#to clarify they were never abusive to one another

[stalkingwindss]

Kissing your ex (Whom you don't really like as a person) as a form of closure. It's complicated

They miss each other, or at least who they used to be

Blonde - Kyushu Brunette - Serene

[marcyvamp1re-blog]

Pt.3 SILLLY LITTLE BAT.

pairings ⸺ Yandere! Platonic! Batfamily x Anti-hero! Fem!reader.

sinopsis ⸺ There are only memories, fragments of a past that, like shadows, will haunt you until your last breath, whispers of what was and will never be. Gotham cries out for a guardian, a soul to face the darkness, to challenge fate in its shadowy alleys.

But tell me, who will rise to protect you, traveler of scars and broken dreams? Who will watch over your light when the world swallows your hopes?

In the eternal night, amidst the echo of fear and longing, there is only one path: to confront the monsters and become the hero this city needs, even if the price is the forgetting of oneself.

warnings ⸺ Dark Themes, Dead, Religion, murdering,Disturbing Content, Unhealthy Obsession, Discrimination, Street Fights, Gaslight, Violence, Blood, LGBT Content, Child Abuse, Kidnapping, Implicit Sexual Content, Mental Illness, Addiction, Torture, Corruption, Isolation, Trauma, Phobias, Paranoia, Manipulation.

Chapter guide! Pt.1 Pt2. Pt.4

A/N — English is not my first language—Spanish is— Here is the continuation of the other parts. There will be a few more parts but you should know that we will soon reach the end, but there are still things to clarify and so on. I don't know if you would like me to do another Batfam yandere series in the future or similar. Send me your ideas if you want :3

They are upset because I left

Where they never included me.

The car moved slowly under the gray sky of Gotham, as if the universe itself understood the weight of the pain you carried in your small figure. Commissioner Gordon, with his firm hands on the wheel, cast furtive glances at the rearview mirror, where he saw you curled up in the back seat. Wrapped in an old blanket, the same one you had hugged for days, your face was hidden among the folds, but the silent tears that fell could not be disguised. There were no words that Gordon could offer to heal the recent wound of losing your mother, but his empathy, though silent, was there, wrapping around you like the coat that couldn't quite warm you.

In your lap, a small Batman doll rested, pressed against your chest, as if that fabric toy could protect you from the world that had just destroyed your innocence. Your eyes, still swollen and red, looked out the window without seeing, watching the city that seemed so distant, so foreign.

"You will be loved and cherished," Gordon whispered, breaking the silence that had weighed like fog in the car. "Bruce Wayne... he will take care of you, I promise."

But you didn't respond immediately. The name Wayne felt strange, distant, as if he spoke of someone living in a story, not in your reality. You looked up, your eyes meeting Gordon’s for a second in the rearview mirror.

"And if they don't want me...?" you murmured, insecurity clouding your childish voice. "I don't know them, Commissioner... and they don't know me. What if they leave me in an orphanage? Mama always told me those places aren't nice."

Gordon swallowed hard, understanding the depth of your fear. "You were just a child, but you had already learned that love was not a guarantee." The world had taught you that cruel lesson too soon.

"The Waynes..." he began, searching for the right words, "are good people. You might not understand it at first, but I assure you they have suffered too. Bruce..." he paused, recalling the losses that man had faced. "He understands what it is to lose someone. He will do everything he can to make you feel safe, to help you find a home again."

But you kept looking at the doll in your hands, your fingers squeezing it tightly, as if it were the only stable thing in a world crumbling around you.

The silence grew heavy, uncomfortable, as if the words wanted to come out but didn’t know how. Again, Gordon spoke, his voice low, almost afraid to break the stillness.

"And/y/n... what was your mom like?" he asked softly, not taking his eyes off the road, as if by doing so, he could give you space to be honest, to not feel pressured.

You fell silent for a long moment, your small fingers nervously playing with the edges of the blanket. The world outside the car seemed a reflection of what you felt inside: cloudy, cold, distant.

Finally, you exhaled, as if gathering the courage to speak. Your voice came out shaky at first, filled with a mix of sadness and a hard-to-accept truth.

"My mom..." you murmured, not taking your eyes off the window. "She wasn't a good person, but... she wasn't a villain either."

Gordon nodded slowly, without interrupting you. He knew things were rarely black or white, that life had that cruel ability to mix the two.

"She... told me she grew up in an orphanage. She never had anything that was really hers." You paused, your eyes glassy as you recalled details that now seemed more painful than ever. "Well, except for me."

"Gordon felt a knot form in his throat." He knew that loss was a terrible burden to bear, but there was something more in your words, something suggesting that, amidst it all, there had also been love. An imperfect love, but real.

"She always dreamed of having a little house..." you continued, and for the first time, a faint smile appeared on your face, though it was tinged with melancholy. "A house with a garden, lots of Barbie dolls, and a little dog. She didn't need more. She just wanted something that was hers."

You stopped for a moment, as if the simple act of recalling those dreams your mother had hurt you. You knew she would never have them. That the world had been cruel to her, denying her even the small things she wished for so fervently.

"But... she never got it. We were always moving around, fleeing, searching for something better. And now... she doesn’t even have that."

The car seemed to shrink, the air denser. Gordon felt a wave of compassion for that woman who, though perhaps not perfect, had dreamed of something so simple, so human, and yet had not achieved it.

"I'm so sorry, Y/n," he murmured.

"Commissioner, what if... what if I can't forget her?" you asked, almost in a whisper. "What if I can't stop thinking about Mom?"

The silence in the car became heavy, almost tangible. Gordon wanted to tell you that you didn't have to forget, that it was natural to carry that pain. But the words didn't come, and instead, only a long sigh escaped his lips.

"It's not about forgetting, Y/n," he finally said, his voice low but firm. "It's about moving forward, even though it hurts. Your mother would want you to find happiness again, even though it may not seem possible now. And I’m sure Bruce will do everything in his power to help you."

The car turned onto the long, dark road leading to Wayne Manor. The trees formed a tunnel of shadows, as if the road were wrapped in the same mourning you carried within. The mansion, with its imposing grandeur, appeared in the distance, its walls as high as the secrets it held. "You were so small in the face of the immensity of this new life that awaited you."

"We're almost there," Gordon said softly, as he slowed down. "The wind outside whispered through the trees, like an echo of everything you had lost."

You didn’t know it at that moment, but that house would be full of stories, some broken, others in the process of healing. And although you felt like a stranger in a strange land now, Gordon hoped that, one day, that place would become your refuge.

The car stopped in front of the enormous gates. Gordon looked at you one last time before getting out. In his eyes, you could see a mix of sadness and hope, an empathy that went beyond words.

"You are not alone, Y/n," he said, his voice now firmer. "You will never be alone again."

You remained silent, gazing at the mansion as you clung to the blanket and the Batman doll. The weight of the world still rested on your small shoulders, but for the first time, there might have been a glimmer of relief in knowing that someone, even if he was a strange and distant man, was waiting for you inside."

And in that moment, although you still felt the burning pain of your loss, a ray of hope began to break through the shadows of your heart.

Y/n was sitting in the BatCafé, that corner of the city where the tables wobbled and conversations were woven into murmurs, as if the place knew how to keep secrets that even you wouldn’t dare to share aloud. The walls, a mossy green, were filled with stories that no one had asked for. She looked at her lukewarm latte as one looks at a future that hasn’t quite arrived, a liquid mockery evaporating before it could warm her hands. It had barely been a month since she left her family home, but she already felt that independence was more of a myth than a fulfilled dream. At first, the heroism of having thrown herself into the world had filled her with pride, but now reality lurked like a treacherous chill seeping through the cracks, and the fact that she was waiting for her potential roommate didn’t help matters.

“Well, at least the rent will be cheaper,” she told herself, or rather to the coffee, as if the dark liquid could reply with something sensible.

Sharing an apartment was, for Y/n, the only way out. Her salary barely covered survival, but only if she fed on fresh air and broken dreams. And there she was, waiting for someone named Pamela Isley, who, according to the ad, didn’t even seem to be from this planet. "I hope she’s not one of those people with invisible cats," she thought. Of course, the alternatives weren’t very promising: people who collected Batman figurines or guys who made friends with cockroaches in the kitchen. She had seen it all; after all, her apartment was in one of the most dangerous areas of Gotham, and she knew it all too well.

You were born in that area. One could say the neighborhood chose you before you had a chance to choose it. You didn’t remember exactly which apartment; in that hive of broken windows and half-painted bricks, all the floors seemed like a blurry copy of the previous one, each with the same square footage and an air of silent resignation. In the end, it didn’t matter, because in a way, everything was the same. Dust in the corners, worn tiles, cracks in the walls that seemed to form a map of some invisible and secret city, a place that only you could decipher if you stopped to observe long enough.

It was an unpretentious place, where people rarely smiled, but neither did they let themselves be trampled. There was something in the air, a kind of poorly disguised pride, as if every neighbor, every stray dog, knew that surviving there wasn’t a matter of luck but of will. Heroes didn’t exist in that corner of the world, but villains didn’t dare impose their law without facing some gaze that, without saying anything, said it all. It was rough terrain, where kindness camouflaged behind growls and complaints, and malice grew tired before it could fully settle.

And yet, you loved it. It was absurd, but you loved it with that devotion reserved for things you don’t choose, for roots that sink into your chest without asking for permission. The place was filled with memories you didn’t ask for, stories you never wanted to hear but that seeped into your skin. Tales of people who vanished in alleyways, of broken promises around the corner, of loves that drowned in factory smoke. And yet, those same tales were like echoes that held you, reminding you that you were born there, in that half-hell where life was always a fight but never a complete defeat.

The clock in the BatCafé struck six ten when the door opened. What happened next was hard to explain, like when you dream and you don’t know if it’s the pillow or the universe holding you. Pamela Isley walked in, and it was as if the wind, that autumn wind that brings memories, had gently pushed her in. Y/n looked up, and the first thing she noticed was her hair, a red that was out of this world, more fire than pigment, more nature than dye. The roots tangled as if they were living branches, and for a moment, Y/n wondered if the sun had made a mistake and was shining only on her.

Pamela walked as if she had a pact with the earth. Her steps were slow but firm, as if her feet waited for the ground to respond before settling. She wore a jacket that was impossible to describe without sounding crazy: green vines and small buds peeking out, as if at any moment the plants would grow over her. "Where does this woman come from?" Y/n thought, feeling something beyond mere curiosity. There was something she couldn’t deny, an attraction that felt unsettling, like those waves that, without warning, sweep you away when you think you can still touch the bottom.

Pamela approached the table with a calculated calm, a calm only nature or time can sculpt. And then she smiled. In that smile, Y/n felt something familiar yet strange, as if she were facing a younger version of her mother, but instead of being terrifying, it was comforting. What was happening?

“Y/n L/n?” Pamela said, her voice reminiscent of the whisper of dry leaves underfoot.

“Yes, that’s me,” Y/n answered, trying to make her voice sound normal, even though everything inside her felt out of place.

Pamela sat down across from her, crossing her legs with an almost feline elegance. The BatCafé seemed to conspire around them; the air smelled of wet earth and freshly brewed coffee, a strange mix, like the combination of what was about to be born and what had already died.

“I didn’t expect you to be…” Y/n began, not knowing exactly how to finish the sentence. She wasn’t even sure what she was expecting.

“Strange?” Pamela completed, with a playful smile that left Y/n with a sense of defeat and fascination in equal parts.

“Something like that,” Y/n replied, looking at Pamela’s hands. Her long, slender fingers were covered in small green spots, as if she had just planted a forest with her own hands. There was something almost magical about her, as if every part of her being was connected to the earth in a way that Y/n couldn’t quite understand. And there, amid that confusion, was the fine thread of attraction.

Pamela let her gaze fall on her own latte, turning it between her hands as if it were about to reveal some hidden secret in the foam.

“So, what do you do? I mean… aside from, you know… looking like you walked out of a Tim Burton movie,” Y/n said, attempting a bit of humor to ease the tension she felt in her stomach.

Pamela glanced at her and laughed softly, a laugh that felt like an unexpected breeze on a hot day.

“I’m… a caretaker. Of plants.” She paused, gauging Y/n’s reaction. “And other things.”

“Other things?” Y/n asked, intrigued but also amused by the way Pamela toyed with the mystery.

“Yes, like people who don’t know how to water a plant without drowning it,” she replied, arching an eyebrow mischievously.

The response made Y/n laugh, a laugh she hadn’t expected, as if Pamela had found a way to touch something deep within her, something that hadn’t bloomed in a long time. And without being able to help it, she felt drawn, not just by the way Pamela moved, spoke, or even by the air of mystery surrounding her, but because there was something more, something familiar, something that reminded her of her mother, but without the shadows of authority and judgment. It was like a wild, free version of what had once been security.

“So… are you going to save my cactus or criticize it?” Y/n said, trying to sound casual while feeling that her heart had started playing a game of chess with her emotions.

Pamela smiled again, and this time it was a different smile, one that seemed to carry a promise.

“It depends. Would you let me stay to try?” Pamela said, with a playful seriousness that left Y/n unsure whether the question was about the cactus or something much larger.

Y/n blinked, trying to process the phrase, but deep down she knew that any answer would sound awkward. Pamela’s question hung in the air between them like a leaf falling slowly, right at the perfect point where it was neither entirely a joke nor completely serious. And there she was, caught in that space, wondering whether she should laugh or just blush.

“Well… you can try,” she finally said, trying to hide the warmth creeping up her face. “But I can’t promise the cactus will survive. I’m something like… a serial plant killer... When I was younger, I had time to care for them as they deserved, with help from… from my father. But now work consumes me a lot, and the truth is I’ve neglected them too much… they must feel the same way I felt when… sorry, I talk too much about myself, don’t I?”

Pamela raised an eyebrow, with a smile that seemed to say more than either of them dared to voice at that moment.

“Oh, no, keep talking about yourself; I’m used to it. I have very… eccentric friends, to be honest.” She leaned a bit closer, as if about to share a secret. “Though I prefer not to work under threats, so don’t look at me like I’m going to be your next plant murder victim. But I doubt a little scared bat can kill even a fly.”

Y/n laughed nervously, surprised at how easy Pamela made everything. She, who had always been clumsy with conversations and glances, felt like the words flowed with Pamela in a way she didn’t quite understand but didn’t want to question either.

“...Little Bat?” Y/n asked, with a clumsy and blushing smile as her fingers nervously toyed with the edge of her cup.

Pamela let out a low giggle, that laugh that always seemed to carry the sound of dry leaves being trampled in autumn. With a gentle gesture, she pointed to her clothes.

“Is it that obvious?” she said with a half-smile, raising a playful eyebrow as she leaned a little forward.

She wore a dark fur coat, enormous, with a wide fall that, under the dim light of the BatCafé, seemed to have the precise shape of bat wings extending. The high, well-fitted black boots completed the image of a figure that seemed to have emerged from the very shadows. And for a moment, Y/n didn’t know whether to laugh or get lost in that air of mystery that Pamela seemed to wear like a second coat.

“Well…” Y/n diverted her gaze with a shy smile, “it’s not like you’re hiding it much.”

Pamela smiled with that touch of mischief that characterized her.

“Does it bother you? I’m sorry, it’s just… I’ve been fascinated by bats since I was little.” she asked, her voice low and slow, as if measuring every word, as if the world were a delicate plant that required to be touched with the tips of her fingers.

Y/n let out a small nervous laugh, feeling the heat rising to her cheeks again.

“No, not at all. I think it’s…” she hesitated for a second, searching for the right word, unsure how to avoid the obvious, “I think it suits you well.”

Pamela watched her for a moment, and then, with that look that always seemed to go beyond what words said, added:

“You’re turning red, you know?”

Y/n’s eyes widened a bit more, surprised by Pamela’s directness, but all she could do was laugh at herself.

“Well, it’s just that, I’m not really used to… this.”

“This?” Pamela repeated, raising an eyebrow. “Sharing coffee with someone or bats?”

“Both,” Y/n admitted, shrugging, which provoked another smile from Pamela. “I always wanted one as a pet… but I have a vegan little brother who’s very… spooky… so I’ve always been afraid he’d steal it from me or accuse me of having exotic pets.”

Pamela settled into the chair, not taking her eyes off Y/n.

“But you’ll get used to it,” she paused, letting her words float calmly.

Y/n felt a shiver run down her spine, a mix of nerves and a spark of something she couldn’t quite define. Pamela’s dark coat and relaxed smile were a disconcerting yet strangely familiar contrast, as if they had always been there, waiting for her. And suddenly, all she could do was wonder how soon that would happen… getting used to it.

“Although I can’t promise my apartment isn’t… a battlefield,” Y/n said, trying to sound confident, but noticing the slight tremor in her voice.

Pamela looked at her intently for a moment, with that mix of flirtation and something deeper, something that seemed impossible to decipher completely. Then she relaxed in the chair, as if the game had just begun.

“A battlefield, huh?” she said, playing with the spoon of her coffee. “Well, I like challenges. And chaotic places have their own charm if you know where to look.” Pamela let the phrase slide smoothly, like someone throwing a stone into a lake and waiting for the ripples.

Y/n couldn’t shake the feeling that every word Pamela spoke carried a double meaning, but far from making her feel uncomfortable, it sparked something akin to contained laughter, as if they were sharing a private joke that she was just beginning to access.

“Don’t you have plants at home?” Pamela suddenly asked, as if the question had sprung from the foam of her coffee.

“Well, there are a couple of cacti… and a fern that I think hates me,” Y/n replied. “But I always forget to water them. Or I overwater them. Seriously, it’s like plants come to me already doomed.”

Pamela smiled, one of those slow smiles that seem to grow little by little, like a sprout deciding when the perfect moment to emerge into the light is.

“It’s not just about water, Y/n,” she said, with that voice that seemed to carry the calm of the wind and the weight of centuries of nature. “Plants need attention. Patience. Sometimes they just want to know you’re there, even if you don’t say anything.” She paused, letting Y/n’s gaze get lost in her eyes. “Sometimes, like people.”

Y/n felt a little shiver. It wasn’t what Pamela was saying, but how she was saying it. There was something in her voice that disarmed her, as if every word had been calculated to penetrate a defense that Y/n hadn’t even realized she had up. And then, almost without thinking, she let slip a truth she rarely shared.

“I’m not very good with people.” The confession came out of her mouth before she could stop it. She said it without drama, almost as if she were talking about the weather. But something in Pamela changed, barely perceptible, like a leaf moving without the wind touching it.

“Really?” Pamela asked softly, but without an ounce of pity. Just curiosity.

Y/n looked down for a moment, fiddling with the edge of her cup, before daring to continue.

“I grew up in a huge house, but… empty. My father… well, he was busy with his things. Business, parties, the usual. Shrugging it off, wanting to downplay it, even though inside she knew it wasn’t something that could easily fade away. Alfred, the butler, raised me. And yes, he was amazing. But it was always just him and no one else. It’s not the same as having… friends.”

Pamela listened in silence, but not in that awkward way where people listen just to see how you respond afterward. No, there was something in her attention that enveloped Y/n, as if she were giving her space to bare herself without fear of being judged.

“You never had friends,” Pamela asserted more than asked.

Y/n shook her head.

“Until now,” Pamela said, with that same softness that seemed to have become her trademark, and something in Y/n’s chest stirred, as if she had just heard the most important thing in the world.

There was a moment of silence, but it wasn’t uncomfortable. It was a silence that somehow connected them. And then Pamela broke the spell, with a mischievous smile that lit everything up again.

“So… are you going to let me be your first friend, or would you rather keep killing plants?”

Y/n couldn’t help the laugh that escaped her lips, a sincere and liberating laugh, as if something inside her had broken an invisible chain. After all, it was clear that Pamela wasn’t just another person passing through her life. There was something different about her, something that made the air feel lighter, that made the future seem less uncertain.

“Well, if you can survive the cactus…” Y/n said, leaving the sentence unfinished, but knowing Pamela would understand.

And then, for the first time in a long time, Y/n felt that everything might be okay. That maybe, just maybe, Pamela Isley wasn’t just a roommate, but the first person in a long time with whom she could imagine a less lonely future. She was already caught in that web, and the worst, or perhaps the best part, was that she didn’t care at all.

Bruce Wayne was sitting in the mansion's garden on a gray afternoon that seemed to drag memories along like the wind drags fallen leaves. In his hands, a cup of black coffee, still steaming, its strong and bitter aroma mingling with the scent of damp earth after the rain. In front of him, on a small wrought-iron table, rested a piece of dark chocolate cake topped with melting strawberry ice cream, forming a pink puddle around it. But he found no pleasure in the view. It was more of a bitter symbol of a routine he once believed unbreakable.

In the garden, where the wilted flowers swayed gently, a little girl flitted about with contagious energy, as if the chill of the afternoon did not exist for her. Her laughter, so innocent and pure, filled the air, breaking the sepulchral silence that seemed to reign in that old home for a moment. She wore a pink dress with small white dots, an 80s style that would have been charming in another time but now seemed out of place with the scene. Her patent leather shoes shone as she ran back and forth, chasing her dolls.

In her small hands, she held action figures, one of the Batman her father portrayed and another of the Joker, his eternal rival. The girl, no older than six, organized her battles with adorable seriousness. In a high-pitched, mischievous voice, she brought the characters to life, staging an epic duel between hero and villain.

“You won’t defeat me this time, Batman!” she exclaimed, raising the Joker figure with a malevolent laugh.

“I will stop you! I always do...” she replied with her other hand, giving voice to Batman, but with a childlike touch that contrasted with the darkness of the character.

Bruce watched the scene with a mix of tenderness and pain. He knew she wasn’t really there, that this vision was nothing more than a distant echo of what never was. Y/n, his little Y/n, had vanished months ago. And he… he had never given her the love she deserved, always wrapped in his own shadows, in his endless struggle to protect a city that never rested.

The air felt thick, heavy with nostalgia and regret. The girl continued to play, laughing, talking to her dolls, oblivious to the weight of the years, to the loss. And Bruce, although he knew it was an illusion, couldn’t look away; he couldn’t stop imagining what it would have been like to give her what he never knew how to offer. What it would have been like to see her grow, to laugh more, to run through those gardens with the carefree spirit only childhood allows.

Suddenly, the sound of soft footsteps interrupted the daydream. Alfred appeared at the garden entrance, always elegant, always with that air of discretion and understanding that only he possessed. He approached slowly, placing a hand on Bruce’s shoulder as if he understood the pain that kept him trapped in that scene.

“Mr. Wayne” he said in a low voice, filled with compassion, “it’s time to come back.”

Bruce closed his eyes for a moment, letting Alfred’s words seep into his consciousness. He knew what they meant. He knew that girl, in her 80s dress and her dolls, was nothing but an idealized memory, a distorted reflection of what never was. Because Y/n wasn’t like that. She didn’t like those old dresses; she had always preferred the fashion of the 2000s, with its vibrant colors and comfortable clothes. And she never enjoyed the chocolate cake now sitting in front of him. She liked carrot cake, simple and sweet, but he had never paid attention to those details when he still could.

How did he know those little details about his daughter? Bruce often wondered. It wasn’t because he had learned them by being close, because proximity had been a luxury he never allowed himself. No, those small fragments of her life he had discovered in the album that Alfred kept with an almost reverential discretion. That album was more than just an object; it was a silent refuge where Alfred had archived what the big house, always filled with shadows and echoes of footsteps that never came, had refused to hold.

The day the children learned of the album’s existence marked the beginning of a chaos he still remembered with a mix of exasperation and a contained smile. They had decided, like little conspirators, that treasure belonged to them. A kind of all-out battle had ensued in the mansion, something that over time acquired the quality of family legends.

Bruce, standing in the study, could still see the sparkle in Damian’s eyes, the intensity, the almost playful fury with which he had taken that assault as a personal mission. Damian, with his perpetual impatience, had been the fiercest of all. He vividly remembered how his youngest son had burst into the room wielding two katanas, with the cold precision of a millennia-old warrior, even though his hands were still too small to fully grasp the handles.

“It’s mine!” Damian shouted, with that mix of stubbornness and vulnerability that only the youngest possess, as if he could cut not only the air but the very uncomfortable silence that always floated between them.

“It belongs to all of us, Damian” Bruce had tried to intervene, with that authoritative voice that, curiously, never managed to control his own children as he did with the chaos of the city.

But Damian wasn’t listening. For him, the album was not just an object; it was a relic, a bridge to something he felt but couldn’t name. His sister Y/n, so distant in daily life, was closer in those pages than in any superficial conversation they had ever had. She was his sister, but not enough. He wanted those photos, those notes that Alfred had kept, he wanted to understand what it was about her that slipped away from him daily.

Bruce watched from the threshold, not really intervening. He let the chaos unfold, as if it were necessary. The children fought, but it wasn’t just for the album. They fought for something deeper, a kind of silent reclamation of what they had never been able to have: time, connection, perhaps even love. Alfred, from a corner, merely smiled with that quiet wisdom, knowing that those battles of childish katanas, of shouts and disputes over photos and notes, were actually the way they tried to find each other in a house full of absences.

Bruce sighed, remembering. Alfred had always known more than he did, always understood those invisible things that Bruce, no matter how much he wanted to, could never quite grasp. And so it was that he himself, at the end of it all, also ended up snooping in that album, with a silent curiosity he would never admit. There, in those carefully tended pages, he found his daughter. Or at least, he found the idea of her, the pieces of a life he hadn’t shared but that, somehow, had always been present in those photos, in those little notes that Alfred, more of a father than he was, had kept with such love.

“She won’t come back, Alfred... I lost her... maybe forever... ” Bruce murmured, his voice barely audible, as if admitting it aloud would make her absence more real—“and I… I was never there for her as I should have been.”

The old butler sighed, his tired eyes filled with infinite patience.

“It’s never too late to remember, sir. It’s never too late to honor her memory in the right way.”

Bruce opened his eyes, looking again at the scene, but this time more clearly. The girl had disappeared.

The wind blew gently through the Wayne mansion's garden, carrying away the murmur of the dry leaves. Bruce remained motionless, as if the weight of the years, of the mistakes, had turned him into another statue in that landscape. The aroma of coffee had dissipated, and the cake before him remained untouched. Y/n’s figure still floated in his mind, her laughter like a distant echo that wouldn’t fade but also wouldn’t console him.

Alfred, with the patience only a father at heart could have, stood by his side, his firm hand on Bruce’s shoulder, as if in that gesture he could transmit strength to face the pain that gnawed at him.

“Mr. Wayne” Alfred began, his voice soft but laden with meaning, “the kids have gone looking for Y/n again.”

Bruce closed his eyes, allowing those words to sink into his consciousness. He knew all the Robins and Batgirls had been following leads, searching for answers in the darkest corners of Gotham, but the emptiness he felt remained overwhelming. They had failed so many times… what did another attempt matter? The city, always hungry for its heroes, seemed more a trap than a cause.

“It doesn’t matter anymore, Alfred” Bruce replied, his voice rough, worn down by years of struggle. “None of this will change what happened. Y/n… is gone.”

“With all due respect, sir,” Alfred interjected, this time with a firmer tone, “Y/n is still out there. And as long as there’s a single chance to find her, you cannot allow yourself to give up.”

Silence stretched between them. Bruce’s gaze remained fixed on some point in the garden, lost in thought. But Alfred, with his usual insight, knew he needed more than empty words to awaken him.

“There’s something else,” Alfred added, taking a breath, “a new figure appeared last night during a robbery in the East District. They call her Kerosene. The White Bat. She was seen taking out a group of assailants in seconds.”

Bruce didn’t react. Kerosene. The city had always generated figures willing to fill the void he had left every time he stepped away, every time Gotham lost the light of its vigilante. But this time, he didn’t feel the urgency to learn more. What did it matter? He repeated to himself. Gotham already had its heroes.

“I don’t care” he murmured, his voice empty, as cold as the air surrounding the garden—“Let others deal with Gotham. Kerosene, the Joker, or whoever… the city doesn’t need me anymore.”

Alfred tightened his grip on Bruce’s shoulder, almost like a father refusing to see his son give up. He stepped forward, and this time his voice was lower but more incisive.

“This isn’t about Gotham, sir,” he said with an intensity Bruce hadn’t expected—“It’s about Y/n.”

Bruce lifted his gaze, his eyes finally meeting Alfred’s, as if those words had ignited a spark within him.

“If you don’t want to protect this city, do it for her ” Alfred continued—“Because you will find her, sir. I’m sure of it. And when you do… how would you want her to find you? Destroyed? Defeated? No. You need to be ready, you need to be strong, for her. Wherever she is, Y/n is still waiting for her father.”

Bruce felt the pain in his chest intensify, a constant reminder of his failure, but Alfred was right. Y/n was somewhere out there. Alive or not, it didn’t matter. What mattered was that as long as he didn’t find her, he couldn’t give up.

“The kids have done everything they can to find her,” Alfred said, softening his tone—“They’re still at it. Every day they search for new leads, explore new corners of Gotham… but there’s only one man who can put everything in order. There’s only one father who can bring her back.”

The air tensed between them, and for the first time in a long time, Bruce felt a slight tremor inside. He remembered the moment he decided to become Batman, driven by the guilt and pain of losing his parents. Now, that same guilt, that same pain, called to him again, but this time, it wasn’t for Gotham. It was for Y/n. His daughter.

“Tell me, Alfred, who is this Kerosene?” Bruce murmured, finally reacting to the information Alfred had given him.

“Yes, sir. Her abilities are astonishing, according to reports. Agile, fast… but her true identity remains a mystery. Some say she’s just another vigilante trying to fill the void you left. But the important thing is that she is acting with lethal precision.”

Bruce stood slowly, leaving the cup of coffee on the table, already cold and forgotten. He looked at the empty garden, but this time, with a new determination blooming in his chest.

“If this Kerosene is connected… if there’s any link to Y/n, I will find out,” he said, his voice firmer, closer to the one Alfred had known for so many years—“And if not… then I’ll find her myself.”

Alfred nodded, a mix of relief and satisfaction reflected on his face. He had managed to awaken the man Gotham needed, but more than that, he had awakened the father Y/n deserved.

“ Very well, sir,he replied with a slight smile, always the unwavering servant—“The Batcave is ready for your return.”

Bruce turned toward the mansion, but not before glancing once more at the garden, where Y/n’s figure, so real in his mind, faded like morning mist.

Wherever you are, I will find you.

Richard “Dick” Grayson knocked forcefully on the old apartment door, the echo resonating in the narrow hallway of the building, where dust gathered in the corners like forgotten memories and the lights flickered as if trying to perform one last dance before going out. Beside him, Barbara Gordon, the commissioner's daughter, crossed her arms, staring at the door with an intensity that could have splintered the wood.

Jason Todd, restless to his left, kept his gaze fixed on the doorknob, his body tense, as if each passing second brought him one step closer to breaking through that wooden barrier. Above, on the roof, Red Robin, The Spoiler, and Batgirl waited, shadows in a world that seemed to ignore their pounding hearts, ready to act.

“I don’t know why we always have to deal with the worst specimens of humanity,” Barbara murmured, adjusting her coat as she shot a sidelong glance at Dick, who seemed to have a plan in mind.

“Because we’re lucky,” Jason replied, sarcasm lacing his words, a crooked smile on his lips that didn’t quite fit the situation. “And when I say ‘lucky,’ I mean we’re carrying someone else's karma because we… are screwed.”

Dick knocked on the door again, this time with more force. The echo reverberated through the hallways, a declaration of intent.

“We should break it down. You know it’s not going to open just from a gentle knock,” Jason said, stepping forward, his intention clear and palpable.

“Calm down, Jason. Not all problems are solved with violence,” Barbara retorted, though a part of her knew that idea faded every time they found themselves in a situation like this.

“Sure, as if we have another option. Do you want me to schedule a tea date instead of kicking down the door?” Jason frowned, the tension palpable.

Finally, a sound came from behind the door. Chains, the metallic echo of locks being unlatched with a maddening slowness, as if someone on the other side knew that every second of wait was boiling the blood of the three standing before the door. At last, the door opened just enough to reveal a face: the landlord. A short man with small eyes and a slimy smile that seemed to ooze like dirty oil through his yellowed teeth.

“What do you want?” he asked in a thick voice, looking at Dick with suspicion, but his gaze soon dropped to Barbara, lingering unpleasantly on her figure, and then to Jason, who had already tensed the muscles in his jaw.

“We’re looking for Y/n Wayne L/n,” Dick said, trying to maintain his composure, the heat of anger threatening to overflow. “We know she lives here. And we know you know where she is.”

The man let out a laugh under his breath, a rusty squeak that resonated like a heavy joke.

“Ah, the pretty girl… yeah, yeah. And who are you all, huh?” he asked, his slimy tone sending chills that seemed to crawl over Dick's skin.

“It’s none of your concern. We just want to know where she is,” Barbara said, her voice firm and resolute, although the tension in her body betrayed her impatience.

The landlord tilted his head, like a cat playing with its prey, and smiled with a disturbing mischief.

“Well, if you haven’t found her in five months, maybe you don’t want to know,” he said, letting the words drop like stones in a pond, creating ripples of discomfort.

“I warn you, this isn’t a game,” Jason interjected, his voice low and dangerous. “Don’t make me remind you what can happen when a man plays with fire.”

The man shrugged, trying to appear unconcerned, although the glint in his eyes betrayed him.

Jason's hand rested near his belt, right where he kept his gun, and although he hadn’t drawn the weapon yet, the threat was clear.

The landlord noticed but instead of being scared, he wore a repugnant smile, like a predator that had just spotted a wounded prey. His gaze shifted back to Barbara, and then, without the slightest respect, murmured something that made Dick’s fists clench.

“Ah, Y/n... yeah, I remember her. She came around when she had just turned eighteen. Good material, if you catch my drift. She looked innocent, but... those are the most interesting ones, right?” The man's gaze darkened, scanning Barbara again, as if evaluating merchandise.

“Say that again,” Jason growled, drawing his gun in a motion so quick that the landlord barely had time to blink before feeling the cold barrel pressed against his forehead. “And I swear I’ll blow your brains out right here.”

The words hung in the air, sharp, loaded with contempt and a lust that twisted like a snake inside him.

The man let out a cynical chuckle, relishing the moment.

“The last time I saw pretty Y/n was a while back. I don’t know what she’s up to now, but I kept some pictures of her and her friend.” His tone was defiant, almost mocking.

Rage was bubbling in Jason. His fists were clenched, a deadly spark in his eyes.

“What did you say?” His voice trembled between anger and control, like a string about to snap.

The landlord, feeling invincible, continued. “I don’t know if they’re lesbians, but seeing them together was quite the spectacle. Both of them were hot, you know?”

Jason could no longer hold back. The anger erupted like a volcano.

“Shut up!” he shouted, and the sound echoed like a gunshot in the tense silence that had invaded the room.

Before the landlord could react, Jason pulled his gun, aiming with precision.

“I’m going to give you one chance. Tell me where Y/n is. Now.”

The man’s laughter faded, his eyes widening in shock. “Wait, wait, there’s no need to…”

“WHERE?!” Jason's voice thundered, firm and filled with rage, like a storm rumbling in the atmosphere.

The tension became palpable, the air thick with promises of violence.

“Alright, alright!” the landlord stammered, but Jason’s voice turned even colder.

