#timber lined eave

[gpptraining]

Melbourne Deck Pergolas Outdoor kitchen deck - large contemporary backyard outdoor kitchen deck idea with a pergola

[salainen]

Melbourne Deck Pergolas Outdoor kitchen deck - large contemporary backyard outdoor kitchen deck idea with a pergola

[macalaelliottphotography]

Pergolas Melbourne Outdoor kitchen deck - large contemporary backyard outdoor kitchen deck idea with a pergola

[downtuwn]

Outdoor Furniture

Once the weather conditions are good and also approving with regard to moving outdoors, there might be nothing more comfortable and also pleasant when compared with utilizing your garden furniture to wind down together with your family members as well as friends. From a challenging daily operate, it becomes difficult to click here keep indoors as it provides a sense suffocation and it is organic to get rid of totally free of the limits of your home and experience your garden furniture you have to have chosen specifically for this kind of goal.

Outdoor Furniture Items

You'll find different types of backyard outdoor furniture like seats, furniture, parasol, a picnic kitchen table, extended chairs along with a back garden sleeping sack. Another types of patio furniture which might be specially built to will shield you from unfavorable weather conditions consist of specialized umbrellas which might be helpful for protection from sunlight, back garden parasols that offer hue as well as specific parasols which can be found in the centre of the particular stand via a hole. Several parasols are put forever having an integrated attach and a heavy bottom inside the making. In the cool time of year, deck heating elements might be mounted completely on the eaves and also patio roofs. These kind of heating elements make use of propane, fuel, bottled butane as well as electrical power to operate all of them. Flip-up outside fire pits as well as fire bowls could also be used for heating.

Varieties of Outdoor Furniture Materials

Timber furniture for your garden along with metal garden furniture includes the most typical types of patio furniture. Aside from the utilization of wrought iron and bamboo, outdoor furniture is also created from natural fiber, aluminum as well as plastic-type.

Bamboo outdoor furniture is actually durable and stylish nonetheless it has to be managed often due to the exposure to rain, warmth and also compacted snow. However, teak wood can tolerate Candice decay that can place due to ill effects of water that might result in decaying, puffiness as well as warping. Teak wood is also highly proof against chemical substances like alkalis along with acids. In the event that teak wood furnishings are often given an impressive natural skin oils, the bamboo are able to withstand the cruel climate.

Plastic material patio furniture goods might be held in the open for a long period of energy simply because plastic material isn't affected by water. Wickerwork furniture had been actually constructed with the particular originates regarding hands that exist within the tropical locations however these days, it can be constructed with artificial plastic resin, which usually reduces the cost and also boosts the lifetime of the piece of furniture.

Rates of outdoor furniture & bbq grills depend on the pad used to make sure they are. You will need to surf distinct websites in which market outdoor furniture and select the best website that gives a wide variety regarding home furniture pieces of various patterns, colors, styles and materials. It is vital to check the values of different on-line companies and judge one that suits your financial allowance and also you like.

[zvetenze]

Jovanovića Kuća from southwest

Pirot, Serbia

The Jovanović house (also known as the Hristić house or Jovan Risto house) is framed in timber, the ground floor infilled with brick and the upper with catma (wattle and daub). Horizontal and vertical edges and eave lines are emphasized with carved wooden trim. Some sources ascribe the high-quality carvings in this house to the famous "Debar school" of itinerant woodcarvers from Macedonia. The glazed central bay projects outward, providing cover for the garden entrance. (photo 1988)

[possumremoval3]

Mickleham Possum Control: Fast, Safe, and Effective

Possums are a unique part of Australia's natural environment, but when they invade our homes or properties, they can become a serious nuisance. In Mickleham, possum control is essential to ensure the safety and comfort of your property while adhering to local wildlife laws. This guide provides a comprehensive look into the best practices for fast, safe, and effective possum control in Mickleham.

Why Possum Control is Necessary in Mickleham

Possums can cause significant disruptions when they infiltrate urban areas, particularly in homes, gardens, and commercial properties. These issues include:

Property Damage: Possums are notorious for chewing electrical wires, tearing insulation, and causing structural damage.

Noise Disturbance: Possums are nocturnal creatures, and their movements in roofs and walls can disrupt your sleep.

Health Concerns: While possums rarely transmit diseases directly to humans, their droppings can harbor harmful bacteria.

Effective possum control ensures these issues are mitigated while preserving these native animals' wellbeing.

Understanding Possum Behavior

Types of Possums in Mickleham

The most common possums in Mickleham are the Common Brushtail Possum and the Ringtail Possum. Each species exhibits distinct behaviors that influence how they are managed.

Brushtail Possums are larger and often prefer roof cavities for nesting.

Ringtail Possums build nests called dreys in trees or shrubs.

Possum Entry Points

Possums are agile climbers and can gain entry through:

Broken roof tiles

Gaps in eaves or fascia boards

Overhanging tree branches close to buildings

Signs of a Possum Infestation

Identifying a possum problem early can save you time and effort. Common signs include:

Scratching or thumping noises in the roof or walls at night.

Droppings resembling small pellets around the property.

Damaged garden plants or fruit trees.

Strong musky odors in enclosed areas.

If you notice these signs, prompt action is necessary to avoid further damage.

Effective Possum Control Strategies

1. Inspection and Assessment

A thorough inspection of your property is the first step to identifying the extent of the infestation and potential entry points. Key areas to check include:

Roof cavities

Wall voids

Nearby trees and garden areas

2. Sealing Entry Points

Once the possums are safely removed, sealing all potential entry points is crucial. Use durable materials such as:

Metal mesh

Timber panels

Silicone sealants

Ensure all repairs are completed before nightfall, as possums may attempt to return to their nesting sites.

3. Installing Possum Boxes

Providing an alternative habitat, such as a possum box, can encourage the possums to relocate peacefully. Place the box in a nearby tree to comply with local wildlife protection laws.

4. Tree Management

Trim overhanging branches and maintain a safe distance between trees and your roof. This prevents possums from using trees as a bridge to access your property.

5. Humane Trapping

In Mickleham, possum trapping must be conducted humanely and in accordance with wildlife regulations. Use:

Approved possum traps

Non-toxic bait such as fruit or vegetables

After trapping, possums must be released within 50 meters of the capture site to ensure compliance with local laws.

The Importance of Professional Possum Control Services

While DIY methods can be effective for minor issues, professional possum control services offer several advantages:

Expert Knowledge: Professionals understand possum behavior and can implement targeted strategies.

Safety Assurance: Handling possums can be risky without the proper equipment and training.

Compliance with Laws: Professionals ensure all actions are in line with Victoria's wildlife regulations.

Choosing a Reliable Possum Control Service

When selecting a possum control provider in Mickleham, consider the following factors:

Experience and Certification: Verify that the team is licensed and experienced in wildlife management.

