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Dave Cunliffe - Deep Within This Book Of Earth is Writ A Description Of The Beast - BB Books/ Screeches Publications - 1966
#witches#poets#occult#vintage#deep within this book of earth is writ a description of the beast#deep within#book of earth#description of the beast#beast#description#dave cunliffe#bb books#blackburn#poetmeat#tina morris#tina cryer#1966
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Hypothetical titles for season 24 of 88.
Concord. Season premiere. Part one. Andy accompanies Abigail back to her hometown in Massachusetts to confront her husband and his grandmother. First appearance of Adam DiMarco as Jansen Mordaunt and Sharon Horgan as Annabelle Mordaunt.
Just do it. Season premiere. Part two. Findlay runs afoul of Annabelle when she and Sidney go to Concord to aid Andy which results in a case of sadistic hypnotism leading to them finding out who Annabelle really is
Sisters and brothers. While the team tries to figure out what to do about Anne Boleyn, Alabaster gets an unwelcome surprise when he finds out that Devon and Lucia have a son together. First guest appearance of Ed Oxenbould as Charlie Christensen.
Hootenanny. It’s David’s birthday. And in an effort to make it perfect for him. Clyde and Tina accidentally transport half the party to the actual old west.
Wive it wealthily in Padua. In this flashback episode told through shadow puppetry and marionettes. Abigail Mordaunt’s hellish life is revealed
The family plot. After a particularly pathetic prank. Findlay locks Skipper and Zoey in the families mausoleum where they get an earful from an unexpected source. Guest starring Keke Palmer as the ghost of the young Winifred Mulligan.
Disco inferno. Boleyn ups the ante by setting fire to a roller disco in Concord just when Abigail is about to serve Jansen with divorce papers.
Don’t panic. Andy and Jacob work on calming Abigail down before divorce proceedings begin. Elsewhere. Captain Birch liaises a sting operation on Mordaunt Manor.
Divorced beheaded died. Part one. Boleyn and Jansen play mind games with Concord PD during their interrogation forcing Findlay to step in and organise a transfer to New York State.
Divorced beheaded survived. Part two. Back in the precinct. Birch and the rest of the team get ready for the inmates arrival. But Boleyn has other plans. Final appearance of Sharon Horgan as Anne Boleyn, Adam DiMarco as Jansen Mordaunt and Lucy Hale as Abigail Mordaunt.
A goodbye to strong Australian arms. Findlay’s relief at Jonah breaking up with Jack Hughes is short lived when he tells her that he’s decided to date Butterball.
The area. Midseason finale. Part one. An email meant for Findlay leads her and Drummond to Area 51 a week before Christmas. Guest starring Jake Abel as Director Michael Leonowens and Peter Capaldi as Alien X,
The perimeter. Midseason premiere. Part two. With X’s deception exposed, Director Leonowens calls upon his parents and the rest of Findlay’s team for assistance. Guest starring Brenda Strong and Jon Cryer as Melissa and Josiah Leonowens and Jodie Whitaker as the reformed Alien X
The dinner. At Drummond and Barnaby’s insistence, Findlay holds a dinner party to welcome Butterball as Jonah’s new boyfriend.
Replacement captain. Captain Birch and Jacob go on a much needed vacation with Odessa, Lucia, Alabaster and Charlie, leaving the rest of the team to contend with a potentially unstable substitute captain who has issues with how the precinct is run. Guest starring Jayma Mays as substitute Captain Cornelia Linley.
Cue cards. The team tries to make best of it when Linley introduces a step by step guide to dealing with crime. Something they have been dealing with for over twenty years. So Findlay is sure of one thing and one thing only. Linley had got to go.
Kids today. Skipper and Oswald turn to Drummond and Odessa for help Theo develops an interest in girls. Which is something they are in no way prepared for.
Mothers ruin. Part one. In her capacity as head of the Fifth Avenue council, Findlay needs to choose the next heads of the Magistrate. And one woman is determined not to have her children chosen. Guest starring Calista Flockhart as Penelope Proctor and Matthew Daddario and Alexandra Daddario as her children Porter and Portia Proctor.
Head councillors choice. Part two. The final choice for the heads of the Magistrate comes down to either the Proctor siblings or Warren Christensen and his wife Ida. Guest starring Chris Wood and Melissa Benoist.
Manufactured amnesia. King Ruben and Queen Chantelle approach Findlay with a surprising proposal to stitch the royal fsmily back together. Guest starring Dev Patel as Ruben Burton , Naomi Scott as Chantelle Burton, Chris Pratt as Emerson Davenport, Auli’i Cravalho as Aimee Davenport and Rhianne Barreto as Rani Burton.
The taking of grand central 456. Findlay has her work cut out for her when she has to contend with trousers and a possible terrorist threat to grand central station.
Moving on up. Feeling that she isn’t cut out for the Fifth Avenue Council, Zoey nominates Ethan to replace her. Something which Findlay and Sidney wholeheartedly endorse and Jacob and Deucalion wholeheartedly oppose.
A tale of two genies. Season finale. Part one. A tungsten alloy sarcophagus is fished out from the Hudson River. And the contents means tough times ahead for Drummond and Odessa.
The time travellers boyfriend. Season finale. Part two. With 48 hours to go until Odessa’s disappearance, the team works desperately to find a solution to a problem that cannot be easily solved.
#mine#copyright me#modern fantasy#adam dimarco#sharon horgan#ed oxenbould#keke palmer#hugh jackman#lucy hale#jake abel#peter capaldi#jodie whittaker#brenda strong#jon cryer#jayma mays#calista flockhart#matthew daddario#alexandra daddario#chris wood#melissa benoist#dev patel#naomi scott#chris pratt#auli'i cravalho#rhianne barreto
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I Don't Want You to Leave
Doug Renetti x Black!OC x Tina Lewis
Explicit: MDNI // WC: 5k // masterlist //
Angel perked up when Doug walked in the door.
She smiled and bounced over to him. The embarrassment she used to feel waiting around for him to reach a lull in his work or at how people might look at her ditching work every now and then to hang out with him were long behind her.
She was here so much, people were no longer interested in what she did here as long as she stayed out of their way.
“Do you wanna get dinner later?” She studied his face. He smiled back at her, but it was polite. Nothing more or nothing less.
She quickly pivoted.
“It doesn't have to be anything fancy. We could stay at home and do something simple, or maybe go out,” she put up her hands in a effort to ease him, just whatever feels less intimate and more casual to you!” Angel giggled a little before snapping her fingers.
“Oh I know!” She smiled even more, “we could order a pizza? Eat it on the couch? Watch some good and or terrible movies? Your choice?”
His smile wavered a bit before coming back into place.
“May..maybe some other time.”
He patted her on the shoulder before brushing past her to his office, closing the door behind him.
It felt worse than the quietness that stretched between them or his constant need for isolation.
She sucked it up, gave him his space… but it’s been weeks now, and he’s still acting funny.
This polite smile you’d give a well intentioned stranger to leave you alone, or the one you’d give an elementary student when they ask you to buy something for a fundraiser.
She blinked the tears budding in her eyes and sat in the chair she pulled up by Tina’s desk.
She kicked off her shoes, and sat down on one leg, making the other one dangle above the little rug Tina’s space heater sat on.
Tina was bustling away, paper after paper rustled from one place to another. Some were filled with tabs as she made a call or two, taking notes.
People came by and gave her even more paper’s which she absentmindedly put away into their designated piles for her to eventually deal with.