“I’m not going to ask again.”

“She just left for work at night and that’s it…” he started to say, but Jason could no longer hear. The man had photos of Y/n. Compromising, crude, and that simple mention ignited hell in his chest.

In an instant, the sound of an explosion resonated in the hallway, and the man fell to the ground, his silly smile erased by the terror that had overtaken his face. Blood gushed forth in a dark torrent, staining the floor and nearby walls.

Barbara covered her mouth in shock, while Dick stood frozen, stunned.

“Jason!” she exclaimed, but the image of the landlord lying on the ground with his vacant stare was etched in her mind.

Jason holstered the weapon, his breath rapid and uncontrolled. He had crossed a line, and in that moment, he realized there was no turning back. Anger had found a way to break free, but at a terrible cost.

“I won’t let anyone hurt Y/n again,” he murmured, his eyes filled with determination. No one else would stand in his way to find her, no matter the price he had to pay.

The room was saturated with the echo of the gunshot, and the silence grew heavy, almost palpable. Barbara took a deep breath, the anger sparking in her eyes as she looked at Jason, who still seemed dazed by the act he had committed.

“What the hell were you thinking?” she said, her voice contained but sharp as a blade. “That’s why we didn’t bring Damian along, because he would have gone off just the same, but in a much more reckless way.” Her gaze fixed on the corpse, lying in a pool of blood, a scene that could have come from the mind of a disturbed artist.

Jason, with his chest heaving and jaw clenched, simply shrugged.

“I couldn’t just stand by. He knew something, and I wasn’t about to let it slip away.” The fervor in his voice didn’t hide the confusion that was beginning to seep in, like the cold of the night creeping through the windows.

Barbara didn’t respond, but the silence that filled the room grew even denser when the others entered, alarmed by the gunshot. Tim, Stephanie, and Cass arrived, their expressions filled with concern that quickly transformed into indignation.

“What happened here?” Tim asked, his eyes widening at the scene. Blood slid across the floor like a dark river, and the landlord’s body faded beneath the flickering light.

“Are you crazy, Jason?!” Steph exclaimed, disbelief palpable in her voice.

Cass crouched down, her expression grave as she looked at the fallen man. She didn’t need to speak to convey her disapproval; every glance said more than a thousand words.

“It doesn’t matter how we got here,” Dick intervened, his authoritative tone trying to restore order. “We need answers. Let’s investigate.”

With a determined movement, Barbara approached the body, while Jason still breathed irregularly, as if the weight of his actions began to settle on him. Barbara looked around; the apartment was a dusty and sad place, filled with shadows that seemed to whisper secrets.

As the others searched, Tim found a series of photos pinned to the walls, each one showing Y/n and other women from the area, frozen laughter in time, trapped between moments that should have been happy. However, there was something unsettling about the way they were arranged, a disorder that seemed a declaration of possession.

“Look at this,” Tim said, pointing to the images. There was Y/n, always smiling, but next to her was a figure that couldn’t be ignored. The silhouette of Pamela Isley, better known as Poison Ivy, stood beside her, her red hair like a fire that seemed to consume the sadness of the place.

“Pamela…” Cass murmured, her voice almost a whisper. “She’s been in Arkham for three months.”

Barbara moved closer, examining the photos more closely. “This is more complicated than we thought. Ivy has been involved, and that changes everything.”

Jason, still trying to comprehend the chaos he had unleashed, ran a hand through his hair. “It doesn’t matter. We’ll find Y/n. I don’t care what I have to do.”

Barbara looked at him, her expression one of challenge but also understanding. “We can’t do this recklessly. We have to be smart. Silent.”

The group nodded, realizing that the road ahead would be filled with dangers, but also promises of redemption. They were all willing to kill for Y/n, but they had to do it quietly, like shadows slipping through the streets at night.

“Listen, we’re going to find her,” Dick said, his voice resonating like a mantra. “No matter how many doors we have to break down, how many truths we have to drag into the light.”

And so, in the echo of the silence that followed the violence, the five united in a tacit pact, intertwining their destinies in the search for Y/n. Each lost in their thoughts, each remembering that shadows sometimes have the power to conceal not only secrets but also the light that clings to hope.

The shadows stretched as they moved away from the apartment, leaving behind the vestige of a dead man and the echo of trapped laughter. The search had begun, and Y/n’s fate hung in the balance, a thread of light in the darkness that promised to bloom amid the ruins of despair.

The city lights flickered in the distance, like lost stars in the asphalt.

The tears of Y/n fell onto the slippery ground, forming puddles that blended with the blood, a dark ruby staining every part of her thin body, as if sins were being tattooed onto her skin. The humidity of the place smelled of iron and fear, of broken promises and a destiny she had chosen but didn’t quite know how to accept.

“It doesn’t feel good, little one?” said the Doctor, his voice a bitter whisper echoing off the damp walls of the room. He, with his dirty blonde hair falling messily over his forehead, wore a white coat that looked more like a rag than a symbol of authority. A cynical smile spread across his lips, revealing teeth that seemed sharper than the fate he had designed for her. “Bathing in the blood of enemies, isn’t it an exquisite pleasure?”

Y/n, her gaze lost at a point on the floor, nodded slowly, as if each movement cost her an eternity. The blood, warm and sticky, slid between her fingers, a sensory experience that drowned her in contradictions. On one hand, there was a dark delight in the power that image conferred upon her, a power she had learned to wield. But on the other hand, there was an abyss of pain threatening to consume her.

“It’s…” she whispered, barely able to form words. Her voice trembled like a leaf in autumn, indecision etched in her features. Guilt suffocated her, and each tear that fell was a reminder of what she had lost, of what she had left behind.

“What is it?” asked the Doctor, leaning toward her, his eyes lit by a glow that was not exactly compassion, but rather a cruel satisfaction. His gaze seemed to pierce through the layers of her being, scrutinizing the dark corners of her soul. “Is it pleasure you feel, or is it fear?”

Y/n recoiled, feeling her skin burn under his gaze. The Doctor’s words tangled in her mind, forming a knot that seemed impossible to untie. Her voice, almost a cry for help, resonated in the air.

“I don’t know! I don’t know if it’s pleasure or pain.” The words shot out like arrows, but only managed to embed their tips in the empty air, finding no destination. She trembled, caught between repulsion and the desire to free herself from the invisible chains that kept her anchored in that place.

The Doctor let out a cold laugh, as if he were enjoying the spectacle unfolding before him. With a careless gesture, he threw another bucket of blood onto the floor, creating a small puddle that slid toward Y/n.

“That is the beauty of your situation, my dear. You have been chosen to cleanse Gotham of the scum, and along the way, you will discover that pain and pleasure are two sides of the same coin.”

“Chosen?” replied Y/n, her voice shaking with the fierce mix of disbelief and rage. “Chosen for what? To be your puppet?”

The Doctor stepped closer, letting the distance between them fade. His presence was oppressive, like a shadow that swallowed light.

“You are not a puppet, Kerosene” he said, pronouncing her name as if caressing it. “You are the spark that can ignite the revolution. The tears that fall now are the ashes of the old you, and it’s time you embrace what awaits you.”

Y/n felt the air grow dense, as if the Doctor’s words were trying to envelop her, to convince her. But there was a truth in his voice, an echo of what she had longed for deep within her being. Hadn’t she been searching for purpose, a place to belong?

“No… I don’t want to be what you’ve made me.” she said, though her voice sounded more hesitant than determined. It was as if reality slipped around her, like the slippery ground she stood on.

“Of course you do, Y/n.” He smiled, and there was something unsettling in that smile, something that made her feel she was on the brink of a revelation. “Your pain is the echo of the city, and you, little one, can be its savior.”

The Doctor’s words resonated in her mind, and Y/n felt herself teetering on the edge of the abyss, the possibility of becoming Kerosene, the force of vengeance and power. She fought against the idea, but there was a part of her that was beginning to awaken, to open like a flower in the desert.

“So, what do I have to do?” she asked, finally facing the reality that surrounded her. The tears, instead of being a sign of weakness, now seemed a recognition of her new identity.

The Doctor looked at her with a mix of satisfaction and complicity, like a teacher who sees the spark of greatness in his student.

“First, you must accept that the past does not define your future. The blood that surrounds you is only the first step toward freedom. Become what you have always been. Your destiny is to burn, and in doing so, illuminate others.”

Y/n felt the weight of her decision slowly fading away. By accepting her destiny, she had found a new way to free herself, a purpose that shone like fire.

“Then I will do it.” she said, her voice now firm and resonant, as if she were finally embracing the darkness that had always dwelled within her. “I will be Kerosene.”

The Doctor smiled, and in that smile lay a world of possibilities. Together, they could shake the foundations of Gotham.

“That’s right, my dear Kerosene.” He stepped back, allowing his figure to fade into the shadows..“And remember, every decision you make will be a step toward glory or toward downfall. The line is thin, and you are destined to cross it.”

“What about them?” Y/n asked, pointing to the shadows surrounding her, referring to the Waynes who remained silent in their luxurious prison of silence. “Where is Batman?”

The Doctor paused, his gaze turning serious and contemplative.

“Since your appearance, the Waynes have become shadows of what they once were. Batman has vanished, as if fear has locked him in his own game. They don’t want you to know the truth, and I wonder if, deep down, he fears what you are capable of.”

“Fears?” repeated Y/n, incredulity splattering her voice like a rain of dead stars. “Why?”

“Because the truth is that there is no longer space for the good in this city.” The Doctor stepped closer, his tone low but filled with fervor. “Soon you will go after the Court of Owls. We will expose those monsters in the streets, as they deserve, and they will have no one to defend them. Not even their beloved bat.”

A chill ran down Y/n's spine. The idea of stepping out into the night, of facing the villains who had ravaged her city, filled her with a strange power. She remembered Pamela, laughing amidst the shadows, her voice like an echo urging her to fight.

“I will not be their puppet. I do not want to be a pawn in a bigger game.” The words erupted from her with the force of an approaching storm, and the vision of Pamela dancing among the flowers filled her with a sudden sweetness.

“You will not be a pawn, Kerosene.” The Doctor smiled, and in his eyes was an air of admiration. “You are the queen in this game. Your vengeance will not only bring down those villains, but it will also seek the man behind the mask of Batman. We need to end him.”

“End him?” The question hung in the air like a trembling whisper. Her heart stopped for an instant, remembering the nights spent with Batman, the unspoken words, the caresses of an absent father.

“Yes. Because he, like them, has become a legend that needs to fall.”

Y/n felt the darkness looming over her, a shadow whispering promises of power and pain. But there was something more, a spark igniting within her, a fire burning with the strength of a new dawn.

“Then I will do it.” said Y/n, her voice resonating with a clarity that surprised her. “I will expose the Court of Owls and make my father see.”

The Doctor watched Y/n with palpable satisfaction, as if he had finally ignited a spark deep within her being. With a gesture of his hand, he made the invisible shackles that kept her trapped fade away. In that moment, a strange freedom slipped over her skin, a freedom laden with dark responsibility.

“Come, Kerosene.” he said, his voice now a hypnotic chant rising among the shadows. “There is something you need to see.”

He led her through a labyrinth of damp hallways, each step resonating like an echo of past decisions. The walls seemed to whisper forgotten secrets, tales of those who had fallen into the abyss before her. As they advanced, the light of day faded, and the gloom became an accomplice to their thoughts.

Finally, they reached the balcony of the building, a place where time had stopped its march. The Doctor gently pushed Y/n toward the railing, forcing her to look out over the vast expanse of Gotham that stretched before them. The city was a canvas of flickering lights and deep shadows, a portrait of intertwined chaos and order.

“Look, little one.” the Doctor whispered, his voice wrapping around her like a veil of mystery. “This is your city, a monster that feeds on the secrets you hold in your chest. The blood that stains your skin is a symbol of the struggle that lies ahead.”

Y/n leaned over the edge of the balcony, feeling the cold wind caress her bare skin. The city glimmered like a sea of dying stars, each light a story, each shadow a whisper of betrayal. The vision enveloped her, and for a moment, she felt like a spectator of her own destiny.

Her bare skin, still stained with blood, prickled at the chill of Gotham, a freezing breeze sneaking through the cracks of crumbling buildings, as if the city itself reminded her that she was alive, that darkness embraced her with its mantle of forgetfulness and despair. Each small contact of the air made her more aware of her vulnerability, and at the same time, of the power that blossomed from within her. It was a reminder that, amidst chaos, she was the spark of a new flame.

The puddles of blood that had stained her skin, silent witnesses to her transformation, shone like a dark ruby under the dim light of the moon. In that moment, each drop was an echo of past decisions, a symbol of the life she had left behind. And yet, in her mind, the Doctor's words echoed: “You are the spark that can ignite the revolution.” The irony of her state wrapped her in a sweet and bitter confusion; deep down, her nakedness felt like a release.

The city stretched before her, a vast ocean of twinkling lights and lurking shadows. Gotham, in its complexity, seemed to breathe, a living being pulsing with stories of pain and longing. The streetlights flickered as if about to go out, and Y/n felt that each flicker was a whisper calling her, a reminder that she was destined to be part of something much larger than herself.

As she gazed at the horizon, her mind filled with images: the faces of those she had lost, those she had loved, and those she had to confront. Her heart wrestled between the desire for vengeance and the longing for redemption.

“What do you see?” asked the Doctor, his eyes shining with an unsettling intensity.

“I see…” Y/n began, but the words slipped away like sand through her fingers. The city was a labyrinth of emotions, a stage where pain and pleasure intertwined in a macabre dance. It was a reflection of her own internal struggle, her desire for vengeance and her yearning for redemption.

“I see a sea of shadows, a stage where illusions collapse like houses of cards.” she finally replied, her voice echoing. “Each light, a hope; each shadow, a whisper of unhappiness.”

“Perfect.” The Doctor smiled, his face illuminated by an almost fraternal satisfaction. “Gotham is a mirror, and you are the light that can break the darkness. You must be able to see beyond what shines.”

The Doctor’s words resonated in her mind, tearing through the veil of confusion that enveloped her. In that instant, Y/n understood that every tear shed had fed the city, that every drop of blood on her hands was an echo of what she had lost. And yet, vengeance offered her a new purpose, a path into the unknown.

“The city cries for change, for a fire to purify it” she whispered, her voice gaining strength in the night breeze. “And I… I am that fire.”

“That’s right, dear.” The Doctor nodded, a mix of pride and malice in his expression. “The fire that will purify Gotham and, in its wake, consume everything that stands in your way.”

Y/n felt the air fill with electricity, a palpable current connecting her to the city, to its pain and desire. Deep within her, something began to change. She was no longer just a puppet; she was no longer merely the shadow of her past. She was Kerosene, the spark that would ignite the flame of change.

“But, Doctor, what about those who love the darkness?” she asked, her voice now an echo of what she had learned. “What if they cling to their shadow?”

The Doctor stepped closer to her, his penetrating gaze filled with complicity.

“Darkness is a possessive lover, but there is always a price to pay. The truth is that they cannot hold onto it forever. And when the fire burns, only those ready to be reborn will be saved.”

Y/n felt a mixture of anguish and determination. The city before her became a symbol of her internal struggle, a stage where light and shadow intertwined in an eternal game. Every street, every building, every corner whispered her name in a song of warning and challenge.

“And when the fire consumes everything in its path, will there be anything left of me?” she asked, her voice trembling with the fragility of a leaf in the wind.

The Doctor smiled, a smile that seemed to mock the questions still dancing in her mind.

“Perhaps, dear Kerosene, you will find yourself in the act of burning. Or maybe, you will fade into the ash. That is the enigma of transformation: in the fire, death is merely the prelude to a new beginning.”

As she gazed at the city, Y/n felt her identity fragment and fuse, in an endless cycle of creation and destruction. The image of Gotham before her became a metaphor for the human soul, a reflection of the struggles everyone faced in the darkness. The city, with its chaos and its heartbreaking beauty, enveloped her like a hug.

With one last look at the flickering lights and lurking shadows, Y/n stepped back, a firm decision rising within her.

“There’s no turning back now” she murmured, her voice an echo of her new reality. “I will be the fire that illuminates this eternal night.”

The Doctor, with a gesture of approval, retreated into the shadows, leaving her alone in her revelation. As the city spread before her, a mantle of mystery and power, Y/n knew that the true journey was just beginning. The line between fire and ash was thin, and in her chest burned the certainty that by crossing it, nothing would ever be the same.

“So be it, Kerosene” she said to herself as the wind enveloped her in secret whispers. “Let the fire speak in your name and let the night receive your lament.”

And looking at Gotham, she understood that, in the end, her destiny was not merely to be a spectator, but an unstoppable force, a storm that would unleash chaos. And so, with her heart beating to the rhythm of the city, she prepared to embrace her truth, her fire.

☆

A/N — Here is the long-awaited third part of this series. Thank you for all the support and love you have given me. I decided to make this part longer (at the cost of not being able to include the last image :( ) so that you can enjoy it more.

I was reading your comments where you were asking if Y/n and the Doctor would have a romance (which horrifies me a bit :d, but it gave me an idea) or if he performed a lobotomy on her. Well, that will be answered in the next part or in a headcanon, whatever you ask me.

By the way, in the tag list, there are some users I couldn't add, sorry about that 😔. I really appreciate your understanding and patience. Your enthusiasm keeps me motivated to keep creating and sharing these stories. I hope you find this installment engaging and that it brings you the excitement and emotions you’ve come to expect from the series. Enjoy!

Don't hesitate to ask me anything if you want.

take a bath!

Tag list! ◇ — @amber-content @toast-on-dandelioms @feral-childs-word @sweetconnoisseurgardener @victoria1676 @toasted-cat18 @nosyrobin @beeaskewwrites @yandere-enthusiast @telltaletoad @dhanyasri @vanessa-boo @m3vl0vesu @jellypotato66 @midnightgrimoire @cherryxxxxyoongi @imnotdumbimstupif @plsfckmedxddy @h0neysiba @mybones537 @erikasurfer @sheepintherain @pix-stuff @yan-rai @uniquecutie-puffs @arlandvery @theblonde777 @alishii

@maicenitas @ti-girl1226 @vanilliona @chickenwings435 @thedramabrotherss @bat1212 @imnotdumbimstupif @somebodyrandom-613 @aelxr @jsprien213 @sheepintherain @lovebug-apple @zenychwan @starsdotalk @holylonelyponyeatingmacaron @misdollface @clementinesyummy @bunbunboysworld @lunaluz432 @kiarst @meowmeeps @adeptusxia0 @mettatons-number-1fan @fairygardenprincesss @nervousalpacalady @mottysith

Inspiration: @acid-ixx with his Again & Again series, @gotham-daydreams ' work, @i-cant-sing's work and @klemen-tine's work, be sure to check them out!

[dysfunctionalburden]

WHO’S READY FOR THE CLIMAX?!!

(Make sure to check safety! Read all warnings in the author’s notes before proceeding!)

Silver Bloodstains chapter 16: Bluebeard

Summary: Emmet learns something terrible. Volo snaps.

[nadvs]

home before dark (part four)

pairing rafe cameron x kook! female reader

rating mature 18+

summary as children, you and rafe were best friends, but then tragedy suddenly struck his family and he shut everybody out. years later, you need his help when a pushy ex-boyfriend won’t leave you alone. rafe is perfect for the job because everybody’s afraid of him. except for you.

content warnings stalker ex, violence, substance abuse, death and mourning of parent

» masterlist

· · ── ࣪ ⊹ ࣪ ── · ·

Rafe is being selfish again. When he offered to sleep in your room, it was so you’d feel safe. But that wasn’t entirely why he did it.

He’d be a liar if he said it wasn’t for him, too. Something about being around you gives him a sense of quiet when he’s so used to noise.

It’s disorienting feeling a pull to someone he used to avoid, but life stopped making sense to him a long time ago, so why try to find the logic?

Rafe collects the blanket and pillow from the guest bed he slept on last night, figuring he’ll just sleep on your floor.

The way he touched you earlier tonight is playing like a song in his head. When did he get so soft? He’s hardly ever sober for this long. It must be messing with him. It was just a kiss on your cheek, but his heart pounds when he thinks about it.

Then you noticed his gun and looked at him with such disgust that he knows you’d be horrified to learn what his mind sounds like these days. To learn how much anger he has burning through his veins. You’d run in the opposite direction.

You told him you’ve never said anything bad about him. He’d like to keep it that way. So he’ll take all this fake stuff and enjoy it from a distance, far enough removed from you to avoid taking any risks.

You’ve been tucked into bed for a few minutes when Rafe comes through your open door, darkness filling every corner of the room.

After you accepted his offer downstairs, you parted tensely, as if either of you had said one wrong word, the agreement to sleep in your room together would lose all legitimacy.

Rafe’s tall figure quietly makes a bed on the floor a few feet away. He lets out a low grunt when he lies down, turned away from you.

You stare at his back, thinking about how he said whatever you did wrong wasn’t on purpose. You should probably let it go. He’ll never talk about it. But the curiosity is relentless.

After a few minutes of watching Rafe turn from his back to his side over and over, you break the silence.

“Is your brain doing it again?” you ask. Your voice makes the knot in his chest loosen.

“What?” he rasps.

“Is it not turning off?”

He doesn’t respond. You talked about this hours ago at the party, but it stayed with you. He’s not used to this much attention on him. He usually has to fight for it.

“If it isn’t, maybe I could bore you to sleep,” you offer.

“I bet you could.” A second later, Rafe feels a pillow you threw from your bed hit his chest and roll beside him. He smirks in the dark.

You clarify, “I meant I could distract you.”

“For real this time? I don’t need another interrogation.” You love that you can hear a smile in his voice and hate that you can’t see it. Little by little, he’s acting like your friend again.

“Since when is asking one question an interrogation?” Last night, all you did was ask why he was helping you.

“See?”

“Oh, my God,” you sigh with a laugh. “Okay, let me think… I can tell you about the errands I ran today?”

“I’ll be out cold in a minute.” You laugh again and Rafe smiles up at the ceiling. Making you feel safe feels good. Making you laugh like that feels even better.

“Rude,” you say. “Pass me that pillow so I can throw it at you again.”

In the dark, you watch him reach for the pillow on the floor and tuck it under his arm. You breathe out a chuckle.

You pull your duvet up to your chin, unable to believe that the same Rafe who ignored your every attempt to talk, who wouldn’t even hold eye contact with you, is on the floor of your room, joking around with you.

You start to ramble about the shopping you did after he left your house this morning, getting into every menial detail, down to the long line at the gas station.

At first, Rafe can’t imagine falling asleep to this. Your voice humming through the dark is soothing and even though you’re trying to make your story boring, he’s interested.

But eventually, his eyelids get heavier. You’re dozing off, too, but it’s not until you hear his breaths grow deeper that you allow yourself to succumb to the fatigue.

Your senses are blurred and bleeding into each other like paint on a messy canvas, and while you’re confused, you know one thing for sure: you’re terrified.

Ty’s behind the wheel and the car is barreling down the busy freeway at a vicious speed. It’s storming and he’s laughing and you can’t scream. You can’t even speak.

Anne’s car is coming right for yours and Ty won’t slow down no matter how hard you try to gain control of the wheel and you brace for impact, but suddenly you’re in your fifth grade class and you’re crying and everyone is staring at you.

You wake up to big hands holding your shoulders, gently shaking you. A low and soft voice whispers your name, coaxing you to wake up.

Your eyes open to see Rafe standing over you in the dark and you realize your cheeks are wet with tears. Consciousness slowly wraps around you. It was a nightmare.

Your adrenaline pushes you to sit up, your chest heaving. His hands drop off of you, but he’s still standing and leaning over your bed, inches away.

“Bad dream?” he asks over the sound of your shallow breaths. Your whimpers are what woke him up. Hearing you crying in your sleep like that was painful.

You rub both eyes with your knuckles and try to catch up with reality.

“I was in the car with Ty and he was driving too fast and then I saw your mom-” You immediately shut up. In your fog, you forgot what you’re allowed to say and what you’re not, and by the way Rafe stands straight, you know you messed up.

“I’m sorry,” you whisper, reaching for his hand. His fingers are still and don’t curl around yours. The fact that you pull him towards you shows just how disoriented you are. “Can you sleep up here?”

“What?”

“Can you sleep up here?” you mumble dazedly. Rafe’s already sinking onto the mattress before you finish asking your repeated question.

You turn to face him when he lies down. You curl into a ball, your hand still gripping his as you try to breathe slower. You remember your other pillow is on the floor and you lift your head to shift your pillow to the middle so that he can rest his head on it, too.

Rafe stares ahead, listening to your fast breathing and his loud heartbeat. He’s struck that even when you’re in a half-asleep trance, your instinct is to make sure he’s comfortable.

And to ask him to lie next to you. To be close when there’s nobody around to prove your pretend relationship to. You actually find comfort in him. He thought he was starting to find it in you, too, but then you mentioned her.

You shudder when Rafe’s hand twists out from yours, losing the anchor reminding you that none of it was real. But then you realize he did it to put his palm on your cheek.

“You’re good,” he reassures you. He frowns when he feels a tear on your skin. “It’s alright.”

You nod under his touch, your eyes shut, swallowing hard and cupping his wrist. He’s still trembling from withdrawal.

The dream took you to when you were ten and Rafe’s desk was empty and your teacher told the class he lost his mom a couple of nights ago, so you’d spend the period making sympathy cards for him.

It’s important we show him he’s not alone, she said and you were so upset that you didn’t know how to do that when you were supposed to be best friends. You stared at a blank piece of paper for long enough that your teacher told you that you could work on something else.

You did eventually make him a card. And you visited. And you called. And you tried talking to him over and over.

But nothing you did or said was ever good enough. He shut everybody out and you were no exception. Maybe someone else would be mad at him for it, but you couldn’t ever find it in your heart to be. You still can’t.

“I’m sorry,” you say into the dark, wishing he knew just how heavy the pain you carry for him is. You feel frantic now, the emotions washing over you with no mercy, as if you just learned she died all over again. “I’m sorry for everything. You were just a kid-”

“Don’t,” Rafe interrupts. “Just sleep.”

You sniffle and he swears he can feel his heart crack but he can’t indulge you. He can’t open the wound he pretends isn’t still bleeding. He can’t talk about how his life crumbled into ruins and he’s still sitting in the rubble.

He lost his mother, his security, and eventually his mind, and there’s no point in talking about what he can never get back.

Rafe’s hand slips off of your cheek but your fingers remain wrapped around his wrist. He lets you keep holding onto him as you fall back asleep.

The sunlight is coming through slitted blinds when Rafe’s eyes open. He couldn’t see your room last night, but now that he can study the space that is so you, his mind starts racing.

You’re asleep next to him, head tilted towards him on the pillow you’re sharing. He gazes over your pretty features, the slope of your nose, the shape of your lips.

How could someone so sweet hurt him so fucking bad? Last night was brutal. You mentioning his mom without any warning was like a sharp jolt of electricity. He was an idiot to think he could find comfort in you.

You’ll always remind him of it. Of the helplessness and the horror and the agony. He can’t handle it. Even if you never talk about it again, your presence alone is a reminder.

You shuffle awake and reach out for him, but his side of the bed is cold. He’s not on the floor, either. You look out the window to see his motorcycle is still where he parked it last night.

When you come down to the front room, Rafe is in the same chair he sat in the night of the storm, grudgingly playing with his ring, staring ahead with a hard frown.

He sees you and immediately stands up, eyes darting away from you like the last few days didn’t happen at all. All his coldness is back.

“Finally,” he grunts. You watch him stalk past you with screwed up lips. “Lock the door behind me.”

You realize he was waiting for you to wake up. And now he’s acting like you’re contagious with something he’d rather die than catch, rushing out of your home, triggering the alarm when he opens the front door.

You follow him to punch the code into the security system and then quickly open the door he closed, watching him stride down the steps towards his bike.

You’re in a haze. Last night, he held you so gently and you fell asleep inches away from each other. This morning, he can’t get away fast enough.

It’s what you said. You mentioned his mom. You knew it was out of bounds, but you were so frightened and disoriented and spoke without thinking.

“Wait,” you say to his back. But Rafe continues on his way, making you feel just like you did in your nightmare. You’re speaking but it’s like nothing is coming out.

“Please don’t go back to ignoring me,” you call louder, a shake in your voice. This makes him pause. You swing the door shut behind you and close the distance, stepping out into the brisk morning air.

You face him and he looks absolutely wrecked. Guilt digs its sharp claws into your heart.

“I’m sorry,” you tell him. “I was out of it.”

Rafe stares down at the paved ground, his jaw tightening.

“You’re always gonna remind me,” he mutters.

His sentence is simple, but it carries the weight of your broken friendship. It hits you that you could never mention the past again, not a single memory or anything about his loss, and it still wouldn’t be enough. You’re a constant reminder.

“That’s why you never wanted anything to do with me?” you say. Rafe looks at you again. Your eyes have lost all their light.

It’s just a part of the reason the bridge between you can’t ever be rebuilt, but talking about it with you is torture, so he’ll let you believe that that’s all there is to it.

“You can go,” you say quietly, stepping back. If being with you just brings back painful memories to him, you won’t subject him to it any longer.

Every muscle in Rafe’s body aches as he drives home. His head is hammering with pain and his bones weigh a million pounds and he’d kill for a hit of anything right now. He needs the escape.

Just when he thought he found a place to slow down, you reminded him of why he’s always running. As soon as he’s sure your ex is done bothering you, he’s out.

As you watch Rafe drive away, the gate opens when the sensor detects a vehicle leaving the property, and you notice the mailbox is open.

You pick up the mail to see an envelope with your name handwritten on it. Panicked, you rush back inside, locking the door. You know it’s Ty, finding yet another way to contact you.

You would’ve noticed the mailbox was open when you got home with Rafe last night. He did this overnight or early this morning.

When you finally find the courage to read his letter, dread forces its way into your body so roughly that you’re not sure you’ll ever feel happy again.

You feel some relief when Sarah texts in the group chat a couple of hours later asking if anyone wants to go shopping. It’s the distraction you need.

It’s late afternoon when you meet her and your mutual friend Lia at the mall, trying to get your mind off of Rafe’s coldness and Ty’s persistence and your own pain.

Afterwards, Sarah invites you both to her house and soon, the three of you are sitting in her room, chatting and listening to music.

The door is open and when a figure passes by, you look up to see Rafe. He glances at you for a second, then goes right back to ignoring you, continuing on his way without another second of hesitation.

When he got home, he took a couple of shots before he fell asleep in his bed. He woke up still partly buzzed and he can’t handle seeing or talking to you right now.

Sarah shakes her head in the corner of your eye. She noticed him, too.

“Jesus, Rafe, that’s how you treat your girlfriend?” she half-shouts. Two pairs of eyes land on you as your friends await your reaction.

“We’re in a fight,” you say, anxious that the topic has come up and that you’ll have to lie your way through it.

“Already? Didn’t you just start dating?” Lia says.

“Yeah, it’s sad,” you say with a downcast laugh.

Rafe chews on his thumbnail as he kneels against the hallway wall. He should’ve kept walking, but he’s secretly hanging onto your every word.

“I still can’t believe you guys are together,” she says. “I didn’t even know you liked him.”

“I did,” Sarah laughs. You look at her with wide eyes. “Come on, you never let anyone say anything bad about him.”

“Why do you?” Your eyes jump to Lia.

“Why do I what?” you say, trying to play it off.

“Like him,” Lia replies.

You figure while all of this is a sham, you can at least answer this question with full honesty.

“He takes care of me,” you say. You think about how you laughed together in your bedroom last night. “And I have fun with him.”

Regret gnaws at Rafe. Even though you’re upset with him, you still speak of him kindly. His growing feelings for you would be so much easier to get rid of if you were like everybody else, writing him off, calling him psycho.

“Yeah, you look like you’re having a lot of fun,” Lia replies with a playful nudge, trying to bring some humor to the room. “Seriously, are you okay? You seem off.”

You believe it. Your mind doesn’t feel any clearer since last night’s nightmare.

“I’m really freaked out because of Ty,” you admit.

“It’s crazy that he’s still bothering you,” Sarah says.

“It is. He won’t stop. I saw footprints outside my front door last night and I think they were his. That would mean he found a way around the gate,” you tell them. “And then there was a letter from him in my mailbox this morning. It was so creepy.”

Rafe’s body stiffens.

“God, that’s like stalker level,” Lia says. “What’d it say?”

The sound of Rafe saying your name interrupts you. You look up to see him standing in the doorway, staring at you. He cocks his head, silently beckoning you to come out.

When you face him in the corner of the hallway, far from Sarah’s room, you cross your arms and let him start the conversation.

“That asshole left you a letter?” Rafe mutters quietly. “Why didn’t you call me?”

Embarrassment turns in your stomach. He was eavesdropping.

“You wouldn’t have answered,” you reply.

“Yeah, I would’ve,” he says sternly. “What’d he write?”

You bite your bottom lip in anguish, choking back your tears.

You’re clearly shaken up. Rafe’s protective instinct overpowers him. He grasps your arm, squeezing gently, giving into his every impulse around you like he always does. You breathe slowly, eyes darting away.

“What did he write?” he repeats. His hand is so warm, a hard contrast from how cold you know he can be.

Your mind turns over the scribbled words on the crumpled page Ty left for you. It was mainly nonsensical, but some phrases stuck with you like a dagger to your heart.

“That he and I are meant to be,” you recall. “And that I know deep down we’re supposed to be together and he’ll keep waiting until I realize it.”

“What a fucking creep,” Rafe snarls, dropping his hand off of you. He’s not going to miss the next opportunity to beat the hell out of the guy and get him away for you for good.

The intensity of your nightmare and the shock from your argument still hurts, and as you look at Rafe, his hair falling over his forehead, his skin pale and his lips pursed in anger, you don’t have it in you to ask him to continue doing this for you.

“You don’t have to do this anymore,” you say. “I’ll stay with friends until my parents get back.”

“What?” Rafe’s pulse quickens. This thing with you isn’t real, he knows that, but it feels like you’re breaking up with him.

“We’re just hurting each other,” you tell him.

“No,” he says. “No. I’m keeping you safe. I’m taking care of you.”

He can’t possibly be hurting you. He can’t be fucking up yet another thing in his life.

“Rafe,” you exhale, defeated. “This whole thing was a bad idea. I’m just a reminder to you. And you’re…”

“I’m what?” he asks.

“You’re always going to keep me at a distance,” you say.

You hang on to what feels like your last shred of hope. You wait, hoping he’ll deny it, hoping he’ll finally meet you in the middle. You thought you had infinite faith that he’d let you in again. But after this morning, you’ve reached the end.

“Listen, I’m…” Rafe begins. Being with you hurts sometimes, but he can’t allow you to be in any danger. “I’m not letting you deal with him on your own.”

“I won’t be on my own,” you respond. He scoffs. Your friends couldn’t scare him off like he can.

“I can’t risk anything happening to you,” he says quickly. “Just… we’ll keep doing this until he finally gets it, alright?”

You’ve been barely grasping onto hope and his words are enough to keep you from letting go. That’s when you accept the fact that you’re doomed. You’ll never give up on him.

“Alright,” you say. Until he finally gets it. Your time with Rafe is limited. But nonetheless, it’s time.

