#thread; in the dark no one has to know
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yrsonpurpose · 11 months ago
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Please stay gorgeous and strong and unbelievable. I miss you I miss you I miss you I love you. I’m calling you as soon as I send this, but I know you like to have these things written down. A ✿ / ❀
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stardustedknuckles · 18 days ago
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It's looking like there's a growing divide between Campaign watchers and Tlovm watchers in terms of like. We're here for the characters. 12-episode seasons aren't. They can't be. I'm already making peace with everything we'll lose in the Mighty Nein show, and I know I will enjoy it for what it is but I also know that almost nothing that made the story so special will translate to the screen, because turning it into a show automatically means (in this day and age) that plot must be the number one priority. They've already come out and told us it's going to be different, the characters we know and love but new stories.
Because that's how this has to work. And I feel bad for campaign one lovers, because while it is certainly the easier of the two to translate to a big, overarching story, even though it's a more "traditional" high fantasy story with easier archetypal characters, the archetypes and the plot aren't what cemented most people's love for the campaign. So much of the love for critical role is stored in the interpersonal dynamics and the payoff that comes from hundreds of hours of tiny interactions that one day become cornerstones of development and even affect or dictate the plot.
There's no room for that. There's no room for Bard's Lament in a story that cannot afford to remove and replace a main character. A lot of tlovm is for people who have been here for all of campaign one. Most of it, however, isn't. It's for a new crowd. While CR may have creative control, you can bet your ass that there were months and years devoted to figuring out how to map a character-focused love of the show into a plot that hits the right beats to be viable in the show market.
And it worked. Tlovm has consistently high viewing numbers, and its popularity has brought and will continue to bring new people into the universe who have never interacted with CR previously. That's not a bad thing - imagine finishing your favorite show and discovering it has another FIVE HUNDRED HOURS of the equivalent of behind the scenes content. That's incredible for these newcomers. But man, it is in many ways a loss for us.
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carnivalcarriondiscarded · 1 year ago
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thinking about puppet tattoo parlors. A wall covered in so many different thread colors to choose from - swatches of different types of stitch for different textures / effects. modified handheld sewing machines for tattooing with multiple settings for the different stitches. individual needles + embroidery thread as stick n pokes...
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desalvar · 2 months ago
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ayo i'm not dead!
#sorry i haven't been on folks#and in saying that for the 3475982th time i'm also admitting i'm just trash with keeping on top of things currently#and have been for the past year or so#/factually/#older moots know this isn't new#other people warn mutuals for a half week break meanwhile i get overwhelmed one day and poof for half a month randomly#generally not a great way to do things..#and i'm sorry for leaving beloved folks in the dark too. i don't mean to. i'm just at my wit's end occasionally#granted 90% of it is real life stress threatening to manifest on here which can't be helped sometimes so the need to remove myself is fair#but in acknowledging that like a healing anxious adult or whatever i have to also recognize that this hobby used to unwind and calm me#so i'm in the process of wrestling with how to.. make it that again for myself? in a way that doesn't bug me#for example how to just be Around without feeling unproductive with threads and the like. be fine with Writing Slow TM (rp and dms alike)#+ other things i have to bare knuckle through#this isn't so heeheehoohoo craziest thing happened in real life like usual because hey i'm not unique in my experiences and this IS the-#-whole point of a hobby that involves community. that you could just chill with the gay people on your phone no matter what happens#so i think i'll be doing that.. somehow - in moderation and without too much pressure preferably#and sort of figure out how to be Here#and on my other two blogs hsdfjsk#/negative#? i guess?#i really came back w/ the full burnout jumpscare#but it really has been A Whole Year of this
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unproduciblesmackdown · 1 year ago
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the sense of having any lore about the ancient [ten to thirteen years ago] of marble hornets times like granpa granpa tell us a greentext story....the only hitch is not having stories and instead having "i guess you had to be there" tales from the fringes, unless instead of a hitch you frame this as a bit
