#tips for fic writers

[forsssnaken]

Tips for New Fic Writers (by someone who is not qualified in the slightest)

Capitalise your titles like that (if you wish to capitalise at all, there's something to be said for entirely lowercase titles for style). Every word in a title should be capitalised EXCEPT and, an, a, but, at, as, for, by, the, on, or, in, of -- UNLESS THEY ARE THE FIRST OR LAST WORD IN A TITLE.

Please take your dialogue out of the paragraph. Let's do paragraph breaks, please.

If you don't understand grammar or English very well, seek out a Beta reader. If you don't want that, the least you can do is skim through it with grammarly (not recommended).

Don't abandon pararaphs. They're probably alright and salvageable. Just copy and paste them to the bottom of the document. Sometimes you'll find yourself in a rut, can scroll down, and there will be something to help you that you've written previously.

Practice is the best thing you could possibly do, and it's a damn good thing for my ego that I haven't posted all the fanfiction I've ever written (see: Lord of the Rings gay ships in my 3rd grade writing notebook that I had to share with the whole class). You almost have to get better if you're practicing.

The biggest 'turn offs' in writing, from a very picky person:

Blocks and blocks of text. Be liberal with your paragraph breaks, please!

Dialogue without proper quotation marks. Man is that annoying to read.

AI. Yes, it's easy to tell. I can tell if it's the whole fic or a damn paragraph. This skill comes from reading 14/15 year olds' essays for 2 years.

The wrong your/you're and there/their/they're. It's not a hard rule to learn, friends.

If you name Aziraphale something other than that (see: Azira Fell, Azi, Az, Ezra, etc.) -- this is a personal gripe.

I don't want this to scare you.

Most Important Things to Take Away: Reading others' work is the second best thing for your writing, writing is the best. Write whenever you get a free moment.

Remember: It's a hobby, not a career (given that you're reading this post) so give yourself some grace. I love you. Stay hydrated and do some carpal tunnel exercises from youtube.

[vivsinkpot]

How to Structure a Oneshot That Hits Like a Thunderclap

“A good oneshot is a single breath—sharp in, slow out.”

A oneshot isn’t just a short story. It’s a moment, a mood, a slice of intimacy that wouldn’t survive being stretched into a full-length fic. Here’s how to make it count.

Pick One Core Emotion

Build the whole thing around a single feeling. Obsession. Longing. Regret. Euphoria. Grief.

If a full-length fic is a symphony, your oneshot is a single piano note.

Ask: What should the reader feel when they finish?

Ex: “This oneshot is about the moment someone realizes they’ve already fallen in love.”

Limit the Timeline

Don’t span days. Or even hours, if you can help it. The strongest oneshots focus on a single scene or moment.

A kiss in a hallway.

A final goodbye at dawn.

A confession said too late.

Tight time = tight tension.

Start Late, End Early

Drop us into the scene already in motion—no lengthy set-up. And leave us just after the climax, not long after.

Don’t: “They met three years ago and…”

Do: “It’s raining the night he finally says it.”

Your oneshot should feel like eavesdropping on something private.

Structure Like This

ACT I: Setup (15–25%)

Who are we with? Where are we? What’s simmering under the surface?

ACT II: The Shift (50–70%)

Something changes. A kiss. A fight. A confession. A memory.

The mood deepens or flips—this is your emotional peak.

ACT III: The Fallout (15–25%)

How does it end? A single line. A final look. A choice not made.

Leave a lingering echo, not an epilogue.

Let Style Do the Heavy Lifting

A oneshot gives you space to lean into voice, imagery, and metaphor. Write like it’s the last thing you’ll ever write.

“He says her name like it’s a prayer, but the gods stopped listening hours ago.”

Mood. Matters.

[luna-azzurra]

Slow Burn Realization Prompts

✶ “when did it happen? when did i start looking at you like that?”

✶ “i think i always knew, i just didn’t want to ruin it.”

✶ “you’re the only constant in my chaos.”

✶ “everyone else faded. you stayed.”

✶ “you laugh, and something in me aches to keep you happy.”

✶ “i didn’t mean to fall for you. i just... tripped into it, slowly.”

✶ “i watched you fall asleep one night and everything just clicked.”

✶ “i tried to convince myself it was just friendship. it never was.”

✶ “i think the scariest part is how much sense you make.”

✶ “and then one day, i looked at you and thought: ‘oh. it’s you.’”

[me-writes-prompts]

-:“We’re definitely just enemies, and not anything more” Enemies to lovers prompt :-

(*Wink wink* tag me if you write these.)

By @me-writes-prompts

“I want to wrap my hands around your throat, and choke you until the life in your eyes die down.” “Kinky.” ;)

“It’s funny, isn’t it? How we always end up, in the same place, at the same time.” “It’s not funny, I know you’ve been stalking me. That’s how we always end up together.” “Stalking? You? *scoffs* in your dreams.”

“Well, if it isn’t my favorite human being on the earth!” They say with fake excitement. “Oh thank you, but I regret to not say the same.”