Customer Reviews: Look for positive testimonials from satisfied clients.

Guarantees: Opt for services that offer warranties on their work.

Preventing Future Possum Problems

Regular Property Maintenance

Inspect and repair your roof annually.

Maintain gutters to avoid water pooling, which can attract pests.

Secure Garbage Bins

Possums are opportunistic feeders and can be drawn to improperly sealed garbage bins. Use bins with tight-fitting lids to eliminate this food source.

Use Repellents

Natural repellents such as garlic sprays or commercial products can deter possums from gardens and entry points without causing harm.

Legal Considerations in Mickleham

Possums are a protected species in Australia, and harming them is illegal. Always adhere to the following rules:

Do not use poisons or traps that could cause injury.

Ensure trapped possums are released promptly and appropriately.

Engage licensed professionals for any activities that might impact their wellbeing.

Conclusion

Effective possum control in Mickleham requires a strategic and humane approach to safeguard both your property and local wildlife. By following best practices—such as sealing entry points, providing alternative habitats, and engaging professional services—you can achieve fast, safe, and effective results. Remember, a proactive approach is the best way to prevent possum-related issues before they start.

[if-you-fan-a-fire]

"ONTARIO REFORMATORY BARNS ARE GUTTED BY FIRE," Toronto Star. August 3, 1934. Page 14. ---- Fire breaking out at the Ontario reformatory brick and tile plant in Etobicoke township to-day destroyed three barns and badly damaged the milk-house。 The live stock, which had been tied in the stalls for the morning milking, was rushed to safety by Guard Alfred Pearce, assisted by 15 inmates of the institution. Prompt response to the alarm by Mimico and New Toronto fire brigades prevented the further spread of the flames, but the dry hay which filled the lofts burned too fiercely to be checked with the limited water supply available. The blazing cow stable, where the fire was discovered in the loft, is shown above in (1). The horse stable (2) was a complete loss.

///

"BLAME FARM BUILDINGS LOSS ON SMALL MAINS AT PRISON," Toronto Star. August 3, 1934. Page 14. ---- Government Ignored Advice of Chief to Put in Larger Ones ---- LIVESTOCK SAVED ---- Had recommendations been carried out as urged by Mimico and New Toronto fire chiefs, who advised a larger watermain at the Ontario Reformatory brick and tile plant, two of the three farm buildings gutted by fire early to-day could have been saved, firemen stated.

The fire was discovered shortly after 5 a.m. by Guard Alfred G. Pearce, who, with the assistance of 15 inmates, got all the stock, harness and implements out of the blazing building as the roaring fire, which began in a haymow, was fanned by a breeze from the northwest and began to eat away the timbers.

The entire spring crop from the institution farm, which packed the lofts to the eaves, was destroyed, the cattle barn, where the fire started. and the horse stables, were burned to the ground, and only a thin shell of the piggery left standing.

Livestock Taken Out The shouts of Guard Pearce when he discovered the fire aroused A. E. Springstead, cattle man, who telephoned the alarm which brought the Mimico and New Toronto brigades, In less than five minutes, through the prompt action of the inmates on the milking and stable gangs, all the livestock was taken out of the burning building.

While the rescue work was going on, other members of the institution staff under W. Farrell, attempted to fight the rapidly-spreading flames, using a line of hose, two chemical machines and 20 hand fire extinguishers.

The Mimico fire brigade, closely followed by New Toronto, was the first to arrive and connect up the hose, but due to the small water main the pump could only feed one line up to 80 pounds pressure, which hampered the work.

Water Was Scarce The New Toronto fire-fighters were also hampered by the lack of water and could not use their pump with any degree of efficiency. The origin of the fire is unknown and the damage, which will be high, is as yet unestimated.

"Every man of the 15 Inmates working with me did his bit and worked hard. No one could have done any more than they did. The livestock was out in less than five minutes," Guard Pearce stated.

Forty head of cattle, 12 horses and about 50 pigs were taken to safety. The bull, disturbed by the fire and before it was tied. almost disputed the right-of-way with the racing New Toronto fire truck as it drew into the grounds.

When the fire was at its height, a dense pall of smoke was blown over New Toronto, bits of charred wood and ashes falling in the streets over a mile away.

"We could have saved two bulldings if we had had enough water" Fire Chief William Spindler Mimios, told The Star. "We couldn't draw enough water from the six-inch mains. Last summer Deputy Chief Waltes of New Toronto and I inspected the place and among other things asked that a larger water main, a 10-inch one, be laid, but the government didn't do it. There is the same condition at the Industrial school. They need new hydrants there too. The ones they have are only for 11-2-inch hose and that is of no use to us."

[certificateincarpentry]

Certificate III in Carpentry

The Certificate III in Carpentry prepares students for careers in carpentry by teaching essential skills and knowledge. They learn hands-on and theoretical training to build and repair wooden structures. Graduates are equipped for residential, commercial, and industrial projects. If you want to study abroad, Australia offers many institutes like Australian Health and Management Institute (AHMI) providing practical experience and industry skills.

Course Overview

This is a trade qualification for carpenters in residential and commercial workplaces. It includes setting out, manufacturing, constructing, assembling, installing and repairing products made using timber and non-timber materials.

State and territory jurisdictions may have different licensing, legislative, regulatory or certification requirements. Relevant state and territory regulatory authorities should be consulted to confirm those requirements.

Completion of the general construction induction training program, specified in the Safe Work Australia model Code of Practice: Construction Work, is required by anyone carrying out construction work. Achievement of CPCCWHS1001 Prepare to work safely in the construction industry meets this requirement.

Mode of Study

Students study full time mixed mode of delivery that integrates:

Face to Face, Online and Self Study Total of 20 hours per week.

self-study to revise and reinforce areas of knowledge, assessment research and assessment preparation and completion

Course Structure

Certificate III in Carpentry consists of thirty four (34) units of competency, comprising 27 core units and 7 elective units, in accordance with the packaging rules.

