#tims gender in this is a lot like mine in the sense that i just dont really care | Explore Tumblr posts and blogs

bangtanloverboys · 5 years ago

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thought trade (i) // jjk

summary - In a world where soulmate systems exist, you get one of the strangest ones you can think of. You speak your soulmates thoughts without any regard for context and that’s your only hint. At first it’s a bit strange, as you start blurting out random Korean phrases and stuff but one day you get so fed up that you start cursing at the world for giving you the most useless systems there is. It isn’t until you check twitter and see that a certain K-Pop Idol is trending for a random outburst in English that’s your words. . .

pairing - idol!jungkook x gender neutral!reader

genre - fluff; soulmate au

word count - 4.2k

warnings - none

author’s note - the reader in this fic in gender neutral and when there’s italics it means they’re talking in korean. also this is the first story i’ve published publicly in 6 years, if you’ve noticed anything about this fic grammarwise, please tell me and i’ll correct it.

part ii

You honestly don’t know what you expected when you turned 20 as you awaited for your soulmate system to show. Most common it was tattoos that showed up, your soulmates first words or birthdays. The lucky ones got to share thoughts or perhaps even see each other in dreams but none of that happened to you. No, soon as you turned 20 nothing really changed. It wasn’t until 2 weeks later when you were out having dinner with some friends and you just blurted out a random full sentence in full Korean.

You were confused. You didn’t speak Korean at all, you could barely speak Spanish from the 4 years you took it in high school. So how in the world did you say. . .whatever you said without any prior knowledge. The friend you were having dinner with suggested it was your soulmate system. But you’ve never heard of a system that would have you blurt out Korean. Keeping the soulmate system in mind though, you decided to seek out a sort of soulmate doctor.

With soulmate systems becoming more and more common, they were confusing to the people that had the system as well as the people around them, so some people have taken it upon themselves to study and record different types of soulmate systems to help understand. Very next day after your Korean dinner burst, you google the nearest one and book an appointment for the following week.

You still had no idea what you’re saying so you’ve started a habit of keeping a voice memo recorder on you at all times recording every single thing you say or hear throughout the day. You’ve gone through three so far and only caught one outburst. You managed to roughly translate a few words: Army, dance, and concert. You have no idea about any of the context behind those words but you’d have to wait before you’d get any answers.

Finally your appointment with the soulmate doctor rolls around and you explained your situation, how you randomly burst out in Korean and how you have no idea what to do with what’s going on or how to communicate with your soulmate. The doctor frowned upon hearing your description. Turning to her computer, she began to type in your system attributes.

“Well, your system is fairly unique, I’ll say that for sure.” She responded, as she turned back to face you. “What I mean is, there have only been about 3 or 4 other cases with systems similar to yours. It’s called thought trade. You’re speaking your soulmates thoughts or words. As for the Korean bit, your soulmate is Korean and that’s as much as I can tell.”

“Is there any way I can control it? To a point where I don’t randomly blurt out stuff in another language?” You asked, desperate for any sort of solution. The three times you burst out were very embarrassing and the looks you got made you feel weird and shameful.

“Hmm, soulmate systems have only been known to let up until after the fact you’ve met. As for controlling? The only record we have of that is pressing enough thought to a point where you can force them to say it. Other than that, no, I’m sorry.”

You left the soulmate doctor feeling a bit dejected. You honestly didn’t know what to do about this; soulmate systems were supposed to make finding your soulmate easier and this didn’t seem to help you get anywhere. The only logical thing you could think of was to start taking a Korean language class at your college. Before the first class had started, you were sure to explain to your professor your reasoning behind taking the course. Thankfully, he was very understanding and promised he’d help you personally with any translations if needed.

After a few classes you finally had an outburst in class. Everyone in your class turned to stare at you in confusion, clearly whatever you said wasn’t a part of class and you felt your face grow red. The looks of their faces made you want to curl up under your desk and hide until the end of class. Your professor took liberty to explain to the class that it was your soulmate system upon seeing your embarrassment; to which your fellow classmates were understanding.

“Y/N, if it’s alright with you, may I incorporate your outburst into the lesson.” You gave a small nod as he clasped his hands together. “Alright, can anyone guess or translate what Y/N, or moreso, what their soulmate said?” He asked the lecture class, a few people raised their hands. He pointed to one of the guys in the front row. “Yes, Jay?”

“They said ‘I don’t know why I’m speaking like I don’t know my own language, hyung!’” Jay responded, before turning to look at you at your desk. “Perhaps he caught on to you learning the language and you’re mispronouncing some things?”

“He?” You question, you’ve never known the gender of your soulmate, so with Jay using the male pronouns you were rightfully taken back.

“Yeah, he said hyung. That’s the honorific he used.” He responded. Once the professor confirmed that is in fact what your soulmate said, he resumed the class yet you barely paid attention. For as little as it was, you had something. A clue.

As the months passed, the outbursts became more and more common happening at least twice every other week. Fortunately, your Korean had improved enough for you to start translating your bursts on your own. Some of it was a bit difficult to understand as to what he was talking about as it varied from a bunch of things like fire being too hot, and leaves falling down. Other times it was stuff about body aches.

Your classmate Jay had slowly become a blessing in your life when it came to further trying to understand your outbursts and your soulmate system in general. After your first outburst in class, he approached you and asked you a couple more questions about your system. He admittedly was interested in the many vast different types that existed and had never heard of yours before. He had offered his help on translating and thus your friendship began.

The semester was finally drawing to a close and you had Jay over to help study for the Korean final when you had another burst about the army, something about purple, and food. If you were completely honest, you were getting fed up with it. “I’m honestly tired of it! Why the fuck does nothing he say make sense! I’m already learning another fucking language to understand whatever the fuck he’s talking about but what he says doesn’t make sense!” You shouted, completely frustrated with the entire situation. “I’m still completely clueless as to who my soulmate is! And he’s not giving me any hints!”

Jay merely sat in silence as you sat back down, cooling down after your little meltdown. “Feel better after that?”

“Yes, a little bit.” You sighed, “Sorry you had to . . . witness that though.”

“No problem, honestly, I think you are being given hints they’re just too. . .vague to connect them.” He said in an attempt to reassure you.

“You on his side or mine here?” You retorted, eliciting a chuckle from your friend. “I just. . .want to strangle him sometimes.”

“I would too, if I had your system. I got lucky though, I just doodle on my arm and it shows up on her arm.” He smiled proudly as he looked at his forearm. He really was lucky when it came to having a soulmate system. Jay had been able to quickly locate his soulmate within a matter of hours after his system made itself apparent. His soulmate, Jenna, lived in Canada and he had plans on flying over to meet her for Hanukkah.

“Can we put a pin in this study session until tomorrow? After that, I’m exhausted and don’t think I can look at another sentence without getting angry at him.” You huffed as you leaned back on your couch.

“Yeah, final ain’t till next week. Call me if anything happens.” He assured you as he started collecting his things.

Once he was gone, you pulled out your phone and opened twitter. You barely use it unless to check up on some random celebrities tweets or check random news stuff. Upon opening the trending page, the top trend catches your eye:

JUNGKOOK SOULMATE

As someone with a weird soulmate system, you’re intrigued with what’s going on with this ‘Jungkook’. Upon opening the hashtag, you learned he is a sort of K-Pop idol, now you don’t know a lot about the music industry of the language of your soulmate so you decided to leave it, but before you close it you come across a video of said Jungkook from a livestream. He’s this cute guy that can’t be any older than you with brown hair that’s swept over his eyes and staring into the camera lovingly. He’s sitting in a hotel room and he’s just talking in Korean, and you vaguely understand what he’s talking about. He’s talking about his day, the food he’s tried lately, and addresses the viewers as ARMY. Then in the middle of a sentence about an interview he bursts out in full English “I’m still completely clueless as to who my soulmate is! And he’s not giving me any hints!” before he slapped his hands over his mouth and scrambled to the camera to end the livestream.

Those were your words. He said your words.

He’s your soulmate?

You swipe more down the tag and you see a bunch of stuff about theories about what his system might be. You come across a thread of several times his voice was bleeped out in a bunch of videos, while fans assumed it was swearing they began theorizing it was his soulmate system and he didn’t want them to hear him talk about things that probably didn’t make any sense.

That didn’t help you on your part. Now you only have one piece of evidence that proves he’s your soulmate. Exiting the app, you moved to google and see if you could find anything else about this Jungkook and low and behold, more photos of the cute guy from the video clip was there and you frantically called Jay.

“I just left what’s up-”

“I found him.”

“You what? You found him?” Jay was astonished to say the least, especially since less than 10 minutes ago you were cursing him out over not knowing who he was.

“Either I found him or I’m having a nervous breakdown.” You chuckled nervously as you began pacing back and forth in your living room.

“Okay, I’m coming back over.” You heard him turn and make his way back over to your apartment. “Who is he?”

“This sounds. . . completely insane but like. . he’s a K-Pop Idol named Jungkook, whoever the fuck he is, he’s my soulmate and I have no fucking idea how to get to him now.”

“Wait wait wait, slow down. Jeon Jungkook, of BTS, is your soulmate?” Jay inquired, “How did you find that out?”

“Well apparently the universe heard me complaining about not having a clue and went BAM ‘Here’s your clue’.” You still couldn’t believe this was real. Of all people that had to be your soulmate, he was it. You opened your mouth to speak again but instead of English, Korean toppled over your lips. One word that mainly stuck out was ‘I’m sorry’. “I think he’s in trouble. Fuck, I got him in trouble.” You hadn’t even met the guy and you were already causing problems for him. Or maybe this wasn’t new at all, maybe you’d gotten him in trouble before?

“Open the door, I’m outside.” You ran to the door and wrapped your arms around your friend. To say you were overwhelmed and scared, didn’t cover half of it. You knew who he was now, but now had no idea who you were and now you were clueless as to how you can even get to see him!

The next day and a half, instead of studying for your Korean final, you made it your business to find out anytime you could on Jungkook. As you watched some of the music videos, slowly more and more of what you’ve said in the past made sense. The weird sayings that you thought were completely random were song lyrics, the complaints about muscle pains made more sense when you saw how intense and hard they all danced. The “army” you constantly burst about was the fanbase they had, ARMY. You were given clues, you were just too stupid to use google once in a while.

Meanwhile, your outbursts have gotten more and more frequent. Happening almost twice a day. You could almost feel Jungkook’s concern and fear behind his thoughts because apparently BigHit was really good at hiding their idols’ soulmate systems and with your one outburst you ruined it for him.

ARMY slowly became a concern for you on your side because apparently a site of soulmate systems crashed because so many people were frantically searching for what his system might be. Once people found out about the rare thought trade system, almost daily you saw on Twitter of people claiming to be his soulmate. Those were easily debunked as the impostors were either too young to even get their soulmate system or the phrases they said in Korean were badly pronounced. Usually one of those two or they didn’t speak English fluently. That was the only clue ARMY had about their Golden Maknae’s soulmate, you spoke English.

You thought quietly to yourself, trying to push a thought to Jungkook about being sorry about this happening and that you weren’t posting any videos on Twitter, because either way you wanted him to know you were you and not give him the wrong idea. You don’t know if he got the message until several hours later when you were getting out of the shower and in perfect English said, “I understand.” You smiled, happy he got the message and you were able to connect to him at least in some way.

A full month after the “live burst” as ARMY dubbed it, you (and Jungkook) were able to decipher with the fact that you could only get each other's thoughts when you were extremely emotional, which explained the live situation. Sometimes if you thought really long and hard you could push the message across but that was usually hit or miss. It was currently winter break and Jay was currently on his way back from Canada when he called you.

“Pack your bags.”

“Uh, nice to hear from you too, Jay. I’m doing great. Why should I pack my bags?” You rolled your eyes as his demand.

“Because my dear YN, for Christmas I got you tickets to go see BTS on Jimmy Fallon-”

“You fucking what!? First of all that’s all the way in fucking New York City! Second of all, fucking wHAT?!” You screamed into the phone, a bit flinching seeing how you probably just got Jungkook to yell at the top of his lungs.

“Listen to me, YN. This is crazy yeah, but it’s like, the only chance we can get for you two to meet. Hence why I got you a round trip ticket to New York. You’re welcome,” the smugness evident in his voice.

“Jay. . .I can’t believe you’d do this for me? All I got you was socks, you can’t just buy me a plane ticket!”

“Jenna helped pay for it if it makes you feel better, we both want you to get your man. It’s our gift to you. Now go pack, the show is in two days and you leave tomorrow morning. We also got you a hotel ticket. You’re going to be there at least 5 days at least. Have fun!”

Soon as the call ended, you felt like you were going to cry. Was this going to work? You had no idea. “New York City? You go?” You heard your voice speak.You quickly thought back a yes for him and scrambled to your room to pack. You threw together your best and nice clothes to wear at the show and as you were getting ready for bed you heard yourself say “See you maybe.” You smiled as you tucked yourself in, wanting to be asleep as soon as possible in order to leave.

You barely slept that night, to a degree was somewhat okay because you could always sleep on the plane. You left two hours before your flight with the information that Jay had forwarded to you, and soon enough you were seated outside your gate waiting for your flight to be called. Seconds seemed like hours as you waited, you just wanted to get to New York as soon as possible and see Jungkook. Live and in person, right in front of you. But then it came to you, Jungkook had no idea what you looked like. So you came up with a little plan for the opportunity to arise.

After you came up with a plan, you saw on your VLIVE app, after the live burst last time you decided to download the app to be sure you didn’t have another repeat, you would simply sit in silence as you watched your soulmate talk but after the outburst, it seems he was limited from going live. But he was allowed to go live with other members because there he was with Jimin, sitting and talking to ARMY. After a sudden lack of Jungkook, the chat was spammed with questions about his soulmate and his system but he avoided that entirely. You watched them as you waited for your flight to be called, they playfully bickered about some dumb little game they were playing.

After nearly an hour, your flight was called and you decided to leave one message in the chat. ‘See you maybe.’ You watched for a few seconds as Jungkook scanned the chat. He saw his eyes light up a bit and open his mouth but before he said anything you had already closed the app. You couldn’t reopen it now as you were steps away from boarding your plane. You made your way to your seat and put your phone on airplane mode. The flight attendants went over the safety precautions but you didn’t hear a word they said for you were so close to Jungkook now.

Soon enough the plane took off and you put in your earbuds and played some of your already downloaded music, including some of BTS and more specifically Jungkook’s solo songs and covers. While you did love and appreciate the other members and their talent, you obviously had to be biased to your literal soulmate. His soothing voice lulled you to sleep and sure enough you slept the entire flight to New York City.

Soon as you landed you made your way over to baggage claim and called an uber to your hotel. You were getting more and more antsy to the point you were giggling like a maniac. “You okay?” Your voice spoke up. Okay, maybe you were getting too excited by this. You laughed a bit and thought back that you were just excited. You unpacked your things and then decided to check through twitter, and of course, Jungkook was trending again. Clicking on it you see a clip of the live stream after you commented and left. Jungkook’s eyes lit up and he said “You too”, you chuckled and scrolled through and saw a bunch of people’s theories as to who his soulmate is and as his response to your comment was vague, no one pointed to you.

After a few hours of mindlessly scrolling and watching videos, getting to know what these people thought of Jungkook. He was very important to these people and you couldn’t help but be a little scared because they automatically assumed a lot about idols’ personal lives and you were possibly going to be added to that equation. You felt your stomach grumble and you decided to make a quick stop at a McDonald’s as it was cheap and easy food. Belly full, you fell asleep and happy to possibly see your soulmate within 24 hours.

You woke up a bit early to get ready, the dress code was smart casual so you dressed as such, only messing with your physical appearance very little as you didn’t bring much with you in your rush to pack. Once you noticed the time, you were on your way to the studio and you felt like your heart was going to beat out of your chest. After waiting for a few hours, you all filed into the audience and watched as the crew set up for filming. You couldn’t breathe as Jimmy stood in front and announced that BTS was here and you felt your heart stop when they came out.

They all came out looking very cute in their current concepts style, and they all look ethereal. Then your eyes landed on Jungkook and all of time seemed to stop. He looked so cute and you couldn’t believe it. There he was. So close yet so far. Every fiber of your being, every atom yelled at you to get up from your seat and run to him but you couldn’t, that was the stupidest thing you could ever do. No, you had to stick to your plan. Hopefully it will work. They danced their way to their seats as the band played, then they all sat down around and on the couch. You couldn’t register anything that was going on, all you could hear was your heartbeat in your ears. You watched them introduce themselves and you had to bite your tongue, because all you wanted to do was scream out to Jungkook that you were here. Just wait, you reminded yourself. Wait.

As they talked about their new music, you heard Jimmy ask about soulmates, more specifically Jungkook, with his system being exposed recently and if he found them.

He shook his head no. “Still looking.” he shyly admitted as the nearest member, Jimin, patted his thigh.

This was it. You shut your eyes and thought hard as possible trying to get him to hear you. Please please please.

“It’s been difficult to find them as-” Namjoon started to explain when suddenly

“I’M HERE!” Jungkook blurted out, cutting him off. It worked! His eyes frantically searched the audience and suddenly a bunch of screaming people were claiming it was them, even people with the most obvious soulmate marks exposed on their bodies, desperate for the love of their bias.

“Wait, they’re here?!” Jimmy shouted over the growing screams of the crowd, Jungkook stood up and watched the crowd intently, unable to pin point you.

Namjoon said something in Korean to Jungkook, encouraging the younger member to do something. Listening to him, Jungkook closed his eyes and the entire audience went quiet. Waiting for his soulmate to show themselves.

You felt the similar pull, the need to speak. Opening your mouth and standing as you let the words tumble out of your mouth in a shout, shrieking something about raw eggs and Jimin. As random as the saying was, Jungkook’s eyes locked with you and suddenly you felt your legs move without your permission. You frantically pushed past all the people sitting around you and you ran down the stairs to your soulmate. Your Jungkook. As he saw you run down the stairs, he ran to meet you halfway across the stage. You leapt into his open arms and you felt him spin you around as you held on for dear life.

Soon as everything stopped spinning you could feel him cry into your shoulder. You pulled away to see his eyes starting to grow red from the amount of tears he let go. From that sight alone, you as well burst into tears. He pulled you back into the hug by your neck and you both openly wept into each other's arms. You felt the other members (and you think Jimmy as well), join in the hug as you all stood there. You heard Jimmy say they’re gonna have a quick break and you all were gestured to go backstage. You almost didn’t follow but Jungkook pulled you along, not letting go of you.