“If you don’t care, then why are you holding my hand?” “So I can drag you down with me if we fall from this cliff/edge.”

Just deadass staring daggers at each other, and communicating with their eyes.

“Fuck you!” “Love you, too.” They say, blowing a kiss.

“I hate being in your presence, I hope you know that.” “You’re literally sitting half on my lap.” “Because there is nowhere else to sit!” (There was only one couch *snickers*)

“It just so happens that I put on my nicest outfit, just to find out that you’re my blind date.”

“Don’t look at me like that.” “Like what?” “Like you want to murder me but also like…you want me.” 😏

“It’s impossible not to hate you.” “It’s impossible not to hate you.” *mocking*

“Look, I win. So back off okay?” “Stepping on my toe and reaching the ceiling is not winning.”

“Shut up before I-” “Before you what, huh? No, say it. Let me see if you can finish that sent-” *shoves the nearest thing into their mouth*

“Come here, let me see the cut.” “No.” *sighs and walks up to them* “Let. me. see.”

“You’re not that good looking, alright?” “So you admit I’m good looking?” “What? N-no. Never.”

“I love you.” “Huh?” “Is the last thing I would be saying, so get that delulu thought out of your mind, and leave me alone.”

“You’re such an idiot. Who steps on a knife unknowingly?” “It was in the middle of a dumpster, I didn’t see it!” “Someone needs glasses.” “Shut up!” (This is so random lmaooo)

[angelilacs]

enemies to lovers ˎˊ˗

⭑ “are you okay? no fever? i’m a little worried with the lack of daggers to my throat recently.”

⭑ “you’re not hurt, are you?” “no, obviously not.” “that’s unfortunate.”

⭑ he liked her in ways he couldn’t explain, so he hated her instead.

⭑ he hates that he knows she fiddles with her ring when she’s nervous, and that her seashell necklace was given to her by her late grandma, and that she hides it underneath her shirts so people take her seriously.

⭑ “my brain just goes blank when i try to find a solution.” “huh. interesting.” “what is?” “didn’t know you had one.”

⭑ heated argument turns into make out session

⭑ “despite how we feel about each other i wouldn’t leave you for dead.” “how romantic.” “i take it back.”

⭑ forced proximity

⭑ one of them is egotistical and sure they’re always right which riles the other one up to constantly point out their mistakes

⭑ “you come to me. when shit goes down you come to me, you don’t fucking run away from me.”

⭑ “if we don’t get out of this alive—” “shut up, you do not love me.” “i was going to say thank god.”

⭑ “is he losing a lot of blood?” “yes.” “i love it when the universe is on my side.”

⭑ eye contact that one of them breaks just to hit the other one in their leg

⭑ one of them is a walking encyclopedia of fun facts and constantly remind the other that what they’re doing will one day kill them: you shouldn’t smoke, being on your phone for too long causes immense radiation, brushing your hair with that type of brush is harmful.

⭑ “if we don’t get out of this alive—” “that’s not funny, we could actually die this time.” “i love you.”

based on this ask !

[writingwithfolklore]

Book Terms to Know Before Self/Trad Publishing

Will continuously update. Last updated: May 2025.

ARC: Advance reader copy – a special edition of the book printed before the release date, may still need finalizing edits. Meant for creating marketing buzz.

CNR: Closed No Response, when a query has been sent for long enough with no response to be considered an auto pass

Contemporary Fiction: A book that takes place in the present day, typically lacking in a genre. Centers around a protagonist’s everyday life: work, relationships, and modern day struggles

Literary Fiction: Contemporary fiction but considered to have some sort of artistic value—typically character-driven and introspective, it’s meant to engage the reader in a personal or social commentary.

Magical Realism: A real world setting with magical elements. Typically, the magic in the world is unusual and a cause for concern for its inhabitants.

Manuscript: An unpublished piece of writing.

MG: Middle grade. Books targeted at readers 8-12

Monomyth: Another word for the Hero’s Journey

MS/MSS: Manuscript or manuscripts

MSWL: Manuscript Wishlist—a list of an agent's next “want to reads”, look under #MSWL on any social media, or the MSWL website to find.

New Adult: For readers just beyond young adult containing college-aged protagonists written in the commercial style of YA.

Literary Boutique: This is what small agencies tend to call themselves instead of saying "small". Usually they are very selective about their clients but are also able to give a lot more attention to each individual.

R&R: Revise and resubmit—the agent is interested in your work but needs a hefty revision before they can really consider it.

SFF: Science fiction and fantasy

Speculative Fiction: Umbrella genre of fiction that breaks away from reality—can be fantastical, supernatural, futuristic, or otherwise imaginative.

Upmarket fiction: contains the lyrical writing of literary fiction with the plot-focus of genre fiction. AKA bookclub fiction

Urban Fantasy: Subgenre of fantasy that places supernatural/magical elements in a contemporary, urban setting.

Women’s Fiction: An umbrella term for books targeted towards a female audience—typically about female issues or struggles. AKA Chick-Lit

Young Adult: Targets readers aged 12-18 with characters around the same age. Most typically a coming-of-age story.

