#tips for fic writers

[forsssnaken]

Tips for New Fic Writers (by someone who is not qualified in the slightest)

Capitalise your titles like that (if you wish to capitalise at all, there's something to be said for entirely lowercase titles for style). Every word in a title should be capitalised EXCEPT and, an, a, but, at, as, for, by, the, on, or, in, of -- UNLESS THEY ARE THE FIRST OR LAST WORD IN A TITLE.

Please take your dialogue out of the paragraph. Let's do paragraph breaks, please.

If you don't understand grammar or English very well, seek out a Beta reader. If you don't want that, the least you can do is skim through it with grammarly (not recommended).

Don't abandon pararaphs. They're probably alright and salvageable. Just copy and paste them to the bottom of the document. Sometimes you'll find yourself in a rut, can scroll down, and there will be something to help you that you've written previously.

Practice is the best thing you could possibly do, and it's a damn good thing for my ego that I haven't posted all the fanfiction I've ever written (see: Lord of the Rings gay ships in my 3rd grade writing notebook that I had to share with the whole class). You almost have to get better if you're practicing.

The biggest 'turn offs' in writing, from a very picky person:

Blocks and blocks of text. Be liberal with your paragraph breaks, please!

Dialogue without proper quotation marks. Man is that annoying to read.

AI. Yes, it's easy to tell. I can tell if it's the whole fic or a damn paragraph. This skill comes from reading 14/15 year olds' essays for 2 years.

The wrong your/you're and there/their/they're. It's not a hard rule to learn, friends.

If you name Aziraphale something other than that (see: Azira Fell, Azi, Az, Ezra, etc.) -- this is a personal gripe.

I don't want this to scare you.

Most Important Things to Take Away: Reading others' work is the second best thing for your writing, writing is the best. Write whenever you get a free moment.

Remember: It's a hobby, not a career (given that you're reading this post) so give yourself some grace. I love you. Stay hydrated and do some carpal tunnel exercises from youtube.

[xyywrites]

Tips for writing flawed but lovable characters.

Flawed characters are the ones we root for, cry over, and remember long after the story ends. But creating a character who’s both imperfect and likable can feel like a tightrope walk. 

1. Flaws That Stem From Their Strengths

When a character’s greatest strength is also their Achilles' heel, it creates depth.

Strength: Fiercely loyal.

Flaw: Blind to betrayal or willing to go to dangerous extremes for loved ones.

“She’d burn the whole world down to save her sister—even if it killed her.”

2. Let Their Flaws Cause Problems

Flaws should have consequences—messy, believable ones.

Flaw: Impatience.

Result: They rush into action, ruining carefully laid plans.

“I thought I could handle it myself,” he muttered, staring at the smoking wreckage. “Guess not.”

3. Show Self-Awareness—or Lack Thereof

Characters who know they’re flawed (but struggle to change) are relatable. Characters who don’t realize their flaws can create dramatic tension.

A self-aware flaw: “I know I talk too much. It’s just… silence makes me feel like I’m disappearing.” A blind spot: “What do you mean I always have to be right? I’m just better at solving problems than most people!”

4. Give Them Redeeming Traits

A mix of good and bad keeps characters balanced.

Flaw: They’re manipulative.

Redeeming Trait: They use it to protect vulnerable people.

“Yes, I lied to get him to trust me. But he would’ve died otherwise.”

Readers are more forgiving of flaws when they see the bigger picture.

5. Let Them Grow—But Slowly

Instant redemption feels cheap. Characters should stumble, fail, and backslide before they change.

Early in the story: “I don’t need anyone. I’ve got this.”

Midpoint: “Okay, fine. Maybe I could use some help. But don’t get used to it.”

End: “Thank you. For everything.”

The gradual arc makes their growth feel earned.

6. Make Them Relatable, Not Perfect

Readers connect with characters who feel human—messy emotions, bad decisions, and all.

A bad decision: Skipping their best friend’s wedding because they’re jealous of their happiness.

A messy emotion: Feeling guilty afterward but doubling down to justify their actions.

