#tied to death watch for decades

[zepskies]

Maybe More Than Enough

Pairing: Dean Winchester x F. Reader

Summary: You’ve been a friend and ally to the Winchester brothers for years, but you and Dean break new ground while on a stakeout to catch a witch.

AN: Here’s another entry for @jacklesversebingo! It’s also based on a request from one of my lovely Patreon members: @lacilou. 💜

Prompt: Window—Letter Opener—Binoculars

Request: I'd love to read about Dean and the reader who's his age or even a little older.

Song Inspo: “Over the Hills and Far Away” by Led Zeppelin

Word Count: 2.9K

Tags/Warnings: A bit of angst, bit of hurt/comfort, bit of spice.~

💜 Jacklesverse Bingo Masterlist

Discreetly from the passenger side of the car, you peered through the binoculars again. Your target was in view through the unusual circular window: an average looking white man in his fifties, peeling a tangerine from the comfort of his kitchen.

According to his driver’s license, his name was Martin Reynolds. Sam was investigating the sudden death of his wife, Laura, and the wives of two other men in the small town of Whitebury, Mississippi. Laura was the first victim, so you and Dean were watching Martin for any suspicious activity.

Your companion shifted in his seat. You could hear the give of the well-worn leather against denim. The Impala wasn’t exactly inconspicuous for a stakeout, but he refused to be trapped in your “tiny-ass” Toyota Camry all afternoon. You preferred the term compact.

“What’s our he-witch up to?” Dean asked.

Your lips twitched at a smile.

“We don’t know if he’s a witch,” you said, but you passed him the binoculars.

Dean’s mouth quirked to one side before he took a look. “Well, he probably isn’t a shifter.”

“What makes you say that?”

He gestured back at the window and gave you back the binoculars. You peered over and saw that Martin had half the tangerine in his mouth while he opened his mail with a letter opener. It flashed like silver in the afternoon light.

“If that is silver, it would rule out a lot of things,” you agreed, “but it still wouldn’t tell us why he killed his wife.”

Dean looked over as a white Porsche pulled into Martin’s driveway.

“Hmm, well, I’d say motive is comin’ in hot. Literally,” he said, watching intently when a young woman stepped out of the car. Her dress was as tight as the ponytail tied high on her head, a coil of blonde bouncing down her back.

You sighed, with a roll of your eyes. “Typical.”

You noticed the way Dean’s smirk wiped the boredom away from his eyes. It was annoyingly handsome, along with the neatly trimmed stubble across his cheeks, framing a strong jaw and the enticing bow of his lips. You had to resolve to ignore all of it, heaving a small sigh.

You wedged the binoculars between you both and toyed with the silver rings on your fingers—both a fashion statement and a safety precaution.

“Could be a demon deal,” you said. “Three men sporting Touch of Gray, three wives over 40.”

“Damn. That’s cold,” Dean shook his head, crossing his arms from the driver’s seat. Always from the driver’s seat. “That’d be pretty cut and dry though. Downright stereotypical.”

You gave him a smile. “Since when do you like it complicated?”

“Like it?” he scoffed. “What I like and what I get are on two different fucking hemispheres.”

You sensed bitterness there, underneath the dry remark. You looked away from the scene in the kitchen where Martin was pouring Barbie, his presumed girlfriend, a glass of white wine. Just like you thought, Dean’s brief good humor faded, falling into his resting state. It was a harder look than you were used to seeing on him over the years. His lighter, devil-may-care attitude in his younger days seemed to gain a little bit of edge every time you saw him next.

A few decades of bullshit, blood, and loss will do that to you.

But every time he called, you answered.

“You okay?” you asked. You tried to hide the depths of your concern, but maybe you just weren’t good enough. Dean glanced at you and forced his crunched brows to relax, as if he’d caught himself opening the hatch a little too much. Letting his true depths come to light a little too long.   

“Yeah. Yeah, I’m good,” he replied.

Sure. Always good.

You met him with a long look, your head rolling onto your shoulder.

“Hey. You can be honest with me, you know,” you reminded him. “What, you think I’m gonna tell Sam all your secrets?”

Dean smiled a little, but he shook his head, remaining stubborn.

“Look, I’m fine. Just the usual bullshit,” he said. “Nothing you gotta be dragged into.”

You frowned. “What, aside from this hunt? Aside from the last ten years of bailing your ass out?”

That last part was more joking. The truth was, Sam and Dean had helped you just as often as you’d tried to help them.

Now, Dean just shook his head. The fact that he didn’t levy back a smartass response further let you know that something was off with him. 

You bumped his arm lightly over his jacket.

“Come on, tell me all about your man feelings,” you teased. It had its intended effect, bringing a reluctant smile to Dean’s lips. He shot you a look, and you couldn’t help but admire how the dimming sun caught in his eyes, that pale green.

“Whatever. Like I said, I’m good,” he said, deflecting further by turning up his music. Yet another Led Zeppelin song was playing, but at least this one was more mellow. The guitar riff filled the car at a moderate volume. You guys were still on a stakeout, after all.

You shook your head, despite your smile. “You sound like a grumpy old man.”

His brows popped up. “Old?”

You shrugged impishly.

“‘Cause if I’m not mistaken, you’ve got a bit more mileage than I do,” he retorted.

You laughed, shoving his shoulder.   

“Well, that’s just rude,” you said. “You’re not even a year behind me. Matter of fact, you’re just a few steps shy of Touch of Gray in there. I can even help you find your shade. I’m thinking, what, medium brown with a hint of silver fox? Could be very George Clooney.”     

The disgruntled look on Dean’s face had you dying.

“Now that’s just uncalled for,” he said, even though his lips were curving upward at the sound of your laughter. Without you knowing, he took in the infectious sound, and the way you pressed the back of your hand against his arm while you tried to get ahold of yourself. It was everything he’d ever liked about you.

Easy. That was what it was, being with you.

The hard part always came afterward, watching you leave.

Letting you leave.

“It’s just…I don’t know,” you said, biting into your lower lip. You smudged your lipstick there, a dark, juicy red. It was distracting enough that Dean almost missed what you said next.

“You seem weighed down.” Your eyes were more serious then, beautiful and warm in their honesty. “Every time I see you, it’s like you’ve got fifty more pounds on your shoulders.”

Dean didn’t have an answer for you, even as he held your gaze.

His cell phone ringing cut through the guitar melody slowly fading into the next song. Dean fished it out of his pocket and answered Sam’s call.

“Hey, what’cha got?”

Your hunch proved correct. Sam tracked down the demon that made soul-claiming deals with a handful of men from the same golf club. All of them bored of their wives, and all of them with too much money on their hands—enough that they refused to lose any of it in a messy divorce.

It was like the opposite of the First Wives Club, and you were sickened.

When you and Dean questioned Martin, he felt just guilty enough to spill his guts.

Sam managed to gank the demon on his own, which left you and Dean with a conundrum: what to do with the marked men who sold their souls. No matter how much justice you thought they deserved, their souls were still damned to Hell either way. As Dean pointed out, that would be price enough to pay.

You were sour about it, but you let Martin and the rest of his scheming bastard friends go…after leaving him with a well-placed knee to the nads. At the very least, he wouldn’t be making any more scheming bastards anytime soon.

Dean was still smirking when you two piled into the Impala. Sam was waiting to be picked up at the bar across town, where he’d found the demon.

“Shut up already,” you laughed.

Dean shook his head, still grinning as he put the car in Drive.

“I didn’t say anything.”

Your smile remained, but not for long as you stared out the window. You liked the evening time, where there was still light enough to see, but the world was winding down in shades of orange-gold and violet. The streetlamps were slowly coming on, lighting the way along the road.

The car pulled to a stop at the red light, there at a busy intersection.

“Hey.”

Dean’s voice, deep and a little tired, caught your attention.

“You okay over there?” he asked. He was side-eying you again, this time in concern. You could see it behind the usual gruffness.

“Yeah, I’m good,” you said. “Just makes me glad I never got married. Else I might’ve gotten shivved just so he could get out of paying alimony.”

Dean sucked his teeth. “Apparently it’s a bitch.”

You gave him a dry, withering look. He chuckled and briefly reached over to squeeze your arm.

“Hey, come on. That shit’s not happening to you,” he said. “He’d have to be dumb, deaf, and blind.”

You tilted your head at him, a small smile lighting up your face again. You couldn’t help the way your face warmed in a blush, especially with the way he was looking at you, all smirky and charming and unequivocally Dean.  

“Green light,” you reminded him.

He returned his attention to the road. His right hand was molded onto the steering wheel casually. His left rested on his thigh, while his fingers bounced to the beat of a song off his second favorite Zeppelin album. And you knew that, because he’d been playing it on repeat all day.

Many have I loved, and many times been bitten. Many times I've gazed along the open road…

You watched his profile, for a moment spellbound. The sky dimmed over his shoulder, casting him in both light and shadow, gold and dark.

“Have you ever…” You didn’t even know where you were going with this, but you’d already opened your mouth, and Dean was already glancing your way, with half his gaze on the road ahead.

“You ever gotten close to having something real? Someone who's not gonna shiv you when you’re fifty,” you said.

A laugh caught in his throat. “Hell, I never thought I’d see my forties, but here we are. Apparently I’m old.”

He shot you a wry look. You smiled.

“That’s one hell of a way to avoid the question,” you said.

Dean shook his head, this time with a sigh under his breath. For a second, you didn’t think he would answer you. You almost didn’t blame him.

The music filled the silence in between.

Mellow is the man who knows what he's been missing. Many, many men can't see the open road…

“Once,” Dean admitted. “I thought I had it, but uh…didn’t take.”

“Was she a hunter?” you asked.

Dean shook his head, his eyes staying on what lied ahead.

“Just wasn’t my life,” he said. “Couldn’t keep dragging her into mine.”

There was a lot there, buried deep. You couldn’t even begin to find a shovel, so you let it be. Though you should’ve predicted the way he turned it back on you.

“And you?” he said, brows raised. “Never had a douchebag in a sport coat, playing Caddyshack at the club every weekend?” 

You shook your head as you laughed. If nothing else, Dean could paint a picture.

“Definitely fucking not.” You rested your chin in your palm, your elbow finding purchase above the door handle. “You know me. I’m either too much or not enough.”

You didn’t notice it then, but Dean looked over at you with a frown tugging at his lips. He didn’t like the melancholy in your voice, or the way you turned to look out the window, like you were trying to hide from him.

Instead of putting voice to any of the thoughts rolling through his head, he kept driving.

The Impala rumbled to a stop in the parking lot in front of the bar. You were ready to meet Sam for a couple of beers inside. You grabbed your bag resting on the floor between your feet, but Dean’s stayed your hand, his own wrapping warmly around your arm.

You looked over at him with blinking, expectant eyes. He met you with sincerity.

“Anybody who says you ain’t enough, doesn’t know you,” he said. And then, his smile was back, quirking up at the corner. “At least, not like I do.”

Slowly, you smiled back. Your blush fairly radiated down your neck as well as your face, but you crossed your arms.

“So I’m too much. Is that what you’re saying?” you said.

He chuckled. “I plead the Fifth on that one.”

You fell into a fit of laughter along with him, and you both climbed out of the car feeling a little bit lighter. The blaring red neon sign above the bar blinded you for a moment. You turned to see Dean fiddling with his keys, trying to pick out the right one to lock up the car.

Some deep-seated feeling compelled you to go to him. You made your way around the hood and stopped just behind him. You called his name softly.

Dean turned to look at you over his shoulder. He was surprised to find you there so close. It led him to turn around all the way.

You didn’t give him, or even yourself time to think.

You grabbed the edges of his jacket and pulled yourself up to press your lips to his. It was more or less a gentle kiss. Just a sweet, slow meeting of lips. You pulled away just as slowly, the heels of your boots lowering back down to the ground.

Dean blinked his eyes open. When he came back to himself, he looked down at you in surprise and with a hint of a smile. He had the imprint of your lipstick smudged across his plush mouth.

“What was that for?” he asked.

You smoothed your hands over his jacket. It was a bit too hard to meet his eyes, so yours landed somewhere around his chest. It was also too hard to say what you really wanted to say, so you settled on half of the truth.

“A thank you, I guess,” you said. “And maybe the next time I see you, you’ll have a little less weight on your shoulders.”

His calloused hand cupped your cheek, and he earned your gaze, blinking up at him through your lashes. You couldn’t name everything you saw in his eyes, but it was more than just surprise or lust. In fact, he seemed to be debating with himself, fighting something deep inside.

You saw the exact moment he made his decision.

“Maybe we should make it count then,” he said, his thumb brushing over your lower lip.

You didn’t even trust your voice, but your gaze drifted down from his eyes, to his mouth. Your shallow nod in agreement was like releasing him from his chains.

Dean framed your face with both hands and drew you into his kiss, like he was breathing life into you. You certainly felt alive.

You clung to the back of his shirt, to his arms, while he gathered you flush against his chest. His strong hands glided their way down the small of your back, eliciting tingles down your spine. All the while, he drew you in deeper and deeper with each new sensuous glide of his lips against yours.

You yelped in surprise when he turned with you in his arms, just to press you into the side of his car. Dean pulled open the door to the backseat, and you climbed in willingly. He followed after you, at the same time you dragged him over by the front of his shirt. Soon his jacket was wrenched off his shoulders along with yours, both tossed somewhere in the front seats along with his shirt.

While you explored the new expanse of tanned skin, roaming your hands over his strong, broad shoulders and dipping down his back, his lips had fastened to your neck, teasing and grazing with his teeth along your pulse point.

You were already moaning and panting in his ear, your body arching to meet his as you slung a leg across his lap. He grabbed onto your thigh and squeezed, pulling you even tighter against him.

Still, you couldn’t help but smile in amusement.

“Aren’t we a little old to be making out in the backseat?” you said.

“You can be a little old for a lotta things, sweetheart,” said Dean, his voice gravel and deep as sin. “But this ain’t one of ‘em.” 

AN: Some spicy flangst there for ya! It was honestly refreshing to write some Dean after working on so much Soldier Boy. I love that guy, but he gives me stress sometimes. 😂 Trying to cure Dean's angst is a fun break! 💜

Read the Sequel:

Bonus shot! Resless Nights:

Summary: After a tryst you instigated in the backseat of his Baby, you and Dean have started something new. He’s just not sure that you’re as “all in” as you claimed to be.

▶️ Keep Reading: Restless Nights

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[crispy-armpit]

✧ 𝖒𝖞 𝖕𝖊𝖆𝖗𝖑 ✧

ʏᴀɴᴅᴇʀᴇ ꜱᴇᴀ ɢᴏᴅ x ʀᴇᴀᴅᴇʀ

𓇼˚₊‧꒰ა 🫧 ໒꒱ ‧₊˚𓇼

⭒ 𝘴𝘶𝘮𝘮𝘢𝘳𝘺: 10 dollars on a dare leads you to break one superstition that changes your life forever. you begin to learn secrets tied to your family and upbringing, at the cost of your freedom. who is this mysterious Anshumat, and why does he want you?

⭒ 𝘤𝘰𝘯𝘵𝘦𝘯𝘵: 𝘨𝘯 𝘳𝘦𝘢𝘥𝘦𝘳, 𝘺𝘢𝘯𝘥𝘦𝘳𝘦, 𝘪𝘯𝘧𝘭𝘪𝘤𝘵𝘪𝘰𝘯 𝘰𝘧 𝘪𝘯𝘫𝘶𝘳𝘺, violence, implied stalking, kidnapping, choking, reader gets called a bride once

⭒ 𝘸𝘰𝘳𝘥 𝘤𝘰𝘶𝘯𝘵: 1,418

⭒ a/n: yan sea god was inspired by an Indonesian myth called Nyi Roro Kidul! it's a really interesting legend if you want to learn more abt it ^^ also.... man tits...... meow..

will you venture down this path?

growing up, you would stay over at your grandmother's house every summer. her beautiful seaside cottage made the perfect accommodation for a family getaway. throughout your childhood, the superstitious old woman restricted you from doing specific things. rules like never whistling at night, don't open an umbrella indoors, etc.

you'd eventually found out that these were just scare tactics for children to make them listen. but there was one rule that your grandmother seemed to fear the most, a rule that never made sense... never wear white to the local beach. and when questioning her about the rule, she'd tell you the same story every time.

"long ago...

a cruel serpent god who once ruled these waters would rise from the ocean and into the islands, devouring innocent villagers and destroying temples along its path.

the gods and humans were furious at its actions. fed up with the destruction and death, they prepared a plan to thwart the serpent; a binding curse.

the serpent was cursed to spend its days rotting in a hidden island, where it was accompanied by its servants. it was also tasked with granting blessings to sailors passing through the rocky tides, where it weighed the sins of each individual to seal their fates.

but over the decades... the serpent grew bored and lonely. through a loophole, the serpent found a way to abduct humans. you see.. the serpent loves the colour white and pearls. so much so, it would use its voice, so alluring, to lure the poor victims who happened to wear such things. and once in the water, the serpent would drag the human to its temple where they would become its slave.. or worse...

its spouse."

here you are today, telling the same tale in front of your young niece and nephew. "well, that's one way to get bitches." your nephew, Keona laughs. a scoffing Kehlani adds on, "nah, who would want to marry an overgrown slimy snake?"

"hey now, take that shit to grandma. she just assigned me to be your storyteller," you shrugged. "and this story has a real reasoning behind it, ok?"