Angel tried opening her sketch book and finishing some she already started on. Maybe she could finally finish one and start making a painting for it, but they felt too lonely or held so much love that she wasn’t quite sure she was up for looking at for an extended period of time.
The newest one felt out of place from the previous ones.
Her art started taking a sad turn as soon as Doug started going through whatever he was going through.
But now, after what just happened, she could only fill the page with a few droplets of tears, her hand still as it clenched and unclenched on the page with her pencil in hand.
She attempted to hide a sniffle by burying her face in the crook of her arm, quickly drying her eyes with a sly movement of her hands, but Tina was too quick to turn around.
“Hey,” she placed down the papers in her hand and faced Angel completely, “hey now,” she started softly with a comforting smile, “what’s wrong? Didn’t Doug just come in?”
Oh fuck.
Angel started to cry for real now. She was a silent cryer, so no one would know what was up, unless they were walking by or looking in their direction.
But that was just it, wasn’t it?
She only teared up when she missed Doug. Angel’s just a sweet sensitive soul in the honeymoon phase of her relationship, so she cries every now and then when she misses Doug, but once he walks in that door everyone knows little ole Angel will be okay.
“Does.. does Doug hate me now?”
Tina bit her lip before pursuing them together in a frown.
“Doug… gets wrapped up on his own bullshit from time to time, and he won’t talk about it or do anything about it which just makes it worse.”
Angel nodded, not really sure where this was going, but it helped… kinda.
“So you noticed it too?” Angel fought the urge to sob.
Tina grabbed a tissue of her desk and cupped the side of Angel’s face before wiping at her tears.
Angel tried to push back in her chair away from the touch, averting her gaze towards the floor at the same time.
“Mm-mmh,” Tina whispered softly, “look at me, baby.”
Angel softly laughed with a hiss of breath. She bit back her smile as best as she could before slowly looking back at Tina.
“Doug does not hate you.”
“B-but why won’t he spend time with me anymore? He won’t t-talk to me either and he barely looks at me anymore.”
New fears fell down her face and Tina whipped them away as they fell.
Tina sighed.
“Doug hates himse—“
“—Wh..what does that have to do with anything?” Angel almost spoke a little too loudly.
Tina gave her a pointed look and Angel fought the urge to start shouting out of spite.
The disappointment and bitterness was building up a storm without her and she couldn’t even let it out at the person who deserved it because they were avoiding her.
“I will talk to him,” Tina pulled back, smiling softly as she noticed Angel absentmindedly following the movement of her hands as she was pulling away from her her, “but we all decided that if this was going to work between us, we’d have to communicate.”
Angel balled up the tissue in her hands, not looking up at Tina.
“I’m trying Tina.”
“I know you are,” she smiled softly, “i will do my best to talk to him, but whatever is happening between you two is for your two to sort out.”
—
After calming Angel down, Tina encouraged her, forced is a more accurate word, to go to her job and actually work some, regardless of the fact that she’d get paid anyway, and to come back in the afternoon when she was done.
That time was creeping up slowly, so she made her way to Doug’s office.
He worked today like it was my normal day, but Tina had left more than enough passive aggressive tension in the air to let him know how pissed she was.
She walked over to the minibar by his couch and made herself a drink before taking a seat.
He gave her a smile like normal and went back to reading whatever he was reading.
Tina hated him when he did things like this.
He would outright lie to her, sometimes when he had the grace to be even a sliver of something resembling a human being, he would give her the grace of saying the sweetest things he could. Telling her how sorry he was for putting her in a certain position, making her do certain things.He would plead and beg for forgiveness. He would do anything and everything he could to make amends.
When it was like that, it made forgiving him easie. She chalked it up to having a vision for the future she couldn’t see.
He was fucked up, but he had his own ways to get to the right place in the end, but then there were times like this.
“How are things between you and Angel?”
Doug’s neutral smile morphed into something unpleasant, not quite a frown, but equally unappealing. His eyes dimmed down to something almost cold, but not quite.
Doug never could completely cool down or detach.
He ran hot, and he always will.
Doug put down the papers and leaned back in his chair to give Tina an appraising look.
In place of his usual defensiveness, his anger, or argumentative nature when accused of something he only looked at her.
Shit.
Tina didn’t know what this was about.
“Doug, why are you pushing her away? You are the one that wanted this!”
“We..” His voice was low and gravely.
He’s been drinking Tina sumerises from the sound of his voice. And when he starts drinking too much, his voice always gives it away, displaying the evidence of being unused for an extended amount of time.
“We wanted it.” He corrected again.
“And has that changed.” Tina raised an eyebrow.
Only he could fuck up something so easy.
“She..you…” he sighs, looking up at the ceiling. It stretches out between them before he speaks again, “neither of you need me.”
Tina stays silent.
Doug isn’t the poster child for emotional openness, so when he speaks on them for once, she just listens.
“I’m just going to fuck this up. Just like I fucked up with us.” He licked his lips. “Maybe I let her find out now before it’s too late.”
Tina nodded to herself for a moment.
Doug could be a self sabotager, but not intentionally, not usually.
But this was.. new. Something only Angel could bring out of him.
“Why don’t you just.. tell her how you feel?”
Doug’s eyebrows scrunched together as he looked at Tina.
“Angel won’t.. she doesn’t…”
“She does and she will.” Tina deadpanned. Burying the laugh bubbling within her.
“Angel is the most emotionally patient and understanding woman I have ever met.” Tina stood up and took a seat at the edge of Doug’s desk. “She puts up with all your other bullshit. Why would this be any different?”
Doug eyed Tina's legs dangling off his desk before looking up at her face.
She smirked down at him.
“I.. I don’t…” his focus wasn’t on the conversation anymore. They were alone and everyone else was home for the day. He moved to touch her but she slapped his hand away.
“You still lied to me.” Tina said casually.
Doug gulped, his atoms apple bobbed a little, making Tina bite her lip.
She watched the wheels turning in his head. She watched him second guess whether to smile and charm his way out of this one or start lying some more.
“I’m taking Angel to the movies, I’m going to spend the night at Angel’s,” she mocked him, “we’re going to do this, we’re doing that.”
Doug shifted in his seat, his eyes darting around the room as she spoke.
“I—“ he started with a tremor and another bob of his throat.
“Shut up.” Tina spoke in the same tone. Not raising or lowering her voice.
She commanded, he listened.
“Move.”
He swiveled his chair back slightly, making room between him and the desk.
She stood above him. The frantic rise and fall of his chest making her throb. With every second going by his cheeks grew an angry red, his chest slowly matching.
She leaned down close to him, slowly moving to unbuckle his belt. He kept his hands firmly on the arm rest. His knuckles strained white with the effort, remembering their rule of keeping his hands to himself.
With less than a tilt of her head she looked from his hands to his face.
“Good boy.” She purred.
He groaned, his hips bobbed forward in a small thrust but he overall remained still.
“You're so good, Dougie,” she wrapped her hands around his cock, moving her hand in slow tantalizing movements, “you behave so well now but you’ve been so bad lately. Being good now won’t let you escape your punishment.
A whine escaped his lips. His loud and desperate pants were growing by the second and Tina had to clasp her thighs closer together.
“Do you understand?” She closed her hand around him a little tighter than normal.
“Y..y-yshhhh.” He stuttered out in a strain before letting out a higher pitched whine than before.
Fuck. If he kept this up Tina wouldn’t last.
Angel walked through the doors of Bottom Dollar.
