, mesmerizing world of dark fairy tales and hidden doors. Follow her and Ellery Finch as they learn The Hazel Wood was just the beginning, and that worlds die not with a whimper, but a bang. With Finch’s help, Alice escaped the Hinterland and her reclusive grandmother’s dark legacy. Now she and the rest of the dregs of the fairy tale world have washed up in New York City, where Alice is trying to make a new, unmagical life. But something is stalking the Hinterland’s survivors―and she suspects their deaths may have a darker purpose. Meanwhile, in the winking out world of the Hinterland, Finch seeks his own adventure, and―if he can find it―a way back home...

Title: Scavenge the Stars (Scavenge the Stars #1), Author: Tara Sim, Publisher: Disney Hyperion, Publish Date: January 7, 2020; Genres + Tags: Young Adult, YA, Fantasy, Retellings, The Count of Monte Cristo', LGBT, Gender Swapped, Gender Bent, Duology

Synopsis: When Amaya rescues a mysterious stranger from drowning, she fears her rash actions have earned her a longer sentence on the debtor ship where she’s been held captive for years. Instead, the man she saved offers her unimaginable riches and a new identity, setting Amaya on a perilous course through the coastal city-state of Moray, where old-world opulence and desperate gamblers collide. Amaya wants one thing: revenge against the man who ruined her family and stole the life she once had. But the more entangled she becomes in this game of deception—and as her path intertwines with the son of the man she’s plotting to bring down—the more she uncovers about the truth of her past. And the more she realizes she must trust no one… Packed with high-stakes adventure, romance, and dueling identities, this gender-swapped retelling of The Count of Monte Cristo is the first novel in an epic YA fantasy duology, perfect for fans of Sarah J. Maas, Sabaa Tahir, and Leigh Bardugo.

Title: Shadowshaper Legacy (Shadowshaper #3), Author: Daniel Jose Older, Publisher: Arthur A. Levine Books, Publish Date: January 7, 2020; Genres + Tags: Young Adult, YA, Fantasy, Urban Fantasy, Paranormal

Synopsis: The epic conclusion to the acclaimed Shadowshaper Cypher series! A house divided Sierra and the shadowshapers have been split apart. Juan, Anthony, and Izzy are in jail, anxiously waiting to find out what will become of them. Back in Brooklyn, the other shadowshapers have been getting threatening messages from whisper wraiths, catching strangely shaped figures stalking them, and fending off random spirits. A war is brewing among the houses, and the very magic of the shadowshapers is at stake. The fate of the worlds Sierra is determined to protect her own in the coming conflict, even if that means keeping secrets from them. But a deal with Death by one of Sierra's ancestors has far-reaching consequences in the battles of the present, and as old fates tangle with new powers, Sierra will have to harness the Deck of Worlds and confront her family's past if she has any hope of saving the future and everyone she loves. Only doing so will mean following the magic to places the shadowshapers have never gone before . . . and may never return from. New York Times bestselling author Daniel José Older spins a masterful conclusion to his evocative and captivating Shadowshaper Cypher series in a finale of searing rebellion, the power of fate, and a magic unlike anything you've ever imagined.

Title: The Storm of Life (The Brillian Death #2), Author: Amy Rose Capetta, Publisher: Viking Books for Young Readers, Publish Date: January 7, 2020; Genres + Tags: Young Adult, YA, Fantasy, LGBT, Queer, Gender Fluid, YA Fantasy, Duology

Synopsis: The sumptuous and powerful conclusion to the gender-fluid duet begun by The Brilliant Death, hailed by Kirkus as "a delicious and magical intrigue too tempting not to devour" (starred review). Teodora diSangro and Cielo, the strega she loves, are on a mission to save their country of Vinalia from its manipulative leader, who wants to exploit streghe and use them as his weapons. But will marshaling a small but powerful band of streghe be enough to wrest power from a cunning dictator? And what if Teo's been setting her sights on the wrong enemy all along? This epic sequel to The Brilliant Death completes the Italian-inspired fantasy duology with shocking twists, steamy romance, and magic that will dazzle your imagination and make you wish Vinalia were a real place.

