#time period post : magazines

[dallasgallant]

Time period post: Magazines and tv guide

Print wasn’t dead yet in the 60s, in fact it was swinging! There was a magazine for about anyone and everyone, any demographic out there there was probably a magazine for you- if not by a major publisher than a niche group or independent publisher.

Common non fiction: Science, news, teenager, women’s , men’s, lifestyle, household

Fiction magazines also existed, either they’re submitted short story collections or exclusively for a type of media. Like monster magazines- dedicated to monster/horror movies - which isn’t exactly fiction but centers on fiction.

Just like magazines today you can pick up certain editions in stores and read those, you can also subscribe to have it come to your house regularly. In this case in the 1960s you’d use a mail in slip or call rather than a website.

Cut outs and send ins-

For the teenagers or movie buffs there’d be photos to cut out and scatter across your wall or door. Sometimes a full page or maybe even a two page spread, other times smaller or even wallet sized! (There’s some of the Outsiders stars in the 1980s! - cut out posters still exist in teen magazines today, less wallet photos though.)

For women’s and home magazines there’s recipes to cut out or copy down, craft directions and stuff like that.

Mail ins! Sometimes it’d be as simple as cutting out a slip, filling out your information and putting cash in the envelope and you’d get the item you’d sent for! (Sometimes simple promotional gear, sometimes nice major items) for more serious and big items -> this was how catalogs worked back in the day! You’d call about something you liked and send the movie!

Contests were also done this way. There was also radio or television contests where you’d have to call in - “lucky caller” etc.

Unsure if telethons started all the way in the 60s but a similar concept of a call being answered on air, but in this case you’re donating rather than receiving.

~

Also on the rise were alternative lifestyle magazines and smaller scale publications, for radical protest groups to simply the alternative. Like LQBT magazines— you’d have to know someone, be quiet about it etc. it’s not exactly in stores.

This plays into the changing standards of the time. The 60s from the mid to late part of the decade is known for the cultural revolution, civil rights, shifting views— as there’d been a steady more liberal view on things such as birth control that had been building for a long time and came to a head.

My history professor did a great example of the song “anything goes” to refer to the first major cultural and standard shift in the 1910s-1920s so you can already imagine the progress. Grandma or mom might’ve been a flapper! Or gramps running hooch! Who knows.

One shifting view and a recent court win when it came to the right to privacy is Pornography. “Skin mags” being a nickname for them, on the rise and popular— course separated or in another room if in a store. Like regular publications you’d have one catering to about anyone,course LGBT ones would again be on a secret knowing someone basis.

Tabloids were also on the rise, but scandalous low brow gossip and conspiracy wasn’t as… praised as it is today.

Tv guide-

Not exactly a magazine but these are relevant to entertainment! Before the tv there was the radio, besides music and news bulletins there were radio shows and plays and audio dramas. All  essentially the same base concept only shows would be a weekly series as opposed to stand alone, these would be advertised on the radio as well as in the newspaper.

Have you had a grandparent or a parent tell you “when I was a kid we only had four channels.” That was also pretty true! There were the main three channels and then sometimes you’d have local or state channels. Then came more national channels and Overtime there was speciality Channels you’d pay for and then by the 80s cable — more channels then you can ever imagine (I know this is hard to picture for the younger crowd but imagine it)

The tv guide was created to tell viewers across America what was on and when! Guides were also relatively localized in their beginning. This was before VCR so if you missed a show you missed it and would have to pray for a re-run (another thing we have Lucille Ball to thank for 🙏).

The TV guide also made special showings more popular and an event. There’d be once or twice a year showings of particular big movies— notably The Wizard of Oz (1939) and Gone with the Wind (1939) - wizard of Oz becoming a particularly huge thing revising the frenzy for the coming 3 generations and boomers (the gang)

It may still exist, or did until recently as a website but once VCR’s rose then tv’s had guides practically built in the publication became less necessary or desired— then streaming killed cable and the normal viewing experience, at least for many. Cable, dish, and regular television still exist— weather it’s acknowledged or not.

[spushii]

i hate advertising BUT i love decades-old advertisements for defunct products because they cant sell anything to me anymore. so it is purely novelty

[hostilecityshowdown]

the amount i need modern wrestling fans to study the von erichs until they're able to point at other wrestlers and go "i know where they learned that" is unreal

[august-racoone]

i love it when i work very hard on something using the limited resources i have and still making something im proud of...

only for my teacher to tell me i did it completely wrong

[nonotnolan]

Trial Period

"Harry, what the fuck is wrong with you?" Blake's voice rang out through the apartment, though I couldn't quite tell why my roommate was currently mad at me. Still, if I didn't talk him down from whatever ledge he was on, he was just going to get more and more pissy. I sighed, and minimized the spreadsheet I was working on.

"Blake, you know I'm working from home today. Whatever you're mad about, you can come in here and talk to me about it. I'm sorry I left some dirty dishes in the sink, or whatever." He must have been mad, whatever I had done-- usually he waited until after he showered to talk to me.

He stomped into the living room so that he could stare down at me. "Oh no. You are in way more trouble than that. I just had the most interesting conversation at the gym today. Some beanpole fairy came up started flirting with me, and when I told him I didn't swing that way, guess what he did?" He paused, clearly waiting for me to confess to something, but I still had no idea why he was upset. "He pulled out his phone, and showed me a whole-ass conversation on Grindr with someone using my photos!"

I couldn't help but laugh, which certainly did not help him calm down. "Okay, and? Look, I'm sorry you got catfished, but I don't know why you're mad at me about it. You're trying to start a modeling career, right? It's one of the unfortunate risks of the job. I'm sorry that one of your Instagram followers has no sense of chill, but I don't see why that makes it my fault."

He shoved his phone into my face. "You see this photo? I downloaded it for a scheduled post, but it's from a gig that hasn't released yet. I'm not allowed to share any of those photos on social media until the magazine spread drops. You're the only other person who could have gotten onto my phone and grabbed it."

Well, that was a complication that I wasn't expecting. I stared at him, trying and failing to think of a loophole that sounded plausible. There was only one thing left to do. "Seth, I know you're in here," I said, loudly projecting my voice. "I know you wanted to try out a few different guys before you committed, but that's not gonna work anymore. The trial period is officially over. You broke it, you bought it. If you don't take Blake, he's going to ruin everything."

Blake scowled at me. "Who the fuck is Seth? Harry, what in the fuck is going on?"

"You're so cute when you're confused," I said, pinching his cheek. He was already pissed at me, I may as well go all out. Besides, I needed to give Seth enough time to prepare. "I'm not actually Harry. I haven't been for the last two weeks, not that you noticed. I'm actually a ghost who decided that this apartment would be a great place to find some new bodies to inhabit. And let's be honest, this whole complex is jam packed with hot, young studs like yourself." I couldn't help but flash an excited grin, and I think I might have let my real eyes flash for a few seconds. Well, whatever. I no longer needed to worry about keeping secrets from Blake.

I had clearly spooked him-- he started creeping backwards toward the door. "Harry, you're scaring me. That's not funny. Don't joke about that sort of thing, Harry. Just… fuck, delete that profile and promise me you won't do it again."

"Like I said, I'm not Harry," I said, grabbing my laptop bag and putting it in arm's length. I pulled out the mason jar that had Harry's soul in it, and placed it on the couch. "This is Harry. Or, what's left of him, anyway." Harry's soul fluttered around in a panic, banging into the glass walls as it tried to escape. Or maybe it was trying to warn Blake about what was about to happen next? It didn't really matter.

Blake had turned to run, but he didn't make it more than a few steps into the kitchen before he fell to the ground, as if something had slammed into his back. Seth hated possessing people using brute force, but his error hadn't left us with many other options. "Sorry for the close call, Phil," he said, adjusting his posture. Where Blake was constantly puffing his chest and arching his back, Seth had more of a forward slouch to his shoulders. It was a posture I was very familiar with-- regardless of the bodies we wore, we had been together long enough to recognize each other's presence.

"At least Blake has a good body," Seth said as he pulled himself up off the ground. "I was probably going to end up choosing this one anyway, to be honest." He started feeling up his chest, giving his nipples a few test pinches and letting out a soft moan. "Oh yeah, he's just as sensitive as I remembered. Do you have any spare jars in your bag? Obviously I didn't have time to put him to sleep before I possessed him, and he's just screaming non-stop in my head right now."

"Sounds like that's what you get for being careless," I said. "You know that helping you expel the soul is my favorite part. I'm not letting you rub one out in the bathroom, we're doing this the right way."

Seth pinched the bridge of his nose. "Come on, babe. You're at work for another five hours. I already said I was sorry, please don't force me to put up with the flesh owner for that long."

I closed my laptop and started unbuttoning my shirt. "Who said anything about waiting for me to get off work? No one tracks my activity as long as I get my work done on time." I leaned back and started groping Seth's hefty bulge. "Besides, we both know that Harry is trapped in a shit job. I bet we can get him something that pays way better."

He leaned over to give me a deep kiss. "You know, one of these days you'll get tired of turning your new hosts into porn stars," he said, as I grabbed one of the empty soul jars.

"Maybe so," I admitted. "But that day is not today. This body is wasted on white collar work. Anyway, you know the drill. Time for lube-- I want you to ride my cock while I sit here." He placed the jar underneath his hardening cock, ready to catch his load.

The first time we fucked in new bodies was always my favorite. Seth came first, coating the inside of the jar with a layer of jizz in addition to Blake's soul. I wasn't too far behind, since Harry's body was new to gay sex and still quite sensitive. I rolled off to the side and basked in the afterglow while Seth sealed the jar and placed it next to Harry's soul.

"Part of me still wants to be mad at you for almost ruining everything with that 'trial period' idea of yours," I said, as he laid down next to me to cuddle. "Next time we need to pick new hosts, we're picking one and done again. None of this trying out multiple bodies rubbish, it's too much risk."

Seth just smiled and ran his fingers through my hair. "Fine, no more shopping around, I promise. But you know you can't stay mad at me." As we laid there, holding each other tight, I had to admit that he was right.

[incognitopolls]

We ask your questions so you don’t have to! Submit your questions to have them posted anonymously as polls.

[thisapplepielife]

Written for @steddieholidaydrabbles.

It's Inevitable

Prompt Day 4: Mistletoe | Word Count: 1000 | Rating: T | CW: Language, Brief Period-Typical Homophobia | Tags: Post S4, Eddie Munson Lives, But Is The Town Pariah, First Kiss

The amount of eggnog Steve has requested they pick up is borderline insane. How many people is he expecting at his party tonight? Honestly. The line to checkout at the Big Buy is long, too long, and Eddie regrets offering to be the last minute errand boy.