#like what's crucial info from then? who knows. smthing neat abt mh is its iterative resurgences apparently lol. got a wavelength#from the start it was always [queer fans queer fans trans fans trans fans] etc to be sure#by ''thee start'' i mean i showed up a couple of months? weeks? before s2 started. i think amnesia: the dark descent was partly to thank to#i mean of course it is in all things no matter the topic. and i feel manesia the dark manscent in this chili's tonight#one of the more [umm] first true spikes in New Ppl was when that game with the pages got streamed a lot#not a lot to work with there re: [you are already at mh hq] but brought ppl in like umm yea it's a little youtube movie here....#Back In Those Days...when youtube had a Reply feature for videos which i would have forgotten was anything if not for tta really....#the saga of [we didn't have any crisp behind the scenes pics of tim's mask for a while so deciding what its design seemed to be was tricky]#or [lucky that alex's striped hoody had both the inner seam highlights & the patch on the waistband] re: identifying it....#the hoody was already Out Of Production lol the base masks were from michael's crafts which i hear has recently discontinued them; pensive#paper mache cosplays here we go....#anyways nothing makes a good story. one time i sprinted to beat everyone on unfiction to solve a scrambled dvd cover#i managed to post it first (here on tumblr) And Then on unfiction; where it was also first lol. this was ignored#(one reply did a nominal shoutout like ''[other user] and others'' lmao)#i blog to this day....where's unfiction (rhetorical)#they were great for crowdsourcing codes but the Analysis(tm) left many things to be desired (i mean on tumblr too sometimes of Course)#unfiction would be like ''why is this entry delayed [thinking emoji]'' & truly the answer like ''they explained the behind the scenes reaso#in this linked facebook post here (the funy saga of joseph losing the distinctive out of print hoodie before its Part Two appearance)''#and the unfiction thread would continue apace like ''hmm guess we'll never know'' yeah apparently not#unsurprisingly my best Retro Tales From Behind The Scenes would be like; that fun mh viewing party commentary bit live event....#that there was overlap w/my first coming out transly times & probably had my Best Experience w/that from the mh creators lol#that thesis simply Is the tale. the bit abides
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vintersang · 13 days ago
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*   TAG DROP: Basics
❛   ✧  ┊ can you face what the river knows. ooc.
❛   ✧  ┊ and all was lost to the frozen heart. tagged.
❛   ✧  ┊ bringing destruction to the stage. delete.
❛   ✧  ┊ the cold never bothered me anyway. self promo.
❛   ✧  ┊ don't let them in; don't let them see. promo.
❛   ✧  ┊ where the north wind meets the sea. inbox.
❛   ✧  ┊ what do you think the stars wish for then. wishlist.
❛   ✧  ┊ she will sing to those who hear. audio.
❛   ✧  ┊ made of prophecies and ruins. drabble.
❛   ✧  ┊ strike for love and strike for fear. psa.
❛   ✧  ┊ has the dark in me finally come to light. ic.
❛   ✧  ┊ reaching from her gown of stars; gentle is her light. saved.
❛   ✧  ┊ destined to bloom for a single lovely night. artwork.
❛   ✧  ┊ cut through the heart; cold and clear. anon.
❛   ✧  ┊ what do you know about love. positivity.
❛   ✧  ┊ colder by the minute. queue.
❛   ✧  ┊ she captivated all left in her wake. answered.
❛   ✧  ┊ clever as the devil and twice as pretty. crack.
❛   ✧  ┊ is it dangerous to dream. dash games.
❛   ✧  ┊ the dream that you wish will come true. mun.
❛   ✧  ┊ the snow glows white on the mountain tonight. thread.
❛   ✧  ┊ have you ever seen the night in human form. my edits.
❛   ✧  ┊ turning pages of a book to find you. open.
❛   ✧  ┊ let me see who you are; come to me now. starter call.
❛   ✧  ┊ are you the one i've been looking for all of my life. verse info.
❛   ✧  ┊ the wind is howling like this swirling storm inside. references.
❛   ✧  ┊ the purpose of literature is to turn blood into ink. writing tips.
❛   ✧  ┊ born of cold and winter air. dash commentary.
❛   ✧  ┊ the one thing that can save me now is your love. resources.
#❛   ✧  ┊ can you face what the river knows. ooc.#❛   ✧  ┊ and all was lost to the frozen heart. tagged.#❛   ✧  ┊ bringing destruction to the stage. delete.#❛   ✧  ┊ the cold never bothered me anyway. self promo.#❛   ✧  ┊ don't let them in; don't let them see. promo.#❛ ✧ ┊ where the north wind meets the sea. inbox.#❛   ✧  ┊ what do you think the stars wish for then. wishlist.#❛   ✧  ┊ she will sing to those who hear. audio.#❛   ✧  ┊ made of prophecies and ruins. drabble.#❛   ✧  ┊ strike for love and strike for fear. psa.#❛ ✧ ┊ has the dark in me finally come to light. ic.#❛   ✧  ┊ reaching from her gown of stars; gentle is her light. saved.#❛ ✧ ┊ destined to bloom for a single lovely night. artwork.#❛   ✧  ┊ cut through the heart; cold and clear. anon.#❛   ✧  ┊ what do you know about love. positivity.#❛   ✧  ┊ colder by the minute. queue.#❛   ✧  ┊ she captivated all left in her wake. answered.#❛   ✧  ┊ clever as the devil and twice as pretty. crack.#❛   ✧  ┊ is it dangerous to dream. dash games.#❛   ✧  ┊ the dream that you wish will come true. mun.#❛   ✧  ┊ the snow glows white on the mountain tonight. thread.#❛   ✧  ┊ have you ever seen the night in human form. my edits.#❛   ✧  ┊ turning pages of a book to find you. open.#❛ ✧ ┊ let me see who you are; come to me now. starter call.#❛   ✧  ┊ are you the one i've been looking for all of my life. verse info.#❛   ✧  ┊ the wind is howling like this swirling storm inside. references.#❛   ✧  ┊ the purpose of literature is to turn blood into ink. writing tips.#❛   ✧  ┊ born of cold and winter air. dash commentary.#❛   ✧  ┊ the one thing that can save me now is your love. resources.
