#tired tropes

[syncopein3d]

It's another Very Tired Day, so have some more Very Tired Tropes!

The moment when an exhausted character is finally out of sight of other people and can just collapse onto a couch for a minute.

The moment when someone who's been awake too long has to stop and rub the grit out of their eyes because they literally can't see for a second.

A character trying to fight through the kind of fatigue you get from blood loss, where your body feels heavy but your head feels light and floaty. They judge their balance wrong and stumble right into the person they've been trying to hide their injuries from.

The moment when someone just blanks out in the middle of a task, asleep on their feet, and has to struggle to remember what they were doing or saying.

There's a minute where it seems like they might actually get to rest, but no, here comes a cheerful demanding voice and it absolutely can't wait and they have to get up.

The way a body starts to just ache from moving around too long, and even relatively easy things become literally, physically hard to accomplish. Opening a door feels like trying to pull their own weight uphill. They stifle little grunts and groans when standing or sitting or bending because not only does it hurt, it's just so hard.

The loss of coordination where they just stumble into things, and another character tells them off for spilling or breaking something, only to look at them more closely and realize something is wrong.

The incredible relief of finally lying down. At first they can't even sleep because they've been awake and fighting it so long - as much as they'd like to just drift off, it can't happen that fast. The body has to be convinced that they won't have to jump right up again right away. It might take listening to white noise, it might even take meds to get everything to loosen up enough to finally. Fall. Asleep.

[ggswaywardgifrepository]

Wow. How many westerns did a “stubborn nun and pretty young novitiate” plot?

[stars-obsession-pit]

Sorry I’m magically married to your brother

Jason gets ritually “sacrificed” by a cult to the Ghost King, which it turns out ends up forcibly marrying him to Danny.

So now Danny is forced to interact with him and the rest of Gotham’s vigilantes while they work to break that.

During that process, Danny starts to fall for… Tim.

(or could be any of them really, just specifically not the one he’s bound to)

Which means Danny now has two goals: get a divorce from his magically-assigned spouse, and seduce that spouse’s sibling.

…he’s never gonna live this down.

[cloudnienty]

tuker tempat 🦇🍭

[sinkko]

That relatable moment when ur bf is an autistic bird botany demon😅😅🙄

[unclewaynemunson]

Pt2 to this post

'Is something wrong?' Nancy asks, not long after the two of them have taken their familiar spots on the hood of Steve's car. They're basking in what might be the last warm sunlight of the year, looking out over the quarry, at a safe distance from the edge.

It's become a tradition the two of them share, ever since they reconnected back in March. It calms them both, to just sit here and take in the view, no one around but each other. Nancy is one of the few people Steve can share a comfortable silence with: sometimes they sit here quietly for what feels like hours, side by side, listening to music or to nothing but the birds singing around them. But they also have their best conversations here: it's the place where Nancy entrusted him she wanted to break up with Jonathan; it's the place where they talked about their shared past and decided they would always love each other as friends; it's the place where they finally talked about Barbara in a way they couldn't when they were younger. It's where Nancy talked about the ghosts still haunting her and Steve talked about how lonely he sometimes felt.

Steve huffs. 'How did you guess?'

'When you frown, you always do it with your whole face,' Nancy notes. 'So it's hard to miss, really.'

Steve glances at her side profile. There's a serenity to her features that's still relatively new. It means she's healing, slowly learning how to be happy again. It means she stopped waiting for the end of the world and started believing in a real future again. It makes Steve proud of how far they both have come.

'I had a fight with Eddie,' he confesses. 'And with Dustin, I guess.'

'What happened?'

He sighs. 'It's complicated.'

'Wanna tell me about it?'

The look in her eyes is kind and inviting. Steve hesitates. He wants to, but he doesn't know if he can. It's a risk. It's scary.

But he can't imagine Nancy Wheeler ever being careless with his secrets. He can't imagine her judging him, can't imagine her being as small-minded as most people in this town.

He was planning on telling her anyway, because things had been going so well with Eddie lately and – no, he shouldn't think about that right now. But maybe it would actually be nice to talk about it with Nancy.

'So, um...' His throat feels tight and his hands are sweaty. 'I recently discovered some things about myself. I-' The words get stuck somewhere on the way to his mouth, and he clears his throat.

Nancy doesn't push, but only gives him an encouraging nod, waiting for him to find his voice again.