Everybody's out in full-force stocking up for New Year's, and now it looks like he intends to drink his body weight in yellow sludge.

At least he forced Gareth into coming with him, so he isn't suffering alone.

Waiting for their turn to pay, there is a cardboard box floor display full of sprigs of mistletoe. Clearance priced and ready to move after Christmas. They've all seen better days, and are meant to be an impulse purchase to move them out the door, Unfortunately, Eddie falls for it, hook, line and sinker. He picks one up, and throws one in the top basket of the cart, and continues to wait as he glances at all the magazines, seeing what he can read for free while they're stuck in place.

"What's that for?" Gareth asks, picking up the mistletoe with two fingers, holding it outwards, like it might bite him. 

"The party," Eddie answers, "why are you acting like it's poisonous?"

"It is poisonous," Gareth answers, tossing it back into the cart, then brushes his hands against his jeans, like that will clean them, "Who are you trying to kill?"

"Sssh," Eddie hisses, looking around. It hasn't been long enough that he feels truly comfortable in town, and he definitely doesn't want killing associated with him any fucking longer. Jesus. He just wants to kiss someone. Is that too much to ask?

He doesn't think so.

"I just thought it might make the night interesting, that's all," Eddie finally answers.

"Interesting. Sure. Am I even invited to this party?" Gareth asks.

Eddie sighs, "Yes. You're invited where I'm invited, why do you keep asking that every damn time we do something with Steve?"

"He never talks to me. He only talks to you," Gareth grumbles.

"Do you want to talk to him?" Eddie asks.

"No, not really. But it might be nice to not feel invisible," he says, arms crossed, petulant.

Eddie will tell Steve to say hi or something, make the little shit happy.

The old man behind the register glares at him, which is par for the fucking course. He holds the mistletoe like Eddie is asking to use it on him, and Eddie has to bite his tongue to not be snarky, as the old asshole mumbles under his breath about Eddie being a freak, a queer, a murderer, and Eddie squeezes the handle of the cart. He's two of the three, but this asshole doesn't get to say so.

That's been the worst part of his reentry into society after barely surviving the court of public opinion. The scrutiny, the hatred, still so real that he doesn't feel comfortable being himself in town. He escaped being convicted for murders he didn't commit by the skin of his teeth, thanks to Hopper's miraculous resurrection. He knows that.

But being quiet, and non-reactive, when he feels wronged, is soul-crushing.

He doesn't snap at him, but Gareth does, and nobody is about to cast stones at Carolyn Jones' little boy, freak or not. They are part of the fabric of town, like Eddie never will be.

Gareth sassing him on Eddie's behalf is enough to not make Eddie feel so fucking kicked while he's down, and Eddie smiles as he hands over Steve Harrington's money. Knowing if the old coot knew that, he'd shit bricks.

Back at Harrington's house, Eddie pulls the small bundle out of the sack. It's stupid. He's aware it's stupid. But it gives him a chance, so he's gonna do it. 

"Is that mistletoe?" Steve asks.

"Yeah, funny, right?" 

"For sure, I wonder what weird pairings of people we can lure under there?"

There's only one weird pairing Eddie cares about, and they are both standing right here, right now.

"I don't know, but I'm sure Gareth would appreciate being set up under here with someone cute."

Eddie drags over one of the dining room chairs, and makes sure he takes off his shoes so Mrs. Harrington doesn't see shoeprints if she ever comes home.

"You got a pushpin?" Eddie asks, and Steve disappears to find one. When he turns back up, Eddie loops the ribbon through, and stands on his tiptoes.

He can't quite reach. Fucking vaulted ceilings in rich people houses.

Steve laughs, "Let me get the step ladder." 

Eddie stands there looking at the door frame.

Steve climbs the ladder, and takes the mistletoe from Eddie's hand. And Eddie watches as Steve stretches upwards, pressing the sharp end of the tack into the wood. A sliver of his hairy belly showing as his sweater rides up.

The sweater is red, and looks so soft. Eddie wants to touch it. Touch him.

Steve lowers his arms and then they're just looking at each other.

Steve breaks their eye contact, and comes down one step, readjusting his shirt.

Then they're eye-to-eye again, and Eddie swallows. Shit.

"Well, huh, would you look at that?" Steve says, so fucking smooth that Eddie misses his meaning.

"Look at what?" Eddie asks, because all he can look at is Steve.

"We're standing under mistletoe. Wonder how that got there?"

And then Steve's leaning forward, using his smooth fucking lines on Eddie, and all Eddie can think is that he really shouldn't be doing this off the ground. He's liable to fall and crack open his skull.

But Steve slides his arm over Eddie's shoulder, moving to both pull him closer and keep him secure, as Steve's lips press against Eddie's.

Holy shit.

Eddie kisses back, and hopes that this isn't just Steve being silly. Hoping that maybe this was a mutual good excuse to get this ball rolling.

The moment Steve's tongue touches Eddie's, he knows it isn't a joke.

It's inevitable.

If you want to write your own, or see more entries for this challenge, pop on over to @steddieholidaydrabbles and follow along with the fun! 🌿

[noneorother]

I bought Aziraphale's Bible so you don't have to.

Am I insane? Yes. Was it worth it? Maybe. In most* of both season 1 and season 2 of GO, there's a very specific Bible on a bookstand next to Aziraphale's desk. It's a vintage illustrated plate book by Harold Copping, known as the Harold Copping Bible, published by the religious tract society in London in 1910. It features some of the most well known Old Testament stories, summarized and annotated by the Bishop of Durham at the time, and illustrated by Copping, who was freshly returned from a sojourn in the middle east. Ironically, It was meant as a lay-person's version of a comic book, short, exciting by use of exotic illustrations, and easy to read.

But my (expensive) gain is now your gain! As I've collected here every visible page in both seasons for your reading and viewing pleasure.

Season 1: All episodes Adam & Eve Genesis iii (1:3) / HCB page 10

Season 2: Episode 1 Joseph known to his brethren Genesis xlv (1:45) / HCB Page 28

S2E1 14:21, S2E1 17:41, S2E1 39:45

Season 2: Episode 2 Jacob's vow Genesis xxviii (1:28) / HCB Page 22

S2E2 5:49

Season 2: Episode 2 Joseph known to his brethren Genesis xlv (1:45) / HCB Page 28

S2E2 13:38 (see S2E1 above)

Season 2: Episode 2 The Brazen Serpent Numbers xxi (4:21) / HCB page 36

S2E2 16:12, 43:40

Season 2: Episode 2* Bible on the desk, Magazine on the stand Annuel L'art Pour Tous, Cover (1861-1880 most likely)

S2E2 22:10

The French L'art pour tous industrial design periodical will have to be a story for another post. For now, just enjoy this 1880 edition copperplate of cherubs discovering a microscope...

Season 2: Episode 2 Imaginary page from HCB, Job KJV Job (18:1) / HCB N/A

S2E2 22:29, S2E2 40:05 Obviously, the plate illustrations and text look different here than in the real bible, because they were created for the show. But there are a few more particularities here. For one, this layout with the thin grid around the text, as well as the paragraph symbol next to the first title, indicate that this would have been a printer's proof copy, not a finished book. It shows you the layout grid and can be annotated for changes. Second, there seems to be a war going on between fonts. Where the "chapter" of Job begins, we get a font and a style similar to the original bible, which gets rudely interrupted by a dropped capital (from the real book) and a Gothic-style font/verse numbers like in the original King James version of the printed Bible.

Season 2: Episode 3 The Brazen Serpent NUMBERS xxi (4:21) / HCB page 36

S2E3 1:18 (see episode 2)

Season 2: Episode 5 By the Rivers of Babylon Pslam cxxxvii (19:137) / HCB page 52

S2E5 21:20

Season 2: Episode 6 Bible missing, L'art pour Tous on the stand Annuel L'art Pour Tous, Cover (1861-1880 most likely)

S2E6 10:21, 17:21, 18:15, 34:28 (see episode 2)

Season 2: Episode 6 Closed HCB, L'art pour Tous on the stand behind HCB page 0

S2E6 37:58, 44:20, 48:08

[doritochoi]

Ex-Husband Encounter | C.S

pairing: fem!reader x ex-husband!san

genre: smut

warning: public sex, unprotected sex, sexual tension, blowjob, hard fuck, eating cum? ( kinda idk)

word count: 3,7k

tags: @roguehongsami ( you can message me if you want to me tagged in my post!)

You feel your heart pounding in your chest as you walk into his office and see the shocking scene before you. "S-san?" you manage to stutter, feeling a sharp pain shoot through your chest. Your husband, with whom you dreamed of spending the rest of your life in happiness, is sitting on a chair, and one of his employees is sitting on his lap, kissing him with a passion that takes your breath away. You are destroyed. You just wanted to be a good wife, bring him lunch like every day, and now you feel like everything is falling apart around you. Your lunch tray dropped on the floor, the plates are broken into a thousand pieces, the crumbs are scattered on the floor, but to you it is only a mute decoration in front of your pain. Inside, a storm of feelings floods your mind and soul - sadness, anger, helplessness. You can't take your eyes off them, the image that tears your heart to pieces. You feel betrayed, abandoned, and at the same time you are tormented by questions that hurt more than anything else. Why? How could you not see? You try to keep your composure, not to collapse in front of them, but you feel tears fill your eyes and your voice is choked with pain. You immediately walk out the door, heartbroken, getting into the car not caring if he calls you. You need distance, space, time to collect your thoughts and understand what you are going to do. You're too hurt to go back, too confused to listen to excuses or explanations. All you want now is to run away from the unbearable pain.

You arrived home sad and angry. Even if you didn't want to do that, you couldn't stay with San anymore. You wanted to wait for him to come home, to discuss, to solve what happened, but your mind stopped thinking. So you went to your shared bedroom. When you got there, you sat on the bed and started to cry, not knowing what to do. The tears flowed even more, making your eyes red and swollen. Looking up, you saw on a small table next to the bed a picture of you and San from the wedding. Looking at the photo, you felt memories begin to flood your mind. The moment was captured into your memory, and every detail came alive again in front of your eyes. You saw San's smile again, the tenderness in his gestures, and you went back in time, reliving the moments of happiness you spent together. The picture was one of your favorites, San holding you by your tiny waist, giving you a sweet kiss on the cheek. While you stared at the photo, a surge of rage and betrayal washed over you. In a fit of anger, you grabbed it and threw it to the ground, listening to the sound of it shattering into pieces. You couldn't tear your eyes away from the broken fragments, feeling a bitter satisfaction in the act. It was a release, a way to express the pain and anger consuming you. You packed your bags, not caring whether San would see all your belongings gathered when he came. You blocked him everywhere so he couldn't find you, and you left, tears streaming down your face as you looked back at the house where you two had shared happy moments.