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[quillver]

WRITING TIP: Make your dialogue beats do more.

A beat isn’t just filler; it’s how you write the silence.

The best beats reveal what’s felt, not said:

– hesitation

– discomfort

– tension

– hidden motive

What’s a beat?

A dialogue beat is a small action or thought that shapes rhythm and reveals what’s left unsaid.

Avoid:

“Sure,” she said, with a shrug.

(Filler beat. Adds no emotional value.)

Use beats with intent:

“Sure,” she said, without looking up from her phone.

(dismissive)

“It’s fine,” she said. The fight was over. And she’d lost.

(self-censorship)

“I’m fine.” He lined up the silverware again - and again.

(anxiety)

A good beat doesn’t echo the line - it complicates it.

[somepsychopomp]

Tips for Writing a Good Fic Summary:

I firmly believe that no writer should ever have to say "I suck at summaries", "my summary is bad but my story is good", "idk what to put in my summary" etc.

Why?

It makes you seem unconfident or disinterested in your own writing, which therefore puts off a lot of potential readers

It can come off like you didn't try

When tons of people say "I suck at summaries", it lowkey lumps you in with all the other writers who also don't know how to write summaries, and can make the premise of your fic seem less interesting or unique as a result

And quite frankly, I think every person who's ever slapped this kind of disclaimer on their fic absolutely can write a good summary if only they had some guidance and practice!

So, here are my go-to strategies for how to write a summary that functionally conveys the premise of your fic while also making it sound fun and interesting:

(Disclaimer, a lot of fellow fic writers out there have already internalized at least a good portion of what I've written below. This guide is designed for fanfic newcomers who may or may not still be learning how to write, largely because I most often see them posting the dreaded "I suck at summaries" as a shield, excuse, or preemptive defense of their works. I also want to say- no shame. We all have to start somewhere, and I just want to help out as much as I can.)

1) The In-Universe & Out Strategy:

I'm explaining this one first because if you've ever spared even a passing glance at Ao3, you've definitely come across this summary archetype before. And I'm super guilty of using it, too. But hey, if it works, it works!

This strategy is actually two summaries in one, the first being a blurb explaining the plot in a way similar to those you'd find printed in published books, with the goal of highlighting the drama or central conflict in the story and/or main character(s).

But it's also combined with an "out of character", typically much shorter summary that explains the premise by referencing its tropes or general format. The example below is one of my own fic summaries:

Let's start with the easier "out of character" component of this two-parter, that being the very last line of the example summary. This portion is technically optional in any summary, but has its many uses. The most important of which is that it offers clarity and guidance for your readers, and informs them of what exactly they're getting into if they were to click on your fic.

Also, it always comes second because the technical, "out of character" component is not you as a fandom participant trying to sell your story in an engaging way, it's you as the author explaining what it is you've made using familiar terms like "pre-canon"/"AU", etc.

And to be clear, I personally believe it's always better that your potential readers' first taste of your story (that being your summary) is immersive and enticing rather than plain and technical. So this smaller blurb should always go after your actual summary. Think of it as the cherry on top.

And you can make this portion of your summary very easily. Just state if your fic is an AU, if it's a "5 times X happened and the 1 time Y happened" fic, etc. All you have to do is tell your audience plainly what the main draw of the fic is, and all that takes is 1 sentence.

Aside from that, why does this format work and why is it so common in fandom spaces?

Well I referenced it before, but it offers something that most summaries in published books do not: clarity.

Yes, a good fic summary should tell you who the central character(s) are and a general idea of what happens in it. But summaries are also often used to build intrigue. You want your audience's curiosity to be piqued, so if you make your summary (and by extension your story) sound cool and mysterious, or full of adventure, or intensely cerebral and thought-provoking, readers will be inclined to click on your fic to find out how it ends.

But also, mystique offers uncertainty. And some readers might not like a fic if they can't quite parse out what exactly it'll be about. So, having an additional line or two after your "real" summary to explain the premise the way you might quickly explain it to a friend, gives that balance of intrigue and clarity.

But how do you write that first part? The actual summary?

2) The Cheater's Strategy:

It sounds a little dramatic, but honestly I consider this my "cheat sheet" way of making a summary because it's very much a shortcut that works.

And that strategy is: you sum up the first chapter of your fic. Nothing more. You do not allude to what the overarching plot is, you act as if chapter 1 is all you've got. But why would you do that?

Here's the thing about fanfics, based heavily on my experience in both writing and reading them. When you've got a fic that's more than 5-8 chapters long, or it stretches beyond 10-15k, oftentimes the first few chapters are all set up for your premise and the real meat of the story (the solving of the mystery, the big battles, the winding adventure, the burning portion of the slowburn) will come after.

When it comes to the cheater's strategy, you're going to ignore all the best portions of your story just so you can explain the boring set-up period where you position all your characters in the right places so they're ready to go on their (mis)adventure.

If you think that sounds like a bad idea, let me ask you this: When you pick up a mystery novel at the bookshop, does the summary give away who did it?

No! And you're not going to, either.