Core Units

CPCCWHS2001 Apply WHS requirements, policies and procedures in the construction industry

CPCCOM1014 Conduct Workplace Communication

CPCCOM1012 Work Effectively and Sustainably in the Construction Industry

CPCCCA2011 Handle Carpentry Materials

CPCCCA2002 Use Carpentry Tools and Equipment

CPCCOM1015 Carry out measurements and calculations

CPCCCA3025 Read and Interpret Plans, Specifications and Drawings for Carpentry Work

CPCCOM3001 Perform Construction Calculations to Determine Carpentry Material Requirements

CPCWHS3001 Identify Construction Work Hazards and Select Risk Control Strategies

CPCCCM2012 Work Safely at Heights

CPCCCM2008 Erect and Dismantle restricted height Scaffolding

CPCCCM2006 Apply Basic Levelling Procedures

CPCCOM3006 Carry out Levelling Operations

CPCCCA3002 Carry out Setting out

CPCCCO2013 Carry out Concreting to Simple Forms

CPCCCA3003 Install Flooring Systems

CPCCCA3004 Construct and Erect Wall Frames

CPCCCA3010 Install Windows and Doors

CPCCCA3005 Construct Ceiling Frames

CPCCCA3006 Erect Roof Trusses

CPCCCA3007 Construct Pitched Roofs

CPCCCA3008 Construct Eaves

CPCCCA3017 Install Exterior Cladding

CPCCCA3024 Install Lining, Panelling and Moulding

CPCCCA3016 Construct, Assemble and Install Timber External Stairs

CPCCCA3028 Erect and Dismantle Formwork for Footings and Slabs on Ground

CPCCCA3001 Carry out General Demolition of Minor Building Structures

Elective Units

CPCCOM1013 Plan and Organise Work

CPCCCM3005 Calculate costs of Construction Work

CPCCCM3001 Operate Elevated Work Platforms Upto 11 Meters

CPCCCM2002 Carry out Hand Excavation

CPCCCA3014 Construct and Install Bulkheads

CPCCCA3012Frame and Fit Wet Area Fixtures

CPCCCA3018 Construct, Erect and Dismantle Formwork for Stairs and Ramps

Entry Requirement

There are no stated entry requirements into this qualification

International Students

Must be 18 years of age or above at the time of enrolment

Year 12 or equivalent of Australian HSC

English Language Entry Requirements:

IELTS score 6.0 (with no bands less than 5.5) or equivalent Pearson Test of English (PTE).

Completion of the general induction training program specified by the National Code of Practice for Induction Training for Construction Work (ASCC 2007) is required before entering a construction work site. Achievement of unit CPCCWHS2001 covers this requirement.

Career opportunities

This qualification enables the student to seek employment in the following job roles:

Carpenter — Commercial

Carpenter — Formwork

Carpenter — Residential

Education Pathways

Further training pathways from this qualification may lead to any of the following qualifications:

CPC50220 Diploma of Building and Construction (Building)

Exit Point/Award

Students that successfully complete all 34 units of competency as stated in the Course Structure will be issued with CPC30220 Certificate III in Carpentry. This qualification is recognised nationally under the Australian Qualifications Framework (AQF)

Students that complete some but not all of the units of competency as stated in the Course Structure may be issued with a Statement of Attainment. It will identify only those units of competence that have been completed as part of the qualification and recognised nationally under the AQF.

Source:

[pestcontrolperth]

General Pest Spray Perth

If you have a general pest problem or if your home has been overrun by cockroaches, ants and spiders then we can help. Our General Pest Spray Perth is a comprehensive service that covers all outside areas of your single-story home and includes driveways, paths, garages, sheds, fence lines, patios, pergola’s, gazebo’s, gutters washing lines, BBQ’s, post box, eaves, downpipes and the roof void. It also includes internal treatment to all skirting boards and areas most likely to contain or harbour cockroaches (refrigerator motors, cupboard hinges, back of electric kettles, microwave ovens, bathrooms, kitchens). We use water based products so there’s no odour and it’s safe for kids and pets.

It is recommended to have a general pest spray at your property once a year from an experienced and licenced operator. This will control the cockroaches, ants and pests in and around your home and is the best preventative measure to keep these pests away for longer.

Allpest is a family run business backed by over 30 years of experience in the Pest Control Industry. We offer a high level of professionalism and customer service, with an emphasis on sustainability, honesty and integrity. All of our pest technicians are fully licensed and are trained to recognise the specific problems in your area, ensuring you get the best advice and treatment at the most cost effective price.

Termites are the most destructive pests to affect homes in Western Australia and without regular monitoring and treatment it is possible that you may not know you have a problem until it is too late, which can cause tens of thousands of dollars worth of damage. Jim’s Pest Control can carry out a thorough termite inspection at your property to check for evidence of termite activity within the structure and surrounding soil.

A yearly termite inspection is a critical part of maintaining your property’s value and protecting you and your family from the devastating effects of termites. With our specialised equipment, we can thoroughly inspect your property for any signs of termite activity and provide you with a detailed report with recommendations and advice.

The termite inspection is a visual inspection carried out by one of our experienced and trained pest technicians. This inspection will cover a 50-meter radius around your property and checks for any visible signs of termite infestation, including activity in the ground, in walls or under floors. The result of the termite inspection will be a full written report and recommendations.

For your peace of mind, all termite treatments and pre-purchase timber pest inspections offered by Jim’s Pest Control are provided with a three month termite protection warranty. This includes a free termite inspection and if found, a discounted termite treatment and re-treatment.

Half Price Pest Control will take care of everything your needs in Pest Control Services in Australia. Call our team today to book and Half Price Pest Control will help you to combat these creatures with speed, efficiency and at a cost that is the lowest in the business.

[scotianostra]

Old coach house.

Give me this wee place to live any time you want.

This is  on Hill Street North Lane, there are lanes all the way along the streets that run parallel to Queen Street to the North and George Street to the south, I really should walk them all again, maybe next time. Similar streets run either side of Rose street. 

There’s not a lot about this B listed property, I wonder if it is just a garage/workshop for one of the properties in the New Town. Historically the street was lined with mews properties associated with the townhouses of Hill Street, however, only one now remains, 37, there’s a newer property a few yards to the left that went up sometime in 2018, the foundations were only just being dug in May that year, as seen on google street view, and by the looks of it, they may have put a basement in it too. 

Of this property though British Listed buildings give us this;

Late 18th century. 2-storey 3-bay L-plan former coach house. Cream sandstone rubble. Garage to left at ground with concrete lintel and original relieving arch; cantilevered forestair to right with large rosette built into retaining wall at ground. At 1st floor, piend-roofed doorway breaking eaves at centre, with similar window to left; boarded hatch to right. Blank gables at either end (formerly part of row). Piend-roofed wing projects to rear at left.

Timber sash and case 12-pane windows. Ashlar coped skews; brick stack; grey slates.

ESPC, Edinburgh solicitors Property Centre say that it sold for £300,000 in December 2014. There’s a fenced of plot to the right of the spot that has (lapsed)  planning permission for a house, Savills priced it at offers over £275,000 here https://assets.savills.com/properties/FA59FB56-D65A-47C1-B926-F77FB82AA742/Hill%20Street%20North%20Lane%20Brochure.pdf

[ikesenhell]

Je Te Souviens

Elysium, Part Five. You can find all other IkeSen/IkeVamp works of mine in my Masterlist. NOTES: WELL WELL WELL IT HAS BEEN TOO LONG. Yes, I’m still working on this. Yes, it’s been a minute. Yes, I’m helaciously busy. Yes, I hopefully will get the rest of this out in a relatively short amount of time. I’m back-ish babyeee

---

The idea of meeting a priest as a bandit’s contact was, put mildly, somewhat odd. Did it border on heresy? Jean wasn’t quite sure. It didn't feel right. If the clergy’s first responsibility was to God, what was a priest doing tangled in this web?