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mekatrio · 5 months ago
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hate these kind of posts sm
#like obvs u can think whatever u want and we'll never know his actual motive cuz there wasnt enough time for takumi to write it#like how do i say this.. i get why ppl come to these conclusions cuz 4-4 tries to pass off its woefully incomplete story as a complete one#but thats what it is... its an incomplete story#whats with the scar on his hand? why did he leave klavier alive when he tried to kill anyone else who could incriminate him?#and the story never explains his motives for resorting to evidence forgery to begin with#so i dislike this oversimplification of his character bc it disregards various unresolved plot threads#and i particularly dislike this insinuation of kristoph being an 'evil for evils sake' character#bc firstly aa has never had a character like that; every aa antagonist has had a motive tht makes a reasonable amt of sense*#and secondly like 'evil for evils sake' type of characters are fine.. but kristoph is obviously not set up to be one#like ive said.. his scarred hand. him leaving klavier alive. the fucking 5 black psyche locks#theres an unexplored complexity behind his actions#hes fucking.. like takumi wrote ajaa after rfta#you see the skye sisters? u see the depth he packed into those two? its almost certain that the gavin brothers were meant to#have smth resembling that level of depth#and also this first screenshot has some outright falsities in it#theres no mention of how long kristoph has ever been an attorney for#and also theres like. simply not enough text to actually support the reading that kristoph was a bad attorney#all u have going for that is this singular instance of evidence forgery.. and wright had resorted to forgery in 4-1#does that mean he was a bad attorney throughout the entire trilogy then?#so yeah like.. we can think what we want but. ill always be a hater towards interpretations that oversimplify kristoph#** with the exception of joe darke whose more of a plot device than he is a character lol#<- on mobile so i cant move this tag up. sad!
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creatingblackcharacters · 23 days ago
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No, That’s Not ‘How Color Works’. - Whitewashing
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Whitewashing, as defined by Merriam-Webster:
"to alter (something) in a way that favors, features, or caters to white people: such as a) to portray (the past) in a way that increases the prominence, relevance, or impact of white people and minimizes or misrepresents that of nonwhite people and B) to alter (an original story) by casting a white performer in a role based on a nonwhite person or fictional character"
In fandom context, we know it to include:
Making someone’s skin lighter
Making someone’s hair a thinner texture
Changing someone’s nose to be thinner
Shrinking their lips
Changing the character in their entirety to be someone else
The Normalization of Whitewashing
Remember how I mentioned last lesson that despite the nature of poorly drawn Black characters, most audiences are not turned off enough to discourage the action in professional works? Similar idea with whitewashing. Not the same- unlike the Ambiguously Brown Character, which claims to have plausible deniability, overt whitewashing is usually enough to make fans speak up! But that’s the key word here- overt! It has to be “bad enough” to make enough people speak up, but as we’ve seen many a time, “bad enough” seems to have a much higher threshold for nonblack viewership (sometimes the limit doesn’t exist!)
Some visual examples
This is a link to my personal thread on a Netflix show I was watching- Worst Ex Ever. Now, while the show itself was quite enlightening, there was something I could not get over. I thought I was going crazy. And that was that no matter how dark the person of color would be in real life, the animated portions would draw this light pinkish-brown. Every. Single. Time. It's like they couldn't fathom scrolling down the color wheel. And this is a Netflix original! Netflix has plenty of money for someone to have caught this in creation. But... it was produced. And put out. And they're making more of it.