Also, it's implied and expected that the longer your story is, the more it will develop, change, and grow. So if you can sell your initial concept idea enough for a reader to click and read the first chapter, you very well could hook them and keep them seated for the rest of your story.

And remember what I said about building intrigue? This strategy is designed to build intrigue by suggesting there's more than what meets the eye.

Here's another example:

That might sound dense. And it's long. And it sounds like maybe a lot of stuff goes on in chapter one, but literally all I've done is explain the initial premise of my fic. (Note- this summary is for an Epic the Musical fic, which is a musical based of the Odyssey. Would highly recommend but that's beside the point)

The point is, this is an AU. But I didn't employ the Out of Universe strategy this time around and say it's an AU because it's obvious to anyone in the Epic fandom and it does not need to be further clarified.

What mattered to me in this scenario is that my potential reader sees my summary and knows that Odysseus the main character is a man who is married to the goddess Calypso, and is currently living in paradise. But in canon (both in Epic and in the actual Odyssey), Odysseus rebuked Calypso's advances because he wished to remain faithful to his actual wife Penelope.

The suggestion or implied understanding here is that something bad happened that caused Odysseus to discard Penelope in favor of Calypso. (Spoiler alert: the bad thing was him being brainwashed by a woman who would eventually become his abuser.)

And in this case, it's the suggestion of something gone wrong that builds the intrigue and curiosity for me without me having to add anything extra.

In the bulk of King of Ogygia, Odysseus goes on a strenuous mental journey to rediscover his true self with the help of various Greek gods, while also physically fighting back against his abuser. That all sounds pretty important to the story, right?

And it is! But I didn't want to include any of that and risk spoiling the overarching story. Anyone who'll be interested in chapter 1 will probably willingly continue reading to see how the story develops because that's just what you do when you find a story you like.

But let's say you're not writing an AU or a complicated, multi-chapter story spanning tens or hundreds of thousands of words.

If your fic is short and sweet, your summary should be as well. Next up,

3) Keep it Simple Strategies

(Yes, plural. This section is more like two different ideas lumped into one sum, but it made the most sense to put them together so please bear with me.)

Maybe you've got a neat little one-shot or a short fic (like 10k words or less) and you're not sure how to write it's summary precisely because it's so short. Or maybe you just prefer simple, direct summaries as opposed to the lengthy, dramatic kind.

Here's my next example from a 3k one shot I once wrote:

To be clear, this is a NOT an ideal summary. Far from it. But it's from a fic I wrote 6 years ago and I've definitely grown and changed as a writer since then. Let's dissect and rewrite this summary together.

Firstly, it does the bare minimum of telling you who the main character is (Kirishima), who he's being shipped with (Izuku), and the setting (a gym). And from a technical standpoint, that's almost all you have to write in order to reach the textbook definition of a summary.

But I didn't even really explain what the conflict or actual plot is, only suggested that that plot would be Kirishima trying to get together with another character who, in this setting, is a personal trainer.

It's succinct, I can at least give it that. But it's so short and plain that it doesn't really spark much imagination, does it? In all honesty, if I saw this exact summary posted at the top of Ao3, I'd skip right past it because it's so unimaginative and bland 😭

But the fic itself is only 3k, how do you build intrigue for a story that most readers can digest in about 30 minutes or less?

Let's start by identifying the main character and make a short list of their most important emotions or characteristics. Here, I would characterize Kirishima as being hopeful (that he can score a date), in love, and active (in a physical sense).

So I should try to channel these primary components into my summary. I could say something to the effect of:

Kirishima has been hitting the gym a lot more often, but it's not to improve his strength. There's a new personal trainer and he's got Kirishima's heart rate spiking better than cardio day. But can he work up the nerve to actually ask Izuku out?

Obviously, he'll ask out the cute trainer and they'll go on a date, but that's not what's important to a ship fic. It's the journey to the inevitable getting together that we want.

What makes this summary a little more engaging is that it's a lot more playful than the original. The gym pun and usage of "strength", "heart rate", and "cardio" really emphasizes the setting and premise. It helps sell the idea that this fic is a lighthearted romp while also hitting all the basics of who we're supposed to care about and where they are.

Here's a marginally better example summary:

Same fandom, different ship, similar premise. One character has a crush on the other, their crush is unaware of their affection at first, and the name of the game is winning them over.

But what makes this summary better than the previous example?

Well, it explains itself quite well by hitting all the minimum details. With four short sentences, it introduces who the two most important characters are and what their deal is. One of them is a god, the other is a mortal. It's a fantasy setting. The romance is one-sided.

But those minimum details coalesce into something greater than the sum of its parts. You also get the sense that Katsuki is dangerous and hot headed because he's the god of war, and you know that the object of his affections is more bookish and not quite interested in the brutish type.

How will they ever get along?

You thereby implicitly understand that the conflict of the story is figuring out how the ship will inevitably become a ship despite their initial differences. We could call this the Opposites Attract strategy, where the summary focuses on the juxtaposition between the two characters in the central ship, and makes that the central defining feature of the story. Got all that?

Good!

