#to assume is to make and ass of u & me

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[utilitycaster]

Ludinus Da'leth, to Fearne and Imogen:

The security footage of the gods he's showing them a couple months later:

[gatheredfates]

On the Topic of Plagiarism:

I decided to make my own post rather that co-oping @thefreelanceangel's because, despite having her full and enthusiastic permission to do so, what I'm talking about is somewhat adjacent to her point and entirely inspired BY the fact she tagged @riftdancing—particularly Blink—and I wanted to demonstrate examples of incidence were coincidence and consent do not immediately equate to plagiarism; it's ultimately about intent, and you do not need to tear yourself up on the inside if you find someone with a similar idea to yours, provided neither of you have gone out of your way to copy each other.

First, please meet the troops:

On the left is Miss Koret Swan. On the right is Miss Blink Vaniro. As I so delicately summed up:

It would be easy to surmise, based on this alone, that one of us copied the other person. However, both of these are old characters, written in a time and space where neither of us knew each other, and the similarities have always been a cause for laughter and playful teasing rather than competition and spite. I made Koret in WoW as a sister to a wolf and lamb concept, and Pepper made Blink as a character to an overarching D&D campaign set in a sci-fi universe.

What I'm trying to say is that, whilst plagiarism is absolutely a bad thing, as someone with anxiety over this sort of thing, you do not need a wholly 100% original idea in order to write and roleplay publicly, and many ideas share overt similarities to others that deviate the moment you peel back the veneer.

Koret and Blink are both 'pirates'. Koret is a privateer (said with all the sarcasm a privateer entails; a pirate with the proper papers) and Blink is a sky pirate. All of Kor's theming is around the ocean, particularly the deep ocean, and Blink's is all about the sky and the freedom it gives. But they both have wolf motifs. Kor has had a sister, Blink has had a brother.

What makes these characters different is the way that we explore them and how these broad ideas become niche based on the concepts we want to expand on as writers. What makes them different is that neither was written despite (or even in spite) of the other, nor did one of us look at the other and go 'oh, i want to do x with y because i think it'll be better'.

There are dozens of femme fatal concepts out there. There are heaps of bad-ass men. If I had a dollar for every knight character that was in xiv alone, I'd still be a rich woman. Hell, I know for a fact that my star-gazing viera is certainly not the first of her kind, nor will she be the last. I can coexist in spaces with people who have these similar concepts because I know there's enough deviation between those characters, as I have spent the time cultivating a niche story for mine where broad concepts are more set-dressing than the actual meat and potatoes of the character.

If you have the ick about someone copying you, especially if you have a negative history with them or the person is being weird, you're probably right on the money. I have had characters of mine blatantly ripped off for the former. But this is more for the reassurance of people who are like 'I don't want a pink-themed miqo'te because I know one already exists' or 'I don't want to play with a spore druid concept because I know one exists' (i'm using my own miqo'te here as an example, LMAO). You can have a primadonna, pink miqo'te who lives in Ishgard and is clawing her way to the tippy top of the high houses and I wouldn't stress because my primadonna, pink miqo'te is currently knee-deep in a bog because she heard she can find peat mummies there. They're not the same. They share similarities, but they're not the same.

Write it because you think it's fun. Not because you've seen x's concept be popular and you want a slice of it. Not because you want a ship similar to y's and you're going to gush about how much you love it and try to mosey in with a knock-off (no, this has never happened to me, what do you mean?). You're not going to have the same amount of fun!! It won't be the same!!

But also, at the same time, don't rob yourself of an opportunity to play with a concept because someone else is already doing it, especially if it's just a trope. People can tell the difference and they will embrace it if you're earnest.

You may even find someone like I found Pepper. We laughed at it. Then we made an AU and shipped them. They're kissing. They are stabbing. They are kissing and stabbing each other.

[skyartworkzzz]

I like to think of the Goat being from an Underfell kind of version of COTL and thats my essay

[trans-leek-cookie]

listen I'm not gonna be a Curly apologist he did Fucked Up as captain but I genuinely recommend ppl watch a playthru that goes thru the game in chronological order. It kinda helps clear up the events and gaps between them, bc even tho u See the times, you still experience it out of order.