"what? sexy sea snake destroying villages?"

"no, it's so that little rascals like you..." you drill both your index fingers onto their foreheads, "are easier to find if you ever get lost at sea."

how did i end up here...

facepalming yourself, you sigh. you were disappointed in yourself. how'd you let those little punks reel you in a dare? where was the self-respect? the dignity? seriously, breaking your grandmother's number 1 rule for what? 10 dollars?

you walk along the shore while wearing a flowy white shirt and neck encased in one of your mother's pearl necklaces. the dare was simple: successfully walk down the shoreline without chickening out and boom— an extra 10 dollars into your wallet.

you'd prove to the twins that you weren't scared of a little bedtime story. buuut just in case you did happen to go missing (for reasons that are totally not hungry sea serpent related), you brought essentials in a bag, left a letter for your family, and are currently being watched by the twins.

laughing at yourself for the paranoia, you nearly reach the edge of the walk until you hear a feminine wail from between the hidden rocks. is someone hurt? the sound was coming from beyond your finishing point so it wouldn't hurt to check, right?

signalling the twins to come over, you bend down to their heights, "listen, it sounds like someone's in trouble past those rocks. so I want you both to go grab the first aid kit and call Officer Holden over, 'kay?" they nod and scamper off into town.

approaching the rocks, you peek in to find a naked... mermaid?! observing her, you notice the torn skin on her iridescent tail and warily walk over to her. "uh... hey? hola? salve? hallo? i'm ah— good human! no... nooooo bad.."

you notice the air seems to smell... sweeter?

the woman looks up at you from the sand with pleading eyes, "please— please help me! my name is Coralie, my master, he—"

"woah, it's ok! you're safe, help is coming. uh, your master? did he do this to you? are you an underwater criminal?!"

a distant melodious voice interrupts you. Coralie's previously pained face now warps into a sinister grin as her wound disappears. she crawls towards you as your vision fogs up and your knees buckle to the soft sand. the song lulls you into a deep sleep, your body now being pulled into the shallow waters.

you awake to the bright rays of sunshine and lungs filling in with fresh air. but the next in your line of sight knocked all the air out of your body again.

the luminous, barely-clothed body of an unknown man sat above you. his 9'7 self relaxed on the marble throne, with 2 pairs of eyes fixated on you. what the fuck is that?

you gawk at him, "holy mother of god..."

i'm not dreaming, am i?

his gaze shifts into amusement, "wrong. we gods do not have mothers. we were created."

"you're a... a god?"

"is it not obvious enough from my appearance? would you like to see another version of me?" the towering deity begins to warp into a feminine body as if it was melting and moulding itself. "is this preferable?" her new voice is flirtatious, genuinely curious.

then, she tries to warp into a third body. the transformation looks more painful than the one prior, it barely shifts halfway into a gruesome beast before returning back to its first body. he huffs while grasping his golden collar, "this... is not my original form. I have been cursed, long ago, to never set foot on human lands. this island is both my kingdom and prison."

you shakily stand up the marble floor, now noticing Coralie standing beside the throne with a pair of legs. slowly processing his words, you piece together the clues from his story and your memories of the abduction. this couldn't be...

"you are.. you're the sea serpent god! I can't believe grandma was right— shit, shit shit—"

he smirks at your panic, "correct. I am Anshumat; shapeshifter deity of the raging tides, granter of safe travels—"

"murderer and enslaver." you complete.

Anshumat roars, "correct again! you're on a strike, dear y/n. though trust me, my servants are treated well."

"..how do you know my name?"

"oh you poor thing, granny never told you? I know everything about you— a name is barely anything."

"told me what?"

"she used to be my cupbearer. until she escaped with that bastard traitor. isn't that right, Coralie?"

she nods, "yes, master."

"please sir, let me leave. my family— they'll search for me! I have a cat at home! I haven't even finished my favourite show.. so please..." you try to list more life goals.

he chuckled, "oh you are so amusing. and why would I do that? we've barely just been engaged, dear."

"what do you mean engaged?"

"I've been watching you since you took your first breath on earth, y/n. so imagine my surprise— to see you wrapped up in my favourite colour, like a pretty bride. you're my sacrifice."

fear tingles your spine, "wait, that was just a dare! i didn't really mean it!"

"doesn't matter. you will be my pearl."

"no! I have a family, a partner—"

"i said... it doesn't fucking matter." he slams his fist against the throne arm, "and you'll be seeing the head of that twat soon enough."

you don't give him a glance before you're turning your back and run down the staircase of the grand temple. careful not to trip, you focus on the flight of stairs, painfully aware of the loud footsteps approaching behind you. it doesn't take a second for Anshumat to pull on the collar of your shirt and slam you onto the staircase.

he sits atop you, lower region heavily grinding against your stomach. "get off me! don't you have hundreds of other options?! why me?!" you scream.

his bedazzled skin blocks your view of the sun, furious eyes glowing under his shadow, and sharp teeth bared into a snarl. "you do not get to leave me again. you will stay, and worship me. this island will be our eternal paradise."

large hands pressing against your throat, you struggle before darkness begins to cloud your vision.

"this time, you will live."

[local-diavolo-anon]

i'm back!

ok so 2/3 days ago i found this youtube video where op turned Springtrap (or well, William Afton) into a fully build DnD character, and if i say so myself: things got out of hand fast

so here is my take on DnD Springtrap and specifically on that build (adding more infos under the cut for who is interested, i suggest to watch the video first)

starting with saying that unless you're playing in a scifi setting, this build is either not for you or to be modified, since in later levels spells are heavily centered around technomagic and electronic devices; personally when i will play him i will probably tinker around with the chosen spells and cantrips to make him less violently niche and/or more versatile

which kinda saddens me because it takes away not little of the characterization but, given most dnd stories take place in a medieval fantasy or high fantasy setting, a cantrip like On/Off or a spell like Remote Access are NOT particularly useful; so i will go for more psychic damage or necromancy oriented abilities, maybe i might take more than just 4 levels in artificier as well (especially given that again, all of those warlock spells at later levels are all technology oriented) but i need to see what those offer

however it is a kinda tank-y build given that with a shield on you can get up to a 27 of Ac, so even with low damage and not much hp you would not struggle too much to stay alive, and i like that!

as for the character himself, i put too much effort into my interpretation not to share it, so if anyone wants to play this guy as well, i fabricated a possible backstory that might come useful:

The character goes by the name "Dave Miller" (or whatever variant you want to use), and was originally a human artificier who created constructs for a living, mainly with the goal of offering aid to who needed it for whatever reason.

There however he ran into an issue, that being that a robot need a power source, and his own heart and lungs could not sustain a whole robot by themselves.

After losing part of his family to some kind of accident he became terrified of death, so with age he started replacing his own body parts with machinery to delay his last days (which made him a cyborg), until the point where he was very very close to become just a robot.

(This part may or may not involve a pact with a deity of death, this entirely depends on how you want to play him but it would make sense since the build is an artificier/warlock hybrid)

Through particular and very much not illegal experiments tied to necromancy he discovered that the life force of a living being could be shared, and used as a form of fuel. (possibly: age lived of the creature used= amount of extra months you get)

Here comes the second problem: this only worked with intelligent creatures, and more specifically, it worked best with creatures of your own race, which meant that he either went around murdering people or he found another solution. Non same-race creatures worked as well but not as good and there were not easy to find in the middle of a city and with a shop tied to your name.

And here is where and WHY he'd join a party of adventurers: after some time, his reserves or fuel were running VERY thin, and running into a group of adventurers was a god sent because by joining their party he essentially got a free pass to kill whoever he wanted, and reduce them to a dried raisin after sucking some life force out of them. Doing so you learn that the mowe powerful the creature is, the more energy it produces as well.

Your goal, that you as the player are following, when role-ing your character? essentially slay whatever powerful BBEG your Dm throws at you and suck all of that juicy fuel out of them, so that you can return to your little shop in the middle of the capital and return to create and sell whatever weird construct, doll, or robot comes to your mind for another few decades undisturbed.

And this is it. I think this might be a good backstory that could fit pretty much any setting you want to play this guy into, be it classic dnd or some scifi futuristic thing.

of course you don't NEED to use this one line per line, make up your own without looking back if you don't like it lol, dnd is the "make up shit and have fun" game after all!

Edit: also no his outfit makes no sense, i just went with vibes and decided a tanktop dress shirt, a twin tailed gilet and suspenders OVER said gilet was a good choice.

[silaslich]

Whispers to cold flesh

Simon “Ghost” Riley x gn!reader

Wc - 2.5k

Summary - Ghost and Soap get separated and Ghost seeks refuge from the snow storm in an abandoned house. Just when he thinks he’s alone, he finds you there - bleeding to death.

Cw - 18+, blood, injury, death ideation, angst

AN - didn’t really know how to tag this because it isn’t xreader but more just angst I had worming around my brain :)

The chill runs down to his bones. It seeps into his bone marrow when the wind shifts and the snow falls heavier.

Ghost isn’t that used to this; not these days. Maybe back in England when he was young. Everything from those days is locked away, a ball and chain clamped around that particular box of memories, thrown into the sea until it sinks to the ocean floor.

Forgotten

He slams the door behind himself with a resounding thud and it shakes the walls as the snowflakes fall from his shoulders, melting away to droplets on the floor. Ghost’s eyes scan his surroundings, a constant vice he had engrained into him now, even if he’s out of enemy territory- he’ll never let his guard down.

It’s the same now as he scans the rooms, one by one. Footsteps as quiet as he’s able, sharp eyes watching for any sign movement as he listens closely. All he catches is the wind whistling outside, rattling the structure of the building, as far as a rendezvous point goes - he’s seen worse. He’s waiting on the irritating Scot now, everything is tied up on their end, knotted in a pretty bow for the higher ups to deal with, he can wash his hands of it.

Soap had become separated at some point, his usual efforts of running in blind and taking a handful of men with him as he went, Ghost had stayed back to watch and observe, held up on his sniping point further up the snow-laden valley. He hadn’t been needed after all, they got what they came for, now it was a case of waiting it out for evac to come.

He’s walking through what looks to have been a kitchen, littered in dust and debris, years of unkept rot and decay taking hold of the once decadent foundations of this home. Abandoned and forgotten, Ghost knew that feeling.

As he’s scanning the walls and the dark corners, his eyes land on a slick smear against the dirty wooden floorboards. It’s fresh, he notes. Then he can smell it, the blood, copper pennies - sour in his nose. Instinctively, he raises his pistol.

Ghost lowers his shoulders and steps forward, he’s even quieter, eyes scanning as he follows the trail of crimson that soaks into the floor under his boots. As he nears closer, that’s when his ears catch it, the rattle of breathing, heavy and uneven - laboured in a way that sounds like a punctured lung. He steps fully around the corner of a kitchen island, gun raised and eyes narrowed, he expects to find an injured fugitive, one of the war criminals that’s somehow slipped through his fingers.

But it’s just you.

So weak from blood loss you can’t even raise your eyes to meet his. It’s a haze, a blur of movement when he steps even closer, it’s only the vibration of his footsteps that make you aware someone is there.

Your chest rattles with an intake of breath, stunted when you hack up blood into your palm, it doesn’t feel like you’re walking away from this one. Too many lucky strikes - you’re finally out.

Ghost cocks his head to the side, then he’s kneeling down closer, sliding his pistol back into its holster as he does. “You with me, mate?” He keeps his voice low, he doesn’t want to startle you, he can empathise with you in this moment, he’s been there himself, too many times to count.

He’s seen you around. Ghost is observant, it’s his job to be, there’s been a few missions that you’ve been on together lately. He knows you’re a marine, been on the circuit for years now. You’ve toured here, there and everywhere. You’ve only spoken to him a handful of times over a cigarette or an MRE but he knows you by name. Surely that’s enough. No, he knows where you were born and why you joined up, he knows where your favourite place to vacation is and the name of your first pet. It’s not enough, it’s too much. He can’t keep allowing this to happen, to get close to people and then watch them die, it’s something selfish that worms it’s way into his head - he doesn’t know how long he’ll keep being able to do this.

You raise your head from where your chin is tilted to your chest, your eyes drift lazily across his face, a realisation of who he is settling over you, he sees it. “‘m compromised Lt” you slur, coughing again, “looks like you’ll have to put that letter through” your teeth are cherry red when you smile weakly at him, he can’t find the strength to enjoy the quip.

You’re referring to one of the last conversations you’d had with him, asking him how he deals with the aftermath of a particularly unsuccessful mission. “You have to let families know?” You’d asked and he’d nodded, “sometimes” he breathed the words around the plume of smoke from his cigarette, side-eying you, “depends how many, if it’s a lot then I help out with the reports”. You hadn’t thought about that kind of responsibility from his role, something you’re not sure you’d want to do yourself.

He looks down at you, assessing the damage, he finds your hands clutching at your side, a steady stream of blood seeping through the seams of your fingers as you apply pressure. It’s as if you sense what he’s about to do or say and you stop him, raising your hand to block his in its path, it’s path to pry your hands away from your wound so he can see it. He dips his chin and meets your eye, a warning, but you don’t heed it. “Leave it” you huff, still struggling for breath. “I can’t fix it if you don’t let me look” his tone shifts, perhaps lighter, this looks bleak but he’d remembered to try his best at being positive- forever a pessimist.

You laugh, albeit dryly and with effort, “no fixing this, mate” your red teeth flash again and Ghost doesn’t know where to put his eyes, they’re fixed on the injury and then flicker back up to your eyes, watching them waver. “Don’t say shit like that” he gruffs, shifting his weight, he’s even closer now, eyes still trying to asses the damage despite your blocking hands.

If he’s being honest- he’d probably agree. At the rate you’re bleeding and have been bleeding at, he’d give it no more then two minutes before it’s lights out, blood loss is a nasty thing and it takes only minutes for it to become fatal. So it’s why he doesn’t forcefully pry your hands away and let him look, in other circumstances he might have done, but he doesn’t know how long you’ve been here for - and he can’t imagine it’ll be much longer considering how pale you’ve grown in the last minute he’s been here.

You hum. It’s almost a contented sigh, he guesses it’s the delirium stage, when the pain finally begins to flatline and the body tries it’s best to make light of the losing fight. You slide your head to the side, big glassy eyes looking in his direction, not meeting him directly. “Do me a favour?” You ask, your voice little more than a hum, eyes drooping lazily. He has no room to deny you, you’re dying, so you could ask him his opinion on mass genocide and he’d humour you until it was time.

Ghost has been around enough death in his time now to know how it goes. He’s seen people bleed out and get blown up, drown or be burned alive, there isn’t a lot he hasn’t seen or dealt with. He’s glad that this’ll be somewhat peaceful for you, of all the ways to go, this is perhaps the least gruesome in a military setting, he can’t confirm it’ll be painless for you however.

He nods his head despite his words, “depends what it is” it’s empty but it makes you crack a smile, with whatever strength you can muster, you extend your hand to him - crusted and wet with the slimy and congealing blood from your wound, when he looks from your hand back to your face, you simply wag your fingers at him. “Hold my hand” you’re still smiling, halfheartedly, but he just shakes his head. He slides his gloved palm across yours and he’s surprised when you clamp your fingers tight around his, mustered strength from a reserve you’ve hidden somewhere out of sight.

He looks at your connected hands and squeezes back himself, “can’t tell anyone about this when we get back” he smiles beneath the mask, it’s solemn - empty. You tilt your chin at him with a knowing air about the motion, there’s little emotion left in your features now, too tired and far gone for it. “I won’t tell anyone” you slur, looking at him, “I promise” the last part is whispered with what he can see is a slight smile. He squeezes your hand again, “good on ya”.

Reality cracks when the sound of the door almost snapping off of its hinges makes Ghost leap almost six feet in the air, he’d let his guard down a little too far and he’s quick to raise his rifle toward the doorway, leaving your hand cold as he stands over you, protective despite there being no real need to be. His finger threatens the trigger but then he lets the tension wash from his shoulders when he hears that familiar Scottish twang.

It’s Johnny

He steps into the room with his hands raised mockingly, stupid cocky smile plastering his face, “alrate, Lt?” The light in his eyes dims and his toothy grin falls when he notices the blood staining the wood he’s standing on. He hadn’t noticed you straight away, blocked by Ghost almost entirely. Ghost steps to the side as if in answer to the question, no- he’s not alrate.

Soap raises his brows, “steamin’ Jesus” he whispers, footfalls immediately carrying him quickly toward you. “Y’okay mate?” He asks quickly, running through the same motion as Ghost had only for you to clock him too. You hiss when his hand lays over yours on your abdomen and you attempt to jerk away, “leave off will ya’” you spit, brows pinched together in pain and frustration. Soap looks wounded by it, no one denies his offers of help, not the bright Scottish lad with a grin too wide and a humour so dark.

“Wouldn’t let me touch it either” Ghost rumbles, watching as you glare at Soap. There’s one thing about Johnny, he rarely takes no for an answer, “come on now” he speaks softly, laying a hand over your thigh so you’re not startled by the touch. “Let me have a look at it, please” his accent loosens and so does the pinched tightness of his face, Ghost watches as you consider the Scot, ultimately reaching the same verdict. You shake your head, “no point, Soap” you knock your head against the cabinet you’re propped against, “I’m done in”. You seem to genuinely believe this is it, to bleed out on a dirty safe house floor in the middle of rural snow-clad Europe.

