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lexcys · 4 months ago

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★ observing rafe cameron x reader

summary: you were trying everything to hide the fact that you couldn’t stop staring at rafe, unbeknownst to you - he was secretly hoping you were

a/n: this is a surfer!rafe x shy!reader btw!! also this is like pretty much my first ever fanfic so I have no idea what the fuck I am doing so sorry if this is literal ass 😭 no mention of a fem!reader besides the fact that the womans bathroom gets entered

you felt the heat of the sun on your skin as you stepped out of the twinkie. the soft crash of the distant waves barely audible over the hum of the pogues voices

stepping onto the beach, a surge of excitement hits you. the day you and the pogues have been counting down to all week has finally arrived

you take one final glance into your bag, double-checking for anything you might have forgotten—sunscreen, snacks, a book, and a few other trinkets, satisfied you make your way over to your usual spot ready to take off your tshirt and shorts which hid your swim wear underneath, until you spotted someone out of the corner of your eye

rafe cameron

somehow the kooks had managed to pick the exact same date, place and time to visit the beach as you and your friends

while the others were hastly running towards the water stripping on the way down, paying no attention to the kooks, kie stayed back waiting for you

she was already in her bikini while your clothes weren’t even close to leaving your body and landing on the ground

''you coming?'' she asked, hand on her forehead shielding her from the burning sun

''umm'', taking a quick glance around you searched the beach in a, hopefully, unsuspicious way trying to locate rafe again

glancing down you turned your gaze elsewhere, you hoped the sudden heat entering your body was from the sun and not from the sight of rafe taking his shirt off

''I’ll join you guys later, I’m a little dizzy right now'', you spoke swiftly looking up at her, hoping to not get caught in the little white lie

all though kie nodded, the flicker of confusion in her eyes and a quick look behind you told you all you needed to know

you had never verbally stated your attraction to the him but you were pretty sure almost anybody could’ve guessed with the way you tensed up or seemed quieter and clumsier whenever he was in close proximity

taking off your top and shorts you shot a look over to the pogues who were already splashing and practically drowning each other. you giggled while settling down onto your beach towel before applying sunscreen and laying down on your stomach with a book in hand

even though your book was very interesting, the sight in front of you was much more enticing

rafe was currently riding a pretty common wave, yet you found yourself unable to stop staring

you adjusted your book hoping to hide the fact that you were practically ogling at the cameron boy

he was far enough out that you couldn’t make out the details but you still caught the way his hair stuck to his face, the way his body twisted with the rythm of the wave and the way he… kept turning his head towards you?

it seemed like he was looking for you, looking to see if you were watching him

cheeks burning, you try to push your delusions aside trying to find the passage you were reading earlier

you take another peek at him and by the the time you do, he was already out of the water, walking towards his friends with the biggest fucking grin, beaming with pride and confidence, already seeming to rave about the wave he just rode

hearing jj’s laugh you swiftly adjust and pretend to be reading your book that was definitely more interesting than staring at rafe’s wet body and stupid grin

while jj kept whining about how john b, supposedly, almost drowned him they both settled down on your left, luckily on the side where the kooks were lounging

fortunately he also kept talking which meant you were able to peep right past his face and steal short glances towards rafe

it was almost impossible for you to keep your eyes off of him. it didn’t matter where you would see him, you were always stealing glances or simply staring at him from a distance. others could call this stalking but you liked to call it observing, you liked watching him, but not in a creepy way, more so you were admiring him, he was pretty

you liked his side profile, the way his bangs framed his face, the way his eyes looked in the sun, the way his shirts hung onto his fit body - you noticed the way he was very articulate with his hands, which were always adorned with the same two rings, the way the corner of his lips turned downwards whenever he tried not to smile

noticing him facing you, eyeing your group, the staring quickly stopped

at this point the distance between the two groups was too small for your liking because of course the kooks had to settle down as closely as possible to the pogues - it was somehow impossible for them to keep their distance