Title: When Stars Are Bright, Author: Amber R. Duell, Publisher: Crescent Sea Publishing, Publish Date: January 7, 2020; Genres + Tags: Young Adult, YA, Fantasy, Fairy Tale, Retellings, Historical Fiction, NY Vaudeville, Burlesque, Musical, Romance, Thumbelina

Synopsis: For Lina Holt, a Dutch seventeen-year-old with a flair for singing, 1930 is going to be her year. Her long-time boyfriend is about to propose and her mother will finally realize their relationship isn’t a passing phase. But when a stranger snatches her from her backyard, everything changes. Lina is thrust into the spotlight of a New York vaudeville show where she’s paired with Nik, a mysterious pianist. The two bond during rehearsals and it doesn’t take long before Nik puts himself at risk to confess a hidden truth. Without Lina, the show is in its last season and there’s no way she’ll be allowed to slip through the owner’s fingers. Not when she carries fairy magic in her blood—an gift that turns her song into a dangerously addictive drug. If Lina ever wants to return home, she must learn who to trust before she’s forced to remain a prisoner on stage forever. WHEN STARS ARE BRIGHT is a historical Thumbelina retelling with a touch of magic.

Title: Woven in Moonlight, Author: Isabel Ibanez, Publisher: Page Street Books, Publish Date: January 7, 2020; Genres + Tags: Young Adult, YA, Fantasy, Historical Fiction, Cultural Diversity, Bolivian inspired

Synopsis: A lush tapestry of magic, romance, and revolución, drawing inspiration from Bolivian politics and history. Ximena is the decoy Condesa, a stand-in for the last remaining Illustrian royal. Her people lost everything when the usurper, Atoc, used an ancient relic to summon ghosts and drive the Illustrians from La Ciudad. Now Ximena’s motivated by her insatiable thirst for revenge, and her rare ability to spin thread from moonlight. When Atoc demands the real Condesa’s hand in marriage, it’s Ximena’s duty to go in her stead. She relishes the chance, as Illustrian spies have reported that Atoc’s no longer carrying his deadly relic. If Ximena can find it, she can return the true aristócrata to their rightful place. She hunts for the relic, using her weaving ability to hide messages in tapestries for the resistance. But when a masked vigilante, a warm-hearted princess, and a thoughtful healer challenge Ximena, her mission becomes more complicated. There could be a way to overthrow the usurper without starting another war, but only if Ximena turns her back on revenge—and her Condesa.

JANUARY 14TH RELEASES

Title: The Conference of the Birds (Miss Peregrine's Peculiar Children #5), Author: Ransom Riggs, Publisher: Dutton Books for Young Readers, Publish Date: January 14, 2020; Genres + Tags: Young Adult, YA, Fantasy, Paranormal, Horror, YA Fantasy

Synopsis: “Do you trust me?” An instant bestseller, A Map of Days launched readers into the previously unexplored world of American peculiars, one bursting with new questions, new allies, and new adversaries. Now, with enemies behind him and the unknown ahead, Jacob Portman’s story continues as he takes a brave leap forward into The Conference of the Birds, the next installment of the beloved, bestselling Miss Peregrine’s Peculiar Children series.

Title: Dark and Deepest Red, Author: Anna-Marie McLemore, Publisher: Feiwel & Friends, Publish Date: January 14, 2020; Genres + Tags: Young Adult, YA, Fantasy, Fairy Tale, Retellings, Romance, LGBT

Synopsis: Summer, 1518. A strange sickness sweeps through Strasbourg: women dance in the streets, some until they fall down dead. As rumors of witchcraft spread, suspicion turns toward Lavinia and her family, and Lavinia may have to do the unimaginable to save herself and everyone she loves. Five centuries later, a pair of red shoes seal to Rosella Oliva’s feet, making her dance uncontrollably. They draw her toward a boy who knows the dancing fever’s history better than anyone: Emil, whose family was blamed for the fever five hundred years ago. But there’s more to what happened in 1518 than even Emil knows, and discovering the truth may decide whether Rosella survives the red shoes. With McLemore's signature lush prose, Dark and Deepest Red pairs the forbidding magic of a fairy tale with a modern story of passion and betrayal.