A vulnerable moment: Finally apologizing, unsure if they’ll be forgiven.

7. Use Humor as a Balancing Act

Humor softens even the most prickly characters.

Flaw: Cynicism.

Humorous side: Making snarky, self-deprecating remarks that reveal their softer side.

“Love? No thanks. I’m allergic to heartbreak—and flowers.”

8. Avoid Overdoing the Flaws

Too many flaws can make a character feel unlikable or overburdened.

Instead of: A character who’s selfish, cruel, cowardly, and rude.

Try: A character who’s selfish but occasionally shows surprising generosity.

“Don’t tell anyone I helped you. I have a reputation to maintain.”

9. Let Them Be Vulnerable

Vulnerability adds layers and makes flaws understandable.

Flaw: They’re cold and distant.

Vulnerability: They’ve been hurt before and are terrified of getting close to anyone again.

“It’s easier this way. If I don’t care about you, then you can’t leave me.”

10. Make Their Flaws Integral to the Plot

When flaws directly impact the story, they feel purposeful rather than tacked on.

Flaw: Their arrogance alienates the people they need.

Plot Impact: When their plan fails, they’re left scrambling because no one will help them.

Flawed but lovable characters are the backbone of compelling stories. They remind us that imperfection is human—and that growth is possible.

[heywriters]

If you want to write a dumb little story with a dumb little plot and ridiculously silly characters. No one's stopping you. Genuinely, no one should be allowed to stop you. Write that dumb story with your whole heart and don't hold back.

[me-writes-prompts]

-:“We’re definitely just enemies, and not anything more” Enemies to lovers prompt :-

(*Wink wink* tag me if you write these.)

By @me-writes-prompts

“I want to wrap my hands around your throat, and choke you until the life in your eyes die down.” “Kinky.” ;)

“It’s funny, isn’t it? How we always end up, in the same place, at the same time.” “It’s not funny, I know you’ve been stalking me. That’s how we always end up together.” “Stalking? You? *scoffs* in your dreams.”

“Well, if it isn’t my favorite human being on the earth!” They say with fake excitement. “Oh thank you, but I regret to not say the same.”

“If you don’t care, then why are you holding my hand?” “So I can drag you down with me if we fall from this cliff/edge.”

Just deadass staring daggers at each other, and communicating with their eyes.

“Fuck you!” “Love you, too.” They say, blowing a kiss.

“I hate being in your presence, I hope you know that.” “You’re literally sitting half on my lap.” “Because there is nowhere else to sit!” (There was only one couch *snickers*)

“It just so happens that I put on my nicest outfit, just to find out that you’re my blind date.”

“Don’t look at me like that.” “Like what?” “Like you want to murder me but also like…you want me.” 😏

“It’s impossible not to hate you.” “It’s impossible not to hate you.” *mocking*

“Look, I win. So back off okay?” “Stepping on my toe and reaching the ceiling is not winning.”

“Shut up before I-” “Before you what, huh? No, say it. Let me see if you can finish that sent-” *shoves the nearest thing into their mouth*

“Come here, let me see the cut.” “No.” *sighs and walks up to them* “Let. me. see.”

“You’re not that good looking, alright?” “So you admit I’m good looking?” “What? N-no. Never.”

“I love you.” “Huh?” “Is the last thing I would be saying, so get that delulu thought out of your mind, and leave me alone.”

“You’re such an idiot. Who steps on a knife unknowingly?” “It was in the middle of a dumpster, I didn’t see it!” “Someone needs glasses.” “Shut up!” (This is so random lmaooo)

[ahhhsami]

A Simple Trick for Fic Writers

Hey, if you're a fic writer and a character speaks in a different language, you don't just have to add the translation in the notes. Use the following HTML coding to add 'text on hover' to the word(s). If the reader is on a computer they can hover over the text to see the translation.

<span title="This is the text in the box!">This is the text that shows in your fic!<;/span>

Here are some examples from a fic on my AO3.

This coding here <span title="a fool, idiot (lit. emptyhead)">Eyn utreekov&lt;/span> will show this on hover.