But making lists or divvying up character traits might seem confusing or tedious for some. (IMO if you're a new fanfic writer just starting out, it's worth a try to treat these simple strategies as writing exercises for your stories/summaries, even if you end up not using/posting them.)

If you as a writer want a more direct approach, try:

4) The Excerpt Strategy

All that stuff I said earlier about generating intrigue and hiding the meat of your story?

Well, you're still sort of doing that with this strategy, but not really. Instead, you're going to let the fic do the talking for you.

And by that, I mean your summary isn't really a summary at all, and is instead a brief excerpt from the fic itself. Here's some examples from various fandoms I've written for, including some where I've let the fic speak entirely for itself and others that I've combined with Strategy 1:

But how do you choose the right excerpt to represent your entire story?

In my opinion, a good excerpt needs to fulfill a few key requirements:

It has to convey who the main character is or what the plot is, so it will probably be from early in your fic.

Likewise, it can't give away the ending/big reveal because it looks careless. (And does not build intrigue!)

It can't be too long or else it'll seem bloated and readers might skip over it.

It also can't be so short that it ends up being confusing.

And most of all, it can't be so out of context that it ends up being baffling. Like if my fic's summary was just the line "And then all the kangaroos got wet" sure that could convey that my fic might be wacky and/or crack, but it's also distracting, uninformative, and doesn't really convey anything about your characters or plot.

Yes, oftentimes all of the above can be a hard checklist to fulfill, I know from experience. Hence why a lot of writers, myself included, combine it with a brief out-of-character explanation of the fic to cover all our bases.

The third and shortest example is arguably too brief for a proper summary, but it does one thing I really like by establishing the tone. It's sensual and a little sarcastic, offering a hint of danger, and is cushioned from failing by not fulfilling requirement #4 b/c of its supplementary summary.

So, why choose this strategy over any other?

Well, it advertises your writing style and unique voice more than a typical summary would. Sure, a regular summary kind of reflects who you are as a writer already, but I've definitely noticed in my own experience that the way I write a summary might be more formal, less formal, more dramatic, less dramatic, or just plain different from the voice/tone/perspective used in my actual fic.

And remember- that's because a summary is designed to GRAB attention. A fic is designed to MAINTAIN attention. They aren't quite the same and each has its own needs & goals.

And last but not at all least:

5) No man is an island

You really want to learn how to write good summaries?

Read more fics. Read more books. Read their summaries.

Go to your local bookstore or library, or visit your own book shelf, and study how others have written their summaries. What's important to each story in order to make a publishable summary? Is it the character's powers, the world they live in, the time period, the setting, their relationships, their enemies, their conflicts? Or something else? Or is it a combination of the factors above? And how do you make each factor as enticing as possible?

Does a sci fi novel have the same summary structure as a Jane Austin novel? Probably not! So if you have a sci fi fic in mind, it might do you some good to see how sci fi authors characterize their works. (Or maybe think outside the box and do take inspiration from an Austin blurb? Anything is possible in the world of fiction.)

Alternatively, go to Ao3 (or your preferred platform) and read how others in your community portray their fics. Comb through the fics you've bookmarked and study their summaries. Did they entice you? If so, try to figure out how and why. If not, what compelled you to click on the fic regardless?

And don't be afraid to draft out your summaries and revise them the same way you'd do so with your actual fics. Granted, I know there's lots of people out there that post fanfics without editing them, and that's fine. This should all be for fun, after all.

But if you want to put your best foot forward and give your story a strong advertisement, experimenting with the wording and structure of your summaries might do you some good!

Ultimately, when I say no man is an island, I mean it in the sense that artists study other artists all the time, and have been doing so for thousands of years. Crafting an effective and compelling summary is arguably an art itself. So, learn from those around you. Take advantage of your predecessors and the fellow writers in your community.

And that's that!

But we're not quite done here. My parting gift to you all is one last strategy, one that can be readily combined with nearly all others. It's called the Try & Try Again Strategy:

Start with a shitty first draft of your summary. It can be as bad and uninformative and bland as you want because it's just for you and no one else will ever see it. In fact, it should intentionally be as simple and plain as possible. Something like "Percy Jackson goes to the store"

Then tack on an extra detail, something to make it a little more exciting or elaborate. Maybe you've identified that your summary needs to convey what the initial premise or inciting incident is, as opposed to something like a romantic pairing or the setting. So you write a newly revised summary: "Percy Jackson goes to a store and a bomb goes off inside."

But you want to add a few more details to make it just a little more exciting and informative: "Percy Jackson thought he was about to have an ordinary day when he's framed for a pipe bomb explosion inside a deli market." (Now we have the central conflict- Percy is being framed for a crime! But how can we make it even better? How do we build even more intrigue?)

Keep trying: "Percy Jackson's day went from mediocre to horrible as he's framed for an explosion inside a New York bodega. Follow his misadventure as he runs from the local cops, finds the perpetrator, and most important of all- gets his groceries home by dinner time."

But wait, you might say. That's not a strategy. That's just doing the same thing over and over again to varying degrees of success.