It has been four years since that incident, and you haven't heard from San since. In truth, you hear about him almost every day, as he is now the richest man around with countless business ventures. He's everywhere, but you’ve tried to ignore everything that happened to avoid feeling lonely. Your best friend, Nayeon, has been a rock, helping you get through it all. She has always been by your side, and with her support, you have become a fairly popular model after a long period of healing and rebuilding your life. You’ve graced the covers of several fashion magazines, walked on runways in major fashion capitals like Paris and Milan, and built a strong social media presence. Your style is admired, your confidence radiates through every photoshoot, and your fanbase grows daily. Today was an important day. You were walking the runway in Sardinia, Italy for the Dolce & Gabbana fashion show. It was a beautiful, long-awaited dream come true. Nayeon was there beside you, helping you into your dress. It was a stunning black gown with a daring cutout at the back, accentuating your figure perfectly. The dress was exquisite, made of the finest silk that flowed gracefully with every movement. The cutout at the back revealed just enough skin to be alluring without being too revealing, perfectly balancing between chic and sensual. As Nayeon adjusted the final touches, she smiled at you, her eyes filled with pride and excitement. "You look breathtaking," she said, her voice filled with genuine admiration. You turned to look at her, feeling a wave of gratitude wash over you. "I couldn't have done any of this without you, Nayeon. Thank you for always being there.", she squeezed your hand gently. "That's what best friends are for. Now go out there and show them what you're made of."

As you stepped onto the runway, the lights blazed down, illuminating the room and the captivated audience. The black gown flowed elegantly with every step you took, the back cutout adding a touch of allure that drew gasps of admiration from the crowd. While you walked, a figure in the audience caught your eye. Instantly, the smile on your face vanished as you saw your ex-husband San in the crowd. He wore an exceptional white suit, making him easy to recognize, almost glowing amidst the sea of spectators. His hair was perfectly styled, and his piercing gaze, those fox-like eyes, made you freeze. He looked directly at you, his eyes locking onto yours with an intensity that made your heart skip a beat. You tried to maintain your composure, reminding yourself to focus on the walk. Every step felt heavier, the weight of his presence pressing down on you. "Keep it together," you whispered to yourself. "Just a few more steps." San's gaze never wavered, his expression unreadable, and it took all your strength to pretend you hadn't noticed him. You felt a swirl of emotions—anger, hurt, confusion—threatening to break through your composed exterior. But this was your moment, and you were determined not to let his presence overshadow it.

Finally reaching the end of the runway, you posed, turning with practiced grace, and began your walk back. You kept your chin up, eyes forward, channeling every ounce of professionalism. Nayeon's encouraging smile flashed in your mind, giving you the final push you needed to finish the show with the same elegance and confidence with which you had started. Backstage, as the applause echoed from the runway, you took a deep breath, your heart still racing from the unexpected encounter. Nayeon rushed to your side, sensing something was off. "Are you okay?" she asked, concern etched in her features. "I... I saw San," you admitted, your voice barely above a whisper. Her eyes widened in surprise. "What? Where?" "In the audience," you said, glancing back towards the runway. "He was watching me the whole time." You tried to discreetly wipe away your tears, not wanting everyone to see you cry. After a while, when everything had finally wrapped up, you and the team started preparing for the after-party to celebrate the successful show. Your mind wasn't fully present; you were acutely aware that San would be there. You all headed to the most luxurious and opulent restaurant nearby, a sight of pure elegance and sophistication. The exterior was adorned with intricate architecture, lit by soft, ambient lighting that gave it a warm, inviting glow. As you stepped inside, a gracious hostess greeted you, leading your group to a large, round table elegantly set for the occasion. The table was adorned with elegant place settings, sparkling crystal glasses, and a centerpiece of fresh flowers that added a touch of natural beauty to the luxurious setting. Despite the stunning surroundings, your thoughts remained clouded. You tried to engage in the celebration, but the anticipation of seeing San again kept you on edge. The laughter and conversations of your colleagues seemed distant, almost as if they were happening in another world. You noticed that right next to you was the only empty seat at the table, and your eyes were immediately drawn to a prominent name card that read "Choi San". Your heart skipped a beat, realizing the possibility of sitting right next to him. Taking a deep breath, a mix of anticipation washed over you. Was it mere coincidence or a subtle intention from the hosts? As you carefully placed your clutch on the seat, you felt the curious glances from other guests intensify, adding to the pressure of the moment. You took another deep breath, the air thick with anticipation, and when you opened your eyes, there it was—a hand you recognized instantly by its touch, its grip, adorned with rings that spoke of refinement. San had just settled into the seat next to you. He exuded an intoxicating scent, and as he leaned in slightly, you noticed the impeccable tailoring of his suit, revealing a hint of his well-toned chest underneath. "Apologies for being late," he murmured with a respectful nod, his smile bringing back every memory you had of him.

Throughout the dinner, tension built between you and San. You felt his gaze on you constantly, and every accidental touch sent a shiver down your spine. It became overwhelming, and you knew you needed a moment to collect yourself. "Excuse me," you said, standing abruptly. All eyes turned to you as you walked away from the table, your cheeks burning. You hurried to the bathroom, closing the door behind you and taking a deep breath. You splashed water on your face, trying to calm your racing heart. After a few moments, you felt composed enough to return to the table. Just as you opened the door, you walked straight into a solid chest. You looked up, knowing instantly who it was. San. You froze, your eyes meeting his stunning gaze. You wanted to move, to walk away, but his hand caught yours, pulling you back. "San, I need to go," you whispered, but he didn’t let go. Instead, he gently pushed you against the wall, his body close to yours, creating an electrifying closeness. "Not yet," he murmured, his voice low and filled with need. His eyes burned into yours, and you felt the tension between you. Your breath hitched as you felt the warmth of his body against yours. His hand moved to your waist, holding you firmly in place. You could feel the heat radiating from him, making your pulse quicken. Your gaze remains fixed downward, avoiding his mesmerizing eyes, But San cups your chin with his hand, gently lifting your face to meet his intense stare. "What do you want?" you ask, your voice trembling. His eyes burn into yours, filled with a mix of desire and determination. As you try to pull away, his grip tightens, holding you in place. "Stop struggling. I'm not letting you go," he says, his voice low and husky, filled with a dangerous edge that sends a shiver down your spine. "What do you want from me?" you ask, your voice a whisper, laden with both fear and excitement.

Without another word, San pushes you back into the bathroom, the door closing with a decisive click behind you. Your back hits the cool tile wall, the contrast with his heated body making you gasp. His hands are on you again, sliding down your arms, gripping your waist, pressing you firmly against the wall. "I want you," he growls, his voice rough with need. "Every inch of you." San's lips crash against yours with a hunger that takes your breath away. He kisses you fiercely, his tongue exploring your mouth as his hands roam your body. His touch is demanding, possessive, and it ignites a fire inside you that you've tried to suppress for so long. He moves his mouth to your neck, kissing and nipping at the sensitive skin, leaving visible marks. His hands slide up your sides, cupping your breasts through the fabric of your dress. "God, I've missed these," he growls, his voice thick with desire. You can feel his cock pressing against you, hard and insistent. He pulls the dress down, exposing your breasts to his hungry gaze. His mouth descends, sucking on your nipple while his hand kneads the other, making you moan with pleasure. "San," you gasp, your fingers tangling in his hair as he devours you. "Don't stop." He bites down gently on your nipple, making you cry out. "I won't," he promises, his voice a low growl. He switches to the other breast, giving it the same attention, his tongue swirling around the hardened peak before sucking it into his mouth. His free hand moves down, lifting your dress higher until it's bunched around your waist. He slips his fingers under your panties, finding you wet and ready for him. "Fuck, you're so wet for me," he groans, sliding a finger inside you and making you arch against him. "Please," you beg, needing more. San grins against your skin, adding another finger and thrusting them in and out of you. His thumb circles your clit, sending waves of pleasure through your body. "You like that, baby?" he murmurs, his breath hot against your ear. "Yes," you moan, your hips moving against his hand. "More, San, please." He withdraws his fingers, leaving you aching and desperate for him. He grabs your hips, lifting you up and pressing you against the wall. "I need to be inside you," he says, his voice rough with need.

You wrap your legs around his waist, feeling the tip of his cock at your entrance. He pushes inside you in one hard thrust, filling you completely. The sensation is overwhelming, and you cry out, clutching at his shoulders as he begins to move. San fucks you with a desperate intensity, each thrust harder than the last. His hands grip your ass, pulling you closer as he drives into you. "God, you feel so good," he groans, his pace relentless. You can barely breathe, the pleasure building to an almost unbearable level. "San, I'm gonna—" , "Come for me," he demands, his voice harsh and urgent. The words push you over the edge, your orgasm crashing through you with a force that leaves you trembling. San follows moments later, his release spilling inside you as he groans your name.

For a moment, the world stops, the only sound your ragged breaths mingling together. San lowers you back to the ground, his arms still wrapped around you as you both come down from the high. When he finally pulls away, his eyes are filled with a mixture of satisfaction and something deeper. "This isn't over," he says softly, brushing a strand of hair from your face. "I meant what I said. I want you. Every inch of you." You nod, your heart still racing. "We'll see," you whisper, knowing that despite everything, a part of you wants him just as much. San’s eyes darken with a renewed hunger, and he gives you a wicked grin. “On your knees, now,” he commands, his voice low and authoritative. A shiver of anticipation runs down your spine as you drop to your knees in front of him. His erection is right in front of your face, and you can see the desire in his eyes as he looks down at you. You wrap your hand around the base of his shaft, feeling its heat and hardness. You begin by kissing the tip, your tongue darting out to taste him. San inhales sharply, his hands tangling in your hair as you take him into your mouth. “Fuck, that’s it,” he groans, his grip tightening as you start to move. You take him deeper, your lips and tongue working in tandem to pleasure him. You hollow your cheeks, creating a suction that makes him curse under his breath. Your other hand moves to cup his balls, gently massaging them as you bob your head up and down his length. San’s breathing becomes ragged, his hips thrusting slightly as he struggles to control himself. “You’re so good at this,” he growls, his voice strained with pleasure. You look up at him through your lashes, meeting his intense gaze as you take him even deeper, pushing yourself to your limits. The sounds he makes, the way he tenses under your touch, spur you on. You increase your pace, taking him in as far as you can before pulling back and swirling your tongue around the head. “Just like that,” he moans, his eyes closing briefly as he loses himself in the sensation. You can feel him getting closer, his body tensing, his grip on your hair almost painful. With one last, deep thrust, he comes, his release filling your mouth. You swallow it all, not letting a drop escape, your eyes locked on his as he rides out his orgasm. When he finally opens his eyes, there’s a look of deep satisfaction mixed with something more. He pulls you up to your feet, kissing you hard, tasting himself on your lips. “Love, I missed you,” he whispers against your mouth, his hands still holding you close. You can’t deny the electric connection between you, the intense chemistry that still burns so bright. “I missed you too,”.