This next example shows that you can add a lot of text. The formatting is the same as above.

PS: When doing this, there may be spacing issues, but you can edit the text through AO3's html or rich text editor. From there you can add italics (like I did), bold, etc, and fix any weird spacing issues. Just be careful not to delete the coding that you worked so hard on 😂

[writingwithfolklore]

How to Avoid the Flawless MC

If you’ve created an MC that you believe is flawed and well rounded, but are still getting the feedback that they feel perfect or flawless—it may actually have nothing to do with them, but let’s dig into it.

1. Their flaws should hold them back

Flaws aren’t additional traits, but rather should be imbedded in the very bones of the plot. They are the reason a character doesn’t have what they want already—why they are going on their journey, and what they need to overcome or learn.

This means that their flaws will butt up against them time and time again and force them to make bad decisions and mistakes. That doesn’t always mean that they are bad traits, but rather that they are traits that sometimes take your characters further from their goal.

For example, in Tangled, Rapunzel’s greatest flaw is her naivete. This makes her an endearing character, and is as much of the reason as we root for her as her other traits. However, it also means that she is easily manipulated by Mother Gothel, and succumbs to her clutches at the midpoint.

2. They should face consequences

As seen above, a flaw without consequences isn’t really a flaw. Flaws hold the character back from their goal, and to do that, they must have consequences. If a character is insecure, that insecurity needs to manifest in them abandoning their date at prom and being subsequently hated by them. If they are headstrong, they need to push forward into a decision that leads to failure.

When they fail, it should be directly related to who they are as a person—and the flaws that they have. Otherwise, the failure falls flat—we could say that it was bad luck, and the MC gets off scot-free.

3. Not everyone likes or forgives them

This is probably the biggest reason why some protagonists are said to be flawless when they aren’t. I saw someone say that Katniss in the Hunger Games is a flawless protagonist, which I think is just untrue—she’s very deeply flawed and makes mistakes that lead to her world breaking out in revolution and many, many people dying. But what makes Katniss at times feel flawless is that she is unconditionally loved and forgiven by almost everyone—especially the people that matter the most: her family, Peeta, and Gale.

              If your character can do no wrong in everyone else’s eyes, it doesn’t matter that they very much can and do, do wrong. It’ll feel as though they fail the above two points. Allow other meaningful characters to fight with your protagonist, to dislike them for a bit, to condemn their actions and maybe not forgive them. Everyone missteps from time to time and upsets the people that they love, I promise it won’t make your protagonist any less likeable. In fact, seeing them experience this real, raw experience will bond your readers to them even more.

[angelilacs]

enemies to lovers ˎˊ˗

⭑ “are you okay? no fever? i’m a little worried with the lack of daggers to my throat recently.”

⭑ “you’re not hurt, are you?” ���no, obviously not.” “that’s unfortunate.”

⭑ he liked her in ways he couldn’t explain, so he hated her instead.

⭑ he hates that he knows she fiddles with her ring when she’s nervous, and that her seashell necklace was given to her by her late grandma, and that she hides it underneath her shirts so people take her seriously.

⭑ “my brain just goes blank when i try to find a solution.” “huh. interesting.” “what is?” “didn’t know you had one.”

⭑ heated argument turns into make out session

⭑ “despite how we feel about each other i wouldn’t leave you for dead.” “how romantic.” “i take it back.”

⭑ forced proximity

⭑ one of them is egotistical and sure they’re always right which riles the other one up to constantly point out their mistakes

⭑ “you come to me. when shit goes down you come to me, you don’t fucking run away from me.”

⭑ “if we don’t get out of this alive—” “shut up, you do not love me.” “i was going to say thank god.”

⭑ “is he losing a lot of blood?” “yes.” “i love it when the universe is on my side.”

⭑ eye contact that one of them breaks just to hit the other one in their leg

⭑ one of them is a walking encyclopedia of fun facts and constantly remind the other that what they’re doing will one day kill them: you shouldn’t smoke, being on your phone for too long causes immense radiation, brushing your hair with that type of brush is harmful.