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I asked all of the Dragon Age fans about the series, and uh… I didn’t know things were this bad, guys! Apparently this is a man of color, but it doesn't seem like the creators want you to know that 🤣. Jokes aside, as I’ve discussed before, the noticeable whitewashing- and that was one of many racist things I was told- was not enough to prevent sales... so why would they stop? I can only hope this new game, with all the updates, is enough to turn the tide. But the series has gone on for a while now, that if they’d chosen to do ye same olde… there clearly would not be a lack of financial support to prevent it.
Colorism as a Tool
Even when actors of color are cast, colorism often plays a role in normalizing whitewashing to audiences, even to Black audiences! People think “oh well at least they’re Black!” as if that is the only important part. It is not.
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While Aaron Pierre, the actor cast for John Stewart of Green Lantern fame, is a GORGEOUS, STUNNING man, he is not the dark-skinned man that John Stewart is supposed to be and should not have been cast! To me, this is overt colorism, but clearly for many people this is not “enough” to warrant concern or even prevent the casting itself- including the studio behind the movie! Black fans have plead for years for the character of Storm to be played by a dark-skinned, preferably African, woman, and it has never happened.
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It naturally happens in fan spaces as well, which is another indicator that colorism as a tool for whitewashing is quite effective for audiences. If I see one more Zendaya fan cast for Kida from Atlantis, I will scream. It’s been happening for years, and I don’t think any of the people who just want to see her and Tom on screen either understand or care that Kida is a dark-skinned character. Zendaya doesn’t look anything like Kida- it doesn’t matter if she’s Black too! Just because someone is Black does not mean they can play every single Black character! I’ve even seen people fancast Emilia Clarke of Game of Thrones fame, to which… I don’t have the words. I can’t fathom what would cause these decisions other than racism.
The Common Excuses
I must be honest. I don’t really feel like re-iterating how certain things are not okay and how to fix them, because I’ve already discussed these things in massive detail. So I’m just going to direct the excuses I regularly hear to my lessons, where you can read up on them.
“Their hair/eyes are like that because they’re biracial so-”
Relevant Lessons: 2.1, 2.2, 2.3, 8, 9, 10
There is nothing wrong with having biracial characters with a range of features. I am not saying that! Because yeah, genetics do happen!
But I mentioned this in my last lesson, and I will re-emphasize here, that using biracial identity as a way to whitewash is a sinister form of racism. The intention here- the real intention- is the issue here! The idea that somehow this character can only look the way you want them to look by "diluting" their Blackness… I don’t know how you can explain yourselves out of that one.
You don’t get to use us as an excuse for diversity while still trying to maintain your preference for Eurocentric beauty standards. Black biracial people don’t always look light skinned, thin-haired and ambiguous, and even the ones that do don’t deserve to be treated as your fetish for pretend antiracism. If you just want to draw a white person with a tan, do that. But don’t change a character’s entire look just so you can work in some whiteness. If you want to claim that canon Black character’s mother was white, then I guess they inherited some of her personality because their features should not change.
“It’s my style/It’s the color-”
Relevant Lessons: 3, 4, 10
I hate all excuses for whitewashing, but I’ve grown to despise, hate, abhor and loathe this one the most as I’ve become an artist. I wish there were stronger words to describe just how much I hate the “style” and “color” excuse.
Are style and use of color oft intertwined? Absolutely. I’m not saying they aren’t. But out of everything, there are two things I want artists to understand:
1. Style does not cancel out racism! No style forces you to choose ashy greys and to change peoples’ features. That’s you! If you look at something, and it looks offensive, you change the style. You grow as an artist!
2. “Everyone who is brown will look ashy so I just-” if you recognize that your Black characters look strange in comparison to your nonblack characters, then it’s time to try something else! I don’t understand this sudden need for “realism” when it comes to color and lighting, but not when it comes to hair, for example. No one cares about realism when giving every and all Black characters wavy tresses they probably wouldn’t have, but suddenly milquetoast watercolor attempts at brown and off-putting lighting is “how it works”. That’s not fair.
The color picker is an available tool! I use it often!
Dead giveaway of purposeful whitewashing: if someone gets the outfit color palette right via color picking, but the skin color is multiple shades lighter. That means they were looking at that character and chose not to proceed.
Dead giveaway of purposeful whitewashing: if the white characters in the show are completely correct in their palettes. Again, that means they cared enough to look at everyone else… and not the Black characters.
If you use the color picker and the color picked is… disrespectful, you do not have to use that! You can simply choose a better color that is still similar to the brown that ought to be depicted!
“It’s the lighting-”
Relevant Lessons: 4, 5
If your white characters do not shine like snow in the sunlight because of your lighting, then your lighting does not make your Black characters suddenly light tan.