'I found out I like boys,' he finally manages to confess. 'And I need you to know that – that that doesn't mean that what I felt for you wasn't real. It was. I loved you, and now I fell in love with a boy. And-'

'Steve.' Nancy's hand suddenly covers his, causing him to finally jerk his head away from the view over the quarry, to focus on her face again instead.

Her eyes are wide, and she squeezes his hand.

'You don't have to explain yourself to me,' she tells him. 'We're good. But thank you for telling me. For trusting me with this.'

Steve heaves out a relieved sigh, and Nancy smiles; it's that genuine kind of smile which reveals all kinds of dimples and soft lines across her face.

'We might be more similar than you thought,' she tells him, a faint blush spreading over her cheeks.

'Really?' Her words make his breath catch in his throat. He squints at her, trying to see her in this new light. 'Are you saying what I think you're saying?'

She shrugs. 'I don't know. I'm not sure yet,' she admits. 'Still figuring things out.'

'Take your time, there's no rush,' he tells her. 'But...' He bumps his shoulder against hers. 'When you're done figuring it out, talk to me, okay?'

She nods. 'Okay.'

For a while, it's quiet between the two of them. Some kind of raptor circles high above them in the sky. They both follow it with their eyes until it disappears among the tree tops west of the quarry.

'Is it Eddie?'

Steve blinks dumbly a couple of times.

'Wha- what?'

'The guy you were talking about. The one you fell in love with. It's Eddie, isn't it?'

'Jesus, Wheeler, what kind of sorceress are you?' Steve exclaims.

Nancy laughs again. 'You're not being as subtle as you think,' she tells him. 'The two of you have been hooking up for a while now, haven't you?'

Steve huffs dramatically. 'This is unfair. You know everything; I can't even tell you my own secrets anymore!'

'So what happened?' Nancy asks. 'You said you had a fight with him?'

'It's fucking stupid,' he sighs. 'Dustin was getting way too excited about the fact that I was gonna be hanging out with you, so I told him I was seeing someone. Next thing I knew, he was telling Eddie all about how I was seeing a girl.' He waves his hands around to make annoyed air quotations. 'I wanted to tell Eddie it was a misunderstanding, but Dustin was there, so I couldn't out us just like that, and he looked so betrayed and heartbroken... He didn't wanna listen to me.'

Steve sighs; he still can't manage to forget that look in Eddie's eyes when Dustin delivered the big news. 'I wish I would've talked about what I felt for him earlier. I should've been honest when I had the chance, y'know. But I was afraid he wouldn't wanna label what we had, that he wouldn't feel the same way – and now we're in this whole mess. God, he must hate me right now, Nance.'

To his surprise, Nancy gives him an unexpected slap against his arm.

'Ouch, what the hell was that for?!'

'What are you even doing here with me, Steve? You should've gone after him, tell him how you feel!'

'I tried, obviously, but he didn't wanna listen to me!'

'So make him listen! You're in love with him, he obviously feels the same way about you, and you let him leave to wallow in a broken heart he doesn't even need to have!' She rolls her eyes and slides off the car, adding something under her breath that sounds suspiciously like an exasperated 'Boys!' before she pulls Steve off the car as well. 'C'mon, time to get your ass over to the trailer park. Right. Now,' she says through gritted teeth. And, well, Steve knows better than to argue with a determined - and truthfully quite terrifying - Nancy Wheeler.

Read the last part here Taglist: @withacapitalp @ultimatedreamer104 @irregular-child @jcmadgirl @estrellami-1 @myguiltyartpleasure @hallucinatedjosten @jaybren @thew1ldblueyonder @melodymeddler @alycatavatar @zoeweee @lolawonsstuff @fairy-princette @saramelaniemoon @phirex22 @krazyperson @xxsky-shockxx (I only put people on this list who explicitly asked to be tagged. That's really no problem, I love to do that so dw about asking, but I got a lot of relatively vague reactions to the previous post that i'm not gonna dissect and interpret, bc I don't wanna clog anyone's notes unwanted. So just to be clear: i consider it a huge compliment if anyone asks for a tag but please do it clearly if you do!)