All the lights were off save for the golden light spilling out of Doug’s office.
She bit the inside of her cheek to avoid becoming.. emotional, about Doug.
She doesn't want to deal with the trouble of taking the bus or getting a ride from work to get there and back here, but Tina insisted she keep busy and clear her mind, but now she is not “keeping busy” and has nothing but time to just think about it.
Tina gave her a call before she got off telling her, “Doug has slanting he wants to say to you.”
She didn’t know what to expect.
However, she did not expect to hear moans traveling out of Doug’s office. She did not expect to walk in to see all the buttons of his shirt undone with his cock bobbing up and down as Tina sat on her knees palming at his balls. She didn't expect to see Doug fight the high pitched whines and desperate strained moans with one hand over his face as the other held the arms rest in a death grip.
“Oh.” Her voice was a dangerously low whisper. Her hands tensed around the bag at her shoulder and the bifold in her hand. Her throat felt tight and the room too small and stuffy.
Despite how low and soft she had spoken, Doug had heard her. His eyes fell on her at the sound and he threw his head back with a violent groan.
“Angel,” Tina’s tone was sweet, disturbingly normal even, “you made it!”
Tina enveloped one of his balls in her mouth and Angel inhaled sharply. With a pop of her mouth she pulled back, sitting higher before wrapping her hand around Doug’s dick once more.
“Tell her what you told me,” Tona stroked him suddenly, his chest rising with the movement, filling the room with a loud ragged groan, “say. It.” Tina emphasized her words with a squeeze of her hand, choosing now to rub at his weeping head with her thumb.
Angel’s panties had never been so wet so fast.
She matched Doug’s gaze, and he let out an even louder sound.
His face half covered with his hand in effort to muffle his sounds, various teeth marks in place from how hard he’d been biting his own hand.
“Sc..sc-scared you’ll hate me.” He whined out, and Tina stroked him harder, “don’t…d,” he moaned and Tina stilled her hand, squeezing him, “don’twantyoutoleaveme—“
Angel moved behind his chair. She moved his hair out of his face and cupped his face with one hand. She moved the other along his chest. Sliding it up and down in slow languid movements to comfort the frantic rise and fall and he let out desperate pant after pant.
Tina stopped touching him altogether, and his face scrunched up into something frustrated, but his eyes were closed as he leaned into the semi embrace from Angel.
“It’s easier to push you away,” he kicked his lips, calmed down more now that Tina momentarily stopped her onslaught of teasing and torture, “and make you leave me first.”
“I don’t want to do to you what I did to Tina… What do to Tina.”
“I could never hate you.” Angel rubbed his cheek with her thumb. She closed her eyes to avoid his and Tina’s gaze.
“You aren’t… the first terrible person I’ve dated.”
Angel opened her eyes, and looked down at both of them.
Tina seemed more relaxed, but her gaze held a little tension as she briefly made eye contact with her. Angel ignored that worry for a moment. She focused on Doug and the way he sank back in the chair further, his brow relaxing and the way his eyes started to glow.
“Never?”
Angel thought about every horror story she’s heard about him. Everything Tina’s hinted at but never told her. The warnings from all her friends and family. All the things she pushed toward the back of her mind and avoided thinking about.
“Never.”
He smiled. Bringing his hand to cover hers on his cheek.
“Doesn’t change what he put you through over the past few weeks though.”
Angel looked down at Tina’s dark heated gaze.
She hummed.
“No..it doesn’t.”
Doug looked up at her with raised eyebrows.
He felt betrayed.
She almost felt bad, but it was nice to be the one Tina wasn’t teasing for once. To be the watcher. She moved her hand from his face to run it through his hair. Pushing out of his face, before she pulled at it tightly.
His throat bobbed and he inhaled and exhaled in sharp movements.
A new sensation of anticipation and an excitement she never felt before twisted at Angel’s stomach. Without thinking she moved to kiss at the large expanse of his exposed neck.
She mouthed and sucked at it. Leaving as large of a mark as she could.
Mine, she thought with a grin as she felt the pleasant hum from his throat vibrate in her mouth.
Fuck, she needed to do that again.
“Angel, stop.” Tina was looking up at her with a warning glance. “He’s not supposed to enjoy this.”
Angel moved her mouth from him with a frown.
She would outwardly complain about it, but she didn’t want to risk the attention moving towards her.
Satisfied with one hand in his hair and one on his chest, Tina moved her hand back on his cock.
There were plenty of sex toys and tools about the office. Probably in a box or room somewhere, but the precum dripping from Doug’s tip since Tina started her slow sensual torture was more than enough to get his dick wet as she jerked him off with her hand.
Angel bit her lip at the sight. His thick hard cock strained against his belly above the dark crop of his hair.
She wanted to lick it. Lap at the precum on his tip as he moved the hair on her head anyway he pleased, gripping it to keep her close to him, telling her how well she was doing for making him feel so good. Telling her what he’d do to pay her back as she bobbed her head up and down his length.
She hid her moan with a hum. She didn’t want to risk diffusing the situation with how horny she was without anyone even touching her.
Doug’s head suddenly turned the other way, bumping into hers, and Angel simply moved to place her chin on his other shoulder.
He was gritting his teeth hard to hide his sounds, but he was failing. The more Tina’s hand moved, the louder he became.
Angel rubbed small circles on his chest. She was mesmerized by how it puffed up and down with every pant and moan.
Tina licked the underside of dick starting from the base to his tip.
He covered his face with a hand, moaning out a whine before biting down on the finger closest to his mouth.
“Don’t.. don’t hide.” Angel murmured softly, "You sound so pretty like this.”
He only groaned louder around his finger, closing his eyes tightly.
Angel ignored him with an amused huff.
Tina was jerking him off at an even faster pace now, steady but still not too fast, his hips bucking into her hand after every other movement. Her mouth was wrapped around one of his balls before switching back and forth.
Angel wanted to help him forget where he was and what’s happening.
He needs to let go.
She pried his hand from his mouth and he opened his eyes. Without looking away, she put her finger in his mouth.
He opened it, letting her slide it along his tongue.
“Cute,” she murmured in his face, “but that’s not what I wanted you to do.”
She added another finger on his tongue and smiled as he closed his eyes again. She noticed a pattern between him closing his eyes and how his eyebrows tightly knit together. A very familiar pattern.
He was annoyed… irritated.
She pinched his nipple with the hand that was resting on his chest and he closed his mouth in a hiss around her fingers.
“See,” she pinched at him harder before rubbing slow small circles along his nipple, “that wasn’t so hard.”
Tina hummed, moving her hand faster.
“You look like your enjoying this, baby. Have you done this before?”
Angel felt her cheeks grow hot.
“No.” She murmured into Doug’s hair in an effort to hide from Tina’s heavy gaze. “Maybe I picked up a few tricks from someone.” Angel smiled into his raven curls that were becoming looser and messier by the minuet.
“Think I’ll have to make you prove it to me later.” Tina said nonchalantly.”
Ang was suddenly aware of how hard her own nipples were under her clothes.
She took her fingers out of Doug’s mouth with a pop.
He covered her his face with his free hand, letting all his sounds fly. The other held the armrest in a death grip. His thighs and lower abdomen were drawn tight, straining the material of his pants.
Tina winked up at Angel and she averted her gaze as her thighs suddenly became even wetter under her skirt.
Tina didn’t hold back anymore.
Her hand was hypnotizing as it moved.