Still--August gave a very clear direction. If they wanted answers, they met the priest. 

“I don’t like this,” he muttered. 

Napoleon’s eyes stayed fixed at some unknowable point in the distance, but the corner of his mouth ticked slightly upwards. “No?”

“No.” Jean squeezed the pommel of his sword. It was still there. Overhead, the sky bled purple and gold, grey swirling clouds far off yet. Their boots clicked in tandem on the cobblestone streets. Why were the streets so ghostly still? It was like Penrith only flourished in its twisted corners. People shrank along the walls, pulled up hoods and skittered into waiting doors.   

“We’re a bit obvious, don’t you think?” Isaac narrowed his blush-pink eyes at them, scurrying to keep up. “You two, all kitted out, me alongside you, and headed to the central plaza--”

Jean silently agreed. Between Napoleon’s typical dramatic flair (a black velvet capelet with a black and gold uniform coat? Really?) and his own distinct features, they attracted attention. It would be easy for the Guild to track them. But their fearless leader just smiled as he always did, fine lines of fatigue hovering around his eyes (did he ever sleep enough outside of his own bed?), and elbowed Jean in the ribs. “We’re going to church.”

Jean rubbed his side. “What?”

“Church. It’s been a moment since we’ve all been, and you certainly needed to drop in for a quick prayer…”

He contemplated the lie (which was a plausible scenario, but still a lie, and still a sin). It worked for cover. And as much as he didn't want to be here, sticking out like a sore thumb in the nigh-deserted streets, it brought them that much closer to whatever answers August promised. 

Speaking of August! Unbidden, those bright eyes flashed in his mind’s eye. An arch of severe brow, the twist of lip, the toss of copper curls, the curve of a rolling shoulder--Jean swallowed. Why did the scent of the street rise up and not their lavender soap? God help him. What did those eyes hold that dragged him in? Why did he follow so willingly? Some said that eyes were the window to the soul. That couldn’t be true. There was no cathedral stained glass that compared to August.

What was wrong with him? 

Isaac flapped a hand in front of his face, and Jean started. 

“Earth to Jean.” The advisor scowled. “Why are we stopping? Is it Them?”

Oh. Jean collected himself enough to realize the Them in question was not, in fact, August. “No. No, They’re not bothering me any more than usual. I was… in thought.”

“Well, come on. We’re close.”

The central plaza was crowded. Civilians headed home, tired from work, arms laden with goods, children in tow. Napoleon visibly softened as a couple of tiny girls skipped by, skirts in hand and giggling (and what could he even say? Did he show his friend a kind word? Was it even the time for that, time to acknowledge what Napoleon had given up in exchange for--)

On a nearby bench, flipping a coin, sat a priest. He was a wizened old man with bushy brows and stooped shoulders. The trio exchanged glances. It felt almost too perfect. But--never the man to shy away from trouble--Napoleon swept his capelet behind him and settled in beside the elderly priest. 

“Evening.” 

The man glanced at them and smiled. "Good evening, my children. What brings you here?" 

Napoleon visibly paused. What did they say? August hadn't given them any clear directions. None of them were good at subtlety. Doing his best, Jean cleared his throat. 

"A… friend recommended we meet you. And I could use some prayer, Father, if you would allow me."

The man fixed the three of them with a wry, gap-tooth smile, dusting his knees and rising. "I'd heard some worshippers might visit late today. Very well. Follow me."

---

It was a strangely humble building. That was all good and well, but next to the Guild’s extravagance… well, Jean knew where priorities were. It wasn’t that he expected the city to set religion front and center--God knew Napoleon didn't feel that necessary for Elysium--it was more the unsettling realization that the Guild saw it more important to purchase silk chair covers and gilded spoons than front a single gold coin to anyone else. 

Maybe that was what August wanted them to see. Maybe they’d envisioned how the creaking wood floors would sound under well maintained leather boots. Maybe they’d known that, against Napoleon’s cape, the rough-hewn benches and tattered hymnals told a different tale. This was Penrith. Twilight glow filtered through faraway paper slits serving as windows. Instead of the raucous colors and vivid golds from Elysium’s church, a humble, lovingly-carved wooden altar reached skyward. 

God help him. Jean hesitated on the threshold, deja vu circling like storm clouds. Wasn’t his childhood church just like this one? Marae in the height of autumn, all the colors of fire that later tried to eat him alive, laughter in the beams and a dozen dirt-poor families who still found a thousand reasons to smile. He’d taken communion in a place like this. He’d tried (horribly, terribly) to flirt with Annaliese from the farm over behind a hymnal in a place like this. 

He’d almost died in a place like this. 

Napoleon’s hand wrapped around his. 

“Friend,” he said, his green eyes understanding. “You’re missing the conversation.”

Sometimes breathing proved difficult. Now was one of those times. Jean gulped in the timber-rich air, forcing his lungs to remember that they weren’t full of smoke, that he couldn’t (but could still, always could) taste ash on his tongue and a sinner’s agony in his stomach. “My apologies.”

“That’s alright. Our new friend was just showing us around the chapel. Do you need to step outside?”

“No, no. I’ll be fine.”

Oh, Napoleon. His mouth quirked in that disarming smile, the weight of his confidence bolstering Jean’s resolve. Thank God for Napoleon. 

Fortunately, they hadn’t missed much. The priest gave Isaac a cursory tour in their absence--the pulpit, the prized books, the church office--and then excused himself with a wink and a nudge to find some tome or another he’d ‘misplaced’. The invitation wasn’t lost on them. As soon as the doors to the priest’s chambers shut, Isaac swung open the church office. There wasn’t much. He spied a safe, a large desk, a number of record books, some miscellaneous odds and ends...

“Let’s go.”

Jean wavered in the door. “I don’t know if--”

“--this’ll go faster if you help me look--”

“--Isaac, I can’t read--”

“--I’ve been teaching you! You can at least manage some things--!”

Napoleon choked back a laugh and shunted himself into the tiny space. “At least stand in the doorway. We’ll look.”

Only the sound of flipping pages rustled in the eaves. Jean was a practiced hand at forced calm by now. It felt unlikely--so, so unlikely--that anything could appear in the ledgers of a neglected church. What secrets could the Guild and Penrith hide here? 

“Nothing,” Napoleon murmured. “Isaac?”