⭑ “if we don’t get out of this alive—” “that’s not funny, we could actually die this time.” “i love you.”

based on this ask !

[luna-azzurra]

Family Secrets Prompts

A character discovers they have a sibling they never knew about. How does this revelation change their family dynamics?

Your protagonist finds a box of old letters that reveal family secrets. What do they learn, and how do they handle it?

A family heirloom is discovered to have a hidden power or curse. How does this impact the family?

A disowned family member returns with shocking news. How do they reintegrate into the family?

A character learns they were adopted. How does this change their identity and relationships?

The protagonist discovers their family is secretly wealthy. How does this affect their life?

Uncover a hidden romantic relationship between family members (e.g., a grandparent had a secret lover).

[coline7373]

How to comment 101

A fandom is the subculture inherent to a group of fans. It touches anything related to the field of predilection of such a group of people and is organized or created by these same people. And, like everything that comes from people, it is alive and requires exchanges to continue to exists.

People who receive no comments have often and at length express how lonely it can feel to be shouting alone in the void and how discouraging such silence can be.

I have found after asking around that readers aren’t unwilling to comment, but mainly don’t have the energy or know what to say.

Some readers have also expressed a fear of annoying the author, as they are clumsy with words, or feeling intimidated in front of an author who has such a talent with words that the reader's own words feel too embarrassing. Or not feeling that their own five word sentence is worth the bother.

Every word matters.

Every comment is worth its writing to the author.

I refer you to this post if you doubt the importance and impact of comments on fanfics.

To help those willing to comment, I have done a very modest survey of roughly 20 persons, writers and readers alike, and here is what I have come up with.

For writers:

Write in your notes, at the end of the fic, clearly what type of comment you do not want. 

Clearly stating your limits and preferences helps readers who are uncertain or not very verbose to write in a relaxed way.

If they do not have the anxiety of offending, vexing or annoying the author, they will be more comfortable and therefore more inclined to write.

If you have repeated commenters, try to reply to their comments, even with just a few words. Some people who do not receive replies to any of their comments take the lack of response to mean the author is not reading comments at all, feel discouraged and stop commenting in turn.

If you do read the comments, but don’t want to reply for whatever reason, do say so at the end of the fic, in the notes, so that readers know what to expect and not be disappointed.

For readers:

Do:

About the story: 

You can write about a particular line that you liked, the themes, parallels with canon or within the story, the characterisation, a character’s exploration, a/several character’s motivation, a/several character’s mindset/thinking/emotional reaction, a/several characters’ interaction, the plot, the action happening, the worldbuilding, emotions within the fic, subtext, pacing...

If you liked everything and are overwhelmed on how to narrow it down, you can just say exactly that. “I loved everything!”

You can also focus on pointing out just one moment, one line, one specific thing and why you liked them, specifically. What matters is not that you wrote a novel but that you communicated to the author what made you happy, what you enjoyed.

About you: 

What emotions the fic made you feel, what you think is going on in a wip or what you (think you have) figure(d) out, what you are doing in real life while reading the story, afterward, because of it, and/or how the fic impacted your life (yay! motivation to make art!), how the fic is meaningful on a personal level because x, y, z, what it made you think of, like another fic, a book, a song, a movie, what subject/fact it prompted you to discover more of…

How: 

You can write an essay, a prose, or some serious, meaningful, impactful words but you can also joke with the author as long as you stay mindful or polite. A lot of authors have said they love when people make jokes or break the fourth wall. 

Unsure about your sense of humor? Here is an example: do not write "I hate you! How could you do this to me!” Write "How could you do this? The betrayal! die offscreen.”

Making a parody of what is going on with the characters with a few lines can be funny! Keep it positive. Not everyone has the same degree of sarcasm. But levity and good humor are always welcomed.

Small fics vs longer fics:

Emojis, keysmashing and incoherent yelling are very often correct comments for small fics or drabbles. (Unless otherwise specified.)