Johnny swallows. “Either way, if you let me look I can either help-“ he cuts himself off, perhaps looking for a better way of wording whatever he was going to say “or I can be here with you” it’s an offer of his hand to hold or his shoulder to lean on. Ghost has seen it time and time again, he’s been on both ends of it, either thinking he’s the one who’s time is here or watching and waiting as someone dies in his arms. Despite the strength and bravado these men feel obligated to front with, it boils down to the same thing, no one wants or deserves to die alone.

You close your eyes and fight with yourself as you nod. It seems fair, even if you’re going to die, perhaps give them the piece of mind that they tried to help you. It’s why you don’t react when Soap springs into action, he’s cutting away the layers of your clothes around the area, fishing through his med-kit for gauze and tweezers, he’d try his absolute best.

Ghost watches it all unfold, how you don’t even flinch now, not even when Soap pokes around in the wound as he digs for a bullet he’s not even sure is still in there. Ghost doesn’t cringe, he’s seen people blown to bits, but it’s the fact that you don’t react that concerns him more then the squelch of your insides as Soap roots around in there.

It’s only a few seconds before Ghost hears something small and metallic clank to the floor, he watches the bullet roll away in a trail of fresh blood. “Got the wee bastard” Soap triumphs under his breath, you stare lazily at nothing, Ghost steps closer to examine as Soap begins to stitch the wound back together. He’s never been good at it himself, he’s stitched himself up before and a handfuls of others, they always healed deep and ugly - so he tries not to do it if he can get away with it.

His gun is hung hazily in his grip, hanging off the strap that’s over his shoulder, he’s watching Soap work intently until he feels the strap shift against his body. He stiffens but he doesn’t move, his eyes fall to you, watching as you wrap your fingers around the barrel of the rifle and lift it to sit against your forehead. Soap stills completely, eyes darting from you to Ghost.

“Put me out of my fucking misery” your voice barely carries, it’s hoarse and weak, close to dissipated. Ghost meets your eye, gaze glossed over as you stare at him - stare into him. He can’t shift it.

Soap pipes up, “bleedings stopped, pal” he interjects, “yer gonna be fine” wether he’s convincing you or himself - no one’s sure at this point.

You don’t drop your hold on the gun, nor do you drop Ghost’s gaze. “Just spare one bullet for me - please” he watches as the tears fall, smearing through the blood and dirt smearing your face, cutting through like sharp spines that travel over your cheeks.

He replays it over and over. Days later.

Watching as you sleep, wrapped in bandages and starchy white sheets in the medical wing, fed painkillers through a needle in your arm - over the worst of it all thanks to Soap.

It rattles Ghost. Not because it had been gruesome or particularly unpleasant of an encounter, it doesn’t come close to some of the shit he’s seen in his time.

He’s rattled because of just how close he had been to doing you a favour and putting a bullet in your skull.

All for the sake of not having to see you in such pain anymore.

[thelightsandtheroses]

everywhere, everything | jm x female reader [au]

Summary: In recent months, the bar your family has owned for generations has changed. Now it can't keep a bouncer beyond one shift, attracts the 'wrong' crowd, and is an albatross around you and your cousin's neck. Your cousin's latest hire, Joel Miller, seems like he might just survive the shift and as time passes, you can't help but want to know him more. AKA the Bouncer!Joel fic Word Count: 8.2k Warnings: 18+ MDNI, mentions of canon typical violence, RoadHouseBouncer!Joel AU, no outbreak, no specified age but reader has a cousin and inferred (not detailed) family deaths in the past, flirting, smut (p in v), Joel Miller is his chaotic self, mentions of death of a child (canon), many scenes set in a bar and mentions of alcohol or drinking, your standard lolabee flangst and introspection, reader mentions music, singing and playing guitar. Notes: So much appreciation for encouraging me to write this fic goes to @trulybetty for listening toand supporting my ideas and @rhoorl. Watching the new Road House movie at the same time as starting TLOU games led to this idea I couldn't let go of. Fic title isfrom the Noah Kahan song of the same name.

It’s starting to weigh on you.

You see it in your cousin more though; the weariness in her eyes as the local gangs come in and inevitably cause trouble. Both of you know where it comes from, the reasons behind it, why it’s so much worse for your roadhouse than anywhere else in the town.

Most days, you want to leave and sell up. Sometimes a fight is too much, it isn’t worth the cost, there’s too high a loss, too tiresome a battle. Everything your cousin possesses is tied up in the bar though. It’s not that simple for her and you won’t walk away from your family. You can’t.

The two of you cannot be the ones who let decades of your family’s legacy just wash away to nothing.

That was why your cousin had started with the bouncers in the first place. The two of you can only afford one, but it’s a small building, a small town.

“This one will be different,” your cousin says with a firm nod and smile that doesn’t quite meet her eyes. “I just know he will. He’s new in town, he starts tonight and he - when you meet him, you’ll see what I mean.”

You don’t say that she said the same thing about the last bouncer - what was his name? Dave, or Frankie, or something like that. You’ve stopped learning their names now - it’s pointless when they never last longer than a few days.

The bar is still quiet; tinny music coming through the speakers as you finish unloading the clean glasses from the dishwasher.

“Are you playin’ tonight?” she asks.

“Might do. If the crowd let me,” you say, smiling at your cousin gently. It’s a joke now; the bar hasn’t been safe enough in months for that.

It used to be your favourite thing about this place; the music, the ability to perform songs and transport yourself to what could have been, what could be. It might not be Nashville, or the Sofi stadium, but it’s the closest you think you’ll ever get to feeling like a real musician. And now you don’t even have that.

“Good, they will. It’s going to be a good one tonight, you’ll see.”

The new bouncer is called Joel but your cousin calls him by his surname: Miller.

He’s quiet, not like the other one. Instead of stalking around and flexing, Miller sits in the corner of the bar, perched on a stool and staring into a cup of coffee as though it would answer all his queries about the universe.

You feel bad about the coffee; you should have warned him that it’s truly awful, pointed him in the direction of the small diner ten minutes away that serves some of the best coffee in the whole state. You think your own coffee isn’t too bad either; perfected and tweaked over years to figure out the perfect combination of beans and grind to bring the best out of your worn moka pot.

“Next time, I’d go for water,” you say lightly as you approach his side of the bar. It’s still quiet for this time of the evening but the trouble doesn’t usually start until after ten anyway.

“Oh, yeah?”

“I’m not sure we can even legally call this coffee. I think there’s more caffeine in the Kahlua.”

“You have Kahlua?” Miller asks.

“It’s a very old bottle, I really wouldn’t risk it.” You try and remember the last time someone ordered a drink with it here but it’s hazy. The Bar doesn’t exactly attract people for its cocktail list anymore.

“Pity.”

“I can get you a water if you’d prefer. Or something else?”

“It’s fine.” You notice Miller has pushed the cup slightly away from him though. He eyes it with mild disgust and you feel suddenly even more worried for him. If he can’t handle the coffee, he surely won’t be able to handle the patrons.

“You’re Joe, right?”

“Joel,” he corrects instantly.

“Joel, right. Sorry.”

“Are there that many of us passin’ through, that you don’t learn the names properly now? Is that why your boss calling me Miller?” He doesn’t know who you are, that’s clear. He doesn’t know it’s your family’s legacy here too and you’re not just a bartender. This place matters to you.

“It’s only your first shift.”

Joel sighs and meets your gaze. His eyes are deep brown and you take in the slight salt and pepper to his stubble, the surprisingly comfortable looking plaid flannel he’s wearing. At the same time, you notice the stoniness in his posture, the wariness in his eyes.

He isn’t spoiling for a fight because he lives for them, not like the other bouncers your cousin has hired.

You’ve already realised that Joel Miller fights in an entirely differently way to his predecessors. You can tell his biggest battles aren’t the ones in a bar like this. Without projecting too much, you think they’re probably inside his mind. No one has haunted eyes like that without a story. You’re a bartender, you can just tell.

“What have you have been told about this gig? Do you know what you’re getting into?”

“I know this place has some troubles,” he says carefully.

“I’ll say.”

You remember when things were different in the town, in the bar. It wasn’t like this back then. It used to be for families. Your aunt once joked that your dad’s cooking could bring the entire town together. It’s been a long time since the place was known for a family meal though.

You grew up with laughter and joy inside these walls. Now, it feels like it must have happened somewhere else entirely. This bar is still where you ran in after being asked on your first date ever, where you opened your SAT results, studied while the bar was closed, had every family significant gathering or event you can remember.

This isn’t just a job for you.

“How long have you been here? No offence, but you don’t seem the type -”

“It’s my family’s bar. Your boss you mentioned, she’s my cousin. The two of us run it these days, well I mean, I only help out. It’s her bar now more than mine but it’s been our family’s place for generations. We’re what’s left.” All that’s left.

“I didn’t know. I wasn’t - I didn’t mean anything by that.”

“Of course, Miller.” His words weren’t meant with offence but he had still managed to pick at your vulnerability that you don’t truly belong and cut at your soul.

Your family never thought you’d keep up with the bar, your cousin was the clear front runner to inherit it and you supported that. You wanted to leave your hometown, that had never been a secret and your childhood bedroom had been covered in posters and postcards for exciting and different places.

Once, you dreamt of Nashville, of music venues and guitar calloused hands playing idle melodies as a tour bus drove you to your next city across a starlit sky.

Life had different plans for you thought.

“This town didn’t used to be like this,” you add, “We’ve had a lot of bad luck and - the whole town is suffering. You wouldn’t have recognised this place if you passed through even just a few years ago.”

”I’m -“

The door to the bar crashes open before Joel can finish his sentence. You notice the first of the regular troublemakers walking in and warily look around the bar. You can tell by their posture, the look on their face exactly what type of night it’s going to be.

“Looks like your work will be getting started soon, Miller. I’d drink up.”

He might just survive his first shift. That’s annoying - you have five bucks counting on him either walking out or be stretchered out like any of the bouncers by the end of the night.

You try and pay attention to your surroundings. It’s sensible in your line of work. For so many people that line between a good night and becoming the worst version of themselves is wafer thin and you’re often the first line of defence, you’re the one who has to say when someone’s not being served anymore.

Your cousin is in the back office, trying to sort out the multitude of paperwork that comes with owning a bar or business that nobody ever thinks about.

He’s calm, polite even for the most part.

He doesn’t escalate the situation, not like some of the bouncers who have spent a shift here recently. Mostly he sits and observes. His calmness is almost disconcerting and contrasts sharply with the danger in his posture, the readiness to move he’s concealing.

There hasn’t been too much trouble so far tonight; a mild fight which was easily taken outside but you can feel the tension in the air.

“Can I get ‘nother whiskey?” Robert slurs. He’s a regular to the bar now and has a particular penchant for not being able to handle his alcohol, being very resentful at being cut off, and worse of all never has enough money to cover his bill or damages.

“I think you’re done for tonight,” you say lightly.

“Nah, I say when I’m done.”

“Not according to the liquor licence,” you snark back.

“Look, just pour me -”

“You’re done.”

“You’re such a fucking bitch.” Robert slams his fist down on the bar.

“I think it’s time to go,” Joel says politely, suddenly standing next to Robert in the bar. You’re not sure if he’ll last as a bouncer here but you’ll give him points for stealthiness. You hadn’t even heard him approaching.

“I think -“ Robert starts before pulling a sloppy punch. Joel easily dodges it, raising his eyebrow incredulously at Robert.

“C’mon, now, it’s time to go.”

He places a hand on Robert’s shoulder and guides him out. You’re struck that he didn’t escalate the situation - that was the last bouncer’s mistake. What he hadn’t counted on was what Robert is a mean drunk and often gets a second wind of energy.

Joel walks back up to you at the bar. “The way people talk about this place. That wasn’t so -“

“That, Miller, that was nothing.”

You watch as another troublemaker, Owen, walks in, all biker vest and swagger. It’s never a good night when he’s here. Usually his presence signals a full moon style night of fights, shouting and misery. He hasn’t been in for weeks to your joy; you’d heard a rumour he was in jail. Not any more though.

“Miller you see now the trouble’s really going to start. That wasn’t even your warmup.”

Sunlight streams through the window as you finish wiping over the table. It’s your favourite time of day in the bar. Your cousin is catching up on admin, sleep and supplier deliveries, the bar is empty and it’s just you, the stereo and sunlight.

You can’t help but lose yourself in the music just for a moment. You love this song, the beat, the lyrics, the way it ebbs and flows in all the right places. Music is magic.

You’re not in a rundown bar, not weighed down by obligation and memories and self-doubt. You’re not here, you’re somewhere else. In a city, in a crowd, on a stage or even just dancing around somewhere else. You’re lighter and freer and desperate for the song to continue just a little more as you spin around, humming along with the lyrics.

You hear the door open and turn around quickly. You heard about the diner getting robbed a couple of weeks ago. You should have locked the door.

Miller’s there, some light discolouration to his jaw from the one punch he didn’t dodge, but otherwise intact.

“You seem surprised to see me,” he says.

“You’ve cost me five bucks,” you reply simply.

He raises an eyebrow, “Didn’t think I could hack it*?*”

“The odds are the odds.”

“Well, I’m sorry about your money.”

“Yep, that five bucks was my ticket out of this town,” you joke.

“Not sure that would even cover a bus ticket,” he replies dryly.

“Maybe the coffee for on the bus?”

“Maybe.”

“So, day two,” you say awkwardly, swinging your arms around you and then immediately wondering why on earth you did that. You busy yourself by turning down the speakers.

“Yep,” Miller says casually, sitting on a bar stool.

“Have - are you hungry?” you ask, suddenly conscious that it’s lunchtime and Joel not doubt has another difficult day ahead.

“I could eat.”

”It’s nothing fancy, because the kitchen’s not open, but it is homemade - well, it was. I froze it but it’s defrosted and it’s really good. Also, frozen food still retains its nutrients well, and in the case of cake, freezing it makes it even better.”

“I see.” Miller pauses, “It’s not cake, is it? I don’t think I can eat frozen cake before a shift. ”

“No,” you argue, “it’s Tuesday, that’s what we’d do on a Wednesday! Today it’s lasagne.”

Miller smiles then. It’s a good smile. Slightly crooked and his eyes crease a little, the way you always associate someone smiling when they mean it. His deep eyes are momentarily lighter, there’s a change in him.

You want to tease more smiles out of this man, want to identify each and every changed in his face or the way his hands tap against the old bar. You want to keep him like this, bask in the glow that you’ve bought that expression to his face.

“Lasagne sounds great,” he says after a moment.

“Sure, okay, Miller. Coming right up.”

“Call me Joel. Please.”

“Okay, Joel.”

You like how his name sounds against your teeth, the way he smiles once more when you say his name.

It becomes a habit. Joel survives shift after shift and inevitably turns up to the bar early the following day when you’re there.

He’s lasted longer than fourteen bouncers now. He might just make it. He’s quiet, yes, but you’ve seen the violence in his movements when needed, the way he tries to be polite and then it’s over, then it’s a line. There’s something that compels and terrifies you about the violence he holds, its contradiction because he speaks to you so softly and how can a man be capable of both?

“You need a second bouncer,” he says one morning as you’re trying and failing to sort the back door out.

The employee room in the bar is a barely functioning space. Cliche after cliche with the cheap red IKEA futon, mismatching furniture and chairs and elderly microwave and kettle. The air conditioning has never worked in the room and now the back door is jammed too.

The place is falling apart.

“Can’t afford it,” you reply nonchalantly. “We’re doing our best.”

“I know. But then someone could try and watch at the door, stop some of these people coming in.”

“I know. But no one’s coming in because they’re there so we can’t afford a bouncer. It’s uh, a catch 22. Can’t even afford to replace the damn -” You shove your weight against the door to no avail.

“I can fix that,” Joel says softly as you kick the door one more time.

“The gangs? That’s ambitious.”

“The door.”

“Oh, it’s just the weather and it always gets stuck now. Replacing it would cost-”

“I can fix it. I uh, used to be a contractor.”

“A contractor?” Joel hasn’t talked about his past much before. You know he has a brother, he’s the oldest and that he’s from Texas. Joel carries that

“Did you have to say that with the air of a cowboy in an old movie?”

“I wasn’t aware I did,” he replies, cocking his eyebrow in a way.

“What sort of contractor were you?”

“Building, just the general type.”

“Oh, okay. So you could actually fix the door?”

“I said so, didn’t I?”

“How do you get from contractor to bouncer?”

“It’s a long story.”

“I’d expect so.”

Joel squirms awkwardly. You’ve watched him easily apprehend aggressive gang members shouting the vilest things to Joel and move them outside. You’ve seen him barely blink over ill drunks spilling their souls on his shoes. You’ve seen him so strong and resolute.

He looks at his watch which, for the first time, you notice is broken and then at the ground.

“It’s fine, Joel,” you say, “you don’t need to tell me anymore.”

He keeps coming back, night after night and things start to change. It’s small, a fixed door and then a window catch replaced, the fact the gangs start coming around less. It’s change but the quiet type of change you only discover through previously entrenched routines.

You’ve spent time cataloguing his details, each scar or line, the way he takes his coffee (black, but a two to one ratio of sugar that makes you wince a little). Joel Miller has a sweet tooth.