“Mmm. I’m checking another book.”

Another book creaked open. 

But then again, all sorts of places held secrets, didn't they? Marceche hadn’t descended on Marae for no reason. They hadn’t tracked him down through sheer dumb luck. You just had to know where to look. Usually, though, that was through people. 

Oh.

Jean spun on his heel. “Is there a guest book? A parishioner’s book?”

Both Napoleon and Isaac stared. Impatiently, Jean pushed into the office. “Sometimes local churches keep records on who attends.”

“What do you think that’ll show?” Isaac demanded. 

He didn't know. It was just the nagging sensation in the back of his mind, the faintest inkling that it was with people, not words, that their business lay. Jean pawed his way over the books until he pieced together enough letters on one to make a guess. “This one. Check this one.”

Napoleon flipped it open. Sure enough, neat columns marched down the page. Jean couldn’t read upside down to save his life, but he knew names when he saw them. 

“I’m still not following.” Isaac ran the thick pages between his fingers, turning each one. 

Look closer look closer look closer

The voices clawed around him. For once, Jean didn't fight them. He was part of that hivemind by nature; now, no doubt, They only reflected his own thoughts back at him. “August wasn’t looking to loot our caravan. If not money, or goods, what were they looking for? What would someone hide in a caravan?”

Silence. Isaac bent his face to the pages once more, rolling his fingers along the names until--at last--he stopped. “Some of them are marked with stars.”

“People.” Napoleon straightened. “Someone is taking people from Penrith.”

[xtruss]

Kengo Kuma's Japan National Stadium is the Centrepiece of the Tokyo 2020 Olympics

— Lizzie Crook | Dezeen.Com

Cedar panels clad the eaves of the 68,000-seat Japan National Stadium, which Japanese studio Kengo Kuma and Associates designed for the Tokyo 2020 Olympics.

The structure in Tokyo's Meiji-Jingu Park by Kengo Kuma and Associates with Taisei Corporation and Azusa Sekkei Co hosted the games' opening ceremony last week and is set to host the track and field athletics events at both the Olympics and Paralympics.

An aerial view of Japan National Stadium! Above: Japan National Stadium is located in Tokyo. Top image: it is surrounded by wooden eaves

Completed in 2019, ahead of the coronavirus-postponed games, the stadium takes the form of a large oval.

Its main structure is made from reinforced concrete and steel, sheltered by a roof structure made of steel with laminated larch and cedar trusses.

A stadium with wooden cladding: The eaves nod to traditional Japanese architecture

The roof is punctured with a huge oculus above the track but cantilevered to shelter three tiers of spectators seats.

Behind the seating are the circulation areas, which wrap the edges of each level and contain 47,000 plants. This greenery is visible externally and was designed to help the stadium blend in with the surrounding green environment.

The Cedar-lined roof eaves are positioned below the tree-lined circulation spaces

To reduce the visual impact on the site, the stadium height was minimised by combining a flat roof and a compact arrangement of seats.

Externally, the structure is distinguished by a series of eaves that are clad in cedar collected from 46 of Japan's prefectures and Ryukyu-pine from Okinawa.

Inside the Tokyo National Stadium Seating is covered by a roof

The eaves were designed by Kengo Kuma and Associates as a contemporary interpretation of the overhanging eaves of traditional wooden Japanese buildings.

They also offer functional benefits, keeping out the sunlight and rain while encouraging air to circulate and prevailing wind to enter. This helps to cool the building in hot weather in tandem with airflow-creating fans and a mist-cooling system.

Wood also features inside the Japan National Stadium, where it lines the interior spaces to help create a warm and tactile environment. It has also been used to furnish the athletes' dressing rooms and to create benches in recreation spaces.

The stadium is complete with more than 450 places for wheelchair users, solar panels on the roof that generate electricity and rainwater collection points in underground cisterns that are used to irrigate the arena's greenery.

The roof structure was built from laminated timber and steel

The Japan National Stadium featured in our roundup of architecturally significant venues hosting the games alongside structures by Japanese architects Kenzo Tange and Fumihiko Maki.

We also featured the stadium during Dezeen's Virtual Design Festival last year, when architecture video blogger Martin van der Linden described it as "quite simple, and definitely not iconic".

Plants line the walkways around the Japan National stadium

When Japan National Stadium was first revealed in 2015 it became mired in controversy as it replaced a proposal by UK architect Zaha Hadid that was scrapped over rising costs and opposition.

It came under fire again in 2017 as tropical hardwood linked to deforestation and human rights violations was used as a mould for its concrete elements. This is one of the reasons the Tokyo 2020 Olympics has been accused of greenwashing by promising to be the greenest Olympic event ever.

The photography is courtesy of Japan Sport Council.

[seungbum-ha]

Historical of St Boniface church research

London’s German Catholic Mission acquired Lady Huntingdon’s Sion Chapel in 1861. This congregation had its origins at the Virginia Street Chapel, just south of Whitechapel in Wapping, in 1808 when there were thousands of German Catholics in the area, largely employed in sugar refining.

In 1862 there was a thorough refit of the former circus building in a Romanesque style, overseen by Frederick Sang, a German-born architect and decorator based in London. It included an 18ft-wide Caen stone altar. A section of the building east of the amphitheatre was maintained or adapted for the mission’s school. At the opening the Rev.

A German Gothic scheme by E. W. Pugin (who had prepared plans for a building for the Mission in 1859–60) was superseded by a design from John Young for a loosely Romanesque building, a style preferred by Manning who attended the opening in 1875. A basilican brick structure, its square west tower incorporated a mosaic of 1887 showing St Boniface preaching.

the German church suffered heavily the consequences of wars with Germany. It was slightly damaged in a Zeppelin raid in 1917. Having been confiscated as enemy property, ownership passed in 1919 to the Catholic Archdiocese of Westminster. Consecration followed in 1925 when Father Joseph Simml was installed as priest. Then the church was entirely destroyed in September 1940 by a high- explosive bomb.

From 1952 the rebuilding was pursued by Father Felix Leushacke (1913–97), thinking big in anticipation of future growth and working with Simml, who was said to have brought a liking for Bavarian Baroque to the project. Alongside war-damage compensation there was to be financial help from the West German government. The first plans for the new building disappointed Leushacke so in 1954 he involved a German architect and friend, Toni Hermanns of Cleves (Leushacke’s birthplace). Hermanns visited the site, prepared numerous possibilities in sketches and then presented worked-up plans and a model that were photographed and published.

