#tips for fanfiction
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bapple117 · 8 months ago
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Velvette Slang Masterlist: for the fandom
A gift from a humble Brit to anyone (not from the UK) wanting to write Velv convincingly ~
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Hello you wayward sinner!
Are you looking to write Velvette into a fan fiction, comic, roleplay or something else? Would you like to make her sound legit but you have no idea about British (or indeed, South London) slang? FEAR NOT! I, Bapple, am here to hold your hand and guide you through the wonderful world of British slang so you can have fun making Velv sound legit. Let's proceed!
Not all of this will be limited to the UK, of course, and it's not an exhaustive list of ALL British slang either - it's just the kind of things Velv WOULD say as someone from South London.
Insults
For men: bastard, prick, wanker, knob, dickhead, wankstain, bellend, git, tosser, sod, cock, pillock, numpty, codger (means old man)
For women: bint, bitch, slag, wench, slut, tart, trollop, scrub
For anyone: arsehole, arse, twat, sket, muppet, minger (means ugly), bugger, gobshite, cretin
The absolute worst thing you can call someone else is cunt - this is very strong and isn't used in casual conversation, unless you are in VERY informal company, in which case it's thrown around like it's nothing at all. (Come here you cheeky cunt - playful)
Terms of Endearment
Babes, hun, luv, darlin', sweetheart, mate, sweetie, mucker, pal, blud, fam, dear, dearie, honey
Eg: "Alright babes? How's it going darlin?'"
British people often use insults affectionately, too, especially with close friends as a way to tease / banter. (You silly sod, you useless prick, you cheeky git, you daft muppet, etc)
Slang Words
Drunk: trollied, smashed, pissed, wasted, legless, hammered, sloshed, battered, bladdered, merry, shitfaced, arseholed, plastered, lashed
Good: banging, well good, mint, the dogs bollocks, ace, blinding, cracking, brill, fab, neat, beast, fresh, hench, jokes (that's jokes innit), lush, peng (good looking), sick, wicked, peak, wavy
Bad: grim, naff, shite, shit, crap, tat (useless old tat), minging, rank, dry, nasty, humming (means gross)
Pleased: chuffed, buzzing, tickled pink, sorted (I'm sorted mate)
Annoyed: gutted, miffed, pissed off, fucked off, fuming, raging, ticked off, well annoyed, bovvered (used more sarcastically eg: I aint bovvered), vexed
Curses
Bollocks, fucking hell, bloody hell, bugger, piss off, any of the insults used above
Other random words
Bare = a lot of (eg bare money)
Chirpsing, grafting = flirting
Garms = clothes
Lips = kiss (are you tryna lips me?)
Peng ting = good looking person / high quality thing
Standard = of course, yeah no duh (Yeah that's standard mate.)
Tight = cheapskate (Don't be so bloody tight!)
Yard = your house (Come over to my yard)
Banter = conversation that's funny, casual, playful (S'just banter innit)
Convo, chinwag, chat = conversation
Defo = short for definite (Oh he's defo up to something)
Other random phrases
Are you taking the mick? = are you mocking me?
Stop faffing around = be serious and stop messing about
That's mad = wow, I can't believe what you just said or that's amazing
Allow it = just leave it, it's no big deal (Whatever mate, allow it)
Other helpful pointers
When British people (who talk like Velv) swear angrily we do so many times in a whole sentence and add a lot of qualifiers, eg:
"Fuck off you fucking prick, you absolute fucking useless arsehole!"
"Don't piss me off babes or I'll fucking end your shitty little life!"
Making a crude observation about something nearly always a curse in-front of it, eg:
"That's fucking rank."
"It was fucking buzzing mate!"
The Magical Use of Innit:
Innit is a wonderful word that can be used everywhere, especially for someone from South London. It basically means "isn't it?" but it has MANY uses. It can be used to mean an agreement, like "I know right?"
"That was well good innit"
"He's a right twat" - response: "INNIT!"
"It's fuckin grim in here" - "Innit mate"
Adding "well" to words
That was well good - that was well bad - that was well grim
(You get the idea)
That's about it for now!
If I think of anything else I will edit this masterlist and if anyone has any questions please feel free to pop them in my inbox. Happy writing!