You’re used to Joel now, you like talking to him in quiet moments in the bar, before or after shifts as he hangs around just a little longer. You tell him about the town, about how it was growing up, he lets it slip he’s from Texas, mentions a brother, Tommy, and you want to unpeel his secrets more and more.

You proudly place the slab of cake in front of him. Rain hammers against the windows and roof, creating great echoes as it sounds like the bar will come down around you. It’s unseasonal, the rain, an omen of quiet days. Today you don’t mind.

“What’s the occasion?” Joel asks, looking at the cake curiously.

“It’s a Wednesday.” You take a bite of your own slice, savouring the flavours, the delicate balance of sponge and icing. If you can say so, it’s a pretty great cake. You really have improved over recent months and while this was experimental, you’re happy with the result.

“Ah. Say no more.”

“Also, congrats, you’ve officially been here for eight and half weeks.”

“I pass probation then?” Joel looks around dubiously, clearly concerned your cousin or others will suddenly pop out in some surprise party or sense of occasion.

“Pretty much passed that by coming back on day two, but that’s my cousin’s domain. I just pour drinks.”

“And provide frozen food to the bouncers.”

“Only the ones who come back. Besides, it’s defrosted. I can take that cake back you know.”

“No, don’t you dare.” Joel takes a large forkful of the cake. “So why the cake though, sweetheart?”

“You, Joel Miller, are officially our longest standing bouncer.” You clap lightly in mock celebration as he cocks an eyebrow in response.

“What an honour,” he replies sardonically.

”You’re welcome.”

“Do I need to make a speech?”

“I think it was the speech that bought the previous record holder down.” Clint had lasted forty-five minutes after that speech. It was a bad night - a particularly nasty gang fight.

“Hubris,” Joel says lightly.

“Exactly.”

“Not bad for a contractor turned bouncer though.”

Joel laughs. “You going to tell me that story one day?” you ask, hoping your teasing expression hides how genuine your question is.

“Maybe,” he says. “You’ve not hit my records yet.”

“That a challenge?”

He shrugs and walks towards the door to ready the bar for opening.

You hand Joel the frozen peas wrapped in an old cloth. After the commotion, your cousin’s closed the bar early. It’s hard to recover the night from a scene like that and you’re pretty sure the broken table and glass amount to some sort of safety violation at the least.

“Thanks,” Joel says gruffly.

“You could have a concussion.”

“I'm fine.”

“You’re bleeding.”

Joel looks at his cracked knuckles and raises a finger to the cut on his head, lightly touching it and observing the blood that comes away on his hand. “’m fine.”

“You hit the bar.”

“Standard night on the job.”

“You hit it with your head.”

Joel shrugs, nonchalance and mischief at once.

“How’s the idiot?” Owen had come in with the intention of causing trouble; something about the rival gang, or his girlfriend, or something that would never justify his trail of destruction. Joel had maintained his usual rules; polite, carefully moving Owen outside the bar, even as he tried to fight back. You’re not sure how it went so wrong, how instead of getting Owen outside suddenly there were more of the gang, broken tables and chaos.

It’s been weeks since a night like that. It makes it feel brand new, the hurt starker somehow.

“He needs to go to hospital,” you say, wrapping your jacket around you after you lock the bar door, keys heavy in your hand.

“Oh.”

“He’ll be fine. His friends are taking him. You probably need the hospital too, I’ll drive you.”

“’m fine.”

“You’re not. Get in the damn car, Joel.”

“I’m -”

“The car, Joel. Don’t make me start calling you Miller again.”

Joel holds his hands up and shakes his head. “Fine, I’ll go.”

“Excellent,” you say with a sweet smile.

You drive in near silence but once you’re both in the hospital waiting room, he talks. He talks more than he ever usually does.

“I didn't need to come here,” he grumbles.

“Are you on the lam?”

“What?” He asks incredulously.

“You seem reluctant to be in a hospital that takes down personal information. It’s a reasonable question.”

He sighs, pinches between his eyebrows. “No, I’m not on the damn lam. I just - I just don’t like hospitals.”

“I don’t think a lot of people do. I guess it’s an occupational habit with your work.”

“I patch myself up usually. Last time I was in one of these places, it was … I was …”

“Joel, it’s okay, you don’t have to say anything.” You reach for his bloody hand and squeeze, unsure if the blood on it is from his own split knuckles or the fight. The violence of his body contrasts so much with the man you talk to, the friend you’ve made.

“When I told you it was a long story, how I went from a contractor to this … it’s, I don’t know.”

You shift so you can face Joel and try and model your best supportive expression. Joel and you talk about everything now, but he’s guarded and this is the first time he’s volunteered this story to you.

“We can talk about it later.”

“I had a daughter,” he says so quietly that you can barely hear him. “And then I had a chance, a second chance to - but it’s been a mess. I’ve been a mess. I’ve got a lot wrong.”

So much of Joel Miller makes sense to you know and you can understand the sadness that crosses his eyes sometimes, the reluctance to talk about his past.

“Haven’t we all?” You pause. “I’m really sorry about your daughter, Joel.“

“I don’t know how to make it right now though.”

“I think,” you say gently, “all you can do is try. For what it’s worth, you’re making a difference here, you’re making a difference with me.”

“Really?” He glances up at you, suddenly years younger and as you nod a slight smile light up his face briefly.

“Why don’t you tell me about her? If you want to.”

He smiles. “I do, but not tonight, but I will.”

“Joel Miller,” a doctor calls.

“C’mon, you’re up.” You squeeze Joel’s arm before standing up.

The balance has shifted and something’s changed.

The bar changes gradually like the way spring teases itself for weeks. It’s all subtle shifts, blossoms of hope and shoots of a future you didn’t dare think of too much. The bar might survive, your cousin is smiling again.

And then there’s you and Joel. Joel, who still pops in to talk to you even on his days off. Joel, who you sit out with after the bar closes and drink beer and play guitar to the stars.

“You should play here,” he says, taking a sip of his beer, “you’re good.” “You’re better. I can’t play guitar like you.” “Nah. Just had more practice at best. Your voice is pretty, so pretty.” “Oh, I’m not so good at playing. I’m better at singing,” you say. “Four basic chords are about my limit on the guitar.” “Don’t do yourself down.” “Trust me, I’m not.” You pause. ”Joel, you could - you could play with me. If I ever played here. it’s probably stupid.” There’s something unreadable in his eyes, a soft smile on his lips. “No, I’d like that.”

You’re accustomed to his presence, his low but grounding voice, his calm demeanour throughout all chaos.

He’s told you more about his past now. About Sarah and how her loss tore him apart for years, and also about the foster daughter he took in, Ellie. He won’t tell you much about Ellie though, except they stopped talking around about the time he became a bouncer. He once asked you if you would do anything to save the life of someone you love and you said yes. He nodded and moved on. You think it’s connected, you’re not sure.

You’ve worked at a bar long enough to know when it’ll be a bad night. There’s an electricity in the air, a tension that is so tight anything could snap it. You look over at Joel to see if he’s picked up on the same energy.

He’s sitting on the stool, observing quietly, but you notice the slight furrow in his brows. He looks at you and his mouth twitches into the smallest of smiles, but there’s anxiety in his eyes.

“I heard that Owen’s gang declared war on the Rattlers,” you say in a low voice. You don’t like Owen, or his friends, but the Rattlers are worst. Owen’s gang is the typical cliched grouping of a small town that’s become lost. They drink too much, throw punches without thinking and cause trouble. They’re not evil though.

The Rattlers are.

“Didn’t hear the Rattlers came through here,” Joel says in a low voice. “I heard of their reputation at a previous gig.”

“Their uh, second in command, is that the term? Anyway, he’s had a thing with someone in town for years. On and off. Guess it’s on again.”

“They cause trouble when they’re here?”

You scoff. “This was starting to feel like -”

“It still is, it still will. Let me do my job,” Joel says firmly.

You want to trust him; you do trust him. It’s the Rattlers that worry you, the feeling in your gut that this hard sought over peace is threatened, the deep and terrifying fear that this bar can never change. Not now. Not even with Joel.

Joel smiles at you, the picture of reassurance. “Owen might not come in here. This is hardly a welcome environment for his group anymore.”

“Joel,” you say nervously, “I just … I have a feeling.”

Joel doesn’t laugh or dismiss you; he straightens up and nods.

You’re not sure how things fall apart so quickly. One moment the bar was quiet, then Owen was there and before Joel could get him to leave, the Rattlers were here too. Maybe it was planned, maybe it was what they all wanted.

“Evening, unfortunately I need to ask you all to leave tonight,” Joel says politely, standing from his barstool. “I’m afraid the business is at capacity and we have a private function on.”

“Well,” Owen begins.

“Leave.”

“Look, Miller, it’s not -”

“I’m not asking, Owen.” Joel’s voice is low, deadly, the tone he uses when polite words fall flat, when it’s time to not be nice. “That goes to all of you.”

Owen falters slightly at the sound of that, you wonder if he remembers how things went the last time Joel used that voice.

“Y’all got a function on?” one of the Rattlers asks you. He’s covered in tattoos and is wearing a leather vest with numerous patches with no other top underneath. You wonder if he based his outfit on the existing tropes, if he’s intentionally as cliched as possible or if it truly is just an unspoken truth now. His hair is slicked back into a ponytail that highlights his receding hairline and a puckered scar that runs from his brow to his nose.

“I’m afraid so, gentlemen. While we, uh appreciate the desire to visit, I’m afraid Mr Miller is correct.”

“Really?”

“Uh huh. It doesn’t look so-”

“Please,” you say quietly.

For a moment you wonder if it will work, you’re on bated breath as the Rattler steps back and moves to say something to his gang. However, that’s the very moment Owen smashes a chair on his back and hell breaks loose.

“Oh, thank you so fucking much for that,” Joel says in an irritated voice, immediately pulled into action to try and get the situation outside, away from the patrons, from you.

You step backwards, hoping the protection of the bar will be enough.

People are running out of the bar as the chaos unfolds. It’s a flood of sound,

Someone pushes Owen onto the bar, pummelling him as you try and back away. “Please stop,” you say.

Then a flash and searing heat.

That’s when you hear Joel swear, you notice his eyes have darkened, his entire demeanour has changed.

Your vision is blurred by something and you can feel a sharp pain on your face along with something sticky and hot when you touch it.

You shut your eyes, willing the events away and allowing yourself to crouch under the bar and wait for the noises to stop.

It’s fine. It’s fine.

You’re fine.

“Hey, hey, hey, it’s okay,” a soothing voice says. “Ladies and gentlemen, I apologise but we do have to close early today.”

There’s a pause, noise around you and then something cool on your face. “I need to see the damage, okay? It’s me, it’s Joel, you’re going to be okay. I’ve got you.”

You open your eyes to see Joel crouched in front of you. He’s holding a damp cloth that is already soaked in red.

“You’ll need stitches, I’ll drive you.” Joel moves your head gently and nods. “Your eye looks okay; can you see normally?”

“Yeah. What happened?”

”Fucking - it was Owen, he grabbed a glass from the bar and instead of hitting the rattler - ”

“Got me.”

“Yeah. It’s deep but um ‘”

“I’ll live. I’m okay. Don’t need hospital.”

“Huh, you trying to prove a point here? How annoyin’ it is when someone who needs hospital won’t go?”

”It’s fine, Joel.”

“You’re hurt,” he says and he looks disappointed.

You feel a burst of shame, you should have defended yourself better.

“I’m going to call your cousin and tell her what happened and then I’m driving you to hospital. No arguments, okay?”

You try and smile weakly in acquiescence which seems to only make Joel frown more.

His hand lingers on your shoulder slightly as he hands you the seatbelt after bundling you into his truck. He moved quickly, closing the bar, making a hushed call in the corner to your cousin and then immediately guiding you out, a clean cloth placed in your hands to hold against your cut.

There’s a nodding dog ornament on the dash, something that doesn’t seem like Joel at all.

“Ellie,” he says quietly as he notices you looking at it. “Keep the pressure on that wound, okay?”

He turns out of the bar.

“Didn’t seem your sort of ornament,” you reply placidly.

“She called it Ernie, I - that kid.” Joel sighs heavily.

“You could call her,” you say, braver in the wake of your injury.

“I would. But she doesn’t want to hear from me, trust me.” He mumbles something else you can’t make out.

“You’re a good person, Joel. She -”

“I’m not.”

“You are,” you say, “trust me, I know bad men, but you aren’t one of them. Owen? The Rattlers?”

“The bar’s pretty damn low there.”

“You know the town I live in.”

Joel chuckles mirthlessly.

“I was going to play tonight,” you say quietly, “I thought it was time. That’ll teach me.”

“You could still play, maybe tomorrow though.”

“It would be harder with the blood right now.”

“Just a tad.”

“Thanks for driving me.”

“Of course.”

You wonder if he’s trying to return a favour, whether he’s the sort of person who just can’t feel indebted to someone else. Now you’ve bled on his car too, now you’re even?

He looked worried though. You think about the way he sounded too, the forced calmness when he checked on you.

You’re friends.

That’s normal, right?

“I’m sorry,” he says suddenly. “You shouldn’t have got hurt.”

“Joel, it’s … you can’t be everywhere at once. It’s not on you.”

“I should have -”

“Miller,” you say sharply, “it’s not on you. Not one bit. Do you think I can bar Owen for good now?”

Joel chuckles. “Yeah, I reckon so.

“Good, well that’s something, isn’t it? Almost makes it worth it. Do you think it will scar?”

“I don’t know, sweetheart.”

You pause. It’s vanity, you know, but the idea of this leaving a permanent scar on your face hurts worse than the injury itself.

“That’s not ideal. I-it’s stupid.” It feels so foolish to be worried about a scar when things could be so much worse, for your own vanity to say ‘well, now, you’ll never make it as a musician or star’ or to focus on your looks. It’s normal, it’s human, but it makes you feel guilty.

Joel looks at you carefully and he places a warm, solid hand on your hand that is not holding a compress to your face. “You’re so beautiful, you know that, right?” he says in a low voice. “This won’t change that. It couldn’t, okay?”

No-one calls you beautiful. There’s been half-hearted claims of your ‘hotness’ with exes, of your friends’ encouragement when you make a particular effort in your appearance, but nothing like this. Nothing that feels this sincere either.

He takes his hand away as the doctor joins you. You can feel the heat lingering like butterflies as the doctor attends to your wound.

Joel stays with you the whole time.

You hear the guitar before you can see him. Soft, melodic chords that reach a crescendo as you walk closer to the small cabin style house he’s renting. You’re not sure if it’s a complete betrayal of the trust from when you dropped him off after his hospital trip weeks ago, but you need to see him outside of the bar.

“Hey,” he says in surprise when he sees you. He places the guitar carefully down before standing up to greet you.

“I’m sorry to just turn up, I hope it’s okay.” You awkwardly clasp your hands and wring them together. “I was passing through and I thought - I thought I’d say hi.”

This is a complete lie; you are not passing through at all.

You’re wearing your favourite outfit and you sprayed an extra two spritzes of your best perfume on this morning. In fact, you have made considerable effort when you think about all of this.

“No, it’s great. I’m happy you stopped by.”

“You’re good. The guitar, it was … really good. I’ve not heard you play that before.”

“Oh, it’s just something I’ve been working on.”

“It’s really good.”

“Nah, not really.”

You frown, hands on your hips and he raises his own hands in defence.

“Can I - do you want a drink?” Joel indicates inside the cabin and you nod enthusiastically.

“That would be great, thanks Joel.”

There are three cabins in the area that a local businessman rents out. Joel’s cabin is the closest to the woods, the one that’s slightly hidden away. Inside it looks like a typical rental; the slightly shabby furniture and neutral demeanour that feels void of any character, the aged kitchen stove and units, an abundance of wood furniture.

There are touches of Joel too though. There’s a vinyl player and box of records on the coffee table, a plaid blanket over the sofa and a couple of photos on the fireplace mantle. You think they might be Sarah, maybe Ellie, but you don’t want to pry.

This changes things. It’s not the bar, neither of you are at work, or hanging out outside after a shift. This feels more personal, more intimate. This is Joel Miller, the real Joel, the one you can’t hide your feelings for now.

You do have feelings for Joel.

It’s funny, when he started you wanted to keep him at a distance because you expected him to leave like everyone else, you thought the bar was beyond help. You wondered if you were beyond your dreams. He’s helping bring you back though.

It’s his calm demeanour, the wry expressions and dry humour, his plaid shirts and the way when he smiles, which is rare but you’ve seen it, his whole face softens and lightens up. It’s electric.

You think about him all the time; reading articles you try and remember to bring up at the bar, when you hear a song he’d like. Joel’s found his way into your life and you don’t want to let him go.

He’ll leave though. The bouncers inevitably do, most people in your life do. You just don’t want that with him. You want him to stay.

“Are you okay?” Joel asks.

“Why?”

“You have that serious thought face on.”

“I have a serious thought face?”

Joel scoffs. “So, what’s up?”

“I just - I’m sorry, I shouldn’t have come here.”

Joel frowns then. “Why not?”

“I don’t know.”

“Okay, c’mon I said I’d get you a drink, right?” Joel indicates the sturdy wooden table and you sit obligingly. “So I’ve got a choice of tea, well It says it’s tea anyway. Uh, some whiskey, beer, water …. I’m out of coffee.”

“That should be illegal.”

“Shouldn’t it?”

“I might just leave now.”

“Wouldn’t blame ya.”