given the short distance, whenever you actually were brave enough to look again it seemed like he was meeting your gaze, trying to maintain eye contact

heart beating way too fast and cheeks burning, you turn away from jj trying to initiate a conversation with sarah, who was sitting on your right

after a while of, luckily, managing to keep your head from spinning towards him, to meet his gaze - aside from the occasional looks to jj or john b whenever they were contributing to the conversation - you were desperate to get up, to empty your bladder

you dreaded getting up, fully aware that the beach bar was situated just behind the kooks, it meant walking past rafe and the mere thought of that unnerved you - every step would make you acutely aware of your surroundings, mind racing, until the very thought of moving felt like it might turn your legs into jelly

examining the scene quickly you notice half of the kooks gone, including rafe, they must’ve left when you weren’t looking - you feel a weight being lifted off your shoulders while also immediately feeling a certain misery overtaking you

this unrequited crush was spiraling out of control

strutting over to the bar you take notice of ruthie with another girl sitting at one of the tables and kelce talking to the bartender seeming to be cracking jokes instead of ordering

walking past them you try to keep your gaze relatively low to avoid any sort of interaction. turning into the small hallway of the bar you exhale a breath you didn’t even realize you were holding

the calmness doesn’t last long because as you round the corner to reach the toilets you spot him, standing in front of the mens bathroom, phone in hand and looking quite bored

before you get the chance to look away he lifts his head and notices you, he smiles - you smile back, a very awkward smile

relatively quickly you turn your head away and enter the women’s bathroom. your head becoming a blur, suddenly already washing your hands ready to leave the bathroom

he must’ve left already, right?

''topper are you fucking coming, man?!'', you catch rafe through the door

your plan of immediately leaving and paying him no mind, began to falter two seconds after stepping out of the bathroom

''hey, y/n'', you hear from behind you, shit

you freeze up for a second, caught off guard, before composing yourself and turning around

immediately drawn to him, you couldn’t help but notice the way his hair had dried in quite a messy way, his slightly squinted eyes and the slight smirk splayed across his face

''how are you?'' he questions before you had the chance to greet him back

''I’m doing fine'', you manage to exclaim, nearly tripping over your words before adding the usual ''and you?''

you dig in your mind trying to recall the last time you’d exchanged words beyond the usual "hi" or "hey''

''ditto'',

apparently not completely satisified with your answer, he regards you for a moment, the stare causing a warmth to creep up your neck as you shifted uneasily

''why did your friends leave you all alone over there?'', rafe inquired with a raised brow - a hint of curiosity in his tone, ''they seemed to be enjoying themeselves''

letting out a soft exhale you answer him, attempting to maintain eye contact but faltering almost immediately, ''I wasn’t feeling so good'' was all you manage to muster before adding the word, ''dizzy'' in a rather whispered voice, as you lied through your teeth, hoping he wouldn’t see through it

if he did, he didn’t let on ''are you feeling better now?’'

you nod quickly, meeting his gaze

looking up at him with those almost innocent eyes, he can’t help but offer, ''are you sure? I can get you a glass of water'', an unrecognisable sweetness laced his voice, softening his usual edge

taken aback by his unexpected offer you hesitate before denying his offer by simply shaking your head

he let out a quiet snort, a hint of amusement in his eyes as he watched you struggle to give a simple answer

''what book were you reading?'', he asked, his smirk widening as he leaned further back into the wall, clearly amused at the way the conversation was turning into a playful interrogation, as if he found some strange satisfaction in making you squirm just a little bit

you froze, your mind going blank, searching for the title before realising you genuinely couldn’t remember, maybe because you weren’t actually reading the book

like a savior, topper emerged from the bathroom, a flicker of confusion passing across his face as he scanned the scene before moving past you both, muttering a quiet "let’s go," clearly directed at rafe

for a split second, it looked like frustration crossed rafe’s face, fleeting before you could overthink it, flashing you a smile he pushed himself off the wall and made his way past you

but before he completely disappeared out of view, he turned back with a smirk and called over his shoulder,

''hope you enjoyed the show earlier''

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nohabed · 6 months ago

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Attention please !!!