They are also loved in longer fics, (unless otherwise specified,) but people who have been writing a story for literal years appreciate you taking at least five minutes to say a bit more than that.

Try to go through all the “about the fic” and “about you” points above, methodically, and choose just two or three of them. Then write just one sentence per point.

If you really don't know what to say, look at other people's comments. Sometimes, you will recognise something you liked too or that you thought was really good. It can help and be the starting point of your own comment.

Long WIPs:

For long fics that you follow while they are being written, people have said they have at first a lot of enthusiasm for commenting, but find it harder and harder to know what to say as the number of chapters accumulate, and so does the number of comments they feel obligated to give in turn.

Please, keep commenting! Love keeps the writers motivated and helps creativity. It’s like shouting in the void and getting a high five back.

Even one line about something specific (a dialogue bit, a reaction, a plot maneuver) can make an author happy.

Writers are not really looking for length or details. They are looking for care. If you read something you liked, just point out what you enjoyed. That's engagement enough. 

Comments aren't really about the act of a compliment. They are about the shared joy of a fandom or a ship or a character. 

Example: “'X character diving headfirst into the sea like that is so like him!”

It’s good. It’s fun. It’s nice.

Some people have said to “save” a chapter, give a kudo and say “looking forward to reading this when I have time!” and wait until they do have time and energy to comment more at length, sometimes two or three chapters at the same time.

It let the writers know their fic is still being read. You just have to be mindful to not let months go by, otherwise, it goes back to leaving the author the impression they invested hours, weeks, months, into something no one interacts with. You can alternate strategies, lengthy comments, short comments, and commenting on several chapters saved.

If all else fails, go back to the tried and true. Choose one of the points above, choose just two or three of them and then write just one sentence per point.

If you are not a native speaker:

Google can help with the bare minimum. It's not great, but it lays the foundations. Write what you think in google translate and the translation will help guide your answer. You can always ask for help from someone else or warn the author that the fic’s language is not your native language, if you are unsure if your words come off in a tone not intended.

At the start of your comment, say “I am not a native speaker”.

Do not apologize. It’s not necessary. Just provide context. Use your words. Be clear.

Remember: 

The writer isn't what they write. They do not necessarily headcanon what they write, nor do they necessarily approve of it in real life. Be mindful to not approve or disprove of x, y, z going on in the fic as if they do. You do not know that.

It’s not about the length or the wording or the quality of your comments. Of course authors love that. But what they love most of all is to hold hands, jump up and down with you and squee and gush about the fandom, ship or character.

It’s about the sharing of the joy.

Don’t:

Do not ask for another chapter and for the author to finish a fic.

Do not threaten the author to put their fics in an AI if they do not finish the fic.

Do not say "I didn't like it" or "I liked but not that" or "It would have been better if x, y, z." If you want to talk about what you didn’t like, whether it’s part or all of the story, discuss it with willing friends. The author is not responsible for you reading something you didn’t enjoy (how it made you feel) and persevering.

Do not “offer” to correct typos, grammar, vocabulary, facts, canon facts, characterisation, ect. unless you know the author and know they are fine with it or they say so explicitly in the notes. 

Do not make demands. Do not.

Like that tumblr op said, “this is not the bespoke zone.” This is off-the rack. If the free suit is not to your liking, look for another free suit rather than demand to speak to the manager for "adjustments."

Tags are not owed to you. Ao3 is not a safe zone. Not everyone agrees on what degree of content merits each tag. Or what qualifies for a tag. So, if you found a fic that was more angsty than you expected and it broke your heart, comment on a part that was good and didn't make you sad, without saying you want a happy ending to the angst fic that was written for angst purpose. Off-the rack, remember?

Exemple:

"I found x,y,z to be upsetting. Would you consider tagging it?"

Vs "Your work is totally x,y,z triggery. You ought to tag it."

Vs "Hey, you do know some people find x,y,z, triggery, right?!? Because they do! So tag it!"

One of those answers is correct. The others aren't. No demands in the comments.