He’s close to you now and you feel emboldened by the fact you’re here, you’re with him and he’s not pushing you away or looking like he wants to leave. Maybe, just maybe this is a great idea.

“Now I think about it though, I’m not sure that I’m thirsty after all,” you say boldly.

“Oh no?” He leans in closer, hands hovering just over your waist. “Look, you don’t want -”

“I do. I do want.”

Joel swallows. “Really?” He’s looking at you as though you’re something mythical, something intangible he could lose at any second. There’s reverence in his eyes and it’s overwhelming and beautiful at once.

You nod. “I’m not the only one here who - I’m not though, right?” There’s a hint of nervousness in your voice now, a sense that perhaps this isn’t the great idea you thought it was just seconds ago. It’s like whiplash. This is why you should just focus on music instead.

“No,” Joel says softly, “you’re not.”

His hands, hands you’ve seen both acts of violence and hold your injured face so gently, skim your body. Joel’s hands, like him, are contradictions. He steps minutely closer, a little more into your space and oh so welcome.

He smells like soap and coffee, with the faint hints of autumn you noticed around the cabin and there’s something magic in this Joel Miller. Something in every sense of him, the way he touches you, the sound of his voice, the feel of his skin and sound of his voice that instantly draws you closer, that makes heat pool in your stomach.

He kisses you and you reach for his hands, entwines them together. He stops, concern mounting over his face. “You’re injured, I should have -”

“Doesn’t hurt,” you say softly, drawing him close again.

You’re a mess of hands and lips, a clash of sensations and finally, finally this is happening you think as h guides you further into the cabin. Towards his bedroom.

He guides you past the kitchenette, down the narrow corridor to his room.

You want to drink him in, absorb every detail of his body and commit it to memory.

There’s a ragged scar on his abdomen, a light scattering of stories across his body from other bars, other jobs, other Joels.

There are other details you want to remember though, especially the look in his eyes right now, heavy with desire.

“You’re so beautiful,” he says. You’ve heard the words before in similar settings but it’s been clear to you it’s the lust, it’s the ‘right’ thing to say. You know when isn’t meant, the lack sincerity signalling a paint by the numbers dalliance at best.

Joel’s voice is fervent though. Honest. He means this.

The majority of your clothes are soon discarded, both yours and his in a combined mess on the floor.

Your hands are running through his hair as he guides you onto the bed, as his fingers hover over the edge of your underwear.

He pauses, just for a moment. You wonder if it’s recognition of the line you’re both about to cross, if it’s to give you the space to confirm that yes, you still want him, to offer an out just in case.

You reach for his face, run your hand down his stubbly cheek. You’re trying to sum up your thoughts, to bring everything you want to say together into a neat sentence.

You smile and gently say, “I want you, want this. I thought you knew.”

“I didn’t, I didn’t think you’d want me. Been driving myself crazy thinkin’ about you lately.”

“Oh yeah?”

“Yeah.”

“Why don’t you show me what you thought about?” you ask.

He smiles as his fingers finally reach beneath your underwear, carefully pulling them down and then gently gliding his finger.

You’re wet, almost embarrassingly so, you think, for just making out.

“This all for me?” He asks with a devilishly teasing tone.

You don’t immediately answer, just smirk as he teases up to your clit and traces circles around it, smiling as you finally make a groan of contentment.

He slides a finger inside you, lazily moving it within you, finding that spot that makes you moan, adding another finger.

You feel close already, but he withdraws his fingers and then, looking at you, brings them to his mouth one at a time in a move that makes your cheeks heat up.

He moves to his bedside drawer, fumbling for a box of condoms you suppose. You’re still lost in catching your breath, in replaying the last few moments, in anticipating what’s about to happen.

He kisses you before positioning himself and you ready yourself for him.

You’re entwined, adjusting yourself for the feel of him, the weight of him. Hands interlocked with his as he finally moves, as he meets your kiss once again.

He adapts quickly, noticing micro=movements or sounds and changing his rhythm to draw every one of them out, to bring you to the edge once more.

You’re both a mess of rushed breaths, a chorus of names and gasps, ebbing and flowing to tease each other apart.

He’s everything and nothing like you expected. Hoped for even.

The feeling builds in your stomach, the rush of pleasure building almost unbearably.

Finally, finally you get your release. The ripples of pleasure ride through your body as the two of you lie together, boneless, catching your breath.

You usually feel a need to say something, to fill a silence, but it’s comfortable. You roll over, daringly placing an arm over Joel’s chest and leaning close. He pulls you towards you, kissing your brow lazily

You can feel his heartbeat, the warmth of his skin.

You feel like you could stay here forever.

Instead though, you’re practical. You excuse yourself to his bathroom to clean up.

You take in your reflection; the telltale signs of your exploits feel so visible to you as you freshen up.

He’s not in bed when you return. You pull your clothes on and head back into the main room of the cabin.

Joel’s wearing his jeans and not much else, humming as he concentrates on something by the stove.

“I promised tea, didn’t I?”

“We did get sidetracked.”

“Well, that was welcome,” Joel says. His voice is so much softer than you’ve heard it in the bar. There’s a vulnerability leaking through with each moment you stay here. It’s two sided, you can feel your own edges softening, a desire to open yourself even more to the man in front of you.

“I agree.”

The kettle boils and you watch Joel making the tea, try and not lose yourself in the broadness of his shoulders.

“So …” you break off, swinging your arms nervously and then wrapping them around yourself.

Joel hands you a steaming mug. “So,” he says. His voice is calm though, relaxed and somehow that helps.

“That wasn’t exactly what I thought was - I didn’t turn up for this specifically, you know? It wasn’t intentional.” Not that intentional.

“Would you have been wearing a trench coat if it was? Seduce me properly?” There’s mischief in his eyes as you meet his gaze.

“That a fantasy or something, Joel?”

He laughs. “Maybe, maybe it is.”

“Okay then. Logging that for another day.”

“Oh really?” Joel’s smile warms his entire face, it softens each feature and it’s something you never want to stop seeing.

It feels like you’ve known him so much longer. You feel comfortable in his house, you feel comfortable around him.

“So we’re opening back up at the weekend,” you say, “Got any plans for this time off?”

“Nope. You?”

You shake your head. “How about that?”

“Hmm, that’s not right. We should do something about that. Let me take you to dinner?”

“Dinner?“

“People still do that, right?”

“Yes, but - I’d love to.”

“Great. I’ll uh, defer to your recommendation, seeing as you know this area more.” It hits you then. Joel doesn’t have roots here and the bar, except for the Rattlers, has improved. What does this town, what do you have to offer?

“Are you going to leave?” you ask suddenly, the anxious thought you’ve tried to suppress bubbling to the surface.

“Leave?”

“When the bar’s open, when there’s no trouble.”

“There’s always some trouble.”

“Don’t. You know what I mean.”

Joel sighs and takes a sip of his drink. “Usually, I would.”

“But this isn’t usual?”

He points his hand at you and adds, “I don’t make a habit of this. I don’t …. Usually, yes I go in and out of places and I don’t stay long.”

Your heart sinks. “I understand,” you lie.

“I think, I think maybe there are some reasons to stick around here though?” It’s a question, not a confirmation. It strikes you then that maybe Joel feels just as exposed as you do.

“I think there could be,” you say.

“Good. I’m glad.“

The bar looks like the Rattlers never came through here. Everything is neat, clean and in its place. There are no broken chairs or tables. It seems almost impossible for how short a time ago it was.

Joel helped, you realise, he helped your cousin bring this place back.

“Are you okay?” she asks, “I can cover the bar if you need -”

“I’m fine.”

“You’re sure.”

You pause and run your hand over the smooth, clean bar surface. You think of Joel, of the conversations over so many nights about music, about what makes you happy. “Can you still cover the bar for a bit?”

“Sure.” Your cousin pauses and hesitantly puts down the crate of soda bottles. “Is everything -”

“I want to play tonight.”

“Wow.”

“Yeah, I’ve got to stop waiting right for the right moment, right? Just do it,” you say.

“And this has nothing to do with a certain bouncer?”

“No,” you say, thinking of the scar on your face, the battles you’ve won and will win in the future. “It’s for me.”

You can feel his eyes on you. It doesn’t make you feel nervous or under a spotlight though as you carefully sit on the stool.

It’s almost as though it’s just the two of you. Another night after work under the stars and messing around with a guitar. Or outside his cabin, thick flannel wrapped around you as you both play.

The bar feels safer somehow. It’s funny considering the recent Rattlers attack. Maybe that’s why - they came in and they tried to wreck the place, you were caught in that crossfire, but you survived. The bar survived. And the locals are back, the locals you wanted back. If you shut your eyes, it almost feels like before when your family ran the place.

It’s different though, because it’s your cousins. Because even though it might not be on paper, it’s yours too. Your legacy. You don’t want to fight it anymore. You don’t want to feel cynical about this town.

You look at Joel and smile and then you start playing.

Everything Pedro tag-list: @harriedandharassed@pedrostories@hiroikegawa @pedrosaidsheispunk @pastelnap

[panlight]

Another Bella-as-narrator problem is Irina.

In the books, Bella doesn't meet her until the not-fight and only saw her once before that, at a distance. To Bella, she's just the person who ran to the Volturi and reported what she thought was an immortal child. Bella has no reason to like this person or to care that she died. Probably blames her for everything that went down and you know what, that's fair.

But the Cullens? This should have been a much bigger deal to them. They've known Irina and considered her family way longer than they've known Bella! Decades longer! Hell, they've known her longer than they've known Alice and Jasper! They met the Denali coven in the 1930s, Jasper and Alice in 1950.

And sure, they can be angry and upset that she ran to the Volturi without talking to them first, they can resent her for being the reason the Denali wouldn't help in Eclipse. But that doesn't erase decades of family ties. She's also horrified, ashamed and apologetic when she realizes she made a mistake. These people who considered her a 'cousin,' family, just watched her be torn apart and burned. That . . . that should leave some kind of mark!

But she means nothing to Bella so her death means nothing to the story. It SHOULD, though, if the Cullens were given space to have feelings outside of the Bella Bubble. Hell, only Tanya and Kate are upset by it; even Eleazar and Carmen don't seem to care! "The atmosphere of celebration was too much for Tanya and Kate. They needed time to grieve for their lost sister."

I get they're all relieved and happy not to have been destroyed by the Volturi and all, but Irina's death should have been a bigger deal to the rest of the Cullens (and to Carmen and Eleazar).

It would be so easy, too? "We're safe now, Alice and Jasper are back, why is everyone still so glum?" "We've lost a member of our family." "Irina? But she betrayed you!" "Families are complicated, love."

[lmae98]

Parallels DMC3 - DMC5

The first four pictures are about Vergil pushing Dante away. In DMC3 he even threatens Dante with Yamato, but in DMC5 he doesn't try that hard, he just gives his brother one last chance to turn back. In DMC3 Dante is kind of processing everything (this is how I see his silence) and doesn't get the chance to say something; in DMC5, instead, he had enought time to think (like two decades) and he's 100% sure of what he wants to amend. Since DMC3 we can see the instant regret in Dante's face the moment Vergil falls. In my point of view, Dante does in DMC5 what he feels he should have done in DMC3: Stay by his brother's side.

The next two are about Nero taking Dante's place. Is now Nero who helplessly watches how the family he's just found (and the remaining one), leaves. His fear it's similar to Dante's (in DMC3), he doesn't know if he'll see them again but, unlike Dante (who thinks that Vergil is aproaching to a certain death), he knows for sure that they'll be alright. I believe that Dante's last words to Nero were of comfort, that he somehow kept in mind when he was in Nero's place and wanted to free the boy from the same thing he felt. I believe that Vergil had that in mind too when he promises his return to Nero (in his own special/weird way).

The next two are about the selfless/violent sacrifice. In DMC3 Vergil's attitude (cutting Dante's hand with Yamato) is not just about pushing Dante away, but a way to free his brother from him, to letting him move on and have a life too (that's my interpretation, not a fact btw, like almost everything in this post). It's the same when Nero is punched/knocked back because, in theory, he can go with them too and I don't think the world is gonna end for that, but they know (especially Dante) he has a life and bounds that ties him to the human world. That punch is about making it easy for Nero to let them go.

The last two pictures don't need much explanation. It's again about Dante doing what he thinks he should have done. He regrets letting Vergil go alone to the Underworld, so this time is him the first one to jump and making sure Vergil doesn't run off on his own this time. After all, they're meant to be together; in Visions of V it's reaffirmed. Both brothers stop fighting against it.

I probably didn't say everything I had planned, but this is a good summary. Sorry if there are mistakes, I wrote this from my cell phone and it seems that my autocorrect has a mind of its own.

[elizabethsnuts]

could you write bucky wanting to be able to braid his daughters hair but he doesn’t know how so he practices on nat and then their daughter being over the moon when bucky does her hair the next morning? 🥹

Perfect Braid

WinterWidow x Daughter!Reader

Summary: Natasha helps Bucky practice doing braids on her hair so he can do the perfect braid just for you.

———

Bucky Barnes was a skilled man, honed through decades of war, and survival. Yet, there was one particular skill he lacked —braiding hair. It seemed simple enough, a trivial task in comparison to the life-or-death situations he had navigated countless times. But when you had approached him one evening with wide, hopeful eyes and a hairbrush in hand, he realized it was anything but trivial. It was a moment that required precision, care, and above all, love.

"Daddy, can you braid my hair like Mama does?" You had asked, your voice filled with innocent trust.

Bucky had knelt down, taking the brush from your little hand, his heart swelling with a mixture of affection and apprehension. "I'll try my best, baby doll."

His first attempt was a disaster. The strands slipped through his fingers, tangled messily despite his best efforts. Your giggles were gentle, not mocking, but they only heightened his determination. Bucky promised you he would get it right, and that was a promise he intended to keep.

That night, after you were tucked into bed, Bucky found Natasha sitting on the couch, reading. She looked up as he approached, one eyebrow quirked in curiosity.

"Nat, I need your help," He admitted, somewhat sheepishly.

"With what?" She asked, closing her book and giving him her full attention.

"Braiding hair."

Natasha's lips curved into a smile, a rare and genuine expression that lit up her face. "Never thought I’d see the day you became a big softie," She teased. "Y/N asked you to braid her hair, huh?"

Bucky rolled his eyes but couldn't help the small smile tugging at his own lips. "Yeah, yeah. Laugh it up. But I'm serious. N/N asked me, I want to do it right."

Natasha stood, gesturing for him to sit. "Alright, sit down. I'll show you."

She sat down in front of him, her long, red hair cascading over her shoulders. Bucky watched intently as Natasha began to separate her hair into sections, her hands moving with practised ease.

"First, you need three equal sections," She explained, guiding his hands to mimic her movements. "Then, you take the right section and cross it over the middle, like this. Then the left section over the new middle. Keep repeating that pattern."

Bucky's metal fingers felt clumsy and awkward compared to Natasha's graceful movements. He fumbled, dropping the sections more than once, but Natasha was patient. She corrected him gently, her instructions clear and calm. Slowly, the pattern began to make sense, and Bucky found a rhythm.

"You're getting it," Natasha encouraged, feeling the braid start to take shape under his fingers.

They practised for hours, and Bucky was determined to perfect his technique. Natasha's hair became a testament to his efforts, the braids improving steadily. Finally, when he managed a braid that was neat and tight, a grin full of pride and accomplishment lit up his face.

"Thanks, Nat. Really," He said, his gratitude evident. He kissed her cheek and smiled.

She smiled at him, a glint of pride in her eyes. "Anytime."

The next morning, Bucky woke early, nervous but ready. He found you already awake, your hair a wild halo around your head. You beamed up at him as he approached with the brush and a few hair ties in hand.

"Ready for your braid, baby doll?" He asked.

You nodded eagerly, climbing onto a chair to sit still while Bucky worked. He combed through your hair carefully, recalling Natasha's instructions. His hands moved methodically, sectioning the hair and beginning the braid. Right over the middle, left over the middle, repeat.

Minutes passed, and the room filled with the quiet sounds of his concentration and your soft humming of nursery rhymes. When he finished, Bucky secured the end with a hair tie and stepped back to admire his work. It wasn't perfect, but it was a braid—tight and mostly even.

You reached up, touching the braid with awe. Your face lit up with joy, your eyes sparkling. "Daddy, it's beautiful!" You exclaimed, throwing your arms around his neck in a tight hug.

Bucky hugged you back, his heart swelling with pride and love. "I'm glad you like it, sweetheart."

You pulled back, looking at him with pure adoration. "You're the best, Daddy."

At that moment, Bucky felt a profound sense of accomplishment. He had faced countless challenges in his life, but none compared to the simple joy of making his daughter happy. As he watched you skip away, your braid bouncing with each step, he knew he would braid your hair every day if you wanted, because, for you, he would do anything.

Natasha entered the room, having observed the whole scene from the doorway. She gave Bucky a nod of approval, her eyes warm. She turned to you with a big smile on her face, "Did Daddy do you hair just like Mama does?"

You nodded your head quickly, almost jumping up and down in pure excitement. "Yes! Yes! Yes! I love it!"

As the day went on, Bucky found himself smiling more often, the memory of your delighted expression a constant source of joy. It was a small victory, but in his life, small victories were often the most meaningful. And this one, this braid, was the most important of all.

[claws-and-quills]

Stay With Me

A/N: This was a little more self-indulgent for me, ngl. Old Man Logan seriously deserves more love and attention.