Title: Infinity Son (Infinity Cycle #1), Author: Adam Silvera, Publisher: Simon & Schuster Children's UK, Publish Date: January 14, 2020; Genres + Tags: Young Adult, YA, Fantasy, LGBT, Siblings

Synopsis: Balancing epic and intensely personal stakes, bestselling author Adam Silvera’s Infinity Son is a gritty, fast-paced adventure about two brothers caught up in a magical war generations in the making. Growing up in New York, brothers Emil and Brighton always idolized the Spell Walkers—a vigilante group sworn to rid the world of specters. While the Spell Walkers and other celestials are born with powers, specters take them, violently stealing the essence of endangered magical creatures. Brighton wishes he had a power so he could join the fray. Emil just wants the fighting to stop. The cycle of violence has taken a toll, making it harder for anyone with a power to live peacefully and openly. In this climate of fear, a gang of specters has been growing bolder by the day. Then, in a brawl after a protest, Emil manifests a power of his own—one that puts him right at the heart of the conflict and sets him up to be the heroic Spell Walker Brighton always wanted to be. Brotherhood, love, and loyalty will be put to the test, and no one will escape the fight unscathed.

Title: The King's Questioner, Author: Nikki Katz, Publisher: Swoon Reads, Publish Date: January 14, 2020; Genres + Tags: Young Adult, YA, Fantasy, Epic Fantasy

Synopsis: From the author of 'The Midnight Dance' comes an epic YA fantasy featuring royal drama, dark magic, and a secret that could topple a kingdom. Kalen has been cursed with a gift: he’s a mental picklock, able to access a person’s memories and secrets by touch. His skills make him the perfect questioner to the king, and he spends his days interrogating prisoners of the crown.

JANUARY 21ST RELEASES

Title: Ashlords (Untitled Duology #1), Author: Scott Reintgen, Publisher: Crown Books for Young Readers, Publish Date: January 21, 2020; Genres + Tags: Young Adult, YA, Fantasy, YA Fantasy, If you like The Scorpio Races

Synopsis: Red Rising meets The Scorpio Races in this epic fantasy following three phoenix horse riders--skilled at alchemy--who must compete at The Races--the modern spectacle that has replaced warfare within their empire. Every year since the Ashlords were gifted phoenix horses by their gods, they've raced them. First into battle, then on great hunts, and finally for the pure sport of seeing who rode the fastest. Centuries of blood and fire carved their competition into a more modern spectacle: The Races. Over the course of a multi-day event, elite riders from clashing cultures vie to be crowned champion. But the modern version of the sport requires more than good riding. Competitors must be skilled at creating and controlling phoenix horses made of ash and alchemy, which are summoned back to life each sunrise with uniquely crafted powers to cover impossible distances and challenges before bursting into flames at sunset. But good alchemy only matters if a rider knows how to defend their phoenix horse at night. Murder is outlawed, but breaking bones and poisoning ashes? That's all legal and encouraged. In this year's Races, eleven riders will compete, but three of them have more to lose than the rest--a champion's daughter, a scholarship entrant, and a revolutionary's son. Who will attain their own dream of glory? Or will they all flame out in defeat?

Title: The Circus Rose, Author: Betsy Cornwell, Publisher: Clarion Books, Publish Date: January 21, 2020; Genres + Tags: Young Adult, YA, Fantasy, Retellings, Romance, LGBT, Circus, Ringmaster

Synopsis: From a New York Times bestselling author, a queer retelling of “Snow White and Rose Red” in which teenage twins battle evil religious extremists to save their loves and their circus family. YA fantasy perfect for fans of Leigh Bardugo, Mackenzi Lee, and Laini Taylor. Twins Rosie and Ivory have grown up at their ringmaster mother’s knee, and after years on the road, they’re returning to Port End, the closest place to home they know. Yet something has changed in the bustling city: fundamentalist flyers paper the walls and preachers fill the squares, warning of shadows falling over the land. The circus prepares a triumphant homecoming show, full of lights and spectacle that could chase away even the darkest shadow. But during Rosie’s tightrope act, disaster strikes. In this lush, sensuous novel interwoven with themes of social justice and found family, it’s up to Ivory and her magician love—with the help of a dancing bear—to track down an evil priest and save their circus family before it’s too late.