Hello, my name is Noha, a mother of 4 children in Gaza. We now live in inhumane conditions, lacking all the necessities of life. We have lost our home and our loved ones. We have been forced to move more than 9 times so far and we are now subject to an evacuation order. My children and I were forced to live in this. The infected place, in tents that do not protect us from anything, neither the cold of winter nor the heat of summer. We have been here for months, among the filth and sewage. My children are sick and suffer from wasting, hepatitis, and many other complications, skin and respiratory diseases. We cannot obtain food or medicine. There is no water for cleaning or bathing.There is no place to shower, we literally live in filth!! Diseases and epidemics, what is our fault in all of this? Do we have to face all this to survive death? To die slowly every day? From hunger, thirst, illness, fatigue, or even from depression and fear! My children long for their warm bed and our beautiful home, but now they have turned to ashes, missing their schools, their friends, and their most basic rights as children! They miss their forgotten childhood among tents and water lines, searching for food or killing harmful insects that attack them throughout the day!

I created this link to try to survive and save my children from this nightmare, so that we can begin to recover and regain our dreams. Your help is our only hope!

Your little means a lot to us, don't hesitate! Your help could save the life of an entire family elsewhere

#gaza under bombardment #gaza gfm #gaza fights for freedom #gaza aid #north gaza #gaza fundraiser #all eyes on gaza #gaza under siege #help gaza #war on gaza

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seumyo · 9 days ago

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thinking about the aftermath of the final war with bakugou.

It’s more often that you and Bakugou are the only ones left in the dorms after the war. The others chose to go back to their homes when the school’s implementation of mandatory dorm living lifted, and some decided to stay a little longer.

“Taste this.”

Bakugou raised a brow but didn’t protest as you walked over, spooning some curry towards his mouth. With a slight huff, he leaned forward, lips parting just enough to take the spoon. The moment it hit his tongue, his nose scrunched slightly.

“Careful, it’s still a bit hot.”

“Mild,” he muttered after swallowing. “You could barely even taste the richness of the sauce, too.”

You let out an exasperated sigh, frowning. “Are you serious? I followed your recipe.”

“Still mild; you brought shame to my recipe.”

You gave him an unimpressed look before turning back on the pot. “Wow, then maybe you should’ve been the one cooking here. I’m gonna check what went wrong.”

“I would if I could, dipshit.”

“Just get over here and check, too.”

“Nuh-uh. You said you’d cook tonight.”

“And you’re the one who keeps on complaining that I didn’t do your recipe justice!”

“That’s a fact.”

“Starve.”

He huffed, shaking his head as he went back to his writing practice, but there was something in his expression—something almost amused.

Bakugou sat by his study desk, his left hand gripping a pen tightly as he tried to force his stubborn fingers into writing something readable. His handwriting had always been sharp and textbook-pristine penmanship that you could mistake it for being printed, but now, with his right hand still recovering, it looked… awful.

You sat a good distance next to him, watching with an unreadable expression.

“Oi,” Bakugou grunted, not looking up. “The hell are you staring at?”

“Your letters look like a baby bird scratched them out,” you said bluntly, not even bothering to hold back on your words.

He clicked his tongue. “Like I don’t already know that.”

You reached over, grabbing his notebook before he could protest, flipping back to his first attempts from a few weeks ago. The letters were uneven, practically illegible. Then you held it up next to his latest attempt.

“See? You’re getting better.” You turned the notebook toward him. “You can actually read this one.”

He scoffed but didn’t deny it. Instead, he reached for the notebook, but you yanked it away at the last second, grinning.

“You don’t get this back until you admit I’m a good teacher.”

Bakugou glared at you, debating whether this was worth a fight. Finally, he sighed, leaning back against the chair.

“Fine. You’re not the worst teacher.”

“I’ll take it.”

“Don’t get too cocky.”