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thewatcher727 · 2 months ago
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Writing Description Notes:
Updated 9th September 2024 More writing tips, review tips & writing description notes
Facial Expressions
Masking Emotions
Smiles/Smirks/Grins
Eye Contact/Eye Movements
Blushing
Voice/Tone
Body Language/Idle Movement
Thoughts/Thinking/Focusing/Distracted
Silence
Memories
Happy/Content/Comforted
Love/Romance
Sadness/Crying/Hurt
Confidence/Determination/Hopeful
Surprised/Shocked
Guilt/Regret
Disgusted/Jealous
Uncertain/Doubtful/Worried
Anger/Rage
Laughter
Confused
Speechless/Tongue Tied
Fear/Terrified
Mental Pain
Physical Pain
Tired/Drowsy/Exhausted
Eating
Drinking
Warm/Hot
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andrewminyardslawyer · 4 months ago
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PSA for those writing coffee shop AUs, bakery AUs, etc.
I have worked in the food service industry for 20 years and I just wanted to make an informational list of common mistakes or misconceptions I see in writing about said industry. Not trying to be a jerk, just thought I would try to make a helpful list! I will add more if I think of any and please feel free to ask any questions you may have!
- it's cookie dough, not cookie batter. Doughs are for thicker stuff, typically something you can pick up in your hand (cookies, bread). Batters are more liquid and pourable (cakes, brownies, muffins)
- one person cannot make all the products from scratch and bake everything themselves unless they are a very slow business. Most of the time someone has a specific thing they do weather it's focused on specific products or split up like one person does the batters/doughs, one person preps and bakes, one person decorates. Sometimes one person does multiple things but generally not every single thing every day by themselves
- Front of House = people interacting with customers like barista, waiter, person at the register. Back of House = people making the food (line cook, baker, etc), dish washer (the worst job in the world, I salute all dishwashers everywhere)
- if they're doing stuff like bagels, doughnuts, breakfast pastries, cinnamon rolls, bread, etc they are there EARLY. Depending on the product some people start working at 2 in the morning. I saw a published book that had someone making dozens and dozens of cinnamon rolls from scratch in like one hour. Not possible even though I wish it was
- frosting, icing, and glaze are all different things. Frosting is the thicker stuff you see on cakes and cupcakes. Icing is typically for cookies, especially the decorated cut out sugar cookies. Glaze is thin, like what you get on doughnuts
- 99% of people who work in the food service industry will immediately go home and shower. I've seen lots stories where the character gets done at work and goes out. You are covered in various substances with powdered sugar in places you didn't know it could get, a shower before Literally Anything is a must
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maccreadysbaby · 1 year ago
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Some of my favorite words and phrases to describe a character in pain
coiling (up in a ball, in on themselves, against something, etc)
panting (there’s a slew of adjectives you can put after this, my favorites are shakily, weakly, etc)
keeling over (synonyms are words like collapsing, which is equally as good but overused in media)
trembling/shivering (additional adjectives could be violently, uncontrollably, etc)
sobbing (weeping is a synonym but i’ve never liked that word. also love using sob by itself, as a noun, like “he let out a quiet sob”)
whimpering (love hitting the wips with this word when a character is weak, especially when the pain is subsiding. also love using it for nightmares/attacks and things like that)
clinging (to someone or something, maybe even to themselves or their own clothes)
writhing/thrashing (maybe someone’s holding them down, or maybe they’re in bed alone)
crying (not actual tears. cry as in a shrill, sudden shout)
dazed (usually after the pain has subsided, or when adrenaline is still flowing)
wincing (probably overused but i love this word. synonym could be grimacing)
doubling-over (kinda close to keeling over but they don’t actually hit the ground, just kinda fold in on themselves)
heaving (i like to use it for describing the way someone’s breathing, ex. “heaving breaths” but can also be used for the nasty stuff like dry heaving or vomiting)
gasping/sucking/drawing in a breath (or any other words and phrases that mean a sharp intake of breath, that shite is gold)
murmuring/muttering/whispering (or other quiet forms of speaking after enduring intense pain)
hiccuping/spluttering/sniffling (words that generally imply crying without saying crying. the word crying is used so much it kinda loses its appeal, that’s why i like to mix other words like these in)
stuttering (or other general terms that show an impaired ability to speak — when someone’s in intense pain, it gets hard to talk)
staggering/stumbling (there is a difference between pain that makes you not want to stand, and pain that makes it impossible to stand. explore that!)
recoiling/shrinking away (from either the threat or someone trying to help)
pleading/begging (again, to the threat, someone trying to help, or just begging the pain to stop)
Feel free to add your favorites or most used in the comments/reblogs!