To that I say yes, it most certainly is. And that's basically all writing is. It's trying to bring your idea to life, identifying what's not working along the way, and fixing it.

But starting with a seed is how you get a flower.

And if you've made it this far, I just wanted to say thanks for stopping by! Have fun writing! ♥️

[coline7373]

How to comment 101

A fandom is the subculture inherent to a group of fans. It touches anything related to the field of predilection of such a group of people and is organized or created by these same people. And, like everything that comes from people, it is alive and requires exchanges to continue to exists.

People who receive no comments have often and at length express how lonely it can feel to be shouting alone in the void and how discouraging such silence can be.

I have found after asking around that readers aren’t unwilling to comment, but mainly don’t have the energy or know what to say.

Some readers have also expressed a fear of annoying the author, as they are clumsy with words, or feeling intimidated in front of an author who has such a talent with words that the reader's own words feel too embarrassing. Or not feeling that their own five word sentence is worth the bother.

Every word matters.

Every comment is worth its writing to the author.

I refer you to this post if you doubt the importance and impact of comments on fanfics.

To help those willing to comment, I have done a very modest survey of roughly 20 persons, writers and readers alike, and here is what I have come up with.

For writers:

Write in your notes, at the end of the fic, clearly what type of comment you do not want. 

Clearly stating your limits and preferences helps readers who are uncertain or not very verbose to write in a relaxed way.

If they do not have the anxiety of offending, vexing or annoying the author, they will be more comfortable and therefore more inclined to write.

If you have repeated commenters, try to reply to their comments, even with just a few words. Some people who do not receive replies to any of their comments take the lack of response to mean the author is not reading comments at all, feel discouraged and stop commenting in turn.

If you do read the comments, but don’t want to reply for whatever reason, do say so at the end of the fic, in the notes, so that readers know what to expect and not be disappointed.

For readers:

Do:

About the story: 

You can write about a particular line that you liked, the themes, parallels with canon or within the story, the characterisation, a character’s exploration, a/several character’s motivation, a/several character’s mindset/thinking/emotional reaction, a/several characters’ interaction, the plot, the action happening, the worldbuilding, emotions within the fic, subtext, pacing...

If you liked everything and are overwhelmed on how to narrow it down, you can just say exactly that. “I loved everything!”

You can also focus on pointing out just one moment, one line, one specific thing and why you liked them, specifically. What matters is not that you wrote a novel but that you communicated to the author what made you happy, what you enjoyed.

About you: 

What emotions the fic made you feel, what you think is going on in a wip or what you (think you have) figure(d) out, what you are doing in real life while reading the story, afterward, because of it, and/or how the fic impacted your life (yay! motivation to make art!), how the fic is meaningful on a personal level because x, y, z, what it made you think of, like another fic, a book, a song, a movie, what subject/fact it prompted you to discover more of…

How: 

You can write an essay, a prose, or some serious, meaningful, impactful words but you can also joke with the author as long as you stay mindful or polite. A lot of authors have said they love when people make jokes or break the fourth wall. 

Unsure about your sense of humor? Here is an example: do not write "I hate you! How could you do this to me!” Write "How could you do this? The betrayal! die offscreen.”

Making a parody of what is going on with the characters with a few lines can be funny! Keep it positive. Not everyone has the same degree of sarcasm. But levity and good humor are always welcomed.

Small fics vs longer fics:

Emojis, keysmashing and incoherent yelling are very often correct comments for small fics or drabbles. (Unless otherwise specified.)

They are also loved in longer fics, (unless otherwise specified,) but people who have been writing a story for literal years appreciate you taking at least five minutes to say a bit more than that.

Try to go through all the “about the fic” and “about you” points above, methodically, and choose just two or three of them. Then write just one sentence per point.

If you really don't know what to say, look at other people's comments. Sometimes, you will recognise something you liked too or that you thought was really good. It can help and be the starting point of your own comment.

Long WIPs:

For long fics that you follow while they are being written, people have said they have at first a lot of enthusiasm for commenting, but find it harder and harder to know what to say as the number of chapters accumulate, and so does the number of comments they feel obligated to give in turn.

Please, keep commenting! Love keeps the writers motivated and helps creativity. It’s like shouting in the void and getting a high five back.

Even one line about something specific (a dialogue bit, a reaction, a plot maneuver) can make an author happy.

Writers are not really looking for length or details. They are looking for care. If you read something you liked, just point out what you enjoyed. That's engagement enough. 

Comments aren't really about the act of a compliment. They are about the shared joy of a fandom or a ship or a character. 

Example: “'X character diving headfirst into the sea like that is so like him!”

It’s good. It’s fun. It’s nice.

Some people have said to “save” a chapter, give a kudo and say “looking forward to reading this when I have time!” and wait until they do have time and energy to comment more at length, sometimes two or three chapters at the same time.

It let the writers know their fic is still being read. You just have to be mindful to not let months go by, otherwise, it goes back to leaving the author the impression they invested hours, weeks, months, into something no one interacts with. You can alternate strategies, lengthy comments, short comments, and commenting on several chapters saved.