There were seatings for 200 in the nave and 60 in the gallery, within a concrete-cased steel portal-frame structure. The main walls are of hand-made dark-brown bricks rising to a clerestorey above which concrete eaves cast (unusually) on plastic-lined shuttering for a coffered effect underlie a copper roof supplied by the Ruberoid Co. Ltd. A Westwerk houses a timber-lined narthex and has small coloured-glass cross windows in square patterning to its upper-storey façade. The south-west tower rises 130ft with concrete slabs faced with grey- scale patterning in ceramic mosaics. At its top an open belfry houses salvaged Victorian bells. This slender and prominent tower was chosen in preference to central heating, toilets and a vestry room, prestige trumping comfort. The building as a whole is remarkable for the richness, originality and elegance of its decoration. The plain three-storey presbytery to the south facing Adler Street contrasts with ochre two-inch bricks.

Plan of the Church of St Boniface as in 2017 (drawing by Helen Jones)

Previous designs and models of St Boniface Church.

Model for the rebuilding of the Church of St Boniface to designs by Toni Hermanns, as displayed in 1954 (photograph courtesy of TU Dortmund, Baukunstarchiv NRW) and as surviving (photograph courtesy of the parish of St Boniface)

German Roman Catholic Church of St Boniface, interior of the building of 1873–5, as extended in 1882, photographed c.1900 (courtesy of London Metropolitan Archives)

In 1862 the former circus building was given a thorough refit in a Romanesque style,

Never constructed as illustrated, the building was destroyed in 1940 during German air raids on London. The new German Catholic Church, St Boniface of 1959-60 is by Plaskett Marshall & Partners, Whitechapel.

[zvetenze]

Chapel of Sveti Nikolas View of entry below Tower

Jelićka, Bosnia

The eave line of the tower obscures the head of the entry and the arched entry lintel. The lintel has one large rosette carved adjacent to where each jamb meets the head framing; the date of 1841 also carved within the lintel. The timber sill plate (base course) is documented as being approximately 37 cm (14.6 inches) in height. (photo 1988)

[architectnews]

New Zealand Houses: NZ Homes, Property

New Zealand House Photos, Architecture, NZ Residential Buildings, Properties, Homes, Architects

New Zealand Houses: NZ Property

Contemporary NZ Properties : Residential Architecture Photographs

post updated 17 Feb 2021

New Zealand House Designs

NZ Residential Architecture – latest additions to this page, arranged chronologically:

25 Jan 2021 Quarters Place, Christchurch

21 Jan 2021 To Keep You Home, Westmere

19 Jan 2021 The Stage and Cave, Auckland

18 Jan 2021 The Blackbird, Auckland

3 Nov 2020 Ruby Ridge House, Wanaka, Otago region, South Island Design: Condon Scott Architects photo © Simon Larkin Ruby Ridge House, Wanaka With a bold mask to the suburban street, this house leaves all the pleasure for the people who reside within its walls. Located on an elevated site in a relatively new subdivision overlooking Lake Wanaka, the house is a place to privately and comfortably indulge in the extensive mountain and lake views the alpine town is known for.

28 Oct 2020 Hidden Hills Retreat, Wanaka

24 Sep 2020 Idris Road Home, Christchurch

7 Aug 2020 Karekare Bach, Waitakere Ranges Design: Stevens Lawson Architects photo : Simon Devitt Karekare Bach New Zealand beachfront Residence Stevens Lawson Architects collaborate with designer and surfer Dean Pool on a spectacular beach-front cabin.

16 July 2020 Herne Bay Hideaway near Auckland

7 July 2020 Longbush Ecosanctuary Welcome Shelter Gisborne

21 June 2020 Matakana House near Auckland, NZ

19 May 2020 The Brae Houses in Pine Harbour Marina, Auckland

13 May 2020 Headland House, Waiheke Island Design: Stevens Lawson Architects photograph © Mark Smith Headland House on Waiheke Island

12 May 2020 Rawene House in Auckland

11 May 2020 Te Kaitaka House on Lake Wanaka, NZ

9 May 2020 Shibui House, Tamahere, Waikato District, on the outskirts of Hamilton, North Island Design: Red Architecture photo : Larnie Nicholson Shibui House in Waikato In Japanese culture, the word “shibui” describes the aesthetic of studied restraint. Shibui is the art of knowing when to stop. It is achieved through simplicity balanced with decisive complexity. The August 1960 issue of House Beautiful described shibui as a “profound, unassuming, quiet feeling.

8 May 2020 Sandy Bay House on Waiheke Island

7 May 2020 + 24 Aug 2011 Te Mata House Design: Stevens Lawson Architects photograph © Mark Smith Wanaka Crib in the Otago Region, South Island This NZ residence sits on a promontory amongst the foothills of Te Mata Peak overlooking Hawkes Bay. The clients had run a sheep station at Parongahau and wanted to establish a new home at Te Mata.

28 Apr 2020 Wanaka Crib, Wanaka, Otago Region, South Island Architects: Pac Studio photograph : Simon Devitt Wanaka Crib in the Otago Region, South Island In a wood lined field, near Wanaka’s lake edge, this NZ property is composed of two gables and a chisel roof slipping past one another to make three enclosed courtyards. Each courtyard creates a specific relationship with the interior.

28 Apr 2020 Scarborough House, Christchurch Design: Borrmeister Architects photograph : Sarah Rowlands New House in Scarborough, NZ

13 Apr 2020 Park Terrace House, Christchurch, South Island Architects: PRau photo : Simon Devitt Park Terrace House in Christchurch This project investigates loss, the loss of an archetype, the loss of adaption amongst the Tabula rasa of post disaster Christchurch. How can a project designed upon a clean slate embody time and adaption?

13 Apr 2020 Lake Hawea House, Wanaka, South Island Architects: Condon Scott Architects photography : Simon Larkin and Simon Devitt Lake Hawea House in Wanaka, South Island This modest timber-clad home is located on the shores of Lake Hawea, twenty minutes’ drive from Wanaka, this newly constructed house capitalises on breathtaking views of the lake and Southern Alps.

4 Mar 2020 Rewa Beach House, Wellington Design: KebbellDaish Architects photograph : Andy Spain Rewa Beach House in Wellington The new Rewa Beach House brings some of the playfulness, informality and communal living we associate with beach culture to a Wellington suburb.

10 Oct 2019 Garden House, Christchurch Design: Borrmeister Architects Ltd photograph : Sarah Rowlands Garden House in Christchurch The brief required a home for entertaining and rest that would seamlessly integrate with the neighbourhood, it also called to maximise a dog-legged site to capture sunlight and views. The resulting house is sympathetic to its neighbours, providing privacy through the careful composition of building form and light.

27 Sep 2019 Castle Rock Beach House, Auckland Design: Herbst Architects photography : Patrick Reynolds Castle Rock Beach House, Auckland The site is situated 3 hours north of Auckland on the east coast. The site has 2 special features, a crescent shaped beach that it overlooks and a craggy mountain peak that overlooks it. The water view is south and the mountain view is north.