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crazywolf828 · 1 year ago
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To all my writers who have a tough time with smut terms and not knowing which ones to use, I have found the holy grail for us.
This reddit user, who I've recently found out is @kjscottwrites here on tumblr, took a poll of 3,500 people and went really in depth with asking their favorite terminology, along with actual pie charts on what the readers preferred to see in their smut.
Check out their post with the link to the Google doc here!
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frownyalfred · 1 year ago
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want your favorite author to update but don’t want to be too pushy in their comment section?
here’s 5 things you can do to encourage them:
Reblog their fic link on tumblr (bonus if it’s with tags)
Bookmark the fic with a note about what you’re excited about/love in the fic
Recommend the fic to your friends or local discord channel
Draw art or create other media for the fic (as indicated by the author’s comfort level)
Leave them a comment when re-reading about the parts of the chapter/story that stood out to you the second time
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rheas-chaos-motivation · 6 months ago
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Questions to ask beta readers
General:
Were you confused at any point of the story?
What genre would you say this book is?
When did you put the story down?
Is the ending satisfying?
If you had to cut 3 scenes what would they be?
When did you feel like the story really began?
What was the last book you read before this story?
Characters:
Do you get any of the characters names confused?
Which character is your favorite?
If you had to remove a character who would you and why? (you don't have to remove the character, just make sure their role is meaningful)
Which character do you relate to the most?
Which character do you relate to the least?
Do the characters feel real?
Are character relationships believable?
Are the goals clear and influence the plot?
Are the characters distinct (voice, motivations, etc)
Setting:
Which setting was clearest to you?
Which setting was the most memorable?
Am including enough/too much detail?
Plot and conflict:
Are the internal and external conflicts well defined for the main characters?
Are the internal conflicts and the external conflicts organic and believable?
Are there enough stakes?
Are the plot twists believable but still unexpected?
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bebx · 1 year ago
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so rude that fantasizing about writing alone is not enough to actually get the fic done. you have to actually sit down and write it. insane.
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ahhhsami · 2 years ago
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A Simple Trick for Fic Writers
Hey, if you're a fic writer and a character speaks in a different language, you don't just have to add the translation in the notes. Use the following HTML coding to add 'text on hover' to the word(s). If the reader is on a computer they can hover over the text to see the translation.
<span title="This is the text in the box!">This is the text that shows in your fic!<;/span>
Here are some examples from a fic on my AO3.
This coding here <span title="a fool, idiot (lit. emptyhead)">Eyn utreekov&lt;/span> will show this on hover.
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This next example shows that you can add a lot of text. The formatting is the same as above.
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PS: When doing this, there may be spacing issues, but you can edit the text through AO3's html or rich text editor. From there you can add italics (like I did), bold, etc, and fix any weird spacing issues. Just be careful not to delete the coding that you worked so hard on 😂
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s-soulwriter · 1 year ago
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What to give a fuck about,while writing your first draft!
I`ve posted a list about things you don´t need to give a fuck about while writing your first draft. Here are things you NEED TO CARE about! (in my opinion)
Your Authentic Voice: Don't let the fear of judgment or comparison stifle your unique voice. I know it´s hard,but try to write from your heart, and don't worry about perfection in the first draft. Let your authenticity shine through your words.
Your Story, Your Way: It's your narrative, your world, and your characters. Don't let external expectations or trends dictate how your story should unfold. Write the story you want to tell.
Progress Over Perfection: Your first draft is not the final product; it's the raw material for your masterpiece. Give a fuck about making progress, not achieving perfection. Embrace imperfections and understand that editing comes later.
Consistency and Routine: Discipline matters. Make a commitment to your writing routine and stick to it.
Feedback and Growth: While it's essential to protect your creative space during the first draft, be open to constructive feedback later on. Giving a f*ck about growth means you're willing to learn from others and improve your work.
Self-Compassion: Mistakes, writer's block, and self-doubt are all part of the process. Give a f*ck about being kind to yourself. Don't beat yourself up if the words don't flow perfectly every time. Keep pushing forward and remember that writing is a journey.
Remember, the first draft is your canvas, your playground. Don't bog yourself down with unnecessary worries.