He breathes out in relief. The possibility of disappointing you is more painful than he imagined. He can’t mess this up.

You leave him standing in the hallway, knowing you’ll have to walk away for good when all of this is over. You wonder if you’ll be able to do it without it breaking your heart.

Later in the evening, Sarah invites a few more friends over, who then invite their friends, and soon, the backyard of the Cameron estate is buzzing with conversation and laughter, the beach a glittering backdrop to the spontaneous party. You’re not surprised the space filled up so fast. This is all Kooks do these long summer days.

You find relief in the fact that Ty probably wouldn’t come. Not to Rafe’s house. You stand by your group of friends under the setting sun, the crowd growing around you.

When you spot one of Ty’s friends, your stomach sinks. If he’s here, maybe your ex is, too. It’s best to be cautious.

You search the crowd for Rafe. You noticed him a little while back, drinking with his friends, but he’s nowhere to be found now.

When you break from your group to ask Rafe’s friends where he went, they only offer you shrugs.

You slip into the quiet house, your heart starting to pound at the possibility of Ty finding you and Rafe not being around.

You find Rafe’s name in your phone and dash up the grand stairs, your phone to your ear as you decide to hide in Sarah’s room until you’re sure you’re safe.

It rings once before he answers.

“You okay?” he says.

“Where are you?”

“I’m - uh…” Rafe starts to clean away the lines of coke he made on his nightstand. He never hid it before, but with you around, he’s ashamed of his drug use now. That he needs it. That he couldn’t stay away. He finished his first line before you called. “I’m in my room.”

“I’ll be right there,” you say.

He panics, spilling the powder in his rush, wondering how many seconds he has left before you catch him mid-relapse.

The door opens and he catches your eyes darting to the hardwood floor, covered with coke he didn’t clean up on time.

Rafe’s at the edge of his bed, glaring up at you.

The last time you were in this room, he was just an innocent kid, and now he’s hunched over and drugged up and living through grief you’re not sure he’ll ever be able to bear.

He tries to shove past the shame, focusing on what he’s supposed to be focusing on.

“Is he here?” Rafe asks, standing up, filled with a rush of energy from the drugs.

He approaches you, his pupils blown, rubbing his nose. You stare up at him with concern. He’s so obviously trying to hide the fact that he just used.

“I don’t know,” you say. “I saw his friend and I thought I should find you in case he came.”

“Shit,” he mumbles, erratically shaking his head. “I shouldn’t have left you alone out there.”

“It’s okay-”

“It’s not,” Rafe says, his agitation growing. He was fighting the urge to use as long as he could. Then he told himself he’d just do a couple of lines and go back downstairs, but something could have happened to you in those few minutes. “It’s not okay. I fucked up. All I do is fuck up.”

You watch him pace back towards his bed, raking his hand through his hair. He’s nearly hysterical.

“That’s not true,” you say. Is that really what he thinks of himself?

“You don’t…” Rafe lets out a defeated huff as he sits on his bed, his head in his hands. “You don’t know me.”

It’s a painful reminder. But he’s right.

He stands up again, his breaths heavy. He needs to get this anxiety and anger and fear out the best way he knows how. With a fight.

“He better not be here,” he mutters.

Rafe stalks past you quickly and you follow him as he rushes down the stairs.

He darts towards the crowd scattered across the backyard. You trail him as he pushes through groups, his fists clenched tight.

He realizes your ex isn’t here and turns to look down at you in the middle of the crowd.

“Who’s his friend?” he asks, panting. You can tell that at this point, he just wants to hit someone. He doesn’t care who. And you’re not going to lead him to a guy who hasn’t done anything wrong.

“He has nothing to do with this,” you say over the chattering surrounding you. “Ty isn’t here, okay? That’s what matters. I’m safe. You didn’t fuck anything up.”

The worry in your eyes is almost too much for Rafe. He doesn’t get you. Whatever you see in him doesn’t exist. He feels like he needs to prove to you how wrong you are.

“I couldn’t last two nights,” he says. “I wanted to get clean and I couldn’t last two nights.”

Your face falls. The ground you’re both on feels shaky. You didn’t know he thought so low of himself.

“It’s not all or nothing,” you say. “You don’t have to get it on the first try. It’s…” You almost say an addiction, but you don’t want to insult him.

“It’s a habit and it takes time to break,” you conclude.

Rafe exhales shakily, his body jittery. He looks so upset that you couldn’t leave his side if you tried.

“I need to get away from all this noise,” you say. “Can we go down to the water?”

Rafe curtly nods. He needs to get away, too. The commotion around him is only fuelling his rage.

You stride towards the boardwalk leading to the private beach. The party wasn’t too loud for you at all, but he looked overwhelmed, so you fibbed just to get him out of the chaos.

You quietly walk towards the beach under the dark orange sky. Even with the baggage between you, it feels good to be by his side like this. You just wish it didn’t hurt him to be around you.

You ran up and down this boardwalk so many times as kids. One morning, you fell and scraped your knee and even though you were fine, Rafe put his arm around you to lean on him the whole way back up to the house so his mother could bandage you up.

Now it’s your turn to help him. However you can.

You make it to the sand. The crowd’s sound is just a dull roar behind you now that you’ve reached the beach.

You look over at Rafe to see his chest still rapidly rising and falling as he gazes out at the sea. You wonder why he was hiding it. He never shied away from snorting lines in the middle of a party before.

But by the look on his face, you can tell. He’s ashamed. His words ring in your head. All I do is fuck up.

“You can do it,” you tell him. “You can quit.”

Rafe looks at you and expels a dismissive scoff.

“Doubt it,” he murmurs.

You settle onto the sand, legs stretched out towards the water.

“Why?” you ask.

He stares out at the sea again, the shallow waves curling and tumbling into the shore beneath the setting sun. When he thinks about the hours you two spent out here, it’s like the memories aren’t even his.

He leans to sit next to you, arms resting on his propped up knees. You want so badly to talk about all the silly games and conversations you had out here years ago, but you know better now.

“Why do you care so much?” Rafe finally says, his voice low. You gaze at his profile and notice his lower lip just barely tremble. There’s a fragility in his face that you’ve never seen before.

You take a breath. How can you possibly answer without bringing up the past?

“I just do. Whether you want me to or not.” You say it with a soft chuckle in an attempt to lighten the atmosphere.

His shoulders slump. Before all this started, he was sure nobody cared about him. Not really. Not when it mattered. But you do.

You bite your lip, desperate to make him feel better.

“I’m not scared of him when you’re around,” you say. “I didn’t think that was possible. And maybe you weren’t downstairs when I was looking for you, but you answered my call right away. So, no, you don’t fuck everything up. You’re helping me when you don’t even have to.”

“I do have to,” he replies.

“Why do you think that?” You know he has a sense of loyalty towards you, a sense of owing you something, but maybe, just maybe, he’ll give you a warmer answer this time.

Rafe’s heart is racing. He’s failed so much. He failed making his own dad like him. He failed staying away from the coke. He’s not going to fail you.

“You’re the only person left who gives a shit,” he admits, unable to say about me out loud.

His words send a shiver through you. Just like in your bed last night, even though there’s nobody around to prove anything to, you touch him. You cup your hand around the inside of his elbow and squeeze.

Feeling your skin on his is a rush for him every time. The only contact he’s had with other people for years has been violent. But you’re so gentle with him and it unravels his anger.

Rafe swallows the lump in his throat. Or he tries to. But he can’t. The coke is making him manic. He took too much. He’s overwhelmed by your affection and he can’t stop what his body’s doing in response.

When you watch a tear run over the curve of his cheek, your shock and concern and sadness give you an ache so painful, your breath hitches.

Before he can try to leave, you lean on him, your temple pressed against his shoulder.

He’s humiliated. He’s actually fucking crying in front of you. So much for being the strong person keeping you safe. Behind everything he pretends to be, he’s weak.

It’s odd to cry in front of someone and not have them tell him to man up. You simply nuzzle against him and tighten your grip.

“Rafe!” someone calls in the distance. “Dude, what the hell? Why’d you leave?”

You both look back to see a group of his buddies stumbling down the boardwalk, laughing drunkenly.

“Shit,” Rafe grunts, wiping his eyes with the heels of his hands. His friends are probably looking for some blow. They can’t see him like this. He’s pissed you’re seeing him like this.

You can see how his guard is suddenly up again, how frantic he is to cover his tears.

“Should I…” you stammer, “try to get them to go?”

Rafe shrugs, at a loss, pulling the collar of his shirt up to wipe the evidence off of his face.

You watch his friends get closer and your mind rushes through how you can possibly get them to leave him alone.

It’s ridiculous, but it may be the only thing that’ll work.

“Maybe…” You take a breath to gain a bit of courage. “Maybe we just do what we did at the party last night?”

Glossy blue eyes land on you. He thinks back to the way you held each other, the way he kissed your cheek.

“I don’t know,” you say, words rushed. “Maybe if they think you’re in the middle of a hook-up, they won’t interrupt? It’s stupid, but I don’t know what else we could do.”

The invitation ignites a fire in him. Suddenly, Rafe’s hand cradles your jaw and he pulls you in. You were expecting a hug or something tame. But he kisses you.

Everything that felt heavy in you lightens. His lips are even softer than you imagined. Your mouths melt together and it feels so natural that you almost forget this is all a tactic.

Everything in and around Rafe blurs when he kisses you. He doesn’t feel weak or fucked up or like a failure. He just feels you. Kissing him back. Tasting him like he’s tasting you.

You hear Rafe’s friends’ voices grow louder and you pull back, glaring at them.

“He’s busy!” you shout. Some of them laugh, others holler, but the guy at the front of the group throws his arms up and turns around.

“Say no more,” he slurs, laughing. “But hurry it up, will you?”

You watch them stumble back towards the house and you realize you can hear your heartbeat. You wish it was from the rush of getting away with a lie. But it’s not. It’s from the lie feeling this good.

“It worked,” you say. When you focus on Rafe again, his eyes are on your lips. Then, he quickly looks away, his hand lifting off of you.

The air between you is thick and awkward and you nervously clasp your hands together.

He looks out at the water again. So do you. You’re not touching anymore. And even though he’s right next to you, he suddenly feels miles away.

(part five)

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[mvth3r]

you and daryl are incredibly similar. sometimes that isn’t a good thing.

CW: 18+ MDNI

A/N: herbalist reader is one of my favorite pairings for daryl, i’ll probably end up writing more of them specifically. anyways, this is for the anxious (me) over thinkers (also me)!

you and daryl hadn’t been together very long. months starving on the road had brought you closer, him hunting constantly to feed the group and you analyzing and collecting every edible leaf and berry right alongside.

the hunter and the herbalist. terms like “girlfriend” and “boyfriend” seemed a bit childish to both of you, given that you weren’t teenagers anymore, but you were partners through and through. to some, you were an unlikely pair, but your group understood the many ways you intersected.

you’d grown up damn near just as rough as he did, with an abusive mother and a father who drank himself to death trying to cope. it’d been a lonely childhood, and you spent most of it outdoors, falling in love with nature.

your similarities made your relationship strong and laid the foundation for understanding each another, but sometimes it made for a worse situation, like now.

you and daryl laid next to each other on your cot, pressed together from the lack of space. it wasn't uncomfortable, but the charged awkwardness that had lingered between the two of you recently soured the air.

you couldn't see daryl's face, but you knew from the irregular rise and fall of his chest that he wasn't asleep. the cell was dark save from the strip of moonlight peeking around the sides of the privacy sheet.

you sighed silently, only your shoulders moving with the expression, but it didn’t go unnoticed.

daryl pulled away from you, leaning as far out of your embrace as he could without falling off the bed.

“what?” he mumbled, voice gruff. you could hear his confusion, and it made you wince.

“nothing, just,” you paused. for a moment, you considered letting it go. he would come to you when he was ready. or he wouldn’t if he truly hadn’t enjoyed it. or if he wasn’t really interested in sex. but would that mean he hadn’t really wanted to do it with you? or that he had, god forbid, felt pressured?

no, you steeled your resolve, you would not let this overthinking and anxiety overtake you anymore. it was just a question. you could ask a question.

you pushed yourself up onto your elbow and, reaching over daryl, flicked on the oil lamp that sat on your makeshift nightstand. you blinked as your vision adjusted, finally bringing daryl into view.

staring just below his eyes, you blurted out your ailment, not wanting to allow yourself time to bow out.

“did you not like having sex with me? when we did a few weeks ago,” you kept your voice low, though you were sure most everyone was asleep.

daryl had already been frowning, but it deepened at your words, “what’re you talkin’ about?”

and out came the word vomit.

“well i just mean that, y’know, we haven’t had sex again since that first time, which was great. i really enjoyed myself, and i thought you did too, but then you never mentioned it and you never tried to do it again, and i’m thinking maybe you just aren’t into sex? which is fine! but then it’s also not, because that would mean i either forced you or you felt like you had to have sex with me, which isn’t cool, and—“

daryl cut you off with a hand over your mouth and you opened your eyes at the interruption, never even realizing you had closed them during your rambling.

meeting daryl’s eyes, you saw shock and amusement melting the confusion right off his expression. a blush was starting to bloom across his cheeks.

“i didn’t mean to leave ya hanging,” he said, “I guess i was in my own head too. thought ya would come to me when ya was ready.”

“when i was ready…” you trailed off, dumbfounded.

all that overthinking, just for you both to be in the same place.

“ain’t wanna force ya or nothin’,” he clarified at your expression.

you stared at him in shock for a moment, and then you were moving, surging up from the cot and swinging your leg over to straddle his waist. your hands settled on his deliciously firm shoulders for balance.

daryl’s hands roamed over your hips, slipping underneath your his loose sleep shirt to press into your skin. his head bowed to lay against your neck, whispering, “i always want ya, babe,” as his lips peppered kisses up your throat and over the soft curve of your jaw.

you could feel him getting hard beneath you where he was pressed against the thin cotton of your panties. you started getting wet in response, hoping, albeit naively, that he wouldn’t be able to feel it.

daryl’s hands tightened on your hips, encouraging you to grind down against him and you followed his lead easily. a moan bubbled out of your mouth unbidden at the feeling. you weren’t going to last long, not with the pressure just right and just where you needed. it had been too long.

your man, just as needy as you, was in the same position. his head rested back against the wall, lips parted on a moan of his own as he controlled your pace, rolling your hips down again and again against his.

you felt your orgasm starting in your belly and you slumped forward, hips stuttering as you rode it out. the fabric of daryl’s shirt muffled your whimper.

stuck in his shirt as you were, you couldn’t see daryl’s face when he came, instead feeling him shudder and his hips jerking sporadically once, twice, and then stilling all together. he hissed out his release, hands tightening like a vice around your hips before he let you go.

you hid your smile against his shirt.

later, after you and daryl had changed into different bottoms and laid back down on the cot, you drifted easily into sleep for the first time in weeks, your mind quieted.

being so well sated was a bonus, though, and, by the quiet snores daryl was making, tucked against your chest, you figured he would agree.

[lullabies-blue]

Thomas Hewitt/ Reader

𝔚𝔥𝔞𝔱 𝔦𝔰 𝔩𝔬𝔳𝔢, 𝔱𝔬 𝔰𝔬𝔪𝔢𝔬𝔫𝔢 𝔴𝔥𝔬 𝔥𝔞𝔰 𝔫𝔢𝔳𝔢𝔯 𝔥𝔢𝔞𝔯𝔡 𝔬𝔣 𝔦𝔱? 𝔑𝔢𝔳𝔢𝔯 𝔱𝔞𝔰𝔱𝔢𝔡 𝔱𝔥𝔢 𝔰𝔴𝔢𝔢𝔱𝔫𝔢𝔰𝔰 𝔬𝔣 𝔦𝔱𝔰 𝔫𝔢𝔠𝔱𝔞𝔯?

Written in third-person limited POV, focusing on Thomas. Content tags: Neurodivergence, Cannibalism, mentions of rape, Canon typical violence, self harm, Mommy issues, child abuse (mentioned), good vs. evil with nothing in between, religious trauma. Author notes: I honestly intended this to be short and to the point- but here we are. I read a lot of Thomas/Reader stories where Thomas is portrayed as neurotypical and I don't know why it bothers me so much- it's just fanfiction after all, but I wanted to write a short "love" story where Thomas is violent and scared and lonely. He's nonverbal, he's mentally disturbed but not 'slow'. His world is very black and white and full of violence, so that got me wondering- what would love look like for him? What would happen if this man, who has only ever known darkness, met someone who was nice to him? Fair warning, lots of rambling ahead. I also just want to say that I am Autistic and that influenced a lot of this story- from the way that I write, to how I portray characters, to certain interactions. So if anything seems weird to you, I apologize- my mind works in weird ways. If I need to clarify anything, just shoot me a message. I would love to talk about the writing process and why I included certain things. Important: This is about 15k words and NOT even half of it. I had to cut it into pieces, will update the rest in another post.

Thomas brings the axe above his head, his breath ragged as he swings it down and cuts the piece of firewood in half with a low grunt. He’s hot, even though it’s the middle of winter- the weather low even with the sun that hid behind the clouds- and his shirt is sticking to him uncomfortably, the sweat doing nothing to cool him down.

He lodges the axe into the tree stump, grabbing the two pieces of wood and throwing them in the wheelbarrow before he wipes his forehead with dirt covered hands. It was the last chore of the day, and he was tired and sore- a tightness in his shoulders that seemed to spread all the way down to lower back and made him want to get in bed. His mask is damp and tight against his face, the skin underneath irritated. He wants to go inside and change, the thought of taking a shower was frustrating but he knew that he needed one. He could smell himself- bitter with sweat and the slightly suffocating scent that seemed to stick to chickens now clinging to him from when he had cleaned out the chicken coop. His nails were lined with dirt- hands and arms caked in grime. It made him feel heavy and slow.

Uncle Hoyt would drag him to the back and hose him off if he saw him, and he hated that more than he hated cleaning himself off- the feeling of water on his skin something he had never got around to liking. He could handle other things- blood never seemed to churn his stomach, or when Momma or Uncle Hoyt used to ask him to go clean out the pig pen- back when they could afford to have pigs, they were empty now, the whole farm seemed to get emptier and emptier as the months passed- he hadn’t thought that shoveling pig shit into a bucket was all that bad. But he had trouble smelling sometimes, especially with the leather pressed so tight against the place his nose had once been.

He takes the handles of the wheelbarrow, filled with enough dried out wood for the weekend- maybe Monday, if the weather stayed where it was at- and began to haul it towards the house. Momma would need some in the kitchen, to boil water and heat the ovens for Supper when she got back from town. He’d have to check the fireplace on the main floor- sometimes even on the coldest days of winter that room stayed warm enough that if they were to turn on the fireplace it’d be too uncomfortable to sit in. He would wait until Uncle Monty asked for more- he didn’t like it when any of them made decisions for him, more so now that he was stuck in that wheelchair.

There were no fireplaces upstairs, just piles of blankets to layer and hope they did enough to keep them warm. Sometimes it would be enough for him, but there were nights that even with two or three of the ones Momma sewed together for him; he would still lay awake, teeth chattering from the cold. It’s why he hated the cold- he could manage the heat, but winter was unpredictable even in the deep south of Texas.

Uncle Monty is in the living room, asleep in his chair as the TV keeps playing, almost as loud as his snoring. He walks past him, noticing the almost empty fireplace. His footsteps are heavy and loud from the metal on his shoes as he carries an armful of wood into the kitchen. He sets it down on the dining table, right on the white plastic cloth momma had set out before she had left, dirt falls onto the floor and he makes a low, grumbling noise of frustration, hoping that she didn’t see it when she got home.

He had forgotten the plastic mat last time and gotten her favorite tablecloth dirty -the mud staining the light blue cotton forever. He didn’t see why it was such a big deal, Momma had once told him that life was messy, that’s how one knew that they were living it, but she had been so angry at him then- sending him out with the bucket and soap, shouting about the mud he had tracked inside their house. Supper had come late that night- Hoyt growing angry at him. He liked it when it was ready and waiting for him when he got home- shouting at momma that working men weren’t supposed to wait for food.

He had gotten into an argument with him that night- he didn’t like it when people were mean to momma. Uncle Hoyt had called him a bad name- making his blood boil.

He didn’t want that to happen again. He didn’t like how badly he had wanted to hurt Uncle Hoyt at that moment. Momma said that family fought all the time, but he had to be careful not to do anything that he would regret. Maybe he would regret it when his blood stained his clothes, but part of him wasn’t so sure. He liked him better when he was Uncle Charlie. Uncle Hoyt reminded him of the bad men.

He tries not to think about it anymore when he heads back outside to grab a few more pieces of wood for the living room. He didn’t like thinking back on the things that made him angry, sometimes he couldn’t come back from them, and he’d end up doing something bad.

By the time he’s pushing past the double front doors, Momma’s car is pulling into the dirt path off to the side of the house. It’s an old one- rusting from the heat of too many summers, but momma didn’t mind it.

 The car comes to a stop as he picks up another armful of wood and takes it inside.

Ever since Hoyt became Sheriff of the town, things had gotten better for them. There were never days where they went to bed hungry, the meat freezer down in the basement always seemed to have enough for them. If it ever ran low, a Hoyt always seemed to find a way to get it restocked. Momma had taken over the shop in town after the owner had passed away and Hoyt made sure that his son- one of the bad men- went right along with him. He had filled the bellies of those who still stayed in town, too hungry to care enough to question them. Sometimes she brought back what didn’t sell that day and they’d have themselves a little feast. There were days Uncle Hoyt brought a guest with him- always a woman-, other times he’d ask momma to bring his food up to his room- the muffled screaming drowned out by Monty’s TV show.

He liked to stay in the basement on those days. It was harder to hear the pleading and begging as Hoyt played too rough with them. He would always get stuck with getting rid of them afterwards and he was starting to dislike the chore.

By the time he finishes stacking the wood, Momma is calling out for him, the front door swinging open. He freezes- his shoulders squaring and his breath suddenly heavy as he looks up at the hall, hidden between a wall and the fireplace. There was someone with Momma. He could hear the footsteps- Momma walked with a purpose, heavy and loud like him. She said that she did it so God would hear her better, but he wasn’t so sure that God was with them anymore. The ones that came after her were lighter, nervous.

He didn’t like guests. Didn’t like that Momma and uncle Hoyt had developed a habit of taking in strays that would just end up in the basement with him later. They would scream when they saw him- call him those names that made the anger come. Some of them liked to hurt him, momma taking him to the bathroom afterwards and stitching him up.

“You’re going to love my Tommy. He’s a little bit shy but he’s got the sweetest heart.” Momma says and he hears the other person laugh. It’s a soft noise- gentle in a way that manages to make his heart race faster as he tries to crawl deeper into the tiny space. “He’s here around somewhere… but let’s get you set up in your room then you can come down and help me with supper, okay?”

Another laugh, his heart racing uncomfortably in his chest. He didn’t want Momma to find him, he was already so tired.

“Of course,” the stranger says, and she- the thought of a woman in the house irritates him- doesn’t talk like Momma or Hoyt or Monty. Her voice is quiet, it doesn’t drawl out. He’s heard it before- she must be from out of town. “I would love to!”

For a moment, he feels bad for the woman as he hears them go up the stairs. He always feels bad for them at first. Momma said that his heart was too kind. Hoyt called him a pansy boy, in need of toughening up. He doesn’t know why he feels bad, the guests were never good people- he’d always come to learn that, but it never seems to do anything to make the twitch of guilt go away from his heart. The steps grow quieter the farther up they go- until he hears Momma’s muffled voice and then her footsteps coming back down.

She spots him, curled into himself in that tiny, dark space and she sucks her teeth, shaking her head. “Thomas Hewitt, what in the lords name are you doing there?”

He feels embarrassed all of a sudden, getting caught like this. He makes a low noise in his chest, pointing to the firewood.

“Come on and get on out of there if you’re done then, we’ve got company.” She comes down the rest of the steps and makes her way towards him. When she holds out her hand he takes it, a comfort that has his heart slowing down.

 “I need you to go and grab the rest of her stuff from the car- poor girl don’t got no power in her home.” She says with a shake of her head as she pulls and helps him to his feet. “She’ll be staying with us until her electricity gets put back up.”

He shakes his head, this time the noise he makes is in protest, a deep groan of anger. He didn’t want to. He didn’t want her in his house.

Momma frowns, crossing her arms over her chest. “Now listen here Thomas, not everyone is as lucky as we are. Sometimes we have to help those in need.”

He wants to believe her- Momma wasn’t one for lying, after all- but this isn’t anything new. He knew how this would end; with the woman in their bellies and her screams in his head, keeping him awake at night. She would make a mistake and then she’d end up in the basement, begging for her life.

It was like Momma had set her up to fail, like a game that promised a prize that would never come, and Thomas didn’t want to play. Not this time. He shakes his head again, his way of telling her no.

Momma and Uncle Hoyt have a lot in common, no matter how sweet and gentle Momma tried to be, her anger was almost as bad as his. He doesn’t like it when she gets angry at him- everyone was always angry at him- and he can see it in her eyes, making him bend his chin against his chest as he let out a whine, glancing down at the ground. She never hit him, but she would ignore him and that hurt a lot more.

“Then you go on upstairs and tell the poor girl that she’s got to leave. I won’t be the one to break the bad news.” Momma huffs, stomping over to the kitchen. “Tell her you would rather see her freeze than offer a small kindness.”

There it is, that harshness in her voice that makes him tremble, his heart picking up its pace until he feels like he can’t breathe. He shakes his head again, digging his fingers into his arm. He didn’t want to have anything to do with the woman. Didn’t want to be forced to deal with her later but if this is what Momma wanted, then he would do it. He would make her happy.

He lets out another noise, smaller this time and turns towards the door. Part of him is angry- angry that he wasn’t allowed to be angry without being punished. Angry that sometimes it seemed like he wasn’t allowed to have a say when it came to things. He felt as if momma sometimes liked to hurt him on purpose- pushing and pushing until he snapped.

As soon as the thought crosses his mind, he feels the guilt settle in his stomach, hot and suffocating. Momma wasn’t like the bad people. She wouldn’t hurt him. Sometimes he just made her so angry- he knew that. He knew that he was difficult and stubborn and sometimes she got tired of dealing with him.

It wouldn’t be long before the woman disappeared anyways- Hoyt will see her at supper and he’d take her upstairs. The screaming will start, and everyone will act like they couldn’t hear it; Momma would knit, and Monty would turn the volume on the TV up until it was too much. He’d end up sleeping in the basement again, picking at his skin until it was raw and bleeding- the crying twisting his stomach and threatening to swallow him whole.

He just had to wait until then. He would be good until then.

The trunk of the car was left open for him, and he finds the woman’s things waiting for him. It’s not much- a simple backpack, filled with so many things that it ballooned uncomfortably. He grabs it, grunting at the fact that it was heavier than he thought, and slams the trunk close. The car shakes and squeaks at his aggression as he carries the bag inside. He doesn’t like the fact that he’s touching the stranger’s things.

He’s dirty- his fingers staining the bag- but he’s also dirty inside. Rotten from the anger, the bad he’s done. The bad he was going to do. He can feel himself soiling the items inside- turning them just as dirty as him as he walks into the kitchen and sets the bag down on the floor. Momma had taken the firewood he had left and put away the mat. He could feel the warmth of the fire even from where he stood across the oven- filling the room with the scent of smoke. He grunts, wanting Momma to turn around and see that he had done what she asked. He wanted her to smile at him- to ease the way his heart still hammered in frustration.

She turns, but the softness in her eyes isn’t directed at him- she barely looks at him and his heart sinks further down into his stomach, tension building in the back of his neck. He can hear her footsteps now- the creaking of the staircase as she came downstairs. He’s standing in front of a wall, the staircase on the other side. For now, he was hidden- but it wouldn’t be long until she stepped into the kitchen, and he couldn’t hide anymore.

“We’re in here dear,” Momma calls out to her. “Tommy here’s got your bag for you.”

He sees her for the first time out of the corner of his eye- spotting her before she spots him, her eyes on Momma. She’s short- shorter than momma by a bit, and clean and well dressed. Her sweater is thick and colorful, the cuffs of her sleeves neatly folded against her wrists. Something there catches the soft yellow light of the kitchen- a thin golden bracelet halfway hidden beneath the fabric. Her jeans look like they’ve been around for a long time- a different shade of fabric stitched into one of the knees. Her boots are old and worn out, reminding him of his own.

He doesn’t like this. He doesn’t like this feeling that runs through him as he inspects her.

“I really like your house!” she says- voice light and full of excitement that made his mood worsen. “Its-” whatever she was about to say dies in her throat as she turns her head to the left and spots him for the first time.

He doesn’t let her look at his face- turning his head to the side as he folds into himself, chin against chest. He doesn’t like this- doesn’t like that she stares at him without saying anything. He can feel her eyes on him- inspecting him- an animal on display. His chest rises and falls painfully, his breathing hard and loud in the silence. He can feel his hands twitch- his thumb nail grazing along the length of his finger.

“This is my son,” Momma’s voice is tight as she talks. “Tommy this here is our guest. Don’t you want to say hello?”

He shakes his head, his hands trembling. Something wet lands inside the sink and he startles. He hears Momma suck her teeth and he can see her in his mind- shaking her head like she does whenever he does something she doesn’t like.

He doesn’t like this. Doesn’t like that Momma is getting mad at him, that the woman still stands there, watching him tremble in fear. He could already hear it- her laughing as she called him an idiot. They always called him something. They always laughed at him.

“It’s okay,” her voice shakes a bit as she breaks the silence, and she coughs and clears her voice. “I, um, I’m a little shy myself so I know how hard it can be sometimes.” She speaks slowly, her voice almost a low whisper. She tells him her name. Tells him that it’s nice to meet him.

He doesn’t say anything- not that he can, he’s never spoken a single word- but he nods his head, his eyes quickly glancing over at her. She’s still looking at him and his heart almost beats through his ribs. He expects her to be looking at him like they always look at him- filled with disgust and hatred, looking for any excuse to leave, to get as far away as possible from him- but he doesn’t find that in her face.

He finds her mouth twisted downwards and her eyebrows pushed together just a tiny little bit, her eyes gentle and wide. She looked at him as if he was a dog out by the side of the road on a hot summer afternoon refusing help and she had been chasing him with a bowl of water.

She looks at him like there was nothing scary about him. Like he was a man, dirty from a long day at work and not a freak- poor and disfigured- a monster. He had never seen that look from anyone who didn’t live in this house, and it scared him. It terrified him that someone would decide to look at him like that.

But as soon as he met her eyes she looked away, towards Momma- a smile in her voice.

“What are we making for dinner?” she asks, stepping farther into the kitchen and pushing her sleeves up towards her elbows- ready for whatever Momma tells her to do.

The tension disappears just like that, Momma laughing lightly as she places her hand on the woman’s back and pulls her close. “You’re such a darling, helping me out like this. How about you start getting out the pots and pans? They’re over there by the pantry.” She pointed to the cupboards by the fridge and the woman nodded and went straight towards them.

With her back to them- Momma turned and looked at him finally. He could still feel his heart hammering away at his chest, but this was more manageable. He was still waiting for the names to come, for the screaming and the disgust to appear in her eyes. Sometimes when Momma was around people hid it a bit better, but he knew that it wouldn’t be long until they couldn’t hide it anymore.

He expects Momma to still be mad at him- blue eyes dark with anger- but instead she sighs and puts her hand on his shoulder, a silent apology that has his muscles relaxing. The woman pays them no mind- bending down to inspect the cupboard down there.

“Go on and take her bag up to her room and get yourself cleaned up, okay?” She tugs on the collar of his shirt before fixing his hair out of his face. It’s damp from his sweat, but she doesn’t flinch. “She’s a good girl- try to handle her with care, alright?” Her voice is a low whisper- something the woman wasn’t supposed to hear. It unsettles him as he nods along with Momma- not quite understanding what she meant. He doesn’t know if he’s supposed to nod along with her or shake his head, but Momma doesn't wait for an answer, patting him on the cheek before she turns her head and calls out to the woman.

“Honey, Tommy is going to take your bag up to your room- is that alright?”

The woman rises from the ground, two pots neatly stacked in each other in her hands. “Yes,” she says softly- her eyes meeting his. “Thank you, Tommy.”

She smiles at him shyly and his heart begins to hammer against his ribs again. He feels his skin begin to burn- his flesh raw and exposed to her. Even underneath his mask he can feel himself heating up as he looks away, scrambling to grab the bag.

He needed to get away from her- from Momma and her words that he couldn’t understand. He felt like he couldn’t breathe with her here. He stumbles up the steps- feet so heavy against the wood that he swears he can feel the house tremble underneath him.

Momma gave her the room across his- the empty one where she liked to keep the extra bed sheets and towels. But it’s cleaner now as he turns the knob and goes inside, the curtains pulled open to let in the bit of light that still shone from outside- the sun close to setting. The piles of blankets that were on the bed are gone- the sheets neatly tucked into the space between the mattress and the boxspring. There’s a jacket thrown on top- red and faded, the cuffs ripped up on one arm.

He sits the bag right next to it- on the floor, wiping his hands on his jeans. It topples over and he lets out a grunt- fixing it so it sat upright again. He decided that he would stay up here until Momma called him for supper. He wouldn’t go down to the basement while the woman was here- he was worried that she would be stupid enough to follow him down there. That would be the end of her. Blood and flesh and sinew torn from her bones for them to feast on.

He’s careful when he’s leaving the room- closing the door gently so that it doesn’t slam before he hurries off into his own- locking the door behind himself.

Here it’s dark, his windows covered in greased up newspapers. He didn’t like it when it got too bright- when the sun shone through and reminded him of the mess around him. His room is small and cramped and full of things that he had hauled up from the furnace room so that he wasn’t stuck going up and down all the time. Uncle Monty said that he sounded like a ‘goddamned bulldozer,’ stomping around the house when he was trying to sleep. So, it was better this way- even though sometimes he got irritated that there were too many things. But it meant not being bothersome, so he tried not to mind much.

He checks the door again- making sure that he had really locked it, pulling and twisting at the doorknob just to be safe. He knew that no one would come up here and go into his room- Monty was stuck on the first floor, Momma was with the girl in the kitchen preparing supper and Uncle Hoyt wasn’t home yet. But he was always a little paranoid, just the tiniest bit afraid that someone would knock down his door and see everything about him that he had tried so hard to hide. Not even Momma was allowed in here. This was his- the only place where he could hide from everyone, where he didn’t have to worry about anyone disturbing him.

He takes his mask off and it’s not quite the relief he was expecting- the leather inside has gone stiff, his face raw and tender and aching from all the sweat and dirt that had managed to get in. He can feel it as he runs his fingers across his face, a cut on the corner of his lips that wasn’t there last time. It blends into the sores and scarred tissue already there, his skin long ruined. It shouldn’t bother him- but as he opens his mouth and feels the skin stretch and crack, a drop of blood welling up and rolling down his chin- he gets upset, grunting in frustration. He had wanted to clean the mask and add some petroleum to try and soften it up so it wouldn’t bite at his skin anymore- pinching and scratching and making the pain worse. It would have been something to do, something to keep him busy and distracted until he had to face the inevitable, but now it was something that he no longer wanted to do. Why would he? What would it change?