23 Sep 2019 Bach with view to the Sound in New Zealand

21 Sep 2019 Holiday Home on Kawau Island

15 Sep 2019 Scrubby Bay House in Pigeon Bay

22 Jun 2019 Best New Zealand Lodges: design led accommodation

12 Jun 2018 Scarborough House, Christchurch Design: Borrmeister Architects photograph : Sarah Rowlands New House in Scarborough, NZ A rock-face / hillside home resulting from a brief that required a relaxed playful home open to the sun, with good views to the beach and uphill park, environmentally conscious design, providing shelter from the prevailing winds and incorporating easy driveway access and parking.

24 Apr 2018 Bridle Path House, Christchurch Design: Borrmeister Architects image from architecture studio New Property in Christchurch A modest family home nestled amongst the foothills of the Port Hills in Heathcote Valley, Christchurch. This project was a rebuild option for clients who were keen to stay within their community after the 2011 earthquakes.

New Zealand Houses from 2017

25 Oct 2017 Local Rock House, Waiheke Island, Hauraki Gulf, North Island Architects: Patterson Associates photo : Simon Devitt House on Waiheke Island A Summer residence on Waiheke Island, a place famous for fine vineyards with illustrious names such as Cable Bay, ManOWar and Passage Rock. This home is located on a steep coastal escarpment above a tree fringed white sand beach on its northern coast.

23 Jan 2017 Castle Rock Beach House, Auckland

New Zealand Houses from 2016

9 Nov 2016 Kopua House on Waiheke

1 Nov 2016 Elizabeth Street House in Auckland

24 Oct 2016 Kirkmay House in Kohimarama

23 Oct 2016 offSET Shed House in Gisborne

14 Oct 2016 Easterbrook House in Titirangi, Auckland Property

11 Oct 2016 House Under Eaves, Point Wells, North Island Design: MRTN Architects photograph : Anthony Basheer New House in Point Wells Located in a new subdivision less than an hour from Auckland this new house was one of the first built on a flat site that has been split up to create well sized semi-suburban semi-coastal sections on what was once pastoral land.

2 Oct 2016 Holiday Home on Kawau Island

30 Sep 2016 Boatsheds on Takapuna Beach

2 Feb 2016 Korokoro House, Wellington, North Island Design: tse:wallace architects photograph : Paul McCredie Korokoro House in Wellington This new house located adjacent to a conservation area of well-established native bush, endeavours to make the most of its dramatic siting. It is organised around two central axis, one to the Korokoro Gorge and the other to the Cook Straits.

New Zealand Houses from 2013 and beyond

3 Oct 2013 Waterfall Bay House, Marlborough Sounds, New Zealand South Island Design: Bossley Architects photo : Kieran Scott Waterfall Bay House In a remote bay in the Marlborough Sounds this house emphasises the steepness of the topography. Set close to the water it runs along the contour as a two storey primary element incorporating living areas above and guest rooms below. Linked by a glazed bridge is a main bedroom raised above the cliff on visually unstable legs to emphasis its eyrie-like relationship to the tree tops and sky.

3 Oct 2013 Beach Retreat, Bay of Islands, New Zealand North Island Design: Bossley Architects photo : Patrick Reynolds Beach Retreat On a waterfront site in the Bay of Islands, five separate wings are located to reinforce the natural typography and create a sense of community around the central living area.

2 Oct 2013 Brown Vujcich House, Herne Bay, Auckland, North Island Design: Bossley Architects photo : Patrick Reynolds Brown Vujcich House This residence is located on a narrow site in the heart of Herne Bay. The entry space is protected by a vertical cedar screen. Interior spaces use hoop pine cabinetry and externally materials include fine vertical cedar shiplap and double skin bagged brick. The design and materials aim to reflect the clients’ love of fifties and sixties architecture.

14 Aug 2013 Under Pohutukawa, Piha, North Island Design: Herbst Architects photo from architect Piha Beach House The Pohutukawa is New Zealand’s national tree, it is known as the NZ Christmas tree as it flowers bright red is summer. Pohutukawas are protected under local authority regulations.

14 Aug 2013 Timms Bach, Kaitoke Beach, Great Barrier Island Design: Herbst Architects photo : Jackie Meiring Timms Bach This bach is chronologically the fourth in a series of 7 baches that we’ve designed on great barrier island. In is located in a small residential strip which t junctions with a wild east coast beach namely Kaitoke.

14 Aug 2013 Compson Bach New Zealand, Great Barrier Island Design: Herbst Architects photo from architect Compson Bach, Great Barrier Island This NZ Bach is a continuation of an exploration into a model of building that is dedicated to a specific function that of summer holidays at the beach.

20 Mar 2013 House in New Plymouth, North Island of New Zealand Design: Saunders Architects photo : Mark Harris House in New Plymouth Situated up a long driveway far from the road this home is in a private setting surrounded by trees and with a beautiful distant view towards the Tasman Sea. The owners’ brief called for a large two storey home that was “different” but functional and easy to live in. The huge living area can be divided into rooms by means of an ingenious sliding door system which converts the space into dining, lounge and music room spaces around a double sided open fireplace.

Te Kaitaka House, Lake Wanaka : Stevens Lawson Architects

Westmere House : Stevens Lawson Architects

Te Mata House, Hawkes Bay The house sits on a promontory amongst the foothills of Te Mata Peak overlooking Hawkes Bay. Our clients had run a sheep station at Parongahau for many years and were looking to establish a new home at Te Mata. They are also actively involved in the Hawkes Bay art scene, as collectors and administrators.

Karaka Bay House, Glendowie : Stevens Lawson Architects

Onetangi Beach House : Stevens Lawson Architects

Great Barrier Island House : Crosson Clarke Carnachan Architects

Southern Architecture Awards – images of houses amongst the winners

New Zealand Homes

We’ve selected what we feel are the key examples of New Zealand Homes. We aim to include NZ residential projects that are either of top quality or interesting, or ideally both. Most projects are contemporary in style. Homes don’t need to be completed for inclusion – proposals welcome.

Key NZ Properties, alphabetical:

The Barn House : LID Architecture

Corinth St House : Daniel Marshall Architect

Cox’s Bay House : Stevens Lawson Architects

Herne Bay House : Stevens Lawson Architects

Hobson Bay House : Stevens Lawson Architects

Hot Water Beach House : Stevens Lawson Architects

Mai Mai : Patterson Associates Limited World Architecture Festival Awards 2008 – Private Housing Category

Mountain Retreat : Fearon Hay Architects

Omaha Beach House : Daniel Marshall Architect

Omaha House : Stevens Lawson Architects

Onehunga House : Stevens Lawson Architects

Onehunga Studio : Stevens Lawson Architects

Tamahere House : Stevens Lawson Architects

More New Zealand Homes welcome

Location: New Zealand

Key New Zealand Houses with no images

XSite Architecture Ltd – Beach house, West Coast Andre Hodgskin Architects – House, Bay of Islands, Paihia Sheppard & Rout Architects – Red Rock Lane House, Redcliffs, Christchurch

Modern House

New Zealand Buildings

New Zealand Architect

Auckland Buildings

Buildings / photos for New Zealand Houses Best NZ Properties page welcome

Architecture

The post New Zealand Houses: NZ Homes, Property appeared first on e-architect.