Once in a back room, you were surrounded by the 7 members of the biggest boyband in the world, one of which was your soulmate and you honestly? You were a bit starstruck because while you had hoped that the plan would work, you didn’t think this far ahead.

“So, uh, what’s your name?” Namjoon broke you out of your trance and you felt your face flush, looking to the ground a bit.

“Uh, YN LN.” You said, continuing to stare at your toes.

“It’s perfect.” You heard Jungkook mutter as he pulled you into another hug from behind, burying his face in the crook of your neck.

Jimin lightly scolded the maknae in Korean, saying something along the lines of something about the conversation, the interrupted interview, and 'schedule mess up'.

“Sorry about that, didn't really. . .think of that. . .” You lightly chuckled as you dragged your fingertips up and down Jungkook’s arms that were still wrapped around you.

“Don’t apologize. I don’t care. I have my soulmate now. I have you.” Jungkook whispered into your ear.

“We have to go back to the interview. JK, they’ll be here when you get back, right?” Namjoon’s turned to you, putting you on the spot.

“Y-yes, of course.” You sputtered out, nodding your head.

You could feel Jungkook pouting as he looked up to face his members. Talking really fast, you managed to understand a bit of what he was saying to them. Asking them about missing the rest of the interview and something about Jin and his soulmate. A few of them went back and forth about whether or not it would be good with Jimmy or the staff. But it was when Hoseok spoke out that the other members agreed, Namjoon only sighed in response. Telling Jungkook he’d be excused from the rest of the schedule today. He then told him to get out of the outfit and get back into his normal clothes and take one of the cars back to their hotel. Jungkook agreed almost immediately as the rest of the members filled out of the room, leaving you and your soulmate alone for the first time.

“This why you excited for New York City? You seeing me?” Jungkook asked as he turned you to face him, you nodded. He laughed lightly. “You really surprised me, and you kept me on my toes the past two years.” Oh shit, he’s been voicing your thoughts way before you even started it because he’s two years older than you.

“Oh shit- I’m, I’m so sorry!” You laughed, you can’t imagine all the weird thoughts he got and not to mention in English so he was probably just as confused as you were.

“It made concerts difficult, but motivated me to learn English better.” He teased. He placed his hand on your face and you closed your eyes, leaning into his touch. He whispered a small plea. “Please don't let this be a dream.”

“It’s not. This is real.” You whispered back, opening your eyes and looking into his.

“Good, because then I can do this.” He gently pulled your face closer to his and met you halfway with a kiss. You’ll admit, you’ve never kissed anyone before but with Jungkook it all felt right. Granted it was a short and brief kiss, but you felt the emotion behind it all. He pulled away first and just looked at you. You could definitely see what all those comments were talking about with them saying Jungkook has the entire galaxy in his eyes. “I need to change now. Be right back?”

“I’ll be here.”

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thedreadvampy · 4 years ago

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So this was sent to me by @atiredpan weeks ago when the White Jon conversation was very live and I'm posting it (belatedly) with their blessing (they didn't want to put it up publicly and have it seem like an attack which I really very much appreciate but wouldn't have minded) and I percolated for a few days and then got very busy for a few weeks. Response follows.

So I feel weird about how I'm responding to this stuff, I'm launching rapidly into taking about/explaining my own experience in a way I'm worried maybe comes across as a direct comparison. It kind of feels like I'm talking in a way that's like brushing off your experience and saying OK BUT HERE'S WHY I'M RIGHT and that's not what I'm trying to do, it's just that there's not much I can usefully add to what you've said - you know your experience better than I do, and I'm not gonna go around trying to read into it or reexplain it. So I'm going to talk about where I am/have been coming from, but not with the intention of countering your points, all of which I think really resonate.

First off, the post where I was like "Jon is white and if you disagree you're Wrong" was, unreservedly, just a shitty post and I'm not suprised it upset a lot of people. I'm really very sorry about that, it was thoughtlessly written and pretty stupidly posted.

I totally get that my whiteness has fed into how I hced Jon (and as I think I've said before I saw Jon a certain way well before I engaged with any fanworks, just as you did). There's a lot of reasons I imagined Jon as white from pretty early on, a non-negligible one of which was like...That's Jonny. This is a podcast by Jonny, about a character with the same name and mannerisms as Jonny, and Jonny is extremely white. It would have felt weird, when I was listening to TMA as a Friend Podcast, to stick a brown face onto what at least appeared at the time to basically be a self-insert character of my white friend. Now that's a really personal thing informed less by the story and more by the circumstances under which I've interacted with it, but it certainly laid a baseline. I didn't really have a clear mental picture of Jon (or most of the characters) for a looooooong time (for an artist I'm really not a very visual thinker) but I had a few sort of mental sketches (Jon is short white balding and awkward, Martin is tall biracial and scruffy Basira is fat and somali Melanie is my friend from work etc) which I developed a long time before I encountered fanworks.

I saw the alienation you mentioned and I connected it to class and gender, not race, because I’ve met a lot of cis men, white and otherwise, who interpolate trauma, class insecurity, insecurity about their own abilities, and so on into withdrawal, denial and snappiness. So for me I had an interpretation of that element of his personality which was pretty much race-neutral, and then I had these existing cues leading me to assuming he was white (largely that Jonny is white, but also wee stuff in the story that...it’s not like anything substantial enough to remember, let alone justify, but there were certainly interactions that pinged whiteness for me personally)

There are actually iirc a few throwaway references to Jon being promoted above more qualified candidates throughout (or at least I thought I knew that before s5), but the time I decided I thought White Jon was an obvious conclusion was of course the conversation where Sasha expresses frustration about it. and the context of that conclusion (at least as far as I can see) wasn't "people of colour can only exist in subservient positions/defined by oppression" but was informed by two things that were going on with my life around the time that episode aired

I had been having several conversations with friends of mine (and largely friends of Jonny's) who work in London in the museums/archiving sector and who are the only women of colour in whole departments or even whole museums, and who experience so little career mobility compared to their less-qualified white counterparts (we're talking about women graduating top of their class at Oxbridge with anthropology or library science masters and stellar original research, with a decade or more of impeccable work experience and acting up, being left in internship and low-grade positions, while white men who "fit the culture" but have 0 museums experience sail into upper management positions and then stay there until they retire). So I'd come almost directly from these conversations into what to me sounded like exactly the same gripe in TMA.

I'd been at that point working for about a year and a half on co-coordinating the anti-oppression committee in my workplace, which was a very Good Progressive Activist Charity with Good Lefty Principles, and over the course of experience sharing and discussions both with colleagues of colour and along lines of wealth, disability, class etc, I was very much confronted with the realisation of how much 'being adequately qualified' meant different things for middle-class good-university white men vs much more highly skilled and hardworking women of colour or people of different class and wealth backgrounds. Obviously I'd known that before in principle, but not really having been in Salaried Workplaces (as opposed to like. service and retail hourlies) I hadn’t got so up close and personal with it. So that was also very fresh in my mind, this like...big substantial experience of how Good, Well-Meaning, Caring, Thoughtful, Woke white men just........did not need to think about this. at all. and were startled and discomforted to face it. and that this was also true of most white middle-class women. and these conversations were really carved down the middle between white middle-class European women saying ‘this is such a surprise when we have such an equitable hiring policy and diverse staff, that there’s this gender gap’ and women of colour in the room wearily saying ‘yeah, there’s a gender gap, there’s always a gender gap and it is always a racialised gender gap’ so yeah I was definitely thinking about the intersection between being passed over at work because of gender and because of race.

The point about Tim is interesting because I think for me what’s getting lost is that I don’t think Jon is entitled as like...a Character Trait. He’s not like...Toxic Masculinity Man. He is very anxious about boundaries and about his own capacity to do harm. But it has to be pointed out to him where he’s doing harm. He doesn’t notice where he’s been unfairly advantaged, and that’s to me much more reflective of most people’s relationship to white or male entitlement.

As I say, that exchange with Tim and Sasha cemented the Jon Is White hc in my head specifically because it was so reflective of conversations I had had with women of colour working in similar workplaces, about white men, usually about white men they generally liked or at least didn’t have beef with beyond their unfair advantages.

It seems odd to me to frame ‘bitching about your boss on your friend’s behalf to make her feel better’ as more similar to white entitlement/white privilege than any of that tbh? That’s just...being friends with someone?

Anyway I recognise that it’s not white entitlement to accept a job. Obviously it’s not, it’s just sensible under the circumstances, you get lucky and you grab it. For me my sense of Jon as white-because-of-this is not “he took a job he shouldn’t have taken,” it’s more about his obliviousness to the impact he has on others, and also primarily how people react to him. The interaction between Sasha and Tim is saturated with the of course it would be him I mentioned above, but even before that he walks through the world not expecting to have to think about anything but his conscious decisions, and he’s caught aback when people see him as out of place or as having power above his station.

I think it’s impossible to extricate ‘this is where my head was at’ from that interpretation, and also like obviously my own whiteness is a big factor. And not just my own personal whiteness but the place I grew up (which was 98.3% white) and the world which reflects back whiteness. So this is in no way intended as a bolshy This Is The Correct Headcanon the way my Bad Post was bc examining it I’m like...yeah I mean this is about how I personally interpreted this based on where I was at at the time. But I do feel like there’s some communication gap in what it is about this unqualified promotion thing that pinged me - it’s not that All Bosses Must Be White And All Brown People Must Be Downtrod, it’s something quite specific about the tone and tenor of the interactions around the getting-a-job.

But also? Idk. Kind of unrelatedly, and people obviously should feel free to disagree with me on this, it feels kind of off to frame this as defaulting to a white Jon? I sort of think that my idea of Jon as white is very much not ‘white until proven otherwise’ - part of the reason for my original strident tone was that I felt that I was being expected to drop a headcanon I had for specific reasons and default to the fanon version of Jon without actually having any reason other than ‘this is how the community thinks he should look,’ and without really understanding anything about what that means, and while obviously defaulting to a non-white headcanon isn’t like...entrenched in the way that defaulting to a white headcanon is, it does seem to me like this is perhaps part of why white fans slap brown skin onto a character without thinking into what that means or why they’re doing it.

The thing I’m struggling with as regards my personal headcanon here is that I could decide to only ever draw Jon as Fanon Jon, but it wouldn’t be because I had strong reasons to see him that way, it wouldn’t be the same as why you see Jon as brown, or why I see like...Melanie as Indian, it would literally be Default To Standard in a way it isn’t for you. And I don’t feel that I have Defaulted To Whiteness, or where I have it is for reasons specifically to do with Jon (I visualised Jon as white because I visualised him as Jonny, who is white), not because I think every character is White Until Proven Otherwise. Like, my reasons for understanding Jon as white may be bad reasons, but they are reasons, not post-hoc excuses (I can’t like...prove that. but I know it to be true at least on a conscious level). I didn’t go Oh Jon Is White Because Everyone Is Unless I Have Reason To Think They Aren’t, Hooray, Here Is A Post-Hoc Justification For Why It Isn’t Racist To Think That. So while I am totally on board with the idea that it may be shitty, harmful or poorly thought through to hc Jon as white, I’m not sure I can fully see it in myself as being default. But I do understand that that isn’t necessarily what came across in my original short post.

Honestly, the reason I took issue with Fanon Jon and Fanon Martin in such a bolshy way in the first place was that I didn’t get why these characters were universally seen as Asian and white, respectively, and had such strong and consistent fanon images, when none of the other characters did, and when I was seeing people drawing people like Sasha and Melanie and Tim as white way more when in my mind there was no reason to assume they were white. On an emotional level I guess I think either there’s Fanon As Lore, or there’s no fanon (and I prefer the latter) and my discomfort came from the place that the one character I absolutely saw as coded as white in the core cast had this one really specific Ambiguously Brown Fanon Look (which from what I’d seen at the time didn’t seem to be like...backed with anything or coming from any personal interpretation for most of the white fans I was seeing on like Twitter and Tumblr) but white headcanons are everywhere for characters like Melanie or Sasha or Georgie, who seemed to me to be unambiguously people of colour, or characters like Tim or Martin (who could perfectly reasonably be people of colour and who I hc as Rroma and biracial respectively)? I don’t know, it’s difficult to express, but I find it frustrating.

#tma #White Jon #idk sorry to post this so separate from the rest of the conversation I have been Busy

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linernotesandseasons · 4 years ago

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My 20 Favorite Albums of 2020

MY 20 FAVORITE ALBUMS OF 2020

LISTEN HERE!

2020 has been a long year. A year full of unrest, darkness, death, depression, & a global pandemic. In 2020 I turned to these songs & albums for comfort. I gained 20 new favorite works of music that I will hold onto for the rest of my life. I have been making this end of the year favorite albums list since 2012, so this is my ninth annual list! For this year, I talked about where, when, & why I fell in love with the following 20 albums. These are the albums that I used to mark Time & Space this year. These are the albums that I will return to and remember the chaos, calm, & comfort of 2020. I also made a 60 song Spotify playlist with a few songs from each album (two of the albums aren’t available on Spotify) that you can listen along with HERE! Ok, here they are, in no particular order, my 20 favorite albums of 2020!

ANGELICA GARCIA / Cha Cha Palace

Angelica Garcia’s dynamic, groundbreaking sophomore album Cha Cha Palace was released on February 28, 2020 to a pre-COVID America. On that Friday I had dropped off my ballot for a local Colorado election and went to Larimer Lounge and saw Seratones play a sweaty rock show. I had no idea what was coming or what was about to change. Cha Cha Palace bookmarked my next couple weeks of waiting, and the CD lived in my car for quite a few essential-worker-commutes through a shut down, sheltered Denver into the Spring. Fittingly, Angelica Garcia’s bombastic, authentic energy is where we begin my list of my favorite albums of 2020.

If you listen close to Cha Cha Palace, Garcia will tell you a lot about her roots. For starters, she duets with her mother Angelica Maria Garcia on the traditional, vocal swirl of “La Llorona” (”The Weeping Woman” from the 1940′s) and also her grandmother Filomena Garcia with a darker, more foreboding take on “La Enorme Distancia.” Roughly translated “The Enormous Distance” is a Mexican folk song originally by Jose Alfredo Jimenez, the king of Ranchera (Mexican Folk music) in Mexico in the 50′s & 60′s. Garcia proudly weaves her Mexican & Salvadorian roots into all the colorful corners of Cha Cha Palace, but it is on the standout, song of the year contender “It Don’t Hinder Me” where she truly gives you a glimpse into her youth growing up in East LA & then Richmond, VA (Richmond’s Spacebomb Records released Cha Cha Palace!) Over one of the crunchiest, wailing-est electric guitars you’ll find on this list, Garcia lets her vocals flutter & soar as she sings about being a kid; peeling mangos in the kitchen, being yelled at to make your bed, dogs in the street, jaywalking to the corner store with your cousins, peering through a chain-link fence, a backyard party playing “Suavamente,” feeling left out, alone, or alienated. Garcia stands up for the kids in America who look & feel like her, like they don’t belong. With her lyrics and her voice (seriously listen to this album, she can really sing) shutting down haters at every turn “But what they say now - It don’t hinder me! It don’t hurt!” Elsewhere, Garcia uses that powerful, elastic voice to drive the bouncy, laugh out loud funny “Karma the Knife,” the looped, rhythmic “Agua De Rosa,” and personal favorite (another song of the year contender!) “Lucifer Waiting.” Riding a thumping synth line, twinkling keys, a great low-end bass, and her own yells & yelps; Garcia lets her enunciation take the song places. The way she draws out the “Luuuuucifer” and the way she stacks up “waiting in the cooorrrrnnneerrrr.” Cha Cha Palace is a masterpiece and Garcia’s vocals & rhythms will take you on a journey through Mexico, Salvador, & Virginia, before ending up right back in east LA where, as Garcia would put it “In American identity, there is no one face.”

“Born of the bones from under east LA / Cultura Chicana is alive today / I want some freedom with my pan dulce / Been wearing my roots & flying this flag / I see you but you don’t see me / Jicama! Jicama! Guava tree / I’ve been trying to tell you but you just don’t see / Like you I was born in this country...”

ANJIMILE / Giver Taker

I was late to the party on Anjimile, but Giver Taker has been a comforting companion during the last few tumultuous months of 2020 here in Denver. Part of the allure of Anjimile (full name Anjimile Chithambo, but they release music as simply Anjimile-emphasis on the “Jim” please) is that these songs have been growing and being rebuilt & remade for quite some time, much like the maker themselves. Billed as a debut album (out on Father Daughter Records-I went ahead and hit for the cycle, that’s what I call buying the vinyl, CD, AND cassette!) many of the songs on Giver Taker have been around for years, solo versions & demos Anjimile recorded by themselves, found here fleshed out with gorgeous, layered production & instrumentation. Chorally trained, Anjimile’s distinctive voice drives these songs, at times stately & elegant (like in the measured “1978″ and the blooming “Your Tree”), but with the capability to be sultry & charming like on the bouncy, effervescent “Baby No More.” The instruments on Giver Taker are lovely; horns, strings, reeds, banjo, congas, all played by a full cast of collaborators. Much like Angelica Garcia wearing her roots on her own 2020 album (see above!), Anjimile’s roots are found all over Giver Taker. The gorgeous album cover painting has a background of sugarcane plants, native to Malawi (where Anjimile’s family is from) and behind that, the river from “The Lion King” (one of Anjimile’s favorite films!) “Maker” deals with Anjimile’s spirituality, and the idea that, as they put it...

"The realization that just as I could build my own sense of spirituality & build my own faith and relate to a God of my understanding, I could do the same thing with my gender and my sexuality. And that's what I did.”

In “Ndimakukonda” Anjimile sings in their parent’s native Chichewa, and powerful closer “To Meet You There” sticks with you long after the album ends. From a gorgeous finger-picked opening, the stage is set. A hurricane off the coast of Florida, a queer, trans kid searching from Texas to Florida to Boston for the truth. Simple words about the end, or maybe the beginning. Then the song swells with drums & strings & horns and transports you away from any of those states, dancing through clouds & waterfalls, maybe with Zazu & Simba & Nala. Voices swell, singing along with Anjimile, lifting up praise “I celebrate your celebration! I revel in your revelation! I holler in your hallelujah! In plain view your azaleas grew!” an inspiring ending to a truly inspirational & exciting album.