“Me? Never. That’s more of a you thing and not a me thing.”

“Like hell it’s only me.”

You laughed. “Let’s try numbers this time; I even bought a tracing book.”

“That shit’s for kids,” he scoffed.

“It says three and up,” you argued. “You’re three and up, are you not? And—who knows? Maybe after this you’ll be ambidextrous.”

“Shut up.”

“Run.”

That was the only warning before Bakugou grabbed your wrist and bolted.

The sound of rapid footsteps and excited squeals filled the hall behind you. A group of first-year girls was hot on your trail, giddy with the thrill of chasing UA’s most popular second-year student.

“Why the hell do they keep following me?!” Bakugou barked as you rounded a corner, his grip still firm on your wrist.

“Because you’re literally their idol,” you said between breaths, peeking to see as the girls went the opposite direction. “They see you as some kind of bad boy heartthrob ever since the Sports Festival. It’s kinda cute.”

“It’s not cute—it’s annoying!”

You found an empty classroom and slammed the door shut. Both of you stood there, panting. Outside, the sounds of giggling and footsteps faded down the hall, the first-years continuing their search elsewhere.

You let out a breath and leaned against a desk. “Could be worse. They could be chasing you with cameras like the paparazzi did.”

Bakugou groaned, rubbing his temple with his free hand. “Don’t even joke about that.”

You nudged his shoulder, smiling. “You didn’t have to drag me with you, y’know? Or is this an excuse to be alone in a room with me?”

He glared at you, opening his mouth to argue—but then he caught the teasing glint in your eyes and scoffed, shaking his head.

“Fucking idiot. You’d get trampled over by that mob.”

“Sure, sure. I’ll tell Iida to see if he can scout the area to make sure no one’s going to jump at us when we leave.”

You laughed, and despite himself, Bakugou didn’t find it all that annoying. He actually found it... familiar and worth something he can’t put into words.

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mcmansionhell · 8 months ago

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the motel room, or: on datedness

Often I find myself nostalgic for things that haven't disappeared yet. This feeling is enhanced by the strange conviction that once I stop looking at these things, I will never see them again, that I am living in the last moment of looking. This is sense is strongest for me in the interiors of buildings perhaps because, like items of clothing, they are of a fashionable nature, in other words, more impermanent than they probably should be.

As I get older, to stumble on something truly dated, once a drag, is now a gift. After over a decade of real estate aggregation and the havoc it's wreaked on how we as a society perceive and decorate houses, if you're going to Zillow to search for the dated (which used to be like shooting fish in a barrel), you'll be searching aimlessly, for hours, to increasingly no avail, even with all the filters engaged. (The only way to get around this is locational knowledge of datedness gleaned from the real world.) If you try to find images of the dated elsewhere on the internet, you will find that the search is not intuitive. In this day and age, you cannot simply Google "80s hotel room" anymore, what with the disintegration of the search engine ecosystem and the AI generated nonsense and the algorithmic preference for something popular (the same specific images collected over and over again on social media), recent, and usually a derivative of the original search query (in this case, finding material along the lines of r/nostalgia or the Backrooms.)

To find what one is looking for online, one must game the search engine with filters that only show content predating 2021, or, even better, use existing resources (or those previously discovered) both online and in print. In the physical world of interiors, to find what one is looking for one must also now lurk around obscure places, and often outside the realm of the domestic which is so beholden to and cursed by the churn of fashion and the logic of speculation. Our open world is rapidly closing, while, paradoxically, remaining ostensibly open. It's true, I can open Zillow. I can still search. In the curated, aggregated realm, it is becoming harder and harder to find, and ultimately, to look.