[unpersoniverse]

Skén:nen sá:sewh

as promised, here's Precious boy™ getting kissed by Precious wife™ because he deserves all the love in the world :cc

translation: Get home safe

[relaxxattack]

people will really write rose as a badass girlboss as if her main character trait isn’t hubris. as if her main story arc wasn’t her fucking things over for everyone time and time again by assuming she was better and wiser. oh you think rose is a girlboss? rose who intentionally allowed herself to be corrupted by morally ambiguous terrors because she thought it might give her a slight mental advantage on the game? rose who willingly went along with the manipulation of a groomer because she thought his idea of putting a tumor into the universe was smart? THAT rose? that rose??? why don’t you ask her where the green sun is. since she’s such a competent and intelligent boss bitch

[chaotic-orphan]

That’s Enough

“Stop it,” Caretaker said once the sound of knuckles thudding mutely turned to squelching. Caretaker stared at Whumpee, the sweat flying from them as they continued to punch the punching bag. “Hey. Whumpee, that’s enough.”

Whumpee didn’t listen. They just kept jabbing in the one two movement they had been doing for the half hour. Caretaker let go of the bag but Whumpee moved with it.

“Hey! Whumpee,” Caretaker hissed, stepping in front of Whumpee, hands up palms facing Whumpee. “That’s enough, you’re hurting yourself.”

Whumpee didn’t listen. Instead, they started punching Caretaker’s hands. Caretaker snapped their hand closed but Whumpee retracted their arm swiftly to their chest to punch again, their eyes distant and hard.

“Whumpee! Whumpee,” Caretaker snapped as Whumpee’s fists started coming harder on Caretaker’s palms. Caretaker stepped forward into Whumpee’s punches and reached a hand up, locking it around Whumpee’s wrist. Whumpee yanked it back but Caretaker held firm.

Only then did Whumpee seem to snap back into themselves. “Let go of me.”

“I said that’s enough, Whumpee. You’re bleeding.”

Whumpee yanked their wrist back towards them but Caretaker didn’t let go. Instead they grabbed Whumpee’s other wrist and clamped their fingers around it too, stopping Whumpee from hurting themself anymore.

Whumpee’s eyes narrowed. “Let go of me, Caretaker! I can look after myself.”

“Clearly you can’t!”

“It’s just a bit of blood!” Whumpee yelled, spit flying from their mouth in anger. “What does it matter?!”

“Blood is meant to be inside your body, Whumpee, not outside.”

“It’s my body,” Whumpee told Caretaker, yanking one of their wrists free. “I’m allowed do what I want to it so let me go.”

“I’m not gonna just stand here and watch you hurt yourself.”

Whumpee let out a crazed, humourless bark of laughter. “Oh, what?” Whumpee asked, eyes glimmering with cruelty. “You want to make me stop, huh? You gonna tie me down like Whumper did because I’m not following your orders? You want to participate like Whumper did?” Whumpee demanded, squaring up to Caretaker, taking a step forward forcing Caretaker back. Whumpee’s voice dropped to a whisper. “Or maybe you want to be the one to make me bleed.”

The question made Caretaker sick. Comparing them to Whumper when all they’ve done is try and help Whumpee? The fact that Whumpee could even make that comparison at all… It was too much. Looking after Whumpee was too much. They let go of Whumpee’s wrist and turned away, walking towards the doors of the gym.

“What? Where are you going now?”

“I told you to stop, Whumpee,” said Caretaker without turning around, pulling off their own gloves. “If you don’t want to, that’s fine. Not my problem.”

Caretaker turned and looked over their shoulder at Whumpee as they opened the door. “But I won’t stand here and watch you finish the job Whumper started. Destroy yourself, why don’t you? You’ll do it on your own.”

[officialmiintee]

windbreaker / inusako brainrot got to me

[sorunort]

(You are bound to the Universe's will the same way the moon is bound to this planet, the same way the planet is bound to the sun, the same way a puppet is bound it's strings!!!!!!)

top ten pieces of dialogue ive screencapped because of how normal it is and how normal it made me feel

[whump-galaxy]

Somewhat unusual sounds that the whumpee needs to sleep/relax peacefully.

A half working, droning air conditioner, reminding them of the more comfortable environments they slept in? Sure!

The sounds of heavy footsteps on wood floorboards above them, telling them the whumper is too busy with company? Alright.

The distant sounds of sobbing and screaming, assuring them they’re not today’s target? …why not?