“After death, after life / I was up half the night / Hurricane never came / Not for me, not again...:

AMERICAN AQUARIUM / Lamentations

There is a point about two minutes and 46 seconds into American Aquarium’s dramatic, title track opener “Me & Mine (Lamentations)” that makes me feel something every time I hear it. The song starts simply enough. A finger picked acoustic guitar (maybe it’s his trademark 1968 cherry red Gibson J45?!) and BJ Barham’s trademark North Carolina drawl singing about blue collar hard luck. The farmers, the coal miners, his grandfather, the hard work, but also the Darkness on the Edge of Town, “unpaid bills, broken homes, & opioid addiction.” The true story of the disenfranchised American South. Another sad one from the king of sad songs. But then... He pivots. The same pivot Barham used to change his life from alcoholic, road-worn, burnout, to his current credo of hard work & effort. A glimmer of hope as he growls “You see me & mine we ain’t the kind to sit around, idle & complain!” With that, a minor note rings out and the song plunges headlong into a true anthem. This isn’t your typical folk/country/pop/flannel/americana whatever bullshit. American Aquarium will punch you in the face with songs about the value of hard work and standing up for what you believe in. The last three minutes of “Me & Mine” explode into fuzzed out electric guitar, signifying that Lamentations (their eighth studio album!) is deeper and more meaningful than anything American Aquarium has done before. Songs about fighting to change your bad habits & addictions. Songs about challenging your parents religion and calling out (and maybe internet shaming!) your racist uncle. From the southern Petty-ness of sing-alongs “Before the Dogwood Blooms” and “Starts With You” (one of the songs I sang the loudest to in my car this year) to the expected sad ones, and even a special, dark one named after North Carolina tobacco (”Brightleaf & Burley”) about the socioeconomic impact of the illegalization of marijuana in the South! Throughout Lamentations rings with American influences, but challenges current American values.

This is not a band that I would’ve picked as one of my favorite current bands. It makes sense actually, looking back. I grew up on country radio in western slope Rifle, Colorado. KMTS played Garth, Tim McGraw, Travis Tritt, Toby, Kenny, Dierks, and all my high school friends were gun-shooting, camping, fishing good ol’ boys. Later in college, I fell again for Jason Aldean, Luke Bryan, FGL, etc cuz it was “country.” I always knew that Petty, Springsteen, Fleetwood, & Neil Young were technically better, but it’s hard to deny a good pop-country sing along chorus when you’re four beers deep and riding windows-down on a dirt road. Hell, even Phoebe Bridgers (keep reading-if you didn’t think Punisher would make this list you’re crazy!) sings about singing along to some “America first rap-country song.” (Spoiler alert, she’s talking about how modern country isn’t actually country, and not Lil Nas X. “Old Town Road” rules and i know 100% that Phoebe & BJ & Darius Rucker would agree!). Anyway, back to the American Aquarium mythology. I saw them on a whim, drunk & newly single at the Marquis Theater (holy goddamn do I miss the Marquis and LIVE MUSIC!) back in late Summer 2015. I ordered a Tecate tall boy at the bar (the 24oz kind) and worked my way into a diehard crowd drinking & singing along. Wolves was brand new and BJ opened with “Man I’m Supposed To Be.” I hadn’t been to many small shows like that at that time (been to a couple hundred since!) and I loved how people sang & danced & drank & ACTUALLY SANG! When the Burn. Flicker. Die. songs hit, I was hooked. Over the last five years I’ve had a blast at every AA show and I’ve come to appreciate the value of live, original, independent, rock & roll! I appreciate how BJ encourages us to work hard, get lucky, and GET BETTER! When the time comes (maybe not till we’re all vaccinated and it’s 2022 or whatever) I can’t wait to hear these songs the way American Aquarium intended. I’m going to walk into a dark, sweaty rock&roll club, I’ll order a Mexican beer and a shot of American whiskey, crowd in with people, and I’m gonna sing along to "The Luckier You Get” so fucking loud.

“I was born in the shade of a longleaf pine / The proud southern son of Caroline / Proud of who I am & where I’m from / But I ain’t so proud of how far we’ve come... / Down here we’re still fighting for all the wrong reasons / Old men still defend these monuments to treason / To the right side of history, we’re always late / Still arguing the difference between heritage & hate / The only dream that ain’t worth having / Is the one you won’t chase down / They say sing your songs, boy & shut your mouth / But I believe in a better South...”

AMERICAN TRAPPIST / The Gate

There are two specific moments on The Gate that I especially love. If you’ve followed my yearly favorites list at all, you know that Joe Michelini (who fronts American Trappist & fronted River City Extension) is one of my favorite living songwriters. But after the relative lightheartedness of 2018′s Tentanda Via, 2016′s self-titled, & 2012′s Don’t Let The Sun Go Down On Your Anger (miss you River City!) The Gate is a goddamn dark, noisy masterpiece. The guitars are heavier, multiple songs contain 1-3 minute instrumental intros before the vocals enter, and frontman Michelini cuts loose with loud whoops (exclamations? yells? excited moments of pure joy/energy/anger release?!) that are captured perfectly just as the songs hit their respective peaks. The first moment is found on track three, as the laid-back guitar of the backwards-looking “Moses (Revisited)” starts to really pick up. At four-&-a-half minutes, another guitar enters and Michelini starts to quicken his pace. “Have you got something to say?” he asks more urgently, then as the guitars start to really wail “Ask me how I felt, living like I was. My future on the run...” Then he hollers and the guitar explodes into a monstrous solo. Most of the album is contained between that whoop and the next whoop not encountered till track 10. In between, “...Rides Again” recalls River City Extension’s under-appreciated farewell album Deliverance with it’s more uplifting, wandering guitar, and the title track uses a mix of whispery vocals, repetitive falsetto, and an ungodly low baritone to create a vampire-y “Unfresh Dirtwolf” vibe. “Active Recovery” rides a straight forward rock & roll riff and near-spoken-word delivery into a delightfully fuzzy guitar solo. Finally we’ve reached my personal favorite, get on the big train and take a ride with “The Real Thing.” If you’ve paid attention at all, this is a classic American Trappist tune. A repeating, echoing riff, a steady drive, and then three minutes in, the song just jumps the tracks and grows wings. The kind of song that makes me want to be back at live shows. The kind of song that makes me want to be drinking cheap beer at Larimer Lounge, hugging the east wall, sweat & noise & rock & roll, “what if love was nothing like the real thing?...” and then Michelini bookends the “Moses...” whoop with another one, setting it free. The music so energized & electric that I whoop along without realizing it. I wrote a little more about my special connection with The Gate this year (besides for those whoop-alongs!) a Retrospective Anthology Mix I made for myself and The Mix I traded (along with a pair of brand new red shoelaces!) for an advanced copy of The Gate way back in April! Thanks American Trappist! As long as you keep making em, I’ll keep putting em my end of the year favorites list. The Gate is special.

“I’m decomposing, underreacting / I do the right thing but nothing happens / It is within me / It is within me to love somebody...”

BARTEES STRANGE / Live Forever

The songs on Bartees Strange’s debut album Live Forever carry an instant sense of Nostalgia & familiarity. Maybe it’s the mix of influences that I love (Bon Iver, Fall Out Boy, mid 2000′s emo, pop-rock, & hip-hop etc...!) maybe it’s the way Bartees manages to make those “old” influences sound new, fresh, exciting, and completely at home with his voice & production. Whatever the reason, every time I hit play on Live Forever (usually in the kitchen, beer-in-hand), it feels like an old friend. It feels like I’ve known these songs for the last five years, like they’ve always existed. The way his voice twists around & around, up & down in “Jealousy,” the way the Aaron Dessner-esque guitars & synths stab in on “Mustang” (a nod to Bartees’ hometown of Mustang, OK), and the way “Boomer” wastes absolutely no time with it’s “Aye bruh aye bruh aye bruh” intro. Pure, comforting, exciting magic.

Bartees Leon Cox Jr. came up in a band as Bartees & The Strange Fruit. A nod to Nina Simone, a National covers EP (!), and a supercharged debut full length later, here we are in 2020 with Bartees showing up on a ton of end of the year lists. Bartees hails from Washington DC (by way of Mustang, Oklahoma) originally from England, son of an opera singer, lover of music. I am so thankful this album exists in this time and I (and a ton of other music fans get to enjoy it!) Bartees had made his technical debut (a The National covers album!) as a black kids’ response to not seeing enough people of color in the audience at National shows. When it comes to blending his influences, he talks about hip-hop saying “I love how rappers rap about dreams – money & cars & pretty girls & big houses & buying their mom a yacht. Expansive, out of this world, unbelievable shit, & sometimes they get it. It's like this very big Christian principle of like speaking things into existence in a way. When I look at rock music, it's like, ‘I'm sad.’ I'm like, ‘Yo, let's bring a hip-hop ethos to it.’ Like, I want to write rock songs about, like, ‘I want to be the biggest artist in the world.’” Big dreams Bartees, big dreams. I love Live Forever and I can’t wait to see what’s next!

“To have a life you love but know you’re undeserving / Last night I got so fucked up, near lost my job / It’s nice to think that folks are near, waking up was hard this year...”

DUA LIPA / Future Nostalgia

It seems like every year when I start creating this list, there is one big radio album that I listened to and loved so much, that it’s impossible not to include. Last year it was Lizzo, 2018 had Janelle Monae, & 2017 Kendrick Lamar. This year that big, undeniable pop radio album is Dua Lipa’s Future Nostalgia. With nods to a wide swath of club genres, as well as pop, disco, & funk, 25 year old Dua Lipa sounds confident and full of swagger on her sophomore album. She’s already released a DJ mix alternate version of the entire album! It’s sometimes hard for me to describe why I love certain pop songs, but Future Nostalgia feels so easy. Smooth synths & keys, elastic, rubbery basslines, a mix of Nostalgic (and maybe futuristic?!) influences, and Dua’s energetic vocals driving everyone to the dance floor. She channels Prince & The Beegees, mixing 70′s disco & 80′s funk, everything danceable, fluid, & modern. My favorite lyrical moments on the album are when she lets her feminism show through, like on the opening title track “No matter what you do I’m gonna get it without you. I know you ain’t used to a female alpha” and on the dark, catchy closer “Boys Will Be Boys” that talks about rape culture, mansplaining, & slut-shaming. But my personal favorite memories of Future Nostalgia come from taking it along on a few camping trips in the Colorado mountains. Criss-crossing the Continental Divide with the windows down, sunlight streaming through, belting out “If you don’t wanna see me, dancing with somebody!” to high alpine lakes & pine trees.

“Did a full 180, crazy / Thinking ‘bout the way I was / Did the heartache change me? Maybe / But look at where I ended up / I’m all good already / So moved on it’s scary / I’m not where you left me at all, so...”

EZRA FURMAN / To Them We’ll Always Be Freaks

LISTEN/BUY ON BANDCAMP

Ezra Furman is one of the most important, lifelong favorite artists that I discovered in 2020, and even though To Them We’ll Always Be Freaks isn’t exactly a proper new album (cannot fucking wait for the next one Ezra!) it only felt right to include this collection of demos and behind the scenes material from 2016′s unbelievable Transangelic Exodus on my 2020 list. The basic story is this, Ezra Furman makes a lot of music/records, solo or with a lot of musicians. The Harpoons, The Visions, by herself. They recall a lot of things; punk, soul, doo-wop, plain old American Rock & Roll, being yourself, being whoever you want to be, being alone, all the things that matter. For Transangelic Exodus she wanted to do something different, to abandon her instincts. To “get weird.” To make “A record of maximal impact, maximal originality & excitement.” If you haven’t heard Transangelic Exodus, it is all of those things and more. I recommend you wait till a cold night in your kitchen, pour yourself a stiff drink, & listen to it front-to-back... LOUD. I missed it in 2016 (& for a few years after) but I was lucky enough to hear Ezra in time to catch her at the Bluebird last year and it was one of the best live performance I’ve ever seen. Also, Bandcamp exclusives are what fueled my Friday mornings through Covid times, giving money to artists & causes that I love. Ezra has done SO MUCH since 2016 (last year’s Twelve Nudes is a pysch-punk masterpiece!) and To Them We’ll Always Be Freaks (aka Making Ourselves Up in the Rearview Mirror) (aka “Wing That Shit”) borrows its name from the absolutely transcendental, broadway-esque “Suck the Blood from My Wound” which was the opening track on Transangelic Exodus. It is a collection of “demos, rehearsals, & shots in the dark” from an important record that means a lot to a lot of people. Rather than diving into the fun differences of all these demo versions, I wanted to quote myself from February, the feelings that I had immediately after seeing Ezra that night, totally present at the Bluebird...

I was able to be present for an hour and a half. To let go, to suspend, to kick against things and break down barriers that I have built myself in my own mind. It is so important to do that for ourselves and everyone has to work to find their own different methods of getting there. Some people never do, but it is still important for us to encourage & push them. A needling supportive jab of growth. For me, it has always been music. Most viscerally rock & roll (Ezra’s electric guitar playing stirs a power in my body & brain that I can’t put into words… like it could make me fly. Like Peregrine Falcon fucking fly. Or deadsprint all the way to San Francisco) but always all kinds of music. The power to broaden my horizons. To teach me things. To understand someone else. To see the world (politics, religion, sexuality, the true self, humankind) through new eyes. “Skin on my fingers peeling, making way for my new form.” To hear someone say who they are (who they really are) and to believe them. I want that for myself. To know who I really am. To feel beyond a shadow of a doubt, what I should do and who I should be. And to believe me. I am inspired by Ezra and hundreds of others, to push forward through doubt. To find myself even in the darkest shadows of doubt. To scream at doubt and befriend it. To wrap it up in the backseat of a red Camaro and keep driving. Last night I glimpsed something like Utopia. As Ezra says about her Jewish practice of Shabbat (google it!) “It’s like touching Utopia, weekly. It reminds us of what we want the world to be like” And it was like touching utopia. Like a breath of Spring breeze. Like change. Keep digging. All the way down. Till you’re standing upside down in an alternative world. It’s beautiful there, magic is possible. I know because… because well… Ezra told me.”

“For the immigrant / For the refugee / For the closeted / For the out / For the vulnerable / For the homeless / For the searching / This record is an exercise in empathy / A ripening of nightmares & a sudden blooming of spirit / It’s a protest record / Dreamed in dark corners of the heart of a queer grandchild of Holocaust survivors / & what if you had to leave your home because the government was after you? / May our vulnerability & difference be a window into the lives of those who are deeply threatened by institutional callousness & hatred / And may this spur us to great courage & kindness / ‘Do not oppress a foreigner: you know the feelings of the foreigner for you were foreigners in the land of Egypt’ Exodus 23:9...”

FIONA APPLE / Fetch The Bolt Cutters

If you love end of the year lists as much as I do, then you’ve probably read enough about Fetch The Bolt Cutters already. In fact, a few of the albums on this list (spoiler alert, Phoebe & Sault coming! Keep reading!) were so good, so immediate, that my entire social media feed was filled with seemingly nothing else for days stretching into weeks. Fiona Apple coming out of hiding to release her first album in eight (?!) years was one of those moments. Thinkpieces, interviews, and then the inevitable, deserved flood of end of the year lists. As someone who missed most of Fiona in the 90′s and 2000′s, Fetch The Bolt Cutters felt like a revelation. Like finding a brand new, fresh faced artist, fully formed, rebellious, and 100% herself. Turns out Fiona has been doing this shit since I was 10 years old! With an aggressive, current-world-situation-necessitated title lifted from Gillian Anderson’s detective in “The Fall” (she’s trying to save a locked up woman from a serial killer) Fetch The Bolt Cutters is as determined & relentless as it sounds. Pianos twinkle & spiral, drums pound & knock, Dogs bark (one of them is her pit-bull-boxer mix Mercy), pots & pans bang, bells ring, and Fiona herself uses her voice as one of the most versatile instruments, shrieking & whispering, hissing & howling, defiant & absolutely riveting. In fact, almost everything about the music that Fiona Apple makes is head turning and Fetch The Bolt Cutters reminds me of so many things that made me fall in love with music in the first place. It feels free & it makes me feel free. She defied her record label who wanted her to follow a normal album rollout for an October release, and released it in April instead because she felt like it was needed at the time. She recorded most of the album at her house, on garageband and her iPhone. The songs are angry, defeated, cathartic, triumphant, & sometimes laugh-out-loud funny. Her writing is honest & heartfelt, working through trauma for herself from as far back as middle school. Fiona refers to her brain-stuff-writing as balls of yarn saying...

“You’ve got these stories you’re not telling anybody. Each one of those stories is like this little ball of yarn. If you don’t express them, they end up getting tangled together inside. Then it’s really hard to sort through them. I got some balls of yarn out in this album and wove them into something I can actually work with...”

Through it all, Apple’s vocals, lyrics, & rhythms are so fresh, so innovative, so exciting, that I feel like I’ve discovered a brand new artist. Thanks Fiona for unraveling that yarn for the last 25 years!

“Hurricane Gloria in excelsis deo / That’s my bird in my tree / My dog & my man & my music is my holy trinity / Tony told me he’d describe me as ‘pissed off, funny, & warm’ / Sebastian said I’m ‘a good man in a storm’ / Back then I didn’t know what potential meant / & Shemeika wasn’t gentle & she wasn’t my friend / But she got through to me & I’ll never see her again / I’m pissed off, funny, & warm / I’m a good man in a storm / & when the fall is torrential I’ll recall / Shameika said I had potential...”