Title: Gone by Nightfall, Author: Dee Garretson, Publisher: Swoon Reads, Publish Date: January 21, 2020; Genres + Tags: Young Adult, YA, Historical Fiction, Romance, YA Historical Romance

Synopsis: A young woman is torn between her home and her dreams during the Russian Revolution. It’s 1917, and Charlotte Mason is determined to make a life for herself in czarist Russia. When her mother dies, Charlotte is forced to put her plans to go to medical school aside to care for her unruly siblings. Then a handsome new tutor arrives. Charlotte has high hopes that he’ll stay, freeing her up to follow her dreams of becoming a doctor. But there’s more to Dmitri that meets the eye. Just when she thinks she can get her life back, Russia descends into revolution and chaos. Now, not only does Charlotte need to leave Russia, she needs to get her siblings out too--and fast. Can Charlotte flee Russia, keep her siblings safe, and uncover Dmitri’s many secrets before she runs out of time?

Title: The Iron Will of Genie Lo (The Epic Crush of Genie Lo #2), Author: F.C. Yee, Publisher: Amulet Books, Publish Date: January 21, 2020; Genres + Tags: Young Adult, YA, Fantasy, Paranormal, Angels, Demons

Synopsis: The fate of the heavens is at stake in this hilarious and highly-anticipated sequel to the The Epic Crush of Genie Lo Genie Lo thought she was busy protecting the Bay Area from demons. But now, as a Heaven- appointed Guardian, even the well-being of demons is her responsibility—and their numbers are multiplying. Guanyin and Quentin are doing their best to help; but what they really need is for the Jade Emperor to get off his butt and deal with the crisis. While he’s AWOL, Genie nominates Guanyin to fill in his shoes, unaware that the role will go to the god who can defeat a mysterious threat to the supernatural order. Along with a few other contenders for the throne, including a former enemy, Genie and her friends embark on a Heavenly quest to an in-between world. But when faced with true danger, the group realizes that what will save the universe this time is sacrifice, not strength.

Title: Rogue Princess, Author: B.R. Myers, Publisher: Swoon Reads, Publish Date: January 21, 2020; Genres + Tags: Young Adult, YA, Fantasy, Sci-Fi, Sci-Fi Fantasy, Science Fiction, Fairy Tale, Retellings, Romance, Cinderella, Gender Swapped, Gender Bent

Synopsis: A princess fleeing an arranged marriage teams up with a snarky commoner to foil a rebel plot in B. R. Myers' Rogue Princess, a gender-swapped sci-fi YA retelling of Cinderella. Princess Delia knows her duty: She must choose a prince to marry in order to secure an alliance and save her failing planet. Yet she secretly dreams of true love, and feels there must be a better way. Determined to chart her own course, she steals a spaceship to avoid the marriage, only to discover a handsome stowaway. All Aidan wanted was to “borrow” a few palace trinkets to help him get off the planet. Okay, so maybe escaping on a royal ship wasn’t the smartest plan, but he never expected to be kidnapped by a runaway princess! Sparks fly as this headstrong princess and clever thief battle wits, but everything changes when they inadvertently uncover a rebel conspiracy that could destroy their planet forever.

Title: Spellhacker, Author: M.K. England, Publisher: HarperCollins Children's Books, Publish Date: January 21, 2020; Genres + Tags: Young Adult, YA, Fantasy, LGBT, YA Fantasy, Magic, Heist

Synopsis: From the author of The Disasters, this genre-bending YA fantasy heist story is perfect for fans of Marie Lu and Amie Kaufman. In Kyrkarta, magic—known as maz—was once a freely available natural resource. Then an earthquake released a magical plague, killing thousands and opening the door for a greedy corporation to make maz a commodity that’s tightly controlled—and, of course, outrageously expensive. Which is why Diz and her three best friends run a highly lucrative, highly illegal maz siphoning gig on the side. Their next job is supposed to be their last heist ever. But when their plan turns up a powerful new strain of maz that (literally) blows up in their faces, they’re driven to unravel a conspiracy at the very center of the spellplague—and possibly save the world.