It was never this bad- but ever since his nose began to fall away, it only ever seemed to get worse- no matter what he did or how hard he pleaded for it to just stop and go away- nothing ever changed. There was no one there to listen to his pleas.

With a low groan of frustration, he tears his hand from his face, wiping the blood on the front of his shirt. He hates himself. Hates everything about himself. Momma liked to say that the bad people were liars, that people who were hurting only ever knew how to hurt others- but he knew that wasn’t true. He was a monster. He saw it, looking back at him in the mirror- wild and ugly and evil, everything that he did not want to be. He hated taking his mask off- hated knowing that the man that existed underneath it was the same man that he was trying to escape from.

Coming here was a mistake. He should have stayed downstairs, should have gone out back to the barn- there he would have found something, anything, to do.

He takes a breath like Momma showed him, trying to push the anger away- down, down, down, until he couldn’t feel it slithering through his veins and pounding in the back of his head. He just had to focus on something else-he liked it when he had chores, things to do that kept him busy and away from the bad thoughts. He takes another deep breath through his mouth- dirt and salt on his lips as he picks up the mask and tries to clean it off on his clothing. It does nothing but lift the dust off into the air as he places it on his face, tightening it too much across his head, leather digging into tender skin. He would take a bath, change his clothes, then sit in bed and wait. Uncle Hoyt would come an hour after the sun disappeared and then he would have to go downstairs. He didn’t want to go downstairs.

He didn’t want to feel the bad feelings anymore. The fear, the anger. The woman would look at him and his throat would tighten, and his heart would beat painfully. He hadn’t liked that feeling- trapped in his own skin, unable to get away. Yet at the same time, he wanted her to look at him. No one ever looked at him.

He could still feel her eyes- soft and warm on his skin, simultaneously calming and worsening his anger. He was half embarrassed- covered in dirt and sweat stains, his clothing old and faded- Did she think that he was disgusting? He was always messy in everything that he did- always having to teach himself how to do things. Filth had never been a stranger. Had never bothered him. But he finds himself wanting to wash the grime and sweat from himself- even if he was just going to put the same clothes back on.

His stomach growls, empty and needy as he unlocks the door and roughly pushes it open- he finds the woman outside of it.

The door swings open, the gust of wind pushing her hair around as the door barely manages to miss her. She’s looking up at him, eyes wide and mouth slightly open- her arms up by her chest. It scares him, seeing her there and he makes a messy, garbled noise of surprise.

“Sorry!” she speaks fast, her words all pushed together. “I was just trying to find the bathroom!”

He feels his heart beating in his throat, muscles tense and solid as he stares down at her. She’s so much shorter than he thought- he could reach out and crush her throat in his hand and it wouldn’t take much force to do so. He’s almost tempted to, his fingers twitching at his sides. Momma would get mad at him when he dragged her body downstairs- but she would forget eventually.

“I’m in your way- I,” she takes a step back, her eyes finally releasing his. “I’m sorry, I’m just-”

He grunts. Low and short- his way of telling her to stop talking. Nothing she says is making any sense to him and the sound of her voice makes his heart hammer at his chest. Thunderous and loud and painful. It scares him how easily she does that to him. Such a small thing like her, carelessly walking into a house where God was nowhere to be found without a single ounce of caution. He could take her to his room, and no one would hear her scream. He could scare her more than she scared him.

She squirms in the silence like a rat stuck in a trap. She tugs at her sleeve, at her collar- his breathing loud as he watches her- watches her chest rise and fall with every breath, her eyes on the space between them.

 Another grunt and she startles backwards, looking up at him. This time, when her eyes meet his own, he doesn’t cower even though his body tenses and he can already feel her pulse beneath his hand.

 His body is stiff as he steps out of his room and moves out of the way of the door- he has to turn his back to her and for a split-second, panic runs cold and fast through his veins as he remembers the woman who had stabbed him. The door slams close as he turns around quickly, eyes wide and wild as he looks down at her hands.

He expects to see a knife pointed at him- the scar on his shoulder aching from the memory of being sliced apart, the pain still there even after all the months that have passed since. He hadn’t done anything to deserve that pain- the woman and her friends had attacked first, had tried to hurt his family. Uncle Hoyt had told him, so had Momma with tears in her eyes and blood splatters on her dress. They were bad people who wanted to do bad things to them, and it was his responsibility to protect them- to keep them safe. It hadn’t mattered that his hands shook so hard with fear, and he could taste vomit at the back of his throat, vile and burning, he had to protect them. They were all that he had. He couldn’t- wouldn’t- lose them.

He was panting as he searched the woman and finds nothing in her hands, her eyes widening as she takes another step away from him.

 Was she scared?

Did she finally see it? The evil that radiated off of him that others seemed to see- always scared of getting too close to him- He was a disease on this town. A burden. Did he finally scare her?

Would she scream?

Was she going to hurt him- just like everyone else? Drive a knife into his flesh- a pain that would only last for so long before it faded into a memory that he refused to think of. A pain that wouldn’t be so bad compared to the shame that churned his stomach whenever a stranger screamed when they saw him.

He waited- teeth clamped together as he stared her down in the heavy silence.

He watched as her lips part, lower lip trembling slightly. If she screamed, he would hurt her before she could hurt him. If she screamed, she would be nothing but a pile of bones, tossed into the fire by the time the sun rose tomorrow.

Scream, he thought, fingers twitching at his sides. Scream already and let this end already.

“You’re scared of me, aren’t you?” she whispers and her voice trembles even as she keeps talking. “I can tell- you’re looking at me like I just pulled out a gun on you or something.” She lifts her hands towards him and moves them back and forth, as if she was showing him that he had nothing to worry about. “But my hands are empty-”

She lifts her hands, palms facing him, and wiggles her fingers. “If it makes you feel better, apart from a kitchen knife I don’t think I’ve ever held a weapon.” She smiles oddly at him- as if she wasn’t sure how to do so, her eyes still wide and unblinking. As if she was worried that he would lunge at her at any second.

He doesn’t like how his body seems to let go of its worries and fears so fast, his shoulders drooping and his heartbeat slowing down until it’s no longer pounding against his ears as the ringing slowly starts to disappear. He unclenches his teeth, the pain still lingering in his jaw and neck, and suddenly, he’s no longer thinking of hurting the woman- of how easy he would have snapped her neck. He still could, part of him even ached and begged for him to do it. To get it over with.

But he doesn’t listen to that part of him that never truly seemed to go away- always begging for blood, for a voice that would finally be heard. He’s staring at her hands instead, focusing on the tips of her fingers that are flushed pink. He notices the birthmark on her left middle finger- a tiny dot right underneath the crease of her knuckle. He notices all the tiny little lines that make up her palms and the way her thumb trembles lightly.

He did not like her.

He did not like the way something as simple as her hands was enough to draw his attention- his eyes seeking out the tiny little patterns between her fingers. He did not like how her voice could soothe him so easily when he wanted nothing but to crush her- to take her, to taste her flesh on his tongue and her blood on his lips.

He did not like how she called out to him as he just stared at her- stared through her, voice gentle with his name. It wasn’t the same as when Momma said it though. This felt like a spell, a bad omen- Satan’s own voice whispering temptation in his ear. Sweet and gentle and unfamiliar.

She made him feel the same way he had felt that one night he had snuck upstairs to watch Uncle Hoyt and his new friend. He had pushed the door open just enough so that he could see but still stay hidden from the light. He hadn’t made a single noise as he watched Hoyt undo his pants and pull the woman’s legs apart. He hadn’t been able to see much from his hiding place, but what he heard had sent a shock of electricity through his body- blood boiling with need as he listened to the crying and the begging and the sound of something slick being hit over and over again. His stomach churned the same it had that night- tight and hot and restless for something that he could not give it.

He lets out a whine- deep and guttural and full of frustration. Go away, he wants to yell at her. Go away before you ruin everything.

“Tommy…?” she asks again, not understanding his plea.

He whines again and it takes him a second to realize that he’s scratching at his arm- digging his fingers into the old scars there and agitating the skin. It hurts. But that pain is familiar and calming and helps him focus on something other than the panic rising in his throat.

She was messing it all up.

 It’s supposed to just be the four of them- Momma, Hoyt, Monty and him. It’s always been just the four of them. There wasn’t enough space here for her. She was too much of a change to get used to- too loud, too much. Even if he went and hid in the basement until Momma got tired of her, he knew that he would still be able to feel her through the walls, a choking weight in the air that would only poison him until he forgot what it was like to be ignored and cautious even in his own home. He’d be able to hear her- hear her laugh, her steps, the tiny little noises she would come to make the more time went on. She would fill this house with her until she soaked the walls and filled in the foundation. Until everyone forgot that she had a stranger at one point- a spontaneous good dead in all the bad they dealt in.

And even then- what would stop Hoyt from taking her to the room where almost all of the women ended up in? From the emptiness of their bellies that might make them remember that she wasn’t one of them- that she was the answer to their starvation?

He's sinking his nails in harder- the thin skin underneath breaks and he itches at the spot as if there was something alive and buzzing under the flesh. He doesn’t feel the pain as the blood begins to gather underneath his dirty nails. He can see it, even in the dim light- but he can’t feel it. Can’t stop. He digs and digs and digs, hoping for the thoughts to stop- for the voices to stop telling him that he had to kill her. That if he didn’t, he had to make sure that she never left- that this house swallowed her whole and kept her from running, from leaving them. Leaving him. If she tried to run, he could keep her in the furnace room; could tie her up and warn her that if she wasn’t good, she wouldn’t be able to stay.

He could be good to her. He would learn if he had to, would ask Momma to teach him to be gentle and kind. He would not make her angry, would not make her cry or scare her away as long as she listened to him. As long as she stayed with him.

He’s lost, stuck in the farthest corner of his mind, in a future that would stop existing if he simply reached out and touched her. All he had to do was cover her face with his hand, she would be too surprised to fight him off when he pressed her against the wall and kept her there-the weight of him against her back. He could already feel her as she squirmed against him- her body unable to stand still as her lungs began to burn. He could already feel her warmth through his clothes, feel the way his heart would race as she sank her fingers into his skin, drawing blood from fear and desperation. His fear would seep into her flesh, make her lash out more. Her pain would become his and they would be inseparable in that moment.

 It’s when he feels her- fingers cold and desperate as she prods and pulls at his arms, forcing them apart that he returns to reality- to the dimly lit hall, the heat of the fireplace already seeping through the cracks in the foundation. He can feel the way her arms tremble, her fingertips burning holes into his skin.

The woman’s eyes are wild when he looks at her, all wet and round- something in them, in the way she looks at him, makes his heart fill with lead- knocking against his ribs painfully.

“It’s okay!” she says, her voice panicked as she keeps repeating it over and over again, almost as if she’s trying to convince herself- or maybe she thinks that if she says it enough times it’d become true.

“It’s okay, you’re okay,” she repeats, her eyes on his as she pulls his arms towards her. “We just have to get this cleaned up and it’ll be okay.”

He doesn’t budge when she tries to pull him towards the staircase- instead, he watches as she stumbles over her own feet, her hands sliding down his arms.

“We need to get this clean,” she’s pleading now, tugging at him to get him to move. “It’s going to get infected if we don’t and there’s no doctor in town anymore-” the more she talks, the more hysterical she begins to sound, her voice growing higher. “I don’t know where the bathroom is, but we can go down to the kitchen, Luda M-”

He doesn’t let her finish, easily pulling his uninjured arm free from her. He didn’t want Momma to know. To see the mess that he made of himself. She would yell at him if he was lucky- tell him that he was sick in the head, hurting himself like a damn fool again.  But he knew that Momma wouldn’t be kind like that- she would take one look at him, dripping blood on the floor and she would blame the woman for his pain.

He could already hear her yelling, the shrill sound bouncing through his head. Momma wouldn’t care to listen, to see anything other than what she wanted. Momma was like that- kind and sweet and quiet until someone was stupid enough to go after the family. He was like her in a way, protective of them all. He liked to think that he got it from her- that he couldn’t possibly be bad when Momma’s blood ran through him, sweet and caring.

He couldn’t let Momma find out. Not now- not when he had decided that the woman standing in front of him was worth more to him alive than chopped up into pieces that would fit into the deep freezer.

 With a grunt that shuts the woman up from her rambling, he grabs her arm. She’s soft and small under his touch- her sweater itching at his palm as he begins to pull her deeper into the hallway, into the darkness. Away from Momma. Away from a future he wanted no part in.

“No, Tommy we have to go downstairs. I don’t know what to do.” Her voice is shaky as she takes a couple steps forward before planting her feet and refusing to keep going. “Your mom might me better at this than me, please.” She pleads even as she begins to walk again when he refuses to stop.

He tries to tell her that Momma couldn’t find out. That if she did then he wouldn’t be able to protect her- to keep her safe. Momma would tell him to get rid of her and he always did what Momma wanted, even if sometimes he didn’t want to.

He loves Momma. Loves her more than Uncle Hoyt or Monty. He loves her more than anything or anyone- even himself. He could suffer through any pain as long as Momma was with him- as long as she was happy with him.

He tries to tell her that he knows exactly what he’s doing, but all his words come out as a garbled mess of a groan, the muscles in his throat too weak to form any actual words. It frustrates him- hearing himself talk in a way that no one would ever understand.

He lets out a low howl, that frustration growing when she stops walking again. He has to be careful not to hurt her- he didn’t want to accidentally pull her arm too hard if she was going to make this a habit. He just needed to get her to the bathroom. She had to wash off the blood on her hands before she went back downstairs. He could take care of his injuries himself- Momma had taught him how to clean and bandage cuts and bruises. Though he wasn’t concerned with the open wound dripping blood down his arm.

Right now, he needed to get the woman to understand that Momma couldn’t find out about this. That if she went down those steps, stained with his blood, then there was nothing he could do to keep Momma from lashing out. Facing her, he points to himself- finger beating against his chest twice before he points at her.

He’s watching her- his eyes on her as she watches him repeat the action two more times. Her face is flushed, her eyebrows pushed together, and he begins to worry that she’s not understanding him, that now that he’s let go of her, she was going to be stupid and try to push him back towards the stairs.

Letting out a small whimper, he grabs at her wrist. She’s pliant under his touch- her skin cool and soft. Touching her reminds him of the Cattle fences that were used back when the Slaughterhouse had been open. He had touched one by accident, not fully understanding why they had so many warnings signs- and just like back then, something hot and quick ran through him. Back then, the muscles in his fingers and arms had tensed and burned, taking away all his strength. But touching her, feeling the way his scarred thumb slid against the thin skin on her wrist- felt like a shockwave of warmth had run through him- intense and disorienting and addictive.

It scared him, but he didn’t let go of her even though his brain was yelling at him to stop touching her. He couldn’t. He had to keep her safe. Slowly, he began to raise her hand towards him, his mouth opening as he made a noise from the bottom of his throat.

He looked at her face as he pressed the back of her hand against his chest. She was already staring at him, her lips twisted into a frown. He couldn’t look into her eyes for too long, something in him ached when he did, so he kept his eyes on her mouth as he tapped her hand against his chest. That same warmth that was spreading through his arm poisoned his chest. He could feel it in his throat, in the depth of his belly- It knocked around in his head until he was dizzy.

For a moment, with her hand on him and his eyes still glued to her lips, he forgets about the bad people who called him all those bad words. He forgets all of the evil that he’s done, all the screams that haunt him, all the blood that he can never wash off.

He finds the confidence to raise his eyes to her own and part of him is scared that in them he would find disgust at having to touch something like him. A smaller, quieter, part wonders if she feels it too- the electricity that flows out of her and through him. He wants her to tell him that she feels him in her- that he’s also warm and electric through her veins. He wants her to tell him that a real monster wouldn’t feel the way he did- that if he really was a monster, the softness in her eyes wouldn’t be affecting him so much.

Dropping his eyes, he taps his chest with her hand twice before pointing it towards him. He does it one more time before he lets go of her. He expects her to pull her hand away, but instead she lets it linger on his shirt, the dirt and stains not bothering her. He wonders if she can feel the way his heart knocks against his ribs.

“You want me to follow you?” her voice cracks a bit as she takes her hand away.

He nods, grunting as he motions to a door off to the side behind him before he lifts his bloodied arm and runs his hand over the scratches- they’ve stopped bleeding already, his arm a mess of blood stains and dirt. Pointing behind here, towards the staircase he shakes his head, bringing his hand back towards his arm and covering the mess he made.

She doesn’t say anything as she tries to piece everything together- her face twisting into itself as she thinks. He repeats the movement, groaning when he points at the staircase and once more when he covers the cuts. ‘Not safe,’ he tries to tell her, ‘Take care of it here.’

Realization makes her eyes brighten, her features smoothing out. “You don’t want Luda Mae to find out?”

It’s not exactly what he was trying to say but he lets it be, seeing as it was close enough. She could have thought that he wanted her to go down and grab Momma- and he was worried that with how small she was she would take off running before he could stop her. In trying to help she would run straight into her end.

The thought made his stomach drop- a sudden chill rocking through him.

“Tommy- I don’t know if I can do anything about that…” she pauses, and he watches as she reaches for him, taking his arm in both of her hands. Her touch burns him again, and this time he can’t stop the small whine of delight from escaping his lips. Her mouth twists down as she inspects his arm- and he tenses, waiting for her to start yelling at him, for the bad names to come. But they don’t- she stays silent, her eyes glued to his arm.

The damage isn’t bad- compared to the collection of scars that line both of his arms, this was nothing. He had scratched a small hole in his forearm- breaking the skin and tearing apart the bit of muscle and fat there. He was lucky that he hadn’t hit anything vital- that he had stopped when he did.

When he was younger, he had taken to cutting- tearing flesh from his body and slicing himself open as a punishment for his mistakes, for his bad thoughts. He had done a good job of keeping it from Momma until the night he had cut too deep, and the blood wouldn’t stop. He had ran to her, howling in fear- bloody arm pressed against his chest. She had made Uncle Monty hold him down while she stitched him together, only a glass of whiskey to keep the pain away. She had yelled at him the entire time-first with tears in her eyes then when they had dried up and she had finished sewing his skin together- she had taken the belt and beaten him raw. When she got tired of beating him, she had told him that this was all Satan’s fault- that she had no choice but to beat the devil out of him. God was gonna soothe his pain, his fears, his anguish. He would see, Momma liked to say. She had kissed him on the forehead, and he swore he had seen the devil on her shoulder, laughing at him.

The pain hadn’t convinced him to stop- he simply learned how to hide it better, how to keep things clean, how to stitch himself together on those nights that he fantasized about finding peace in death. He learned where to cut and how deep to dig- and eventually, Momma made herself forget it ever happened at all. Sometimes, he thought that she was afraid of God- of making him angry, of him turning his back on her. It’s why he didn’t tell her that every once in a while, he could feel the devil itself pumping through his veins. Taunting him.

The woman gently turns his arm, and he pulls himself from the memories, watching as her fingers caress his skin. She’s too trusting- doesn’t she see the danger that she’s in? How easily he could overpower her? This was a Godless house, no matter what Momma and Hoyt thought- he knew the truth. He knew that they were all rotten, inside and out. She would be ruined by them all if she stayed. He would ruin her with his sins-but his guilt wasn’t strong enough to stop his desires.

“It looks a lot worse than it is, doesn’t it?” she asks him, but he doesn’t answer- too busy watching the way she touches him- her touch making his breath deepen.

He likes the way she doesn’t mind that his blood is on her hands- twisted into the tiny cracks of her bracelet. She’s careful and slow as she traces the tip of her index finger above the crater he had created in his flesh. He’s almost tempted to push her hand down- to feel her flesh against the inside of his own, to have her hurt him before he could hurt her- but she moves her hand away before he can make up his mind.

“Okay…” she sighs, not letting go of him. “Show me what to do.”

He grunts in satisfaction, the weight of Momma finding out and the woman being punished lifting from his shoulders. Slowly, he turns the arm she cradled in her hands so that he was grabbing her instead- his hand swallowing hers.

He tries not to think about it too much as he tugs gently and finds no resistance in her steps. He almost smiles- lip twitching against the leather on his face as he leads her to the bathroom. Inside him, the devil starts to dance in glee.

The room is cold as he pushes open the door and pulls her inside before he follows. He can feel the cold seep into his thin shirt, see it with every exhale when he turns on the light and shuts the door, dropping the woman’s hand. She shivers and he wants to know if it’s from the cold or the fact that he’s no longer touching her.

The light flickers and dies for a couple seconds, leaving them in darkness before it turns back on- low and yellow like all the others in the house. It makes the woman’s skin look sickly- washing her out as she blinks and tries to get used to the light.

“We have to clean it,” she’s already walking around him, towards the sink. It’s a small one, too low for him to reach without having to bend his knees uncomfortably. Maybe that’s why she pauses mid-sentence- was she trying to picture him, hunched over as he scrubbed the dirt and blood and sweat from his arms?

The thought of her thinking about him- caring about him- splits him in two, a feeling that he’s never experienced before.

“Where are the towels?” she asks, turning around to face him. “If we lay some down on the floor it should keep the mess down a bit, right?”

He doesn’t tell her that it’s not a good idea- that a pile of soaking towels would raise questions that need to stay buried instead. So, he shakes his head, already closing the small distance between them.

The bathroom is small- all of them are. The tiles on the walls are a faded green color, some of them cracked- some of them are separated by mold- the caulk so old and weathered by age and neglect. He hopes that she doesn’t see them- his blood warming in embarrassment as he tells himself that he would fix them later, before she realized that this house was falling apart right under their feet.

The toilet and sink and the bathtub are old- not quite as stained, but still the same faded shade as the tiles that surrounded them. Under the harsh yellow light, it all looked a mess. At least it wasn’t like Hoyt’s bathroom- with too many colors and carpet all over the floors that trapped the smell of tobacco and sweat and soap, the steam that seemed to linger and stick to the walls doing nothing to lessen the stench.

He’s careful as he walks around her- suddenly aware of just how close they were. In here, with the door closed, being near to her seemed almost intimate in a way that he could not quite grasp.

He was used to being alone with people- usually they were screaming and begging, or already half-dead, delirious and confused from the pain and the blood loss. He was used to them thrashing and running and fighting back- hitting him with their fists, kicking him, throwing whatever they managed to get ahold of. They would always scare him when they did that- the pain eventually making him mad until he lashed out and hurt them on purpose.

They didn’t seem to understand that he didn’t want to make them suffer- that he was being kind- taking their lives quickly so that they didn’t have to be so afraid.

He was used to the screaming, the name calling- no matter how scared or afraid he got, he always knew how it would end.

With the woman, he had touched her- she had touched him- without screaming, without her begging or flinching or trying to run away. Out in the hall there had been enough space for him if he needed to get away, but here it was just the two of them- existing in a space that no one else seemed to belong in.

It terrified him just as much as it thrilled him. It made him feel the same way as when he had to chased down someone that had slipped out of his hold- but this time his mind wasn’t telling him to kill. This time, as he stood besides the woman, her eyes on him as he turned on the faucet and waited for the water to warm, something inside of him was telling him to chase her down in a completely different way- to keep her at his side.

Even if he had to chain her and train her- he did not want her to leave. He would not let her leave.

He remembers when he had first started at the Slaughterhouse, when he had been put to work with the cows- separating the babies from the mothers as soon as they were born. He would take them- carefully scooping them up in his arms, a child at the time, not knowing better, not knowing what it was that he was doing- and carry them to another part of the barn where he would drop them into cages so small that even he couldn’t fit inside.

They would cry and shake, unable to stand, unable to realize what lay ahead of them. He would feed them scraps he had stolen from the feeding center- oats or barley or even handfuls of grass from outside- shoving his hand through and letting them eat from his hand. They would calm down, even though they could not stand fully- their heads hunched over and pressed against the metal. He would show them that even if they weren’t going to live long- even if the world around them didn’t seem to care for them- they weren’t alone.

She did not have to be caged like them- though if he had to, he would keep her locked up if it meant keeping her beside him. Down in the basement where no one would hear her- where no one would disturb them, he would get her to see that he was a kind man, that he only wanted what was best for her.

She was already so much like the calves from back then- stupid and small and too trusting of him. It wouldn’t be hard to break her, to convince her that it was all her fault- that there was nothing left for her outside this home.

When the water heats up- steam rising and filling his lungs- he runs his fingers under the stream. Dirt and blood stain the sink, the hot water turning his fingers pink. It hurts, but not enough for him to stop. He rubs his hands together, the water turning pink as it drains. He can feel her eyes on him as he scrubs the grains of dirt from his skin.

For some reason, it embarrasses him- having her watch him do something so mundane and ordinary. He almost swore that he could feel the warmth from her eyes on his skin- hotter than the water. It makes the simple task suddenly seem foolish, makes him feel as if this was the first time he was doing it and he wasn’t sure if it was right or wrong.

With a grunt he tries to push the thoughts from his mind- cupping his hand and filling it with water before he splashes it onto his arm, onto the wound he had given himself. It makes a mess- water splashing onto his rolled sleeve and onto the floor, the sink too small to prevent the mess.

“Can I?” she says- and she’s suddenly closer than he had thought, her body pressed against his side. He can feel her through his shirt, through the thick fabric of her sweater. He swears that he can feel the softness of her body, the beating of her heart, the blood rushing through her veins on his very skin. It makes his heart leap into his throat- the sudden touch making him want to push her head into the glass of the medicine cabinet or pull her closer- he wasn’t sure which one he wanted to do most.

He stands still, body tense as she reaches for him, grabbing his arm and lifting it closer. She must have found the linen closet- an old, red washcloth in her other hand which she places underneath the running water. She hisses, pulling her hand away and opens the cold water.

“Doesn’t that hurt you?” she asks- and there’s no anger in her voice, no underlying judgement that has him tensing up, muscles rippling with dread that he had done something wrong. Momma liked to talk to him like that sometimes. She liked to ask questions that made him feel bad, that made him regret coming to her- guilty that he had bothered her. Hurt that she saw him as something bothersome.

He shakes his head, his way of telling her that no, it wasn’t hurting him. If he had a voice, he would tell her that his skin is so damaged that he could barely feel it, that some days he even preferred it- he liked the way his skin turned red and pulsed in a way that was almost comfortable, soothing.

“This will feel much better,” she holds her fingers under the water, and once it’s at a comfortable temperature she lets it run over the washcloth. “Tell me if I’m hurting you, okay?”

He nods sharply and she smiles at him- the corners of her mouth lifting. He expects her to rub the wound directly, desperate to clean it off before infection sets in. Instead, to his surprise, she wipes around the length of it- scrubbing gently at the blood matting the hair on his arm. The hand holding his arm is gentle, her fingers sinking into his soft flesh and holding him still.

He watches her- watches the concentration on her face that has her eyebrows knitted together as she wipes and rinses, repeating those two motions over and over and over again until his skin is cleaner- until the dirt is gone and there’s nothing left to hide the many sins he carried on his skin.

She pauses- and he can almost read her mind at that moment. He can see it in the tension in her wrist, feel it in the way her fingers tremble just a fraction of a second before they dig a little deeper into his arm. The feeling of her nails scratching at him isn’t painful, but it startles him just the same as if it were- a warmth growing in his chest that travels down to his belly and pools there- filling him with a different sort of sin.

He expects her to say something about the hundreds of tiny little cuts and bruises that she’s unearthed- he can feel it hang heavy in the air- his lips tingling from anticipation. From the worry that she would open her mouth and ruin it all.

It would either be disgust or pity- and he wanted neither. The scars were his to carry- his own punishment for his terrible deeds. Uncle Hoyt always cringed and acted like he didn’t see them- even though his mouth and face twisted as if he had eaten something sour. The pity always came from Momma- her hands on his as she prayed to God to take away whatever burdens he seemed to be carrying around in his heart. She wouldn’t touch them- maybe out of fear, or anger, or maybe just like Uncle Hoyt, she was disgusted as well- scared that if she touched the scars, they would somehow ruin her as well.

The corners of the woman’s mouth are still twisted down when she glances up at him- her eyes too dark to read. He wonders what he looks like in her eyes- what is it that she sees in him that no one else seems to see?

He waits for her to talk- to break the tense silence that’s choking him- but she doesn’t say a word, dropping her eyes as she picks up the bar of soap that’s been there for months. It almost slips out of her hand, and she lets go of him completely- his arm frozen in place, his body already missing hers. The tension disappears, as if nothing had ever happened, as if it had never been there to begin with. It rolls from the points of pressure that she had left behind on his flesh and up his arms. It moves in his veins, thick and syrupy- coating all of him in a feeling that’s doesn’t sit right.

Maybe he did want her to speak- to pity him after all. But the moment is gone, and he doesn’t have a voice to bring it back- to tell her what he was feeling, so he lets the discomfort drown him just a bit as he watches her act like nothing wrong had happened.

She rubs the bar between her hands, underneath the stream of water and his heart sinks at the thought of her cleaning all traces of him from her skin- he wanted to coat her in all that he was- his scent, his hatred, the bitter taste in his mouth that never seemed to go away- he wanted her to have it all, to carry him even if they were apart for a split second. An extension of him- equally as fearsome.

“Come here,” she motions for him to bring his arm towards her hands, letting the bar fall into the sink. Her hands are covered in soap as she takes his arm in between them- gently scrubbing from his wrist to the inside of his elbow, where his rolled-up sleeve sat. At first, she doesn’t touch the wound- and he can feel the hesitation in her fingers as she scrubs at his arm, circling around it. She scrubs at his skin, at the spaces between his fingers, taking his hand in her own and gently massaging it.

It's the first time anyone has done something like that to him- and while he can’t understand why she was being so thorough when it would have been easier to just hand him the soap and let him do it, he has no intention of stopping her.

He simply watches and enjoys- his mouth twisted into the closest thing of a smile that he could manage underneath his mask.

“Tell me if I hurt you, okay?” she says quietly, and it takes him a second to understand her words, his mind lost even to himself- her fingers lightly press against the cut as she speaks, drawing him back into reality. He tenses as she begins to clean it out, rubbing soapy water into it. It doesn’t hurt- not with how light and slow she moves her hand, her finger dipping into the hole he had scratched open. He expects it to hurt or sting or startle him- but pain doesn’t come. Instead, he groans in delight- enjoying the way her finger seems to be tearing into him, stretching his skin open. It’s like she’s making space for herself inside of him- forcing herself into the parts of him that held him together, sinew and muscle and blood- now poisoned with whatever sickness the woman had inflicted in his heart.

“Sorry!” she says quickly, pulling her hand away from him. The once white bubbles between her fingers are now a soft shade of pink, mixed with his blood. It all disappears down the drain as she rinses her hand, drying them on the front of her jeans.

He grows frustrated at the fact that there’s no way to tell her that she hadn’t hurt him- that he wanted her to do it again. That the pain she caused him was almost addictive- sweeter than the whiskey Uncle Monty sometimes let him have whenever he was in a good enough mood to share.

The woman motions for him to rinse his arm, already cupping her hands together under the faucet and letting the cool water pool between her hands. He angles his arm awkwardly into the sink and she lets the water trickle from between her fingers over his arm slowly. He watches as she repeats the motion, rinsing his arm- it’s so trivial and boring, yet he’s in awe as she takes care of him.

Without a second thought, the woman is already devoting herself to the mundanity of life with him. He could see it as she turns the water off and tells him to wait- as if he would leave her side, as if he could do something so absolutely stupid- subjecting himself to an agony he had no intention of experiencing firsthand.

He hears the closet door open behind him, making him turn around and look at the woman as she rummages through old fitted blankets, washcloths and towels until she finds what she needs. With one hand pressed against the pile of folded towels she pulls one free, tossing it over her arm. “I don’t know how long this has been here for-” as she talks, she moves onto her toes, stretching her arm out as she reaches for something on one of the top shelves.

He almost moves to help her, his body already swaying in place, eager to move, to make himself useful to the woman. But he spends too long trying to decide- her hand closing around whatever it was that she had seen earlier. She lets out a small noise of delight as she drops down to the balls of her feet, and it wracks through him, sending a shiver of warmth up his spine that spreads across his chest- tightening the muscles in his lower belly.

“Expired medicine and antibiotics are better than nothing, right?” She asks as he turns and faces him- lips curved up into a smile and he almost finds himself mimicking it- the corners of his lips twitching. He catches himself, hot embarrassment forcing his eyes to drop from her face- down to the small plastic medicine bin in her hands. It did not matter that he had his mask to hide behind, the way she looked at him made him feel as if she could somehow see through it- his face exposed for whatever ridicule and insults she would eventually throw at him.

 There are bottles of pills stacked on top of one another- the type that Momma used to give him when he was feverish. It would take his sickness as well as his hunger- leaving him too heavy to do anything but lay in bed until the heat of his body burned through the drug. There are other things as well- gauze and bandages, silver packages of pills he couldn’t identify, the label worn off a long time ago- a bottle of Vaseline, faded from the years sits next to a glass jar of Vapor-Rub. Looking at it, he swears that he can smell it even with how far away from the jar he was- even though his nose hasn’t worked properly for months, he feels the ghost of it wrinkle as he cringes from the offensive smell his mind reminds him of.

Momma used to slather him with it when he had first started working at the Slaughterhouse. He hadn’t been used to the smell of it back then and every day he went back had been miserable. The scent of death and blood and shit had soured his stomach until he had gone and thrown up the oatmeal Momma had made for breakfast all over his worktable. All over the slab of meat he had been told to break down. He can still remember the taste of animal blood on his tongue after he had wiped his mouth- forgetting that his hands and arms and chest had been covered in chunks of offal. His boss had called him every bad word under the sun-some were words that he had never heard before, now fully engrained in his mind, tearing at his heart once Monty had told him what they meant.

When he had gone home that night, after scrubbing his station clean- the blood mixing with his waste underneath his nails, in the strands of his hair and in between the cracks of his boots, Momma had slapped him. She had been waiting for him on the porch, her face twisted down in anger, the blue of her eyes dark and cold behind her glasses.

She had called him a great big idiot- uncaring of how dirty he had been, of how hard he had silently prayed to God for the day to hurry up and end so that he could leave and go home. At one point, when the bell for Lunch had rung and he was forced to stay and catch up to everyone else- his boss throwing what Momma had packed for him in the garbage before spitting on it with a laugh- he had wanted to die, his chest burning every single time he brought the cleaver down. He had wanted to die right then and there- to stop existing all together. To be nothing but the air around him- free from the bad people, from the stares, from feeling like all that he did was somehow inherently wrong. No matter if it was an accident or not, no one ever seemed to care enough to listen to him.

Momma had gotten a call from the Slaughterhouse- telling her that because of his careless mistake he would have to be let go. Momma had told him, as she dragged him to the hose out back, that she had begged and begged and begged for them to give him a second chance. They couldn’t lose his income, not with Uncle Monty getting less hours at his job and the Government cutting Uncle Hoyt’s veteran checks so suddenly. They were barely making ends meet as it was- this would ruin them.

She had yelled and shouted, spraying him with cold water until he was a shivering mess, the blood no longer crusted over on his skin. He could feel the cold water pooling in his boots, making his socks stick to his toes. It hadn’t even mattered to him then, his heart hammering away at his chest at the thought of never having to go back. Of not having to wake up so early to walk all the way to the other side of town in a place that he hated.