You both quickly dress, but as you look at your reflection in the mirror, you realize just how disheveled you are. Your hair is a mess, your clothes are wrinkled, and your makeup is smudged. San doesn't look much better; his suit is rumpled, and his hair is tousled in a way that screams what you've just done. As you step out of the bathroom, the hallway feels like it's a mile long. Just as you turn the corner, you run straight into Nayeon. Her eyes widen as she takes in your appearance, then flicks over to San. The realization dawns on her face, and she crosses her arms, looking between the two of you with an incredulous expression. “Really? Here? Now?” Nayeon exclaims, her voice a mix of shock and disbelief. You blush furiously, trying to smooth down your dress. “It just… happened,” you mumble, avoiding her piercing gaze. San, trying to regain his composure, clears his throat. “Nayeon, it’s not what it looks like,” he starts, but Nayeon cuts him off with a sharp look. “Oh, it’s exactly what it looks like,” she snaps, her eyes narrowing at San before turning back to you. “And you? After everything, you just let this happen?” You take a deep breath, feeling the weight of her disappointment. “It’s complicated, Nayeon. We were just talking and then…” Nayeon throws her hands up in the air, clearly frustrated. “Talking? Really? Because it sure doesn’t look like you two were just talking.” San steps forward, his expression earnest. “Look, I know it looks bad, but this is between me and her. We need to figure this out ourselves.” Nayeon’s eyes soften slightly, but she still looks skeptical. “Fine. But you,” she points at you, “better think long and hard about what you’re doing. And you,” she turns to San, “don’t you dare hurt her again.” San nods solemnly. “I won’t,” he promises, his voice firm. Nayeon shakes her head, sighing deeply. “I hope not, for both your sakes.” She turns on her heel and walks away, leaving you standing there with San, the weight of the situation settling heavily on your shoulders. You know Nayeon is right; there are a lot of things to consider, and this isn’t something that can be resolved easily. San looks at you, his eyes filled with a mix of hope and determination. “We’ll figure this out,” he says softly. You nod, but inside, you’re not so sure. There’s a lot to unpack, a lot to discuss, and it’s going to take time. But for now, all you can do is take it one step at a time.

[hotvintagepoll]

Propaganda

Brigitte Bardot (Contempt, And God Created Woman)—unbelievable charisma off the charts, post-war France could barely handle her because she just radiates sexuality in the deepest, hottest way. i've never seen a woman who fit so clearly in my head the "beautiful woman" category. also i'm including her little suit number because why not [pic below]

Vanessa Redgrave (Camelot)—Partially submitted as justice for her father, and you should all know her birth was announced to a theatre audience by Laurence Olivier. But for herself, she is a wild untameable beauty who was in some of the best avant garde cinema of the period.

This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Brigitte Bardot:

"Los Angeles Times in 2011 ranked her as the second most beautiful woman in film, she won a David di Donatello award and was nominated for a BAFTA. Literally nicknamed a sex kitten, she used her fame to promote animal rights. And God Created Woman was so scandalous to US audiences that some theater managers were arrested for screening it"

"She was a sex symbol and her style is influential even today"

"She's just so iconic! Wikipedia extracts because why not : "In 2011, Los Angeles Times Magazine's list of "50 Most Beautiful Women in Film" ranked her number two" "The Guardian named Bardot "one of the most iconic faces, models, and actors of the 1950s and 1960s" "According to the liner notes of his first (self-titled) album, musician Bob Dylan dedicated the first song he ever wrote to Bardot. " I mean of course she is iconic in France, but she inspired many women outside of France"

"She wasn't just a sex symbol because men found her attractive and then that imagine of her was further promoted. But she was actually one of (if not) the first women to stand for emancipated women in a sexual way in a time when women were considered to mainly exist to please their man. She was famous for portraying women who lived their sexuality for their own pleasure and knew what they wanted. Very important! And also what's hotter than a woman driving men wild because they don't even know how to handle a woman with her own ideas and needs lol"

Vanessa Redgrave propaganda:

[2knightt]

may u do the gang with a significant other who is in a popular band or actor? up to four preference of course. lots of love!

୧ ׅ𖥔 ۫ darling, can i be your favourite? ⋄ 𓍯

REQUESTED: reader’s the coolest person ever and the gang’s their biggest fan!

tags/warnings: headcanons, gn!reader, reader is a singer/popstar!reader, gang is obsessed, reader is big time famous, near the end they got shorter because my tumblr started lagging.

ೃauthor notes⁀➷ hey my love !!! seen this after i posted and knew i had to get to work 🙂‍↕️ also while i was working on this, i got a req for actor!reader..ur in luck🤭

—

johnny cade

╰┈➤ now playing. — espresso, y/n l/n

how he bagged you, the world may never know. like seriously.

YOU’RE ON THE BIG SCREEN AND YOU’RE IN THE RADIO AND YOU GO AFTER JOHNNY CADE??? everyone was shocked. lives were CHANGED.

“you’re dating who?”

“..y/n l/n?”

“in your dreams maybe???”

“fuck you?”

nobody believed him because you confessed to him over the phone when you were touring 😔! you realized you really liked johnny when you had to be away from him for so long.

so for like that period of time, it was just call after call of you two giggling back and forth.

the gang, swear to fucking god, knew he was talking to someone but they thought he was lying about who he was talking to

UNTIL YOU CAME BACK!!!!

Then they were all,

“what the fuck….”

“can i like—borrow a 20?”

“DAMN”

spoil him. take him with you. protect johnny cade with ur money or else. i find you.

but seriously, pleaseeee make sure johnny lives the life he deserves ☹️ since you’re a singer, you make a FUCK ton of money

put it to good use (spending it on johnny cade)

hey! you’re all he talks about!! HE DOESN’T STFU THAT HE’S DATING SOMEONE THAT’S FAMOUS.

“what ‘bout you, lil’ boy? you got someone?”

“hell yeah. y/n l/n.😇💯”

“..the singer?”

“damn right, ‘the singer’!”

listens to your music when he misses you!!

OH MU GOD WRITE A SONG ABOUT JOHNNY CADE PLEASEEEE AND WEAR HIS JEAN JACKRT ON STAGE PLEASEEEEEEE

i can’t stress how much he loves you

he has photos of you everywhere. and anywhere.

steals magazines you model for to promote your albums<3

dallas winston

╰┈➤ now playing — nonsense, y/n l/n.

why would you pick him.

shame on you. you have celebrities flocking to you and you pick some guy in tulsa who’s in jail every friday.

tsk tsk. whatever makes you happy!

ANYWAYS

also, never shuts the fuck up about you. like seriously, somehow, you’re always the topic of conversation.

“yeah, that’s crazy that she slashed your tires. my LOVELY Y/N would never tho. did you know they sing? you’ve probably heard of ‘em-“

MAKES YOU WEAR HIS RINGS WHEN YOU PERFORM!!! AND SOMETIMES HIS LEATHER JACKET!!! DALLAS DGAF IF IT’S DIRTY OR NOT

He needs those freaks in the crowd to know you’re HIS—not theirs just because you’re famous.

if you ever collab with a dude he’s gonna fucking lose his mind i’m not kidding

“YOU’RE GOING TO THE STUDIO WITH WHO???”

“i told you-“

“yeah, i know. lets go.”

dallas invited himself btw.

dedicate a song to him and he’s literally gonna make EVERYONE listen to it. when it comes on the radio, he’s IMMEDIATELY turning up the volume.

“looking at you got me thinkin’ nonsense.”

“that’s about me, by the way.”

“WE KNOW.”

“YOU TELL US THIS EVERY DAMN DAY”

“yeah. where’s your partner that write songs about you? huh? take that shit up with someone else.”

IN HIS ROOM HE HAS SOOO MANY POSTERS OF YOUUUUUU

cannot believe he got so lucky and bagged you

he used to pray for days like these😭😭🙏

ponyboy curtis

╰┈➤ now playing — work song, y/n l/n.

yes, i did make your song more poetic than the rest. that’s just what ponyboy is into and gets him crying.

did he get lucky? yeah. does he acknowledge that every waking moment of his life and devotes himself to making sure you never feel the burden of having to perform daily?

yeah

helps you write songs sometimes. ponyboy naturally has a poets soul so USE IT TO YOUR ADVANTAGE

GUVE HIM A FUCKING OEN AND PAPER AND HE’S WRITING A HIT SINGLE

omgomg if you credit him while at your concerts he might faint<3333

spoil him and his brothers.

his brothers are included because you see how much they’re struggling and it literally pains you to see the love of ur life get so frustrated over money

sneakily put money into darry’s wallet when he isn’t looking and ponyboy might just kiss u right then and there

it’ll take awhile for him to accept the help, but when he does—he’s so grateful to have an angel like u in his life😭😭💔💔💔

“i love you. did you know that?”

“of course i do, pony.”

“i should tell you that more often.”

uses a photo of you as a bookmark btw. it’s you in his favourite outfit you ever wore, performing the song you made for him.

ponyboy’s obsessed.

shoves ANYONE off the tv to watch you perform. he doesn’t care. and the gang lets him<3 cuz they know how much you mean to their little pony!!

not without teasing. never without teasing. ponyboy is never fucking free

“soda, it’s my turn on the tv.”

“what? you tryna watch your girlfriend?”

“…shut up.”

“look at you! what a loverboy, huh? you loveeeee her, don’t you?”

“man, just get off the tv!”

watches & listens to everything you’re in. wether it be interviews, music videos, etc—he can probably quote it. every part.

he’s so obsessed with you it’s not fucking funny

sodapop curtis

╰┈➤ now playing — that boy is mine, y/n l/n.

it couple. genuinely.

you got soda more publicity and modeling agencies have definitely hit him up LMFAO

he most definitely has modelled with you for covers :3c

BUT OTHER THAN THAT

oh u better fucking believe that the DX is always playing your music

SODA DOESNT CARE IF HE’S NOT ALLOWED TO TOUCH THE RADIO

he will. and he will be playing the song you made about him to remind the girls that go to flirt with him that he’s yours.