Title: Wardens of Eternity, Author: Courtney Allison Moulton, Publisher: Blink, Publish Date: January 21, 2020; Genres + Tags: Young Adult, YA, Fantasy, Historical Fiction, Historical Reimagining, Mythology, Egyptian, Germany, WWII, World War II, Nazis

Synopsis: Ziva Ellison has one memory of her parents, made the day they abandoned her on the streets of New York City when she was three years old. They left her with only a memory and a promise that she had a great and terrible destiny. Fifteen years later, Ziva discovers that destiny includes powers that she doesn’t understand and can barely control. Her magic attracts vicious, otherworldly monsters, and eventually compatriots to help her fight them. Sayer and Nasira know the secrets Ziva doesn’t; that Ziva is descended from Egyptian royalty and in possession of ancient magic passed down from the time of the gods. They promise to teach Ziva to control her magic and to give her the family she’s always yearned for. But trouble is brewing in the world around them; darkness is descending on Hitler’s Germany, threatening World War II. As the last heir of a revered Egyptian queen, Ziva is the only one with the power to prevent another costly global conflict. As Ziva navigates her newfound abilities and makes a connection with Anubis and other Egyptian gods, the Nazis are hunting for the ultimate weapon, and Ziva has caught their interest. From Courtney Allison Moulton, author of the acclaimed Angelfire series, comes Wardens of Eternity, an action-packed page-turner that blends history, mythology, and magic, perfect for fans of Rick Riordan and Kiersten White.

JANUARY 28TH RELEASES

Title: Blood Countess (A Lady Slayers Novel), Author: Lana Popovic, Publisher: Amulet Books, Publish Date: January 28, 2020; Genres + Tags: Young Adult, YA, Fantasy, Historical Fiction, Horror, YA Historical Horror

Synopsis: A historical YA horror novel based on the infamous real-life inspiration for Countess Dracula In 17th century Hungary, Anna Darvulia has just begun working as a scullery maid for the young and glamorous Countess Elizabeth Báthory. When Elizabeth takes a liking to Anna, she’s vaulted to the dream role of chambermaid, a far cry from the filthy servants’ quarters below. She receives wages generous enough to provide for her family, and the Countess begins to groom Anna as her friend and confidante. It’s not long before Anna falls completely under the Countess’s spell—and the Countess takes full advantage. Isolated from her former friends, family, and fiancé, Anna realizes she’s not a friend but a prisoner of the increasingly cruel Elizabeth. Then come the murders, and Anna knows it’s only a matter of time before the Blood Countess turns on her, too.

Title: Diamond City (Diamond City #1), Author: Francesca Flores, Publisher: Wednesday Books, Publish Date: January 28, 2020; Genres + Tags: Young Adult, YA, Fantasy, YA Fantasy

Synopsis: Good things don't happen to girls who come from nothing...unless they risk everything. Fierce and ambitious, Aina Solis is as sharp as her blade and as mysterious as the blood magic she protects. After the murder of her parents, Aina takes a job as an assassin to survive and finds a new family in those like her: the unwanted and forgotten. Her boss is brutal and cold, with a questionable sense of morality, but he provides a place for people with nowhere else to go. And makes sure they stay there. DIAMOND CITY: built by magic, ruled by tyrants, and in desperate need of saving. It is a world full of dark forces and hidden agendas, old rivalries and lethal new enemies. To claim a future for herself in a world that doesn't want her to survive, Aina will have to win a game of murder and conspiracy—and risk losing everything.