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samuelwalker · 28 days ago
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PSA for all the writers out there. When people stutter, they tend to repeat syllabus, letter clusters, or even entire words. Very rarely do people stutter on single letter. For example:
"Did-did-did-did it work?" and "Hap-hap-hap-happy Birthday!"
vs.
"D-d-d-did it work?" and "H-h-h-happy Birthday!"
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thewatcher727 · 6 months ago
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Writing Description Notes: Physical Pain
Updated 6th June 2024 More description notes
It was as if his bones were made of glass, shattering into a million pieces with every movement and sending waves of sharp, shooting pain coursing through his limbs.
His muscles screamed in protest with every step, each movement sending jolts of electric pain shooting through his body.
The ache settled deep into his bones, a dull, persistent throb that seemed to resonate with every heartbeat.
Every inch of his body felt tenderized, as if he had been used as a punching bag in a brutal workout session.
The sensation of blood trickling down his skin was a grim reminder of the violence he had endured.
His ribs screamed in protest with every breath, each inhalation a sharp reminder of the blows he had taken.
The world seemed to spin around him in a dizzying blur, his vision clouded by the stars of pain that danced across his field of vision with every movement.
A sharp, stabbing sensation shot through his lower back, making him wince.
Her temples throbbed with a relentless, pounding headache.
He clutched his side, pain radiating from the bruise with every breath.
Her muscles screamed in protest, the soreness a reminder of yesterday’s workout.
A burning ache spread through his chest, each heartbeat intensifying the agony.
She bit her lip, trying to stifle the groan as pain flared in her twisted ankle.
His knuckles were raw and throbbing, evidence of the fight.
She pressed a hand to her forehead, a dull ache settling behind her eyes.
A searing pain lanced through his knee, nearly buckling his leg.
She gripped the edge of the table, knuckles white as pain shot through her arm.
Her trembling hands betrayed the unyielding agony in her joints, a relentless companion.
Doubled over, he fought against the relentless cramps that seized his stomach.
A sudden, searing pain in her wrist forced her to relinquish her grip, the cup clattering to the ground.
Every step reverberated through her aching feet, a reflection to the miles she had traversed.
Rubbing his shoulder provided little respite from the persistent agony that gnawed at the joint.
A sharp sting on her finger brought fresh irritation, the paper cut a small but sharp reminder of vulnerability.
His tooth throbbed incessantly, a deep, pulsating ache that clouded his thoughts.
Each movement of her stiff and sore neck elicited a fresh wave of discomfort, a constant reminder of strain.
A stabbing pain in his chest made each breath a struggle, a reminder of mortality's grasp.
The throbbing in his hand, where the door had slammed shut, served as a relentless reminder of his own clumsiness.
A dull ache settled deep within her lower back, rendering even sitting a feat of endurance.
His leaden legs protested with every step, each movement a symphony of agony.
His head spun, the pain behind his eyes making it hard to focus.
Sharp pangs in her side served as a reminder of the physical toll of her exertion, a stitch from pushing too hard.
His throbbing ankle, swollen and tender, made each step a test of willpower.
Gritting her teeth against the shooting pain, she cursed the strain from overuse that tormented her wrist.
Pressing a hand to his chest, he felt the pain radiate outward in relentless waves, a reminder of vulnerability.
Her burning shoulder protested each movement, the pain a constant reminder of her injury.
He winced as sharp pains flared in his elbow, each movement a reminder of his body's fragility.
A deep ache throbbed in her hip, a persistent discomfort that refused to be ignored.
His fingers tingled with pain, a result of gripping the tool too tightly for too long.
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pygmi-cygni · 3 months ago
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writing tip - research
research is one of the pillars of writing. a poorly researched fic, essay, short story, novel, etc is immediately apparent because of several things:
lack of depth
stagnant plot or development
confusing or inconsistent setting
it doesn't matter what genre you write, if it's original or fiction, whatever. you need to research. depending on the relevance of your writing, the depth of research may vary, but it needs to happen. you do not know everything.
Fantasy
I see a lot of writers and authors use fantasy as an excuse to avoid research. Shut the fuck up. Every good fantasy is based on a real ocurrence or social dilemma. That's why we like it so much.
'but pygmi, fantasy is made up! it isn't real!'
SHUT UP. Even if you don't realize it, your story will have elements that readers are intimately familiar with. If you flub something, it will be noticed.