HE HAS A NECKLACE WITH YOUR INITAL ON IT AND YOU HAVE A NECKLACE WITH HIS INITAL!!1!1!1!1!1

flash it when paparazzi takes photos and he WILL put that photo in his wallet to show people when they ask about his partner.

CANT STFU EVEN IF HE FUCKING TRIED

soda makes u his whole personality

“sigh😔 y/n would’ve loved this beat..”

“SHUT UP ABOUT Y/N😒”

“NO?? I LOVE THEM!!!???”

LOVES PRACTICING UR CHOREOGRAPHY WITH YOU LMFAOOO

it’s so cute☹️☹️😔😔 soda might trip over his feet every once and awhile but he’s always laughing so hard with you when he does<3

darry curtis

╰┈➤ now playing — say yes to heaven, y/n l/n.

tries SOOOO hard to act like he doesn’t gaf that you’re singer but it’s so tough to not brag about it

the boys at work could be talking about their partners but when they go ask darry, he hides his grin and blush by looking down, running his hands through his hair.

“what ‘boutchu, kid? how’s the lover?”

“ah, y’know. they’re busy touring or in the studio.”

“eh?”

“oh—y/n l/n. they’re-“

darry cannot be stopped now. he won’t shut up about how great of a person you are, never letting the fame get to you.

ERAHHH HE STAYS UP LATE AT NIGHT TO WATCH YOUR PERFORMANCES WHEN YOU’RE AWAY!!!!!!! HE LOVES WATCHING YOU SWAY ACROSS THE STAGE!!

hehehehehe slow dance with him in the kitchen to ur unreleased songs you made about him…. 😈😈

PLEAEE HELP HIM FINANCIALLY PLEASEEEEEEEEEEEEEEEEEEEE

im begging you to just sit darry curtis down and try to convince him that, you giving him money to help around, isn’t an issue.

i don’t see darry moving out of the curtis house unfortunately, i think he will always view it as his parents house and it’s too sentimental.

so, don’t even bother asking him to move. but—do give him money. or sneakily pay the bills. whatever you have to do to help darry relax, please do it!!!

loves it when you sing slower/more relaxing songs

darry thinks it’s so attractive to hear your like soothing, breathy, and smooth voice.

he has a photo framed of you bowing toward the crowd below you, tightly holding the microphone that you had his name engraved in.

it’s currently beside his bed on his nightstand.

he looks at it every night before bed and every morning before work. <3

steve randle

╰┈➤ now playing — art deco, y/n l/n.

he’s feral. he’s fucking crazy about you.

“PUT ON THAT NEW Y/N SHIT‼️”

“why??”

“CAUSE I SAID SO?!1”

number one supporter. nobody comes close to him

AHHHH HE HAS A TATTOO DEDICATED TO YOU!!!! IT’S DEFINITELY A SONG LYRIC YOU WROTE ABOUT HIM IN UR HAND WRITING

when steve’s nervous he traces over it :3c

steve always finds himself, unconsciously, humming your songs while he works on cars!

i like to think his favourite colour is blue, so plsplsplspls wear blue (even if it’s a small accessory) to your concerts just so steve knows you’re always thinking about him.

he keeps little gifts, or rather the accessories you leave at his house, in a little box. he thinks they’re so cute and he will burn a building down before he lets anyone find out

two-bit mathews

╰┈➤ now playing — melting, y/n l/n.

“DID YOU KNOW I’M DATING Y/N? THE FAMOUS SINGER? YEAH, BET YOU WISH THAT WAS YOU😭😂!”

that’s every other sentence from his stupid lips!!

KNOWS EVERY LYRIC TO YOUR SONGS AND WILL SCREAM HIS FUCKING LUNGS OUT TO THEM!!!

attach a mickey charm to ur mic while you sing on stage and he’ll start foaming at the mouth..

two-bit’s all, “that’s for me.:mickey….me….me…mickey….”

he literally begs you to sing him to sleep

STEALS YOUR RECORDS/VINYLS???!!! HE HANGS THEM UP ON HIS WALL WITH SUCH CARE IT’S SO ADORABLE ☹️☹️

teach his little sister some of your dance moves and he might marry you tbh.

two-bit dreams of you and i’m so fucking serious

[biancadoes1]

I am so hyped for Luke! I love sci-fi thrillers and I have a good feeling this is only the beginning of his new projects. That being said I find it REALLY strange how much attention the fandom gives adjacent social media but then flat out ignores VERY interesting Luke and Nicola activities. Like Luke liking that guiness merch post despite NOT following the account but Nicola was tagged in the comments by her friend Jack; she didn’t even like the post if I’m correct or at least hadn’t at the time Luke liked it ���. Then we have Luke reposting Netflix insta of Colin meme but the one RIGHT before Wordle In Two (a direct Nicola reference from her Emmys night) and despite he wasn’t tagged in it either. The October 3rd Mean Girls Polin meme which was something Lukola used to do together on twitter. The BRB at the airport and then Nicola posting being on a plane shortly after when BOTH Nicola and Luke have not posted about traveling while at the airport itself. That one I feel like was HUGE and feels way more than a bit coincidental. The “people really want me to marry Luke” TIME magazine article. Oh and I’m sorry almost FORGOT the part where Nicola was announced for an audiobook about two Costars leads who characters are together in a period drama and then end up falling IN LOVE in real life! Like all of these things when you look at them are pointing in a certain direction of Lukola being together but somehow there’s just more weight put on other things that aren’t from Luke and Nicola? Not to also mention Nicola making an effort to scrub her tags associating her and JD as romantic partners. Yeah I mean we’re all speculating of course but just seems so weird to me that any Lukola positive signs get swept under the rug but the tiniest adjacent post is analyzed with a microscope lol. That being said I love your blog and appreciate you highlighting the actual people involved in the Lukola ship; Luke and Nicola lol.

Literally any thing pertaining to Luke and Nicola either together or separate is just tossed out the window the moment certain people show they're online.

It's mad annoying. It needs to stop.

Also, thank you anon for your kind words. I truly appreciate it 😊

[honeytonedhottie]

HONEYS IT GIRL MAGAZINE june edition⋆.ೃ࿔*:･🎀

welcome back to honeys it girl magazine, this is the june catalog. get ready for the inside scoop on data that i've collected, things i've learned/started doing, and just general info like that organized in kind of a teen-magazine inspired fashion. a magazine for it girls ✨ and now please enjoy, the it girl magazine.

LIFE UPDATE ;

as you may or may not have noticed, i've been hiatus for most of the month now. and i disappeared because of personal reasons, and one of those reasons being that i felt i needed to reflect. here are some things that i've learned and realized during my reflection time.

in that post i go into things that i went thru during the month of june and the reason behind my absence. something that i mentioned but failed to elaborate on in that post was what i plan to manifest next and i'll talk about it later on in the post.

FOR THE WELLNESS GIRLIES ;

this summer is a hot one, and one way that i've been getting my vegetable and fruit intake is through smoothies. smoothies and juices are perfect for the summer because they're SO refreshing so im going to talk about some smoothie recipes.

adriana limas smoothie recipe ; (1 cup cold water + 1/2 avocado + honey). candice swanepoels smoothie recipe ; (1 frozen banana + 1 cup blueberries + 1 tsp protein powder + 1 scoop collagen powder + 1 tbsp chia seeds + 2 tbsp almond butter + 1 tbsp spirulina + 1 1/2 cup coconut water)

smoothies make amazing breakfasts or just amazing drinks to have when ur craving a sweet drink. for me, i like to keep my smoothies simple and use ingredients like strawberry and banana, but lately i've been loving mango in my smoothies.

LETS TALK MANIFESTATION ;

because of my period of reflection i had time to focus on what i wanted to manifest next and i wanna manifest a trip to italy for the summer + other mini things within that trip.

i've already created a script for it, and im gonna start affirming for it on the first of july. im so so excited to go and share this with you guys...💬🎀 furthermore i wanted to share some manifestation reminders and posts that have been helping me so far.

ABOUT WAVERING

YOUR NOT A VICTIM, YOU NEVER WERE

HOW TO IGNORE THE 3D AND BE UNBOTHERED

PATRICIA NAVIDAD STYLE DISSECTION ;

patricia navidad in “la fea más bella” is an over the top, feminine queen who i absolutely adore. she was easily one of my favorite characters so ofc i wanted to make this editions style dissection about her.

she has beautiful blondish hair that is similar to and complements her skintone, making her look super put together and gorgeous. she wears jewelry that she coordinates together. but my favorite outfit of hers HAS to be the one shown above on the left.

if theres one thing patricia knows how to do is to make her outfits work for HER which is why i thought she'd be the perfect candidate for this months style dissection...💬🎀

in this outfit shes wearing a matching pink set, the shade of pink is very soft and matches beautifully with the white (what looks like a corset-ish top) underneath. the color coordination is superb and she makes the shirt pop more by only using one button beneath her bust which draws attention to her figure and the top underneath.

THE CRINGE STIGMA ;

to be a victim to the cringe stigma is to be caged in ur own mind bcuz ur so scared of what others may or may not think of you. lets talk about it. the way others perceive u isnt ur business. lets think about how many times that you've stopped urself from doing something that u rly wanted to do, or something that you've really loved because u were scared of what others might say? imagine all that wasted time and energy worrying?

its not ur responsibility to keep urself small or digestible for someone. u can't grow where ur comfortable so to grow u have to get uncomfortable even if that means being called cringe by others. bcuz when others call u cringe thats their own projection onto you and it rly doesnt matter. dont take someone else's judgement too personally and just enjoy yourself no matter what...💬🎀

[renthony]

hey!! i am genuinely curious about how the catholic church helped implement the hays code, would you be able to tell me more/do you have any good reading material about it? thanks so much!!

This has been sitting in my inbox for aaaaaages, because I want to do it justice! It's actually a big facet of my research project that I'm going to go into much, much, much more depth on, but here's the short(er) summary:

The foundational text of the Hays Code was written by two Catholics: a Jesuit priest named Father Daniel Lord, and a man named Martin Quigley, who was the editor of the Motion Picture Herald. They grounded their guidelines in Catholic morality and values, based on the idea that art could be a vehicle for evil by negatively influencing the actions of those who view it.

The original list of guidelines written by Lord and Quigley was adapted into the Production Code, popularly known as the "Hays Code" after William Hays, the president of the Production Code Administration that enforced it. As president of the PCA, William Hays appointed a staunch Catholic man called Joseph Breen to enforce the code. Breen enforced it aggressively, confiscating the original reels of films he deemed inappropriate and against the Code. Many lost films from this era are only "lost" because Joseph Breen personally had them destroyed. Some were rediscovered later, but many were completely purged from existence.