Your emotional well being while reading fic is your responsibility. If your expectations have been disappointed, do not say so. Talk about a point that was positive for you. If your expectations have been exceeded, do share!

Also, if you're mad, I have found that it helps to write your comment, leave it to decant, and wait a week or so to see what it looks like when you're in a different emotional mindset.

Some elements of fics can be very upsetting unexpectedly. It is not the responsibility of the writer to answer that. Nor comments are the place for it.

Once some time has passed, if you still want to talk about it, try to communicate in a way that is neither demanding nor negative. If you can't, talk about it with someone who is not the author.

My own personal opinion:

It can be so easy to focus on the fic and your own inner imaginary garden/cinema, that we sometimes forget to switch from "inner life" to "outer life" and exchange actively with people on both sides of the fence.

But it can also add so much more to the experience <3

Clear communication is always good. Even if you disagree. At least you know where you stand.

Say thank you. Fanfics are a gift. You have been given one. Say thank you. 

[writersbloxx]

Dialogue Prompts

Right Person Wrong Time

Back from a brief hiatus with some more angsty dialogue prompts :D

“You were supposed to wait for me. I would’ve waited for you.”

“Be realistic.”

“Maybe it’s just meant to be this way.”

“Do you think we’ll regret this one day?”

“Just don’t forget me.”

“I already miss you.”

“I really am always late, huh?”

“Please, if anyone can make this work it’s us!”

“I’d honestly rather not have met you at all.”

“I hate that I’ll always love you.”

[idliketobeatree]

dead boy detectives contrapuntal poems — 1 — (2) (3) (4) (5)

[ch4inzsw]

Okay so this is a repost cause I FLOPPED but here are the sleepy prompts! (again lol)

☽ “You should get some rest. You’d feel a lot better.”

☽ “Sleep. I’ll keep you safe.”

☽ “I’m going to carry you to bed if you don’t stop arguing with me about not needing sleep.”

☽ “You’re obviously tired. Go lay down.”

☽ “You always look like you’re about to fall asleep when I play with your hair.”

☽ “Do you want to hear about the dream I had last night?”

☽ “It usually takes me a while to fall asleep too.”

☽ “I can’t sleep when you don’t cuddle with me. Please.”

☽ “Don’t think I don’t notice you yawning.”

☽ “Look me in the eyes and tell me that you slept last night. Better yet if you slept last night.”

☽ “Those energy drinks really aren’t good for you. They don’t even work.”

☽ “I understand you want to get things done but you really can’t pull anymore all-nighters, babe. You need sleep.

☽ "It was just a nightmare, sweetheart. It wasn’t real.”

☽ “You don’t know the wonders a 30 minute nap could do you right now.”

☽ “So then I- oh. You’re already asleep.”

☽ “You look dead. When’s the last time your head hit a pillow?”

☽ “I didn’t mean to wake you. Go back to sleep.”

☽ “Umm this is just a dream?”

☽ “Sorry. Were you sleeping?”

☽ “You’re up late. Something on your mind?”

☽ “Hun you’re shivering. C'mere, let me warm you up.”

☽ “Give me a goodnight kiss?”

☽ “Stop fighting it. You need sleep.”

☽ “Did you know you talk in your sleep?”

☽ “Are you afraid to fall asleep because of nightmares?”

☽ “That’s, what, your fourth cup of coffee?”

☽ “That’s the fifth time you’ve yawned in two minutes.”

☽ “Put the homework away and go to bed.”

☽ “Let me be a mom for a second and tuck you in.”

☽ “Go to sleep. I’ll deal with it.”

OKAY! I hope more people see this and actually enjoy it!!!

[xyywrites]

Overused Words in Writing & How to Avoid Them

We’ve all got our comfort words—those trusty adjectives, verbs, or phrases we lean on like a crutch. But when certain words show up too often, they lose their impact, leaving your writing feeling repetitive or uninspired.

1. “Very” and Its Cousins

Why It’s Overused: It’s easy to tack on “very” for emphasis, but it’s vague and doesn’t pull its weight.