He didn’t even mind when Momma had beat him, welts forming on his wet skin from the belt she kept exclusively for punishments. The pain was nothing in comparison to when Momma had told him that she had made sure that he had kept his job.

They were going to cut his pay, a little every check, until he paid off the cost of the half cow he had puked all over. But he still had a job, he was still able to help the family out- wasn’t that good? Momma asked him, smiling at him like she hadn’t just beat him tired.

 Momma warned him that he couldn’t mess this up again. That there were no more chances after this- sending him up to his room with no dinner, his stomach already empty and rubbing against itself.

The morning after, when she had woken him up- his body sore from all the walking that he had done and the bruises forming on his back and legs- Momma had twisted open the jar of Vapor-rub for the first time, filling his room with the slightly sweet- minty smell.

She had bought it last night, right before the shop closed- with the bit of lose change she had managed to scrap together. It’s gonna help you from making another mistake she said right before she shoved a finger full of it into his nose. It was thick, and cold, burning the inside of his nose as he moaned in pain, trying to push Momma away before she shoved more into the other nostril. She had smacked his hand away, telling him that this was for his own good. That this was only until he got used to it.

He had moaned as tears began to form, shaking his head- trying to empty his nose, the burning crawling up into his head and making his eyes water painfully. Every inhale he took through his mouth burned its way to his lungs. Momma only slapped him again- telling him that this was his fault. That he had to do this for the family.

“You’re so selfish Thomas!” she shouted at him, holding his jaw and shoving another finger into his empty nostril. “There’s no room for useless boys in this house, do you understand?”

He couldn’t remember anything after that. His memories about that day lost to the pain he had put himself through. He remembers bits and pieces- the hunger. The burning. The anger.

He always seemed to remember the anger. Flashing through him- hot and cold, boiling his blood.

Something outside of his thoughts rattle and he’s once more standing in the bathroom, a man three times the size of the child that he had once been. Beside him, the woman had set the medicine bin on top of the toilet tank and was rummaging through it- the source of the noise that had brought him back.

He’s tense, the muscles in his neck thick and tight. He doesn’t like how he seemed to live more in his memories- constantly remembering all the things that he just wanted to forget. He didn’t want to remember, to be reminded of the pain he carried.

The woman glances at him, holding a small yellow squeeze tube and a roll of self-adhesive medical tape in one hand. Their eyes meet and she smiles at him, even though he can feel the way his face is twisted down into a scowl- his eyebrows heavy over his eyes.

He doesn’t mean to glare at her- to make her smile falter slightly as her eyes widen just a fraction. He could almost see himself in her eyes and he doesn’t like the him that he imagines. Large and imposing- a thing that only knows how to hurt, how to cause fear. He waits for the woman to realize her mistake- to realize that she was trapped in a small room with a monster.

“Give me your arm?” she asks him, holding out her right hand. “Let’s get you all wrapped up, okay?” her smile is still small, and he can see the wariness in her eyes, but when he places his arm in her hand she doesn’t flinch, she doesn’t rush him- wanting to get this over with.

She pulls him towards her instead, slender fingers wrapping around his forearm as much as possible. She tugs, and he moves- lightweight in her hold.

He’s aware of the muscles in his face- of how, even if he’s partially hidden behind his mask, his face sits. He makes himself relax- something that comes easy with the warmth of her hand on his body, easing the tension that he still carried from his memories. Her touch burned into him, filled him until he swore that he could feel her in his blood- pumping through his heart.

Her eyes don’t leave his as she pulls him closer, and motions with her head for him to sit down on the toilet. “It’ll be easier, that way you don’t have to keep your arm in the air.” She explains, shuffling out of the way to make space for him.

Underneath his weight, the toilet squeaks and shifts as he does as told, awkwardly sitting down. She’s taller than him like this, his head at the same level with her chest, making him have to tilt his head back just a bit to meet her eyes.

Her smile had grown in the time he had looked away- and he can’t help the heat that spreads across his face, his ears growing hot. Could she feel it? The warmth that she caused him? The uneasiness thrumming through him that had the tips of his fingers aching to touch her? To hold her like she held him?

“Can you hold this?” she asks, already dropping something into his expecting hand. It had been resting on his lap, calloused covered palm open and waiting- a beggar’s pose. The ointment and tape weren’t what he had been waiting for, but he takes them, closing his thick fingers around them.

What he didn’t expect was for her to lean over him with a mumbled “sorry”, her hand falling onto his shoulder as she reached for something behind him- inside of the medicine bin.

He doesn’t know what to do- his body freezing underneath hers as her neck grazes his mask covered face. It doesn’t last long- maybe a fraction of a second before she’s pulling away and dropping the hand from his shoulder, but it was enough.

Enough for him to inhale the light scent of her- woodsy and sweet and nutty- just the smallest hint of sweat underneath that. It reminded him of the baked goods Momma used to make for him on his birthday when he was small. It was comforting in the same way that it twisted his stomach with the pain of remembering something that used to make him so happy, something that had been taken from him so abruptly once Momma decided that he was too big to celebrate his birthday. Too old to be cared for.

The woman had been so close that he swore that he could almost hear the blood pounding through her veins. He had almost been tempted to turn his head and feel its pulse with his lips. To scratch her skin with his mask- the scent of her tainting it the same way it has already ruined his senses.

He could picture it- his teeth sinking into the warm and thin flesh she had so stupidly given him access to. It was almost scary- the way his mouth began to water at the thought of her blood on his tongue, raw flesh between his teeth. He wanted to fill his belly with it- to make her a part of him in a way that no one could take from him.

Would she taste as sweet as she smelled?

He swallowed down saliva, clearing the bad thoughts from his mind- scared that if he kept focusing on them, he would do something that he didn’t really want to do.  Something that he wouldn’t be able to take back, no matter how hard he begged and prayed and tried to undo.

He didn’t want to hurt her right now. No matter how hard his mind was telling him to do it- replaying all of the times that he could have done so. Showing him all of the ways that he still could.

He feels ashamed of his thoughts, of the temptation that he was barely keeping at bay- and finds himself unable to look at the woman as she rips open a piece of plastic, tossing it in the garbage can between the toilet and the sink. He keeps his eyes on the space between his legs, on her beat-up boots as she stands in front of him- sweet and unaware of what a horrible person he truly was. Of all that he was struggling to not do to her.

“Do you think Luda Mae is getting suspicious?”

The question startles him, reminding him of the world outside of the bathroom, outside of the woman in front of him.

“She’s probably thinking I ran away; don’t you think?” the woman’s laugh is small, feathery light. He doesn’t know how to answer- not knowing how long they had been up here. There was a possibility that Momma had grown suspicious, or maybe she thought that he had snapped and taken care of her in the only way that he knew how.

Vaguely, he shakes his head. Whether it’s to disagree with her or to tell her that he wasn’t sure- he let’s her decide on which one he’s trying to communicate. If Momma had been concerned, she would have come upstairs to check on her already, so he wasn’t too worried. He shrugs, and her laughter fills his ears again.

“Right. If you’re not worried, then I won’t be either. I just don’t want her to think that I’ve been a horrible guest- running off in the middle of helping her with dinner.”

He shakes his head again and this time its to reassure her that Momma wouldn’t think that. At least he hoped that she wouldn’t. The thought of Momma angry at the woman made his chest burn uncomfortably. An ache that slithered in the tight spaces between his ribs- hot and uneasy in its slickness.

“Well, what’s done is done, lets just get your arm bandaged. I might need your help facing her again.” The woman likes to talk with a smile, he’s noticed. It was as if her mouth had no other way to rest- the corners turned up towards the heavens, towards her eyes that liked to seek him out- unafraid of what she saw, of what others liked to look away from.

He wondered if she was joking- if she was just talking in order to fill the silence. He knew people who did that- people like Hoyt and his old boss at the Slaughterhouse, who had to keep their mouths moving or they would stop existing all together. He liked to think that if he had a voice, he would be like that too- not quite as annoying, but loud enough that people were forced to look at him, to listen to what he had to say.

He would tell the woman that he would keep her safe. That he wanted to go down with her and show Momma that she had done nothing wrong. That if anyone was to blame, it was him. It was his fault that she had stayed away for so long. He would hide her away from Momma’s anger- keep her tucked behind him- safe.

If he was being honest, he wasn’t sure that he wanted her to leave just yet. They could stay here a little longer- everything behind that door non-existent. He could make believe that Momma was still at work, busy with too many customers- outsiders who were just passing by, headed for more than the meat hooks in the basement of this house. That for a bit his uncle’s Monty and Hoyt didn’t exist. That the world was just for him and her.

That would be enough for him. He was almost tempted to ask God- to check and see if he was still paying attention to him after all that he had done.

The woman moves from in front of him and takes a seat on the edge of the tub, her knees rubbing against the outside of his thigh as she grabs his arm and places it on her lap. He can feel the buckle of her belt against his knuckles- his arm suddenly a solid weight as he feels the warmth that radiates from the space between her thighs.

 It crawls along his skin- up to his shoulder and through the space in his chest. It reminds him of the times that he’s stayed in one spot for too long, his limbs falling asleep. Though there was no uncomfortable pain this time- Instead it felt like a million little bugs were crawling around inside of him- a buzzing under his skin that he was unused to, but not disgusted by. It was something that maybe he could get used to.

It settles in his belly- thick and heavy and hot, stirring awake thoughts that felt too uncomfortable to focus on. Shamefully, he raises his eyes from the woman’s lap, trying to think of something other than the way her jeans clung to her thighs or how close his fingers were to the space between her legs- somehow hotter than the rest of her, the back of his hand burning pleasantly. He wanted to keep it there- to soak all of himself in her warmth until he knew nothing more.

He pushes the indecent thoughts from his mind, suddenly growing paranoid that the woman would find out what he was thinking about her. He didn’t want her to think that he was disgusting. Rotten just like Uncle Hoyt, who was obsessed with playing with their food.

“Is this uncomfortable for you, Tommy?” maybe it was because the silence had gone on for too long, but the woman whispers her question- her voice only for him, distracting him slightly as she reaches for the things she had given him, plucking them from his hand before he even had a chance to register the movement- her hand too fast that he barely feels the way her fingers skim his palm.

She’s already twisted open the bottle of ointment by the time he shakes his head- the cap balancing on the edge of her knee. With a hum she nods- her eyes focused on her own hands even though he wants her to look at him again. He wanted her to ask him more questions- her voice tender and sweet whenever she spoke to him. He wanted her to distract him for his thoughts that liked to pull him away from her- and right now he wanted to stay right here, to not miss a single moment.

The ointment is cold against his skin- the woman squeezing a light amount right above the wound. He can feel it cleansing away all of his wickedness- her finger swiping at it until it’s in the deepest layer of his flesh, leaving nothing behind but an oily residue that coated her thumb. Without a pause she sticks a piece of gauze on top- taping it up until the gauze is well hidden under flesh colored medical tape.

He had found it in the pocket of one of the first of Uncle Hoyt’s guests- setting it aside for Momma along all of the jewelry he had collected. Maybe it was for a reason that he had second guessed his decision to throw it away. Maybe that had been a sign from above that you were on your way- that God hadn’t abandoned them after all.

The woman is gentle as she pats the covered wound and leans back a bit to meet his expectant eyes. What does she see in them- in him- that makes her look at him so sweetly?

“You’re all set. How’s it feeling? It’s not too tight, is it?”

[linkspooky]

DOOMED SIBLINGS: THE TODOROKIS VS. THE FIRE NATION ROYAL FAMILY

I received an ask in my inbox about how Zuko doesn't owe Azula any forgiveness. Truthfully I wasn't even going to respond because this isn't an avatar blog, but then I watched this video.

Not only do I disagree with the basically everything in this video, but I am going to make the argument that both Zuko' and Azula's arcs are both incomplete with the way the show left the two of them in the final showdown.

In order to make my argument I'm going to compare Azula and Zuko's relationship in avatar to Shoto and Toya's relationship in My Hero Academia and use the latter as a more positive example.

Unnecessary Redemption Arcs

The common fandom opinion I want to argue against is this idea that Azula's ending is a perfect tragedy, and therefore doesn't need to be expanded upon. There's also a sentiment that redeeming Azula would somehow ruin the impact of this perfect tragedy.

I'm about to argue against both of these points.

Azula's arc doesn't work as a tragedy.

Because of this her arc is unsatisfying and unfinished.

I'm going to address the first bullet point but before that let me add another disclaimer. The reason why I think Azula's arc isn't an effectively written tragedy isn't because I like Azula.

Before we even get into the My Hero Academia comparison let me bring up something completely different. I do like Azula, but I like Terra Markov from Teen Titans a lot more and I would not change a thing about her tragic end.

AZULA'S ARC IS NOT A WELL-WRITTEN TRAGEDY

Terra in the comics is what a lot of people accuse Azula of being. She is stated in the text and by her creators to be an unfeeling sociopath. She was also never intended by her creators to be redeemed.

[About Terra] The very first time we see her, she’s trying to blow up the Statue of Liberty. It’s just that all the fans assumed because we went out of our way to make her cute — but not too cute, with the buck teeth and everything — everyone would assume that she was gonna become good by the end and that was never the case. First thing, we made a promise that day that we would never renege on our view that she’d never become good. It’s sometimes hard to do that with characters you like. You want them to become good or something like that. But we never liked the character enough—because we knew what we were doing with her—we never allowed ourselves to fall for the character. Because that’s bad. That’s bad storytelling. You’re doing what you want as a fan at that particular point, not as the creators. T

Now let me clarify, both creators of New Teen Titans say some nasty things about Terra and don't recognize her sexual abuse, but here's the thing. You don't have to read a story 100% the way the author intended, sometimes the story says one thing and the text says something different.

I am going to use Judas Contract as an example of a story where the character from the start was never intended to be redeemed and why that's a positive in this case.

Terra is a teenage girl, the bastard daughter of the king of Markovia and a random American woman who presumably has had no stable home her entire life because she's working as a mercenary at fifteen. She teams up with a man that is in his mid fifties and even starts a sexual relationship with him (this is statutory rape she cannot consent) and Deathstroke uses her to infiltrate the Teen Titans and learn as much as possible.

Terra is sent to live with the team and spy on them for several months. The whole time she only ever engages with them in a fake spunky persona, and never shows her real cutthroat self. She leads Beast Boy on in a fake romance to make him trust her and secure her place on the team. The way you'd usually expect this arc to go is that Terra would grow fond of the team and be torn in her loyalties.

Yeah, that never happens.

Terra loathes the Titans. In fact she's developed a superiority complex about her meta human abilities and she doesn't understand why anyone would use their powers to help others. She despises the concept of superheroes in general, and because of that never bonds with any of the Titans. Her feelings never change from start to finish, because her creators intentionally wrote her as a character that can't be redeemed.

Terra is written to be a psychopath, but even with that intention in mind there are scene that shows a greater range of emotions. She has what could amount to a trauma flashback when Beast Boy too aggressively flirts with her and tries to kiss her and she reacts violently, trying to bury him under the earth.

Let's go ahead and interpret Terra as what is used as the fictional definition of a "sociopath" that is someone who feels no bonds with other people, someone with shallow emotions and someone devoid of guilt. Even if we interpret her that way, her story is still meant to be read as a tragedy.

Terra succeeds in her mission of infiltrating the Titans. Slade captures most of them, and the only remaining member Dick Grayson goes missing. Dick Grayson then unites with Slade's son Jericho, and the two of them team up in order to rescue the rest of their friends.

Even after all she's done the Titans try to make pleas to Terra during the final battle, which she not only rejects but responds to with violence. Which only confirms what I said above, Terra never grew to love them, she never regretted her actions, she only ever engaged with them with lies.

(Terra always lies, Terra always lies, Terra always lies).

Terra is declared by Raven to be devoid of emotions: "Her thinking is unlike ours. She feels no true love or hate. Her soul is corrupt. What she does is done without remorse."

Even after Raven declares this, however she still pleads with Terra to stop because she's going to hurt herself. Terra feels Slade betrayed her because he favored his son Jericho over her, so she decides to take both Slade and the Titans down. As the Titans fight her she begins to mentally fall apart ignoring their appeals to her and lashing out at everything around her. Eventually she makes one last attempt to everything around her, but the Titans escape and she only manages to bury herself.

At no point in the fight do the Titans give up on trying to reach her even as she's loudly screaming how much she hates them. Even after she's buried and it looks like she's dead, Gar and Donna both try desperately to dig her up on the slim hope she's still alive. When they find the body they even give her a funeral afterwards, even though they all think that Terra was beyond redemption.

Even the prose narration that accompanies her death is incredibly melancholy and bemoans her fate, at the same time as it calls her a outright sociopath.

There's no reasoning with her now. However slim, whatever sanity Tara Markov possessed is gone. Now there is only primal hatred! Hatred born, nurtured, and fanned. Hatred that festers and grows without care, without feeling, without plan. her pursed lips part and the sounds which echoes force are garbled and inhuman. Hot, boiling blood gushes wildly from the earth's open wounds, its skin fractures and cracks, and if a world could cry, it surely would. Her name is Tara Markov and she is little more than sxiteen years old, and due to the fault of no one but herself she is insane. No one taught her to hate, yet she hates without cause, without reason. No one taught her to destroy, yet she destroys with glee, with relish. Don't look for reasons which do not exist, plainly Tara Markov is what she is, and she has taken a great power and made it as corrupt as she. Hers was the power over the earth itself she could have brought life to deserts, hat to the frozen tundra, food to sraving millions. She could have damned raging rivers, and tunneled water to packed lands dry and dead. her powers were limited only by the mind which controlled them. A mind which sought not hope, not love, not life, but death.

If you go with the text that she is just a sociopath beyond redemption who hates and hates and hates for no reason, the narrative still mourns her because a sixteen year old with her whole life ahead of being consumed by hatred and then dying because of it is in fact sad.

If you read into the subtext then you can argue that the events of the story, contradicts what the narration is telling us. Terra is being sexually groomed and groomed as a child soldier by a man who is much older than her, even if she thinks he's a partner he clearly has all power in the relationship.

If you think about it that way then Terra is the ultimate bad victim. She doesn't cry and call for help as a victim of sexual abuse, instead she tries to claim power for herself, she manipulates, and she destroys any chance she had for a genuine relationship because she only sees all relationships as transactions she can gain or lose from.

Even if you only go with the first interpretation, the narrative still remains tragic because the Titans themselves did not want to give up on her, they did not want to watch this sixteen-year-old girl destroy herself. They never stop reaching out for her and it doesn't work, because there was no way out for Terra but death.

Here's the thing I don't think Terra's status as a sexual victim automatically means an ending where she dies is offensive. It reflects a reality that victims like Terra often go unseen because they don't present their victimhood in palatable ways, and by the time anyone notices it's far too late. Sometimes tragedies are meant to reflect a reality where many people do not get saved.

There's two reasons that Judas Contract works as a tragic story. Number one the creators planned Terra's ending right from the beginning. Which meant they never gave her any moment where she shows that she's redeemable. There's no genuine bond between her and the titans, no wrestling with the guilt of her actions, nothing.

Number two, Judas Contract is Terra's story from beginning to end. It begins with her betrayal of the Titans, and ends with her death. The death is also brought upon herself by her fatal flaw her hatred, which is what makes her the protagonist of a tragedy. Tragedies are stories where heroes are undone by their flaws. Terra also goes out on her own terms. She buries herself underneath her own rocks. Her death is a direct consequence of her inability to let go of her hatred. Terra's not fridged for anybody else's arc, she retains her agency until the exact moment of her death.

To simplify into bullet points, Judas Contract works because:

The creators thought out what they wanted to do with Terra.

Judas contract is Terra's story.

Now, getting to the part where we actually talk about Avatar, and I start complaining about that awful, awful video.

AZULA'S ARC IS NOT WELL THOUGHT OUT

I just went on a long tangent on how Terra, a character written to have no redeemable qualities can still be tragic. How the creators marked her as clearly doomed from the start, and how she brought about her end on herself, how there no redemption for Terra. How this girl had no real chance, and how regardless of the fact Terra is a lil baby sociopath her fall is still tragic because of how well structured the tragedy is surrounding her.

It's awful to kill off a sixteen year old victim of sexual abuse, but the ending just fits because Terra represents a certain type of bad, unsympathetic victim who doesn't get saved.

Azula's arc isn't as well structured. The ending does not fit. I'm going to start by refuting some points in the awful, awful video I did not like.

"Maybe it's okay if Azula's story ends where it does in the series we would separate how we would treat a real 14-year-old girl from a villain in a series, ad that's why any redemption arc isn't need i a story after all. A character needs of deserves a redemption arc when it becomes the most meaningful way to explore their character and place in the story, but a character deserving redemption usually comes before the story really needing it, and I don't think Azula's done anything to deserve it yet. They've got to exhibit some willingness and action to change..."

So the main reason I'm using Terra as my first example is because Terra is the kind of character that Hello Future Me is describing. Terra was written with the specific intention she'd never experience a change of heart, all of the friendships she makes with the Titans are fake, she very loudly experiences no remorse, or even self-reflection over what she is. Terra's pretty proudly a monster and she never experiences any kind of self-doubt or regret over what she's become.

I can disprove right away Hello Future Me's blanket statement (with no actual cited examples, just trust him guys) that Azula never did anything to hint she may deserve redemption. That suggests Azula is an entirely selfish character who uses, manipulates and thinks she's right and worst of all is comfortable being the way she is, and therefore incapable of doing the self-reflection necessary for change.

Azula does show the capacity to do selfless actions several times in the narrative, and even consider the feelings of others. There's the apology scene with Ty Lee and the way she interacts with her friends in general with the Beach where when she's not fighting in a war or trying to complete a mission for her father Azula 1) interacts with her friends in a normal way and 2) seems to express a desire to experience normal relationships not the hierarchical ones she's experienced all of her life.

However, that's not the example I'm going to use as her save the cat moment. I generally intend to interpret that as a sign that even though she treats Mai and Ty Lee as subordinates and that power she holds over them eventually leads to them leaving her, their friendship isn't just Azula abusing them and lording her authority over their heads 24/7.

No, Azula's save the cat moments all revolve around Zuko. Which is funny, because the entire fandom seems to regard Azula as Zuko's evil little sister who exists to do nothing but torment her.

The first and biggest is Azula deciding to bring Zuko home in Ba Sing Se, and telling a lie to her father that he was the one to slay the avatar.

Ozai: I am proud of you, Prince Zuko. I am proud because you and your sister conquered Ba Sing Se. I am proud because when your loyalty was tested by your treacherous uncle, you did the right thing and captured the traitor. And I am proudest of all of your most legendary accomplishment: you slayed the Avatar.

Zuko: [Shocked.] What did you hear? Ozai: Azula told me everything. She said she was amazed and impressed at your power and ferocity at the moment of truth. [Inspired partly by this post]

Now the show seems to regard this action as Azula being an evil temptress who is there to tempt Zuko back to her side with everything he thinks he ever wanted.

That's only if you regard it from Zuko's perspective.

Think for a moment from Azula's perspective. Number one, Azula is someone thoroughly indoctrinated into Fire Nation propaganda who measures her self-worth based on 1) military achievement and 2) her father's approval and assessment of her talents. In Azula's own logic (wrongheaded as it is) she's helping Zuko. She's bringing him back home with his place in the line of succession restored and his father's approval.

Azula doesn't benefit from this gesture at all, in fact if her father discovers the lie she has as much to lose as Zuko does.

Now Zuko insinuates that Azula only brought Zuko along and told her father that he was the one who killed the avatar so she could let him take the fall if the avatar turned out to be alive.

However, if you look at the actual order of events that doesn't make sense. Azula saw the avatar die, she didn't know about the spirit water, and therefore had no way of knowing Aang could come back. In fact, it's Zuko who 1) knew about the spirit water and 2) decides to keep the spirit water and the fact the avatar might have survived a secret that is throwing Azula under the bus. After all she has as much to lose as he did and instead of sharing that information with her he decides to keep it all to himself.

Now Azula does imply that if the avatar were to turn out to be alive all of Zuko's glory would dry up, but this is only after Zuko 1) throws accusations at her and 2) makes it's pretty clear he's lying to her putting her on the defensive.

This is also a scenario where Azula doesn't have much to gain by bringing Zuko back, if you look at it from her perspective. If Azula just lets Zuko rot in a ba sing se prison, then her claim to the throne is secure. With Zuko back he's restored in the line of succession. She also, when making the decision to invite Zuko to her side probably didn't need him for her plan to succeed.

There is a dramatic moment of Zuko choosing to side with Azula over Katara which turns the tide in Azula's favor, but Azula can't see into the future and therefore wouldn't be able to predict that happening. If you look at it from Azula's perspective she 1) successfully infiltrated the city, 2) already had the Dai Lee in her pocket. She likely already thought she had the city secure at this point so her decision to extend a hand out to Zuko is therefore likely motivated by selflessness instead of self-interest.

That's important because usually when Azula usually only gives her help to others if it also benefits her in some way. Azula might genuinely see her recruiting Mai and Ty Lee to her side as a member of the royal family extending her favor and giving them status and security in their positions but it has the underlying motivation of 1) she keeps them in a position to beneath her and therefore in her complete control.

Azula will interact with Mai and Ty Lee like friends on the surface, as long she maintains control over them, but if they do anything to something that displeases her she'll do anything to regain her control.

Mai: I thought you ran off and joined the circus. You said it was your calling. Ty Lee: Well, Azula called harder.

This is set up in Azula's very first interaction with Ty Lee. Azula greets her like an old friends, Ty Lee even seems happy to see her, but the second Ty Lee tries to say no to her Azula goes to extreme lengths to "persuade her". Azula's friendship with Mai and Ty Lee is an abusive friendship because there is a power differential and even if Azula feels genuine affection for them both it's clear they're not allowed to say no. Mai and Ty Lee are put into positions where it's in their best interest to please her, and live in fear of the consequences if they don't do just that.

Here's the thing, I'm not arguing that Azula didn't deserve any consequences for her actions. I'm arguing that the setup doesn't match her eventual ending. Azula is set up to have Mai and Ty Lee leave her from the very first scene that Azula interacts with Ty Lee. It's satisfying because the set up matches the pay off.

It's also tragic because it's Azula continuing the chain of abuse. The video isn't entirely wrong (which is why they came to the wrong conclusion frustrating).

Azula's fall is about how differenting parenting styles can a child. Ozai's affection is exchanged for being useful. Something Azula would go on to repeat with her friends, whereas Iroh's affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

It's like... there it is it's so close. Here's the thing, Azula is set up for a tragic falling out with Mai and Ty Lee (and one she deserves) but the set up is different with Zuko. Azula's save the cat moment revolves around Zuko, and her genuine attempt to bring her brother home.

Yes, the first time Azula interacts with Zuko in season 2, she tries to take him home by force. However, by the ending of the season Azula's perspective on the matter has obviously changed because she begins by trying to bring him back as a prisoner, and by the end of the season invites him back as an equal.

There's no moment in Season 3 where Azula treats Zuko the way she does Mai and Ty Lee (unless Zuko provokes it first and puts her on the defensive) in fact most of her interactions are either them interacting normally (such as when Azula goes to find Zuko at their old beach house because she knows he'll be there and advises he leave instead of dwelling on their depressing memories) or Azula deliberately trying to look out for Zuko such as when she advises him not to go visiting with Uncle because it'll make others suspicious.

On the other hand, Zuko never at any point looks out for his sister the way Azula is demonstrated looking out for him. He doesn't say, try to tell her where he's going on the Day of Black Sun, or try to convince her the fire nation is wrong. There's a scene in the later part of Season 3 where Zuko is watching Azula fall to her death while sitting on a flying bison and not only sits there and does nothing about it, but sounds disappointed when she doesn't hit the ground and become an Azula Pancake.

That's pretty much the opposite of a save the cat moment. It's a "let the cat fall to their death" kind of moment.

Yes they were enemies at that point, but Zuko's the one who's supposed to learn that affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

How exactly is he doing that in this scene?

The thing is... this setup doesn't have to be bad. Of course Zuko has trouble has trouble empathizing with Azula, he doesn't even think about sending a letter to Mai, Zuko's shown at this point to be like a healing abuse victim who's understandably focused on himself.

This in fact could be excellent set up with step 1) learning what genuine love and forgiveness is and 2) demonstrating those two things by applying it to others.

However, that's not where we got. We got Zuko watching his sister have a complete emotional breakdown, crying and screaming while chained to a grate and looking somewhat sad.

And once again to bring Terra into this, Terra is what Stay at Home and parts of fandom argue that Azula is. Terra screams at the top of her lungs how much she hates the Titans, how much she was always lying to them, and the Titans STILL try to reach Terra with words, try to de-escalate the conflict, when she's about to bring the rocks falling down on herself warn her she's going to hurt herself, and then when she's buried under rubble try to dig her out begging for her too still be alive.

Terra who's intentionally created by her writers to be as hatable as possible, is shown more compassion by the heroes in her ending than Zuko ever does to Azula. They also give Terra multiple opportunities to change until literally the very last minute, which Zuko doesn't do either.

What's set up is Azula has this save the cat moment with her brother, that Zuko is pretty much the only person she doesn't treat like a subordinate in the story (because she just like Zuko has a craving for familial love she tries to earn from her father). However, her ending with Zuko just taking her down doesn't fit that setup.

Azula's ending only fits if you consider her arc entirely from Zuko's perspective, which is the underlying issue. Azula's not the protagonist of her own tragedy, she's a plot object that's used to benefit Zuko's arc.

Azula's is written to have a downfall, the same way that Zuko loses everything at the ending of season 1 b/c of his inability to give up on the obsessive search for the avatar (and his father's love with it). Azula is written to be left by Mai and Ty Lee (this is the strongest point of writing when it comes to her since it comes from the beginning).

However, she's not written to be left completely alone and insane with the only empathy being shown is that her brother looks kinda sorta sad. That's only good if you view her as an object to further Zuko's arc, because isn't the ultimate culmination of Zuko beating his sister who has always been ahead of him at life? Azula needs to torn down completely without even some small glimpse of a hope of recovery so Zuko can be built up even moreor at least the writers of avatar seem to think so.

However, even Azula just existing for Zuko's growth and character development doesn't have to necessarily be a bad thing. This is where we get to MHA, which does the tragic siblings and the final Ag Ni Kai about 1000 times better with Shoto and Dabi.

THE GOOD

The comparisons between Shoto and Dabi to Zuko and Azula are made pretty often by the fandom. Shoto has a scar, Dabi has blue flames. Shoto has an arc about healing and learning what it means to be a hero, Dabi's arc is about self-destruction.

Dabi's not the center of his own story, he exists to foil Shoto and help Shoto reach the endpoint of his character development however that's not necessarily a bad thing. These are both two pairs of tragic siblings, the main difference is that MHA doesn't feel the need to tear down one sibling in order to build up the other. In fact, the final step to Shoto's arc is HELPING Dabi, not PUTTING HIM DOWN.

Not only that but the decision to help Dabi is a decision that Shoto makes on his own, and him going against the tide of a society that has already given up on Dabi and would much rather have Shoto shoot Dabi like a mad dog. Which makes the decision to do so even more powerful and emblematic of Shoto's growth.

Now you could say that Shoto and Zuko are too different to compare their arcs, Zuko has a redemption arc, and Shoto has what most people would probably term a healing arc. Shoto starts out the series as a hero.

However, this is what annoys me about the redemption arc debate. A redemption arc is really just a normal character arc. However, calling it redemption drags things like morality and forgiveness into the debate. if you take remove the discussion about moral philosophy both Zuko and Shoto have character arcs where they start the story defined entirely by their home situations and their father's abuse (hence why they have big obvious scars on their face), recover from their trauma, and go on to find an identity outside of their father and form healthy non-abusive connections with others.

In fact I'd see the theme of both arcs are the same, to literally find balance within themselves. Shoto is divided quite literally into right and left sides, fire and ice, and even seems to view himself as half of his father and half of his mother. Zuko is someone who's permanently marked and dishonored by the burn scar on his face. He suffers from an internal imbalance as well. Iroh says that Zuko is the descendant of both Roku and Sozin and therefore both pathways are open to him (but wouldn't that apply to Azula too). Zuko says to his father that the fire nation has destroyed the balance to the world and he's going to leave to assist the avatar in order to fix it.

Shoto's balance isn't just about fixing his internal trauma though, it's also about finding a balance between his family which has defined his entire life up until this point, and his desire to become his own hero not the hero his father groomed him into.

It's why the culmination of his arc is Shoto reaching out to save his family member Toya, because it's the ultimate balance in wanting to heal his family, and also the kind of hero he wants to be, someone who saves and brings peace to others instead of just violently putting down villains. He can bring peace to his family and become his own hero in one action.

However, let's go back to the beginning of Shoto's arc, because saving Toya as an endpoint to his arc is set up pretty early on.

Shoto's arc begins with Deku, a stranger breaking down Shoto's walls as an outsider in order to allow him to look past his own trauma and recall for the first time what he wanted outside of his resentment towards his father. This sets up the idea early on for Shoto that sometimes you need outside interference, help you didn't ask for, especially when you can't see outside of your own problems.

What Deku brings about ultimately is a change of perspective, Shoto's so hurt by the memory of his mother throwing boiling water in his face and everything that came after that he can't recall the memory of her telling him he could be who he wanted to be.

But, you want to be a hero right?

Shoto takes away two things from this arc, sometimes you need help even when you're not asking for it, and sometimes a change in respective is required in order to take the first step forward.

He goes to demonstrate these things multiple times, but here's two exaamples. The first Shoto demonstrates immediately after the tournament arc. When Iida is about to go down a dark path and commit a revenge killing on Stain. When, as a result of that IIDA is paralyzed and about to die in an alleyway, it's Shoto who both notices Midoriya and Iida are missing and shows up in the clutch. He's practicing the same thing that Deku taught him in the last arc: Giving help that's not asked for is what makes a true hero.

He even mentions the second idea, that a small change in perspective can be all it takes to save someone, and he wants to do for Iida hat Deku did for him. His words are the one who convinces Iida to stand back up again when he's paralyzed.

If you wanna stop this, then stand up. Because I've got one thing to say to you. Never forget who you want to become!

However Shoto's arc doesn't end here, because one of the major conflicts in MHA is that heroes don't pick and choose who to save and a true hero will give help even to those people who don't ask for it.

This is a point which further develops when Shoto's abusive father starts to show a change of heart at the end of the Pro Hero Arc. Shoto still holds his father accountable for what he did in the past, but he also acknowledges that if he had the capacity to change then so does Enji. This isn't about whether or not Enji is forgivable, this is an extension of what Shoto learned. Shoto originally believed he was controlled by the circumstances of his birth, that his fate was set in stone, but a change in perspective allows him to realize he can determine who he wants to be. So, Shoto is just applying what he's learned, Enji has the capacity to grow.

There's one final piece of setup that I want to cover before showing how these separate dies all culminate in saving Dabi. Shoto's not only someone who has to find balance between his family and his desire to be a hero.