When Breen died in 1965, Variety magazine wrote, "More than any single individual, he shaped the moral stature of the American moral picture." He was a very, very big deal, and was directly responsible for censoring more films than I could even begin to list here.

In 1937, Olga J. Martin, Joseph Breen’s secretary, said, “To an impoverished country which had become religious and serious-minded, the sex attitudes of the post-war period became grotesquely unreal and antedated. The public at large wanted to forget its own derelictions of the ‘gay twenties.' The stage was set for the moral crusade.”

In 1936, once the Code was being fully enforced on filmmakers by Joseph Breen, a letter was issued by the office of Pope Pius XI that praised Breen's work, and encouraged all good Catholics to support film censorship.

The letter read in part, "From time to time, the Bishops will do well to recall to the motion picture industry that, amid the cares of their pastoral ministry, they are under obligation to interest themselves in every form of decent and healthy recreation because they are responsible before God for the moral welfare of their people even during their time of leisure. Their sacred calling constrains them to proclaim clearly and openly that unhealthy and impure entertainment destroys the moral fibre of a nation. They will likewise remind the motion picture industry that the demands which they make regard not only the Catholics but all who patronize the cinema."

Basically, this letter was a reminder from the Papal authority that bishops and priests are supposed to stop people from engaging with "lewd" or "obscene" art. That meant supporting things like the Hays Code.

So, to summarize: the original text of the Hays Code was written by two Catholics, including a priest. The biggest and most aggressive censor under the Code was a Catholic man, who had the full support and approval of the Pope at the time. Good Catholics were called en-masse to support the Hays Code, because it was intentionally written to line up with Catholic teachings.

There's a lot more to say on the subject, and if you're interested in reading more on your own, I recommend the book "Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930-1934," by Thomas Doherty. There are plenty other sources I can recommend on request, but that's a solid place to start.

(And if I can toot my own horn, I'm intending to do a video lecture series all about American film censorship and the Hays Code. Pledging to my Patreon helps keep me fed and housed while I do all this damn research.)

[steviewashere]

Welcome Home

Rating: Teen and Up Pairing: Steve Harrington & Wayne Munson, Pre-Steve Harrington/Eddie Munson CW: Implied/Referenced Child Abuse (Not Graphic But Prevalent), Referenced Period Typical Homophobic Slur(s), Referenced Drug Use (Recreational Use of Marijuana) Tags: Post-Canon, Post Vecna, Angst and Hurt/Comfort, Wayne Munson is a Sweetheart, Steve Harrington is a Sweetheart, Wayne Munson Takes Care of Steve Harrington, Good Parent Wayne Munson, Steve Harrington has Bad Parents, Coming Out, Steve Harrington Needs a Hug, Steve Harrington Gets a Hug, Pre-Steve Harrington/Eddie Munson, Eddie Munson is a Sweetheart, Al Munson is a Bad Person

Read the content warning!!

🫂—————🫂 He knows the person he wants isn’t home. But Steve can’t afford to stall any longer. If he continues to wait out in his car, it’ll probably be towed, and he’ll be arrested, and he won’t have the person he needs to bail him out. It’s not like he can just turn the car around, though; make his way back home.

Home doesn’t even exist anymore. It took one night where he thought he was alone, because he was always alone, for them to come back and see him. See him with another boy. Not experimenting, because he knows damn well who he is. But making semblance of love, because he’s been desperate enough for it his entire like. Now that he had it, or something as close to it as he can get from a late night cruising pull, it’s even farther away.

Yeah, maybe he should’ve rain checked. Maybe he should’ve bought out a motel room for the night. Maybe he should’ve just entertained himself with his own hand and the wrinkled magazines that Eddie smuggled for him.

Speaking of Eddie, he’s not here. His government replaced van isn’t parked outside the new Munson’s trailer. Only Wayne’s is. And he’s not sure if he’s ready to face another adult. He is an adult, he knows this, but sitting behind the big wheel of his car—his hands look like they belong to a child and looking at himself in the rearview mirror, it’s like matching gazes with ten year old him; wide-eyed, afraid, and forced against his will.

He is afraid. And maybe he should just let himself feel that. But he doesn’t have the time or the energy or the gall. So he shuts his engine off, hauls an old duffel bag over his shoulder, and makes the arduous journey that is the thirty second walk up the front steps.

Knocking, he swallows his pride. Every part of him is lost and disorganized. He didn’t style his hair. And he couldn’t grab his belt from where it had been kicked under his bed in panic. His shoes are untied. There’s also a large hickey at the base of his neck, unhidden by the stretched collar of some ratty maroon t-shirt he thought he tossed years ago. It’s stark against him in the reflection of the nearest window. He can also catch the dark bruises left on his biceps—grabbed by his dad when he tried to make an initial escape. Maybe he should’ve risked the arrest.

The doors open rather quickly, though. And through the screen, a plume of smoke pools over him from—what smells like—a stale joint. Wayne Munson stands on the other side with tired eyes and a pinched mouth. He’s dressed down in flannel pajamas and has that joint between his fingers. All his movements are slow as he takes Steve in.

“Eddie’s not home right now,” he states instead of offering a greeting. “Is there something I can do you for?” His eyes dip low from Steve’s. Following down the stretch of his neck, where it’s tense and rigid, over that hickey. Pauses momentarily. And then continues to look around, over, down—right up until he notes the bruises on Steve’s arms. “You…Uh…You making a runaway from a bad date, kid?”

Steve swallows. It stings a bit, though not from the hickey. When he closes his eyes to gather his words, he can almost feel the hand around his throat—the wedding ring cold over his wanted bruise, but the red hot spray of spit over his forehead. All as he cowered against his bedroom wall, tense to the floor he stood on, praying that his dad would make it quick.

He’s shaking, he knows. Trembling something minute that, hopefully, Wayne won’t pick up on. “Good evening, Mr. Munson,” Steve greets quietly, voice quaking. “I—I’m sorry to intrude, but I don’t know…There’s nowhere else I can go right now.” He peels his eyes open and peeks up through the screen door. Wayne’s eyes are the size of saucers when they lock stares. He hefts the bag over his shoulder higher, there’s a warm ache through his upper back. Slammed against the wall; remember, he reminds himself.

The screen opens wide and Wayne gestures over to the couch. “Leave your stuff by the door, kid.”

He steps through, plops his bag by the small breakfast nook, and chucks his sneakers to mingle with the pile. Then, he just stands in the doorway. Wayne’s off of his right shoulder. Towering over him a bit, but warm and solid. Steve knows he doesn’t have to be afraid, yet something in him skitters when Wayne’s left hand rests gently on his lower back. “Have a seat,” Wayne murmurs, “you’re shaking like a leaf.”

Acknowledging, without words to say, Steve nods. He shuffles over to the sofa and sits on the farthest cushion on the right, where he tends to settle when he comes over.

“You eat?” Wayne asks.

“No,” Steve mutters, “my dad didn’t give me enough time.”

“You like pepperoni on your pizza?”

Steve nods. “Anything except mushrooms, sir.”

“Wayne,” he says softly over his shoulder, “that’s my name and you wear it out all you like. I ain’t your daddy.” Steve just grunts in response, watching warily as Wayne orders them some food.

When he’s done, Wayne faces him again, leaning against the edge of the dining table. His joint has long since been put out, resting warm in the ashtray on the same table. Steve leans forward on his cushion, hands dropped between his knees. His hair falls limp in front of his eyes, but he doesn’t care. Nothing matters now, does it?

“I’ll only be here a night, promise.” His shoulders hunch inwards. That ache back and persistent. And he knows wherever he sleeps, be it on the floor or the sofa or even in the grass outside, he’ll just wake up hurt. More than just physically. “I know that there really isn’t space for me here and I…I don’t know. I’m not expecting you to take me in just because I get myself in messes.”

For a moment, the room stretches with silence. Going diagonal with the former words.

Then, Wayne takes a deep breath. Shuffles over to a dining chair. And plops down, watching. “You mind telling me what happened?” He asks gruffly, though not pessimistically. “If you’re in trouble, I can only let you stay here a night.”

“Depends on what you view as trouble, Wayne.”

Wayne narrows his eyes, twisting his mouth. His left hand rests on the surface of the table, fingers stretched towards the ashtray and the discarded lighter next to it. “Illegal shit. Anything that gets you in trouble with that Powell bastard. Not including weed. That’d make me a hypocrite, and that’s one thing I ain’t.”

Again, Steve nods his agreement, the acknowledgement. He fidgets with the tips of his fingers. Nails digging into the fatty parts, turning them white with pressure. “I didn’t do anything illegal, swear. Just did something stupid.” Warily once more, he eyes Wayne. “How do you feel about Reagan?”

“That man can rot in hell for all I care.”

He chuckles, despite everything. Then, he takes a sobering breath. “I had a…I picked up a boy tonight. Because I wanted to have—We were going to have sex, to put it simply, Mr. Munson. And I took him to my room, thinking I’d be alone for the rest of the night…”

“And you weren’t,” Wayne states, not asking. What questions need to be asked to an admittance like that? Steve nods, mouth pinched and eyes shiny. “I’m guessing your folks came home.”

“Yeah,” Steve whispers just loud enough to be heard. “I must’ve made a…noise loud enough to be heard downstairs. And my dad had just come home. And he…maybe the boy also made a noise, I don’t know. But one thing came after the other, and the next thing I knew my dad had gripped me on my arms and threw me against the wall and I thought he was going to kill me dead right in my own room and he was spitting about…he called me a-a fag and a fairy and I…

“I didn’t fight back. I didn’t speak. I was so scared. I am scared, Wayne,” Steve admits, voice trembling and his nose burning. “All I could do was take it.”

Carefully, Wayne extracts himself from his seat and situates himself on the coffee table. Right in front of Steve. “Where all did he hurt you, Steve?”

He swallows, remembering. “My arms,” he mutters, pointing, “and my neck and…he dropped me down on the ground and while I was reaching for my shirt, he got me on the ribs.” Narrowly, he misses Wayne’s furious gaze. Instead, he finds a shiny blank spot between mugs on the far wall. “He was so furious he didn’t even take his dress shoes off by the door,” he meekly states, “and he didn’t stop until my mom screamed at him to at least let me grab some of my stuff. She told him it wouldn’t be worth it, and I quote, ‘to murder our son.’ He told her that I wasn’t his, but he let me leave.” 

He’ll never thank his mom for that, but at least she granted him grace. Though, she didn’t look pleased either. Her face set and jaw clenched. He knows that if she had the chance, when he wasn’t in earshot, she would’ve said the exact same thing as his dad. Steve withers further at the thought, if that’s even possible.

“I’m just lucky that I’m not dead, right?” He adds a moment later, face wet with tears and throat thick with grief.