CW: mentions of blood, old scars, talks of death

Word Count: 1,391

Genre: Angst and Fluff

Everything felt like a blur. Where had the time disappeared over the years? You clenched your teeth, looking at your beaten and bloodied reflection staring back at you in the mirror. Your hands still trembled with shock, pain, and adrenaline. Your stomach churned at the sight. Blood stained your blouse that was now riddled with bullet holes.

“Logan?” You finally work up the courage to call out to him. The back of your throat burned with unspoken emotions. You could hear the soft grunts echoing down the hallway; your heart sank to the bottom of your stomach. “Logan?!”

Swallowing thickly, you rush out of the room. How long have you been out? An audible gasp falls from your lips at the sight of him slumped tiredly against the wall. He looked to be in just as bad of shape as you, if not worse. You fall to your knees in front of him, tenderly cupping his cheeks in your hands. His gaze meets yours, a soft grimace at his lips.

“Hey…m’not dead yet. I'm not that easy to kill just yet,” He cups your cheek in his hand. Your stomach tied itself into knots at his words. Time has been so cruel to you, and to especially Logan; the reality felt like a swift kick to your gut.

“Don't say that. I know you're no spring chicken, but….that's something I'd rather not think about…” Your eyes remain focused on his, searching his features, memorizing every scar, every crease, every perfect little imperfection. 

A quiet chuckle rumbles in his chest; though, he immediately winces at the movement. Life had been so much darker, harder even ever since the X-Men had slowly dwindled and smoldered down to mere foggy memories. You slowly take one of his hands into both of yours and tenderly kiss his knuckles. Tears picked the corners of your eyes. This was never how you imagined life would be; not like this, not living day to day with fear of the unknown. It felt as though it took every ounce of your energy not to let the tears fall from your eyes and down your cheeks.

Logan furrows his brows tightly as he watches you. His eyes, though tired and painful, soften at the sight of you. He could smell the fear, the pain, and the relief that radiated from your body. He cups your cheek with his other hand. His fingers were rough and calloused against the tender skin of your cheek, but you didn't mind it one bit. You lean into his touch, savoring how his hand felt on your skin, how his natural scent still held onto the aroma of rustic oak, leather, and a touch of mint.

“Hey…m'just a little banged up. Don't heal like I used to before. It's going to take more than this to keep me down…” His voice was soft, hoarse even as he fought to speak through the pain. You knew he was right, though. You were blessed and cursed to see him over the decades, centuries even,  as time slowly kept its way onto his face and across his body. You nod stiffly, slowly opening your tearful eyes to meet his gaze. “C'mon, don't cry. Hey…I'm still alive now, aren't I? Don't cry, Pretty Girl. Please…”

“Lo…” You croak, your voice shaky and uncertain. Your eyes finally open and rest on his tired face. You slowly get to your feet, tugging at his hand to try to get him to follow. Just as in your younger days, he refused to budge at first. Grunting, he slowly gets to his feet, and the small clink of spent bullets hitting the ground followed him through his movements. “You look a mess…” your voice was hushed, barely a whisper. The expression in your eyes told Logan everything he needed to know and hear. He didn't try to put up a fight, nor did he try to give you a hard time; in a rare moment, he let you lead him away to be properly cared for.

You cover your mouth to keep another gasp at bay after you have worked his bloodied beater up and over his head, revealing the bullets that were still lodged deep within his chest, arms, and abdomen. It was painful for you to watch as he struggled to force the bullets out from the wounds they had left behind within his skin and body. The breath you were holding became stuck in your throat, almost suffocating you as you watched in painful silence.

“Lo…” you say softly and slowly wrap your arms around him from behind. His skin was hot against your cheek as you rested your cheek against his bare back. Hot tears began to roll down your cheeks. You couldn't hold it back any longer; the pain became too much to hold back. You press a tender kiss against his back between his shoulder blades, followed by another over an old scar that had been left behind from what you only imagined had been a sentinel. With every metallic clink that came from the bullets that fell into the sink, you could feel Logan's body tense and relax, forcing the bullets out.

He slowly rests his hands on top of yours; his fingers tenderly caressing your arms. For a second, you could have sworn you heard him exhale a shaky breath before he turned to face you. His eyes were soft and concerned; his gaze tenderly fixed on you. Your eyes finally meet his. He looked tired, pitiful even. It felt as though a thorn bush had wrapped its thorns around your heart, tearing into it with every beat.

“Stay with me…please…” The words fell from your lips without a single thought. He tenderly takes your chin between his thumb and index finger, tilting your head up towards his.

“I'm not going anywhere…hey…I promise, I'll never let go…” He rasps softly against the top of your head. His lips press a tender kiss to the crown of your head as he wraps his arms around you tightly. “How bad is it…did they hurt you…”

You shake your head against his chest. Parts of you were unsure as to how much of the blood that was on you was yours or the agents that had hunted you and Logan down. You didn't care if you were injured; all you knew in that moment was that you didn't want to let go of him. A soft breath catches in your throat at the sensation of his fingers hooking into the bottom of your blouse, tugging it up your body to be gently pulled up over your head and gently dropped onto the floor. Your wounds had healed for the most part, but you still appeared to be in rough shape.

“I'm okay…I…let me help you…please…” You speak softly, to which Logan nods. Standing on your tiptoes, you place a chaste and tender kiss on his lips. His arms snake back around your body, pulling you in close against his chest.

“Only if you let me help you…” He murmured into the kiss. His thumbs rub small circles onto your hips. You finally nod, sniffling as he pressed his forehead against yours.

Once in the shower together, the hot water felt heavenly against your and his sore body. The pain in his eyes faded away as he watched you. His eyes close at how tenderly you caress his chest, pressing a chaste kiss over his heart. A soft, quiet, appreciative moan rumbles deep in his throat near the top of his chest as you start to wash the dried blood away from his chest and arms. It was the small intimate moments like this that made him fall in love with you all over time and time again.

“I'm sorry, Darlin’...” His voice is soft. You lift your gaze to see him watching you with soft, loving eyes. “I'm sorry you have to endure this…all of this…”

His words felt like a hot poker had been stabbed through your heart. You shake your head slowly. “I would rather go through 1,000 hells with you than live in a 1,000 heavens without you…”

He cups your cheeks in his hands, pulling you in close for a tender kiss. “I love you…”

“I love you too, Logan. Always and forever…” You whisper softly against his lips.

[xiaosonlybeloved]

Of Flowers and Death~ -Hanahaki AU

fem! reader x Zhongli, Zhongli x Guizhong, implied Zhongli x Lumine

warnings:- angst, hurt/no comfort, major character death, graphic descriptions of blood and violence. (lemme know if i missed anything) length-2.8k words a/n:- Mmm yes my favorite oneshot till date. stay till the end for that juicy angst haha (i have been writing for over two hours everything hurts but its worth it) Likes comments and reblogs are greatly appreciated, and do check out my childe smau too!

Edit:- there is a sequel now- Regret, Guilt, Anguish

masterlist

“Oh..” you murmured in less than a whisper. You were hidden behind a few rocks; you had come to meet Morax, the god of Liyue, but your dearest friend, Guizhong, was already there with him, and it looked like they were having a moment. You couldn’t help but want to listen in, because after all it was Morax who you had loved for most of your life.

You were a foreigner to Liyue; you came from Inazuma. But you weren’t any ordinary Inazuman. You were the third and youngest of the Raiden sisters, who ruled over Inazuma itself. No one other than the archons knew about your existence, because Ei and Makoto kept you a secret, protected. Although not many knew, there had indeed been a few attempts on the lives of the Raiden sisters, and this was what they wanted to protect you from.

After you had a few centuries of battle experience and training under your bag, you were allowed to explore the world. You were not tied down with the duties of ruling Inazuma. Naturally, you attracted the attention of the gods, each one of them remarking on how you inherited all the characteristic features of the Raidens.

Only the heavens above knew how you managed to become the best friend of one of the major gods, and that too Morax. But he was the reason you chose to settle down in Liyue. As time passed, your feelings for Morax, also called Zhongli by his friends, also grew more than platonic.

Now see, you knew Morax was something of a blockhead when it came to feelings. So you didn’t think much when Morax kept sending you mixed signals. You both were immortal gods after all, you had all the time in the world. You continued to hopelessly fool yourself, thinking that just perhaps, there was a chance of him loving you back.

Then came the goddess of Dust, Guizhong. A minor goddess she was, but a wonderful one. It didn’t take her too long to make her way into everyone’s hearts, including yours and Zhongli’s. While you both quickly grew into fast friends, there was just one thing that constantly irked you. Just one. It was the way she quickly grew so incredibly close to Zhongli.’

You knew that Guizhong fancied Zhongli; she confessed it to you yourself. You were forced to merely plaster a fake smile upon your face and laugh her words off.

That brought you to this day: watching Guizhong confess to Zhongli. And the amount of heartbreaking anguish when Zhongli accepted with a smile, pulling her in close, after having remained oblivious to all your advances over the decades…. It was just… You couldn’t handle it. It was too much.

You quietly sneaked away as soon as possible. And then.. And then came the coughs and the bloodstained petals. Being from Inazuma, you knew all about it of course. Hanahaki. Needless to say, you were horrified. Since that day, you somewhat avoided the duo on the pretext of the ongoing Archon War. It was here that you showed your true battle prowess as a Raiden. You alone decimated entire armies of the enemies, leaving not even ashes.

The war went on for months. You lost many allies in fighting to ensure that Makoto and Morax got seats in the Seven. Till sundown you fought without relent, showing that even a beauty can be dangerous. At night, you gave your fallen comrades the proper, respectful  farewell they deserved. By now, only the last few contenders for the heavenly thrones were left. The last opponent for Morax was the ocean god, Osial, in Guyun Stone Forest, and his followers. Recognising the serious threat he posed, you did agree to team up with Morax to eliminate him. The path for Morax to become an archon would then become clear. Through experience, you both knew that you two together were a formidable force. 

The battle was a long and exhausting one. You both started at sunrise, and barely managed to subdue him by sundown, having understood that even with their combined power, they would not be able to kill Osial. You both went back to your makeshift camp, looking forward to just resting for the night. Thank the gods you had very few coughing fits during the battle.

And yet, the moment you stepped past the protected borders, you felt that familiar eerie chill that crept up your spine. The heavy silence that hung ominously, the one that meant something was dreadfully, terribly wrong. And you were right. You took in the scene. The five Yakshas of Liyue were present, and they seemed to be sealing some sort of hexagonal structure, which was suspended above a figure. And the figure…

Was Guizhong.

Any dislike you harboured towards the Goddess of Dust disappeared as you laid your eyes upon the figure that had been turned to stone. The first and utmost thought in your mind was that something was wrong with your second best friend. Evidently Morax had come to the same conclusion. He let out a strangled sound as you both ran towards what remained of Guizhong. As you both gingerly touched her as if she was made of glass instead of stone, you knew. It was clear- Guizhong was no more.

Despite your stormy emotions, it seemed you were capable of only letting out a few tears. Morax seemed to be physically incapable of crying, yet his emotions were plainly displayed on his face for all to see. 

That night, you stayed with Morax, doing your best to comfort him, despite needing comfort yourself. Neither of you had any more tears to shed. 

That night, Morax has emerged as one of the Seven with your help, but you both lost Guizhong along the way.

~◈~

2 millenia had passed since the Archon War, and it left its scars on everyone. However, you could be lying if you said that you didn’t feel relieved that Guizhong was out of the way. You also felt guilty for feeling like that. But it was rather funny, how you managed to survive with your hanahaki for 2000 years, while most died within a few months. You supposed the reason was that Morax, who now completely lived as the mortal Zhongli in the Harbor, was seriously the absolute master at giving out mixed signals. He often unknowingly did things that lovers did, giving you hope. Yet that hope gets squashed a few days later, and the cycle continues. In all honesty, the hanahaki wasn’t really a big problem, more like a chronic disease that you had come to accept as a part of your life.

You knew that while Zhongli had mostly recovered by now, he still irrationally blamed himself for Guizhong’s death. You often told him to move on, yet he never said anything. You could see how opposed he was to the idea though. That’s why it was a surprise when he invited you to his office in the funeral parlor right after you returned from Inazuma. You could see on his face that there was something that pleased him. He first enquired about your travels and stuff, then said, “[name], do you remember how you’ve always told me to move on?” “Oh yes. Have you been thinking about that?” “Indeed. Although Guizhong will always have a special place in my heart, I believe that I am now ready to mingle again. I realised recently… that I have feelings for someone new.” 

You couldn’t deny the flutter of excitement you felt on hearing those words.Was this finally it? “That’s great Zhongli! Who is it?” “Do you know the Traveler, Lumine? It’s her. I met her a while back, when you were out on your travels. I love her so much.” He proceeded to tell you all about Lumine. He was lovestruck and you could see that. With every word he spoke, you felt your heart drop more into your stomach. You were doomed. Utterly doomed.

All this time, you’d just been deluding yourself, lying to yourself. He had never loved you, and he never would. You were struggling to keep your easy smile glued to your face as yet again, you felt something rise up your throat. You politely managed to excuse yourself, your voice coming out all scratchy and raw. Once you walked out of his cabin, you sprinted towards the confines of your home. By the time you locked yourself in, some petals had already escaped and blood was smeared across your palm. 

You were hunched over the sink, which was already full of flowers and blood within a few minutes. It hurt. Everything did, both your body and your broken heart. You knew your impending death was near, because never had your hanahaki been this severe. You couldn’t undergo the surgery because Zhongli was a massive part of your life, and simply forgetting about him would raise a barrage of questions. Plus, you still loved Zhongli too much to forget about him, despite the fact that somewhere deep down, you always knew that he’d never love you back.

~◈~

Your time was very close. The past few days had been spent isolated into the confines of your home, claiming to be exhausted from your latest journey whenever someone came to visit. Funnily enough, today was the day when Zhongli’s former love, and your former best friend, Guizhong, had died. In short, her death anniversary. Seemed it would be yours too.

You usually avoided visiting Guizhong’s memorial and burial site, which was in an isolated cave near Liyue Harbour. However today you thought it was fitting for you to pay your respects to her for the last time. And so, you dragged yourself out in the early morning, before sunrise. You left before anyone could see you, before he could see you.

By the time you are at your destination, your condition has significantly worsened due to the physical strain. It’s all you can do to respectfully place the flowers beside her memorial and lean against the wall. You began to speak to no one in particular in a cracked voice. “Hey Gui…? I hope.. You are at.. Peace… Just know that… I’ve never… hated you.. You’ve always been my.. Best friend.”

“How lucky you were… to be loved by Zhongli.”

Your throat choked up, not because of emotion, but because of another bout of bloody flowers. Not wanting to die there because he would see you, you got yourself out and into another deserted cave just beside. Not the best, but you had no choice. You had merely left a few petals at the entrance of both caves and a faint trail of blood in between.

By now, you had fallen to the ground in searing agony as flower after bloodstained flower forced its way out of your raw throat. You were lying on a bed of the flowers you yourself had coughed out.

How long it had been, you did not know. Perhaps minutes, perhaps hours. You started coughing again, not a moment’s respite. Your life force was almost completely drained. Any moment now.. You would be free.

It was then that you heard a horrified voice ring through the silence. “[Name]!”

~◈~ 

Zhongli was up at sunrise. Despite his new love, his mood was somber- it was Guizhong’s death anniversary. He had every intention to continue visiting her memorial. As usual, he sought you out. There was a rare chance that if you were in the mood, you would accompany him to pay respects to Guizhong. Yet when he knocked at your door several times and received no response, he chose to leave you alone, despite being slightly worried. You usually did respond at the very least, but he was sure you were alright,

He stopped short in front of the cave which housed Guizhong’s memorial. There was a fresh bouquet of Glaze lilies. But who brought them here? Especially since this place was practically unheard of. He took a few quick steps forward and kneeled down to inspect the bouquet. His heart lurched.

Attached to the bouquet was a small note that said, ‘To my dearest best friend, Guizhong.’ There was no name, but he recognised the handwriting well enough. [name] had already been here. Without him? Was there a reason?

His eyes were drawn to something else too. Relatively new footprints in the soil. And blood.

Blood?

His heavy footsteps echoed in the cave as he quickly walked out, following the faint trail of footprints, blood and petals. They were leading him to a nearby cave. His heart rate accelerated as he heard heavy coughing.  And behold the sight that awaited him- an utterly pretty bed of flowers and petals stained in a blood red, and someone coughing while lying on it.

“[Name]!” He cried out, completely horrified.

You curled into yourself even more on hearing his voice. All you wanted was to die in peace, why did he have to make things more difficult? Why did he have to come here? The flowers started choking and constricting your throat on their way up, ever more unrelenting, fueled by the appearance of the one who caused them. It was so hard to breathe… Just a bit more…

You felt yourself being gently lifted into someone’s strong and warm embrace. You weakly met Zhongli’s eyes, which were full of panic. You’d only seen him lose his composure like this once before, his fear more than evident on his face. “[name]- I- What happened? Please, tell me! I- I can’t lose you too!” He exclaimed frantically, feeling your life ebb away second by second, with each cough that released blood and Glaze lilies.

Your throat constricted even more, making it excessively hard to breathe. You just wanted to rest, It was all you could do to force a few broken words from your raw throat.