[a-small-writer-in-a-big-world]

Price who knew Simon before Roba. Who thought he was a good kid, disciplined solider and got along well with him.

Price who then found out about what happened and decided to check up on Simon when he was cleared to come back.

Price who thought Ghost’s aversion to food was a trauma response. Who thought him staying up all night was because of nightmares and joked that he needed to stop covering himself up when he went outside because, “you’re as pale as a ghost.”

Price who noticed Ghost’s irises were red, not brown, but always thought it was the trick of the light or the fact that his eye color was always dark.

Price who noticed his strange speed and strength. Who began to get a little concerned when Ghost started getting aggressive, how he always blamed it on him being “hungry”.

Eventually one night, after noticing how strange Ghost was acting, he went to confront him only to see Ghost eating what he assumed was a rat.

Price who had to take a moment on whether or not he should call for Ghost’s removal from the military due to psychological distress or to politely ask him what the fuck was going on.

Only for Ghost to look back at him shocked but with hungry eyes that Price could only describe as “not human”.

Ghost who had to explain what exactly happened with Roba and how he’s different, how strange everything’s been, how he can’t go out into the sun without feeling like he has a sunburn or how he sees better in pitch black darkness and how no matter how many times he tries to eat real food he just throws it back up, so he resorted to drinking blood.

Price who had to take a long time to sit with this information before he took action, making sure it was only him who knew about this and making sure Ghost never hurt anyone when he got too “hungry”.

Price who trained him to cope better with daylight and helped him with his new found strength and speed. Who told him the only people who could drink from were enemies and that if that wasn’t an option he’d give his own blood.

Price who now as the leader of the 141 is the only one who knows what Ghost really is and refuses to disclose other information about it to save his lieutenant from other experiments.

[qdkdraws]

This very specific visual trope where girl is dressed normally and guy looks like he just got back from part-time job at strip bar and hasn't had time to take off his uniform.

I'm here for it

[theminecraftbee]

There are several things Martyn realizes, all at once, when he opens his eyes:

He is dreaming.

It's one of those in-between dreams, the ones that aren't quite dreams.

He is sitting at a green felted table. It is sitting on a stage. The lighting is dim, and no one is watching, but out of the corner of his eye he can see the stagehands dressed in black, waiting.

He is not the only one sitting at the table. There is a Watcher, draped in purple. There is a Listener, draped in yellow. There is someone he recognizes in a red sweater. There is someone he thinks he should recognize, but can't quite, shuffling a deck of cards.

"Right. What's all this, then," he mutters.

We are playing blackjack, the Listener says.

We are deciding the rules, the Watcher says.

"It's not like we have anything better to do. Honestly, I'm glad you're here. Do you know how boring these guys are?" Grian says, and Martyn decides to quietly file Grian away as a dream-Grian, as opposed to real-life-Grian, so he doesn't go insane and/or stab him when he wakes up. He waits for the almost-familiar dealer to say something. He does not. After another few moments of awkward nonsense dream-silence, Martyn sighs and leans forward on the table.

"Sure, this might as well be happening," Martyn says. "Deal me in. How's the betting work, again?"

"You put your bet on the table. If you beat the dealer, you get to add it to the game," Grian explains. "If you don't beat the dealer, it takes it."

"Yeah, but like, that's abstract, isn't it? What does that mean, exactly, me losing what I bet if I don't beat the dealer," Martyn says.

Grian shrugs. "Don't ask me. To be honest, I'm hardly the storyteller you are."

"Me? Why are you acting like I have any control over these things when you're--"

Are you ready to play?

Martyn shuts up, looks at the Listener, and sighs. "Yeah, sure, I'm ready to play. Why not."

The dealer looks to its left. Grian sighs. "Why are you making me bet first. Again. We should rotate where we're sitting--fine, fine, I know it's an advantage because I'm the worst at this. Uh. Hm. No trading or giving away lives again. Not even as time or something. It makes the dynamics all weird, and I think we could use a nice straightforward death game next time."

(Martyn wants to roll his eyes. Nice and straightforward. Sure.)

The Watcher goes next. I would like there to be deep and wonderful bonds between the players. I would like those bonds to seem unbreakable.

"Coming from you, that's ominous," Martyn says.

Can I not just miss the alliances of the early days? the Watcher says.