Wayne sharply inhales. “You’re safe here,” he says lowly, “just as Eddie is. You’ll forever be safe here, I promise you that.”

Steve’s eyes cut back to him. That ferocity in his gaze like a warm blanket over Steve’s shoulders, something he can cling onto and believe. “You know about him?”

“You’re not the first kid to run here from their daddy,” Wayne utters.

Something in Steve’s stomach twists slowly. His chest crackling with those words. Remembers when Eddie Munson was out of school for a week in eighth grade. When he came back: long sleeves in late May, hair shaved close to his scalp, heavy eyes, and new silver scars over his knuckles.

“I’m not…”

“Eddie would never cut his hair voluntarily,” Wayne states, voice grim.

Steve looks down at his lap, fingers picking nervously at each other. He murmurs, “I’m safe here,” but more of a reminder to himself. He’s not sure if he’s had a promised safety in years. All the stuff with Vecna and the Upside Down and now his dad—which never started with tonight; it had been growing to that, always something small like a slap to the wrist or a dull smack to the back of his head, but his life had never been almost choked out of him. He never feared, just always worried.

God, he always worried. And now here he is, trembling with his tail between his legs.

The silence stretches between them after that. Wayne gets up at some point to pay for the pizza, gather a couple plates, even relight his half-gone joint. And in the time it takes him to sit back down on the sofa with the food, Eddie comes back.

He tumbles through the door, a thousand words spilling out of him, coat hanging off of his elbows, and one shoe already stepped out of. He’s a whirlwind of movement and thing after another after another. But then he spots them on the couch; Wayne eating slowly and Steve curled nervously, face turned away from the door. “Aw man,” Eddie drawls. “Sharing pizza and weed without me? You guys always have all the fun when I’m not here.”

“Ed,” Wayne mutters, “we need to have a conversation, alright?”

Steve peers over, just as Eddie’s eyes widen.

“Did I…Is it something I did?” Eddie murmurs, voice falling meek. “Is everything okay?”

He can’t help but try to hide further. Flinching into himself, eyes closing on their own accord, cheeks flushed, and lips trembling. Tries to pinch the bridge of his nose, but he’s already opened the waterworks once tonight—they’re not going to close up again just from this. He looks to Wayne, eyes pleading for him to explain. He’s so tired of having to digest this, let alone regurgitate it.

“Come sit in my chair, Ed,” Wayne says, gesturing to the brown chair near the window. He waits until Eddie does what he’s told, sitting slowly and looking at them with his too big, concerned eyes. His eyebrows raise, even Steve can make that out through his blurry vision, waiting for some sort of explanation. “Okay, I need you to listen and not ask questions. No interruptions unless I ask you to respond, you got that?”

“Wh—Yeah, Wayne. I’m all ears; you’re freaking me out.”

Wayne nods gently, his left hand out in a placating manner. “You remember, I mean you most definitely do, but do you remember when you had to come here all those years ago?” He asks softly. Eddie acknowledges by nodding, nothing more. “Steve is going through something similar,” he explains gently, “and I’m letting him stay. If you want to know the specifics, that’s something that you’ll have to hear when Steve’s ready, got it?”

Eddie inhales slowly. His face gaining that same furious ferocity that Wayne’s had. But then he looks to Steve and all the hard features of his face soften. Back to something familiar and warm and homely. “Stevie?” He ventures. “You okay?”

He shrugs. Answers thickly, “I don’t know.” His cheeks wet with more tears and he roughly wipes them away with a shaking hand. “I don’t…I thought they loved me? Even just a little bit.”

Warmth crowds him as Wayne lays a firm arm over his upper back, hand wrapping around his right shoulder, just missing his bicep. “Eddie? Why don’t you clean up a bit in your room for his stuff? Get some new sheets on your mattress, too. Think he could use a sleepover, that alright?”

“Course,” Eddie answers almost instantly, voice soft and calm. “I’ll set out some pajamas, too, Stevie. You want a sweatshirt or a t-shirt?”

Steve sniffs and swallows heavily. “Sweatshirt, please.” 

Slowly and carefully, Eddie comes over towards the couch. He places a gentle hand on the back of Steve’s head. Thumb running up and down at the base of his skull. “I’m sorry, sweetheart,” he murmurs, “we’ve got you now, though.” And with that, Eddie retreats to his bedroom, the door clicking softly behind him. The rustle of things being moved around ever apparent through the thin wood.

Wayne clears his throat and pulls Steve in a little closer, tighter. He says close to Steve’s ear, “We love you here, you got that? You have no reason to hide yourself or sneak around or try and fit yourself in a box.”

He nods minutely. “M’kay,” he mutters, “I’ll try and find another place soon, I promise. I just don’t have the money—“

“Nonsense,” Wayne states steadfast, “this is your home now. And I won’t have it any other way.” He pulls back just enough to make them lock eyes again. The air smells of grease and weed and Irish Spring. Amber light flooding around them and dim enough to not hurt his head. Everything around him is soft, gentle. It feels like home. Wayne holds him by the shoulders, firm but not suffocating. “Don’t tell Eddie I said this,” he whispers, “but he doesn’t shut up about you. He’d kill me if I didn’t let you stay and I’d beat myself up about it. As long as you stay true and playful with my boy, then you’re my boy, too. You hear me?”

Steve’s eyes blur again and his nose stings and he wishes that he could stop crying, but this is nice. The warmth and the love and the tenderness. He could burn alive from it and still be grateful. It’s so much better than the lonely, cold sprawl of his parents’ house. A house he never thought he’d leave.

“I hear you,” he musters.

“Good,” Wayne murmurs. “Why don’t you go use up some of the hot water and take as long of a shower as you want? I’ll get your things into Eddie’s room and—don’t tell that Powell bastard at the station—but I’ll roll something for you, if you want it.”

Despite everything, Steve finds himself laughing from his belly and smiling enough to ache his cheeks. “Yeah, okay,” he agrees. “Warning, though, I’m really annoying when I’m high.”

“Then annoying you’ll be,” Wayne gets out around a chuckle. “And keep smiling, boy. You ain’t got a thing to worry or fear here. Even if your daddy comes running on over, I’ll make him leave just as fast with his tail between his legs, swear it.”

His smile relaxes to something soft, a ghost of a thing. He leans forward and hesitantly wraps his arms around Wayne, relishing in the hug that he gets in return. “Thank you,” he says, muffled into Wayne’s pajama shirt, “think you literally saved my life tonight.”

“You’re a good kid, Steve,” Wayne murmurs, “you’re always welcome in my home.”

He knows he’s crying again, a gentle and silent thing into Wayne’s shoulder. And yet, despite everything, he’s lighter.

Later, he tells Eddie all that happened and is held close, a hand in his hair and fingers tracing over his trembling shoulders. Later, Wayne will make a grand breakfast spread to celebrate new family. And even later, Wayne’ll crack a joke about no funny business while he’s sleeping. But Steve will know, through the tired and playful glint in Wayne’s eyes, he’s all too happy that Steve and Eddie figured themselves out.

For now, though, Wayne hands him a clean, soft towel. It’s dark green and well loved. And he knows, too, that his soul will eventually look just like that. And just like the towel, he soaks it all up. Including the warm, “Welcome home, son,” Wayne says before he closes the bathroom door.

🫂—————🫂

[jokeroutsubs]

📝ENG Translation: Elle Men Special: A Fashion Odyssey with Kris Guštin

Article written by Ajda Gregorc, published in the November/December 2024 ELLE Slovenia Magazine. Print and digital versions of the magazine are available for purchase.

Scans and English translation by @kurooscoffee, review by @weolucbasu and a member of JokerOutSubs, proofread by IG GBoleyn123.

Full article translation, scans, and Spotify link are under the cut 👇

🎧 Article available in audio form on Spotify.

Elle Men Special: A Fashion Odyssey with Kris Guštin

With Kris Guštin, the music author and guitarist of Joker Out, we escaped to another side of music, and with that, to his other passion. We talked about style and everything connected to it. There will also be no shortage of this in the band's third album, titled 'Souvenir Pop', which is released on the 15th of November—one week after the issue of Elle you’re holding now. How perfectly synchronised we are!

PHOTOS URŠA PREMIK, STYLING ALENKA BIRK

At Ljubljana’s Moderna Café, on a fresh but lovely autumn Tuesday, when everyone’s still at work or in school, he arrives in a dark green jacket with a checkered pattern, awesome trousers, and her necklace. This time, the menu is not serving music and life, but matcha and "all things fashion." I’m in a regular trench coat and a white T-shirt, but luckily he doesn’t judge people by their style—instead, the style might be what piques his interest to converse, if it's good, of course. Besides, he's the one being interviewed. So, let’s begin! AJDA GREGORC

Interviewer: When did you first discover your personal style or the field of fashion? Was it in childhood or a bit later?

Kris: I roughly divide my life into two periods: before I first held a guitar, and after. When I really got into playing and ventured into music, my world opened up in all areas. Discovering fashion definitely falls into this second period, so the post-high school era. To be completely honest, my style in high school wasn’t something I’m particularly proud of today. (laughs) My girlfriend and I still have a photo of me wearing cargo pants and a black sweater, which is a proof she truly loves me, since that look was far from the best choice. (laughs)

When did it evolve from just a aesthetic impression to self-expression?

My first contact with fashion as a form of art or expression was during our band's first music video or fashion shoot, when I realised that this is also something you need to consider as a musician. At first, it seemed to me like a fairly peripheral element, but as our career developed and we met new people who gave us more insight into this, I began to understand its significance, what I could personally gain from it, and what we as a band could gain. This quickly developed into standard practice. I was increasingly exposed to fashion; we had more and more costume rehearsals and stylings, and two years ago, we even got our first proper stylist. And then I really committed to it—at around nineteen or twenty. Before that, my philosophy was always to "just wear whatever I first find in the closet," but then I shifted to "I'll wear things that would make me stand out from others". But this process was a long one.

So, your style development with the band inspired your personal growth too? I’ve always wondered if a young person is compelled to mature in every area when so many 'big things' happen all at once, as they did for you.

Maybe you do "grow old" in terms of personality sooner. Yes, at first I wanted, and still want, to primarily express the difference or uniqueness that I feel inside myself through music, but then I discovered that this goes very much hand in hand with fashion, so I started looking for my expression there as well. Today, it's almost an equally important part of my day.

Which fashion ideas or directions attract you? You’ve probably encountered a lot of inspiration during your travels on tour, right?