If all else fails, go back to the tried and true. Choose one of the points above, choose just two or three of them and then write just one sentence per point.

If you are not a native speaker:

Google can help with the bare minimum. It's not great, but it lays the foundations. Write what you think in google translate and the translation will help guide your answer. You can always ask for help from someone else or warn the author that the fic’s language is not your native language, if you are unsure if your words come off in a tone not intended.

At the start of your comment, say “I am not a native speaker”.

Do not apologize. It’s not necessary. Just provide context. Use your words. Be clear.

Remember: 

The writer isn't what they write. They do not necessarily headcanon what they write, nor do they necessarily approve of it in real life. Be mindful to not approve or disprove of x, y, z going on in the fic as if they do. You do not know that.

It’s not about the length or the wording or the quality of your comments. Of course authors love that. But what they love most of all is to hold hands, jump up and down with you and squee and gush about the fandom, ship or character.

It’s about the sharing of the joy.

Don’t:

Do not ask for another chapter and for the author to finish a fic.

Do not threaten the author to put their fics in an AI if they do not finish the fic.

Do not say "I didn't like it" or "I liked but not that" or "It would have been better if x, y, z." If you want to talk about what you didn’t like, whether it’s part or all of the story, discuss it with willing friends. The author is not responsible for you reading something you didn’t enjoy (how it made you feel) and persevering.

Do not “offer” to correct typos, grammar, vocabulary, facts, canon facts, characterisation, ect. unless you know the author and know they are fine with it or they say so explicitly in the notes. 

Do not make demands. Do not.

Like that tumblr op said, “this is not the bespoke zone.” This is off-the rack. If the free suit is not to your liking, look for another free suit rather than demand to speak to the manager for "adjustments."

Tags are not owed to you. Ao3 is not a safe zone. Not everyone agrees on what degree of content merits each tag. Or what qualifies for a tag. So, if you found a fic that was more angsty than you expected and it broke your heart, comment on a part that was good and didn't make you sad, without saying you want a happy ending to the angst fic that was written for angst purpose. Off-the rack, remember?

Exemple:

"I found x,y,z to be upsetting. Would you consider tagging it?"

Vs "Your work is totally x,y,z triggery. You ought to tag it."

Vs "Hey, you do know some people find x,y,z, triggery, right?!? Because they do! So tag it!"

One of those answers is correct. The others aren't. No demands in the comments.

Your emotional well being while reading fic is your responsibility. If your expectations have been disappointed, do not say so. Talk about a point that was positive for you. If your expectations have been exceeded, do share!

Also, if you're mad, I have found that it helps to write your comment, leave it to decant, and wait a week or so to see what it looks like when you're in a different emotional mindset.

Some elements of fics can be very upsetting unexpectedly. It is not the responsibility of the writer to answer that. Nor comments are the place for it.

Once some time has passed, if you still want to talk about it, try to communicate in a way that is neither demanding nor negative. If you can't, talk about it with someone who is not the author.

My own personal opinion:

It can be so easy to focus on the fic and your own inner imaginary garden/cinema, that we sometimes forget to switch from "inner life" to "outer life" and exchange actively with people on both sides of the fence.

But it can also add so much more to the experience <3

Clear communication is always good. Even if you disagree. At least you know where you stand.

Say thank you. Fanfics are a gift. You have been given one. Say thank you. 

[starful-emporium]

as a professionally published author who's written fic since I was like, 10, here's my advice for people who want to start writing fic:

fanfic is for fun. the standard is that you have fun writing it. there is no other requirement

starting is the hard part. write some bs at the top (I'm partial to something like "I'm gonna write this fic now instead of just daydreaming, i guess it starts with..."), use voice typing, anything to make the first few words easier

talk to yourself while you write. it makes your dialogue more natural and helps you figure out where to put commas (they go where you pause, most of the time)

edit it once or twice max. it's fic, don't stress it. read it aloud as you do, you'll catch more errors that way

one last scan before you click post. websites will change the font and that helps you spot typos

engage with other writers! here and on the platform you post to! fandom is about community and interaction, you have to be active if you want to see activity. idk about others, but when someone comments on my work I always check to see if they've written for that fandom, and check it out if they have!

[writersbloxx]

Dialogue Prompts

Right Person Wrong Time

Back from a brief hiatus with some more angsty dialogue prompts :D

“You were supposed to wait for me. I would’ve waited for you.”

“Be realistic.”

“Maybe it’s just meant to be this way.”

“Do you think we’ll regret this one day?”

“Just don’t forget me.”

“I already miss you.”

“I really am always late, huh?”

“Please, if anyone can make this work it’s us!”

“I’d honestly rather not have met you at all.”

“I hate that I’ll always love you.”

[idliketobeatree]

dead boy detectives contrapuntal poems — 1 — (2) (3) (4) (5)

[luna-azzurra]

“We Shouldn’t, But...” Prompts

⊹ “say we stop now, and I’ll stop… but don’t lie.”

⊹ “one more second like this and I won’t be able to pretend anymore.”

⊹ “tell me this is wrong while looking me in the eye.”