JOY OLADOKUN / in defense of my own happiness (vol. 1)

Joy Oladokun grew up going to church religiously in small town Arizona. Inspired to play guitar by seeing Tracy Chapman on VHS, she wrote her first song about Aragorn from “Lord of The Rings”. There are parts of Joy’s music, truths in the deep, deep melodies & lyrics that I will never understand. She is a Queer, Black woman born to Nigerian parents, dealing with (and singing about) life challenges that I will never know. But then, there is also a magic & familiarity that I feel in Joy’s songs, because we have connections that only we can have. Connections that come from thinking about the same things from our formative years. The way she writes about growing up in the church, the way she challenges the church, the way she pushes her family & friends still in the church to be better. Musically, in defense of my own happiness (vol. 1) (all lowercase please!) sounds like Joy’s own map of America. Folky, woodsy Arizona, some LA soul & production, and big Nashville choruses, like contemporary radio. But the writing found in these songs is different & essential. Effortlessly cool lead single “Smoke” opens the album with the line “yesterday I left my joint sitting on the counter...” Oh yeah, she loves to get high! (sorry church, I’m 100% sure Jesus doesn’t care about marijuana!) Riding an undeniably catchy chorus, and drums & keys that carry the song down a blacktop road, this one got a TON of play this Summer when we in Colorado were trapped in wildfire smoke and I made my littlest sister this Smoke & Fire Mix. After “Smoke” she tackles identity & religion on the Mat Kearney-esque (look him up!) Nashville folk-pop of “Sunday” & “Bad Blood” saying,

"The biggest privilege of being a songwriter is being able to write the type of song that I needed to hear when I was younger, 'Sunday' is the song that 12-year-old Joy, seated in the back of church youth group, needed to hear. She needed to hear that you can be queer & happy. Queer & healthy. Queer & holy. She needed to see married women kissing & playing with their kids."

It’s inspiring that Joy chooses to use the word privilege in that quote instead of responsibility. The privilege of being a songwriter is the impact you can have on others. Joy has been outspoken about social justice, both inside & outside the church, and has continued to release singles challenging the racism running rampant in America. Her heartbreaking “Who Do I Turn To?” deals with the fear that comes with simply being black in America. “Mercy” features a verse from rapper Tim Gent and touches on the current pandemic (and the off-the-deep-end religious turn Kanye has taken). Finally the album closes with the gorgeous, finger-picked, I-wanna-do-better ballad “Too High” (oh yeah, when she gets high she gets... too high!) and “Younger Days.” A peaceful, soul-inflected closer, with Joy’s vocals swelling & wandering through her life & memories to the conclusion “Who I was would be proud to see the person I became...”

“Sometimes I get jealous of jesus for falling asleep in the middle of the storm / Sometimes you gotta feel like drowning to be reborn / Oh I haven’t slept in three days / I know I’ve gotta find my way / Through all of this smoke...”

THE KILLERS / Imploding The Mirage

I knew Imploding The Mirage would be on my 2020 Favorites list months before it was actually released. It reminded of when Josh Ritter released some super important singles during the Summer/Fall 2015 (a very transformational time for me). Similarly the singles from Imploding The Mirage (The Killers sixth studio album!) came right on time earlier this Spring & Summer. Mirage’s first single was the classic Killers get-out-of-town anthem “Caution” and it arrived on March 12, early on in the pandemic and under stay-at-home orders. “Caution” introduced me to “the featherweight queen” and found me many nights dancing in the kitchen, the volume turned up on Lindsay Buckingham’s wailing outro guitar solo. “Caution” was my number one most streamed song on Spotify in 2020. After that came “Fire In Bone.” A groovier track, released in April with gorgeous peacock single art (the only art from the album that isn’t painted by the wonderful Thomas Blackshear) and fallen for in June, dancing with my brothers & sisters at the lake, one of the first times we had hung out during quarantine. One of my goals with this year’s list is to remember the exact moments when I fell in love with a song or album, and that moment for Imploding The Mirage was playing “Fire In Bone,” right here...

Shortly after that, opening track “My Own Soul’s Warning” had me dancing in the shower and the lovesick, ultimate Flowers jam “Dying Breed” had me rolling down my windows and belting along till August when Imploding The Mirage finally got it’s official release. I have non-guilty-pleasure-loved The Killers since Hot Fuss (and accidentally downloaded a virus on my best friends desktop computer trying to download a "Mr Brightside” acoustic version off of some weird site on dial-up internet in Silt, Colorado in the mid-2000s!) and it’s exciting to know that Flowers & Co. can still do something that sounds phenomenal (thanks Shawn Everett!) in 2020. Oh and... word on the street is that they got a follow up coming in early 2021 so yeah... The Killers killin’ it.

“Cause it’s some kind of sin / To live your whole life / On a might’ve been / I’m ready now / I’m throwing caution / What’s it gonna be? / Tonight the winds of change are blowing wild & free...”

MIPSO / Mipso

After years of encouragement, and with gentle but insistent nudges from my partner’s father; Chapel Hill, North Carolina’s Mipso finally made it on my end of the year Favorites list with their sixth full length album! I had seen them way back in 2016 at the Lost Lake Lounge here in Denver (probably on his recommendation), they were touring on their first few albums, still more bluegrass-y, but I loved them and I loved their “Diamonds on the Soles of Her Shoes” cover. Since then, Lila’s dad would send us their music, send us stickers through the good ol’ USPS, and Mipso kept honing their craft. Smoothing out their folk, adding pop influences, with sharp songwriting, and warm, Appalachian instrumentation. And, as Lila’s dad says, if you close your eyes, it might as well be Paul Simon singing.

The four members of Mipso share songwriting and frontperson duties equally and each member brings their own depth & humor to the band. Guitarist Joseph Terrell’s (he’s the Paul Simon sound-alike) songs are brighter & folkier. “Never Knew You Were Gone” is a gorgeously, wistful, violin-led, apocalyptic opener. “Hey Coyote” reminds me of Christopher Porterfield & Field Report from Wisconsin, with it’s gentle plucking and mystical lyrics about Wile E. Coyote & Coyotl, the Native American mythology version of the trickster. “Help” is maybe the biggest & darkest folk tune on the album, a minor tinged, string-y burner, that dives into a huge chorus. Mandolinist Jacob Sharp leads the rhythmic & driving “Hourglass” and the late-night rain of “Just Want To Be Loved.” Double Bassist Wood Robinson gets in on the fun with the comforting, wandering of “Shelter.” But it is violinist Libby Rodenbough’s contributions to the album that make it truly great. Her impassioned vocals & lyrics command “Your Body” over an insistent banjo. She visits the darkness on the enchanting, cheater’s tale “Like You Never” and revisits the apocalypse mentioned in track one, on her rollicking closer “Wallpaper Baby.” Finally, it is her tender folk that ties the whole story together on “Big Star.” She sings of the end of time; of swimming & Summer & Colorado. A true classic, a lost Gregory Alan Isakov telescope, mountain stream tune. In the zine accompanying Mipso’s release, they introduce the album this way...

“Future Readers,

Times are tough. You probably know this... Shit has lately been hitting the fan in a big way. Maybe chickens coming home to roost is a better metaphor, since we’re talking about history. Maybe a bunch of chickens have roosted on a giant fan, and they’re finally shitting... We recorded the album back in the latter half of 2019. when all We The People had to worry about was rampant income inequality, a sham democracy, & rising oceans. Ah, the good old days. At least now people can’t pretend it isn’t there. Beats the nineties! A Japanese theme park recently released a set of guidelines aimed at reducing the spread of airborne droplets of the virus on rollercoasters. ‘Please scream inside your heart’ they said. We hope you enjoy our album.”

Thanks Mipso, this one is special. And thanks Lee Cummings! From Chapel Hill to Ashville, Carrboro to Greensboro, this is an album I’ll hold onto for awhile.

“We went down to the water / With a blanket in the back / Had some candy from Colorado / Let the sunlight lay us flat / I awoke from the strangest vision / You & me at the end of time / Would you believe that big star was missing / But I found in your eye... / We went down to the water / When the red was in the clouds / Cracked the windows like kid summer / Like we were breaking out / We went down to the water / Never mind the rising tide / After all we are the daughters / Of unbelievers running wild...”

PHOEBE BRIDGERS / Punisher

The Phoebe Bridgers mythology grows with every tweet, every guest feature, every new project, every new skeleton suit, and every Grammy nomination. It’s almost hard to believe Punisher is only her second solo full length, but if you’re following the fake_nudes mythology you know that she’s been busy in the years between Stranger in the Alps (her impressive debut) and Punisher. She formed supergroups with Lucy Dacus & Julien Baker (boygenius) and Conor Oberst (find Better Oblivion Community Center on my 2019 Favorites list). If you’ve talked to me about music this year at all, you know that Punisher has been a favorite talking point, as much for its typically dark Phoebe masterpieces about mental health, alien abduction, & depression, as for how it has overtaken the entire indie world. Phoebe fucking Bridgers has achieved legend status. The day I fell in love with Punisher was September 1st, when I hiked up across from Red Rocks Amphitheater to stream Phoebe playing THIS show and gaze longingly at the Rocks, wishing I could be inside. Watching a full moon (song) come up in the West, Phoebe playing to my East, drinking beer & reading lyrics, It was cathartic & special but goddamn did I miss live music in 2020.

Ok... on to the songs. Punisher begins innocently enou... umm... it actually begins with a TERRIFYING minute of soft, unsettling sound, a “DVD Menu” track playing after the horror movie has ended, that moment when you’re both sitting there, stunned & pale, too scared to get up and go turn the light on, googling “______ movie ending explained,” and considering death, dismemberment, and I don’t know, alien abduction. I burned myself my own Punisher CD with “DVD Menu” as both the opening & closing tracks because... (spoiler alert) I Know The End. Getting up to turn the light on doesn’t help much, as “Garden Song” is a haunting, ear-worming, whisper of a song that tells a decidedly LA (most of these songs reference SoCal in some way and I love it!) tale about the Rose Parade, killing nazis, growing a garden, and ends with a happy plot twist. Surprise, Phoebe’s got everything she wanted! “Kyoto” was the big single (the “Motion Sickness” as it were), a green screen miracle, a monster uplift of a chorus complete with horns, finds Phoebe singing about boredom & international travel. I personally love the back-to-back of “Chinese Satellite” & “Moon Song” and I feel like they capture Phoebe’s ability to combine the mundane & the heartbreaking & the wryly funny all in the same couplet. She has a lot of great jokes hidden on Punisher (why aren’t more people talking about how funny she is?!) like when she ends “Kyoto” singing “Guess I lied. I’m a liar, who lies. Cause I’m a liar.” There’s a jogging joke in “Chinese Satellite” (a song about not believing in God) about running around “Why would somebody do this on purpose?” and in “I See You” she sneaks in “If you’re a work of art, I’m standing too close!” and if you know the joke in “I Know The End” then you know! That brings us to the emotional centerpiece of closer “I Know The End.” A true road song, written on an epic road trip Phoebe took through Northern California; all Wizard of Oz, Arcade-Fire-Mountains-Beyond-Mountains-Sprawl past outlet malls, all the way to the end of the world. I won’t spoil the ending if you haven’t heard it, but it’s a cathartic, deserving send off to 2020, and I’ve screamed out loud to it in my car more than anything else this year. Love you Phoebe, Love Punisher, absolutely can’t wait to see what’s next.

“Driving out into the sun / Let the ultraviolet cover me up / Went looking for a creation myth / Ended up with a pair of cracked lips / Windows down, scream along / To some America first rap-country song / A slaughterhouse, an outlet mall / Slot machines, fear of God / Windows down, heater on / Big bolt of lightning hanging low / Over the coast, everyone’s convinced / It’s a government drone or an alien spaceship / Either way, we’re not alone / I’ll find a new place to be from / A haunted house, with a picket fence / To float around & ghost my friends / I’m not afraid to disappear / The billboard said ‘The End Is Near’ / I turned around, there was nothing there / Yeah, I guess the end is here...”

ROACHE, MOONCHILD, KILEY / Improvised Sessions

LISTEN/BUY ON BANDCAMP

I have so much fun making this list every year. I start a draft in January, update and change things as the year goes on, and agonize over my final cuts until usually December (or sometimes January of the next year or later!) I enjoy writing about why I loved the albums I chose, and I enjoy reading everyone else’s end of the year lists and finding new favorites. I also love the randomness of it all, and I love love LOVE that albums like Roache, Moonchild, Kiley Improvised Sessions exist. This album was released exclusively for free (or name-your-price!) to bandcamp on Christmas Day, features almost no vocals, a wide swath of exciting instrumental music. Mostly electronic, guitars, keyboards, & drums; at times abrasive, at times relaxing, a true masterpiece. Long live Bandcamp! What can I tell you about Roache, Moonchild, Kiley? Honestly not much! I know of them from seeing Fiona Moonchild absolutely shred guitar for Scott Yoder on a tiny stage at the Lion’s Lair on Colfax in early 2019. She was theatric & phenomenal, equal parts Bowie & Heavy Temple, Mazzy Star & The umm... Beatles?! One the greatest live shows I’ve ever seen (small venue or otherwise) & then Yoder, Moonchild & crew packed up and headed back to the Pacific Northwest. Roache was a new find, singer, artist, instrumentalist (harmonica maybe? the credits are minimal!) and Conor Kiley is an unknown. The music is alluring. The first four tracks (”First” “Second” “Third” & “Fourth” obviously!) swing between bouncy, noisy, jazzy piano, and down tempo grooves. “Desert Underground” employs a mournful harmonica over plinking Western guitar and “Fire” brings fuzzed out, grungy guitar and finally some growling vocals from Roache. The last two tracks put everything to bed instrumentally and the album fades out into bandcamp obscurity. The credits provide only a few hints to the recording saying...

“A cathartic release, recorded on tape in the Summer of 2020. This album was recorded on occupied Duwamish land.”

SAMANTHA CRAIN / A Small Death

Samantha Crain is a Choctaw songwriter from Shawnee, Oklahoma. She is six days younger than this writer (34!) and has been putting out strong, sturdy-but-tender folk albums since 2007. On her sixth full length, 2020′s A Small Death, Crain writes about the mundane and the essential in a way that brings her stories and her truth to electrifying life. Blooming from front to back with energy, depth, emotion, & powerful instrumentation, A Small Death is one of my most favorite albums of this year. When Crain announced A Small Death, she referenced the title as the idea that “everything is always starting over again, all the time.” She talked about her own experience with starting over after multiple car accidents had left her immobilized, unable to use her hands, unsure if this album (or any album) would ever be made by her again. You can hear in these songs her frustration and her defeatedness, but also her celebration, her determination. From the desperate swell of gorgeous first single and opener “An Echo” to the ebullient push of “Pastime,” and the resigned melancholy of “Tough For You.” Crain’s instrumentation holds up to the songwriting, and her band uses flourishes of trumpet, clarinet, accordion, saxophone, and pedal steel (both the mournful-country kind in the late-night-heartache of “High Horse” and the honky-tonk country kind in the blistering, defiant closer “Little Bits”). Crain touches on her Choctaw heritage proudly, both in “Holding to the Edge of Night” when she sings “I am a legend of this land here; I am a keeper of this life.” and most notably in the penultimate track “When We Remain” sung in Choctaw, a tradition Crain carries over from her 2017 album You Had Me At Goodbye. Crain’s songwriting is wonderfully intimate, A Small Death is full of deeply personal memories, old friends, roommate challenges, love, & ephemera (a bar tab, a parking ticket, photo booth strips, stubs from movies & baseball games, an 8-ball, a $20 dollar bill!)

My favorite tracks are the louder ones, “Reunion” is a bouncy, soulful swing about seeing high school friends and “watching exes eye the spouses, but I came alone, I think it’s glamourous.” Haha! “Garden Dove” rides a straight up NIrvana/grunge riff into a bellowing love song. I’ll close by sharing my two favorite personal memories with A Small Death. In July, I had streamed the record but probably hadn’t really heard it you know? (there was a lot going on this Summer) and Chris Porterfield from Field Report (his new one Brake Light Red Tide is beautiful, though not on this list!) posted about “Holding to the Edge of Night” after midnight saying... “I dare you to go outside and listen to this song right now. This new Samantha Crain record is everything.” Naturally I took the dare, walked out under the moon, and laid down on the sidewalk to actually listen to “Holding to the Edge of Night” I felt, as Crain so deeply & eloquently puts it that “evening was my prize.” A truly great, classic song that I will listen to on night walks for the rest of my life. Lastly, in August, for my birthday, my partner asked me to pick a record to listen to, and she made fancy drinks to-go in Denver’s Cheeseman Park. Watching the sunset from the hill under the columns at Cheesman and thinking about how Crain talks about memory in “Joey” when she sings...

“Sometimes I feel like my memories never happened. Could you remind me, take me back for a night? Was it ever real? I don’t feel like that girl anymore. Was it heavenly? I don’t even see through those eyes anymore. A hundred small deaths, a hundred before. I am a revolving door. I am a revolving door...”

“What’s that silence inside me that expands into the dark? / With the traffic lights all changing for no one anymore / The karaoke laughter tumbling out the door / My eyes well with contemplation of the pleasures I endure / Holding to the edge of night...”

SAULT / Untitled (Black Is)

Where to start with Sault?! They put out two albums this year?! They put out two albums last year?! Nobody knows exactly who is in the band?! Sault is what I love about music, what I love about new music! I wrote an alternative version of this list where I referenced everyone who has released two albums this year (?!) because honestly I like Sault’s second of the year album Untitled (Rise) a whole lot too! I mean Bartees had his album of National covers, Phoebe has her orchestral Punisher companion EP, Shamir has two very different exciting records!, not to mention Hiss Golden Messenger’s two full live albums and uh... Folklore & Evermore. But anyway, what can I tell you about Sault that you haven’t read on however many end of the year lists already?! A collective of young artists, internet sleuthing has led me to believe possible members include London soul singer Cleo Sol, American rapper Kid Sister, & producer Inflo. A wonderfully rich blending of genres: R&B, house, disco, post-punk, boogie, dub, gospel, reggae, funk, soul, spoken-word, & protest chants.

Released into a world in turmoil, with Black Lives Matter protests erupting outside my door, Untitled (Black Is) is an album very specifically not made for me. Released into a world that I’m a part of. Protesting injustices in a system that I work within. Music with a purpose. Music so rich & wonderful, with a message we cannot continue to ignore. The only response I could have to Sault’s albums is to do better. To work harder. To take to the streets. To call out systemic racism so embedded in our culture, in my workplace, in my friend groups, in my family. When they released the album on June 12, it was posted with these words...

“We present our first ‘Untitled’ album to mark a moment in time where we as Black People, & of Black Origin are fighting for our lives. RIP George Floyd & all those who have suffered from police brutality & systemic racism. Change is happening... We are focused. Sault x”

I feel grateful & lucky to listen to & learn from Sault.