But all Angel could focus on was Doug’s face. The sounds spilling out of his mouth as he came closer and closer.
“What do you finally have to say, baby boy?”
“Im s-rrryy.” He whined loudly.
Babyboy?
She was definitely saving that for later.
Angel matched Tina and sped up her fingers over his nipples, causing his whines to reach an octave she never would have believed possible.
“Imsorryimsirrhyimsorry.” Each sorry was more tense and breathy than the last. Every part of him an angry red, tears falling down his face in pain.
He couldn’t stop. His limbs were tense and like jelly at the same time. He was on fire and boneless.
“I know you are. You are aren’t you,” Tina cooed, “you can cum now.”
Thick hot spurts of cum splattered over his chest. Glittering under the light of his office.
Doug’s pants were ragged and heavily, filling the room.
Some of it was on her hands.
Angel would feel shame for it later, but her mouth watered at the sight. She moved to put her hand in her mouth but Tina stopped her.
“No.”
Angel fought the urge to smack her teeth.
“Put it in his mouth.”
Doug opened his eyes with an unreadable expression. The vein in his neck rolled with how hard he was clenching his jaw.
“You made such a big mess, baby.” Tina rose slowly to her feet, sitting on the desk in front of them, “you gotta clean it up.”
Angel swallowed.
Tina only ever called her baby, but she was looking right at Doug with such a heavy look, matching the glare he was sending her way.
Is this what they were up to when she wasn't around?
Angel carefully moved her hand from the back of the chair without making a sound. The other hand, glistening with Doug’s spend she placed it in front of Doug’s mouth as he and Tina glared at each other.
He tilted his head away as her hand got closure.
Angel looked at Tina, unsure what to do.
It was like that for a few moments.
Doug sighed through his nose.
“Tins, you can’t be serio—“
Tina had pushed Angel’s hand into his mouth.
“Suck. It.” Tina smirked into his face. “I don’t wanna see any left on her fingers when she takes them out, or I’ll make you eat all of it.”
That was it for Angel.
Was she turned on by this? Or just the situation overall, she didn’t have the effort to decide.
With the hand she had carefully hidden. She pulled her panties to the side and slowly pushed them past her lips, but she was too wet and the sound was loud and obvious.
Recent events involved and the feeling of her fingers on her clit moving in slow circles, she let out a quiet moan.
“You touching yourself back there, baby.”
Angel moaned again. Louder this time, nothing to hide now that she’s been caught.
“Yes.” She mewled.
Her eyes widened at the sound. Her face on fire.
Tina appraised her with raised eyebrows and a Cheshire smile. Doug looked up at her with dark intense eyes.
“Come from back there. Let us see you.”
Fuck.. she was in it now.
Angel slowly made her way to the side of the chair. The hand at her side glistened with how wet she was.
“Come. Here.” Tina hopped down from the desk and moved to Doug’s lap.
Angel nodded, before swallowing. She moved to take Tina’s place.
Doug was hard again.
They made her spread her legs and touch herself until she came. Again and again and again.
Now, Tina started kissing along her thighs, her fingers dipped inside of her, sliding in and out at a languid pace. Her mouth wrapped around Angel’s clit, making her whine. She couldn’t stop the tears from how overwhelmed she was.
“You're doing so good, Angel.” Doug groaned. Tina slapped at his thigh with her free hand and he put his fingers back inside her, matching the pace of Tina’s fingers in yours. He’d been trying to rub his dick along her folds for a while, but Tina wouldn’t let him.
“Just give us another one. I know you can.”
“Can’t,” Angel panted, “can’t. No more. Please.. no.. no more.” She mewled again.
Tina sat up and whipped her mouth with her thumb with a satisfied smile.
“I knew I could get you to make that sound again.”
Angel layed back on the desk.
Something prickly was poking into her back but she didn’t care.
She was so overstimulated she was sure she was going to feel this tomorrow.
She looked down between Tina’s thighs at the wet spot she was leaving on Doug’s pants, at how his cocked bobbed between her thighs.
“So you aren’t gonna?” Angel started.nsure what to say or do. For some reason Tina makes her nervous sometimes. Especially when she was like this.
Tina raised an eyebrow at her with a huff.
“I’m fine. I made myself cum plenty of times when I was jerking him off.” She slapped at Doug’s thigh for emphasis, making his cock bob.
“No…” Angel played with her hands, smoothing down her skirt a little. She isn’t a prude when it comes to having sex, but she hates talking about it, “I mean, you or me aren’t gonna..” she looked down at Doug’s dick again.
Tjna laughed.
“You don’t understand what a punishment is, do you?”
“But you.. we.. it’s not over?”
“No.” Tina smirked at her frown and Angel ignored how that made her feel.
“So is this like a you punishing or a me punishing—“
“—it’s both of us. He does not deserve it.” Tina frowned.
Angel bit her lip.
She was not going to make it.
“How,” she cleared her throat, “uhm, how long is he on punishment?”
“Angelina!” Tina glared at her, and Angel nodded.
She was so fucked.
She watched Doug push back as Tina slid off his lap. She watched as he put his cock back in his pants as he stood up, jumping a little to get the zipper over the bulge without irritating it.
Buttoning the three to four bottom buttons of his shirt he caught her staring and winked at her, before buckling up his belt.
She pursed her lips tightly to hide her smile and fought the urge to move her hair behind her ear as she did so.
Tina groaned in frustration.
“Angel, if you fuck him, your gonna get it worse than he did.”
“Alright! I get it!” Angel huffed. “I don’t get why I’m being punished just because he’s getting punished.”
“You can’t go a few days without dick?”
“A few days?!?” Angel stood up in a panic. “I can’t have dick for a few days? I thought this was a day after tomorrow type of thing.”
“I think Angel is making a very good point.” Doug chuckled and put on his coat before grabbing his keys from behind Angel on the desk.
“Just take her home without fucking her.” Tina deadpanned.
“And remember,” she added as she walked out the office, “I always know.”
#minx#minx starz#minx fanfiction#Doug Renetti#Tina Lewis#Doug Renetti x Reader#Tina Lewis x Reader#Doug Renetti x Original Character#Tina Lewis x Original Character#Doug Renetti x OC#Tina Lewis x OC#Doug Renetti x Reader x Tina Lewis#Doug Renetti x OC x Tina Lewis#idara victor#jake johnson#x black reader#black writers#black writblr#fanfiction#Doug Renetti x black reader#tina lewis x black reader#fandom#writing#softie writes
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PuSsY sT. HoMoS
proudly present you with Their Tribute to Director Robert Altman, King Sunny Ade & His African Beats and the entire cast and crew of O.C. & STIGGS (1983)
#OC & STIGGS (film)#King Sunny Ade & His African Beats#Robert Altman#Pussy St. Homos#Daniel H. Jenkins#Neill Barry#Jane Curtin#Jon Cryer#Cynthia Nixon#Martin Mull#Dennis Hopper#Ray Walston#Tina Louise#Melvin Van Peebles#Louis Nye#Donald May#Dan Ziskie#Carla Borelli#Bob Eucker#Greg Wrangler#Dana Anderson#Tiffany Helm#Margery Bond#Caroline Aaron#Laura Urstein#Victor Ho#James Gilsenan#Stephanie Elfrink#Amanda Hull#Florence White
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Schitt’s Creek Questionnaire!