The theme of balance is written into the quirk itself. Enji basically practiced eugenics to create Shoto as his masterpiece. He noticed a flaw in his own quirk where he could only make his flames so hot without overheating. So he arranged a quirk marriage with Rei who possessed an ice quirk to create a hybrid ice and fire quirk that he could use to cool himself off to prevent him from overheating.

Enji only ever cared about the fire half of Shoto's quirk. His ice quirk only exists for his flames to grow stronger. This is shown when Enji is trying to force Shoto to learn all of his signature moves, because he only cares about Shoto's flame quirk. Shoto was created to carry on his father's legacy, and surpass him with an even more powerful flame quirk. Part of his character development is him learning how to use his quirk in his own way.

This is a theme that continues in the class training arc where Enji is still repeating the behavior of trying to force Shoto to learn his signature moves instead of considering what he wants at all, because still Shoto only exists in Enji's mind to carry on his legacy.

This all culminates in Toya's decision to save his brother. The first is his action in choosing to identify with his brother. If Shoto believes in his own capacity to change, and even his father's, then why would he deny Toya that same chance to change?

The foiling between Shoto and Toya isn't supposed to reduce the two of them to "Shoto is the good one, and he's the bad one", but instead Shoto and Toya were both in a point where they were consumed by hatred and couldn't see any other path in life. Therefore if Shoto was able to change because someone gave him help when he didn't ask for it, then Toya not only has the capacity to change - but in order for Shoto to stick to his stated beliefs that the smallest of things can bring about a change in people he has to be the one to give his brother that chance to change.

It's not about whether Dabi is worthy or not, it's about the themes in Shoto's arc finally being paid off.

Shoto's identifying with Toya, and even parts where he tells Bakugo he'll make Toya sit down and make Toya tell him his favorite food indicate that from the beginning Shoto's intention was to find a way to stop Toya without killing him (which is what several of the adult heroes were encouraging him to do).

@stillness-in-green does a more succinct summary of this plan.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and trying to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have. And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

Shoto's decision to save Shoto is also a continuation of his decision to help save Iida from Stain. It's not enough for Shoto to experience a change of heart about his own life, he's got to take what he learned about people's capacity to change, and the importance of connections and then put that into practice and help others the way he was helped.

However, it also further develops the theme of giving help that's not ask for from Iida because Shoto's not saving a mostly heroic kid, he's saving Toya to help break a familial cycle of abuse (because murdering the abuse victim isn't how you end the cycle of abuse... actually).

Shoto's last lines to Dabi are also a refutation of this idea of destiny that he once thought he was ruled by. It's once again, Shoto teaching someone else the lesson he learned. Toya says a warped rail can never mingle with a straight and narrow one! In other words Shoto can never understand or get along with Dabi, because Dabi will forever be defined as the failure because of the circumstances of his brith, whereas Shoto will always be the success.

His final action is a decision to break the cycle they were born into: no, we're gonna mingle whether you like it or not.

Shoto's ultimate move Phosphor is not only a move he designed far in advance to take down Dabi non-lethally, it also is a rejection of his father's teaching method. Toya says he only ever taught me how to turn up the heat. Enji only valued both Shoto and Toya for their flame quirks. Developing his own quirk and breaking away from what his father wanted, specifically in order to save his brother. It's Shoto rejecting what his father created both of them for (a successor to his quirk) and finding his own path. By using that move to take down Dabi he's not only teaching Dabi their flame exists for more than just destruction, he's also by letting Dabi live giving Dabi a chance.

From a conversation with @class1akids

Dabi was the last push to unlock Shoto’s full power. Until then he was on the track of mastering flashfire like Endeavor planned for him (except for his own reasons) but realising the fighting Dabi with fire was gonna kill them both and also he’s simply no match fire only helped Shoto to fully take control of what his quirk is Like his quirk development goes parallel with how he faces each member of his family and finally meeting Toya is like the last piece of his puzzle to find his own full power and identity.

It's not just Shoto decides to save his brother because he's just that nice, his arc is literally incomplete without it. The act of creating phosphor a move specifically to save Dabi is both him unlocking the full power of his quirk (by balancing the fire and ice sides of his quirk) but also achieving balance between trying not to leave his family behind while at the same time becoming his own person and hero outside of his family circumstances.

Citing my conversation with class1akids again:

Toya is endangering everyone at Gunga. Endeavor has no means to stop him and when he tries to murder suicide Rei interrupts and his “hero way out” is taken. All he can do is watch helplessly as his family is about to burn to death with a bunch of strangers he tried to protect. But it would do Shoto dirty to use his heart technique to kill his family and the strangers so he comes in a clutch and I see that confrontation as the power trauma vs the power of healing in the family. With Shoto who is a true hero, they can put the fire out and save the family and strangertoo. Shoto become a balanced hero and bring relief and reassurance, Endeavor was completely helpless, and Toyas inner child got the attention he wanted, plus depending on how you read it, he may have become less suicidal.

Shoto also, and I want to point this out desires to stop his brother not to take him down but because he doesn't want him to hurt any more people. He's again finding a balance between two ideas 1) Shoto needs to stop his brother in order to stop him from creating more victims and 2) Shoto needs to find a way to stop him that's not just putting him down because Toya himself is a victim.

Shoto also, and I must point this out for the comparison between Zuko and Azula goes out of his way to engage Dabi in conversation, ask him why he didn't come home and what happened to him in the years after he died. This is especially poignant because unlike Zuko and Azula who grew up together, Shoto basically had no relationship with his brother (and the rest of his siblings really) before Toya died because Enji purposefully kept Shoto separate from all the "failures."

So yes, the act of saving Toya is more for the completion of Shoto's arc than any redemption arc for Toya but Toya's not just a plot object to move around for Shoto's arc, Toya has his own agency all throughout. In fact it's the fact that Toya resists being saved every step of the way that provides the challenge that Shoto needs to grow in order to be able to save him.

Toya's not just after revenge against his father that's the surface reason, Toya is also just blatantly suicidal. Toya's birth is marked as a failure, his death wasn't even acknowledged by his family and everything stayed the same in his absence, so he created Dabi while praying at his own shrine in order to mourn Toya. Dabi can't find any meaning in his life where he was born as a failure, so he'll use his death taking revenge against Endeavor for having been born in order to give his life meaning.

What makes Avatar look especially bad in its treatment of Azula in comparison to how MHA treats Dabi, is that Dabi is way, way less redeemable than Azula. For one Azula has clearly proven affection both her friends and her brother (and I don't think she even deserves Mai and Ty Lee's forgiveness they had every right to walk out on her and want nothing to do with her again.)

Dabi is probably the ugliest victim of the League of Villains. The rest of the league have far more moments in their bonds with each other. Toya is the outsider to the league even if there are some subtle hints to his affection (he tries to show up to save Twice, and also burns down Toga's family house to comfort her). The villains are mostly shown to be redeemable by their positive friendship with each other, and Dabi at several points denies the league's bond (he pulls a Terra and yells out loud at the top of his lungs none of the league matter to him). Unlike with Terra you can argue this is most likely Dabi trying to cover up his real feelings. However, the fact that he feels the need to hide his affection from the league shows he's purposefully distancing himself from any bonds whatsoever.

Unlike Azula who has gone out of her way to help her brother in one major way, and also shows hints in early season 3 of having that sibling bond with him Dabi just straight up wants to murk Toya. Azula also tries to murk Zuko, but that's only when Zuko leaves on the day of Black Sun (one without telling her, and two something that probably left her alone to deal with the consequences of lying to her father for his sake). Either way, Azula's behavior in early season 3 is setup for the fact that their sibling bond can be salvaged.

Dabi is way worse to Shoto in comparison. Dabi in the first part never saw Shoto as his own person, just a puppet of his father (puppets have no autonomy or personhood). His feelings towards Shoto only went so far as Shoto was someone who could kill in order to upset Enji. Dabi also doesn't particularly care for the rest of his family as well (only calling out Natsu's name when his brain is literally melting), they're either ways to hurt endeavor, or he wants to drag them in hell with him. Heck his last words after being saved is telling everyone to die and go to hell.

Dabi doesn't bother to make bonds with the league or have any lingering affection for his family because Dabi's determined to seslf destruct. He's given up on life the moment he saw that he died and nothing changed in that household, now all that's left is for him to create a meaningful death by dragging his family to hell with him.

Dabi is also even as a child made out to be an unpleasant victim. He attacks baby Shoto with his flames early on out of jealousy (even though he later admits that he was being unfair to Shoto). He makes the situation in the house worse by loudly screaming and demanding his father's attention. He screams at his mother and throws her complicity in Enji's abuse in her face.

This is in comparison to Shoto who in childhood flashbacks we are only ever seen either 1) crying, and 2) trying to comfort and protect his mother. Toya's even made out to be difficult to empathize with as a child - which like flew over half of the fandom's heads because he got accusations of somehow abusing his father and the rest of his family in that chapter at 10 years old. However, that in a way illustrates my point.

The fact that Dabi is so disliked by a certain portion of the fandom is because Horikoshi paints such an ugly portrait of Toya in the way he expresses his victimhood. It's done deliberately too, because number one Toya by resisting Shoto's attempts to save him and trying to self destruct instead retains agency as a character. He makes decisions even though they're bad self destructive ones, he's not just a prop. Number two, the fact that Toya is intentionally portrayed as such an ugly victim makes Shoto's decision to break the cycle of familial abuse by saving Toya and not leaving a single family member all the more poignant.

Toya is an uglier victim than Azula, actively trying to kill himself in a way that Azula isn't, and treats Shoto way worse than Azula ever treated Zuko and yet Azula isn't shown the sympathy or given the salvation that Toya is.

Because once again, the writers didn't think about the ending of Azula's arc or of Azula as her own character. Shoto defeating Toya is the culmination of his desire to break the cycle of abuse in his family. Zuko putting Azula down is just to make Zuko look better. It's in service of Zuko's character instead of both of their characters.

THE BAD

Avatar isn't setting up some gritty ending where the bad guys can't be stopped, they can only be killed. In fact it's pretty close in tone to MHA.

Season 3 especially is the season that really begins to hammer in on the themes that even the people on the enemy side are still human after all. The headband shows that Fire Nation children are indoctrinated into the war, but they are in the end still children. There's the story between Avatar Roku and Sozin, and once again Iroh saying that Zuko has both options becoming like Roku or becoming like Sozin available to him (but not Azula I guess). There's Zuko joining Team Avatar, even after he betrayed Katara in Ba Sing Se and should have burnt that bridge then and there. There's Zuko working to earn their trust again when no one on the team really owe it to him.

The main character of the show is a pacifist, who deliberately learns a way to stop Ozai without killing him before the final battle because he doesn't want to break the values taught to him by his culture.

If the entire theme of season 3 is redemption, healing and that the fire nation are not inherently evil then why does Zuko's sister and character foil end the last shot of the series screaming and crying with no one comforting or even attempting to sympathize with her. Why is this one character marked for tragedy in a show that is about redemption and healing and showing compassion to your enemies and very specifically not a tragedy.

Toya literally burns all of the flesh off of his body, and somehow he has a gentler ending than Azula, because at least Toya's arc ends with all the members of his family showing up to try to cool down his flames, and when he's on the ground burnt to a crisp his father finally apologizes to him. Toya is a skinless burnt chicken wing, my boy has no skin, and somehow he's better off than Azula.

I don't think the writers gave Azula such a cruel ending because they don't like her, but rather because they just didn't think about her ending outside of what it meant for Zuko. Which is why you get moments like Aang who is apparently a pacifist who doesn't want to kill the Firelord, watching his daughter fall to her death while sitting on a flying bison and doing absolutely nothing to save her. ALL LIFE IS PRECIOUS (except for Azula I guess).

It's not bad because a victim doesn't get saved, it's bad because it doesn't fit in with the rest of the story.

Not only is Zuko saving Azula a very natural conclusion to his arc, but there's far more setup for Zuko reaching out to his sister and saving her than there ever was for Toya and Shoto. Both Toya and Terra are screaming at the top of their lungs "I HATE EVERYONE, YOU SHOULD ALL JUST GO TO HELL." They're both making decisions and committing to their self destruction while Azula is a 14 year old girl having a mental breakdown.

Anyway, time to quote the bad bad video again.

"When does a villain deserve a redemption arc? When do we deserve a redemption arc? I know this is gonna hurt, but characters are not people. They are tools. They are represetations of people. They can be used to say other things. They can be symbolic representation of other ideas. Azula's story is not just about a fourteen year old defeated by her brother for the throne, Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

I specifically chose to cite MHA, because of how differently it decided to use Shoto and Toya's character foiling. Shoto recognizes himself in Toya, and how different their paths were in life. This is explicitly motivates him to save Toya. It's also the culmination of everything that Shoto has learned because Shoto is a hero who believes that actions speak louder than words. It's not enough for Shoto to resolve his own inner struggle, he also has to help Dabi with his because that's showing Shoto has grown rather than telling us.

I think that is where the major difference lies between Shoto and Zuko, we're told that Zuko has chosen the path of empathy and healing, that he's learned to give people love and patience like Iroh has but instead of showing that the culmination of his arc is having a fist fight with his sister in a denny's parkinglot.

Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

If Zuko is empathic and emotional and that is why he's gained friends while Azula is now alone after having lost her friends due to the way she treated them, then like... what a great opportunity for Zuko to SHOW that quality of empathy.

However, Zuko doesn't do anything that Shoto does in the final fight. He's not even here for Azula, Azula's just an obstacle for taking back the crown. He doesn't talk to Azula, engage her in any way, try to de-escalate and avoid the fight.

If you want to make the tragedy that Azula and Zuko have taken such different paths in life that that Zuko fighting with his sister is unavoidable you could um... at least show Zuko being sad over the prospect of fighting his sister or being reluctant in any way.

(Before you come in here with "Zuko doesn't owe Azula anything take" this isn't about whether or not Azula is a terrible sister to Zuko, this is about the story that avatar is attempting to tell. Shoto and Dabi's fight is tragic because Shoto doesn't want to fight Dabi, he wants Dabi to come home and for their family to be complete. Zuko never expresses anything like that so where does the tragedy come from?)

If it were 100% committed to a tragedy like Terra's death then I wouldn't mind. if it were 100% committed to a story of redemption like Shoto reaching out to Toya then I wouldn't mind. My issue arises from the fact they want to have their cake and eat it too.

They want to give this tragic end to Azula, and use it to illustrate how Zuko has grown as a character. However, you can't have both.

If Zuko's growth is about learning that his father's love based on achievement and 2) learning he needed to get lost in life in order to find himself then why doesn't any of Zuko's actions demonstrate this lesson Zuko has learned about love, and about how you can be your own person outside what your father expects from you.

If Zuko has grown as a character he should be able to show those actions. He does show his new understanding of love and friendship to Team Avatar, but as I said that's easy mode. That's Shoto's attempts to save Iida, it's a step in the right direction. It's also not really Zuko demonstrating a selfless love, because he's also at the same time trying to earn their trust and earn his way into the group.

It's also not Zuko breaking the cycle of abuse in their family in any way. Shoto is trying to break free from his role of his father's masterpiece, and at the same time helping Dabi break free from his view that he's the failure.

It's also such a natural ending for Zuko's arc, to take the lessons he learned from Iroh and give them to his sister who needs them so they can both break away from their father's parenting. As I said Zuko does solve the internal conflict within himself, but he doesn't really demonstrate that by helping someone else find their balance.

If you wanted the tragic end, then it would have to be about Zuko's failure to reach out to his sister, because he hasn't learned how to reach out to her. Or because he tries and is unable to. The writers don't seem to understand that though, they think the tragedy is about Azula bringing it all on herself, and not the inherent tragedy of a fourteen year old girl being unable to be saved.

The set up is right there too, because number one avatar is about balance. So, wouldn't the true ending be finding balance between the siblings, not having Zuko rise and Azula fall. Number two, Azula being alone and friendless because of her own actions is again a parallel to where Zuko was in early season 2 at his lowest point. Except Zuko can be the better person in this situation by reaching out to her.

Zuko doesn't break the golden child / scapegoat dynamic, he just flips it so now he's the success and Azula is the failure.

While Azula's fall comes from cruelty and rejection from friends and allies it is Zuko's humility and kindness and friendship that ultimately wins the day. Him sacrifcing herself for Katara and her bringing Azula down and then her healing him. Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone. "

As I've stated above, I'm not saying Azula didn't deserve to take a fall. Her fall is actually set up from the first moment she met Ty lee. However, there's no set up for her fall being permanent.

Azula's given way more humanizing moments than characters like Terra or even Dabi. Which is why Azula being in an insane asylum for the rest of her life doesn't fit as an ending at all.

Azula is one link in the chain of abuse. Her father only gives out affection in regards to her usefulness. No matter what Azula is an asset first and a daughter second. Azula then repeats the cycle and treats her friends the same way. She has been shown through an improper model of parenting of using fear to dominate others with power and control and she replicates that in her other relationships.

Therefore, Ty lee and Mai leaving her is not only deserved, it's the perfect opportunity to pull the rug underneath Azula and to show her that her understanding of how relationships work is completely wrong.

This also mirrors Zuko's arc, because part of Zuko's arc is realizing just how wrong Ozai is for making both children earn his love, and that he doesn't need to measure his self-worth based upon his father's approval. He also learns about healthy expressions of trust and friendship from the gang.

Azula loses in part due to her own inability to form healthy relationships is losing people rapid fire, her brother leaves and joins the enemy side, Mai and Ty Lee betray her in favor of her brother, then her father in one action of leaving Azula behind and throws the title of Firelord to her after it's become completely meaningless reminds her of her place. Azula learns in about five episodes what Zuko had in 3.5 seasons to process that her father's love was always conditional and no matter what she did she would never truly "earn it."

People leaving Azula isn't exactly the problem, the problem is that Azula ends up alone permanently without being given the same chance that Zuko is. Terra, and Toya both get opportunities to turn back. They both refuse the hand that's reaching out to him. Mai and Ty Lee leaving is caused by Azula's own choices, but her ultimate end isn't. She's not even given the chance to turn away being saved like Terra and Toya do because Zuko doesn't even bother to try saving her. Her ending is not entirely brought about by her own choices, because the writers need her to take a fall to uplift Zuko.

Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone.

I think once again it comes from the author's misunderstanding things because they don't want to look at the story from Azula's perspective, only Zuko's.

Stay at Home almost had it when he said the tragedy of Zuko and Azula was there to show how two different parenting styles affected these children.

The tragedy is that Zuko and Azula started in the same place, but Zuko had persistent guidance and someone who modeled for him a healthy kind of love. The difference is that Azula has never experienced any kind of healthy love or support on the level Zuko has, so she models all her relationships on the way her father treats her. It's not that Azula is offered some chance for change and rejects it, it's that Azula isn't even aware of the fact that there's another way because no one is there to show it to her.

Which is why I said once again, Zuko being the first one to show Azula the lessons he himself was shown by Iroh is such a natural place for his character to end.

Azula also even while completely alone and with no idea what healthy love is, knows that there is something wrong with her and is troubled by that fact in a way Dabi and Terra aren't.

Azula: I can sit here and complain about how our mom liked Zuko more than me. But I don't really care. My own mother... thoguht I was a monster... She was right of course, but it still hurt.

Then there's the famous mirror scene:

Ursa: I didn't want to miss my own daughter's coronation. Azula:Don't pretend to act proud. I know what you really think of me. You think I'm a monster. Ursa: think you're confused. All your life you used fear to control people, like your friends Mai and Ty Lee. Azula: Well what choice do I have?! Trust is for fools. Fear is the only reliable way. Even you fear me. Ursa: No. I love you, Azula. I do.

Both of these scenes indicate that Azula thinks of herself as a monster and is deeply uncomfortable with the idea. Considering Ursa is a voice in Azula's head and not a ghost, it also shows on some level Azula knew what she did to Mai and Ty Lee was wrong and feels conflicted over it.

Once again she's much more in conflict with herself than Toya and Terror ever are, and who's someone who's constantly warring with himself? Who's someone who could help resolve her inner conflict... Zuko (too bad the way the show's written he never does).

Azula doesn't choose to self-destruct the way that Terra and Toya did. Azula's ending isn't brought about by her choice not to change, because she's never given the chance to change in the first place. Her tragic ending would make sense if it was entirely of her own choices, but Azula doesn't retain her agency in the end it's literally taken away from her. She loses control of her mind, and her ending is being chained to a grate screaming and then thrown into an asylum.

I'm not arguing against Azula's ending because she's my favorite character and I don't want bad things to happen to her. It's because her tragedy isn't about her it's about Zuko, and her ending actively takes agency away from her where at least Toya and Terra both retain their agency up until the end. It's not good writing because the tragedy doesn't fit in with the rest of the story which is about balance and healing - and it's also ableist as hell.

THE UGLY

Azula's ending is unfitting to the tone of the story she's in, makes her and Zuko's arcs feel incomplete, and also is ableist as hell.

Here's yet more evidence that Azula's tragic ending is poorly thought out. Azula's mental breakdown doesn't exist in service of her character, but Zuko's.

Azula's issues pop up out of nowhere after episode 15, and take place over the last 6 episode of the series. The idea of Azula having a mental breakdown isn't necessarily a bad concept, but it's executed poorly.

The first way it's executed poorly is just how rushed it is. There's basically no hints of any mental instability beforehand. Of course people can have mental breakdowns spontaenously like that in real life, but this is a story and stories require foreshadowing. Azula spontaneously developing mental issues doesn't feel like it's planned as a part of an arc. First off, because the writers don't seem too sure about what Azula's symptoms even are. Hallucination, paranoia, manic laughter, but apparently she's still able to bend lightning just fine. Secondly, the writer's intentions for giving Azula a mental breakdown are pretty transparent.

The writer's room needed to come up with a believable reason why Zuko would suddenly be able to fight on equal terms with Azula, so boom sudden mental illness. The intent was not to create a sympathetic portrayal of a young girl struggling with both paranoia and delusions. The intent was to nerf Azula because they couldn't think of any other way this plot could end, other than Zuko and Azula fighting in a denny's parkinglot.

As I said they use mental illness as a plot device to take Azula's agency and choices away from her. It's not done with the intention of humanizing her, and in fact except for one small scene with her talking to her mother in the mirror it's a pretty negative and unsympathetic portrayal of mental illness. Not because the writers hate mentally ill people, but because they needed Azula to have a mental breakdown in order for a plot point to happen. Which is why they didn't think of the potential implciations of such a writing choice at all.

Now, people are going to argue about me so I'll use one final example. Azula's ending may be controversial but it's universally agreed upon that the Game of Thrones Ending was bad, right?

Game of Thrones uses mental illness as the exact same plot device, to explain why Daenerys Targaryen turns from a hero to villain in the last few episodes with absolutely no foreshadowing. In fact, the all of the show director's interviews about that choice are just blatantly ableist.

Rant from @hamliet

This quote is (likely unintentionally) gaslighting, ableist, terrible logically, and downright offensive. 

First, ableism: why, why, why are we conflating madness with evil? She was driven to madness so she killed a bunch of people and had to be put down? And you think this is a great message in the year of our Lord 2019? [...] Additionally, while good writing is to an extent subjective, there are general consensuses on what make good writing--and Game of Thrones hit all the general consensuses for bad writing, from bad pacing to confusing character assassination. Critics are like, pretty united on this front. No one thought Dany’s turn made sense, even the ones who expect Mad Queen in the books. Maybe if people love a character who is meant to be evil you're not writing them correctly... or maybe they aren't meant to be evil. 

Daenerys and Azula are incredibly similiar characters. They're both dragon themed, alligned with the element of fire, they're both colonizers they both represent the warrior princess archetype.

I'd say Daenerys is more of a tragic heroine though, because while Danerys is essentially doing the same thing as Azula, waging war in a foreign land and a culture that's not hers, for the purpose of then bringing back soldiers to her home continent so she can wage war again - while she is definitely a war mongerer she has good intentions. Daenerys for all of her faults, genuinely wants to break the chains and help out people.

I think Azula definitely sees herself as the hero for winning the war for the fire nation's sake, but she's completely uncritical of her own culture and she doesn't really have the good intentions that Dany has. She does it more out of a sense of duty, and her belief of divine right, not because she wants to break people free.

Daenerys's problem is that she doesn't understand the culture she's invading and the complicated world she lives in and despite all good intentions, is as I described above, invading a foreign power so she can go back and wage a war to reclaim the throne. Even if Daenerys would then proceed to go on to be the bestest queen ever that wouldn't change the fact her methods to get to the throne were incredibly violent, and she's sort of failing to break free from the cycle that led the Targeryen rule to fail in the first place.

Azula's problem is she sees herself as the hero and is therefore uncritical of fire nation values. She doesn't have any nobler intentions either other than service to her country, she just like Zuko is just trying to fulfill her duties as daughter and believe her birthright puts her above others. (I mean Dany does too but digressing).

Azula's more of a tragic villain who plays the antagonist role in the story, Danerys is one of the three heroes. However, she's more of a tragic villain in the sense that she's first season zuko pre character development just way more competent.

However, while Daenerys is a much more heroic character than Azula, here's the thing. I still think she's going to die. She is foreshadowed pretty heavily to die, and fail for her quest for the throne, because her entire story is a deconstruction of the warrior princess and the liberator archetype.

However, the story that GRRM is building throughout his books with Dany as an incredibly flawed heroine is different from what we got in the show, which was Daenerys going crazy and starting to murder people. That's because Daenerys turn to darkness wasn't about her character at all, it was just making her into a plot device to move their bad idea for a plot forward. That's why the turn is so unnatural and makes little sense with her character, that's why it's so rushed.

That's also why it's ableist, because it's using mental illness as a plot device to make a character unsympathetic and monstrous and give the other characters a reason to put them down.

The same for Azula, outside of one scene where he's talking to her mother, Azula's mental illness manifests in her screaming, maniacally laughing, looking like the joker did her makeup, and her instability also makes her violent and dangerous to be around. (Ignoring the fact that most people who experience delusions in real life are harmless, and more likely to be the victims of violence).

Her sudden mental illness isn't even used to make her more sympathetic in say Zuko's eyes and make him realize she's a victim, no it's just there to nerf her so she can be violently put down. The way she's drawn, the way she acts, it's to paint her as monstrous as possible. Her last action is like sobbing and screaming while being drawn as ugly as possible. She's not even given a small hope for recovery, because it just ends there. That's a pretty great message to send people that experience delusions, not only will you not recover or be shown sympathy, you'll also get sent to a mental asylum for the rest of your life. The choice for both Azula and Dany is not to portray any kind of mental illness in a respectful way, but to make a plot point happen.

As I said I expect Dany to die in the books, but there's a difference between dying as a tragic hero succumbing to your flaws but still having your good intentions acknowledged and just turning into a villain for no reason and being put down like a rabid dog.

(This is a quote I stole from a Shigaraki post but): "Why does she need to be put down in the first place, she has trauma, not rabies."

The problem isn't bad thing happened to my favorite character, the problem with the ending is it doesn't take Dany's setup into consideration.

Stealing from @hamliet again:

The thing about tragedies is that you have to manage expectations and clearly show that your tragic hero is doomed from the very early on–ie you have to show them making steadily worse and worse decisions (see: Eren Jaeger in SnK), if not directly tell your audience at the very beginning that this is a tragic story (ie see Greek choruses and Shakespeare, the prequels from Star Wars because everyone knows Anakin is Vader–plus I’d argue Anakin’s arc only works because we know he comes back to the light in the end. Audiences don’t like reversing on set up/undoing structure. To make Dany a tragic villain is to go against the structure of her arc in both show and book. That’s why people don’t like it, even if the books makes it seem more believable.

Kate then goes onto describe a character that's much more comparable to Azula's. Honestly Arianne is closer to Azula than Daenerys is.

You know who is set up as a tragic heroine destined to descend and die because of her flaws in the books, whose arc has almost certainly been combined with Dany’s in some sense in the show? Arianne Martell. (and another character known as f!Aegon) In the books, Arianne is incredibly ambitious, and especially resents her brother and his quest for power. Like Margaery (another tragic character), Arianne seeks power and is intelligent and manipulative in her quest for it. But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising. Arianne, as her chapters hint, is going to almost certainly marry f!Aegon, playing with fire, and die burning for it.   Arianne’s grasping for her own power is never portrayed as cruel or stupid like the main human villain (Cersei); on the contrary, we empathize with a girl who truly cares about her people, but resents her father’s preferential treatment towards her brother. That’s the difference between Arianne and Cersei: Arianne cares. She is not cruel. But her pride is still going to get her killed.

There's a lot of game of throne females you could compare Azula to because GOT is full of queens, but like. Azula may be a tragic villain firmly on the side of the antagonists but she's not Cerseie. She's not queen, she doesn't wield the power that Cersei wields. In fact one of Azula's downfalls is finding out she doesn't have as much power as she thought she had, and ultimately was just a tool of her fathers.

She's not Rhaenyra or Alicent, because yes she may be grabbing for power but her character isn't affected by misogyny. Because once again, the writers simply didn't think about misogyny except for a really surface level "girls can be just as strong as boys" way so we really have no idea how women are seen in the fire nation. The show doesn't really explore if being a woman makes things harder, or makes people treat her differently than Zuko because the writers just didn't consider Azula's perspcetive on that matter.

Azula is alike to Danaerys in several ways, but as I said I think her ultimate end comes from Azula understimating her own importance in her father's eyes, and quickly realizing when her father is her only family left she never had his love or loyalty in the first place.

But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising.

Azula's most famous quote is about how Long Feng isn't even a player, only to find out her father considered her a pawn from the beginning and be broken by the revelation.

The difference being of course that Avatar is not Game of Thrones and it won't even kill the evil fascist dictator so it doesn't make a lot of sense to hand Azula the ending that Arianne got. They have the same fatal flaw.

Anyway, I made this big post but I can explain why Azula's tragic ending down't work in one sentence.

AVATAR THE LAST AIRBENDER IS NOT A TRAGEDY.

Maybe the reason Azula should get redeemed is because THE SHOW IS ABOUT F&%CKING REDEMPTION.

[dilfartist]

Selfish

Pairing; Yandere Leon Kennedy x reader

Synopsis; You escape your captor during one of his many missions. You stop by a diner searching for help. What will happen next? Find out by reading

Word count; 3.8K

TW; Kidnapping, non-con touching, Stockholm syndrome, maybe just a tad bit ooc, Yandere (obviously), obsessive behavior, cussing.

Notes; hopefully you enjoy reading. It’s not the best since I’m still maturing as a writer and because of my hiatus; but I hope you enjoy.

!Reblogs and Comments are greatly appreciated!

Sapphire-embellished twilight transitions into dawn’s light blue hue bringing alongside the sun. Birds sang good morning to one another, on their side of the forest. You ambled down the road that ceased the strong odored forest from connecting.

You stared at the endless road up ahead. Night to morning, ahead of you was forest and road. Perhaps this reason is why your captor moved into the isolated forest since raccoon city incident.

Or maybe he wanted to live a life of normalcy given the opportunity; the monsters he claimed he fought, seemingly every month, stressed him greatly and you noticed. Plus, he mentioned he needed a vacation frequently.

You pause, double-checking onward on the ostensibly never-ending road. Was your hard work a waste of time?

Looking back on the way he treated you, you pondered if it would have been smarter to stay home. Most days he wasn't overbearing. Once in a while, he’d annoy you, other than that he was tolerable. Besides being unable to leave the house unattended and having no say in choices at times, he gave you more freedom than most.

But then you remember the day before. At the crack of dawn, he’d left for a mission: bidding you goodbye with a note and breakfast at your night table side. You were left all alone, so naturally you sought a form of entertainment.

The television; Which was your only option.

You were clicking through the television channels when you came across a crime documentary. The story was similar to your personal life so you continued to watch the channel.

The story was about a woman, age twenty-three, who was kidnapped for around four years. During her kidnapping, she fell deeply in love with her kidnapper to the point they had to detach her from the cop car when they arrested him.

In your situation, you’ve been abducted for at least eight months. Her situation only took a year till she developed Stockholm syndrome.

Clarified by the show as the psychological condition of a victim who identifies with and empathizes with their captor or abuser and their goals.

Learning this information a thought came to mind.

Would you become like her once it hits New Year's? Loyal to a man that took you away from society. No. You refused to allow the same situation to happen to you.

You’d never allow it to happen.

When it came to the relationship your captor so desperately longed for with you, you caused many difficulties to prevent any form of romance.

Any attempt at affection had him pushed away or smacked. Discussion about the past before your absconding was simply ignored. And in general, you kept your distance from him. Well, at least you tried to. He stays at your hip like a lost puppy majority of the time he has off work, talking your ear off. There was no way in hell you’d fall for him. Not after the months you spent in that isolated house.

Regardless of how certain you were, you mulled over it some more. You finally concluded running. So far, you felt regret and relief.

Out of nowhere, a loud reverberating sound of a car grew closer, arising behind you. You quickly spun around to see what the sound originated from.

The engine growled, sending a ping of fright to your heart. You spent no time thinking about Leon’s reaction to your escape. However, now your mind consumes thoughts of his response.

Could your captor's fury be so robust that the car in the distance embodied his rage? Knowing him since your best friend introduced you to the man becoming a rookie cop in raccoon city; you’ve never seen him enrage.

From time to time his witty replies and mean scowl would showcase his anger. Of course, that didn't mean his rage wasn't feasible. But never had you ever witnessed a stronger emotion from him.

Inching closer, you were able to discern the details of the car. It was a massive black car, with tinted windows. A car your captor might arrive home with after a mission. It announced its presence with its vociferous roaring.

You observe with dread blooming in the pit of your stomach, every other part of your body tingled.

Although the person driving the car was yet to be revealed, you were petrified, stuck in place like you had been glued onto the concrete below you.

It must be him.

Why else would they be heading so fast toward you?

Already, you’re willing to surrender. Your captor is a forgiving person when it comes to you, so there’s a likelihood he’ll forgive you if you cooperate.

Standing on the side of the road, you acquiescently wait for the car to stop. Waiting for him to take you back to your prison.

The car slows but even then it's at a fast pace. The car passes you momentarily. Slightly it reverses until the passenger window is in front of you. Unhurriedly, the shadowy window rolls down. In the driver's seat, instead of who you believed it to be, it was a woman.

She looked to be in her middle thirties. She wore black sunglasses in her strawberry-blonde hair, a red blouse with denim jeans. Her makeup reminded you of Jennifer Tilly in Bride of Chucky, but she wore a sweet smile.

“Oh my lord, are you alright darling?” The woman asked like you were a child outside without a jacket in the freezing winter.

You continued to stare at her. You wanted to say something, but your throat felt drier than sandpaper. You opened your mouth, wheezing a bit as you sipped the fresh air. “I don't know,” you responded as loud as you possibly could. So barely above a whisper.

“Do you know where you are?”

“No.”

“Are you safe?”

“I’m not sure yet.”

The woman shook her head disapprovingly, then she began to throw whatever laid in the passenger seat into the backseats. “Come on sugar, get inside. I’ll give you a ride.”

“Okay, thank you.”

She reached over and pushed the passenger door open. You entered the vehicle, settled in, and got comfy. You buckled in making sure you heard the reassuring click.

“There you go,” she commented with a smile. “Now, we're going to make a stop by a gas station, then we’ll find out what we can do with you. Is that alright?

You smiled back, “Yeah, I don't mind.”