“Thief in the night / Tell the truth / White lives / Spreading lies / You should be ashamed / The bloodshed on your hands / Another man / Take off your badge / We all know it was murder...”

SHAMIR / Shamir

Shamir Bailey waited until album number seven (and his second album of 2020!) to release a self-titled album. Shamir is worth the wait. A glimmering, mesmerizing rock&roll masterpiece, full of experienced songwriting, noisy electric guitars, and shiny pop grooves; these are some of my favorite songs of the year. Las Vegas by way of Philadelphia, Shamir has built a DIY career in the indie scene by releasing seven albums in five years. He has honed his songwriting & sound, pushing himself far from his (admittedly popular & wonderful) dance debut Ratchet in 2015. One of the things I noticed about my list this year (and about my music tastes in general) is my ever growing affinity for strong vocal performances. From Angelica Garcia to Anjimile, Fiona Apple & Joy Oladokun, a bunch of the albums I loved this year stand out for their vocals. Shamir’s strong & versatile voice guides every song on the album and makes for fascinating listening. Lead single and track one “On My Own” came into my life at some mask-wearing, socially distanced outdoor hang this June, and quickly made it on to just about every Summer playlist after. It’s huge & memorable, with stabs of crunchy Pixies electric guitar and proud, loner-anthem lyrics. "Other Side” is the one that should have got massive radio airplay, all rolling drums, country western tinged (is that not a banjo I hear Shamir?) with shimmering Orville-Peck-bedazzled-suit-&-a-retro-microphone production leading a mega singalong chorus! Finally, between interspersed clips of talking that Shamir describes as “Field recordings of me with my friends-just being ridiculous” personal favorite “Diet” rides a choppy, 90′s alt-rock guitar to a blistering chorus that compares vampires sucking blood to getting to know someone! Ha! I can’t wait for Shamir to bring some of these songs through Denver on tour! It’s not too late to hop on the Shamir bandwagon!

“Couldn't take it anymore / Where do I begin? / I'll get around to it after a glass of gin / I prefer to be alone, but you can join if you like / I'll stay strong for you 'cause I don't want to be seen when I cry / Done giving up my light / Just to stay in the dark...”

SOTOMAYOR / Origenes

Sotomayor is a brother/sister duo from Mexico City who blend traditional Latin & Central American cumbia with other world rhythms & styles (electro, afrobeat, dancehall, merengue, peruvian chica!) on their truly magical third full length Origenes. One of my favorite concert series of the last few Summers has been Levitt Pavilion’s free outdoor concerts in Ruby Hill Park here in Denver. They introduced me to Sotomayor back in 2018. Picture enormous rolling grassy hills, kids laughing & playing & singing, tall cans, picnic dinners, & DANCING! Siblings Raul & Paulina Sotomayor worked with 28-time Latin Grammy winner Eduardo Cabra (Calle 13) recording between Mexico and Puerto Rico to release Origenes (translates to “origins”) on New York based independent label Wonderwheel. They have expanded their palette, making dance music to get bodies moving at clubs & dancehalls across the world, and the percussion throughout Origines is relentless, hypnotic, and downright sweaty fun! Paulina’s voice glides effortless over top of it all, sometimes strong & commanding, sometimes slipping sweet & sultry between synths or stabs of latin guitar. As a dance duo with Raul on beats and Paulina on vocals (they perform with a live band) the Sylvan Esso comparisons are unavoidable. I love you Nick & Amelia and I love Free Love, but Sotomayor has got me dancing in the kitchen cooking Hello Fresh more than a few times this year! Origenes is not to be missed!

“No sé por qué, pero me ha pasado / Que nunca lo he olvidado / Que aquellos ratos que rompen los platos / Aquellas historias que guardan las olas / Pequeñas esporas, momentos a solas / Se desempolvan viejas memorias / Nunca es tarde para recordar / Lo que nos une...”

““I don't know why, but it has happened to me / That I have never forgotten / That those moments that break dishes / Those stories that the waves keep / Little spores, moments alone / Old memories are dusted / It is never too late to remember / What unites us...”

SPILLAGE VILLAGE / Spilligion

The story of Spillage Village recording Spilligion (the Atlanta supergroup’s fourth full length album) is the stuff that will always make me remember the state of music in 2020. Spillage Village is an Atlanta collective comprised of the EARTHGANG duo (you may remember them from my 2019 Favorites list!) and a bunch of other collaborators (more on them later). Rapper & singer J.I.D. had rented a house in West Atlanta to work on his own third solo album, but when the pandemic hit, he invited the other members of Spillage Village to shelter-in-place and they all hit record. The result is a journal-entry-like album of the 2020 Covid pandemic, songs both uplifting & depressing, a group of musicians analyzing & expressing their feelings the best way they know how, through music. During their recording quarantine, they bonded over yoga, smoking weed, board games (monopoly & trouble), campfire s’mores, and talking current events & politics. Through it all, the music they were making was hopeful, forward looking, and religious. EARTHGANG’s Doctor Dot & Johnny Venus drive the rapping with J.I.D., but Mereba is their not-so-secret weapon. Her singing & rapping on the Sunday afternoon soul of “PsalmSing” and Coldplay-off-key piano of “Hapi” is inspiring & memorable. Brothers Benji & Cristo add production & basslines, Chance The Rapper makes a guest appearance, and closer “Jupiter” sounds like a darker, woodsier Avicii & Aloe Blacc track, backed by campfire acoustic guitars & banjos. Personal favorite, the apocalyptic “End of Daze” rides strong verses from almost everyone, references Pascal Siakim, Ronald Reagan, Nipsey Hussle, Sun Tzu, Damn Daniel, MF Doom (RIP), Future, Jesus, & Satan! Spilligion is the result of friends & collaborators, taking on 2020, stuck inside, making music & memories, marking a year unlike anything any of us have seen so far. When I look back, Spillage Village will be one of the bands that helped me mark my weird time & space this year.

“When I make it to the heavens, what's the code? Do I call a phone? / Security at the gate, no plus one, come all alone? / All along the race of life, I took a jog alone / Along the coast, I'm tryna cope, I raise a toast / & we consulted with the Most High / She told me watch my back, front, both sides / Hit a few baddies you never smashed 'fore y'all both die / Let the smoke rise, take the bodies to the crypts / & when the poor people run out of food, they can eat the rich...”

TAYLOR SWIFT / Evermore

One of the main themes I found while making my 2020 Favorites list is comfort. This year, I turned to familiar music for comfort, and I have been a Taylor Swift fan since 2010. I love Evermore (I also loved Folklore) and I love how it makes me feel young and makes me think of memories from my 20′s. Growing up listening to country radio, I got “Teardrops on My Guitar” & “Tim McGraw” as I headed off to college. Then, I jumped then fell for Fearless while laying hardwood floors in Aspen, Colorado in the Fall of 2010. My best friend (Hey Stephen!) introduced me to Taylor as a gifted songwriter who has grown & matured over the years, but still every bit as intelligent and full of wonder & fairytale feelings on Evermore. That was right before Speak Now came out and I was in the midst of a break up from a High School & College first love. Speak Now feels like a lifetime ago, as does Red, but those albums saw Taylor changing her sound, honing her songwriting, and building her arena-worthy legacy catalog. Then there was some long, late night road trip drives with nothing but 1989, and discussing the merits of pop vs. country. I fell out of touch for a bit with Reputation & Lover, but again, Taylor was building her legacy. When she finally reemerged with a political stance, and an inclusive, progressive vision, I was back in! Turns out just in time, because 2020 brought the huge surprise of Taylor collaborating with some of my favorite musicians (specifically Aaron Dessner of The National) on not one, but two new Taylor masterpieces.

OK, that’s a lot of backstory, let’s talk about some of the high points on Evermore. New personal favorite “’tis the damn season” tells a familiar back-home-for-christmas story just in time for the holidays over Dessner’s brooding guitar and (surprise!) Josh Kaufman on lap steel (Hi Josh!) (see Josh Ritter & Bonny Light Horseman!) “happiness” is a gorgeous piano ballad (finished only a week before Evermore’s release!) with the life-long-lesson of finding the good in a heart-wrenching break-up. The second half of Evermore is stellar & deep with The National getting involved even more. Frontman Matt Berninger (or as a friend called him “Bon Iver’s Deeper Daddy”) lends a certain methodic languidness to “Coney Island” and Bryan Devendorf adds those signature, pounding National drums to the unbelievable catchy-singable “Long Story Short.” Predictably, The White Man, Bon Iver shows up in his traditional spot at the end, with his vocoder machine the Messina popping up in “Closure” and lending trademark pain to closer “Evermore.” As we wind out of these fairytale woods, I am drawn back to Taylor’s words upon Evermore’s even-more-surprising-than-Folklore’s release. “It feels like we were standing on the edge of the folklorian woods and had a choice: to turn & go back or to travel further into the forest of this music... I have no idea what will come next. I have no idea about a lot of things these days and so I’ve clung to the one thing that keeps me connected to you all. That things always has & always will be music.” Thanks for the music Taylor, glad you traveled further into the forest. Evermore.

“Don’t treat me like some situation that needs to be handled / I’m fine with my spite & my tears & my beers & my candles...”

THE 1975 / Notes On A Conditional Form

The 1975 has always been a mood band for me. I’m tempted to say “vibe” band, but I guess that’s even more scene-y, hipster-y, or whatever. In the same way that I’ve defended Taylor Swift’s songwriting in the early 2010′s & Third Eye Blind’s deep cuts in the late 90′s/early 2000′s, I have proclaimed The 1975 as our greatest pop-rock band. I have said that they are one of the best sounding live bands I’ve ever seen. To this day, I can’t listen to “Me” (Matty Healy’s addiction-facing, heart breaking slow burner that closed their Music For Cars EP way back in September 2013) without tearing up. I think of driving through Idaho in the dark with my little brother, lights blurring out the Subaru windows, him moving to Portland in the Fall of 2015, me cut loose & drifting, trying to find a meaning for my next chapter. Skip forward a few years and the opening chords of “A Change Of Heart” transport me immediately to a bridge in Portland. It’s raining again and the city lights are blurred out the same Subaru windows. I will always associate The 1975 (I’ve taken to calling them simply “The 75!”) with my little brother (they’re his all-time favorite band) and the power of shared music experience. I have so many memories tied with their music, late night drives, dance parties, coffee conversations, and when I make these favorite lists, those are the things I want to mark.

I could say a lot about Notes On A Conditional Form. It’s The 75′s fourth full-length album and it’s hella rambling. They threw everything on this one. The sequencing might be off, it goes from an emotional, Greta Thunberg-narrated opener about Climate Change, to the ferocious, post-punk of “People” to a sweeping instrumental track, to a down tempo dance-y favorite “Frail State of Mind” to another instrumental, to another low-key favorite “The Birthday Party” to another dance-y catchy fav “Yeah I Know.” Now we’re seven songs in, no “Sex” or “Chocolate” apparent singles and we’re not even A THIRD of the way through the record! I love the messiness and massive-ness of Notes, I love the Phoebe Bridgers feature (can you believe she was going to OPEN for them at Red Rocks?!), and I love the unedited-ness of it all. There are points in the last third of the album; that drop three minutes into “Having No Head,” those Grimes-y beats & vocals on “What Should I Say,” or the heavily effected vocal Matty sings with his Dad on the penultimate, Burt Bacharach-y “Don’t Worry,” There is so much to dig into here, drums both real & electronic, rock, pop, world music, jazz, dance, and through it all, Matty Healy (tongue firmly planted in cheek) cheekily poking fun at celebrity & fame. For all of the not-so-great memories I have from COVID, all of the quarantine, stay-at-home, shelter-in-place times; I have many fond memories of dancing in the kitchen, drinking fancy cocktails, cooking Hello Fresh, and absolutely blasting Notes On A Conditional Form. In fact, I listed to this one on the google home speaker so much, that it showed up on Lila’s end of the year top 5 albums! This one’s for you Will, first time The 75′s made it on my end of the year favorites list! I can’t listen to them without thinking of you and I love it. Long live music and the connections it builds. See y’all next year!

“People like people / They want alive people / Young surprise people / Stop fucking with the kids...”

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theletterformallyknownasq · 5 years ago

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Mariam - September 13th 2018

Mariam: How did I received my name? That's a good question. It's my grandmother's name. And I believe that, traditionally, everybody’s named after somebody in our family. I'm Mariam, which comes from my grandma Mariam, and the list goes on. Everybody just has a namesake, right? It's an honor to be able to carry on your ancestor's name. I guess the ideal is to live up to it. But, *laughs*, that's debatable.

Me: Is your family a matriarch? As any American family, you sharing the name of so many of your relatives is very normal in culture. Chad Jr, Chad Sr, etc Mariam: Not really, one of my brothers calls his son a Jr. but it’s not formal. Me: Not even for, like, male relatives? Mariam: It’s not common for my family to refer to anybody as a 'junior'. Matter of fact, when me and my sister were growing up, because we're like 18 months apart, people used to ask me, "how do you know who they're talking to?” And because I was more of a trouble-maker, 'I know the tone difference' is what I used to say. Right? Like, Mariam. That's me, usually. (In a softer tone) Mariammm, that's usually my sister *laughs*. But they started calling me Biggy and her Lilly. Just because we were in the same household, I imagine. My niece, we have initials for her, but that's just in text, if you will. But otherwise, we call her Mariam. And when all three of us are in the same house together, I don't know. It just kind of works. Me: How do you identify? Pronouns, Nationality, everything. Mariam: I'm an African...labels are tough for me. Because I don't fit into any one label. Even as an African, I'm not just African. You know what I mean? There's so many cultural aspects to me. So, I identify as Mariam. As far as my sexuality is concerned its diverse sexual fluidity. Me: Is that how you define Queer? Mariam: No, that's how I define my Queer. You define your Queer the way you want it to be. That's your business. I don't fit into any of these molds. What is a bisexual? What is a gay person? I don't know what that means! You know, because I've seen so many different people in so many different realms of life that identify as straight people that do a lot of gay stuff. And I know a lot of gay people that identify as gay and have babies and do all kinds of straight stuff. So, if that works for them, I'm with it. I can respect that. I can ride with the ride because, again, I'm fluid. But for me, I don't want you to look at me and say, “Mariam's Queer or she's not Queer or she's not this or that.” And then if we decide to have sex, you can get to know more about my business! But that's my new thing: Diverse Sexual Fluidity. Me: I like that. Mariam: That shit's tight *laughs*. But I truly do identify as Mariam. If somebody were to ask me if I am a Queer person? Yeah, I have Queer tendencies, absolutely, you know. But I also have straight tendencies too and sometimes I don't have no sexual tendencies. Sometimes I'm asexual like shit. I mean, I'm not kidding. There are times of celibacy that I don't look at it as celibacy, it's just I don't want to be bothered with nobody, you know. That's just what it is. You know? That took years to come to that conclusion. I didn't just come out like that. Me: Where's your family from and what brought your family and you to Minnesota? Mariam: I was born here. My father arrived here by way of Kenya. My birth mother is American. Her family is from Louisiana and they traveled up here to Minnesota around the [19]50s, and my second mother is from the Middle East. My Kenyan father came here to play music around 1975, and became an entrepreneur. Both of my mother's family came here for education and economic betterment. Me: And what kept your family here? Mariam: Well first of all, without getting too personal, opportunity, right? When you start having kids and seeing the opportunities that are here. And remember, we're talking the late 1970s, not nowadays, right? Nowadays it's a little different, I think. Back then it was a big deal to be here in the [United] States. If you're here doing your thing, you grow in your opportunities, offering your offspring those same luxuries. And besides, it wasn’t exactly affordable to bring multiple children across seas in those days. Me: Yeah. Travel is expensive. The biggest paradox. The biggest oxymoron. What could you imagine your life if your family had took you back to their home? Mariam: I think about that actually more than not. I'm so incredibly grateful for how spoiled I am. My life is great. My soul is so full and I embrace the knowledge I learn from the world and use it to help my neighbors and everyone else. In Kenya, I probably would have been married with like 50 kids. All that. Probably stressed the fuck out with plenty of gray hair if I had any parts of the personality I have now. Keeping it low, like, keeping your lips quiet and being submissive is not for me. It just does not work. At all. I can't even spell submissive. *laughs* And out there they just would make us, well, if you don't want to be outcasted and don't want to deal with the rigid role associated with the standards of the traditional construct, it’s best to live in a more open-mined society. But then again, I wonder how much I would entertain being Queer if I was raised in Kenya? Regardless of if I'm Queer or not, would I entertain it? Me: Would you feel safe if you embraced it? Mariam: I'm sure there's lots of Queer people in Africa that ain't talking about it. I'm positive. It's not that they can't, it's just not worth it. Right? Because at the end of the day, when was the last time your parents discussed their sex life with you? Me: *pause* Mariam: Thank you.

Me: What is your general attitude about the mainstream definition of Queer identity? But speaking to your point, what is it about the way in which we understand Queer Identity in the mainstream? What are we missing inherently from that definition that you want to provide from your own definition? Mariam: Your own self-identity. Personal self-identity. Stop wrapping it around and putting so much emphasis on sharing your personal business with everybody. It's nobody's business. It just isn't. If you knew me when I was 15, and now you were like 'Well Mariam, I knew you back in the day, you was a lesbian. How can you have a baby now?" "You ain't true.” “You ain't loyal. “You ain't this. Ain’t that.” Really? That's how [people] feel because I'm growing into myself? I don't think that's an option. I don't think that I would allow somebody to damage my self-esteem in that way. And why do you care so much? Have I done anything to you that makes you question my humanity? I don't care for these gender identities that much, obviously. No two things are the same. Even built the same. They can make these tables look the same. They still are not the same. There are inherent differences in all of these tables, but we still accept them as tables. I’ve never met two people that acted the same, sound the same or are the same. So, I say just accept people for who they are on the inside and everything else will fall into place.