Tagged by @writing-ace to answer these questions 😁
1. Favorite Schitt’s Creek character: Definitely David. My favorite characters in general tend to be the ones that make me laugh. Plus, he’s low-key relatable! 😂
2. Favorite Quote: “I’m trying very hard not to connect with people right now,” -David. Because honestly, same.
3. Who is the best dressed character in Schitt’s Creek? Alexis! She’s a fashion icon, and I’m not open to other opinions at this time.
4. If you could be best friends with any character in Schitt’s Creek, who would it be? I think I would be BFFs with either Stevie or Twyla. Stevie because our personalities are kinda similar, and Twyla because she’s so nice. We would definitely get along. And I wanna hear more of her stories 😅
5. How many times have you watched the series so far? I’ve only watched it once, but I’m currently in the middle of rewatching for the first time. I’m on season one as we speak.
6. Which character are you most like and why? I feel like I’m a mix of Stevie and Ted. Stevie because we’re both sarcastic and gently pick on our friends. Ted because we both love animals, and we’re both pretty kind. Also, I love puns and corny jokes!
7. Would you live at the Rosebud Motel? Eh, I wouldn’t mind living there. As long as I have my laptop and a few other things, I could live almost anywhere.
8. Do you prefer Patrick or David’s version of Tina Turner’s The Best? I like both, but if I had to pick, I would probs pick David’s. I can’t really explain why. I think it’s because it was more...unexpected? And it made me giggle a little.
9. If you were to work in Schitt’s Creek, where would you work? Hm...probably either Blouse Barn because I have an interest in clothes/fashion and helping people pick what to wear. But I wouldn’t mind working in the vet clinic because like I said, I love animals!
10. What moment made you laugh the most in the show? I’m not sure. A lot of the show made me laugh! I do remember cracking up at the sign in Don’t Worry, It’s His Sister (01x03). That was the moment I fell in love with the show.
11. Favorite episode?
I also don’t really have a specific answer for this one. But I really liked The Cabin (01x05). That episode also has my favorite opening scene (when David walks in on his parents having sex). Comedy gold right there, man. 😂
12. What actor would you most like to be friends with in real life? All of them! But if I had pick, probs either Dan or Annie.
13. What was the most touching moment for you? Ah, there’s too many! But I think my #1 would be when they’re all at Mutt’s party and dancing together (I forget when this was). Either that, Patrick’s proposal, or the wedding. I think those are the three times that I came closest to crying. I’m not much of a cryer (crier?) when it comes to movies and TV shows and other ‘schitt’ (unless it involves the death of a character I love or an animal). But those (almost) did it for me! ❤
Tagging: @patrick-rose @patrickbrewerr @dxvidrose @easiestdecisionofmylife
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The 10 Best ‘80s Movies to Watch for Style Inspiration
If there’s any bit of doubt left in you about ‘80s fashion having a major comeback, head on over to Vogue Runway and check out any of the Spring/Summer 2019 collections from this past fashion month. For those of you who already know what’s up, but need a little style inspiration to get the creative juices flowing, here’s a list of the ten best ‘80s movies to watch for style inspiration.
E.T. the Extra-Terrestrial (1982) Costume Designer: Deborah Lynn Scott
Stone washed jeans, Nike sneakers, and perfectly layered clothing for casual outfits for fall—while there is a bit of a lingering ‘70s vibe, this ‘80s movie has a ton of looks worth duplicating that fit in seamlessly with today’s fashion. If it’s been a while since you’ve seen E.T., I highly recommend that you make it part of your next movie night. Not only will you be reminded of why this film launched some of Hollywood’s biggest careers, but you’ll also get to see for yourselves that the ‘80s weren’t just about big hair and synthetic fabrics.
Risky Business (1983) Costume Designer: Robert De Mora
The business of running a pop-up brothel from home is definitely risky, but wearing any of Tom Cruise’s looks from this film is a surefire way to rock ‘80s inspired fashion. Seriously, take your pick! Keep it casual in a perfectly fitted polo shirt and jeans, or perhaps a sporty raglan tee and some cutoffs. Want to take it up a notch? An oxford shirt and varsity jacket combo should do the trick. And for those of you who prefer something a bit more tailored, but don’t want anything too fussy, reach for your favorite blazer and pair it with a t-shirt. Even though it’s a lot of simple pieces, this movie proves that the key to having a functional wardrobe is having great basics.
Sixteen Candles (1984) Costume Designer: Marilyn Vance
I’m not trying to be ironic here, I swear, but this movie making the list has nothing to do with Molly Ringwald, in fact, her style in this film is pretty forgettable (HA!). Jake Ryan, played by actor Michael Schoeffling, on the other hand, is style goals for anyone who appreciates a good sweater vest, and is a fan of the “Dad Style” trend. Also, Jake’s boots in the note passing scene are one of my personal fashion grails.
Nightmare on Elm Street (1984) Costume Designer: Dana Lyman
“One, two, Freddy’s coming for you…” Nightmare on Elm Street is one of my all-time favorite horror movies, and Freddy Krueger can haunt my dreams any night of the week! What can I say? I’m a sucker for horizontal stripes and killer accessories. In all seriousness, this was the only movie that I was a bit iffy about including. While there are some solid fashion moments throughout the film, there are a few that require some tweaking. Tina and Rob, played by Amanda Wyss and Jsu Garcia, have more of an edgy vibe, while Nancy and Glen, played by Heather Langenkamp and Johnny Depp, are ultra preppy. I love everything that Tina and Rob wear—popped collar on an oversized denim jacket, roomy shirts with the sleeves rolled up, stone washed jeans, a leather jacket. As for Nancy and Glen, some of their outfits are total hits while others require a bit of help. But like the title of this list suggests, these movies are supposed to inspire, and inspiration can come from good, bad, and awesomely bad sources.
Pretty in Pink (1986) Costume Designer: Marilyn Vance
When it comes to its wardrobe, Pretty in Pink is probably the most stereotypical ‘80s movie of the bunch. While I love that the costume designer used fashion to very dramatically show the differences between the character’s socioeconomic backgrounds, when it came to the rich kids, I found myself wondering way too often if anyone actually wore that in high school. Having said that, Duckie, played by Jon Cryer, is the reason for this movie making the list. Although over the top, I love all of the mismatched, print-on-print, thrift-store-treasure vibes of his wardrobe.
The Goonies (1985) Costume Designer: Richard La Motte
Is it just me, or does the wardrobe from The Goonies give anyone else some serious Gucci vibes? Really, I’m not kidding! Take Chunk for example, his plaid trousers, quirky floral shirt, bright red jacket—so Gucci! Another example is Stef, Andy’s ride or die bestie, wearing some clear framed specs, granny earrings, and a skinny red scarf. Can you see it now? We’re onto you Alessandro! All jokes aside, any of the looks featured in this movie are worth wearing.
The Breakfast Club (1985) Costume Designer: Marilyn Vance
What do you get when you put a brain, an athlete, a basket case, a princess, and a criminal into a room? Only one of the most beloved ‘80s movies of all time, that’s what! With so much to pull from, I’ve definitely taken inspiration from this movie for shoots and my own personal style.
The Lost Boys (1987) Costume Designer: Susan Becker
Perhaps one of the reasons I didn’t buy into the whole glittering vampire thing, is because I grew up watching the more badass version of blood suckers who wore leather better than any rockstar of the ‘80s. Seriously, I would wear EVERYTHING from this movie!