The car began to ride forward and the air conditioning blew on your overheated body. You relished the cold air. You hadn't realized how hot it had been outside, even in the early morning. Where were you?

You put that thought aside. Now you needed to worry about something to drink and eat.

“Do you…have anything to drink or eat?” you glanced at the woman.

She nodded. “Of course sweety! Why didn't I offer before?” she looked away from the street to grab a half-empty bottle of water from the side of the driver's door. “Sorry, that's the only drink I have at the moment.” she apologizes.

Without a second thought, you unscrewed the cap off the water and chugged the water. Water had never tasted so refreshing before. It was like you’d been roaming in the desert for hours on end and finally found a source of water.

The woman glances at you. You must have looked crazy. “How long have you been out there?”

“Since eight last night.” You sounded better. No more raspy voice that hurts you to speak. “I should have packed a bag but something came up.”

Before you left the house last night, you weren't in your right mind. Your captor never gave you an exact time he’d be home. His return ranged between the eight at night, the dead of night, the crack of dawn, or the morning. Recently, he’d been arriving home at eight. Which is the reason you left with nothing. Looking back, you had no confidence in yourself at getting away. You believed you were going to be caught in a matter of ten minutes. Now look at you.

You turned to the woman, “Thanks…” She finishes the sentence with her name. “Amanda.” You nod rephrasing your sentence, “Thanks Amanda for picking me up.”

Amanda smiles again, this time wider showing off her pearly white teeth. “I couldn't just leave you out there. Now, what’s your name?”

You tell her your name and hope she somehow knows it. Maybe the news reported you missing when you weren’t watching. You hoped so.

Rather than freaking out, realizing she had found a missing person, she simply responded with a “nice to meet you.” You died a little at the rejoinder.

Did no one care enough to report your absence? Not your family or close friends, no one attempted to reach out to the police?

No. You’re just overthinking. Not everyone watches the news or actively looks for missing people. You just had to be around more people. Someone was bound to know your identity.

Still, you can’t ignore the way your hands shake at the thought of being forgotten.

“So what were you out there for? If you don’t mind sharing that is.”

You bit the inside of your cheek. What were you to say? Tell her the truth and find out she was with your captor the whole time or keep your mouth shut and have no help in case he does find you.

A white lie would help.

“Escaping my abusive boyfriend.”

A frown pulled at the woman’s plump lips, her eyebrows scrunching together at your answer. “Do I need to the cops, family members?”

“No,” you responded quickly and harshly. The car fell silent. You took a small breather before speaking. “No, thank you.”

“Please, tell me, is there anything else I can do to help you any further?”

You needed cash, shelter, and a job. There was only one thing you were sure she could help you with. “ I need money and a hotel.”

“Don't worry, I got you covered,” she said softly.

The car began to slow when she placed her foot on the break. She turned the car and moved into a spot that contained a combination of a gas station and an old fashion diner. She parked the car next to a gas pump, then powered it off.

She dug into the middle counsel, pushing around pens and important items, and pulled out a pink wallet. She unzipped the front zipper and pulled out some money.

Amanda held the cash out to you, “Here’s 100 dollars. There's enough for lasting food, a hotel to stay, and a bus.”

You unbuckle your seatbelt just to hug her tightly. “Thank you!” you repeat over and over, like an unanswered prayer. She returned the hug, telling you she didn't mind lending you some service. The hug ended and you needed to plan your next move. What would you spend your money on first?

Well, all you knew was what you’d spend what was given to you on something important.

You looked out the window. Your eyes shift toward the diner. Mo’s dinner was on the sign, “been here since the ’50s.” which was written below.

Right. Food. You haven't eaten since yesterday. Walking as long as you did, you tried to forget your hunger and focus on the main goal of finding shelter or at least some safety.

“I think I’ll have myself a hot breakfast!” you announced. Amanda unlocked the passenger door, “go right ahead. Enjoy your freedom.” You nod, fleeing the car akin to a little kid whose mother gave them money for an ice cream from the ice cream truck.

The entrance bell chimes when you open the door to the cream-colored establishment. Once inside, you settled yourself in a booth in the far back. An old jukebox plays aged music ranging from the 70s to the ’50. Besides you, there was a single person in the restaurant. A man at the bar sipping his morning coffee whilst reading the newspaper.

You extend your arm over to the menu across the table. The menu displays numerous appetizing dishes, varying from breakfast to a juicy steak dinner.

Flipping the page your eyes landed on a mouthwatering breakfast sandwich, including bacon, egg, and cheese.

“Hello ma’am, I’m Stephanie, I’ll be serving you this morning. What would you like?”

You placed the menu aside to give the waitress your whole attention. The woman was of average height, wearing a pink uniform that reminded you of the 50s. She wore a smile that did not reach her black doe eyes. “Did you hear any of that?”

“Yeah, I’m sorry,” you said sincerely, feeling anxious about possibly pissing her off. “Could I have a number six and a sweet tea?”

“Of course, is that it?”

“Umm…yeah, that’s it.”

“Alright then,” she replied disinterestedly. She left quickly, retreating to the kitchen.

You continue gazing at the closed door to the kitchen. What else could you do? You should have brought along something to entertain you, then again there wasn't much back at the house you called a jail cell. For the remainder of the waiting duration, you’d have your thoughts to amuse your lethargy.

Ding Ding

Instinctively, your head turned. 50s music began to fade, superseded by the loud thumping of your heart. Your breathing became shaky, parallel to your hands. Dirty blonde hair is what you see first. It’s him! You repeat in your head, like a religious prayer.

“Jessica, hey!” you heard a joyous exclamation. You watch as the man from the bar rushes over to the person entering the restaurant. Your anxiety left as quickly as it came. A hand places itself onto your cheat, and on the spot your heart thumped rapidly. You had to calm down. You took deep breaths, and your heart slowed with each sip of air. You rest your head on the table.

After taking the time to calm yourself, you analyzed the restaurant furthermore. Now, the place was vacant, since the man had left. Fifteen minutes passed and you found a newspaper from the newspaper rack adjacent to the front entrance.

Nothing in the article was new to you. At your captor’s home, you watched the news almost once a week to see if anyone had reported your disappearance. Nothing ever came up though. At least you were up to date with everything going on.

Your waitress finally returned, carrying your meal on a maroon-colored tray in her left hand. “Sorry for the wait, ma’am. Kitchen malfunction.” she apologized, giving you a guileless smile. This would be the only expression besides tedium that you’d receive from her.

“It's alright,” you said, watching as she placed the food on the table for you to dig into. She left carrying the tray back to the kitchen she emerged from.

You took a bite of the sandwich, chewing slowly to savor the flavor. Juicy and delicious are solely vivid words to illustrate the taste. The egg had a spongy texture that combines well with melted cheese. And the hickory bacon wasn’t too crispy or chewy, it was simply perfect.

Back at the prison, your captor wasn't the best cook. But he tried to be for you. Still, you preferred takeout. Chinese, Italian, and burgers began to become a boring taste on your taste buds. Having a breakfast sandwich was refreshing, to say the least.

“Enjoying your meal, huh?” rough voice inquiries. The question was said cockily but their wrath was audible in the way the last word was spoken.

You stop mid-chew, the overwhelming flavor vanishing from your mind. It now tasted bland. You kept your eyes shut. Were you afraid? No. Afraid couldn't explain the ineffable amount of dread you felt at the moment. Ruffling could be heard on the opposite side of the table; He was sitting down. Your eyes open involuntarily like your body already knew what he wanted it to do.

Across the table, seating snugly is your captor; Leon Kennedy. He looks rougher than the last time you’ve spoken. The dark circle underneath his eye has grown darker. His brunette roots have begun peaking out ruining his natural blonde facade. And he looked exhausted. Must have stayed up all night looking for you.

He looked more than pissed. He appeared disgruntled. Compared to Leon, you were small. But now, Leon was like a giant towering over you. Despite never abusing you in any shape or form, your body shakes like a leaf in the wind. The way he glares down at you drives you to shift uncomfortably in your seat.

“Do you know how long I've been up for, y/n?” he asks whilst pulling out a flask from his jacket pocket.

Regardless of how parched you are, you force yourself to converse with him. “No,” you're voice is brisk and faint.

“Two days. For two days I’ve been on my feet.” He takes a swig of the flask and then continues to rant. “I could have joined you in bed and fallen asleep, but there was a problem. You weren't anywhere.”

He shakes his head, pinching the bridge of his nose. “What the hell is the matter with you? You could have gotten hurt. You probably are.”

Leon is getting angrier, you can tell by the way the furrowed eyebrows deepen and his frown morphs into a glower, as he utters each sentence.

“I’m sorry.” That's all you can say. It's all that comes to mind.

“Sorry won’t make up for the scars you've gotten.” he retorts angrily.

Now you're mirroring his expression. You’re angry and tired as well. Definitely not as tired as him but still tired. “You’re acting as if I didn't have a good reason to run.” you petulantly cross your arms, akin to a child not getting a toy from the store.

Leon wasn’t delusional. Back in the day, when he was a rookie cop, in some aspects he was delusional. However, as the years continue to pass so does his past self. Leon understands what he has done to you is inhumane, but he can’t help it. He kept you locked away for a reason. You won’t get hurt with him by your side.

Leon sighs, closing his eyes and leaning closer with his forearms on the table. “I know, I know.”

You tilt your head, “really? So, why are you mad at me?”

His eyes open, displaying icy-blue orbs. They hold Empathy in them. Empathy Leon has a difficult time communicating to you.

“I keep you in the house for your safety.” He began, taking your hands into his own. “To keep our relationship safe.”

“But I don’t want a relationship with you.”

“I know.”

“So why are you forcing me to stay with you?!”

Leon’s hands squeezed yours, provoking a cry out of you. “All my life I’ve been a generous man. I saved many and gave up my life for others. I’m always providing for someone else and rarely caring for myself. And the one thing I yearn for to the point I was convinced I deserved it. It was you.”

For a beat, he ceases his gabbing. Leon stares down at your connected hands, his thumb starts rubbing against the back of your hand. It’s a domestic act that earns your displeasure.

“For once, allow me to be selfish,” he mumbles, eyes slowly trailing up to meet yours. His lips press your hand, giving it a chaste kiss. “You’re the only thing I’ll fight to keep for myself.”

Part of you wishes the relationship was normal. Leon truly did care for you, and you still cared for him, But he did something unforgiving. He took away your free will.

“...you can’t just steal a person, Leon. You can’t expect me to love you.”

“I don’t.”

“So why won’t you let me go? You still have Ada, don’t you? You were more into her than me. Why isn’t she in my position?”

“Because I love you, not her. You haven't betrayed me. Well, not until now.” he jokes, letting out a faint chuckle.

Leon pulls out his wallet, his fingers sliding through the pockets to find his card. “Wrap your food up. We’re leaving.” he puts his wallet back in his back pocket, “Be right back. Stay here.” he commanded sternly.

The waitress is at the bar, cleaning the counter with a blue rag. Leon approaches her with an “Excuse me.”

Leon put too much faith in you because you were on your feet immediately when his back was turned. You quietly inched towards the door and ever so slowly dragged the door inwards. Leon was distracted, the waitress deciding she’d flirt with him despite seeing you and him together. You manage to slip through the door before Leon notices your second escape attempt.

You bolt out the door when you hear the enraged roar of your name from behind. You grip the railing to the stairs, running down them, tripping a couple of times. You don’t look but you know Leon’s on your tail. The door slams against the wall, the bell ringing loudly.

“Y/n, get back here!”

Amanda’s car was still parked by the gas pump. You sprint towards it, slipping through the tight space of the car and the gas pump. Luckily for you, Amanda was in the car, applying her strawberry-pink lipstick.

“Amanda!” you shout, startling her enough that she drags the lipstick across her cheek. She shouts, frightened by your sudden appearance. She looks at you, like you're crazy. She says your name to clarify the person at her window, “What are you doing.”

You shake your head, “yo-you gotta help me, he-” you say breathlessly.

“Hey, Amanda.” you hear Leon’s voice call out. Unlike you, he isn’t out of breath. Thanks to his military training. Amanda peeks her head out the window, she smiles waving at Leon. “Hey, Lee!”

Your eyes widen till it’s physically impossible to widen anymore. She knows Leon. Your body feels numb as you watch them interact like old friends. You feel like you aren’t real at the moment. Like you're watching the scene unfold outside your body.

“Sorry, she just came back from the hospital. She isn’t in her right mind right now.” Leon excuses, leading you to his car like a shepherd's dog guiding the sheep to its pen.

Amanda nods as she understands completely. “No worries, I’m just glad I found her before she hurt herself.”

Leon puts you in the passenger seat and closes the vehicle door. The keys lock the door from the inside, so you are left choiceless.

Leon joins you in the driver’s seat, definitely too angered to chide you. He seethed quietly, powering on the engine with the quick twist of the car keys.

Wordlessly, you buckle up. You wouldn’t make an endeavor to anger Leon any further.

You’d allow him to be selfish. Allow him to have you.

What other option did you have now?

[penguwastaken]

Nobody Understands Mukuro Ikusaba (aka Mukuro Character Analysis)

...except for the people that do (lol).

But first I want to clarify what I mean by this title and why I even wrote this thread in the first place. Mukuro is my second favorite Danganronpa character, only beaten out by Kyoko. There's a lot of reasons why I really like Mukuro, but one of them is her writing.

I think she's one of the best written characters in the series. But unfortunately, she also happens to be one of the most misunderstood characters as well. Not even by the people who don't like her, but also by her own fans.

"Mukuro has incestuous feelings for Junko" "Danganronpa 3 retconned her character" "Mukuro was just a plot device" These are all claims that baffle me because simply just consuming the media will say otherwise.

To many, Mukuro is either a one note incest freak or a pure innocent cinnamon roll who did nothing wrong and both of those interpretations are wildly incorrect. I've been meaning to write this post for a while, but we're finally here.

Nobody understands Mukuro Ikusaba (a ""🧵"") (Spoiler warning for the entire series)

Story Overview

We don't actually know too much about Mukuro's backstory aside from the fact that at a young age, she was separated from her younger twin sister Junko. Before being taken away, she claims that she was homeless and after she was taken she was forced to become a member of the military group Fenrir.

So clearly Mukuro never really had the chance to have a normal life, and more importantly: never had a chance to feel the care of another person.

Her sister, who Mukuro had not seen in years, suddenly got in contact with her and called Mukuro over to participate in her plan to overthrow Hope's Peak Academy (and the world). Mukuro, who already felt bad for losing her sister and was desperate for any kind of affection, accepted and began working for Junko.

Junko took advantage of Mukuro's desperation and had her basically work as a servant to her plans. She started by having Mukuro wipe out the entirety of a middle school in order to prove Mukuro's skills and how far Mukuro would go for her.

With that out of her way, Junko made Mukuro obey like her servant in order to overthrow Hope's Peak and cause the tragedy. Mukuro did so without batting an eye and disregarding any second thoughts she might have had, all while facing Junko's abuse.

During her time attending Hope's Peak, Mukuro met Makoto Naegi. Unlike most of her classmates, Makoto was friendly to her and showed her compassion. This confused her as we already established that Mukuro wasn't used to affection. Because of this and her tendency to latch onto anyone who shows her even an ounce of care, she began to develop feelings for Makoto (that even Junko acknowledged).

"In the past two years, Ikusaba had gained an interest in the world beyond her sister. And in that world, Makoto Naegi--the first person who smiled at her and bridged the gap between her and the world--had become like a sapling of sincerity taking root in her heart." -Danganronpa IF confirming Mukuro's feelings for Makoto

"Upupupu… I wonder what kind of fun you were having in the infirmary? Did you take care of your rival in love, or did you wish them a happy marriage? Either way, don't you think our nice guy Naegi standing side-by-side with Kirigiri makes for a wonderful picture? If this were a thriller, they'd be the last surviving couple!" "Upupupupu… Or how about just killing all of the others? If everyone but you and Naegi die, then the two of you can spend the rest of your student lives together! After all, we can't even hold a trial if there's only two people left. Maybe it'll be best if you just hole up here, safe in the building forever!" "And what're you going to do once he goes back to his old self? It's not as if you were dating Naegi, right? You were just watching him from afar all this time! Now this is a shock. You can shoot right through people's heads and hearts without even blinking, but you can't even steal away some skinny little boy's heart! You want me to tell you who Naegi had a crush on before his memories were erased? Upupupupu…" -Junko teasing Mukuro about her feelings as she aids Makoto in Danganronpa IF

Once the tragedy occured, Mukuro was locked inside of Hope's Peak with Junko and the rest of their classmates and she helped orchestrate the killing game. She disguised herself as Junko, under the impression that Junko would fake her death and they could spend the rest of the game together.

This is when the seeds of doubt began to sprout inside of Mukuro. I wouldn't say that she necessarily began to go against her sister, but she definitely was starting to get a little more hesitant.

"It was only recently that she began to question her mindset. Hearing about this plan from Junko and watching the world burn at the hands of people in Monobear masks did nothing to sway her, but when she heard that Junko was intending to plunge Naegi and the others into a game of murder, something within her began to move. The seed of doubt soon took root, sprouting into a thorny vine that twisted around her feet. And the moment she met her friends for the first time under the identity of Junko Enoshima and realized their memories were truly gone, the vines quickly tightened around her ankles." -Danganronpa IF describing Mukuro's feelings when the killing game began

To Makoto and the player who are under the impression that this is Junko, they assume that she's referring to not wanting to be a model anymore. But given her backstory of never being able to live a normal life and always having to fend for herself or follow the orders of others, we can infer what she actually means. She expresses disappointment in the fact that she never really had a chance to do what she wanted.

This all culminates in the moment where Junko was supposed to fake the death of Mukuro, but that isn't what happened. Instead, Junko killed Mukuro and betrayed her. To say that Junko felt no remorse from this action would be a lie, however. Junko only did this because she knew it would hurt both of them.

...but what if that wasn't what happened? What if Mukuro wasn't killed? What would happen then? That brings us to:

Danganronpa IF

Danganronpa IF answers the hypothetical question of what if Mukuro survived Junko's attack. Of course this means it isn't canon, but due to Kodaka being involved with its creation and its existence as an event that hypothetically could have happened, it is canon compliant. This means that while the events didn't happen in canon, they could have and things like characterization are all accurate. Think of it like an extended free time event. While the events themselves aren't canon, the things they say and imply are. I'll also be referencing Danganronpa IF a lot because since it's told from Mukuro's perspective, it gives a lot of insight on her thought process.

After regaining his memories, Makoto recognizes and rescues Mukuro seconds before her would-be death and he gets impaled by one of the spears. Mukuro rushes to save him, abandoning her disguise and goal.

During this time, Mukuro does a lot of thinking. Why did Junko try to kill her? For all the time they've been working together, Mukuro always assumed that her job was to prop Junko up and help her achieve despair.

It turns out that Junko didn't want Mukuro to obey Junko's every order, Junko wanted Mukuro to retaliate. She didn't want Mukuro to submit to her, but instead to fight back.

With this Mukuro changes her mind, choosing to fight Junko instead of assisting her. Not because she's on the side of hope, she never cared about hope or despair, but because she only wants what's best for the only person in her life who cared for her.

"'That's why… I'll take responsibility. I'll make you happy, Junko . I'll make youdespair. I'll save Naegi-kun… I'll make sure none of our friends die. I'll get them all out of here. And I'll kill every last one of the ones on the outside. You planned this for years and killed so many people to make this work… so I'll destroy every last trace of it.' She was not driven by resentment at the sister who abandoned her. Ikusaba would do all this for her sister's sake." -Mukuro changing her approach to making Junko happy in Danganronpa IF

Who is Mukuro Ikusaba?

Now this is the part where I finally exit the synopsis phase and finally get into the character analysis, explaining why Mukuro acts the way she does in all entries.

Now, I want to begin with a common critique of Mukuro's character, specifically one that's attributed to Danganronpa 3. The one that says that Mukuro's behavior is not only out of character, but also claims that she has romantic feelings for her sister.

First point out of the way, Mukuro's blushy and flustered attitude is nothing new when it comes to her character. It's been an aspect of her since the very beginning of her characterization.

"'I don’t know if… she attracts despair, or despair attracts her, but… she’s lived her whole life with despair by her side. She lived while immersed in despair. That’s why she began looking for despair in others; she began to enjoy pushing people into despair. But you know… that’s normal. It’s no different than someone cursed by misfortune falling into hatred for those who are better off than them. But what’s special about her was that… she learned to enjoy inflicting despair upon herself. That’s how the link to despair began: as she chased down despair, she pushed it onto others along the way. Doing so caused her to crave falling into despair even more… and because of that chain to despair, the Ultimate Despair was born.' While she spoke, it was like she fell into a fever; the expressions on her face slowly turned into ecstasy. It was so completely absurd that it would have been difficult for anybody to think of it as anything but a joke, but I could tell that this was real. It might have been the hazy memories of Junko Enoshima inside me that led to that conclusion. 'You don’t get it right? That’s fair, I don’t think anybody could… But you know, only I can understand it…' Consumed by ecstasy, even Ikusaba’s breathing had begun to turn ragged." -Mukuro describing Junko in Danganronpa Zero

The second (and more important) point to address is the one that Mukuro holds some kind of romantic feelings for her sister. Now, in all honestly, I can't hold this against anyone for thinking this even if I think it's a wild misinterpretation of her behavior. Danganronpa has a track record of using incest for comedic effect (to always poor results). However, Mukuro's relationship with Junko is not used to comedic effect and it's portrayed in a negative light. Not only that, we know that Mukuro does not enjoy behaving that way.

"'She hoped that, perhaps her sister on the screen would say something like 'Not! You seriously thought I'd say something that sappy? Jeez, you're annoying! Can't you just disappear forever or something?'. She hoped that Junko might criticizeher and call her useless. Ikusaba was no masochist, but she would have preferred to hear scornful laughter and be shot at rather than continue to endure this pain." -Danganronpa IF explaining Mukuro's "masochism"

Mukuro doesn't behave the way she does because she has feelings for Junko, she does so because she believes that's how Junko wants her to behave. Danganronpa Zero and IF makes it clear that Mukuro was wrong about how Junko wanted her to behave.

“'You don’t get it right? That’s fair, I don’t think anybody could… But you know, only I can understand it…' Consumed by ecstasy, even Ikusaba’s breathing had begun to turn ragged. 'Only I’m able to understand her… That’s why she needs me. She still hasn’t realized it, but… maybe she’s only pretending not to. Ufu… It’s because she’s so shy. Ufufufu…'” -Mukuro explaining that Junko needs her in Danganronpa Zero

"Ikusaba knew that not even she herself was her own ally. After all, despite the fact that Junko had betrayed her and very nearly killed her, Ikusaba still believed that she was the only one who could understand her little sister. And that was why she felt that she had to protect her. That's right… you were just being you, Junko. You just wanted despair, right? It's because you love me. You wanted to kill me and fall into despair. That must have been it" -Mukuro in denial in Danganronpa IF

"Ikusaba believed that she alone could understand the despair known as Junko Enoshima. It was a ludicrous notion. The moment Junko said, 'I love you', Ikusaba realized--to her agony--that she never truly understood her sister. Only now had she come to realize Junko's feelings." -Mukuro realizing that she didn't understand Junko in Danganronpa IF

Because of Mukuro's incorrect interpretation of understanding Junko, Mukuro believes that Junko expects her to respond to her abuse with acceptance and masochism. Even if she was uncomfortable to, as long as it made Junko happy, that's what mattered. Of course, we learn that Junko wanted Mukuro to respond her abuse with retaliation, and as soon as Mukuro realizes that her behavior immediately shifts. Mukuro holds a great deal of admiration for Junko, so much so that she only wants to do what would please Junko the most.

She does not have romantic feelings for her sister and to say so misses the point entirely. She isn't behaving that way because she's a masochist, she behaves that way because she believes it's how she's expected to, even if she's visibly uncomfortable. Once she learns this isn't what's expected, she immediately changes course.

Danganronpa 3 also has official relationship charts that depict the relationship between characters. In this chart, crushes or explicitly shown romantic feelings are labeled with a heart (as seen with Kazuichi's attraction to Sonia or Toko's attraction to Byakuya). Mukuro's relationship does NOT feature this heart. You would think that if Mukuro's very obvious admiration towards Junko was romantic it would have a heart, but it doesn't because it isn't. If what I said before didn't convince you, I think this itself is proof enough.

Mukuro's admiration doesn't extend to just Junko though. Due to her unfortunate upbringing, Mukuro has a tendency to get attached to anyone who shows her the affection she's desperate for. So much so that her behavior changes completely around the people she cares about.

"The mass of monochrome spun round and round, making it look as though they were projecting a hypnotic image from three directions, but Ikusaba remained expressionless. In fact, the bizarre sight unfolding before her compelled the Super High School Level Soldier to regain her focus. She was an entirely different person from the girl who had panicked at Naegi's injury in the gymnasium." -Mukuro while fighting in Danganronpa IF, behaving completely differently from when she panicked over Makoto's injury

"Not only that, if anyone who knew her as the Super High School Level Soldier and mercenary were to see her now, the difference in her attitude might even make her look like another person altogether. And Monobear continued to drive the girl into a corner." -Mukuro panicking over Makoto's injury in Danganronpa IF

"The mask of ice she wore around others was entirely unlike the face she showed her sister, making it almost seem as though she had multiple personalities." -Danganronpa IF explaining that Mukuro's behavior around Junko is different from her typical icey expression

This is why around most people, Mukuro has a pretty blank expression. However when she's around Makoto or Junko, the two people who she cares about, she displays a much more soft and emotional side.

That being said, an often overlooked aspect of Mukuro is that she actually has a slight ego and is proud of her skill. This is especially obvious in her fight with Peko in Danganronpa 3. Of course, if I spent years in the military without getting a single scratch, I'd probably have an ego too.

Mukuro is also capable of turning off her feelings and going into a "killing machine mode" whenever the situation demands it, mostly when she's carrying out some mission. It's not because she doesn't feel bad for what she's doing or isn't having any second thoughts, it's that she pushes any doubts to the side to focus on getting the job done.

"In battlefields, where she made her home, her main mission was to kill and survive. And in that setting Ikusaba was invincible. She could put her own emotions on a leash in order to become a killing machine." -Danganronpa IF explaining how Mukuro is capable of ignoring her own feelings

"With a single whisper that was drowned out by the sound of gunfire, Ikusaba went completely silent. Thanks to her status as a member of Super High School Level Despair, her heart was filling with joy. And as if to offset the sudden surge of emotions, the sparkle in her eyes disappeared." -Mukuro turning her emotions off while fighting in Danganronpa IF

So Basically...

Due to her upbringing Mukuro is someone who gets attached to people easily, particularly those who give her attention. Junko took advantage of this to make Mukuro essentially act as her servant. Believing that Junko expected her to return the abuse she faced with enjoyment, she forced herself to do just that. Even if it made her uncomfortable, making her sister happy at her own expense is better than being alone. She's capable of turning off and ignoring her emotions to following orders when necessary and is generally a proud and skilled soldier, though she has a softer side that she only shows to people who she cares for.

That is who Mukuro Ikusaba is.

Conclusion

There's a lot of reasons I really like Mukuro. I think she's silly and cute and I like her singing voice. But I also think her characterization is really good in all of her appearances. I think a lot of the critiques made towards her (especially towards her appearance in Danganronpa 3) are misguided or just a result of her being misunderstood.

She's not a plot device or a character exclusively there to act as an extension of Junko. She's filled to the brim with character depth and interesting writing and has plenty of characterization on her own. I'll admit that her presence in Danganronpa: Trigger Happy Havoc is a bit limited, however she doesn't just become an important character in four other entries without getting some kind of development.

Many think her characterization is inconsistent or different across entries, but I honestly think it couldn't be any MORE consistent. The only times where I'd say she acts out of character is in the comic anthologies, but those are non-canon media that's kinda known for flanderizing characters for the sake of comedy.

Basically, I like Mukuro. I hope I managed to change some minds or shed a new light on her to anyone who didn't before. And if you already liked her, I hope maybe I could make you appreciate her a bit more or just help you explain her in some way.

anyways follow me on twitter cough cough

Also special thanks to Twitter user @LKSixtyfour for their tweets about Mukuro's characterization, many helped me organize my thoughts to form the thread that you just read.

Edit: didn't make any changes to the post, just fixed some typos

[bhaalstemple]

i finished the game and veilguard was a disappointment lol

spoilers below

the way they butchered solas' character by just making him be led by the memory of mythal; no self-righteousness, savior complex, it was all done bc he wanted to honor mythal

why are the venatori worshipping elgar'nan and not a single elf. ????

how they made mythal far more important than lavellan to solas to the point for a moment i thought she was solas' ex (thank god it was clarified at the end she was only "solas' oldest friend")

the companions are so... lifeless. cheers to bellara for being the only one that feels like an actual human being and not an agglomeration of bad executed tropes (even if at the beginning she was)

the way mythal didn't end up being a villain, when she actively abused and groomed solas (and also morrigan btw) and it made all the sense in the world because she yearned for a reckoning and bring her revenge, a thing she has yearned for and been planning for a millennia because her anger is that strong... but no she just gave it up

the way morrigan's themes of parental abuse (breaking the cycle of abuse) go to shit after she embraced mythal's memories like.... as someone who has also an abusive mother that i broke contact with this made me want to fucking scream lol

morrigan's character also doesn't sound like her AT ALL, why is this woman smiling and being cocky, she's a scholar, a professional, a woman who carries knowledge that burdens her and trauma at the hands of a mother who should've cared for her. and how protective she was a kieran shows how private she is. what the hell. she would not be THAT friendly with strangers lol

and mythal being the only one who truly could change solas' mind at the end (just thinking abt it makes me want to punch a hole in the wall) + the anticlimactic departure of lavellan to the fade with solas is so fucking bad; because of the message it gives (this world is not worth-living for + a woman should spend the rest of her life and sacrificing herself for a man who put another random woman before her) and its joyless execution

if you get any other ending, the inquisitor doesn't even appear. lmfao. bye.

and lets not talk about the post-ending credits scene bc thats actually the thing that i hated the most. it makes all the themes and writing of bioware completely meaningless lol

the funny thing is that i have known for years where would bioware go with dragon age's story and 95% of my theories were correct, but me, someone who is not a writer, would've made a far more compelling story respecting dragon age's themes and nuance. i even predicted that mythal abused and groomed solas, but they executed it so badly that i can't believe these people get paid to write stories lmfao

i literally feel so betrayed, so hollow, so sad, i don't know what to do. i literally just uninstalled veilguard after finishing it. i spent 10 years imagining how the story would go, but id never imagine it would be THIS BAD.

the books, the content, so well-crafted, and so well-executed, just to make a stupid game that breaks all of its themes and leaves them meaningless. what the hell was happening in bioware when all the side-content has so much complexity and nuance (mostly tevinter nights), what happened lmao

[idakyrie]

(This is part of an AU and a LOT OF TEXT asdfg) WHAT IF.... That weird deformed shape of Fake Peppino (AKA Bruno) is actually that way because of a brain problem (known as TBI)? That would explain that peculiar way of behaving (Silly? Goofy? Childish? Doesn't think straight? Doesn't know what he's doing? Almost 0 common sense, that almost permanent expression on his face, that strange way of moving... He is doing his best to stay on his feet and not melt completely (even if it shows a bit), he can barely speak coherently, among many things (WE MUST PROTECT HIM).

I'd like to think that the brain is the only organ he has, because the rest is just... Mmh, slime? amalgam? xD, it could be a HUMAN brain that Pizzahead (his creator) got (I like to think he is actually someone insane in a bad way and too different when it comes to his lab, just pretending to smile, hints of psychopath), that brain belonged to another chef, here I clarify about getting 2 adns: Peppino and Bruno (this last I mean the one from the abandoned pizzeria and yes, he is dead, where the hell Pizzahead was going to get that brain from? Actually dead for trusting a humanoid pizza)

So Fake Peppino has 2 adns? Yeah, that makes sense... Although Peppino and him don't look quite the same (Although Pizzahead's goal was that, to be the perfect impersonator), except for the clothes BUT here comes my favorite part, his stable form. 

Actually, his brain problem can be treated, he would still have 2 forms: stable and unstable, this unstable form is the one we all know, it would be present whenever he feels threatened, in danger or any other negative emotion (although he can take any form whenever he wants and be a mix of both forms).

Some history: Bruno is the first "clone" to be created, it went well, everything was perfect and one more minion... UNTIL... Pizzahead has a complicated, abusive, stupid, manipulative and ignorant attitude, basically he never treated him well, it started with scolding and even abuse (And yup! it was Pizzahead himself who caused him great injury) Why? He is a demanding and perfectionist guy, the clone had to come out EQUAL to Peppino (the irony is that he hates him and only does it to fuck up his life, to be able to replace him with some of the SO MANY clones out there) at the time he thought it was a GOOD IDEA to mix both adns and come out the same as the original, I repeat that this guy is an idiot?

Something funny is that after that he made other prototypes of clones (Classified as second generation idk) but these... None came out well, they are aberrations and can be found in a frozen chamber, he doesn't want to relive that moment and kept trying until he finally succeeded, the famous Peppino clones that can be found everywhere in the lab, inferior versions, weaker and more animal behavior than the first "clone".

Here comes another problem, Pizzahead paid more attention and was nicer to those clones, making Bruno jealous and annoyed, he never received a good treatment from him (Still he was loyal) and he had to fix and clean up all the atrocities the clones did, that means ALL the time, he could not defend himself and lived in silence, developing a great hatred towards them, precisely his behavior changes drastically to the most aggressive, just hearing a "croak" makes him angry (MODO BERSEK GOES BRR)

Many years enduring physical and emotional pain until he ends up in what? In an abandoned pizza restaurant? Just him being abandoned being very bad in all aspects? Completely alone for years, the only contact he had with others were those clones that invaded his "new home" (explaining why there are so many peppino corpses in that pizzeria).

(that girl in the image is an oc of mine hshs)

Bruno still has that silly and innocent personality, sensitive but at the same time disturbing if something bothers him. Paternal sense, playful and a big fan of Peppino, sometimes he annoys him by imitating him HAHA. Does he keep that frog behavior? YES! It's not as obvious as the clones because he knows how to control it. 

At the beginning he doesn't like to be touched, after all the problems he went through he doesn't even know if there are good people in this world, so gaining Bruno's trust is a bit complicated but if you talk nice to him (as you would do with your pet XD) the interaction will be effective. 

Does he have traumas? Besides he doesn't want to see Pizzahead and the clones again, or there will be a massacre, it's the first time someone is nice to him, he's afraid of abandonment and losing the little progress he has made... AND NEVER EVER SEE OR HEAR ANYTHING RELATED TO ANY LABORATORY AGAIN, his life was hell there, anything related either scares or angers him.

If you have any questions, you can ask and also, sorry if there are errors in my English, it is not my native language, I hope you can understand ;w;

[emmitaaa4]

Azriel, you beautiful, complex man.

Anyone else ever lay awake at night thinking that it’s not that Azriel wants a mate, any mate: it’s that he believes only a mate—only someone who was meant to love him—could love him ?