But what if, despite all these changes, datedness was never really searchable? This is a strange symmetry, one could say an obscurity, between interiors and online. It is perhaps unintentional, and it lurks in the places where searching doesn't work, one because no one is searching there, or two, because an aesthetic, for all our cataloguing, curation, aggregation, hoarding, is not inherently indexable and even if it was, there are vasts swaths of the internet and the world that are not categorized via certain - or any - parameters. The internet curator's job is to find them and aggregate them, but it becomes harder and harder to do. They can only be stumbled upon or known in an outside, offline, historical or situational way. If to index, to aggregate, is, or at least was for the last 30 years, to profit (whether monetarily or in likes), then to be dated, in many respects, is the aesthetic manifestation of barely breaking even. Of not starting, preserving, or reinventing but just doing a job.

We see this online as well. While the old-web Geocities look and later Blingee MySpace-era swag have become aestheticized and fetishized, a kind of naive art for a naive time, a great many old websites have not received the same treatment. These are no less naive but they are harder to repackage or commodify because they are simple and boring. They are not "core" enough.

As with interiors, web datedness can be found in part or as a whole. For example, sites like Imgur or Reddit are not in and of themselves dated but they are full of remnants, of 15-year old posts and their "you, sir, have won the internet" vernacular that certainly are. Other websites are dated because they were made a long time ago by and for a clientele that doesn't have a need or the skill to update (we see this often with Web 2.0 e-commerce sites that figured out how to do a basic mobile page and reckoned it was enough). The next language of datedness, like the all-white landlord-special interior, is the default, clean Squarespace restaurant page, a landing space that's the digital equivalent of a flyer, rarely gleaned unless someone needs a menu, has a food allergy or if information about the place is not available immediately from Google Maps. I say this only to maintain that there is a continuity in practices between the on- and off-line world beyond what we would immediately assume, and that we cannot blame everything on algorithms.

But now you may ask, what is, exactly, datedness? Having spent two days in a distinctly dated hotel room, I've decided to sit in utter boredom with the numinous past and try and pin it down.

II.

I am in an obscure place. I am in Saint-Georges, Quebec, Canada, on assignment. I am staying at a specific motel, the Voyageur. By my estimation the hotel was originally built in the late seventies and I'd be shocked if it was older than 1989. The hotel exterior was remodeled sometime in the 2000s with EIFS cladding and beige paint. Above is a picture of my room, which, forgive me, is in the process of being inhabited. American (and to a lesser extent Canadian) hotel rooms are some of the most churned through, renovated spaces in the world, and it's pretty rare, unless you're staying in either very small towns or are forced by economic necessity to stay at real holes in the wall, to find ones from this era. The last real hitter for me was a 90s Day's Inn in the meme-famous Breezewood, PA during the pandemic.

At first my reaction to seeing the room was cautionary. It was the last room in town, and certainly compared to other options, probably not the world's first choice. However, after staying in real, genuine European shitholes covering professional cycling I've become a class-A connoisseur of bad rooms. This one was definitively three stars. A mutter of "okay time to do a quick look through." But upon further inspection (post-bedbug paranoia) I came to the realization that maybe the always-new brainrot I'd been so critical of had seeped a teeny bit into my own subconscious and here I was snubbing my nose at a blessing in disguise. The room is not a bad room, nor is it unclean. It's just old. It's dated. We are sentimental about interiors like this now because they are disappearing, but they are for my parents what 2005 beige-core is for me and what 2010s greige will become for the generation after. When I'm writing about datedness, I'm writing in general using a previous era's examples because datedness, by its very nature, is a transitional status. Its end state is the mixed emotion of seeing things for what they are yet still appreciating them, expressed here.

Datedness is the period between vintage and contemporary. It is the sentiment between quotidian and subpar. It is uncurated and preserved only by way of inertia, not initiative. It gives us a specific feeling we don't necessarily like, one that is deliberately evoked in the media subcultures surrounding so-called "liminal" spaces: the fuguelike feeling of being spatially trapped in a time while our real time is passing. Datedness in the real world is not a curated experience, it is only what was. It is different from nostalgia because it is not deliberately remembered, yearned for or attached to sweetness. Instead, it is somehow annoying. It is like stumbling into the world of adults as a child, but now you're the adult and the child in you is disappointed. (The real child-you forgot a dull hotel room the moment something more interesting came along.) An image of my father puts his car keys on the table, looks around and says, "It'll do." We have an intolerance for datedness because it is the realization of what sufficed. Sufficiency in many ways implies lack.