The stuff Anya says definitely sets off alarm bells but it doesn't seem like he Fully Understands what she means, and I'm going to be 100% honest I think she was trying to repress it herself. This isn't to say that she is AT ALL "at fault" for what happened after and she should've gotten help even if she wasn't ready to fully discuss the issue but I genuinely think she herself was still coming to terms with things, so she didn't necessarily process the full impact before talking to Curly, and a lot of what happens occurs after they're laid off- like this delves into personal interpretation but I genuinely think Anya only registered Jimmy as a serious danger after his outburst towards Curly. Ofc my interpretation is limited bc of the limited pov in game and not having gone through what she has, but it personally reads more akin to coercion over time than a singular Obviously Violent incident (like. Not to say that Sexual Assault isnt violent in nature, just that coercion often specifically works to obfuscate the fact it is a form of violence.) The layoff is a Massive catalyst for her bc of Jimmy, in that she now has a very clear understanding of his capacity for aggression.

To extrapolate a little from the "Dead Pixel" conversation, she starts by saying she Likes The Screen (even though it's fake). While Curly has his quotes about the pixel "not ruining the illusion" which. Y'know is Symbolic Of His Flaws. She doesn't say the pixel ruins it, just that she can't get it out of her mind.

If we take the pixel to represent her Or jimmy, either way the way she talks about it kind of downplays things, like it's a Minor Thing that's Slightly Upsetting, but she's still okay with the big picture. Idk I could be 100% wrong but that is my take

Besides that, Anya tells curly she's pregnant 2 days before the crash, and it isn't until she outright states it that he starts Putting The Pieces Together. I want to note, he says "I'd do anything" and "this doesn't have to go on our performance evals" 1. Before he knows shes pregnant 2. Under the assumption she might attempt suicide, and I doubt he even thought about her using the gun on anyone else before she brings that up. He says literally before the line where she tells him she's pregnant that "being laid off isnt a reason to hurt [herself]". Like I've seen ppl talk about the performance evaluation thing like it's about her and jimmy, but I think he's referring to (his belief) that she might attempt suicide or similar which might genuinely be a consistent thing he's seen her struggle with, given she's able to go through with it. Also just to note: assuming their society is like ours (hellish) reassuring her he won't blab Abt her mental health is like. Genuine reassurance- lots of mentally ill ppl will Not Open Up bc it could have long term consequences (like. For example. On employment) ANYWAYS I hope it doesn't come off like "Curly never failed Anya" but rather "Curly approached this specific situation without the context of why Anya is panicking and (possibly validly) assuming she's dealing with a very different issue"

Also let me say again the time frame is 2 days. We don't Really see what happens, but we know Anya tells Jimmy without Curly knowing. I genuinely believe he maybe didn't do a Great Job in those two days (the fact he says Anya should've talked to Him before telling Jimmy is uhhh. Mm. 1. Your job to create an environment where she comes to you my man 2. Weird to tell her what she should do with HER OWN PERSONAL INFORMATION) but like.

I get a lot of ppl want immediate consequences but consider that they can't really get rid of Jimmy (co pilot. Which is. Y'know it's Own Problems) but also like. Curly knows Jimmy, and we know that Jimmy tends to lash out. Curly should probably Not Confront Jimmy Unless He Knows Exactly How To Keep Him From Hurting Anya. Like I'm not an expert but this is something genuinely important- when confronting an abuser you NEED to take into account the impact it can have on their victim, and sometimes for the victims safety you need to wait until you have a Solid Plan. It sucks but it's important.

And theres discussion to be had about Curly kinda going along with Jimmy saying "well what if we all died" and like. I do believe he Didn't Realize What Jimmy Said. Like he was just processing/trying to keep the situation under control (and failing because he underestimated how willing Jimmy was to hurt everyone including himself).

Like he's definitely an enabler but I would say his problems are mostly before he understands the gravity of the situation, in that he's friends with Jimmy and assumes the best of a man with abusive tendencies, and fails to create an environment that can keep Anya and the others safe. Like, he definitely doesn't handle in game events perfectly (psych evaluation for one- he does do it instead of Anya which is actually helpful, but he still treats it like. Weirdly.)

Idk I have a lot of thoughts about this game and I don't necessarily want to defend Curly but more like. Anya's situation is very delicate (and light on details) so sometimes the way ppl talk Abt it feels like they aren't actually focused on what she wants and what it means to prioritize her safety y'know?