"Never left the desert," Grian says, rolls his eyes, and looks at Martyn in commiseration. Martyn just stares back. So sue him, he's a bit more worried about this whole concept than an eye roll and a pithy phrase. Things Watchers want are rarely good.

When the bonds are enforced, they're less interesting, complains the Listener.

Martyn looks over sharply. Hey, wait, he thought--

I didn't say they had to be enforced by rule. I said they had to be deep. Encouraged, as opposed to discouraged.

Just saying. You'll never recapture Third Life.

Martyn swallows. His throat is dry. Weren't the Listeners supposed to be the good guys, here?

Besides, what I want is for each death to be meaningful again. They've felt too meaningless, lately, the Listener continues.

Martyn thinks the dealer raises an eyebrow, but it strikes him he's not exactly sure. Grian snorts. "Meaningful deaths. That's rich for you to say. I mean, I guess they're meaningful sometimes? I don't know, Martyn's the one who understands dramatic sacrifices, I just like killing things."

"Why do you keep on looking at me when you say those things," Martyn says.

"Look, you wouldn't be here if you weren't helping write," Grian says.

"What?" Martyn says.

We're here to play our cards for the story, the Watcher says. Aren't you also one of the authors?

"Me? What? No, I'm--what are you talking about," Martyn says.

Oh, well. I also hope your meaningful deaths make it in, the Watcher says the Listener.

Thanks, even if I disagree on the bonds, the Listener says.

"They hardly ever talk about real, concrete rules they want," complains Grian. "It's easier to understand the consequence if they bring up actual rules. Like boogeyman or no boogeyman."

"We're all just betting on cards!" Martyn says, throwing his hands up. "You're giving me a headache!"

It's your bet.

"Fine!" Martyn says. "Fine! You know what? Screw all of you. I hope this is the last one. I hope we never have to go back to that stupid death game. I hope it's miserable to watch or to listen to or to play and everyone just gives up. How's that for a bet?"

You're no fun.

Is that what you really want?

"Suit yourself," Grian says. "Honestly, if I still had that to bet, I guess I probably would."

"What do you mean, if you still had that to bet?"

"Well, I mean, that's not how blackjack works, is it? I don't just get back my in when I play it."

The dealer nods, and then silently, with a long bony hand, deals the cards.

Grian is dealt the four of diamonds. The Watcher is dealt the nine of spades. The Listener is dealt the five of clubs. Martyn is dealt a jack of spades. The dealer deals itself a seven of hearts. The dealer deals Grian a six of clubs--

"Hey, isn't that supposed to be face-down?" Martyn asks.

"Not here," Grian explains. "They're all face up so we can't touch the cards. So we don't have to. So we can't cheat."

"Who said anything about cheating?" Martyn says.

"Please," Grian says.

The dealer makes a hand motion. Martyn, grumpily, falls silent. He supposes they're playing by casino rules, then. He hasn't been in a casino since--he wouldn't know. Hard to remember anything that isn't this, isn't it? Isn't killing and dying and things out of his control and things very much in his control and, apparently, bizarre dream sequences designed to make him want to strangle Grian.

Anyway. Grian is dealt a six of clubs, giving him ten. The Watcher is given an eight of spades, giving it seventeen. The Listener is dealt a king of hearts, giving it fifteen. Martyn is given a six of clubs, giving him sixteen. The dealer deals its own second card face-down. Martyn stops to try to speak, and then shuts his mouth. Right. Dealer's advantage.

He stares at the numbers.

Grian sighs. "Well, I've got to double down, don't I? Fine. I want the whole 'red lives can kill' thing to be enforced somehow. I don't care how. There's my double down."

The dealer nods.

"Why would you want that," Martyn says blankly.

If we all win, that will be interesting with the bonds, the Watcher says mildly.

Grian shrugs. "I mean, we've enforced red names not befriending green names, but not the murder thing before. Figure we should switch up the game, right?"

"Why?" Martyn says again.

Well, it wouldn't do for it to be boring.

"No, not that. Just... isn't it easier to handle when the rules are laid out properly?"

Martyn throws his hands up, but stops arguing. The dealer gives Grian a face-down card. The dealer moves to the next party at the table.

The Watcher looks over at the dealer and makes a cutting-off motion. I stand.

The dealer moves on. Hit me, the Listener says, and is dealt the queen of diamonds. The Listener gestures to Martyn. It seems I bust. Pity. I suppose there will be no guarantee of meaning, then. Not what I'd prefer.