“...Hana..haki…” That was all Zhongli needed to know to understand. His pupils dilated in fear even more. “Who.. Who is it who made you suffer this way?” Zhongli whispered, unable to take in your completely broken state. You didn’t respond for a few moments, feeling your eyelids shut. You forced them open, not wanting to leave him hanging. “Always.. Loved you.. Always will… Be happy.. For me.. Okay? That is my last wish.” You weakly tried to reach a hand towards Zhongli, who instantly grasped it tightly in hsi, and pressed it against his face, as the realisation hit him like a truck. “What..?” He whispered softly.

Your eyes started to droop again, and you gave in, feeling nothing but qa soft ringing in your ears as your senses dulled. “[name], no, please don’t leave me!” Zhongli cried out in panic, grief and anguish, seeing you slip away from him. You simply let a small smile rest on his face as you whispered, “Just.. sleeping.. Tired.” Unable to accept your fate, he whispered, “Sleep well then, my dearest.”

But you never lived to hear that.

Because then you moved no more.

Was fate trying to mock him with [name] dying in his arms, in front of him, on the same day as Guizhong’s death? You were always there for him, always there with him, until you weren’t. And never in his immortal life was Zhongli able to forgive himself for this, knowing that he was the reason you were dead.

mm yes now hows that huh? gonna disappear for a few days now haha tags and comments are very much appreciated!

[madschiavelique]

omg okay y’all absolutely LOVED this post right here about young halsin x you turning to the shadow druids and meeting decades later so let me elaborate a bit about it (ps i’m in pain physically as i write this so it’s not proofread at all and very quick but i need to let some thought out)

imagine halsin and you, in his quarters, ready for interrogation. it’s night, some fireflies are coming in and out of his windows, but you’re not watching them. your eyes are planted in halsin’s.

so many questions swirl in his mind like individual drops of rain falling all at once together on calm water.

you were gone, at least that’s what he had thought for so many years. maybe you had perished after the flames, maybe you had changed of continents, maybe you had fought another battle that led you to the sour arms of death.

he never thought he was to see you again, not even in afterlife. but here you are, all tied up in front of him.

more beautiful than ever.

and you, you’re watching him in silence, hooked on his lips in expectation of whatever he might say.

he has the strength to form a sentence, trying his very best to keep it all under the “protecting the grove” argument.

“why are you here ?” he asks.

his voice changed so much. it’s much deeper, like thunder coated in honey. his voice was already the sweetest back in the days, but the new one…

“trying to prevent your grove from getting in trouble.” you answer, leaning your head back against the wood of the wall, not leaving his eyes.

he frowns, the duties of archdruid have changed him. he matured, you think, he made a man out of the snarky boy you once knew.

“from…” he says, searching his words, “troubles like you ?”

troublemaker, that was the nickname he used to give you. you’d always tried by every mean to make him look less perfect than how he used to be back in the days, and you still wondered if he had managed to remain effortlessly errorless.

you smiled, full of nostalgia at the single word, “i was your favourite kind of trouble. the one coming for you, though…”

“quit your games,” he stopped, “what are you truly here for ?”

“i told you, your grove’s about to be in danger.”

“how’s that ?” he scoffed, “you, the great deserter, coming to such a haven in search for something else to destroy ?”

halsin still had some bitterness. you had not just left him, you had been dishonest with him, betrayed your home, your friends, your circle, him.

“i did not mean to destroy the temple.” you said between clenched teeth.

“but you did it anyway.” he spat.

“because it was either see this stupid rubble go into flames or watching you die!” you snapped.

halsin’s eyes went wide, anger and surprise and confusion passing on his face and heart without transition as he looked at you with new eyes.

now, imagine that the reason why the shadow druids took you in in the first place was because of leverage, and this leverage was halsin.

imagine the poisoned words they made you drink, how they certified to you that by coming to their order you could finally top him on something and not be an eternal second of his.

that notion of being second had for a while been less and less present to the front of your mind, this simply because you were no longer in a competition with him, at least not in your mind.

but what if they had made you believe that halsin charming you until you fell for him was his own strategy to get first ? what if they had made you bitter enough about him that you had fallen for their lies ?

what if they had threatened to kill him if you were to not join them ?

should i give more loves 👁️👁️

small tags for the people that wanted to hear more about this !!

@halsinningiswinning @radioactivepidgeon @daughter-lilith @fruitymoonbeams-blog @sparrowbard @oooof-ifellforyou @girlwithadragonheart @altered-delta

[sausage-rolll]

I'm genuinely shocked that so many people were blindsided by the reveal that Miquella was a bit fucked up to the point that some even think that it's a recon. Because honestly there were always signs that something was a bit off with him.

-

First of all, and most obvious is that he took part in the shattering. Having Malenia go on a war path across the entirety of the lands between in his name. Even without the context of why this was done, it's still a pretty dubious thing to do.

There's also the fact that him and Malenia were the aggressors in the battle of Aionia. The fight happened just outside of Selia. Right outside of Radahn's home. She rocked up to the town he was protecting looking for a fight. A fight that, may I remind you, devastated Selia and other surrounding locations.

Miquella had done a copious amount of research into Malenia's affliction in search of a cure, I refuse to believe that he didn't have at least some sort of idea as to what could happen if she was pushed far enough. And he still allowed her to enter a battle to the death with radahn that ended up not only ruining both of them, but the entirety of Caelid too. All while he watched on from the sidelines.

-

Moving on to a much shorter point, his power to compel affection. A power similar to the bewitching branches, an item that he may have also directly developed, which allows one to override the will of another person to such an extent that they'll turn on their allies and fight by your side.

-

This point's something that I brought up in the past, and something that borderlines on headcanon but I think it's worth mentioning.

So, you know castle Sol. The castle in which Miquella attempted a ritual to revive Godwyn. The castle in which half of the key to his haligtree is guarded. The castle that watches directly over said haligtree. The castle in which Miquella definitely has very close ties to.

That castle Sol.

Did you ever notice that it contains a pretty sizeable albernuric torture chamber? One fitted with tools and contraptions that'd make Rykard proud, including the black dumpling.

Now there's no way to prove that Miquella had anything to do with this. He's been absent from castle Sol for decades. I just think it's notable that a castle so synonymous with him has a torture chamber full of the very people he's vowed to fight for.

-

Now that's not quite everything. There's also a few more points, like how he's dubbed as the most fearsome empyrean and even some stuff with St. Trina like her cult that developed sleep inducing weaponry to forcibly spread her teachings (though there's no proof she endorsed this), but I think I've made my point. Miquella's always been kind of off. There was just enough ambiguity surrounding him to give his actions the benefit of the doubt. But those actions were still there.

[lurkingshan]

I've been thinking a lot about the depictions of generational trauma and parental accountability being presented in dramas lately. Since you've watched way more than me, especially outside of BLs, what are some shows that present or include parental accountability?

This is such a good question and one I have been thinking about a lot since Last Twilight episode 10 aired. Westerners often assume that because of Asian cultural norms around filial piety, parental authority, and respect for elders, we can never expect satisfying parental accountability in our Asian drama narratives. But that's not true! It's been done and done well. It’s because these values are so deeply embedded in most Asian cultures that Asian creators are the best positioned to speak on the harms they can cause, and will often embed these themes in their work.

Now, there is an important distinction to make here: the difference between what characters do, and what the story communicates. A character may choose to abide by honoring their parents at all costs, but the story can still communicate how harmful that is. A character may never apologize for something they have done wrong, but the story can still make it clear they have fucked up and hold them accountable for that via tangible consequences. Here are a few examples from bl to illustrate what I mean, and the different ways this can show up in dramas.

Bad Buddy

One of the most obvious examples of parental accountability in genre, and also a pretty full metal version of it. This entire story is about the damage Ming and Dissaya did their sons with their decades-long feud and insistence on pushing that trauma down on their children, and we got some extremely cathartic scenes of Pat and Pran telling their parents exactly what they thought about that. Of course, even though they raged at their parents, they never got the apologies they deserved (and likely never will) and still had to hide their relationship to appease their parents going forward. But that doesn't mean there was no accountability here. The entire narrative held these parents accountable by showing us how they were harming their sons, forcing them to reckon with it, and ultimately showing them settling into a form of resigned acceptance.

Until We Meet Again

This entire show is about Korn and In's reincarnated souls healing from the trauma of their tragic ending, which was brought upon by the familial pressure and rejection they experienced from their fathers. We not only saw Dean and Pharm work through this trauma and forge new bonds with family members, we saw the direct aftermath of their first deaths, the despair and regret their families felt, and the ceremony that tied their souls together as a result. It's big karmic accountability on a grand scale, and the show never flinched from letting us see exactly how much harm was caused by these parents, or how the tenets of filial piety resulted in Korn's despair that he couldn't be what his father wanted. Even more crucially, we were shown, not just told, the counterpoint impact of good parenting, when Dean and Pharm were accepted by their families in their second life.

Blueming

A rare example of an Asian parent being called to the carpet, feeling the wrongness of their actions, and actually apologizing for it. This does in fact happen in drama! Si Won's mom raised him to hate himself, to be ashamed of his body, to fake his way through life so people would like him, and boy did it do a lot of damage. The story showed us how this affected Si Won and his relationships deeply, and brought him to the point where it finally burst out of him. And his mom, to her credit, was dismayed to understand what she had done to her son. This show also gets bonus points for Da Un standing up to his own mother after she interferes in the film contest.

Bed Friend

Uea's mother's sins against him are numerous, and I will not go into them all in detail to spare my own sanity. She is an abusive parent so horrific that she can never be forgiven, and doesn't need to be. An apology from her would be utterly meaningless. Instead, the drama holds her to account via showing us what she's done to Uea and the work he has to do to heal from the trauma she caused, and ultimately having her son cut her out of his life. It's the biggest consequence she can ever face for her choices and that Uea finds the courage to do it is the story's biggest triumph.

What Did You Eat Yesterday?

On the subtler end of the scale, we have our beloved KNT, which weaves parental accountability through its story in the long, slow journey for Shiro's mother to accept who he is and the partner he has chosen in life. What I love most about this particular depiction is that it's not at all linear in nature. We see her make strides by finally acknowledging Kenji and inviting him to her home, and then backtrack by rescinding the offer due to her own discomfort, and then include him in her family planning to ensure he will be cared for after her death. She’s homophobic and traditional, but she loves her son and sees how much happier he is with Kenji in his life. She is constantly reckoning with that tension. And Shiro and Kenji, being of an older generation themselves, don't hold it against her, even as the show makes sure we understand how much it hurts them. They are not okay with it, but they do understand why she's like this, so they take what she can give and forgive the rest. It's a really touching portrayal of this kind of impasse in a family.

Moonlight Chicken

There are several different vectors of parental accountability in MLC. There is Heart confronting his parents over their neglect and abuse and finally demanding to be treated with dignity. There is Li Ming directly calling out his mother for how her life choices have affected him. And there is Li Ming and his surrogate dad, Jim, working out their issues so that they can communicate better, and so that Jim can learn to stop pushing his own fears and anxiety down onto the next generation. All of it handled with deftness, with care, and with clear purpose to examine the ways intergenerational trauma can perpetuate in the absence of accountability.

[kaedekolya]

clarence and his counterparts: man or monster?

So we were talking about Clarence’s new android SSR (Faint Night Light) in the LBC discord server, and it got me thinking about the monster allusions that seem to be a common thread across Clarence’s main stories. Then we discussed the diary entries from his White Day event, and it occurred to me that this monster imagery also ties into his modern-day counterpart – and with that, this post was born.

In other words: is Clarence a man, a monster, or somewhere in between?

[ SPOILERS: Clarence’s main stories and Chrono Theatre diaries. This meta analysis is structured as story-specific sections, namely Godheim, Eden, and the modern world, so you can skip over the world(s) you haven't read yet. No Awakening spoilers, don't worry! ]

- ☽ -

Godheim: Archmage Clarence

First, let’s talk about Godheim Clarence. As the Archmage, he bears a heavy responsibility upon his shoulders – to oversee the Magi Tower, to fight the Glacial Butterflies, and, ultimately, to protect the country and its people.

In order to fulfil this duty that he has chosen to undertake, Clarence seals his heart and shuts others out. He denies his emotions, and resents himself for having these emotions, to the point that he disparages MC for “[acting] impetuously” and belittles her capabilities when she shows concern for Amelia’s wellbeing. Archmage Clarence’s impassivity is his shield against the emotions he views as a hindrance.

Yet he was not always this way. Clarence is a casualty of cruel circumstances, a tender soul torn apart by trauma. When MC is confronted with the truth of the mages’ magic, having witnessed a mage die before her very eyes, she notes that “[there] is no pain or compassion on Clarence’s face,” because “[this] is a sight he has seen all too many times before.” Decades of watching his fellow mages succumb to the Glacial Butterflies that nest inside them, and decades of having to end the lives of mutating mages under his purview, have conditioned Clarence into numbing his heart to such pain. How else could he have stayed sane, after a century of bearing witness to suffering wrought by his own hands?

Archmage Clarence’s disposition is initially described by MC as an “[icy] presence,” but this is the facade that he projects as a defence mechanism, not his genuine self. Clarence is so accustomed to the chill of the Glacial Butterflies within him that he has taken on the frost as a personality trait, believing that his frigidity defines him. He does not view himself as a human capable of warmth; instead, he thinks of himself as a mutant, as an icy monster.

Even so, Clarence cannot deny his innate inclination towards kindness. When he notices that Amelia isn’t feeling well, he tells her to sit in the carriage. When Amelia’s temperature drops, he casts a spell to warm the shivering child up, even as he grumbles that he’s wasting his time and magic. When Amelia’s death is imminent, he tries to send her off in the gentlest way possible, then grants her final wish by conjuring a connection to the water mirror. Clarence may insist that he does not care, but his actions reflect his compassion.

It is this very kindness that steers him towards a path of selfless sacrifice, for the sake of his country and its people. The life of a mage may have been forced upon him, by the man that gave a gravely injured child no other option but the potion that would transform him, yet Clarence learns to harness his power for good. He spends his youth eliminating Glacial Butterflies and protecting the village of the snow plains, and despite the harsh conditions of the path he now treads, he does not hold a grudge against the family that sold him off and thrived in the resulting profit. Instead, he returns to check on them from afar, and when an onslaught of Glacial Butterflies attack, he protects them with every last bit of energy within him.

Still, his family’s betrayal left an indelible mark on his psyche. Back when he’d been given the potion, he’d resolved to succumb to his injuries rather than drink it. Despite his instinctive desire to live, MC notes that his “will to live [had been] virtually non-existent,” because there is “[no] despair greater than being betrayed by your own family.” The young Clarence had not seen a reason to live, when his family had forsaken him. It is only when MC saves him, urging him to live on, that he resolves to survive and repay this debt. Each time MC encounters him in her voyage through time, he is on the verge of death, and each time, his dwindling will to live stems from his despair over those he could not save. What ultimately keeps him alive is the vow he swore to his saviour.

This characterisation is one that carries through his immortal lifespan. Clarence does not live for himself; he lives for others. Whether that means risking his life to defend a village, or sacrificing himself in a ritual to save the country’s inhabitants, the underlying premise is the same – Clarence lives for the person who saved him, and for the promise he made to them. He allows others to form negative opinions of him based on the assumptions they’ve made, in order to keep the secret of the ritual and the Glacial Butterflies from them, because their scorn towards him matters less than their safety. He closes himself off from others, never permitting them to reach out to him, because he cannot allow companionship and compassion to distract him from his purpose. He “[cannot] afford to be sentimental,” because he cannot have anyone or anything clouding his judgement. Better to be the enemy of the state that saves it, than the friend of the state that cannot do anything as it crumbles. 

It is ironic, then, that Clarence’s devotion to his promise leads him from striving to live and fulfil it, to voluntarily dying for that same promise. His life, his existence itself, is secondary to the promise he has made. He will live to protect the world for his saviour, but if the only way to protect it is to die, then die he shall. Perhaps he views it as a penance of sorts, an atonement for the sins he’s committed. Perhaps he believes the new world would be better off without a monster like him.

For all his calculative callousness and stoic solitude, Clarence is deeply self-aware. Not only is he conscious of the suffering he inflicts and the ramifications of his actions, but he also ruminates upon his sins until they turn to guilt in his gut and self-loathing in the deepest recesses of his soul. He does not turn a blind eye to the pain he witnesses; instead, he looks it straight in the eye, internalises it, and forces himself to feel nothing at all.

Clarence may appear to have no qualms about exploiting people and reducing them to cogs in a plan greater than its constituent parts, but his interactions with Amelia prove otherwise. Right before he sends her off on what is meant to be a suicide mission, his carefully-crafted defenses slip, and he asks whether she hates him. Clarence believes that he has failed to live up to the Archmage’s title, that he has fallen short of being a “guiding force for all the mages” and a “protector.” He condemns himself for his callous strategies and merciless manipulation, since he has been treating people like chess pieces and “using them as [he sees] fit.” He disparages himself for “[standing] by on the sidelines, safe and sound.” He believes others hate him because he’s given them all the reasons to, because he deserves to be hated, because he, too, hates himself. All this while, he fails to recognise that he has taken on the greatest sacrifice of all – the burden of leadership, of decision-making, of being responsible for all the blood on his hands.