Besides, just because you make stuff up doesn't mean you can be inconsistent. You'll just have to fill in the cracks with made up stuff, which will even out to being about the same amount of effort. Pick your poison, either way you're gonna feel it.
Research is not everybody's favorite. I like it, personally, I think it's like going on little side quests for knowledge. But I understand if you wanna skip all the business and get to writing your baby. No shame.
Let me give you some pointers to make sure the time you spend researching is relevant and well spend.
Lists! God I love lists. after you have outlined your story and your characters and everything, make a list of all the things you need to have a deeper understanding of. This means determining priorities. - How important is The Thing? Will it majorly affect plot or character development? Is it a focal point of the setting? If the answer is yes to any of those questions, it's important. research.
Big picture, little picture. How important is The Thing (again)?. How much detail do you need to know? Especially when it comes to royalty or a hierarchal system, I see research being misguided. There are so many nuances to royal interactions that I could give a rat's ass. Big picture, general outline. I don't need to know everything, just basic courtesy, terms of address, appropriate convo. done. but if your MC is a coroner? might wanna put more detail into that; you'll be talking about the job a lot. determine how much the element will affect your story and go from there.
Don't fudge it for the plot. You'll have a preconceived notion of a certain job description, and then research it and think 'oh that's actually boring.' Don't muddle up the rules just to fit the aesthetic. It's sloppy, and your readers will notice.
To practice researching, pick your topic and after learning a bit about it, try teaching a powerpoint to your parents or friends. if you feel comfortable enough with that knowledge to do it successfully, I'd say you have a good enough understanding.
Setting
researching location is a big one that often gets overlooked. You don't always need to memorize maps, but get a general idea of the city/country layout so when you say "they drove 20 minutes from A to B" it makes sense, rather than having a reader think "Uh, A to B is closer to four hours, wtf?"
if you are making up your city, make a list of important streets and locations in relation to each other. This will help you keep it straight and organized in your head.
Get a feel for flora and fauna. Palm trees don't grow in Alaska. Don't write an Alaskan city with palm trees.
Weather? what's it like? Let me tell you, Portland doesn't get higher than 102F. rainy, cloudy, all that stuff.
Atmospheric details really add a lot, especially if your audience is from that location. It adds another layer of relatability. Also, use weather/plants/animals to your advantage! symbolism, possible curse, all that stuff.
Eras
Oh my god stop fucking this up. Baroque, Elizabethan, Edwardian, Middle Ages ARE DIFFERENT FROM EACH OTHER. STOP SLAPPING FANCY CLOTHES ON PEOPLE AND CALLING IT THE OLDEN DAYS.
get an idea of when electricity was widespread in homes. when was the refrigerator invented? did they use the word 'hella' in 1950? this kinda stuff is important for not breaking the illusion of a time difference. If you are writing a period piece and someone is chatting with a neighbor like it's 2015, we'll have some questions.
Unless it's doctor who. you guys can do literally whatever.
Plot and Character Development
If plot and characters are poorly researched, you are limiting the opportunities for growth. In researching your MC's occupation, you may discover a cool side effect that connects to a plot device. Stagnant, stale characters can be spruced up with a more developed backstory.
All in all, research is really important for your story. regardless of how professional it is, tumblr or the new york times. Do your research. As a writer, you are representing the community in your own way. Do us proud.
xox love you
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maccreadysbaby · 1 year ago
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Lil’ Tip
I see two common formulas when a character is severely hurt
injured >> panic >> faint
or
injured >> hide it >> faint
While these two formulas are great, I am here to propose other things people do when they are in severe physical pain. pain to this degree throws a persons entire body out of wack, show it!
here are some other less commonly found things people do when they’re in severe pain:
firstly, repeat it after me, kids! not everyone faints when they’re in a ton of pain! some people wish they could faint
but they do tremble, convulse, or thrash uncontrollably (keep in mind, trembling and convulsing are something the body does of it’s own accord, thrashing is an action taken by the person)
hyper/hypoventilate
become nauseous
vomit (in severe cases)
hallucinate
lose sight (temporarily)
lose hearing (temporarily)
run a low-grade fever
run a high-grade fever (in severe cases)
become unaware of surroundings
develop a nosebleed
develop a migraine
sweat absolute bullets
feel free to add more in comments/reblogs!
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oh-theatre · 1 year ago
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When you’re writing with no plan and suddenly the plot takes a turn:
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