Title: The Frost Eater, Author: Carol Beth Anderson, Publisher: Eliana Press, Publish Date: January 28, 2020; Genres + Tags: Young Adult, YA, Fantasy, Romance, YA Fantasy, YA Romance

Synopsis: A lonely princess. A flying teen. A kidnapped girl who only remembers what happens at night. Seventeen-year-old Princess Nora is a frost eater who creates magical ice. Her royal life is luxurious but stifling. Krey West has a rare magical talent: when he eats feathers, he can fly. His one goal is to find his missing girlfriend, Zeisha. He thinks someone in power abducted her. Krey’s daring feats of magic earn him an invitation to the palace. Craving adventure and friendship, Nora offers to help him find Zeisha. He’s desperate enough to accept—though he hates the monarchy. The truth is more terrible than they could imagine. Every night, Zeisha wakes in a dark room full of sleeping people, unable to remember what she did in the light. Her dreams provide violent glimpses into her forgotten days. If Krey and Nora can’t save her, Zeisha may lose herself forever. Readers describe this post-apocalyptic fantasy novel as “magic-packed” with “action, romance, and intrigue” that’ll “pull you right into the pages.” Sink your teeth into The Frost Eater today.

Title: Seven Deadly Shadows, Authors: Courtney Alameda & Valynne E. Maetani, Publisher: HarperCollins, Publish Date: January 28, 2020; Genres + Tags: Young Adult, YA, Fantasy, Horror, Urban Fantasy, Retellings, Seven Samurai, Paranormal, Mythology, Cultural Diversity, Asian, Demons, Kitsune

Synopsis: Kira Fujikawa has always been a girl on the fringe. Bullied by her peers and ignored by her parents, the only place Kira’s ever felt at home is at her grandfather’s Shinto shrine, where she trains to be a priestess. But Kira’s life is shattered on the night her family’s shrine is attacked by a vicious band of yokai demons. With the help of Shiro—the shrine’s gorgeous half-fox, half-boy kitsune—Kira discovers that her shrine harbors an ancient artifact of great power . . . one the yokai and their demon lord, Shuten-doji, will use to bring down an everlasting darkness upon the world. Unable to face the Shuten-doji and his minions on her own, Kira enlists the aid of seven ruthless shinigami—or death gods—to help stop the brutal destruction of humankind. But some of the death gods aren’t everything they initially seemed, nor as loyal to Kira’s cause as they first appeared. With war drawing nearer by the day, Kira realizes that if this unlikely band of heroes is going to survive, they’re going to have to learn to work together, confront their demons, and rise as one to face an army of unimaginable evil.

Title: Tragedy of Me (Legend of Me #2), Author: Rebekah L. Purdy, Publisher: Month9Books, Publish Date: January 28, 2020; Genres + Tags: Young Adult, YA, Fantasy, Fairy Tale, Retellings, Beauty and the Beast, Romance, Paranormal

Synopsis: With the Curse of the Beast broken, Brielle Healer thought she’d left her bloody, gruesome past behind her. She thought she’d finally be able to have her happy ending with Raul, the gypsy who saved her life and she’s betrothed to. But when a new batch of dead bodies are discovered on her property, she doubts whether the curse was truly broken. Not to mention, Lord Kenrick’s brother, Daedric has shown up in town seeking information about his missing brother, who was last seen with Bri. He and other Knights of the Crowhurst Order want answers, answers that could very well endanger Bri’s life once more. But an encounter with Daedric has her wondering if perhaps Kenrick isn’t truly dead after all. That there might be a way to bring him back from wherever it is his spirit slipped into. However, as they delve deeper into research they discover an attempt to get Kenrick back will likely mean a trip through a hellish realm more powerful and dangerous than either can handle. But when tragedy strikes, Brielle knows she has nothing left to lose. And this might be her one chance to redeem herself for past failures and crimes. Raul Tinker spent his whole life trying to outrun his past. But the darkness has finally caught up to him, in the form of his vengeful sister Yalena, who blames him for their family’s downfall amongst their gypsy clan. She wants to destroy everything he loves, starting with Brielle. Although trained in magic, he knows he’s no match for the evilness she’s dipped her fingers into. Yalena promises not to harm Brielle, if Raul agrees to do her bidding. Which means people will die and the world will be opened up to unimaginable horrors. Raul knows no matter what he chooses, he’ll lose a piece of himself. Because the only way to stop her would be to allow the same darkness that consumes Yalena to consume him as well… But he will do anything necessary to ensure Bri's safety. Anything.