This downplaying of his own suffering, alongside his disregard of his own well-being, is what drives Clarence to self-sacrifice time and time again. When a theory about the Glacial Butterflies begins to take shape in his mind, he does not test it out on one of his mages, because he does not view them as expendable despite what he claims. Instead, he uses himself for his experiment, slicing his chest open and bearing the agonising pain in order to ascertain the truth of the magic within him.

On the verge of being overcome by the Glacial Butterflies, despite having prepared for this eventuality by shackling his limbs, he makes one last selfless request. “My Lord, you must kill me before I turn,” he entreats, willing to relinquish his own life for the safety of others. Even when Philip protects him from the Glacial Butterflies, refusing to kill him, Clarence believes that there is no place for him in the future that his Lord envisions.

Decades later, he still echoes this same sentiment. “There is no future without sacrifice,” he tells Lars, and he does not see himself as part of that future, does not see himself as deserving of that future. Archmage Clarence thinks of himself as a monster, not a man, and a monster is better off dead than alive.

It is a revelation, to him, that Amelia does not hate him. MC does not hate him. Lars, Alkaid, the mages that carry on the legacy of the Magi Tower, none of them hate him. They do not view him as a monster; they view him as a martyr, a protector, a saviour. Someone who did his best, and gave his all. Archmage Clarence leaves behind a legacy through his sacrifice, spurred by the human heart he still harbours deep within.

- ☽ -

Eden: Falcon Clarence

Next, we have the Falcon Clarence of Eden. The lone ranger of the desert, the mercenary that eliminates Sandswimmers with impeccable precision and works with no one else.

“A bait that only knows how to cry is a burden,” his mentor tells him, and Clarence internalises that into his cognitive framework and guiding compass. It is “the first lesson Liore taught [him];” that he must prove his worth in order to live. His scent lures the Sandswimmers to him, and so he must make himself useful by seeking out danger.

Valued only for his utility as bait, Clarence learns that his worth is determined by his fighting skills. With no other way to survive, he becomes a NEOS by fusing Sandswimmer gems into his body. Clarence pays the price of this acquired power through the gradual erosion of his memories, but that is far from the only thing he has lost. His decision to accept the integration of these foreign, beastly objects into his body has changed him irrevocably. He thinks of himself not as a human, but as a mutant being only one step away from becoming a monstrous Lost. Still, he endeavours to “remember [his] humanity,” because he refuses to become a “mere weapon [that knows] nothing but destruction.” Falcon Clarence understands that he is, by definition, a monster, but he refuses to relinquish the last shreds of his humanity.

In his first encounter with MC, he is rational and pragmatic as always, scrutinising her motives and seeing no reason to work together. Years of solitude, with no one else to depend on, have honed Clarence’s reflexes into an “instinct for self-defence.” Yet his reaction to MC’s request reveals that his solitude has been shaped by circumstance, not entirely by choice. When MC explains her reason for seeking out Eden, even though it does not sound particularly convincing, Clarence accepts it as sufficient and agrees to lead the way. Despite the potential risk of allowing a stranger close, he offers MC a ride on his motorcycle. Subsequently, he continues to help her out, defending the children’s shelter and giving her the gems he’d collected, even as he refuses to follow her any further.

Falcon Clarence claims that he works alone, but everything he does is for the sake of protecting others. He fights in the desert to protect the shelters from Sandswimmers, and he fights in Eden to protect Lin and the other NEOS from the Lost. He brings MC to the NEOS Association, so that she can rest for a night and learn essential skills from Lin. He knows that the night is dangerous, so despite his own preference for working alone, he ensures that MC has a community of protection around her.

Even as he dismisses everything and everyone else as burdens, his actions speak otherwise. Despite having met MC for only a single day, he offers his assistance to her time and time again, from rides on his motorcycle to filling water bottles with her. He could easily leave her to fend for herself, but he chooses not to leave her behind even when that would be the easier way out.

Perhaps the reason Clarence refuses to work with other people is that he’s afraid. Afraid of dragging them down, afraid of becoming their burden. He fears that history will repeat itself. He cannot bear to lose someone he cares for again, so he refrains from caring about anyone at all. Each time Clarence chastises others for being a hindrance, he is reproaching his past self for his inadequacy. Each time he risks his life to protect others, he is atoning for his failure to save his mentor.

MC says that she understands how Clarence feels, because “acting alone means nobody will be hurt because of [him].” In a way, acting alone also protects himself from being hurt. It is a defence mechanism born from his past, when he had to “learn to accept [his] losses” from a young age. He couldn’t afford to grieve Liore for long, not with the constant threat of the Sandswimmers, and so he could do nothing else but “live on with what memories [he] had left.” He’d forced himself to harden his heart to his emotions, but he could not suppress them entirely.

Clarence blames his moment of weakness, of emotional folly, for causing Liore’s death. It was her humanity, even in her final moments as a Lost, that held her back from killing him and caused her to die. He regrets his choice to this day, and perhaps it is this survivor’s guilt that pushes him to fight harder until he reaches the brink.

It is this same guilt, alongside his resolve to not lose anyone else he cares for, that drives him towards self-sacrifice. When he realises that MC needs a soul stone – his soul stone – to open the door within Central Control, he unflinchingly raises his gun to his head, as if it were the natural and logical decision to make. He is ready to offer his life without a moment’s hesitation, because that is the utility he can offer in this moment, in order to keep MC safe and help her achieve her goal. She has given him a reason to fight, and he will die trying to fulfil it.

Ultimately, it is his encounter with MC – and the companionship which blooms from it – that saves him. Without demanding anything in return, she cries for his pain, fights by his side, and shoulders his burdens with him. Clarence doubts his humanity, even as he holds fast to it, since he is all too cognisant of the monstrous traits within. In turn, MC’s unwavering trust reaffirms the humanity within him, reminding him that he is worthy of living.

Falcon Clarence may not be fully human on a biological level, and he may still succumb to the effects of the monsters within him from time to time, but he has managed to preserve his heart and his humanity. His tale is one of healing, of opening up, and of learning to value himself for who he is and not what he can do.

- ☽ -

Modern World: Clarence

Finally, let’s circle back to modern-day Clarence. At first glance, he’s the calm, collected, and capable Student Council president, who always seems to have affairs in order and circumstances under control.

Then, in his Chrono Theatre diary entries, we learn that he had a psychiatrist observing him from a young age, due to his gifted aptitude and exceptional intelligence beyond that of his peers. This revelation sparked a discussion in the LBC discord server, which spurred this message of mine that then became the basis for this meta post:

Clarence is well-versed in decorum, but that doesn’t necessarily mean it comes naturally to him. It’s likely that he learned social etiquette by picking it up from observing how other people behave, so he knows the appropriate responses to give and the socially-acceptable ways to carry himself. However, because this social understanding is not an innate trait but a learned one, there are often times when he doesn’t recognise the need for social niceties, and instead his instinctual response – founded on his internal logic – comes through.

One example of this can be found as early as his second interaction with MC, after she paints an artwork of him:

The polite thing to do would be to express interest in or appreciation of the finished product, regardless of one’s actual feelings towards it. However, Clarence “doesn’t show the slightest interest” in MC’s painting. Does this mean that he doesn’t care for it, and doesn’t see the need to put on a pretence? Quite the contrary. Instead, it’s because he thinks he doesn’t have anything useful to offer in response, and thus he stays silent.

Here, we see a disconnect between how Clarence understands the world, and how other people tend to view it. While most people would appreciate receiving praise or validation, Clarence doesn’t particularly see the need to receive either, and thus doesn’t immediately think of giving them to others. Rather, he takes a more pragmatic approach, focusing on utility; a piece of work deserves feedback for the effort poured into it. However, as a law major, he does not have sufficient knowledge or expertise regarding art. As such, he believes that his feedback would not be useful, and thus it is better not to say anything at all.

This ties into how Clarence views himself as his roles, and the functions he can serve. He understands that he has worth, but he evaluates this worth through his services as the Student Council president, or his contributions as a law intern. When he assists others, he doesn’t think of it as going out of his way to help them; instead, he views it as part of his rightful duty.

As a result, Clarence doesn’t view himself as simply “Clarence.” Rather, he thinks of himself as Clarence, the Student Council president; Clarence, an upperclassman; Clarence, a friend. If he can fulfil someone’s needs through a role that he holds, he will do it, even at the expense of himself.

We see this most prominently in Clarence’s “Break Time” R card story:

When the senior who’s supposed to interpret for an academic speaker falls ill and fails to attend, Clarence steps up to fill their shoes last-minute. William notes that Clarence can be counted on to show up whenever and wherever he’s needed, and MC agrees that he’s “the only one who’s up to the task.”

However, what most people don’t recognise are the sheer lengths Clarence will go to in order to fulfil his duties. On top of his regular responsibilities, filling in for the interpreter caused Clarence to “[burn] the midnight oil” preparing for the speech, and taking care of the sick speaker meant that Clarence could not sleep for two days. He doesn’t recognise that he’s constantly going above and beyond, because to him it’s a given, but he is in fact pushing himself past his limits, and past the line that most people would draw.

It’s interesting to examine MC’s thoughts here, because she interprets Clarence’s willingness to take a nap as a rational understanding that he needs to rest in order to keep functioning. However, this only happens after MC coaxes him into taking a break. If she hadn’t intervened, Clarence would have continued pushing himself until he completed his task – he was already at “the brink of collapse,” and he “only agreed to sleep after [MC] practically begged him to.” Clarence prioritises his responsibilities to the point that he does not recognise his own needs, and thus neglects to take care of himself.

Although modern Clarence doesn’t think of himself as different, or as anything less than a person, it’s evident that he views himself as the roles he fulfils rather than simply as who he is. In turn, this mindset is reflected in his behaviour, which then shapes other people’s perceptions of him. This is how Clarence becomes characterised as the aloof and intimidating Student Council president in the students’ eyes, even though he cares so deeply and helps out so much; most people are unable to look deeper and see Clarence as the person that he is, because he perceives and presents himself through the lens of his roles.

As such, other people often view Clarence as different from themselves – as if he’s operating on a different wavelength, or existing on a separate plane entirely. Modern Clarence’s genius sets him apart from his peers, but more than that, his perspective of himself winds up alienating himself from other people. Clarence views himself as like others, but others view him as unlike them. He blends in well enough, but he doesn’t quite fit in; he has a place in society, but he doesn’t quite belong.

- ☽ -

Clarence, across time and space

Out of all the Clarences thus far, modern Clarence is perhaps the most well-adjusted, and this reflects the importance of having a support system. Godheim Clarence and Eden Clarence were isolated from a young age and survived alone throughout most of their lives, whereas modern Clarence had family and friends around him. He may not have had the most conventional childhood, but he grew up with his older sister Jaclyn and his close friend Luca, and he also had his psychiatrist Ford observing and monitoring his development. Subsequently, after he enters St Shelter Academia, he gains a circle of friends he can rely on, such as William, O’Connor, and, of course, MC.

Expanding upon Clarence’s St Shelter Academia bonds, we see that Clarence has people around him who genuinely like him for who he is, and are willing to support him unconditionally. O’Connor affectionately refers to Clarence with a nickname – “Shi-kun” in the Japanese voiceover, or “Little Si Lan” in the Chinese one – and for all his devious teasing, it’s clear he looks out for his Student Council successor. As for William, he may whine about Clarence’s by-the-book discipline, but his clumsiness and complaints do not preclude him from helping out when needed. For all that Clarence often chastises William, he still relies on him to assist with Student Council matters, and he knows William is someone he can trust.

Compared to these two, MC is a relatively newer connection, but her bond with Clarence runs deep. Right off the bat, she’s able to meet him on his level and banter with him, and he lets down his guard enough to subtly tease her for trying to trick him. As their relationship develops, Clarence grows to trust her, sharing his inner thoughts and admitting his vulnerabilities. MC is a safe haven for him, and she understands him on a level deeper than most. While the other students may fear Clarence for his aloof disposition, or hesitate to approach him due to his detached rationality, MC sees the earnest sincerity woven into his actions and the warmth laced through his words. Others may think of him as an unfeeling robot or a terrifying monster, but MC loves him for the human that he is.

There’s a subtle but interesting juxtaposition here, in which Godheim Clarence and Eden Clarence – both possessing monstrous mutations within them – view themselves as monsters while most others do not, whereas modern Clarence – wholly human – views himself as human while most others do not. All three Clarences are keenly aware of what constitutes them, allowing this biological understanding to shape their perception of themselves, but they do not recognise that their actions paint a different picture to others.

Regardless of the world he inhabits, Clarence constantly straddles the line between man and monster. His selfless nature and dutiful diligence often lead him to self-sacrifice and superhuman feats, creating the illusion of a monster – but beneath this facade lies, always, the heart of a human.

- ☽ -

thank you for reading!♡

if you have any thoughts about this post, i'd love to hear them! responses are always welcome, and my ask box is open~

up next: android clarence, and the inevitability of tragedy. where is the line between human and machine? stay tuned for my thoughts on clarence's awakening main story!

[literary-motif]

ENOUGH ANGST !!!! AAAGGHHH I HATE ANGST !!!! So after Isis confirmed the bound, Xanthus said that he will now sleep with love in order to keep them safe. After listener gets comfortable and finally falls asleep. Xanthus keeps staring at them, slowly releasing what Isis said and building a deeper connection to love. Just for Xanthus to hug them and rest with love PLSPLSPLS

My Design

Xanthus Claiborne x Reader

There was something very intimate about sleeping together — literally sleeping together. Xanthus was enthralled with the soft rise and fall of your chest, calming him so thoroughly that he feared it might lull him into the land of sweet oblivion himself. Your eyelids were gently closed, hiding the beautiful eyes he had lost himself in quite a few times since meeting you in that alley. 

He could not believe you had agreed to spend the night. Certainly, his lavishly decorated house — nay, mansion — might have something to do with it. It looked rather nice, he supposed. He was proud of the furniture, his collection of little specialties expanding over many centuries until it consisted of the composition of works he decorated his house with. 

There was an original Böcklin in the study, and a letter his old friend Van Gogh had sent him safely tucked away in the cabinet, next to the volumes of now historical pictures a history student might sell their soul for. 

His bed was very comfortable as well. Perhaps that was the reason that got you to stay, or maybe the thunderstorm raging in the night had made the prospect of walking home rather distasteful. Either way, you were here now, and he was glad for it. 

Isis had been gone for two hours, and his mind was still reeling. The bond was as fascinating as it was utterly terrifying. He had spent centuries living alone, not daring to tie himself to another person because they would wither and fade before his eyes, and now he was entangled with someone who was definitely going to die! 

‘Tis a fearful thing to love what death can touch. Yehuda Halevi was right, but instead of the holiness he described at the end of the poem, Xanthus would find insanity when your heart stopped beating. 

How fearful, indeed.

What was this feeling of love he had? How long had he gone without it? Vaguely, he recalled an infatuation at the end of the 19th century — nothing he had ever felt compared to this. 

There was a thread tying you both together, one he could not so easily break no matter how hard he might strain against it. Not that he wanted to, although he supposed part of him did.

Vulnerability never came easy, and now you were his weakness. A weakness. 

You mumbled something in your sleep, and he could not help the fond smile that came across his face. You looked so comfortable with your head buried in the pillows, lying on your side. Unconsciously, you had curled around him, and Xanthus felt the sudden urge to gather you in his arms and make sure nothing mortal or otherwise would ever get the chance to hurt you. 

Something in his chest shifted at seeing your peaceful expression — one that had been missing from his own face for decades. His chest felt warm, and he felt the burning need to protect that had evaded him since he had watched his nephews being lowered into the ground. 

This is love, he realized suddenly, burning, aching, maddening love. What had he become?

What had the bond done to him?

“Xan?” you mumbled, still asleep. His heart could not take it.

“I’m here, love,” he whispered, carefully wrapping his arms around you to pull you against his chest. Your head lay on his chest, and you let out a content sigh, appreciating his affection even from beyond the veil of sleep. “Sleep, I’m here.”

You did not reply, your gentle breathing filling the air again. Distantly, he heard a crack of thunder, lighting striking across the sky in a sudden flash of unloading tension.

Xanthus closed his eyes, listening to your heart instead, hearing it pump the blood through your body. He hoped it would keep beating for a long, long time to come. 

He would make sure of it anyway.

[kittysproduce]

#TESFest2024 Day 02: Secret | Golden

Miraak who visited the Last Dragonborn's dreams when she was but a child and became her ever watchful guardian.

Miraak who, in a hasty attempt to save her from imminent danger, awakened a dangerous, self-preserving power laying dormant within her.

Miraak who spared her from death, only to cause her a hundred more.

Miraak who failed, who kept silent... who betrayed her trust.

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(Some more Miraak and Kisa lore below the cut)

In my blorboverse, Miraak was the one to catalyzed the Soul Magic within Kisa.

Kisa who couldn't control when and how to command it would then spend the next decade becoming a target of organizations that want to get their hands on her and study/exploit her condition.

Each time she ends up on death's door, her magic will start siphoning in any soul essence nearby to restore her being, whether she likes it or not.

Kisa would spend the better part of her young adulthood thinking she's been cursed.

She'll seek out Miraak—who had cut ties with her on the day he helped her, hoping it will keep Mora's attention away from her for a little longer—thinking he would be able to help her but is eventually doomed to find out that this man, the very one who she looked up to like her own parent, was the one who started the series of unfortunate events in her life.

Fail dad Miraak and his wayward child. My doom driven dragonborns, thank you.