Definitely, but speaking purely origin-wise, I think I’m just like any other rock musician—we draw from the rock aesthetic of the ’60s and ’70s, which was also very "in" when my fashion awareness was born. Back then, around 2016 to 2018, here were a lot of flamboyant shirts on the music scene, with a slight hippie influence, which was the starting point. Only later did I start getting interested in slightly more modern clothes. When I was younger, I found myself in street fashion, that sort of Eminem-esque, hip-hop vibe, so very baggy clothes, which I then began to reject when I made the shift toward the ’60s and a slightly psychedelic aesthetic. It makes perfect sense, as humans tend to jump between extremes. When I had worked through that style, I started discovering the aesthetics of the ’80s and late ’90s, which was also reflected in music at the time. The best example that comes to mind is Dua Lipa’s previous album, which was in the style of the “new ’80s,” and the fashion matched that as well. Today, the early 2000s style has come back, but I haven’t fully decided whether I like it or not. As a musician, I was, of course, initially inspired by other music groups. Arctic Monkeys were a big inspiration for us both musically and visually, as was the whole British rock scene, including bands like The Kooks and Oasis. That entire aesthetic has always been strongly present with us. I doubt there’s a single inspiration board at our shoots that doesn’t include a photo of one of those bands or, for instance, the Beatles. And that aesthetic has always been close to my heart, too.

Rockers have always been associated with more masculine fashion elements, while in recent years, many male musicians have been experimenting with more feminine style elements (for example, Harry Styles and Lenny Kravitz). David Bowie was already the one who back then started to blur these fashion boundaries. You, too, wear such pieces and dare to stand out with them.

It happened quite naturally, as the stylists we worked with always chose slightly more “unmanly” clothing for me. This doesn’t necessarily mean women’s clothing, but rather somewhat more androgynous pieces, which I quickly embraced. I found them interesting and appealing because there’s a lot of fresh expression in that style that I don’t find in traditional men’s clothing, though I don’t want to overdo it. I also started experimenting with them personally, choosing many more varied colours. For a while, I was very fond of pink, and lately, I’ve been playing around with orange. On the cover of the album 'Demoni', I wore an orange-pink sweater.

Are we, as an audience here, already mature enough for a musician to present his feminine side through fashion? Does that require courage?

It does, there will always be people who won’t understand you. But for me, when it comes to the stage or a shoot, I’ll wear anything, and if I feel good in it, I don’t worry about what someone thinks. When I walk around "in civilian clothes," however, especially in Ljubljana, I am still aware if I’m dressed somewhat "untraditionally." There’s a certain boundary that I still need to break within myself. On stage, it’s easier because it’s not necessarily a hundred percent my expression; I’m playing a certain character, but personally, sometimes I do need some courage to show up in a particular style. However, the awareness of being different is stronger in Ljubljana than in other parts of the Western world. For example, I never felt that way in London, but still, our capital isn’t the worst when it comes to this.

Speaking of influences, what about other artistic or cultural movements?

I love art deco, the aesthetics of the '20s and '30s, though it doesn’t influence my daily life. In terms of photography, Damon Baker’s black-and-white style is beautiful. The vintage camera aesthetic has recently won me over, which will also be reflected in our band. Musically, over the past year, I’ve been listening to old Italian chansons and older French music, chansons as well, so I’m clearly feeling very retro this year. (smile)

Will the third album visually stand out from the previous ones then?

Yes, it will be very different. In the last two, we used a lot of colours, but there won’t be as many in this one.

Style can be an excellent tool for expressing an artist's authenticity, but with increasing success, the artist can also become its slave; the line is thin. Do you ever feel the pressure of having to express your fashion style in your private life as well?

No, I’ve never felt like my style owns me; it’s always been the opposite. I’ve always felt like I want more, like I want to dress even better than the day before, especially when it comes to my music career. Perhaps style only hangs over my head a bit when I have no inspiration and would rather wear sweatpants on an ordinary, relaxed day. There’s nothing wrong with that, of course, but then I do think about what would happen if I ended up somewhere in the middle of the city dressed like that.

It seems that Joker Out has developed a distinct style despite outside influences.

Yes, today we are already very complete in our style. Others have definitely had an influence on us, and I think it’s great that each of them tried to express themselves through us – it was interesting to experience how Joker Out was seen by Ponorelli, and how Andraž Drobnič or Karlo Kirri did. Of course, there is a difference in this, but it also aligns with the development of our music and aesthetics, so all these influences are very welcome.

How much of your personal fashion identity is therefore reflected in Joker Out?

Maybe, as someone who is not an external observer, I can't answer that, but I can say that I was always one of the first to give feedback to the stylist when we were creating our outfits, approving moodboards, and so on. So, I have definitely shaped our style in a direction that suits me. On certain "blind stylings," when we just dressed up, I quickly threw something on myself and then helped look for pieces for the other band members.

What about this photoshoot, where Alenka Birk took over the styling? Did you let her take the lead with her tactics, or did you collaborate on fashion choices? How did the communication go?

I didn’t know Alenka, who, by the way, is an excellent stylist, before. She was recommended by Urša (the photographer, ed.). Later, she confided in me that she had also worked with my father. Alenka focuses on elegant men's fashion, which is a departure from this more fluid fashion; and this suited me because I had never really been photographed in a men's suit, jacket, and tie. I wanted to try something new. I hadn’t seen the outfits before the day of the photoshoot when we met in her small studio in the morning. There were nine of them in total, and we only swapped out a piece or two in at most three of the looks.

This is more of an exception than a rule in fashion photoshoots. Does that mean you felt good in them?

Yes. In some more so, obviously, but in others, you have to trust the people you're working with. When I first look in the mirror, I always keep in mind that if something isn't optimal, it doesn't mean it won’t work well on camera. Even if the pants are too short or creased, it's still worth photographing them, because the photo can be edited later, whereas on stage, it's a different story, and everything has to already be perfect in the mirror. Working with Alenka was very simple; we clicked really well, and I will definitely work with her again.

How linked are your confidence and the way you feel on stage with your styling?

Very connected. As a musician, you want to enjoy yourself as much as possible on stage, and the people who come to listen to you and pay for the ticket deserve to see you at your best, which means you have to feel good in every aspect.

You recently attended Ljubljana Fashion Week. Which of the local fashion designers do you like to follow?

As far as the Slovenian fashion scene is concerned, I’m still quite the beginner, so I only knew the designers we had worked with. This was my first time visiting the Fashion Week.

Which shows did you watch?

On the first day, all of them. I didn’t like everything, but what stuck in my mind was Sarivalenci¹ with their somewhat "country club", Lana Del Rey vibe, and golf moment. I also really enjoyed the Belgrade Fashion Week, as there was an obvious Balkan touch, which I would love to see more of in Slovenia.

¹Sarivalenci is a Slovene high fashion brand created by fashion designer Sari Valenci.

You are a fan of vintage clothes and second-hand shops. What do these pieces have for you that new ones don't?

Honestly, I don’t know if there’s an objective explanation why. I started getting into it because it was popular, and at the same time, it gives you the feeling of getting a more unique piece. At the same time, you're shopping sustainably and not contributing to the production of unnecessary new textiles on Earth, which is great, but I would be lying if I said that’s my main motivation. What I like the most is the experience of "flipping" through clothes, where each piece is different, like a treasure hunt, compared to regular stores where you "flip" through the same clothes in different sizes.

Did your mum, who comes from the Netherlands where people have been aware of this for many years, introduce you to this concept?

I wouldn’t say we talked much about it at home, but I literally lived it. This is probably true for Slovenians in general – almost all the clothes I had as a child were from older peers, or I would take something from my dad, too. When I was done with wearing the clothes, my brother would wear them too. Every piece of clothing that came into our house was passed around, which is a great practice, and it’s still like that today. My sister "stole" half of my sweaters, my mum sometimes takes something too, Maks borrows jackets from my dad, which I’ve also done myself. It's like we all share one big closet! (laughs)

So you have influenced each other’s style in your family, or rather, you still do so? Who has otherwise had the most influence on your style in the past, and who does today?

I don’t remember ever looking at my parents as role models in this regard, as I didn’t really think about it back then, but they definitely influenced me, at least subconsciously. When I see how my mom dresses today, I see parallels with my own style, so she probably did influence me, perhaps more than my dad. As for street style, which I mentioned at the beginning, it might have been inherited from my uncle, my aunt’s husband from the Netherlands, who wore loose sweaters and listened to hip hop. My mum also had an uncle from the Indonesian side of the family, whom I never met, but he was very eccentric. Some of his clothes made their way to us over the years, and when I looked at these pieces in the closet, I was fascinated by how they reflected his personality. Asian fashion became a bit closer to me because of this, and I might even explore it someday.

The heart necklace you wear all the time, even today, is from your girlfriend. Do you ever dress your girlfriend or does she dress you?

My girlfriend is very fashion-oriented and has played a big role in my fashion development. She has always encouraged me when I tried new clothes that, at the time, seemed more radical to me. In this way, she partially shaped me. We also really enjoy shopping together. She dresses me more often than I dress her, which means I ask her for opinion. There have also been times when we’ve dressed the same when it comes to basic pieces; we’ve never really styled each other, but there will probably be time for that in the future.

Where do you like to go for vintage pieces in Ljubljana? Did you find any gems while on tour across Europe?

Textile House Vintage Shop is, in my opinion, by far the best in Ljubljana. The next one is Humana on Stritarjeva street, where I find something every now and then. Abroad, we’ve visited many vintage shops in Dublin, Paris, and London. In the latter, I always go to Brick Lane, which is a street with vintage shops in the east side of central London, where the more hipster area starts. The downside is that it quickly becomes quite an expensive experience.

What kind of information can you deduce about a person based on what they’re wearing? Who, in your opinion, is truly well-dressed?

A person’s style is never a reason not to engage in conversation with them, but it is a very strong stimulator of my interest in that person. If I think someone is really well-dressed, I automatically assume they might think similarly to me and be interested in the same artistic, musical, or visual directions, so I’m more eager to talk to them. However, I’ve often met people who didn’t seem interestingly dressed, and later realised they were amazing people, even if they dressed completely casually.

Your audience expresses itself very differently in terms of fashion, as your parents also mentioned in a recent interview for Elle. How do you as a band perceive this?

Yes, what they meant was that it is no longer the case that you have to be "appropriately" dressed for a rock concert. When we observe the audience from the stage, I would say that the most typical thing for our time is that we are no longer genre-bound. Not just musically, but also in terms of fashion. 30 or 40 years ago, you would see people at a rock concert in leather jackets, black shoes, and jeans, and that was it. Today, you have flamboyant outfits with blue and green hair in one corner, gothic style in another, and of course, people in simple t-shirts and pants somewhere in the middle. And no one feels like they don’t belong; everyone sings our songs, and that’s really nice.

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