However, for all its datedness, many, if not all, of the things in this room will never be seen again if the room is renovated. They will become unpurchaseable and extinct. Things like the bizarrely-patterned linoleum tile in the shower, the hose connecting to the specific faucet of the once-luxurious (or at least middling) jacuzzi tub whose jets haven't been exercised since the fall of the Berlin Wall. The wide berth of the tank on the toilet. There is nothing, really, worth saving about these things. Even the most sentimental among us wouldn't dare argue that the items and finishes in this room are particularly important from a design or historical standpoint. Not everything old has a patina. They're too cheaply made to salvage. Plastic tile. Bowed plywood. The image-artifacts of these rooms, gussied up for Booking dot com, will also, inevitably disappear, relegated to the dustheap of web caches and comments that say "it was ok kinda expensive but close to twon (sic)." You wouldn't be able to find them anyway unless you were looking for a room.

One does, of course, recognize a little bit of design in what's here. Signifiers of an era. The wood-veneer of the late 70s giving way to the pastel overtones of the 80s. Perhaps even a slow 90s. The all-in-one vanity floating above the floor, a modernist basement bathroom hallmark. White walls as a sign of cleanliness. Gestures, in the curved lines of the nightstands, towards postmodernity. Metallic lamp bases with wide-brimmed shades, a whisper of glamor. A kind of scalloped aura to the club chairs. The color teal mediated through hundreds if not thousands of shoes. Yellowing plastic, including the strips of "molding" that visually tie floor to wall. These are remnants (or are they intuitions?) of so many movements and micromovements, none of them definite enough to point to the influence of a single designer, hell, even of a single decade, just strands of past-ness accumulated into one thread, which is cheapness. Continuity exists in the materials only because everything was purchased as a set from a wholesale catalog.

In some way a hotel is supposed to be placeless. Anonymous. Everything tries to be that way now, even houses. Perhaps because we don't like the way we spy on ourselves and lease our images out to the world so we crave the specificity of hotel anonymity, of someplace we move through on our way to bigger, better or at least different things. The hotel was designed to be frictionless but because it is in a little town, it sees little use and because it sees little use, there are elements that can last far longer than they were intended and which inadvertently cause friction. (The janky door unlocks with a key. The shower hose keeps coming out of the faucet. It's deeply annoying.)

Lack of wear and lack of funds only keep them that way. Not even the paper goods of the eighties have been exhausted yet. Datedness is not a choice but an inevitability. Because it is not a choice, it is not advertised except in a utilitarian sense. It is kept subtle on the hotel websites, out of shame. Because it does not subscribe to an advertiser's economy of the now, of the curated type rather than the "here is my service" type, it disappears into the folds of the earth and cannot be searched for in the way "design" can. It can only be discovered by accident.

When I look at all of these objects and things, I do so knowing I will never see them again, at least not all here together like this, as a cohesive whole assembled for a specific purpose. I don't think I'll ever have reason to come back to this town or this place, which has given me an unexpected experience of being peevish in my father's time. Whenever I end up in a place like this, where all is as it was, I get the sense that it will take a very long time for others to experience this sensation again with the things my generation has made. The machinations of fashion work rapaciously to make sure that nothing is ever old, not people, not rooms, not items, not furniture, not fabrics, not even design, that old matron who loves to wax poetic about futurity and timelessness. The plastic-veneered particleboard used here is now the bedrock of countless landfills. Eventually it will become the chemical-laced soil upon which we build our condos. It is possible that we are standing now at the very last frontier of our prior datedness. The next one has not yet elided. It's a special place. Spend a night. Take pictures.

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#architecture #design #1980s #datedness #essay #the backrooms #oddcore #dreamcore #weirdcore

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