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[kacheeking]

the lost years/months/days

haven’t revisited/thought about things that I’ve been reading on my own terms for a while, but this was the last time I was taking note roughly from July 2015 to May 2016: 

no. 3 shit i’ve been reading: circa march 2016

Fasting Girls: The History of Anorexia Nervosa – Joan Jacobs Brumberg (Found this incredibly illuminating re: sainthood and 16/17th century starvation in the name of religion. Made me think more about the intersections of appetite, power, religion and how this came to a head in that age. The Victorian era sections were also really interesting, I think since I’ve never thought specifically about how food and physical appetite came into the picture even though I’ve known so much about social mores of the time and how that would have been in line? I think reading this overall, esp when they started getting closer to the modern age, I just held this sheer sense of being appalled by medical practice and how eating disorders were treated, viewed and patients subjected to unfair/uncomfortable/even dangerous power dynamics. Feel like it’s so difficult to be a woman, though it’s improving, and my feminist self balked at so much that went on in the book re: this screwed up relationship between physical appetite (sexual and food-related), madonna-whore complexes, freedoms and rebellions and how in the face of so much external pressure women turn inwards and into and on themselves.)

Living Beautifully – Pema Chodron (Last Buddhist book that we had to read for class as part of a course that aimed at understanding the conception of “self” through various lenses e.g. psychoanalytic, evolutionary-biology, religious, etc. Still struggle to reconcile a lot of Buddhist concepts with the reality of a modern nation-state framework that we have to live in. Can see its merits on an individual level but in class, was agitated when the professor seemed to dismiss/relegate discussions of privilege, and power to the sidelines, or equate sufferings that in my mind seem absolutely incompatible. Maybe I’m not “enlightened” yet? Maybe I don’t want to be.)

Brave New World – Aldous Huxley (Liked this more than other sci-fi that i’ve picked up. Can see why it’s a “classic”. also read this at a time when i was very much alone/wanted the experience of solitude. want to pick up more sci-fi in future, wondering why i was biased against this genre in the past??)

Devotional Poems – Joe Hall (didn’t seem clean enough, like some phrases were superfluous/didn’t add anything to the force of a poem. a lot of imagery, sound and fury but with no object or point. cacophonous but i didn’t enjoy this collection)

Once in the West – Christian Wiman (really enjoyed this. at first was disappointed – somehow poems that have monosyllable lines or single word lines strike me as irregular/ineffective (?) but this is unwarranted bias i suppose because a lot of the poems ended up having an unexpected resonance. reading wiman and also other poets in class i think you gain an appreciation for what objectively good poetry is. people say that art is subjective but that’s some bullshit at least at the preliminary stages because being an editor for a creative literary magazine i have read a LOT of bad writing and it is clearly not subjective. anyway, what was i on? always enjoy religious/devotional poetry specifically, and most of the time it is circa 16th/17th century, but wiman combines the modernist poetic aesthetic with something enduring and that always wins me over.)

Why be happy when you can be normal? – Jeanette Winterson (read this over two days, and by that i mean it took slightly over 2+/3 hours to get through it all maybe? incredibly easy to read which was why it went so quickly. liked this a lot and want to read more by winterson)

Nobody is ever missing – Catherine Lacey (read this over three days but grew more exasperated as it progressed. think i’m done with self-indulgence/characters who i perceive as self-indulgent. there is more draw for me, now, i think, to contemplate urgencies to others instead of urgencies only to yourself. i want to read not about escapism but about handling ties to history, ties to others, ties that threaten to envelope you but also uplift. this novel was about a woman who leaves a decent life to stay in a sullen silent space of isolation and somehow i cannot accept that anymore.)

numero dos: shit i’ve been reading circa jan 2016

Completed

The Bone Clocks – David Mitchell (i liked this and the fact that david mitchell writes so comfortably and well about/when placing his narrative in irish/english contexts. re: this book, i guess we handle/respond to mortality differently. the dystopian end made me think about wanting to recycle/be more environmentally-conscious) – January

Civilization and its discontents – Sigmund Freud (read this for class, again with all freud that i’ve read, some resonates and some i call total bullshit on (everything related to his gender theory tbh).