Instead of: “She was very tired.” Try: “She was exhausted.” / “She dragged her feet like lead weights.”

💡 Tip: Use precise, vivid descriptions rather than vague intensifiers.

2. “Looked” and “Saw”

Why It’s Overused: It’s functional but flat, and it often tells instead of shows.

Instead of: “He looked at her in disbelief.” Try: “His eyebrows shot up, his lips parting as if words had failed him.”

💡 Tip: Focus on body language or sensory details instead of relying on generic verbs.

3. “Suddenly”

Why It’s Overused: It’s often used to create surprise, but it tells readers how to feel instead of letting the scene deliver the shock.

Instead of: “Suddenly, the door slammed shut.” Try: “The door slammed shut, the sound ricocheting through the empty room.”

💡 Tip: Let the action or pacing create urgency without needing to announce it.

4. “Said” (When Overdone or Misused)

Why It’s Overused: While “said” is often invisible and functional, using it in every dialogue tag can feel robotic.

Instead of: “I can’t believe it,” she said. “Me neither,” he said. Try: Replace with an action: “I can’t believe it.” She ran a hand through her hair, pacing. “Me neither.” He leaned against the counter, arms crossed.

💡 Tip: Don’t ditch “said” entirely; just mix it up with context clues or action beats.

5. “Felt”

Why It’s Overused: It’s a shortcut that tells instead of showing emotions.

Instead of: “She felt nervous.” Try: “Her palms slicked with sweat, and she couldn’t stop her leg from bouncing.”

💡 Tip: Let readers infer emotions through sensory details or behavior.

6. “Really” and “Actually”

Why It’s Overused: They add little to your sentences and can dilute the impact of stronger words.

Instead of: “I really don’t think that’s a good idea.” Try: “I don’t think that’s a good idea.”

💡 Tip: If a sentence works without these words, cut them.

7. “Walked” or “Ran”

Why It’s Overused: These are go-to movement words, but they can feel bland when used repeatedly.

Instead of: “He walked into the room.” Try: “He strolled in like he owned the place.” / “He shuffled in, avoiding everyone’s eyes.”

💡 Tip: Use verbs that convey mood, speed, or attitude.

8. “Just”

Why It’s Overused: It sneaks into sentences unnecessarily, weakening your prose.

Instead of: “I just wanted to say I’m sorry.” Try: “I wanted to say I’m sorry.”

💡 Tip: Delete “just” unless it adds essential nuance.

9. “Thought”

Why It’s Overused: It tells readers what a character is thinking instead of showing it through internal dialogue or action.

Instead of: “She thought he might be lying.” Try: “His story didn’t add up. The timelines didn’t match, and he wouldn’t meet her eyes.”

💡 Tip: Immerse readers in the character’s perspective without announcing their thoughts.

10. “Nice” and Other Vague Adjectives

Why It’s Overused: It’s generic and doesn’t give readers a clear picture.

Instead of: “He was a nice guy.” Try: “He always remembered her coffee order and held the door open, even when his arms were full.”

💡 Tip: Show qualities through actions instead of relying on vague descriptors.

Final Tips for Avoiding Overused Words:

1. Use a thesaurus wisely: Swap overused words for synonyms, but stay true to your character’s voice and the scene’s tone.

2. Read your work aloud: You’ll catch repetitive patterns and clunky phrases more easily.

3. Edit in layers: Focus on eliminating overused words during your second or third pass, not your first draft.

[me-writes-prompts]

:-"It's beautiful, isn't it?" Early morning prompts for your otp-:

By me-writes-prompts

A date to watch the sunrise together

^^"It's my first sunrise with a romantic partner." "Really? Aww, I'm glad it's with me."

Sitting on the porch steps, watching the fog lift, with hot chocolate/coffee in their hands

Taking a walk, hand in hand, while sharing headphones

Getting cozy by the fireplace in winter, cuddling>>>>

Running around a lake together

"Every time I wake up, the sunrise gets more surreal." "Like me?" "Like you."

"Ugh, we should not be up this early." "It's worth it. I get to see your puffy face and your cute bed hair!"