Edit bc I just now figured out kinda how I want to word it: curly is an enabler and making things worse bc he doesn't put a stop to Jimmy's BS, but in the specific scenario we see in game I think he's trying to use his Skillset of like, people pleasing not for Jimmy's sake but for the crews (like "if I nod my head and say I sympathize he won't lash out and hurt them") which like. There are situations which that is unfortunately the safest option (on an individual level yes, but sometimes it's also necessary to prevent abusers lashing out in response toward ppl who are more vulnerable) but it was the Wrong Choice.

It's like. I think Curly was trying and had good intentions, and understood that he needed to protect the crew, but he didn't have the toolset/experience to realize he can't Just go along with things and that he needs to be able to set hard limits, even for ppl he likes and trusts. Like he failed but the failure was "for want of a nail", where it began way before what we see (for want of an understanding of power dynamics I guess.) Again, don't think this makes curly more forgivable or whatever, I just think he's a good example of trying to make the right choices when you never realized you'd have to make these kinds of decisions and therefore are unprepared and/or unaware

Second edit: personally I don't think you can really incapacitate jimmy without there being serious risk (again he's the copilot) but curly should've given Anya the gun when she told him Abt the pregnancy

[deep-space-lines]

so im taking that oil painting class rn right. i mentioned wanting to paint something original instead of just copying a reference bc that's all the teacher has had me doing so far and he agreed I'm probably ready and went off on this whole tangent about how i shouldn't be nervous to try to do something more original and creative and how he'll show me some original stuff his friends have painted and had shown in galleries etc etc, and... I think somehow he's been assuming that the reason I've been painting realistic stuff directly from photo refs is because that's the kind of art I like to do and that I'm nervous about trying something else??? instead of what he's been telling me to do?

which is really funny to me because apart from this class I haven't 1:1 copied a reference for years, I just haven't gone out of my way to show him any art I make in my own time because this is like a professional full-time oil painter who has paintings in galleries and shit, real high-brow art stuff, and idk how to tell him that left to my own devices I draw video game fanart and dragons and furry commissions and gay sex and cringe and i dont want to draw other things

[loser-jpg]

i cant remember who it was but i think its so funny one of the guys assumed jack was from sunset savanna.

beastman + dark skin = from sunset savanna, 100%

[dullahandyke]

squints. why did i open tumblr. i know there was a post i wanted to make. OH yeah for one of my courses i gotta make a webpage which is soooo yippee and i was rlly hyped i was gonna challenge myself to make a neocities look nice from scratch but now im thinking its probably more energy and time efficient to just use wordpress or something :( literally so fucked...... sigh do i have a personal neocities which has provided me with html experience? yes. however it looks like this

[danceintheskies]

coming out as a kriselle enjoyer im sorry lesbians

[basedandlovepilled]

just because u have a hard time doing things sometimes doesn't make u autistic or mentally ill btw.

[lokh]

at this point i have to assume the ongoing chest pain is from living in this fucking house

[specialmouse]

You know .

[kuromi-hoemie]

last rb stressed me out lowkey akakska i had an ex like that and it became a self fulfilling prophecy kinda thing..

[torchtour]

I'm gonna be so honest it was so funny LOAJAHS

could u guess who I was tryna be? :D

~the 6 anon(ooc)

weeeeeell i read 6 and immediately assumed you were the man the myth the legend stanford sixer pines but you know what they say about assuming

[katatsumuli]

Happy any way the exchange blows 2023 @onepintobean ! Thanks for the motivation. This is fanart for your fic

because it is both hilarious and I think you have found canon. The lineart functions as a coloring book page and is printable. (If anyone colors it, can I see?)

I used this chair as a model because their whole house is a vampire joke and I had to -

[waitedforgarridebs]

I just explained some meta-stuff regarding S4 and Eurus to a non-Sherlockian friend @yayen-chan, and when we got to the window deduction scene and Faith's note, she said:

... there's also about the window scene. LONDON BARELY GETS SUN - how in the world would that paper be exposed to sun unless the place where it came from is somewhere sunny [...] therefore the conclusion > the paper wouldn't be able to get any sort of sun at any part of the freaking window in a country where the sun dont shine

The common sense of it all actually makes me cry.

I am going out on a limb... but adding Sherlock's "deduction" about how the paper was exposed to "a variety of cooking smells" and "lots of different spices"... was the paper maybe not originally found in England, like we were all lead to assume?

*coughs* Morocco *coughs* Karachi ...