Man’s Search for Himself – Rollo May (read this for class. every time i read something approximating insightful about self-knowledge i somehow find a crack of doubt that then spreads across the text. there was a short segment about physicality and self-consciousness that i could see be true (and even then only in my context), but i lie in the crevice and believe that the self is unknowable so maybe this class is really just an exercise in futility 4 me?)

A General Theory of Love – Lewis et. al. (read for class again. Generally found this interesting, esp because it put a scientific spin on a theory of attachment and human connection. felt like the presence of objective science, though that is debatable, gave credence to the kind of subjective emotions we have all felt, and so was comforting in some small way.)

February: The Moral Animal – Robert Wright (for class again. basically an evolutionary biology perspective/explanation of morality. Interesting to see but idk, something about attributing so many things/our choices, etc. to biology feels inherently…wrong? but maybe that’s his point.)

Mlodinow, Leonard. Subliminal: How Your Unconscious Mind Rules Your Behavior (fascinating but Mlodinow jumps around a lot when writing and it makes me less inclined to believe him?)

What the Buddha Taught – Rahula (feel like the more I read about Buddhism, the more confused I am esp wrt to its metaphysical concepts. felt like a good introduction to something that’s been familiar all my life but i’ve never gotten to know intellectually. but there is something inherent about “unknowable” concepts that may be just shy of religious concepts, but still unacceptable to me)

Four Quartets – TS Eliot (probably one of the best collections of poetry that i’ve ever read. eliot goes into abstractions but grapples with the heart of the matter and there is anguish and brazen honesty and no hesitance to be ugly if that makes sense. need to reread this, probably aloud)

The Monk and the Philosopher – jean-françois revel, matthieu ricard (complicates/simplifies the ideas of buddhism? I can’t quite make up my mind. but the comparison to philosophy and subjecting it to the kind of ‘scientific’ and dialectical method was useful for me to understand it further. that is, beyond metaphors. side note: am q taken with this format of prose—conversation printed)

shit i’ve been reading circa July 2015 

Not that kind of girl – Lena Dunham (felt pretentious at a lot of points) – July

The diving bell and the butterfly – Jean Dominique Bauby (quite good) – July

Madness – Marya Hornbacher (this made me cry) -July

Eat and Run – Scott Jurek (motivation to run as all books about running are) – July

AWOL on the Appalachian trail – David Miller (gets boring if you haven’t been to the AT)

The Omnivore’s Dilemma – Michael Pollen (liked this. made me think about my choices and the exact ethical structure behind it – read also: consider the lobster by david foster wallace for a similar/alternative perspective) – August

What I talk about when I talk about running – Haruki Murakami (long time coming to read this, perfect short prose about the draw of running. feel like most people who enjoy running and associate it with thinking/contemplation will get it) – August

Bad feminist – Roxane Gay (brutal at points, beautiful mostly) – August

Under the banner of heaven – Jon Krakauer (this was incredible. well-researched and comprehensive but extremely smooth narrative about mormon fundamentalism.) – September

Valley of the Dolls – Jacqueline Susann (enjoyed this) – September

Consider the Lobster – David Foster Wallace (title essay is a gem, the rest ranged from obscure to mildly intriguing) – September

Everything I Never Told You – Celeste Ng (above average) – November

The People’s Republic of Amnesia – Louis Lim (emotional reporting, slated to go one way, but expectedly so) – November

History of Chinese Philosophy – Wing-Tsit Chan (need to reread, slowly, and in detail)

Drinking: A Love Story – Caroline Knapp (well-written and need to stop reading memoirs on vice/transferable behaviours) – November

Modern Romance – Aziz Ansari (ok. choice) – November

A Heartbreaking Work of Staggering Genius – Dave Eggers (liked this a lot, eggers has great arrogant style that works) – December

Slade House – David Mitchell (perfect short read. thrilling. fantasy.) – December

Fates and Furies – Lauren Groff (liked this but it ) – December

The Wind-up Bird Chronicle – Haruki Murakami (took a while to get into, but enjoyed this, esp folding routines that appeared in the book into my mind. there is a quietness that steals its way through the pages when the protagonist makes his sandwiches, thinks, goes deep into dry wells) – December