Adventures in Babysitting (1987) Costume Designer: Judith R. Gellman
Adventures in Babysitting is one of those movies that I can watch over and over again, and still laugh at every joke. Why this movie isn’t as well known as the others on this list is beyond me. It also happens to have some pretty awesome and totally relevant fashion. I love the pops of color, as well as the jackets and coats worn by all of the characters throughout the film: it’s basically an onscreen list of outwear must-haves!
Working Girl (1988) Costume Designer: Ann Roth
Power suits were all over the SS19 runways, and there’s no better source of inspiration for all things power dressing than Working Girl. Melanie Griffith’s and Sigourney Weaver’s wardrobe is so incredibly chic in this movie, that I’m willing to overlook their awesomely bad hairstyles (mostly Melanie’s. Sorry, girl!). A few years back, when sneakers and suiting became a major thing, this movie was often referenced while people formed their opinions on whether the look worked or not. Flash forward to now, and that combo seems like a no brainer. Honestly, there is so much fashion gold in this movie that if you can only pick three of the ten movies to watch, make sure this is one of them. Total side note, but apart from the awesome clothes, this movie has one of my top five favorite lines ever delivered on screen, courtesy of Joan Cusack: “SIX THOUSAND DOLLARS? It’s not even leather!”
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THE LAST: 1. Drink: karak 2. Phone call: an uber driver 3. Text message: the closest person i’ll ever get to 5. Time you cried: a couple hours ago
HAVE YOU: 6. Dated someone twice: dont date 7. Kissed someone and regretted it: I guess we all have one? 8. Been cheated on: hope not 9. Lost someone special: yes 10. Been depressed: a lot 11. Gotten drunk and thrown up: dont drink
LIST 3 FAVORITE COLORS: 12-14: black, pink, navy blue
IN THE LAST YEAR HAVE YOU: 15. Made new friends: met my soulmate basically 16. Fallen out of love: yes i have 17. Laughed until you cried: yes 18. Found out someone was talking about you: definitely 19. Met someone who changed you: yes! 20. Found out who your friends are: the purest kindest people yes 21. Kissed someone on your Facebook list: do i even have one lol?
GENERAL 22. How many of your Facebook friends do you know in real life: dont use facebook 23. Do you have any pets: a cat “tina” and her four kittens “neptune-venus-mars-moonlight” 24. Do you want to change your name: yess pleaaaaase~ 25. What did you do for your last Birthday: was with my family at a resort. wishing i was with my bestie 26. What time did you wake up: 2:30 pm 27. What were you doing at midnight last night: crying 28. Name something you can’t do: i can’t swim!! 29. When was the last time you saw your mom: im looking at her now 30. What is one thing you wish you could change in your life: some habbits 31. What are you listening right now: pour it up-rihanna 32. Have you ever talked to a person named Tom: nah 33. Something that is getting on your nerves: having no reason to a reason 34. Most visited Website: pornhu- sorry i meant tumblr thefek
LAST QUESTIONS. I JUST PUT IN RANDOM INFO ABOUT ME 35. Mole/s: i have one under my eye and one on my knee and couple below my wrist 36. Mark/s: i have a “scar” from a needle shot i had when i was 2 37. Childhood dream: having longer hair 38. Haircolor: black 39. Long or short hair: buzzcut 40. Do you have a crush on someone: yesh😏 41. What do you like about yourself: excellent cryer 42. Piercings: no 43. Bloodtype: bruh i lost my id idk 44. Nickname: ganimu 45. Relationship status: i got a man damnit! 46. Zodiac: aquarius 47. Pronouns: he/him 48. Favorite TV Show: ruapuls best friend race 49. Tattoos: none 50. Right or left hand: Right 51. Surgery: removed my tonsils 52. Hair dyed in different color: nope 53. Sport: rocket league 55. Vacation: Switzerland 56. Pair of trainers: what about them? XD
MORE GENERAL: 57. Eating: nothing yet but this question made me hungry D: 58. Drinking: nothing yet 59. I’m about to: text my best friend see where he at 61. Waiting for: HIM! 63. Get married: Not anytime soon ~ 64. Career: high school student
WHICH IS BETTER 65. Hugs or kisses: Why not both? ;3 66. Lips or eyes: eyes 67. Shorter or taller: shorter 68. Older or younger: older 70. Nice arms or nice stomach: arms 71. Sensitive or loud: sensitive 72. Hook up or relationship: Relationship 73. Troublemaker or hesitant: hesitant
HAVE YOU EVER: 74. Kissed a stranger: no 75. Drank hard liquor: nope 76. Lost glasses/contact lenses: yeah 77. Turned someone down: Yes 78. Sex on the first date: nope 79. Broken someone’s heart: hope not 80. Had your heart broken: yup 81. Been arrested: nope thank god 82. Cried when someone died: Isn’t that normal? 83. Fallen for a friend: yes~
DO YOU BELIEVE IN: 84. Yourself: wow? thanks for giving me a midlife crisis in the middle of the day XD 85. Miracles: miracles do happen~ 86. Love at first sight: no 87. Santa Claus: idk why i find the concept kinda scary? 88. Kiss on the first date: no bruh 89. Angels: definitely *looks at a picture of mhrous*
OTHER: 90. Current best friends name: mhrous 91. Eye color: dark brown 92. Favorite movie: lemonade
u know im taggin u nig @mhrous
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LENOX, MA (May 15, 2018) – WAM Theatre is delighted to announce that tickets are now on sale for their fall main stage production of Ann by Holland Taylor, starring Jayne Atkinson (TV’s House of Cards, Madam Secretary), and directed by WAM’s Artistic Director, Kristen van Ginhoven. Tickets were originally slated to go on sale mid-summer, but due to anticipated demand for this limited engagement, WAM has decided to open up sales now.
A one woman tour-de-force, Ann is a hilarious and spirited portrait of Ann Richards, legendary Governor of Texas. Written by award-winning actress and writer Holland Taylor (Two and a Half Men), Ann is an inspiring play that brings us face to face with the complex, colorful, and captivating character, with a personality bigger than the state she governed. In a year when so many women are running for office across all platforms, this play resonates deeply with our current climate.
Ann is a co-production with Dorset Theatre Festival, where the play will be performed from August 29-September 1, 2018. WAM will present Ann in the Berkshires from October 19-28 at the Tina Packer Playhouse at Shakespeare & Company in Lenox, MA. Tickets for the limited engagement in Dorset are going fast, and when they’re gone they will refer eager ticket-buyers to WAM’s seven-performance run in the Berkshires. Consequently, WAM is opening ticket sales earlier than ever.
Playwright Holland Taylor.
The late Ann Richards, Governor of Texas from 1991-1995
“Kristen van Ginhoven and WAM have long inspired me personally for the amazing work they do on behalf of women,” shared Dina Janis, Artistic Director of Dorset Theatre Festival. “With the Festival’s commitment to gender equity in theatre and to women’s voices in particular, this project seemed like a perfect opportunity for collaboration between our theaters. Jayne Atkinson is arguably one of our nations finest actors, and a play written by the terrific Holland Taylor that celebrates one of my favorite political rock stars – Ann Richards – feels like a true celebration of all that is possible.”