[freingriffen]

A Crashing Tide - 01

The black boulders of the mounded seawall jutted against the fluid arms of cobalt and white seaspray that launched between their crevasses. The frigid northern waves piled high before crashing against the rocky path that stretched out towards the faint silhouette of a lighthouse in the distant fog, looking like at any moment the harsh storm might break the illusion and snap the brittle barrier they were to walk upon.  Eight men in muted blacks and blues and garbed in various dull metals moved up in a column across the wall’s deteriorated wooden path. They were were ominously covered by black chain hoods like those of some dark and armoured executioners. Each of their wooden-stocked rifles pointed from the line in a new direction, unabated by the harsh waters spitting violently against them that tried to obscure their path. It was in these moments that seamaidens were said to leave the weary and confused to their deaths in the water, but these men had a purpose and knew their path. Where others found a destructive enemy in the storm that stood indomitably in their path, the men found an ally that ushered them in. The howling winds and crashing waves masked the first shot from the leader, causing the lookout on the lighthouse’s upper gallery to drop against the tower’s wall and disappear beneath the edge of the railing, leaving a red stain on the grey bricks. The group moved silently as far as anyone nearby was concerned, outshone in all manner by the deafening roar of wind and water so well that the pale guard with his jaw half hanging from his head failed to notice the men approach behind him in their heavy gear.  The nearest soldier gripped his neck and turned it sharply to the side and at a complex angle as another rounded on him and slit his throat deeply for good measure, preventing anything more than a guttural squeak from being uttered. The soldier in the lead extended his hand behind him and held it out, then raised it beside his hand and held four fingers before waving his hand under arm and pointing to the door of a building beside the lighthouse and drawing an upside-down U-shape with his hand.

Stop. Four men, move up, that building, on the door.

The four men immediately behind him in the line broke from the group and moved past the lighthouse to a two-storied building behind it. The other four remained with the group leader as he called similar signals; Three fingers before pointing to himself, then pointing directly to the door of the lighthouse and making that upturned U-shape, followed finally by tapping his helmet. 

Three men, me, move up, that door, breach.

He held his hand out again as one of the soldiers pulled up beside him to the large tar-painted door of the lighthouse with his rifle slung and a broadaxe in hand. 

Five... Four... Three... Two... One...!

The door’s iron hinges, rusted and pitted as they were, gave way well before the lock did. The door rent and pivoted on its lock with a loud crack and several pops as it fell away into the room. The soldier immediately following the breacher fired off right beside his ear at the rising Forsaken Deathguard, smacking the shocked look from his face with a bullet. The soldier raised his breaching device - The broadaxe with a pickhead on its back - and felled the next guard whom was rising from his seat on the stairs. The four of them advanced quickly up the stone steps, knocking away or crushing the remnants of the guards’ lunch under their footfalls as they ascended. The staircase ascended from left to right in order to enable its defenders, as all towers did, however the soldier in lead was left-handed and quickly brought his axe to brutal bear against the undead defenders descending upon them. Legs hooked and swept by the pick were followed by the hollow crunch of dusty, bloodless bodies being torn apart by the axe’s blade quickly thereafter.  Another shot rang past his ear as the axe came down on another, causing a Forsaken body to slump past him and tumble under their feet. They quickly broke out into a room - The lighthouse’s watchroom - and the stairs turned to grey oak timber stained with what can only be described as the dusty mucus that came from its new corpses. Several shots quickly cleared the room as the three behind the breacher entered it, scanning with their rifles for anything that dared to try and refute their recent volley, before just as quickly retreating.  Up they continued in their hasty pace, unabashed or unbothered by the next two defenders that made their way down, the last being clad in robes rather than armour and seemingly weaponless but for a wickedly barbed dagger. The staircase opened up into a service room, lit only by the dim candles that were haphazardly stuck however they could be to the clockwork mechanism beneath the lantern, which jutted out from the ceiling in the centre of the room. It was enough light for the several robed and hooded Corpses to dwell amongst, snarling at their attackers. The soldiers wasted no time, lining up their rifles and letting off a volley. 

Only one remained...

The group stepped out through the broken doorway and into the dim grey air of the raging storm. The lighthouse was well built, one of the soldiers remarked to himself quietly, given that they hadn’t ever thought of nor heard the tempest whilst inside. They stalked toward the bunkhouse and toward the door when one of the windows on the upper floor burst open.  A gangly corpse rolled across the overlooked rooftop and off the eave, hitting the muddy stone ground with a thud. One of the soldiers rounded on him quickly, rolling him under his foot to find the body already riddled with holes. They glanced up as a group and saw their comrades smiling down on them. “I s’pose we can consider the compound clear, aye?” One of them called in their thick highland accent, breaking the mission-imposed concept of silence.  “Come clean this up, he’s your toy.” One of the others called back up to him, pulling up the chain veil that obscured his face to flash the other soldier a cheeky grin.  The lot of them entered the bunkhouse, letting out a series of short cheers and laughs to one another as the two teams rejoined.  “No trouble then, Frasier?” The team leader asked, removing his hood and draping the wet metal around his shoulders and neck.  “Few guards, nothing above tier. Was a piece of pie, but no one felt like chatting o’er a cuppa today. Your lads?” He asked back as he lit up an uncommonly short pipe and glanced around the room. The others seemed to be taking up seats around the room, illuminated by the holes in its sides that allowed some of the seaspray to get in.  “Aye, acolytes of some sort. Non-magical. One gave us a location after we gave him a reason to.” He nodded, taking a similar glance around at the men.  “Griffen’s hunch correct?” He asked, looking over at the only soldier still with his metal hood on, but whom was clearly looking up at them listening to them talk.  “Aye... Looks more an’ more that way every day.” Griffen groaned, “I told you, McMillan, they would want the Capitol back.”

“Well calm your tits, mate. Our last acolyte, rest his soul in hell, gave us a clear direction first,” McMillan turned back to Frasier, “Best dress sharp lads, we’re goin’ to Kul Tiras first.” “Tea with the Admiral, then?” He quipped back, dousing his smoke as the men began to merge on the door. “Yeah, an’ you’re not invited.” McMillan threw him the two-fingered salute as they walked outside.