Me: I didn't really get a chance to ask my other subjects because they're my age group. I wanted you to take some time to describe a little bit how your sense of identity has changed over the years as you have matured into your Diverse Sexual Fluidity and how have you seen that change shift in your own peers going into adulthood? Mariam: When I was young, my sexuality was a big big deal for me. It was everything because I didn't understand it. But I was going through puberty and was dealing with hormones in the general sense. So back then I was crazed to fit in with like minded people. In my experience we didn’t have a readily available definition of being Queer, especially as an African queer woman. I found my peace in my sexuality knowing that older Queer peers were doing well in their skin, and that ultimately I would too. But I will say society set the world at ease with Queer with artists such as Prince, Rick James, Freddy Mercury of Queen, and Tim Curry from The Rocky Horror Picture Show. Those people set the tone in how we spoke about being Queer, environmentally, if you will. Nowadays, it’s extremely different. I’ve experienced parents influencing their children to “Other” themselves and I’ve also seen society graduate our acceptance as a whole by introducing a more aggressive adult contemporary version of Queer acceptance i.e. Melissa Etheridge to a more recent slap you in the face pop-version of normalcy with Katy Perry bragging about kissing a girl. As an adult, I don’t worry much about people’s opinion of my sexuality. Society does enough of that for me. Over the years, my peers adapted just like we always have. Me: And from that point on, it's just been a journey of ascension? Mariam: Yeah. And it’s been more about than my sexuality - that’s only a portion of me. I love the freedom of myself. I guess what I'm trying to say is, I didn't know that I wasn't going to be a label. I just knew that these labels didn't fit with me. And that was the biggest struggle until I figured out that I didn't have to fit into it. It's tough. I mean, I’m just going to do me. And because of that I never really came out. If someone asked, like my mother, I told her and we dealt with the feelings and then moved forward whether she liked it or not. They all know I'm gay. I do what I want to do, just like everyone else. This is my life. *laughs* This is my beat, this ain't yo' drum.

Me: What do you do for a living and what gives you joy? Mariam: I own a catering company. Me and Chef K, we own K's Catering and more. And we're going into the beverage industry. Laughter brings me joy. I love to laugh. Like, I find humor in everything. I love nothing more than to laugh. Honest to God. And I'll find humor out of anything. It's inappropriate at times, but it’s genuine. *laughs* My family! My family brings me joy. I love my family to pieces.

Mariam: I love them. They are everything to me. Me: One last question. If you had the undivided attention of Minnesota's most powerful, influential public figures and advise them on one thing to improve the standard of living conditions for folks like you, what would you say to them Mariam: How old are you? Me: 27. Mariam: I think it would be more for the youth than for me, I would tell them to look out for the youth more than I would say to do for me. I'm coolin’. I'm not trying to impress nobody. But the kids that are displaced because of their sexuality and stupid shit that isolates young people from maturing should be addressed. Creating a farm with a compound of housing designed to teach people life self-sufficiency skills. Like, gardening, building, stability, entrepreneur skills, parenting skills, bill paying, etc. Teaching love and to be loved. Keeping in mind that self-esteem is what intimates self-worth. Loving oneself from the inside-out, not the other way. Me: An insatiable chase for external validation. Mariam: Right.. Me: Thank you so much Mariam. Mariam: Thank you.

#interviews

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silver-spider-art · 7 years ago

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Borderlands Head Canons

Okay so I have horrible depression writer's block rn and have been replaying all the borderlands games while also daydreaming all the stories I want to tell with these characters. So I’m just going to write out my head canons for shits and giggles cuz I have a lot of thoughts.

Handsome Jack:

Jack is such a wild card. He’s an overgrown toddler and an impatient genius. Also sexy as hell and a problematic fave. I spend so much time playing the game sassing and back talking him (like he can fucking hear me) but I still adore him. And relistening to some of the dialog lines I’ve built up a variety of head canon and AU ideas for him.

So canon vs fanon is a little squishy in my head but Moxxi claims his face is plastic surgery and I’m taking that to be more than the mask. He’s definitely ADHD and neurodivergent. Plus a good helping of PTSD and paranoia thanks to Grandma and trauma from his ex-wives. Those are all his starting points but he breaks into 3 categories based on Angel. Bad Dad, Okay Dad, and Good Dad.

Bad Dad is canon and tips the point of no return for Jack’s mental instability when Angel brutally (but accidentally) murders his wife/her mom. Afraid of his own daughter and horribly betrayed and without “the one good force” in his life, he starts down the path of ultimate Sheakspearian self-destruction. All relationships end tragically and he’s his own greatest enemy. As far as the wife goes, I’m 100% that she is on a pedestal in his head and while he can think no ill of her, the relationship wasn’t all roses.

Okay Dad, in AUs this would be where however his wife died or was lost it didn’t result in his fearing Angel (I normally leave this idea for modern!AUs without Siren powers). He is still overprotective and “doing it for your own good” but without the torture or horrific manipulation. Because of this, while Angel might still resent or hate him, he still has something to live for and is capable of somewhat decent relationships. Still, he rather sucks at it and more often than not is self-destructive. (my fave for writing and reading)

Good Dad, this is a strange and mysterious creature that is nearly unheard of. So often this feels so out of place. So much would have to change to create a catalyst in his life for him to turn out healthy. I mostly see this as a redemption arch thing. Where he might be able to turn it around and make amends given the right people around him.

The other thing I’ve been growing ever found of is trans!jack. He wears a ridiculous number of layers of clothing which is definitely hiding his soft gut, but I’m very fond of the idea that much of his bragging and defensiveness is overcompensation for his fear and trauma both from childhood abuse and gender. There is quite a bit in game dialog on the Jack vs John thing. For the trans!jack I’m actually loving the idea that when he came out and remade his life, he chose John and was hired in at Hyperion with them only knowing him as John. But as he got more comfortable with his new life (and Tassiter made him start hating his new name) he wanted to reclaim his birth name. That he’s always gone by the nickname Jack (born Jacqueline) and was now confident enough in presenting male (and helped by Nisha) that he would even let friends call him Jackie without feeling less masculine. (super self-indulgent reasonings for this)

Other random head canons, Jack is polysexual and pansexual. He prefers women romantically but usually has longer last relationships with men yet rarely thinks of them in the same light. He’s mostly into women powerful enough to crush him and while he is aggressive and into being on top, he’d make a shit dom. He’s impatient and easily losses himself to pleasure. He is, however, a very good sub but it takes a huge amount of trust for him to allow that. (this is also why he is so angry at his attraction to Rhys. Rhys is a soft nerd who can’t even fire a gun, the exact opposite of Jack’s type and he falls for him anyway.) Jack’s vanity knows no bound and he spends way too much time of his look every morning to look perfectly disheveled and like he doesn’t care. Also extremely attached to his favorite things with huge possessiveness (partially caused by aforementioned childhood trauma). Jack actually likes cats but hates being around then cuz old childhood pain. Jack is also complete and utter crap at taking about his feelings or opening up to people.

Timothy Lawrence:

So for dear Tim, my beloved favorite, I have 2 main categories, canon doppelganger or au brother.

Doppelganger: needing money he took a job as Jack’s body double and had plastic surgery to look like Jack. Depending on Jack (Bad/Okay/Good) his relationship turns out drastically different.

Bad ending poor Tim gets branded and has to fell his possessive and deranged boss and spends his life masked on Pandora as a mercenary. Always hiding his face for fear of those who want revenge on the man whose face he wears.

Okay fate, he and Jack are lovers. They fight a lot and Tim’s most often catchphrase is “damn it, Jack” but in the end, Jack is his asshole. Their relationship is polyamorous and stable. But Tim is often in the shadows and overlooked, partially by choice.

Good end? This is so rare I have no idea.

Twin/Brother: having grown up together they get Jack’s asshole and abusing Grandmother and Tim’s “laughs at your death” mother. Having one family member and someone he can always fall back on to help him and someone to be a hero for, Jack never goes full Bad ending. Despite all their fighting and issues, they balance each other out. Always falls in the Okay category of Jack’s relationship to Angel.

But I’ve been working out the redemption arch to lead to a Good Dad ending. Jack actually being self-sacrificing for once and giving up something he wants for his brother's happiness. One idea is that both he and Tim are both pursuing Rhys but after some inciting incidents, Jack comes to realize that his family and friends are happier with Rhys in their lives and Jack knows that he’ll just ruin it like he’d started to do. I can see this beautiful scene of Jack seeing Tim and Rhys talk at a party and seeing Angel come up to join them. His heart aches because he wants that to be himself in Tim’s place but knows it would never happen. That in the end, he’s poison. So he chooses to give up. To let that peaceful scene be reality. That he can accept his claim on Rhys just being as family and not as lover. And that moment of clarity and change of focus helps get him on the path to repairing his relationship with Angel and his brother. Never a smooth ride and he fails a lot, but it does get better.

But back to Tim.

Tim/Rhys is life. I love these two together like nothing else. Jack/Tim and Jack/Rhys is always unstable and huge potential for unhealthy. But Tim/Rhys is heaven and precious and good.

Tim loves cats and sweaters. He wants to write an epic fantasy story but has no faith in his abilities. He’s anxious and terrified of heights but he will be it anyway even while white with fear. He has a huge cybernetic kink he doesn’t want to admit to. Tim dated Wilhelm until the end and still deeply cares for the huge quiet man. While Tim dislikes blood and guts, he found he was actually really good and fighting. After he started the body double gig he got swoll and has stayed in shape since (his own vanity showing). He’s covered in freckles and tans dark in the sun. His voice can be very awkward and scratchy but confidence and vocal training helps that in the non-canon or modern!au settings. Tim is a much better fighter than Jack and can handle any weapon thrown into his hands (I mean just look at his skill tree in game) but he always holds himself back outside of combat and thinks of himself as weak. Despite his skill, he lacks confidence and in the bad endings always believes Jack is actually stronger than him.

Rhys:

My boy. Rhys is trans and autistic. He works very hard to make sure it doesn’t show. He volunteered to get the eye and experimental echo port in order to help compensate for his mental limitations and further enhance his positive skills. His cybernetic arm was also technically voluntary and for badass points he always claims so, but he wasn’t giving up a “perfectly good arm” but a barely functioning arm that always caused him chronic pain due to a poorly healed childhood injury. He stared in Data Mining and while he refused to act in violence to advance, Rhys has very gray morals and had done plenty of shady things to advance in Hyperion. He never had a problem with killing in the vague sense, just not wanting to get his hands dirty directly. This does change slowly, but he still hates guns. They are just very hard for him. When he must fight, melee is the way he goes. Rhys got his chest tattoos after his top surgery to disguise the scars. like his flashy cybernetics, his main goals are “if I have to stand out I want them looking at me because I’m too pretty to look away from”. He tries to fake it till he makes it with confidence even when he has no idea what’s happening.

He always looks everything up on the EchoNet and panics when his connection to it is cut off. It’s his safety net/blanket in many ways. The more the situation is out of control and not following his plan, the more his anxieties act up and leave him vulnerable. This is how Jack easily manipulates him when everything is going to hell. He needs more time to think through things then the chaos of Pandora allowed. Once he’s used to the wasteland and it’s people, this is less of an issue. (Hyperion Rhys vs Atlas Rhys)

His special interests are colorful socks, Handsome Jack (he regrets that deeply after meeting the man), and his new interest is A.I.s. Though Rhys is very into his cybernetics and has moded them some, he can’t build them. His skills are haking, programming, and coding. His old goals where to get a job in digital security or programming once he could get out of data mining. Now as Atlas CEO his pet project has been building and refining A.I.

Random: Rhys is bisexual and leans a bit poly. He is sex positive but doesn’t have to have it in a relationship. He will follow along with most all his partner's kinks as it’s most important for him that they are having fun together. Soft fluff and cuddles are what he lives for though. (everything about this is super self-indulgent)

Angel:

Angel is autistic. It puts her in an especially dangerous/vulnerable position with her powers and Bad Dad Jack doesn’t know what to do with her without his wife to help. He loves his baby girl dearly, but he’s lost and doesn’t know how to help her. In the end, he uses her to fuel his own obsessions and the veneer of childhood is stripped from her eyes as resentment sets in. She lost her father long ago and now only wants release. Like Tim, she could have tried to kill him herself, but while she can and does betray him, he’s still her father in the end.

Okay Dad Jack, (mostly modern!aus) struggles with how to raise Angel but genuinely tries his best. His second marriage was entirely to have a mom for her, knowing he was a shit parent. That wasn’t a good marriage and Angel still didn’t get a mom out of it. Angel goes up angry and resentful of her dad and often refuses to call him anything but Jack. She’s angry that he still treats her like a child. She can’t live on her own and needs assistance in common tasks due to her limitations, but can’t stand being treated childishly like his always buying her unicorn themed things and his insistence on not swearing. She struggles to understand that Jack needs these things for himself too and they both just suck at communicating to each other. They circle around each other, in a strange dance, more like roommates than family. Angel works for Jack as his security expert and hacker/spy. She was instrumental in him taking over Hyperion.

Good Dad... like beforementioned, this is hardly a thing. The good times are mostly in her early youth.

Angel is a lesbian and in okay or good settings falls for Gaige. Jack is very not okay with his daughter dating an openly Anarchist Anti-Cooperate Terrorist who has built death machines. They met online and spend nearly every night having hour long conversations. Gaige makes her feel more normal and nonbroken than anything else in her life ever has.

Random:

Tiny Tina is trans. I read this in a fic and it’s just canon now.

Zer0 is a nonbinary cyborg. They have had most of their body replaced and generally don’t want to be human, so they took matters into hand to make that happen. They feel kinship for Rhys because of this and are growing fond of the awkward man and proud of his bravery foolishness for going into battle despite having no skill. Zer0 and Tim fight well side by side but they do NOT get along outside of combat.

Nisha is aromantic and pansexual and only doms. Her whip very much is used in the bedroom. She and Jack are always off again on again.

Maya is aro/ace and a total badass.

Sasha and Rhys date for a while but end it mutually finding they fit better as friends than lovers.

Gaige helps Rhys make his new cybernetics and he has to argue with her to not install more than one weapon in the new arm or lasers in his eye.

Wilhelm was always going to die of Bone Waste and the surgeries and cybernetics were just delaying the inevitable. Jack set him up to die, but it was willingly on Wil’s part because he didn’t want to die in a hospital but in a huge and epic fight that would be the stuff of legends.

Vaughn is aromantic and sex nonpulsed and he and Rhys are platonic bros for life. Rhys is 100% okay with this and anyone else in his life has to accept his deep love for his bro.

(I’m sure I’m forgetting a lot, but this is long enough for now, oops)

#borderlands #tales from the borderlands #borderlands head canon #handsome jack #timothy lawrence #rhys the company man #random ramblings #My writing #long post

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violetsystems · 5 years ago

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#personal

I walked up to the Nike store over lunch Friday. I’m not running the marathon. The last few months I’ve barely scratched four miles. My times have been under nine minutes which is good enough for me under the circumstances. I picked up that shirt with the hot dog. I liked the message. Why Ketchup when you can lead? Maybe I was just hungry. These days I bring my lunch to work and leave the office for an hour to walk. The personal politics of this city seemingly follow me around every waking minute of the day like I’m some superhero in need of more work to do. So much so that worrying about anything outside of this city let alone country is distracting and possibly unsafe. People try shit with me every day here in Chicago. They apparently try the same shit on the Internet too. If someone could imagine trying to process the exhausting amount of times people have started shit with me it would be mind shattering. I do sometimes think people just hate me for no reason. I used to be more concerned about the logic. I also used to be a little less self confident and less focused. Sometimes you lead to get away from things. I’ve been travelling to New York every two months since January maybe. I used to go to Asia twice a year for three weeks at a time by myself. Led a boring existence in hostels sleeping on shitty mattresses for thirty dollars a night. These days people ask if I have any exciting plans to leave the country. I say it’s not safe for me to and they blink. I go to New York instead and somehow this is less exciting, adventurous or dangerous enough to people to sound like a getaway. It’s true I can’t get away from anything in New York. It’s all right there. And so am I. Safe and sound at this point. NYPD running club stalking my Instagram. Fire department too probably. That’s neither here nor there. My phone reminded me of all the pictures I had taken there over the years. All those morning coffees overlooking the WTC memorial. I saw my hair slowly get shorter and my face less fearful. I’ve also seen my hair get more grey. Time passes. People forget about all the actions you made on your path to transformation that were brought on by positive decisions in your life. They just see you as they see you. Jealous of how you got there without them having any say in the matter. A walking contradiction in so far as nobody has ever asked how I feel about anything. They pretend to already know. Have plans for me I will never know. Set traps on a daily basis that I walk through comically like a Tom and Jerry cartoon. To be honest people have talked so much shit about me by now I don’t see how they can have any more say in how I live my life. That’s largely a decision I have to police for myself. Because people cross the line with me every day here in this beautiful Sanctuary city we call Chicago. If you know how a sanctuary city in America is supposed to work in these modern times you know we are the city that works. We are one of the most progressive big cities in America albeit highly dysfunctional. If you don’t believe me Conde Nast seems to think so for the third year in a row. I lead the pack in every way in that respect. Because I live here.

Now that I’m finally on vacation I’m ready to enjoy it. Partially by leaving the city entirely. I still have to mow my mom’s lawn this weekend. On the outside it must look like I lead a very lonely existence. People try to get me to be part of their shit for sure. And then people from my hometown schedule entire events in New York City the exact dates I’m there and pretend I’m invisible. I’ve given up on any dj’ing dreams almost quicker than I gave up trying to stream Hearthstone. The more information it seems I divulge on here magically someone tries to subvert it. And it’s not even hidden very well anymore. Sucks to be me. I shudder to think anyone recognizes that I’ve been visibly part of a protest movement on my commute every day. Shuttling in on the pink line to work doing my best. My best is never good enough. People expect more. People need a hero. People need my attention when they pretend I don’t exist. The psychological reality I’ve come to face is bleak at best. But it just has taught me better than to react to things that ultimately are not worth my time. People waste my time daily. Trying to trick or punk me in some abusive way and hide it under some community action or artistic protest. Targeted by every fringe movement imaginable. Hoping to catch me in a paradox of free speech and hang me like a martyr. This all is what I deal with any time I walk out the door. And yet when I drop off in Queens people bubble up to me asking for directions or a safe space to catch their bearings. Back home these days I have adopted an invisible eye roll and a deep breath. People are awkward and project their fears and politics on me daily. The trick is to know where it is all coming from. When it’s an organized action of a mob of public opinion stalking you at every turn it can be frustrating at best. People see me as a convenient enemy. A target dummy. The unfortunate thing people don’t see is that people watch this. Part of the whole aesthetic that drew me to obscure street wear brands like Undercover was the silent troll of it all. People are either genuine or they are not. There is some mystic way of finding that out. That can be informed by wisdom, life trials and maybe the road you travel. But the “vibe” you get from people is a lot more than magic. Except when you are more in control of your reactions. Body language. Tone. Intent. Situational factors. Where you are at in your life. These are all things that speak in a moment. The quicker we react to things the more we miss these hidden messages. We may think someone is nice and walk away bothered by one particular thing they said in passing conversation. You make a decision to say no. You resist. You say you need to think about it. And the facade breaks down. People didn’t get what they wanted from you. So they gaslight you and tell you you are crazy. Berate you and tell you hateful things if you are lucky. Mostly they’ll just say them behind your back and people will begin to believe it. And years later people find out all the times it was too late to do anything about this. There is no closure unless you want to open up a pandora’s box of hurt feelings and betrayal. Part of leading is never looking back I guess.