In keeping with their double philanthropic mission, WAM Theatre will be donating 25% of the box office proceeds from Ann to a beneficiary to be named at the July 25 Gala at the Berkshire Equestrian Center in Richmond, MA. Since its founding in 2010, WAM Theatre has donated more than $41,500 to thirteen non-profit organizations. For more information on tickets to the Gala, please visit: http://www.wamtheatre.com/wam-gala-2018/
Performances of Ann the first weekend are Friday, October 19 at 7:30pm (preview), Saturday, October 20 at 7:30pm (opening), and Sunday, October 21 at 2pm; and Friday, October 26 at 7:30 pm, Saturday, October 27 at 2pm & 7:30pm, and Sunday, October 28 at 2pm the second weekend. Tickets start at $30. Tickets for the low-priced Preview performance on Friday, October 19 at 7:30 pm are $25 & $30. All tickets are available through the Shakespeare & Company box office at 413-637-3353 or online at tickets.shakespeare.org.
The box office, located at 70 Kemble Street in Lenox, is open from 11 am-3 pm, plus 90 minutes prior to any performance. Closed Mondays.
For more information on WAM Theatre and Ann, visit: wamtheatre.com/ann
AT A GLANCE
October 19-28Annby Holland TaylorStarring Jayne Atkinson
Directed by Kristen van Ginhovenat the Tina Packer Playhouse at Shakespeare & Company, Lenox, MA
http://www.wamtheatre.com/ann/
A portion of box office proceeds will be donated to a beneficiary to be announced at the WAM Gala on July 25, 2018.Tickets start at $30.
Preview tickets to the October 19 performance at 7:30pm are $25 & $30.
Available through the Shakespeare & Company box office at 413-637-3353 or online at tickets.shakespeare.org.
No Berkshire, Senior, Teacher or Military Discount
Student tickets are available for $15 each and may be purchased over the phone at 413-637-3353 or in person at the Shakespeare & Company Box Office. Student tickets are not available for purchase online.
PERFORMANCES
Friday, October 19 at 7:30pm (Preview)
Saturday, October 20 at 7:30pm (Opening Night)
Sunday, October 21 at 2pm
Friday, October 26 at 7:30pm
Saturday October 27 at 2pm and 7:30pm
Sunday, October 28 at 2pm (Closing)
ABOUT JAYNE ATKINSON
Jayne Atkinson has enjoyed a long and varied career as an actress, director, and producer. A graduate of Northwestern University and Yale Drama School, she has appeared in regional theatre, off-Broadway, and Broadway.
Jayne made her Broadway debut in a revival production of Arthur Miller’s All My Sons. Other Broadway credits include The Rainmaker (Tony nomination), Our Town with Paul Newman, Enchanted April (Tony nomination, Drama Desk nomination; Outer Critics Circle Award) and Blithe Spirit with the wonderful Angela Lansbury . She has also appeared off-Broadway in a number of productions, including The Art of Success (Drama Desk nomination) and The Skriker (Drama Desk nomination).
Many may recognize Jayne from her film and television roles. Her feature film credits include Free Willy 1&2, The Village and Syriana. On television she is known for her guest appearances on the hit series The X-Files, Gossip Girl, Chicago Med and The Good Wife, among others. As a recurring character, she has played Karen Hayes on the award-winning 24, Erin Strauss on Criminal Minds, Secretary of State Catherine Durant on the popular Netflix Series House of Cards and most recently she can be seen opposite Tea Leoni as Vice President Teresa Hurst on Madam Secretary.Directing and producing credits include benefit productions of Motherhood Out Loud and Can You Hear Me, Baby?, for WAM Theatre and the Berkshire Festival of Women Writers. She also runs Jadana Productions, which specializes in entertainment development. Her other areas of expertise include coaching and teaching. In her spare time, she promotes women��s causes, travels, participates in fundraisers. She is married to actor Michel Gill. Together they have one son.
ABOUT THE DIRECTOR: Kristen van Ginhoven
(Director) WAM Theatre: The Bakelite Masterpiece, In Darfur (New England Premiere), Emilie (New England Premiere), The Old Mezzo (World Premiere), The Attic, The Pearls and Three Fine Girls and Melancholy Play Elsewhere: Disgraced, I and You (Chester Theatre), Waxworks (Williams College), The Whale (Adirondack Theatre Festival), 10 Minute Play Festival (Barrington Stage Company), Petticoats of Steel (Capital Repertory Theatre), Footloose (Cohoes Music Hall), Children’s Hour (Siena College), Vendetta Chrome(Emerson College). Selected assistant directing: The Physicists, 42nd Street(Stratford Shakespeare Festival of Canada), Two Men of Florence (Huntington Theatre) Sleuth, Absurd Person Singular (Barrington Stage Company). Training: Dalhousie University (BA), Queen’s University (BEd), Emerson College (MA). Et cetera: Kristen is a member of the Society of Stage Directors and Choreographers and a theatre artist for the International Schools Theatre Association. She was a member of the 2013 Lincoln Center Director’s Lab and is a member of the Michael Langham Workshop for Classical Direction at the Stratford Festival of Canada. Kristen is the co-founder and Artistic Director of WAM Theatre. Website: www.WAMTheatre.com
ABOUT THE PLAYWRIGHT: Holland Taylor
Holland Taylor took Broadway by storm as writer and star of Ann, a one-woman show about the late Texas Governor Ann Richards, which resulted in rave reviews, a Tony Award nomination for Best Actress, and a filmed version of the 2016 production in which Holland starred at ZACH Theatre in Austin, Texas, bringing Governor Richards back home. The New Yorker has called Holland Taylor “the first vaudeville Gentile we ever saw.” Her New York stage performances include Bess in Breakfast with Les and Bess, as well as the original productions of Butley, opposite Alan Bates, and A.R. Gurney’s The Cocktail Hour. She still holds her head high after taking over for Eve Arden, opening the historic flop Moose Murders. In Los Angeles she has performed in Kindertransport, and played opposite Christopher Lloyd in Yasmina Reza’s The Unexpected Man at the Geffen. She has worked extensively in film and television, appearing in Romancing the Stone, Jewel of the Nile, To Die For, Next Stop Wonderland, One Fine Day, George of the Jungle, The Truman Show, Happy Accidents, Spy Kids (2 & 3), Keeping the Faith, Legally Blonde, and Baby Mama, with Tina Fey and Amy Poehler. On television, Holland has been nominated for an Emmy seven times, winning Best Supporting Actress in a Drama for the sexually popular Judge Roberta Kittleson on The Practice. Among her numerous series starring roles: The Powers that Be, Norman Lear’s short-lived but highly acclaimed political satire; Bosom Buddies, with Tom Hanks; and, of course, the juggernaut, Two and a Half Men, with her dear boys: Charlie Sheen, Jon Cryer, and number 3 son, Ashton Kutcher. She has performed narrations for the Los Angeles Philharmonic with Esa-Pekka Salonen and John Adams, and narrated the Harry Potter Suite for John Williams at the Chicago Symphony Orchestra. Following her Broadway run in Ann, Holland appeared in Kepler’s Dream, an inspiring film for a young audience, and in New York she played another character who never leaves the stage and talks a LOT in Pulitzer prize-winner David Lindsay-Abaire’s dark comedy Ripcord, at the Manhattan Theatre Club.
OUR SEASON SPONSORS
Our 2018 sponsors include Adams Community Bank, Baystate Financial, Berkshire Bank Foundation, Berkshire Magazine, Berkshire Sterile Manufacturing, Blue Q, Brabson Library & Educational Foundation, Canyon Ranch, The Charles H. Hall Foundation, CMW Retirement Plan Services LLC, Custom Business Solutions, The Dylandale Foundation, The Feigenbaum Foundation, Frankie’s Ristorante Italiano, the Garden Gables Inn, Greylock Federal Credit Union, Guido’s Fresh Marketplace, International Schools Theatre Association, Interprint, Lee Bank, Maggie Barry, Massachusetts Cultural Council, J.H. Maxymillian, Inc., Methuselah Bar and Lounge, Natracare, No. Six Depot Roastery and Café, Onyx Specialty Papers, Inc., RB Design Co., The Rookwood Inn, The Dr. Robert C. and Tina Sohn Foundation, The Rogovoy Report, Rouge Restaurant & Bistro, Salisbury Bank, T Square Design Studio, Toole Insurance, a. von schlegell & co.