The dealer looks at Martyn. Martyn looks at the other hands. Martyn pauses.

"Wait, this is like, casino blackjack, yeah? I'm only playing against you, not the whole table?"

"Why would you be playing against us?" Grian says. "Writing's a collaborative process."

Martyn looks entreatingly at the Listener, but the Listener is a little too caught up in the bad hand it has been dealt. Martyn looks entreatingly at the Watcher, but the Watcher just looks somehow confused.

"I was under the impression that, I don't know, you all were adversarial."

Why? All we want is the same thing as you: the story to be told a certain way.

Martyn's not sure if he's furious or just numb.

"Fine. Got a sixteen, don't I? Hit me."

Two of spades.

He's furious. He wants to win against the dealer. He wants to win against everyone. He wants his idea to make it through. He has an eighteen, though. There are only two numbers in the deck that will not bust him, and he's no fool. Hitting on sixteen is a risk enough; if he wants his stupid bet of everything finally ending to make it through, he's got to hold here.

"I hold," he says through gritted teeth.

The dealer silently deals itself another card. A three of hearts. Distantly, Martyn's ears rush. He could have taken that. He could have taken the hit. He could have won. He could have had blackjack, and he doesn't know what the extra payout for blackjack even means in a game like this one, but he could have had it, and he held back, he didn't take the risk, he didn't--

The dealer flips up its cards. Seven, eight, three. Eighteen.

Martyn's heart pounds. A stand-off.

Grian flips up his own card and groans. It's a five of diamonds. "There goes that bet," he mutters.

The dealer makes a sweeping motion around the table. The Watcher smiles, a terrible, terrible thing. Martyn, all at once, realizes that he can't ask again. He can't say 'this is guaranteed to be the last one' again. He backs out of his chair. To the sides, he sees the stagehands change the lighting. A spotlight, on him and the dealer--

"That isn't fair," he says. "It's a tie. I should get my bet back, right? It's a tie!"

THAT IS WHERE WE DIFFER FROM THE HOUSES IN VEGAS, the dealer says, and Martyn's heart stops.

(The voice is familiar. Familiar, but he cannot place it.)

YOU SEE, IN THIS GAME, THERE IS ALWAYS ONE THING THAT HAS AN ADVANTAGE. ONE THING THE STORY IS ALWAYS PLAYING AGAINST. ONE THING, THAT INEVITABLY, AFTER LONG ENOUGH PLAYING, WILL WIN.

There, the dealer looks Martyn in the eyes, and Martyn, all at once, knows exactly what the dealer must be.

AND THAT IS ME.

Martyn stares Death in the eyes.

Then, in a cold sweat, Martyn wakes up.

He does not sleep again for a long time.

[momowoah]

I could write an essay on Doctor Odyssey and how the fantastical aspect of the ship isn't due to it being the purgatory or a dream but rather linked to the metatextual plot of the show and how the Odyssey is meant to be an in-universe representation of what the show aims to be in our reality, a direct answer to the effects of the COVID pandemic on our world that aims to create an atmosphere of escapism in a medical environment to create hope and happiness while still acknowledging current events. The weekly themes, along with the very goal of the show, are the strongest indicator of a meta narrative, very clearly designed with the show's weekly nature in mind. They wouldn't work as well in a show designed for streaming. Captain Massey himself says the ship is carefully built to show itself as a heaven to its guests, explaining the unrealistic scenarios and vibe of the show, but by focusing on the emergencies that happen on board the show allows the viewers to explore the cracks in that illusion and creates a place in which both serious themes and mindless fun can be equally approached. We see that contrast in 1x06 when the screen cuts from a threesome straight to the suicidal hotline screen; the episode successfully indulges in the hedonism of the cruise ship established early on without detriment to its more serious storyline, which includes one of the best portrayals of panic attacks I've ever seen on tv. Although both concepts are more clearly separated throughout the episode, the cut-off from one to another at the end is jarring, reminding the viewer of how both concepts coexist both in the Odyssey and in real life. As silly as it might be at times, the show isn't mindless, but rather a well-executed reminder that there is light at the end of every tunnel, and that maybe that light comes in the form of a Ryan Murphy network tv show about a throuple solving medical emergencies on a cruise ship.