There are mornings like today when I look at my life and see it as completely broken. And then I think about how some things never changed. They grew. How I can’t be enough for some people after all these posts. How my politics aren’t readily obvious in what I silently accept and what I bark off on my lunch break. Like I don’t care what gender you are when you use the same bathroom as me. You don’t see me rush you down and celebrate on Instagram. But when somebody leaves a dead bird at the entrance to my work at 7:30 in the morning I’m a little less amused by the social experiment you are trying to achieve. How your good buddies Ted Cruz and Marco Rubio are fighting the good fight against freedom of speech while denying a woman’s right to choose. How none of this makes any fucking sense and yet people live their lives in chains as they watch CNN, Fox News, or whatever for profit company they’d like to view the world through. And meanwhile I can sit in my home and play video games with people in China. A portal is open to a country I’ve visited on my own and by myself. I read an article once about an ex consulate who claimed viciously anyone visiting China by themselves was putting their privacy and freedom at risk. I didn’t really get that vibe in Shanghai. I just ate McDonald’s. Again your mileage may vary. Part of my extended family plays sports on an all female team in China. One of the very first trips to Asia I made was to China via Beijing and HK. South Korea was on that trip. I felt very safe in South Korea. So much so that I visited there almost fourteen times up until the very first summit between North and South Korea. I would argue that trip jeopardized my privacy far more than setting foot into Mainland China. But again politics are personal. Pizzas are forever. McDonald’s in China for the record is pretty good. Although the fries were soggy. Part of leading is having your own opinions and beliefs about things. If you are me you notice you lead alone often. There is a crowd out there bubbling. Conde Nast seems to think so. There’s a place everyone fits in. Even me I guess. But looking back only slows me down. People want me to react but never respond in a calculated way. They’re afraid of listening to me speak. Always probing my weaknesses. Always trying to set me up to fail. If I ever look back it is to my successes. The successes nobody sees. Like a giant firewall was placed over my life and all the good I have done here in America. How many movies have they banned in America again? Mine is still in production I guess. If I never become a star that’s fine. I was just trying to make sure you shine as bright as you are to me. That’s the only star I follow out here in the dark. Make sure you follow your heart in whatever you do. And make sure your heart is full of love before you shut the door. Hate and anger can only lead you so far. For now I’m shutting the door on work for the entire next week. More time to think about you. <3 Tim

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glenngaylord · 6 years ago

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…AND THE REST - My Capsule Reviews of Stray Films from 2018

Call it sheer laziness, or perhaps I’m fulfilling some twisted fantasy where I get to slay a bunch of proverbial dragons all at once, but I caught up on some year-end screeners and just didn’t feel like writing full-on reviews. So here are my hot takes on the strays that almost got away:

THE SISTERS BROTHERS (4 Stars)

An extremely engaging anti-Western featuring fantastic performances from John C. Reilly, Joaquin Phoenix, Jake Gyllenhaal, and Riz Ahmed is slightly marred by an anti-climactic yet still unexpected ending. Up until then, I loved its subversiveness, the beautiful cinematography and score, and the bursts of tragedy erupting from its often comical tone. A simple tale of two hitmen charged with killing a gentle chemist who has invented a new way to pan for gold, the film finds its beauty in little details such as when Reilly uses a toothbrush or flushes a toilet for the first time. Bonus points for casting the great Alison Tolman, a vividly hardened Carol Kane, and especially trans actor Rebecca Root as a nefarious town owner. I’m especially proud that Root plays a cis female. More talented trans actors like her should get cast in roles which have nothing to do with gender identity. That it happens in the most patriarchal of genres, the western, speaks volumes about this film. There’s also an unexplored hint of a gay relationship, which gives the movie a sense of unfulfilled longing. Each character seems to want something they can never have. It’s a subtle but lovely undertone which gives this often goofy film a little depth. Jacques Audiard (A PROPHET, RUST AND BONE) makes his English language debut here and has a great feel for quirky interactions and the loopy storytelling at play. It’s the BUTCH CASSIDY AND THE SUNDANCE KID of its time…but instead of going out with a bang, it does so with a beautiful whimper. Flaws and all, it’s one of the best films of the year.

BEAUTIFUL BOY (2 Stars)

Ugh. This isn’t even a movie. There’s no real story. It just keeps repeating itself to death and then ends. Yes, it mirrors the cycle of addiction that plague so many people, but that doesn’t make for good storytelling. Timothée Chalamet does some great work when portraying his character’s addiction to heroin, but I never believed him as a meth addict. There’s a distinction that I don’t think he quite captured. Steve Carell here has that annoying high pitch in his voice we typically see from Tom Cruise when he plays an end-of-his-rope character. Major points deducted for the terrible choice to edit a montage to “Sunrise/Sunset” from FIDDLER ON THE ROOF. Who thought that worked? I want names!!

THE WIFE (3 Stars)

If Glenn Close wins the Oscar for this, it will be well-deserved and not the Al Pacino/SCENT OF A WOMAN award for past legendary performances. She holds a master class in controlled, silent rage in a film which, unfortunately, would have been better realized as a stage play. The 11th hour on-the-nose dialogue feels like a misstep, but what comes before works so well in showing off a thoughtful, true, unexpected study of a life subjugated to a man who got to coast.

THE OLD MAN & THE GUN (4 Stars)

A simple, easygoing joy anchored by Robert Redford delivering a charming swan-song to his career portraying a lifelong bank robber who refuses to quit. Just seeing him paired up with the wonderful Sissy Spacek made me wonder why that has never happened before. A third act montage brought me to tears as we flipped through the pages of a diary, understanding in some cockeyed way, that to stop what you love doing means to die.

THE CAKEMAKER (3 1/2 Stars)

This surprisingly beautiful, subtle film is perhaps the best movie ever made that has the worst poster EVER MADE! I mean seriously, who thought the Dime Store Novel approach would adequately represent such a warm, cinematic experience. The tale follows a German pastry chef who falls in love with a married Israeli man, who dies, launching an obsessive journey for our titular character. He travels to Israel and ends up working for the widow of his dead boyfriend. It takes some unexpected turns, features very little dialogue to visually convey the different ways grief plays out on loved ones. It’s tender, sweet, heartbreaking and perfectly acted. It doesn’t hurt that it’s also dessert porn heaven.

BLINDSPOTTING (3 1/2 Stars)

A tad overstuffed…oh who am I kidding…it’s completely overstuffed in that first time director kinda way…but it’s filled with energy, passion and a unique look at friendship, race, gentrification, and how we see or don’t see each other simultaneously. David Diggs and Rafael Casal, who co-wrote, take a buddy stoner comedy and turn it on its ear. It spins its wheels at times, but there’s something fresh and bold about it nonetheless. Like the inferior SORRY TO BOTHER YOU, it has a lot going on, but our two BLINDSPOTTING leads make you care.

A PRIVATE WAR (3 1/2 Stars)

It’s nice to see a fierce woman at the center of the familiar journalist in a war zone story, and Rosamund Pike’s unsparingly aggressive performance as Marie Colvin, a BBC correspondent who lost an eye and wore a patch, makes her a “Fifth Estate Pirate” for the ages. This true portrayal of a woman whose outrage led her into deadly conflicts may seem like a lot of typing at computer screens, smoking, and fighting with editors to let her get into increasingly dangerous situations, but this urgently directed film wants to shake us out of our selfie-culture complacency and ask ourselves if we would be anywhere as ballsy and brave as Marie. Jamie Dornan surprises with an earthy, edgy performance as her photographer, reminding us that he has more than 50 shades to him. It’s an imperfect film, episodic but impactful, but Pike is the real show, literally and figuratively exposing us to a woman whose imperfections were matched by her passion and heroism.

THE BALLAD OF BUSTER SCRUGGS (4 Stars)

In this anthology of short Westerns, the Coen Brothers mine the subject of death for all it’s worth, producing a thrilling, at times hilarious, ominous, tragic, dazzlingly shot experience. While I loved each segment, Zoe Kazan broke my heart as a single woman on a wagon train searching for a way to pay her driver in “The Gal Who Got Rattled”. Tim Blake Nelson uses his physicality and down-home country chops to create the disarmingly dangerous title character, and Tom Waits has the final word on playing grizzled as a gold miner who just might be digging his own grave. Liam Neeson has one chilling moment you won’t soon forget and James Franco, who looked just like Dominic West in his opening tight closeup, has the best line in the bunch when he looks over at his fellow doomed man next to him. Each story is preceded by a a drawing, the title, and a few key words, and it’s fun to find out how they play into the story to follow. The Coen Brothers, no surprise here, are among the greatest absurdist storytellers of our time, and with these cohesive, beautiful films, they show subtlety and great heart.

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themrsdiaries · 7 years ago

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BABY MAHAN - 1ST TRIMESTER

SURPRISE! Tim and I have been keeping a BIG secret!!!!! We are havin' a baby!!! And trust us, you probably aren't as surprised as we were!

We found out early July after taking an at-home test after feeling alllllll the normal "feels" of early pregnancy. I took the test and couldn’t even bring myself to read the results. I left it sitting on the counter and made Tim go in and read it for me. As soon as he came out and I saw his face I knew, and instantly starting balling.

This was not how I saw it happen in the movies, I thought for sure one day I'd wake up, a lightbulb would go off and I would want to start "trying" but God had other plans for us.

In the natural I did not think we were ready for this season but God; He knows so much more than we do and He's proven this to us time and time again. I was so relieved to know why I was feeling the way I was and after a good 20 minutes of talking it all through with Tim...we knew we were more than ready to handle this new season...whatever it may bring...and we could not be more excited.

I swear in that instant, I, mom (still weird to say) went from top priority to hardly on the list the moment I found out. Our entire world will change -EVERYTHING... E V E R Y T H I N G. I personally felt so much better after reaching out to a few close mom-friends who really encouraged me by reminding me that 1) I can do this 2) it was okay to feel how I felt 3) life is going to be majorly different but not OVER. Thank you to my two moms - Bonnie Fast and Tippi Mahan, Megan Mahan, Bethany Menzel, Haley Hanson, Grace Allen, Nikki Edgar, Gigi Grant, Sandy McFarland, Diane Carrasco, JoAnn Johnson, Angel Hanson, Sunceray Titus and so many others who have stepped in, given words of wisdom, links to maternity clothes and pregnancy pillows, prayers and the simple, “let me know if you need ANYTHING” texts -- they go such a long way for us.

My thoughts we're running a mile a minute the day we found out -- thankful to be able to conceive, thankful it wasn't after months of disappointments, worry about our home, needing more space, a bigger car (materialistic, much?), no family here in LA, what does my work-life look like post-baby? How do I keep this a secret? The list was so long varying all the way from -- "Can I still sleep on my stomach?" to "What should I not be eating now" to "sooo...where's the closest hospital?" Seriously... we had no clue. Cue the laughs, I can already hear them through my screen. ;)

I really don't find documenting my entire pregnancy all that exciting but I feel with the life Tim and I have -- and so many loved ones all over the world -- it's the least we could to share some of the fun-ish(?) details.

If you are still interested in hearing all about our first trimester...keep on reading!

DOCTORS:

As soon as we found out, I immediately wanted to see the doctor. Tim has been the most amazing dad already (more on this later). He called our insurance and figured out what hospital was closest, researched OB/GYN's, picked one and scheduled our first appointment...which was 3 weeks from the phone call. THREE WEEKS! Who on earth knew they made you wait so long?? They recommended waiting until the 9-week mark so they could try to hear a heartbeat. So assuming the wait was normal being that we didn't have a general doctor established here yet, we waited and let me tell you, it was the loooongest wait ever.

Our first appointment felt just as long and if you know me, you know I strrrrrongly dislike hospitals. I know all the experienced moms are laughing at me (again!) but I was not prepared for all that the first appointment entails. It took about 4 hours with lots of waiting around. I had to take the blood pressure test 4 times because they kept telling me "lady, can you please relax"...as if I wasn't nervous!! What do these nurses expect?? This is a life-changing appointment! Lol!

I had to have 8 different blood samples taken, pee in a cup three times and by the third time my bladder was so empty I had to go home and return the cup before 10pm. So you already know, Tim and I were driving back down the highway at 9:30pm pee in hand. Fun times. Luckily the hospital is about 2 miles down the freeway. Total win!

At the end of the day, we did leave seeing and hearing Baby M's heartbeat and knowing everything at that point was looking good with a few beautiful ultrasound pics of our little pea in hand. I of course was balling from the huge sense of relief and excitement that was brewing. See baby's first picture below.

Now, we've seen baby twice more and I go into each appointment just assuming I’ll need 17 pokes, picks, and jabs but it's all worth it seeing little Baby M sucking it’s thumb in there! See our latest ultrasound picture taken a few days ago below.

CRAVINGS:

I have not experienced any cravings at all...yet. Food in general the first while sounded TERRIBLE. Just walking through the food court and seeing the menus, and smelling the smells sometimes still takes me a good 30 seconds of positive self-talk like, "Alright Alyssa, you can do this!" Nothing ever sounds remotely good, I have no major appetite yet but I definitely learned the hard way that eating, snacking and drinking are what get me through the day -- if I don't keep up on those -- ALL hell breaks loose. I've been living off of high-fiber foods like whole-wheat toast and oatmeal, almonds, watermelon, crackers, cliff bars and the occasional pickle!

FATIGUE AND EXHAUSTION:

The major thing that hit me was extreme exhaustion. All I wanted to do was sleep, sleep, sleep, and more sleep. I had no motivation to do anything. I'd come home from work, force myself to eat, and sleep. Again, Tim was a champ keeping up on all the housework and daily duties. I have had good and bad days with nauseous. I've heard plenty of horror stories about morning sickness and throwing up, and it hasn't been thaaat terrible for me. There have been a few mornings where I've been slumped over the toilet but nothing major. I've tried to stay active but with the exhaustion that has been most difficult for me. Walking around the block felt like a marathon.

HORMONES:

Tim has been my ROCK through this -- he has done everything -- cooked, cleaned, drawn me baths, and has prayed for us three every single night. Even while we were away at high-school camp he would come in (I was always first in bed....) and pray over us. I think it made my cabin girls sick...NO SHAME! Lol! I think being aware of the raging hormones has made me start the day with a new set of prayers asking God for peace, clarity, and self-control and it has seriously worked. I think Tim would vouch for me in saying that I'm probably LESS hormonal now than when I was not pregnant...but this could totally change. Lol!

SMALL WINS:

We are currently at 13 weeks and a few days and I feel great -- still wearing all my normal clothes, but by the end of the day sweats are my BFF and there's a small little bump goin on. Still no cravings, Tim hasn't had to run out the door once...he can thank me later. Pre-natals have been amazing. Sleeping has been totally fine - I've adjusted to sleeping on my side but I have not adjusted to running to use the bathroom what seems like every hour!! Baby's flown twice already and spent a weekend in Vegas! I am determined to keep living life as much as possible!

HIGHLIGHTS:

My brother now lives and works in SoCal and so we have an immediate family member who will be super close to us. Thank God for built-in babysitters. ;)

We have both gender names picked...we’ve kept a list since I can remember.

We are planning our annual NYC trip aka BABYMOON for an anniversary/birthday/final hoorah and I’m so excited! NYC is our favorite city by far.

We find out the gender soon and will be doing a gender reveal...I don't know how we're gonna make it without knowing a few more weeks! We are sooo anxious.

Other highlights have been our parents’ reactions when we first told them we we’re expecting and having all our tests results come back normal.

OUR PRAYER:

The whole process has been surreal, definitely an adjustment period, but also the happiest time of our life thus far. Tim and I thought we were already as close as we could be, but knowing we’re bringing this life into the world together has connected us in an entirely new way, and I’m so grateful to get to do this with him.

We feel extremely blessed about this new season. To be transparent not being able to have kids had been a fear of mine because I personally know so many people who have tried or are trying. There are SO many women who would give just about anything to experience this so a few moments slumped over the toilet or getting a vial of blood drawn are nothing in the grand scheme of things.

Like I said earlier, God has proven faithful to us time and time again and we know that He is the one that knows when it's your time to become a parent and we are embracing this new season with open arms. We are thankful to everyone who has shown us immense support and love thus far.

THE FUTURE:

You can probably already tell from this blog I am SO new to this mom-thing so if any of you “professional” mom's have tips, tricks, and/or recommendations, in regards to ANYTHING, please let me know! I've already been eyeing out strollers, car seats, cribs, monitors, all the fun stuff and have realised the baby-things are unending and expensive! So please let me know what you've learned on your journey and if you have any recommendations in regards to these items as well.

We are grateful for a community of people literally around the world who are praying for us and Baby M as we take on this great adventure. We love, love, love every single one of you!!!

The Prego Mrs

#pregnancy babyannouncement firsttrimester babyblog

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tragicbooks · 7 years ago

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3 ways 'Deadpool' perfectly sums up Hollywood's LGBTQ problem.

Like many people, I fell head over heels in love with "Deadpool" last year.

The film, based on the Marvel comic, raked in over $700 million worldwide, making it the second-highest-grossing R-rated film ever made. Executives raced to get a sequel into production to feed America's unquenchable thirst for more Ryan Reynolds in a tight red suit (yes, please). "Deadpool 2" is slated for summer 2018.