WAM Theatre is also supported in part by grants from the Alford-Egremont Cultural Council, Lee Cultural Council, Lenox Cultural Council, New Marlborough Cultural Council, Pittsfield Cultural Council, Cultural Council of Northern Berkshires, Otis Cultural Council, Richmond Cultural Council, Sandisfield Cultural Council, and the Washington Cultural Council – local agencies that are supported by the Massachusetts Cultural Council, a state agency.
ABOUT WAM THEATRE
Based in Berkshire County, Massachusetts, WAM Theatre is Where Arts and Activism Meet. The company was co-founded in 2010 by Canadian director, actor, educator, and producer Kristen van Ginhoven. WAM’s vision is to create opportunity for women and girls through the mission of theatre as philanthropy.
Inspired by the book Half the Sky: Turning Oppression into Opportunity for Women Worldwide by Nicholas Kristof and Sheryl WuDunn, WAM donates a portion of the proceeds from its theatrical events to organizations that benefit women and girls.
Since 2010, WAM Theatre has donated more than $41,500 to thirteen nonprofit organizations and provided paid work to more than 200 theatre artists. In addition to the main stage productions and special events, WAM Theatre’s activities include a comprehensive educational outreach program and the Fresh Takes Play Reading Series. For more information, visit www.WAMTheatre.com
Tickets for WAM Fall MainStage Show “Ann” Now On Sale! LENOX, MA (May 15, 2018) - WAM Theatre is delighted to announce that tickets are now on sale…
#Ann#Ann Richards#Dina Janis#Dorset Theatre Festival#Dorset VT#Holland Taylor#Jayne Atkinson#Kristen van Ginhoven#Lenox MA#Tina Packer Playhouse
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O.C. AND STIGGS (1983) in which we find the boys being unsuccessfully threatened by their counselor Mr. Granger, for their over-abundant school projects which all use the Schwab family as their points of reference
with Tina Louise, Jon Cryer, James Gilsenan, Dan Ziskie, Daniel H. Jenkins and Neill Barry
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Hypothetical titles for season 25 of 88.
The long way around. Season premiere. Part one. Drummond and the Five Families work to find Odessa’s sarcophagus, meanwhile Alt!Odessa tries to help with limited success due to Drummond pushing her away
And it feels so good. Season premiere. Part two. Getting desperate, Drummond leads an expedition into the Hudson as Alt!Odessa starts to disappear.
Warm and dead. Drummond finally finds Present!Odessa. But now Dr Corsica needs to work on keeping her from dying of hypothermia.
Love em and leave em. Barnaby’s interest is piqued when the team takes on the case of a male prostitute being stalked by his former clients. Guest starring Nick Robinson as Culver Rhodes
Blood alcohol moon. Terror descends upon the Wilmington’s when Delaney impulsively decides to quit drinking right before a blood moon.
Family, family, family. Drummond decides to run for president at Findlay’s begging to stop a newly minted republican governor from snatching it up. First appearance of Sarah Silverman as Republican Governor Rodmilla Cryer
The wine cellar. Clyde retreats to the Wilmington’s wine cellar when Drummond’s announcement party gets to much for him.
Larceny on the Fifth Avenue Express. En route to Oswald’s family’s farm, Sidney is made aware of a spate of thefts on the Five Families’s private train.
From Newark to Albany. Lysander, David and Clyde lend insight into a case of actors from an old sitcom being systematically abducted and killed by a fan who can’t come to terms with the show being over. Guest starring Meg Donnelly Linda Bailey
Au courant. Leland finally loses it with Zoey when she opens up a highly expensive pay as you go boutique at the Mulligan Institute.
The man in the moon is a bitch. Baby New Year (Dylan Sprouse) approaches Findlay for help when his rapacious twin brother the man in the moon (Cole Sprouse) starts making trouble at observatory’s all over the country.
Sod. Midseason finale. Part one. Christmas celebrations get delayed when Drummond is called in by Cryer for an impromptu debate at the Lincoln Memorial.
Murphy. Midseason premiere. Part two. The Drummond vs Cryer debate at the Lincoln memorial ends up turning into a double barrelled filibuster that heads towards New Year’s Eve. Unless Odessa can stop it of course.
In-A-Gadda-Da-Tina. An incident with paint thinner when she’s helping out at the Institute ends up in a nightmare for Tina of Ozian proportions.
Gordon Bennett. Godfrey unintentionally sabotages Drummond’s bid for the presidency by going undercover on political blogs.
Custody battle. Theo’s biological grandmother sends his biological father over to Fifth Avenue in an attempt to gain custody agains. Guest starring Roman Banks as Llewellyn Lumet and CCH Pounder as Charisse Miller
Me and Jamison down by the schoolyard. Findlay’s fear of the past at her obsession with The Mages And The Mundane collide when the team takes a case at an elementary school where Emerson Davenport and Tatum Mercer are filming a special episode. Guest starring Chris Pratt and Aubrey Plaza
His choice. Jacob advises Skipper and Oswald to let Theo decide upon whether he’ll make contact with Llewellyn Lumet or not.
Horse and carriage. With the race heating up. Drummond surprises Odessa with an impromptu marriage proposal against Jones and Jacob’s advice.
Schemes. Cryer’s put upon daughter Emmy (guest star Olivia Holt) defects to the Wilmington’s side and tells them secrets that Cryer’s desperate to keep under wraps. Including one that would definitely rank the election for her.
A broccoli that tastes like deep fried chocolate. With the Cryer/Cahill connection under his hat, Drummond’s sets about listing his intentions for the presidency.
Byob. Thornton has to question Barnaby and Jonah after a party they went to at Van Buren ends in a missing teacher and a double homicide.
Final countdown. Season finale. Part one. The Five Families can do nothing but wait as all the votes are tallied and counted. Which sets Findlay on edge more so than usual because if they’ve learned anything it’s that what can go wrong will go wrong.
Rep v dem. Season finale. Part two. In a last ditch attempt to win, Cryer arranged for the votes to be stolen, forcing the precinct to team up with several other divisions and chase her across the country to get them back. Special guest appearance by Daniel Radcliffe as Derek Christensen. Final appearances of Sarah Silverman as Rodmilla Cryer and Olivia Holt as Emmy Cryer.
#mine#copyright me#modern fantasy#nick robinson#sarah silverman#meg donnelly#dylan sprouse#cole sprouse#roman banks#cch pounder#chris pratt#aubrey plaza#olivia holt#daniel radcliffe
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O.C. AND STIGGS (1983) in which we witness an enraged Mrs. Schwab and her newlywed daughter attacking their respective husbands at the wedding reception, for having absent-mindedly abandoned them at the church, and all of the other guests dance and cavort
with Jane Curtin, Paul Dooley, Laura Urstein, Victor Ho, Tina Louise, Daniel H. Jenkins, Cynthia Nixon, James Gilsenan, Neill Barry, Tiffany Helm, Dana Anderson, Amanda Hull and Jon Cryer
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