"Sometimes I thank our shared insomnia because we get moments like this." "Truly peaceful."

"Come on, we have to be there on time!" "It's not a contest, [Name]." "You still need to hurry up, though. We're running a good 5 miles today." "You didn't tell me that!" "Oops."

"I can see the view perfectly from the window, join me?" "I need sleeeep." "Pretty please?" "*Grumbles and goes to them.*"

Morning hikes

They decide to stay in bed, just listening to each other breathe.

[starful-emporium]

as a professionally published author who's written fic since I was like, 10, here's my advice for people who want to start writing fic:

fanfic is for fun. the standard is that you have fun writing it. there is no other requirement

starting is the hard part. write some bs at the top (I'm partial to something like "I'm gonna write this fic now instead of just daydreaming, i guess it starts with..."), use voice typing, anything to make the first few words easier

talk to yourself while you write. it makes your dialogue more natural and helps you figure out where to put commas (they go where you pause, most of the time)

edit it once or twice max. it's fic, don't stress it. read it aloud as you do, you'll catch more errors that way

one last scan before you click post. websites will change the font and that helps you spot typos

engage with other writers! here and on the platform you post to! fandom is about community and interaction, you have to be active if you want to see activity. idk about others, but when someone comments on my work I always check to see if they've written for that fandom, and check it out if they have!

[writingwithfolklore]

What to Worry About in Each Draft

Your first draft is never going to be your best one. That’s why we’re often told to be prepared to write your worst version first—but what does that really mean? Here’s a (non-strict) guide on what you should really be worrying about in each draft—and don’t move on until you feel you’ve achieved it.

Draft 1: Foundational Scenes

This draft is only about getting the basics of the scenes in the right order and onto paper. You may start exploring who your characters are on a deeper level, but all you’re really focusing on is getting them from their A to B.

Draft 2: Developing the Characters further

Start developing your characters and imbuing those foundational scenes you’ve already written with their motivations and heart. We’re not worried yet about voice or anything, just the bare bones of their arcs and making sure that the conflict they face will eventually form who they become.

Draft 3: Theme

Theme should develop through the character arcs, but I always set aside a draft to ensure that it’s coming through and the ending is working for me. I tend to leave it for a bit later because the theme isn’t always apparent from the get-go, but usually jumps out at the end of my protagonist’s arc. Before you move on, really ask yourself if the message you’re sending is one you like. If not, you may need to adjust your ending.

Draft 4: Pacing

Now that we have the scenes and the heart within them, we want to make sure that there’s nothing extra. You should have a good idea of what’s important after developing your characters and theme, and now’s a good time to cut out the excess.

Draft 5: Voice, Tone, Motifs

Voice I tend to leave pretty late in the game since dialogue is pretty easy to go through and edit altogether, and it’s helpful to know what the characters mean before I add subtext and voice quirks that make them individual and add more interest to the dialogue.

This is also a good time to do the same with your narrator’s voice—the overall tone of your piece—and make sure that you have those key things that continue to come up throughout your writing to make it feel cohesive.

Draft 6: Grammar

You should never edit for grammar/spelling until you have totally locked in your story and are happy with how it reads, because if you need to add or remove any scenes, all that work on grammar you had done will be wasted. This is always the very last thing I do before I move onto beta readers.

Draft 7-??: Feedback!

I try to send out my pieces to at least 3 people, so if there’s any discrepancies there’s a tie-breaker. Also, two could be seen as a coincidence, but three is a pattern—if all three people point out something, I usually take that as a sign that it needs work.

This isn’t usually one draft but several as you talk with your beta readers and have them take second and third looks (if they are willing!)

As well, you may get feedback from editors or agents, and will definitely get feedback and need to write subsequent drafts if you get far in the trad publishing process. Everything before Draft 7 is your baby, and you get to keep that forever, but you should know that afterwards, this baby is being raised by the village and may no longer look exactly how you thought it would. That’s okay, that’s part of it, and while you may not see it at first, it does make the work better.

Anything I missed?