A year and some odd months after "Deadpool's" release, GLAAD's Studio Responsibility Index (SRI) — the group's annual study on how lesbian, gay, bisexual, transgender, and other queer characters are depicted in film — landed in my inbox. "Deadpool" was one of the 125 films the study analyzed, and for my beloved superhero flick, the results weren't great.

Don't get me wrong; I still love the movie. But GLAAD's findings demonstrate just how problematic the superhero flick — and so many of our other Hollywood faves — really can be.

So buckle up, fellow "Deadpool" fans — this may not be easy to read.

GIF via "Deadpool."

1. For starters, Deadpool is pansexual. But you wouldn't know it from the movie.

In the Marvel universe, Deadpool was created as pansexual — meaning he's interested in all genders and orientations. When director Tim Miller confirmed before the movie's release that Deadpool's sexuality would stay true to its origins, many fans rejoiced — this would be the first big-budget superhero flick with an openly queer lead.

Then the film came out, and fans watched as Deadpool ... didn't.

GIF via "Deadpool."

In a press release, GLAAD pointed to "Deadpool" as an example of a film that "still [requires] the audience to have read press coverage or have outside knowledge" of a character's sexual orientation or gender identity because their queerness won't be identifiable in the film. (Honestly, I saw far more homoerotic behavior at frat parties in college than I did in "Deadpool.")

As a gay man, I want to support movies that show characters with stories like mine on screen, and it's frustrating when there's buzz surrounding an LBGTQ character in an upcoming film, only to have their on-screen queerness reduced to a suggestive sentence or ambiguous same-sex interaction (looking at you, new "Power Rangers" movie). Why can't openly queer characters actually be openly queer in their films?

2. "Deadpool" fails the Vito Russo Test — big time.

The Vito Russo Test — inspired by the feminist Bechdel Test and named after GLAAD co-founder Vito Russo — is a set of basic criteria to examine how LGBTQ characters and films are portrayed on screen.

To pass the test, the film must: 1. contain an LGBTQ character who is identifiably queer who is 2. intricately woven into the plot in a meaningful way and 3. not solely defined by their sexual orientation or gender identity.

"Deadpool" fails on the test's first, basic requirement: Reynolds' character, although technically pansexual, wasn't identifiably queer.

If you didn't know he was pansexual before seeing the film, would you have guessed he's not a straight, cisgender character? Probably not.

GIF via "Deadpool."

Sadly, "Deadpool" isn't the rare exception among LGBTQ films. Of the 23 movies in the study that featured queer characters in 2016, only nine of them passed the Vito Russo Test, according to GLAAD.

3. Deadpool is a big jokester. And while that's great for laughs, the jokes in the movie were not always great for the LGBTQ community.

And I say that as a gay man who thought "Deadpool" was hilarious.

As GLAAD wrote in its report:

"While director Tim Miller told press ahead of the film’s release that Deadpool was pansexual, the only references that made it to screen were played for comedic effect in throwaway jokes intended to emphasize just how outrageous the character is rather than any real sense of desire."

GIF via "Deadpool."

This isn't uncommon in films featuring LGBTQ characters, according to GLAAD's report. Often, queer characters and their identities are soley included as fodder for cheap jokes.

I truly hate being a buzzkill. But those throwaway jokes in "Deadpool" really do have an effect. As GLAAD continued:

"The portrayal of a pansexual identity as a brazen or scandalous trait, rather than a lived identity, has real consequences for bisexual+ people. Because their identities are often misunderstood, bisexual+ people are less likely to be out to family and friends than gay and lesbian people."

Pansexuality is an identity — not a punchline.

I write all of this not to rain all over "Deadpool's" parade, but in hopes that the sequel — and all of Hollywood, really — will do better next time.

Maybe "Deadpool 2" will include a queer main character of color; as the report noted, we need a whole lot more of those. Maybe that character will be a complex, fully realized woman, who doesn't fall into the tired tropes queer women often do on screen; as the report also noted, we desperately need more of those, too.

Or maybe — just maybe — Deadpool will find himself a man.

“I certainly wouldn’t be the guy standing in the way of that,” Reynolds responded in February 2016 to the prospect of Deadpool having a boyfriend. “That would be great.”

In more ways than one, yes it would, Ryan.

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socialviralnews · 7 years ago

Text

3 ways 'Deadpool' perfectly sums up Hollywood's LGBTQ problem.

Like many people, I fell head over heels in love with "Deadpool" last year.

Don't get me wrong; I still love the movie. But GLAAD's findings demonstrate just how problematic the superhero flick — and so many of our other Hollywood faves — really can be.

So buckle up, fellow "Deadpool" fans — this may not be easy to read.

GIF via "Deadpool."

1. For starters, Deadpool is pansexual. But you wouldn't know it from the movie.

Then the film came out, and fans watched as Deadpool ... didn't.

GIF via "Deadpool."

2. "Deadpool" fails the Vito Russo Test — big time.

"Deadpool" fails on the test's first, basic requirement: Reynolds' character, although technically pansexual, wasn't identifiably queer.

If you didn't know he was pansexual before seeing the film, would you have guessed he's not a straight, cisgender character? Probably not.

GIF via "Deadpool."

Sadly, "Deadpool" isn't the rare exception among LGBTQ films. Of the 23 movies in the study that featured queer characters in 2016, only nine of them passed the Vito Russo Test, according to GLAAD.

3. Deadpool is a big jokester. And while that's great for laughs, the jokes in the movie were not always great for the LGBTQ community.

And I say that as a gay man who thought "Deadpool" was hilarious.

As GLAAD wrote in its report:

GIF via "Deadpool."

This isn't uncommon in films featuring LGBTQ characters, according to GLAAD's report. Often, queer characters and their identities are soley included as fodder for cheap jokes.

I truly hate being a buzzkill. But those throwaway jokes in "Deadpool" really do have an effect. As GLAAD continued:

Pansexuality is an identity — not a punchline.

I write all of this not to rain all over "Deadpool's" parade, but in hopes that the sequel — and all of Hollywood, really — will do better next time.

Or maybe — just maybe — Deadpool will find himself a man.

“I certainly wouldn’t be the guy standing in the way of that,” Reynolds responded in February 2016 to the prospect of Deadpool having a boyfriend. “That would be great.”

In more ways than one, yes it would, Ryan.

from Upworthy http://ift.tt/2qkVYs4 via cheap web hosting

#Upworthy

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tragicbooks · 8 years ago

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The uncomfortable truth about tipping, explained with stick figures.

It's about time we got to the bottom of this.

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This post was originally published on Wait But Why.

Tipping is not about generosity.

Tipping isn’t about gratitude for good service. And tipping certainly isn’t about doing what’s right and fair for your fellow man.

Tipping is about making sure you don’t mess up what you’re supposed to do.

In my case, the story goes like this: In college, I was a waiter at a weird restaurant called Fire and Ice. This is the front page of their website (FYI: those lame word labels are on the site, not added by me):

All photos are from the original Wait But Why post and used with permission.

That sad guy in the back is one of the waiters. He’s sad because he gets no salary and relies on tips like every other waiter, but people undertip him because at this restaurant they get their own food so they think he’s not a real waiter even though he has to bring them all their drinks and side dishes and give them a full tour of the restaurant and tell them how it works like a clown and then bus the table because they have no busboys at the restaurant and just when the last thing he needs is for the managers to be mean and powerful middle-aged women who are mean to him, that’s what also happens.

Bad life experiences aside, the larger point here is that I came out of my time as a waiter as a really good tipper, like all people who have ever worked in a job that involves tipping. And friends of mine would sometimes notice this and say sentences like, “Tim is a really good tipper.”

My ego took a liking to these sentences, and now 10 years later, I’ve positioned myself right in the “good but not ridiculously good tipper” category.

So anytime a tipping situation arises, all I’m thinking is, “What would a good but not ridiculously good tipper do here?”

Sometimes I know exactly what the answer to that question is, and things run smoothly. But other times, I find myself in the dreaded Ambiguous Tipping Situation.

Ambiguous Tipping Situations can lead to a variety of disasters:

1. The Inadvertent Undertip

2. The Inadvertent Overtip

3. The “Shit Am I Supposed To Tip Or Not?” Horror Moment

I don’t want to live this way anymore. So , I decided to do something about it.

I put on my Weird But Earnest Guy Doing a Survey About Something hat and hit the streets, interviewing 123 people working in New York jobs that involve tipping. My interviews included waiters, bartenders, baristas, manicurists, barbers, busboys, bellhops, valets, attendants, cab drivers, restaurant delivery people, and even some people who don’t get tipped but I’m not sure why, like acupuncturists and dental hygienists.

I covered a bunch of different areas in New York, including SoHo, the Lower East Side, Harlem, the Upper East Side, and the Financial District, and I tried to capture a wide range, from the fanciest places to the dive-iest.

About 10% of the interviews ended after seven seconds when people were displeased by my presence and I’d slowly back out of the room, but for the most part, people were happy to talk to me about tipping — how much they received, how often, how it varied among customer demographics, how large a portion of their income tipping made up, etc. And it turns out that service industry workers have a lot to say on the topic.

I supplemented my findings with the help of a bunch of readers who wrote with detailed information about their own experiences and with a large amount of research, especially from the website of Wm. Michael Lynn, a leading tipping expert.

So I know stuff about this now. Here’s what you need to know before you tip someone.

1. The stats.

The most critical step in avoiding Ambiguous Tipping Situations is just knowing what you’re supposed to do. I took all the stats that seem to have a broad consensus on them and put them into this table:

This table nicely fills in key gaps in my previous knowledge. The basic idea with the low/average/high tipping levels used above is that if you’re in the average range, you’re fine and forgotten. If you’re in the low or high range, you’re noticed and remembered. And service workers have memories like elephants.

2. What tipping well (or not well) means for your budget.

Since tipping is such a large part of life, it seems like we should stop to actually understand what being a low, average, or high tipper means for our budget.

Looking at it simply, you can do some quick math and figure out one portion of your budget. For example, maybe you think you have 100 restaurant meals a year at about $25/meal — so according to the above chart, being a low, average, and high restaurant tipper all year will cost you $350 (14% tips), $450 (18% tips), and $550 (22% tips) a year. In this example, it costs a low tipper $100/year to become an average tipper and an average tipper $100/year to become a high tipper.

I got a little more comprehensive and came up with three rough profiles: Low Spender, Mid Spender, and High Spender. These vary both in the frequency of times they go to a restaurant or bar or hotel, etc., and the fanciness of the services they go to — i.e., High Spender goes to fancy restaurants and does so often and Low Spender goes out to eat less often and goes to cheaper places. I did this to cover the extremes and the middle; you’re probably somewhere in between.

3. Other factors that should influence specific tipping decisions.

One thing my interviews made clear is that there’s this whole group of situation-related factors that service industry workers think are super relevant to the amount you should tip — it’s just that customers never got the memo. Most customers have their standard tip amount in mind and don’t really think about it much beyond that.

Here’s what service workers want you to consider when you tip them:

Time matters. Sometimes a bartender cracks open eight bottles of beer, which takes 12 seconds, and sometimes she makes eight multi-ingredient cocktails with olives and a whole umbrella scene on each, which takes four minutes, and those two orders should not be tipped equally, even though they might cost the same amount.

Effort matters. Food delivery guys are undertipped. They’re like a waiter, except your table is on the other side of the city. $2 really isn’t a sufficient tip (and one delivery guy I talked to said 20% of people tip nothing). $3 or $4 is much better. And when it’s storming outside? The delivery guys I talked to all said the tips don’t change in bad weather — that’s not logical. Likewise, while tipping on takeout orders is nice but not necessary, one restaurant manager complained to me about Citibank ordering 35 lunches to go every week, which takes a long time for some waiter to package (with the soup wrapped carefully, coffees rubber-banded, dressings and condiments put in side containers) and never tipping. Effort matters and that deserves a tip.

Their salary matters. It might not make sense that in the U.S. we’ve somewhat arbitrarily deemed certain professions as “tipped professions” whereby the customers are in charge of paying the professional’s salary instead of their employer, but that’s the way it is. And as such, you have some real responsibility when being served by a tipped professional that you don’t have when being served by someone else.

It’s nice to give a coffee barista a tip, but you’re not a horrible person if you don’t because at least they’re getting paid without you. Waiters and bartenders, on the other hand, receive somewhere between $2 and $5/hour (usually closer to $2), and this part of their check usually goes entirely to taxes. Your tips are literally their only income. They also have to “tip out” the other staff, so when you tip a waiter, you’re also tipping the busboy, bartender, and others. For these reasons, it’s never acceptable to tip under 15%, even if you hate the service. The way to handle terrible service is to complain to the manager like you would in a non-tipping situation. You’re not allowed to stiff on the tip and make them work for free.

Service matters. It seems silly to put this in because it seems obvious, and yet, Michael Lynn’s research shows the amount that people tip barely correlates at all to the quality of service they receive. So while stiffing isn’t OK, it’s good to have a range in mind, not a set percentage, since good service should be tipped better than bad service.

I also discovered some other interesting (and weird) findings and facts about tipping.

1. Different demographics absolutely do tip differently

“Do any demographics of people — age, gender, race, nationality, sexual orientation, religion, profession — tend to tip differently than others?” ran away with the “Most Uncomfortable Question to Ask or Answer” award during my interviews, but it yielded some pretty interesting info. I only took seriously a viewpoint I heard at least three times, and in this post, I’m only including those viewpoints that were backed up by my online research and Lynn’s statistical studies.

Here’s the overview, which is a visualization of the results of Lynn’s polling of over 1,000 waiters. Below, each category of customer is placed at their average rating over the 1,000+ waiter surveys in the study:

Fascinating and awkward. Throughout my interviews, I heard a lot of opinions reinforcing what’s on that chart and almost none that contradicted it. The easiest one for people to focus on was foreigners being bad tippers because, first, it’s not really a demographic so it’s less awkward, and second, people could blame it on them “not knowing,” if they didn’t want to be mean. Others, though, scoffed at that, saying, “Oh they know…” As far as foreigners go, the French have the worst reputation.

People also consistently said those who act “entitled” or “fussy” or “like the world’s out to get them” are usually terrible tippers.

On the good-tipping side, people who are vacationing or drunk (or both) tip well, as do “regulars” who get to know the staff, and of course, the group of people everyone agrees are the best tippers are those who also work in the service industry (which, frankly, creeped me out by the end — they’re pretty cultish and weird about how they feel about tipping each other well).

2. Here are six proven ways for waiters to increase their tips:

Be the opposite gender of your customer

Introduce yourself by name

Sit at the table or squat next to it when taking the order

Touch the customer, in a non-creepy way

Give the customer candy when you bring the check

Of course those things work. Humans are simple.

3. A few different people said that when a tip is low, they assume the customer is cheap or hurting for money.

But when it’s high, they assume it’s because they did a great job serving the customer or because they’re likable (not that the customer is generous).

4. When a guy tips an attractive female an exorbitant amount, it doesn’t make her think he’s rich or generous or a big shot — it makes her think he’s trying to impress her.

Very transparent and ineffective, but she’s pleased to have the extra money.

5. Don’t put a zero in the tip box if it’s a situation when you’re not tipping — it apparently comes off as mean and unnecessary.

Just leave it blank and write in the total.

6. According to valets and bellhops, when people hand them a tip, they almost always do the “double fold” where they fold the bills in half twice and hand it to them with the numbers facing down so the amount of the tip is hidden.

However, when someone’s giving a really great tip, they usually hand them the bills unfolded and with the amount showing.

7. Some notes about other tipping professions I didn’t mention above:

Apparently no one tips flight attendants, and if you do, you’ll probably receive free drinks thereafter.

Golf caddies say that golfers tip better when they play better, but they always tip the best when it’s happening in front of clients.

Tattoo artists expect $10-20 on a $100 job and $40-60 on a $400 job, but they get nothing from 30% of people.

A massage therapist expects a $15-20 tip and receives one 95% of the time — about half of a massage therapist’s income is tips.

A whitewater rafting guide said he always got the best tips after a raft flipped over or something happened where people felt in danger.

Strippers not only usually receive no salary, they often receive a negative salary, i.e. they need to pay the club a fee in order to work there.

8. According to Lynn, tips in the U.S. add up to over $40 billion each year.

This is more than double NASA’s budget.

9. The U.S. is the most tip-crazed country in the world, but there’s a wide variety of tipping customs in other countries.

Tipping expert Magnus Thor Torfason’s research shows that 31 service professions involve tipping in the U.S. That number is 27 in Canada, 27 in India, 15 in the Netherlands, 5-10 throughout Scandinavia, 4 in Japan, and 0 in Iceland.

10. The amount of tipping in a country tends to correlate with the amount of corruption in the country.

This is true even after controlling for factors like national GDP and crime levels. The theory is that the same norms that encourage tipping end up leaking over into other forms of exchange. The U.S. doesn’t contribute to this general correlation, with relatively low corruption levels.

11. Celebrities should tip well because the person they tip will tell everyone they know about it forever, and everyone they tell will tell everyone they know about it forever.

For example: A friend of mine served Arnold Schwarzenegger and his family at a fancy lunch place in Santa Monica called Cafe Montana. Since he was the governor, they comped him the meal. And he left a $5 bill as the tip. I’ve told that story to a lot of people.

Celebrities known to tip well (these are the names that come up again and again in articles about this): Johnny Depp, Charles Barkley, David Letterman, Bill Murray, Charlie Sheen, Drew Barrymore

Celebrities known to tip badly: Tiger Woods, Mariah Carey, LeBron James, Heidi Klum, Bill Cosby, Madonna, Barbara Streisand, Rachael Ray, Sean Penn, Usher

I’ll finish off by saying that digging into this has made it pretty clear that it’s bad to be a bad tipper.

Don’t be a bad tipper.

As far as average versus high, that’s a personal choice and just a matter of where you want to dedicate whatever charity dollars you have to give to the world.

There’s no shame in being an average tipper and saving the generosity for other places, but I’d argue that the $200 or $500 or $1,500 per year it takes (depending on your level of spending) to become a high tipper is a pretty good use of money. Every dollar means a ton in the world of tips.

This post was originally published on Wait But Why, and all photos are used here with permission. Wait But Why posts regularly, and they send each post out by email to over 275,000 people! Enter your email here and they’ll put you on the list (they only send a few emails each month).<br>

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socialviralnews · 8 years ago