Do you ever think about the fact that Azriel’s visceral response to Elain looking up at him with trust & hope, was to believe that there was no possible way she could ever look at him that way if she knew the things he’d done and been forced to do? If she knew that his scarred hands mirrored his marred soul? Yet we know Elain has never balked from him and has only ever seen beauty in his scars; in who he is.

Do you ever think about the way Azriel feels this need to prove himself useful—which is why he so clings to his titles and his job—for if he is needed, he cannot be abandoned?

Do you ever want to shout from the rooftops that Azriel is so much more than this « darkness » he cloaks himself in, and that he doesnt need someone to heal him & « handle his darkness ». Healing, for Az, does not mean fighting & ‘killing’ his demons, it means being at peace with himself & learning to live with them without needing to mask who he is. He needs to begin to believe that there is darkness and light in him to love.

Does your heart ever squeeze when you understand that allowing yourself to be loved, first means bearing yourself to another & willingly risking being hurt ? It requires an unparalleled level of emotional vulnerability from him. You ever realize that Az uses his shadows as an emotional crutch, that he so carefully masks his expressions, yet it takes but a look for Elain to read him? He, who finds his strength & perseverance in hope, found his match in her gentle, hopeful heart—and he physically has to keep himself apart from her, only allowing himself to act upon his feelings when she made the first move. Entitlement where?

Truly, how has the fandom decided that Azriel, who follows the sound of Elain’s laugh, who listened to her when no one else would & didnt let her be misunderstood, who trusted her with TT so she could protect herself & those she loves, who stayed up past 3am as she spoke of her passions, who made everyone wait for her to eat, who chooses to sun his wings next to her in peaceful, quiet company… is an entitled, flaky male that sees her as nothing but a sexual distraction?

Do people really not realize what it means for him to question the Cauldron, question the very core of his beliefs?

1) It is not his feelings he questions:

His mind is tortured by thoughts of Elain, so much so he can’t sleep;

They do not need words to communicate, indicating familiarity & understanding;

He IS showing more than “just lust”, it’s clear from their interactions since the first trilogy. There was something there before Nessian happened.

2) Not only does he believe himself unworthy of her, but that sentiment is reinforced by the fact that the Cauldron “broke the pattern”. I do not see the entitled man the fandom speaks of. What he is is a deeply traumatized man, who was abused as a boy by the people who were meant to love him & protect him.

The popular thought that Az would fold for a mate, regardless of who she (or he) is, is truthfully not attractive, not to mention that it implies he’d only risk love for a “guaranteed” happy ending.

=> “Az wants a mate therefore give him a mate” is counterproductive to his growth (tho to clarify, i am not saying he should not have a mate, just that there is a way the story should be told.)

We have seen him plan for snowball fights & tactical missions, yet never for his future: not with Elain—again, he never even actually allowed himself to consider pursuing her—but not in any other sense either:

Children? he tells Cass he doesnt know if he wants any—has he ever let himself imagine having a child? A house ? he has no place to himself. Remember that even after 500 years of existence, Az says he still does not know where he belongs?

Could you not imagine two people who make themselves what others need them to be, being brave enough to bare those hidden, repressed parts of themselves to the other. Can you not see the growth it would require from both of them should they give themselves a chance? To, on one hand, choose the other despite what is expected & the problems it would cause, and on the other, be vulnerable enough to receive that love & believe yourself worthy of it.

Love doesnt care for convenience. It could all go to hell but at least they’d know they had tried, and i do not see how that could ever make for a boring, 2 dimensional story.

[qiqi-media]

The Villain was Mal: The century long Did I mention debate.

To this day Audrey and Ben are being pitted against each other in the Did I mention scene when neither of them were at fault.

Ben was the direct victim, he was unable to control his actions and did something he wouldn't even had done had he not been drugged and NOBODY out of all the people who knew him for years found this out of character or stood up for him. They didn't pull him aside afterwards to ask what the hell he was doing or if he was okay, knowing he was pretty much completely unprotected from magic and the VK girly is walking around with a spell book.

Audrey was the indirect victim, she was publicly humiliated by her boyfriend and watched people she was friends with cheer him on and the girl he's doing this with is the daughter of your family's enemy. You were visibly destressed and the same thing with Ben, nobody cares, nobody asks. So you do the only thing you can do to try and save face and find another date. She's got her heartbroken, she'd probably feel more humiliated even trying to ask Ben about it and it doesn't help all of her friends are cheering them on. She at this point doesn't even know what was really going on.

Ben ends up in this borderline abusive relationship where he's afraid to say no to his girlfriend/fiance and everyone including his parents holds her opinion of more value than his as king. Whenever he's being abused by magic, which happens in all three movies nobody (D1-D2) Sticks up for him they either don't care or blame him for actions he had no control over.

Audrey is shunned from Auardon and is blamed by her family for failing to secure the king as if they didn't have a genuine relationship and she doesn't have feelings. She falls into a depression and has fallen behind in school and questions her self worth because all of the people who were her friends or looked at her in awe were now asking "What is she doing here?" for showing up to a birthday party that in any other circumstances she would've been invited. How was she not supposed to tie her self worth in dating Ben when people started treating her like a waste of space when she wasn't with him?

In conclusion, after years we need to realize that this situation was neither of their faults, they had been used and manipulated in a plan that was barely undone because nothing was every clarified between the two. The ending of their relationship was forced onto them and consequently the destruction of any friendship they could've had. I don't want to be like "blame it all on Mal" but if we're going back and forth between blaming Ben and Audrey, then yes we need to blame Mal. She created the direct situation for it to happen, benefited from it entirely, lied about what actually happened (saying she spelled Ben for love) and she herself never tried to make amends or actually explain the situation. Mal spelled him taking away his right of action and she clearly wasn't sorry about what happened to Audrey because she insults her right after the did I mention scene when at this point she doesn't know anything about her. She further in my opinions shows a lack of actual remorse when she continues to try and spell Ben later on and when she gives up on magic gaslights him into doing what she wants (she doesn't take no for an answer.) (That's a whole different conversation but okay Mal, Audrey is the shallow one and Evie is better even though everybody knew Evie was only interested in Chad because he was a prince.)

[am-i-the-asshole-official]

Was I the asshole for kicking my then-partner?

This happened when we were both 21 and both identifying as non-binary.

I and my then-partner "Cody" had recently discussed sexual boundaries as we planned to explore some shared kinks. Both of us had some "hard no" actions that were clearly stated. Some of my "hard no" preferences were due to trauma, and I didn't clarify that because it shouldn't have come up because "hard no" means we are not ever going to try it or suggest trying it.

One of my trauma-based hard boundaries is against being tickled. Cody knew I was strongly opposed to being tickled, because it was on my preference list, and we both said we read each other's list. I read his list and I respected it.

He tickled my foot, I kicked his hand. If you have been tickled OR if you have been triggered you understand that physical responses are not fully voluntary in either of those situations. Cody started whining that I'd "really hurt" him and I had to drive him to the hospital (he can't drive). I yelled at him to get out and refused to take him anywhere (he had other friends with cars, and I too panicked to drive safely even if I had wanted to spend another minute in his presence).

He waited an entire day to get his hand looked at, and when he walked the five minutes to the nearby clinic, they said that there was no indication of break or fracture and that he was barely even bruised. There was no lasting damage to his hand and he definitely did not need to go to the hospital.

He said that he was willing to forgive me for hurting him and that we could keep dating, if I apologized for my "cruel" reaction. I told him I could not trust someone who violated a hard boundary, that there is no way our relationship could continue, and that I am the one who deserved an apology. He told our mutual friends that I injured him, and I got blocked by four people, one of whom sent me a very nasty message calling me abusive before blocking me. Cody never blocked me, and we tried to be friends for a few months, but we also never apologized to each other and eventually stopped talking.

I don't think I am abusive or the asshole for kicking Cody - I think he made a bad and risky choice by tickling the feet of someone who gave a "hard no" to tickling whatsoever. Neither of us ever apologized, so we must both think our behavior was justified somehow. Was I actually the asshole?

What are these acronyms?

[wen-kexing-apologist]

I am being so so sincere when I say that Episode 10 of The Miracle of Teddy Bear has just secured a spot as one of my favorite BL episodes of all time.

What a fucking compelling, complex, brilliant, and contained piece of work. I am really really loving the dimensionality they bring to Nut and the way that he engages in his relationship with Tofu and his mother in this show as a whole and in this episode especially. Seeing Mathana so calmly, sweetly, and sincerely inquiring about Tofu and Nut’s feeling towards one another, in a way that felt completely absent of judgment only to immediately be met by Nut’s anger was fucking phenominal! The Miracle of Teddy Bear has been handling trauma, and trauma response so brilliantly across the entire show, but Episode 10 was a stand out example of how the writing for this show and Job’s performance as Nut really add so much nuance and flavor to this story and this character. 

I feel like so many BLs are hesitant to let their romantic leads harbor a lot of anger, but not The Miracle of Teddy Bear, Nut’s anger is explosive and it is fast. Nut can go from zero to one hundred in a blink of an eye, in a step, in a breath and that all stems from Nut’s history as a survivor of abuse. His father was extremely abusive, and incredibly homophobic, and his mother was a victim of that abuse as well and as a result was unable to protect Nut from all the shit his father put him through. And she was raised in a generation that was told there were rules and was never allowed to question them. She learned pink is for girls and blue is for boys and does not have any answer to a question of “but why?” nor does she have the space in the household with Sib to ask that question herself and realize there is no legitimate answer.

I believe that Nut is fundamentally a good person, but I absolutely adored how much of this episode really navigated us through Nut being an absolute piece of shit to his mother, his friends and their family, and his partner as a result of his history as a survivor of abuse while also showing us this timid, terrified, simp of a high school boy having his first romance. Especially because for me it really highlights how much of this anger that Nut has stems directly from whatever events ended his relationship with Tarn. At no point in the flashback to a very short, and incredibly sweet BL within a BL have we seen Nut angry, he is only capable of fear that his family will find out that he is gay. It runs so counter to the hair trigger rage Nut carries with him in adulthood. When I saw the way Nut behaved at Gen’s house, I legitimately had a moment where I was just so incredibly thankful that Gen’s parents are as kind as they are and seem to constantly provide love and support to Nut even when he is being a terrible guest and misbehaving at the table because his anger runs so deep he does not have a handle on it. 

From a writing and messaging perspective (I feel the need to clarify lest you think I support this kind of behavior in real live) I love, love, loved that Nut was using Tofu without Tofu’s permission and in many cases to the detriment of Tofu’s own comfort to the point where Tofu actually breaks in his own dedication to Nut and has to drag him outside to talk to him about generational trauma and the ways in which he is perpetuating cycles of abuse in his own household. Because that is a fundamental message of this show. Mathana and Saen are manipulated out of their relationship by Jan, Mathana feels pressure to get married because of her mother’s perceptions of the role of women in society, and as a result marries Sib who she doesn’t love, which contributes, I think, in part to Sib’s future abuse of his family because he knows his wife is in love with his brother and not him, with a major contributor to the Sib’s violence in the household being the perceptions of masculinity. 

Side note: One of my absolute favorite recurring motifs in this episode was the use of bars to make everyone feel trapped in the flashbacks of abuse.

This episode shows us the ways in which Nut has internalized some of the beliefs of his father, when he tells Tofu essentially that his mother failed to steer him away from being gay, when that is obviously an impossible task, and so expertly lets the anger of this episode be fueled by those beliefs, the resentment and frustration that stems from Nut having to serve some level of caregiver role to his mother because of her mental health, and Nut’s current inability to see the bigger picture and understand that his mother was also a victim of domestic violence in that household who did not have the ability to stand up for herself and her child all at the same time. And it is also so easy to understand why Nut is not able to see his mother as a victim in every absolutely heartbreaking flashback we get to little baby Nut looking up at his mother while he is being abused just absolutely hoping that she will do something more than stand there and watch it happen.

Nut is trying so desperately to get a reaction out of his mother, to prove that this anger that he has, that this pain that he carries from this piece of history we don’t even have the full story for yet is real, is justified, and that change and healing cannot happen. But it can. We haven’t even seen the events that lead to Nut’s break-up with Tarn yet and we’re already getting so much information about it from the way that Nut enters that coming out scene already fighting, already assuming his mother will have a problem, screaming at her and not giving her any opportunity to speak. And then getting mad at her when she doesn’t say anything about him being physically intimate with Tofu in front of her. Which I’ve already said was incredibly well written because Nut is so focused on his own anger it takes time for him to understand what he is doing to Tofu. 

And even when he leaves, when he goes to Gen, when he hears the reason and the sense, and admits to the fact that he was in the wrong, that unjustified justified anger doesn’t go away magically, his behavior isn’t automatically fixed. He knows that he put Tofu in an uncomfortable position, and then continues to do it anyway because there is no one that can drive you to anger faster than a parent. And I for one am so grateful this show is letting Nut leave shrapnel in his wake. 

I am truly so impressed with this episode and with the entire show so far. If you did not jump on the Miracle of Teddy Bear train when @lurkingshan and @twig-tea were watching it a few weeks ago, please take this as a sign you should attempt it. I know it’s long, but GODDAMN IT IS SO FUCKING GOOD.

[theesirenteller]

𝐃𝐞𝐚𝐥𝐞𝐫

ＷＡＲＮＩＮＧ ! ! DO NOT READ WHAT'S STATED BELOW IF YOU"RE TRIGGED ➷ ➷

【 This chapter contains Gun Violence, Abuse both psychological & physical】

Chapter Five; 𝕴𝖓𝖈𝖊𝖓𝖙𝖎𝖛𝖊 | Masterlist

"We have a problem."

"We? No, you have a problem."

"Oh no, we have a problem."

"And how does my cousin banging some stripper affect me?" Nick questioned with a chastising grin. 

Over the last month, Christopher and Epiphany had been more friendly in the public eye. It didn't take a genius to figure out they were seeing one another or at least messing around. Annie had yet to tell Beth about Epiphany's casual bragging about her and Christopher's sex life. Despite Beth being her older sister, Annie didn't want to be seen as a rat or lose someone she had considered a friend. She liked having Epiphany as a friend and didn't want her relationship spilling into her sisterhood. On the flip side, Beth took notice of just about everything Rio did. He wasn't one to be flashy or make a scene. His behavior over the course of the three years she'd known him was either consistent or spontaneous. Nowadays he'd drop by the club more often and never on the days when Epiphany wasn't working. Drop and pick-up days were whenever Epiphany worked. The two would share smiles at one another from across the room. He would stay to watch her perform solos on stage and then they'd share a drink at the bar. Or Beth would see him leave and then Epiphany would leave right after. If not that, it was the shared touches. His hand would pat her back on his way out or if he was close enough, Epiphany would kiss him on the cheek.

And Beth loathed it all.

Keeping your friends close and your enemies closer was something that Nick learned and lived by. After Beth had set him up to be locked up and he'd gotten her back 'where it hurts' things were back to 'normal'. Well, as normal as he and his brother wanted things to be. The blonde councilwoman at her beck and call, open to being bent in whichever direction they could push her in. The brothers were still playing the long game with her. Beth was the perfect spokesperson to appeal to rich, white, privileged investors in across states better than Nick could. And when things go to shit, Beth is set to have a hard time. Both Rio and Nick would be sure of it.

"It affects you because it affects me," she hissed, "I'm not close to him like that and I doubt you two are close after…last year's events." A teasing glint in her eye and a smug smirk laid across her thin lips as she saw Nick's smile slowly diminish. "Anyway," She started off with a higher pitched voice and chirpy tone, "Your cousin, brother, whatever is involved with the Japanese. I don't know what the details are but I want in. "

"You want a percentage of that deal." Nick clarified while he relaxed back in his office seat, "How do you know he's even in business with them?"

"He moved eight SUV trucks filled with Japanese yen through my strip club and my second dealership." She informed before shrugging her shoulders with a subtle hair flip, "We're partners, it's only fair that I'm cut in."

Nick looked at her with amusement in his eyes. He was amused but still impressed with how far she had come. She was more like him than she could ever admit, if not worse, "Right," he replied casually with a slight nod."I can't be involved, that'd be a conflict of interest-" 

He was quickly cut off by Beth, "How? This affects you because then we have nothing to pin on him with the feds!"

"It's personal. I don't know how close they are or how he feels about this chick. So either one of us removing her without motive causes unnecessary heat. You can't just kill her because he'd banging her," Nick replied with a raised voice and sharp tone. He didn't miss the way her eyes widened, or how she gulped and clenched her jaw. Her discomfort was loud without words needing to be said,  "You're gonna have to create a shadow. Set her up in some way, get photos, and then you get rid of her. That'll be your reason and he'll have to understand because it's just business. Take a page out of his book." he advised.

Beth quickly grabbed her designer tote bag and stood up, "Well thank you, councilman, I heard you loud and clear." and with her passive-aggressive statement she spun on her heel and strutted out of his office.

"Happy to help, Councilwoman!"Nick ridiculed behind her with a chuckle just before the door shut.

When she arrived at her home, Beth had done exactly like she was told but not without adding her own details. Beth had a four-bedroom, two-bathroom luxurious home in a more upscale area of the suburbs of Detroit. She lived in luxury now with her new position and she enjoyed the space that was solely hers. Seeing her children every other weekend was good enough for her, nowadays. Her old life felt like another world but she couldn't deny that she didn't miss it. She was powerful now. She was somebody who people either loved or feared. She felt invincible. "Annie, could you come down here for a second?!" 

"What's up?" the short-haired dirty blonde questioned a few minutes later. 

"Hey, do you think you could set up lunch between your little stripper friend and me?" Beth asked, " I'm thinking that Ruby and you need to be there as well."

"Yeah sure, but uh what for?" Annie replied as she raised her bushy eyebrows.

"Just lunch," her voice softened as her eyes lowered to a more 'saddened' look, "I have to talk to her about Rio. He's dangerous and I don't want her ending up like Lucy," she sighed with faux-sorrow.

"Or is it that you're jealous." Annie smirked and wiggled her brows. 

"Oh please, Annie," Beth rolled her eyes, " I am not jealous of some bimbo stripper hooking up with him. Believe me, she's keeping him out of my hair."

"Mhmm, whatever you say," Annie teased with a sing-a-song tone, "But yeah I'll set it up."

And she did just that. Annie had set up a lunch date the following weekend with Epiphany at Tony's diner. Saturday afternoon to be exact. Epiphany had gotten ready at Christopher's apartment. It'd become a routine for the pair to hook up in the middle of the day instead of grabbing lunch. Sometimes, a quick lunch date was after an hour of indulging in each other's bodies. As usual, Christopher had left first then thirty minutes later, Epiphany had left. 

She had gotten into an Uber and two of Christopher's henchmen weren't far behind. They tailed behind unbeknownst to her, all the way to the diner. As soon as she walked in and the suburban mothers spotted her, almost immediately judgment flashed across their eyes. Their eyes ranked her attire thaat consisted of; A short green-camo mini skirt with green sequin scattered across it,  a tight-fitted white cropped camisole that read 'AS IF' in big bold gold letters, a dark green jean bolero jacket, and knee–high heeled boots hugged her thighs.

"Oh hell no…"Ruby scoffed. 

"Geez, you can take the girl outta of the strip-club but can't take the club out of the girl,"Beth added.

"Wow…uh…that's a lot for lunch," Annie cringed and bit at her lip.

Epiphany raised her left eyebrow as she looked at the three women before her eyes narrowed in on Annie, "I thought you said we were having brunch. As just the two of us."She proceeds to take a seat in the booth seat across from the trio. Her arms soon folded under her ample breasts as an expression remained unmoved.

"I know and I'm sorry I didn't clarify there would be more than just the two of us but-" Annie was cut off by Epiphany in the midst of trying to apologize and explain herself.

"But, you wanted to ambush me." Epiphany stated in a matter-of-fact tone, straightening her shoulders back as she sat up straighter,

"We're not here to fire you," Ruby stated.

"No. Not at all!" Annie protested.

"Look, we're just here to talk to you," Beth sighed, "To warn you."

"Oh? About what? Is the club shutting down?" Epiphany questioned them, her eyes moving across the three women back and forth until they settled in on Beth.

"Look Epiphany, I know we haven't exactly seen eye to eye-" Beth attempted to reason but was cut off.

"We haven't?" Epiphany mocked with a higher pitch to her voice and a slight head tilt, "...Why would you think that?"

"Well we haven't had a full conversation over a cup of cof-" Beth giggled before she was cut off once again.

"And who's fault would that be? I've never thought we had beef. In fact," Epiphany licked across her bottom lip as her eyes swept up and down the Detroit council woman's face, "I don't think of you at all."

A look of bewilderment washed over the three women's faces. The nostrils of Beth's nose flared and her peach lipstick-covered lips curled. Before anyone could utter a word, the waitress came trotting over, "What will y'all be having?" she asked with an impatient tone.

"Well, all have Cobb salads." Beth ordered for everyone but Epiphany quickly jumped in after to switch her order, "I'll just take a black coffee."

"Look here, we're trying to warn you that you're getting involved with a very dangerous man." Beth hissed before rambling on, "You don't know the vile, horrible things he's done to people. Like our friend Lucy, he seduced her with his kindness only to kill her when she was no longer of use to him. And me, he's used sex and exploration to control my every move. It took me outsmarting him many times to get out of being murdered by him."

"And he kidnapped me!" Annie was quick to mention.

Epiphany's lips stretched at the sides into a tight smile before she started to laugh. her laugh came off as a subtle and serene giggle, "Who are you even talking about? Who is he?"

"Oh for the love god, the gang leader that's going to pound town on you!!" Ruby sighed in annoyance.

"Rio."

"Gangfriend!"

Annie and Beth both said different names at once. That was when Epiphany knew it was time to go. She had heard enough. "Sounds like you ladies have got whoever's fucking me mixed up with whatever you've got going on." She said as she stood up from her seat, "If the person you know is so horrible, why not get restraining orders? and dip out? Or I don't know…get rid of the person?" Epiphany suggested as she got out of the booth. She then proceeded to turn around and start heading out of the diner.

"Girls a lost cause." Ruby sighed.

" Good riddance." Beth scoffed.

"What do you think we should do now?' Annie asked as they watched Epiphany walk down the street from the window. 

"Plan B," Beth smirked before pulling out her phone.

Their words didn't fall on deaf ears. Epiphany thought of what they had said throughout her day on campus. She sat through her lecture in airplane mode. Denting her pen with bite marks she stared aimlessly out the fourth-floor window. These claims…these accusations…they sounded familiar. Eerily familiar. 

'Watch yourself'

'Cassius did a number on his last girl, Está locõ. Un Díablo.' 

'Do you even know what his family does to people? You don't wanna marry into that.'

The images of Cassius's brown skin covered in black and blue reddened flesh from fingernails that broke his skin. The screams and cries of men being burned alive, of it replayed in her mind. Or how the boys who spared her glance and shot her a smile at The Kitty Box ended up disappearing left & right.  'Was Chris similar? Or was he worse?' Epiphany wondered to herself throughout the day.  Why was it that she attracted dangerous men? And why did she find such jovial comfort in that? A sense of security and importance. After all, it's what she always dreamed of. She dreamed of having the life of women like Elvira Hancock, Carmela Soprano, and of course, Ginger McKenna. 

The remainder of her time in lectures blew by in the blink of an eye. Since she couldn't be bothered to pay attention in class, Epiphany decided to settle herself in a cafe on campus with a series of notes that she brought from one of her classmates.

"Hmph…I always thought you only looked best on your back but this is a slightly nicer view."

Cassius. Surely, Epiphany must've been hearing things. She didn't dare peel her eyes away from the notes that laid against the table. Her mouth grew dry. Then her palms grew sweaty. The underneath of her breasts began to moisten. Only hot air escaped her lips as she breathed outwards. He wasn't here. He couldn't be here. But he was here. In Detroit. In a cafe on the campus where she attended. And he sat right across from her. His sandy-brown-tanned hand reached over and laid upon hers. Epiphany let out a choked moan of pain, of agony. It felt as though he had burned her with a hot iron. His skin was always hot. Very hot as if he had a furnace built within his body. As she snatched her hand away, Epiphany's eyes finally settled on him. He looked exactly the same as the day she left him. Shiny bald head, Smooth, poreless brown skin, and a full, thick goatee that nearly covered his lips. He was dressed like a reaper, in all black from his leather parka-jacket to his Timberland boots.

"What the fuck are you doing here." Epiphany had finally gotten the courage to say, with her shoulders back and a sharpness to her tone, "Better yet, who told you I was here? My mother?" 

To this, Cassius scoffed, "A whore like that doesn't care for her child overnight, don't flatter yourself." He then folded his large hands together on the table. The diamonds within his chunky rings reflected off of the silverware on the table, "You called me."

"And why would I do that?" She questioned with a tilt of her head slightly to the side, her eyes nor her face gave away that she was shocked. Epiphany sat there with a stoic expression. Never would she have called him. She left Las Vegas behind and everyone in it for a reason. To be normal. As normal as a girl with a not-so-stellar past could be. But, she was only twenty-three and tried to remind herself that life was only just starting. Her childhood felt like adulthood but this era of her was her freedom. 

"Because you need me. You said it over the phone. You said what I already know. You can't live without me, you and I both know you can not function in a civilized world without being taken care of. Look at your job now, A whore on a pole." He tsked and shook his head. Cassius as always thought so low of women. Especially those who worked in the sex work or entertainment industry. Yet he and his family endorsed it all. They funded all if not the majority of the clubs in Dubai and Los Vegas. Or at least that's what he and her mother told her. 

And his words angered her. It made her blood boil and her skin crawl. Her teeth dug into the meaty flesh of her bottom lip as she stared across the table at him. Her mouth was no longer dry as she collected spit from the sides of her mouth before she hawked spit in his eye, "Hijo de puta! Even with all the money in the world, you're still a useless trick with nothing to offer but your money. You're lower than a whore."

Cassius's ears grew reddened as the corners of his jaw tightened in. His bushy brows started to narrow in as he got up at the same time she had. Only, he flipped over the cafe table causing a squad of campus security to bum rush into the spot. The man began cursing in Arabic as he lunged for her but Epiphany was quicker than him. She ran behind security and they tackled him to the floor. Her day had gone from annoying to bad. How did he find her? He said he had spoken to her and that she discussed needing him. These were the questions that plagued her mind as she was placed in the counselor's office alongside the police. She filled out various forms before the restraining order was put in. 

None of the day's events made sense. Beth, Annie, and their friend had no business 'warning' her about Christopher or as they called him, Rio. Rio had no knowledge of her and Epiphany wasn't important enough for his enemies to track down her ex to 'take her back'; Somehow, she felt like Beth was involved. Why, other than petty jealousy? Epiphany had no clue. It all overwhelmed her. The web of backstabbing, sex, personal gain, and who knew what else. Everything that transpired within the last three hours had caused Epiphany to form a severe headache along with body pain. Stress started to take a toll on her body. And after questioning and fillings were done, she was driven to her apartment and taken upstairs by police.

The moment that she got inside, she flopped herself across the couch; and let her mind go numb.

The scent of sewer water, shit, along with the feeling of a warm hand against her cheek had awoken Epiphany from her deep slumber. Her groggy eyes slowly opened and as her vision became clear, Christopher stood in front of her. She was seated on a wonky metal chair in an underground area that looked like a sewer storage locker. Epiphany, winced at the sight of her new setting and instantly latched her hands onto his forearms and stood up on her feet, "Chris? Chris what's going on?" she whimpered in fear.

His usually big brown eyes were dark. And the subtle smirk on his lips made her grow weary with fear. This was the first time she felt truly intimidated by him. His stature; The way he towered over her five foot two frame with his six foot one. Tears started to form at the corners of her eyes as her chest began to rise and fall quickly, "P-please..please don't hurt me." she begged. Not him. Anyone but him. He was the only aspect of her life that made her feel alive. His gentleness, The romance he brought to her life in such a short amount of time was overwhelming and she feared that ending more than her own death.

"Shh, relax. I'm not gonna hurt you, baby," his tone was mellow as he raised his left hand and laid it against the sides of her face. Christopher dipped his head down, his narrow nose brushing along her button one. His fingers gently caressed the side of her chubby cheek and side of her jaw, "But you tryna hurt me." his once gentle tone darkened, lowering to a baritone octave that sent chills down her spin. Before Epiphany could protest, she felt the coolness of metal riding up the middle of her breasts. His signature golden Glock kissed her bare skin, firmly pressed to the side of her temple. This caused a sequel to escape her lips and before she could utter any type of rebuttal, he hushed her with his lips placed on hers. The kiss was gentle, sweet, and slow. His right arm wrapped around her waist.

Epiphany didn't know whether to grasp him closer or fight him off. But what she could feel was his heart pounding like a punch against hers.

It all felt so surreal. Like a nightmare and wet dream all at once. Gentleness mixed in with the threat of violence. All she could feel was fear and confusion. Epiphany's body trembled against his. And she knew he felt. He had to have felt her. Her fear, her anxiety, her heart.

"Why do I got the feeling that…you're gonna be the bullet that puts a hole in my head, hm?" he hummed against her mouth with the slickness of a snake. He moved the barrel of the gun from her temple to his when he mentioned 'hole in my head' before laying back to her temple. Her tears sprinkled onto his cheek, "Did you get enough info on me to run it back to those bitches?"

"Wha-? You think I'm Beth's rat?"

Her pushing up into a frowning pout as she looked directly into his eyes. Her eyes of uncertainty changed to a look of disbelief, "Why?"

"I could ask you the same thing. That little lunch date looked real interesting,". Christopher hissed and with each movement his lips made, she could feel the brush against her mouth.

"Oh, Rio it was." she rolled her r's when she seethed his name, "Annie set me up with Beth to warn me about you."

He stood still and the menacing look he once possessed of narrowed eyes, a tightly clenched jaw, and striking eye contact had slowly begun to relax. The crease between his brows slowly smoothed out. His eyes flicked back and forth between looking at her and looking above her head. Christopher was debating. Not only with her but with himself. "And what did she say?" She, Beth. He didn't care for what the other two stiffs spoke about because it usually was a rehearsal of what she said.

"The short version? You're a fucking serial killer who uses sex and manipulation to exploit and get what you want, the long version? a lot of secrets were spilled out in the open." Epiphany replied, she spoke through her nose with a slight whisper to her voice.

An ounce of a smirk peeled on the right corner of his lips as he rolled the gun along the side of her neck. He didn't confirm or deny but he coyly asked, "What you think about that mama?"

"I'm thinking what the fuck does that have to do with me and you and why you have a gun to my head?!" she cried out, anger laced in her outburst. Her hands shook at her sides as she didn't push him away due to the gun. The fear of it going off in her face or throat was far greater than her anger. "I'm not involved!" she protested.

"Oh no, see you've been involved sweetheart." Christopher argued, "It's just a matter of whose side you're on."

Fool him once, shame on them. Fool him twice, shame on him….there wouldn't be a third time. Christopher was no fool and the moment the Boland woman walked into his life was when he realized he'd gotten a big…soft. And Epiphany just seemed eerily close to business for his liking. He needed undying loyalty, control, and if she was truly for him then he needed her in line. Love could come later…after sacrifice.

"Unless…" Christopher began to chuckle but the sound wasn't from happiness, "Unless you don't wanna be involved then you can leave right now." he took a few steps away from her and aimed the gun at the dark, wet hallway to the left.

Epiphany's eyebrows knitted together as she looked up at him in confusion. His play on words and attitude switch was causing gears to twist and bend in her mind. They spent every day together. If not day then night. Leave where?

Blinking rapidly as she stood there. She didn't move. She only stared at him. "What do you mean? " she questioned before licking at her lips, "Wi-...will I see you later?" uncertainty in her voice. And his smile made her stomach twist and turn, "You do mean I don't have to be involved with the club right or with whatever shit you've got going on with those women…right?"

She needed clarification and he gave her none of that. "Nah darlin, I'm afraid this is the end of line for us. You're off the hook." He dismissed her casually. His tone is deep and delicate. It was almost like a goodbye kiss. But he never moved, his eyes still settled in on her like a lion waiting to be challenged. Which let Epiphany know he wasn't done.

"No."

"No?" He challenged with a slight head tilt as his eyes looked her over.

Despie how fearful, how anxious she felt, Epiphany still chose to stand her ground and challenge him, "The moment I turn around you'll put a bullet to my head. Because you don't believe I'm not involved con esa perra concejal" (with that bitch councilwoman)

Sassily, she crossed her arms against her chest and cocked her hip slightly to the side as she stared at him. "Even if you don't kill me-"

"How bout you kill for me?" He proposed.

Epiphany's eyes widened as Christopher stalked towards her. "Come on champ." His hand latched to the back of her neck, forcefully making her walk in front of him down the dark tunnel. She followed him with stumbling feet and squinted her eyes in an attempt to see where they were going.

And then Christopher began to whistle and a light turned on in one of the rooms. Epiphany was led into that room and came face to face with Cassius. He'd been hung upside down with his hands and feet taped up. His left eye was swollen shut, shaded in dark plum purple and blue. His right eye was completely gorged out, by the looks of it…he'd been burned. "Actually, I shouldn't have said to kill for me. It's for you, a gift." he chuckled, "I thought the unmarked SUV was the fed tailing you but turns out it's this sorry looking Hijo de puta."

Epiphany cried as she looked at her ex-lover in horror. Sure, he was fucking vile. And everyone eventually would die. But, she couldn't take a life. "Chris, no. Please no, I can't." She weeped.

Christopher tilted his head back and inhaled deeply before he slowly straightened up and eyed her, "You will." he swiveled the gun around his finger and then offered it towards her. "He's your problem and you gotta get rid of em'. "

"You think he's gonna let you go? A girl like you…" his eyes trailed her body from top to bottom in admiration with a sinister smirk, "Ain't easy to let go."

"Someone will come looking for him!" She protested, "He's well connected in Vegas, his parents own everything."

"He ain't shit but a bootleg con artist. A janky ass car salesman at best." Christopher revealed with a dismissive tone. He then grasped her jaw in his hand with a gentle touch. Once Epiphany looked in his eyes, he leaned his head down and whispered "Do it. You don't gotta worry bout nothing else, I'll handle it. I take care of what's mine." His tone was reassuring.

"And I'm yours?" She sniffled with a flustered, wet face.

"Only if you wanna be." He rasped as he laid the gun firmly in her hand.

Breathing in deeply, She held it with two hands. Christopher switched from being beside her to standing behind her. His hands laid over hers as he steadied her arms up. His feet nudged her legs open and pushed one of her feet forward.

"Come on mamitá, show me how much you want this." She could feel his warm breath in her ear, a gentle caress of his nose nudging at the side of her earlobe. "Make me proud."

Her head hurts so bad, her chest aches as the vile metallic taste jumbles up in the back of her mouth. Christopher, Rio was all that they said he was but worse. But, she wanted him. She wanted him to stay. She wanted him to keep making her feel seen, wanted, cared for, and maybe even loved. Cassius was right. She couldn't function in a world without being taken care of. Not because she lacked the skill set or had any type of disability holding her back. No, it was because she didn't want to. Her hands gripped the base of the gun. Its heavyweight in her small hands felt as though she was holding someone's heart in her hands. And in a way she was. She was holding someone's lifeline.

BANG! BANG! BANG! BANG!