⊹ “we’re alone. no one has to know. just this once.”

⊹ “you’re standing too close.”

⊹ “don’t touch me unless you mean it.”

⊹ “you keep looking at me like that and I’ll do something we can’t take back.”

⊹ “this is dangerous. that’s why you like it, isn’t it?”

⊹ “if you walk away now, I swear I won’t stop you.”

⊹ “your breath on my neck is driving me insane—move or I will.”

[me-writes-prompts]

-:"Look me in the eyes when you say you hate me" Enemies to lovers dialogue prompts:-

By @me-writes-prompts

"That's it? That was your big entrance? God, I expected so much more." "Oh, did I disappoint you? That's delightful!"

"You don't often see trash walking around." "Wow. You don't often see a corpse talking either." "I'm not a corpse." "You will be."

"You know, I heard that you got taller. I'd say it's the opposite. Still can't reach my shoulders." "No? I can reach your cheek though. With my hand. If you'd like a punch."

"Is this your new hobby? Walking around the campus at midnight?" "At least I have a hobby. You on the other hand..."

"Did you miss me?" "..." "I can tell you missed me by your smile." "It's a scowl, you idiot."

"You think you're so clever, don't you?" "Yeah, and I can see that you're stupid."

"We could've ended up dead back there! What were you thinking?!" "About what kind of matching grave stones we could have."

"You think you're so high and mighty? That everyone is scared of you? What exactly would they be scared of? Your blue eyes, beautiful smile, your pretty face?" "I--"

"When was the last time you showered? You stink." "Then how come you're still standing close to me?"

[ch4inzsw]

Okay so this is a repost cause I FLOPPED but here are the sleepy prompts! (again lol)

☽ “You should get some rest. You’d feel a lot better.”

☽ “Sleep. I’ll keep you safe.”

☽ “I’m going to carry you to bed if you don’t stop arguing with me about not needing sleep.”

☽ “You’re obviously tired. Go lay down.”

☽ “You always look like you’re about to fall asleep when I play with your hair.”

☽ “Do you want to hear about the dream I had last night?”

☽ “It usually takes me a while to fall asleep too.”

☽ “I can’t sleep when you don’t cuddle with me. Please.”

☽ “Don’t think I don’t notice you yawning.”

☽ “Look me in the eyes and tell me that you slept last night. Better yet if you slept last night.”

☽ “Those energy drinks really aren’t good for you. They don’t even work.”

☽ “I understand you want to get things done but you really can’t pull anymore all-nighters, babe. You need sleep.

☽ "It was just a nightmare, sweetheart. It wasn’t real.”

☽ “You don’t know the wonders a 30 minute nap could do you right now.”

☽ “So then I- oh. You’re already asleep.”

☽ “You look dead. When’s the last time your head hit a pillow?”

☽ “I didn’t mean to wake you. Go back to sleep.”

☽ “Umm this is just a dream?”

☽ “Sorry. Were you sleeping?”

☽ “You’re up late. Something on your mind?”

☽ “Hun you’re shivering. C'mere, let me warm you up.”

☽ “Give me a goodnight kiss?”

☽ “Stop fighting it. You need sleep.”

☽ “Did you know you talk in your sleep?”

☽ “Are you afraid to fall asleep because of nightmares?”

☽ “That’s, what, your fourth cup of coffee?”

☽ “That’s the fifth time you’ve yawned in two minutes.”

☽ “Put the homework away and go to bed.”

☽ “Let me be a mom for a second and tuck you in.”

☽ “Go to sleep. I’ll deal with it.”

OKAY! I hope more people see this and actually enjoy it!!!

[writingwithfolklore]

How to read more

In my last post, I talked about how professional authors need to be reading always, not just for skills or inspiration reasons, but also to understand their own market and what’s going on in their industry. But if you’re someone who struggles to read that much, here’s some things you can do to help:

1. Schedule a time

Even if it’s only half an hour before bed or the fifteen minute train ride you take to school/work, reading for any amount of time consistently will finish the book. Build it into your routine somewhere that ensures you always have some sort of time to spend putting pages behind you.

2. Turn to digital content less

If the choice is between an easy to put on and turn your brain off TV show over a book… how often are you going to choose the book? Try powering off your phone/other devices when you’re looking to get some reading in. I found I started reading a whole lot more the less time I spent on social media.

3. Join a club or pair up with friends

Book clubs or finding another person to read with you is a great way to hold you to finishing a book. Plus, some of the best parts of reading are connecting with others over a story, and sharing theories, art work, head canons, etc.

4. Try other formats

If physical books aren’t your style, try an e-reader or an audio book. I sometimes get a bit car sick reading a book on the bus, but I can listen to it on my phone and finish it far faster. It doesn’t matter how the book gets done if the book gets done.

5. Don’t be afraid to DNF

If you’re not enjoying a book and coming back to read it is a chore—you don’t have to finish it. It’s okay to put down a book and choose something new if it’s not grabbing you. Reading, while informative for the reasons we already talked about, is also supposed to be fun. Put it down and move on if you aren’t having fun.

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