If your Black characters look bad in your lighting of choice- for example, putting a very dark-skinned character in electric white lighting can be ghastly- try changing the intensity or the color of the lighting. DON’T change your character’s skin color!
I'm going to show you some pictures of South Sudanese model Nyakim Gatwech. Pay attention to the choices of light, color, and makeup.
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Look how BEAUTIFUL she is! Look at the choices of intensity and color of light, and how they make her look different in each image.
Now look at this image in comparison:
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In this image, whoever did her makeup and took this picture did not take into consideration her skin tone. She's also under this really intense lighting. This is an example of "increasing the lighting does NOT make an image "better"". She didn't need to have lighter skin or "more lighting" to look good. She needed BETTER lighting, lighting that worked with HER.
To see this as an example in drawn art, @dsm7 makes an excellent argument for proper lighting and color, why it is an issue to use it as an excuse, and how to solve that problem.
‼️DISCLAIMER FOR NEXT EXAMPLE‼️
Okay. I am about to show y’all a fan-created example from my personal experience. It is a TEACHING EXPERIENCE ONLY. I am not including the artist’s name in this image. It happened a couple years ago, and it’s over- they’ve chosen to be who they are despite me kindly confronting them about it. The only reason I’m including it at all is because I feel like it would be remiss to have such a clear-cut, multi-level example, and not teach with it. That said, no, I am not telling anyone to act out towards them. Again, that is not what I’m telling you to do. The last thing I need is a literal lynch mob of angry nonblack viewership for trying to teach you all, and y’all sitting there watching it happen to me. Every example of whitewashing is not going to be so obvious, but I hope you learn how to spot the examples in the art you see and share.
I'm obviously a Hades fan, particularly of Patroclus- despite my disdain for the lack of effort in his canon character design. So I've seen a lot of things. That said:
“Well it’s just MY design of them-”
Relevant Lessons: ALL
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The sepia coloring did not do this. The lighting did not do this. The design is the exact same as the Hades version, even down to the shape of the hair curling in the back. The only thing that is different… is the man himself.
Y'all. Y'all! You CANNOT take a pre-existing Black character and say “oh well this is my design of them” …and the design is of a whole white person. Because if the rest of the fit is the same, and the only thing that changed is the Blackness… Racism. If you’re going to “make up your own design”, then do that!
“Blackwashing”
Speaking of: I’m sure someone edgy out there thinks they’re so smart as they retort to the screen: “but if that’s not okay, then why is Blackwashing okay?” To which I say- shut up. 😐
The “definition” by fandom: making a nonblack character Black, usually an anime character, but characters in general.
Funny enough, the actual definition in the dictionary (or closest to) is “to defame”, in contrast with whitewash (as in whitewashing history). Maybe racist fans ARE using it correctly when they say you’re blackwashing their characters, when they mean you’re making them “less likable because they’re Black now”. 🤔
Anyway: Blackwashing is not real for the same reason reverse racism is not real.
Me painting these characters brown is not going to take away from the fact that there are far more of you in media than there is of me. Me saying that I ‘headcanon a character as Black with 4C hair’ is not going to make the studio go “oh! Well they must be Black with 4C hair now!” Me saying “oh I think I’d like this character better if they were Black” as a beta tester (less overtly, obviously, because I’m not racist!) will never make a studio change that character. Black viewers have minimal value in comparison to the power of the white viewer’s dollar. I could draw white characters Black every single day of every single game media… and they would still produce majority white characters. There has not been centuries- if not millennia, when we consider Jesus Christ himself, even- of purposeful “Blackwashing” with the intent of removing the original ethnicity- and thus importance- of white people. No one has ever been allowed to forget when someone is white. No one has ever been allowed to forget or not acknowledge white people.
How it could be "solved"
Personally, I love Black edits and I welcome them here. I find them creative and fun. But if you really, REALLY didn’t want us to make those edits, then naturally, we need more Black characters in all of our media!
I wouldn’t have to make edits if I saw more of me to begin with in the things I like to watch- but when we have those characters, racists act an ass about them. We’re not allowed to even be present! I’ve seen too many gamer bros mocking the existence of Yasuke in Assassin’s Creed, and he was a real ass man. But if we made a game about African peoples in African societies, how many of the gamer bros would actually play those games? Do you think there’d be as much support, when we hear so much about Black characters that are treated so abhorrently? How many games do we have where people would love their faves just as much if they were Black? I even learned that Solas was apparently supposed to be a man of color. IMAGINE how many people would not have liked that man, with the same exact plot and characterization.
Something I’ve noticed recently: apparently "Blackwashing" is not a thing when White fans “allow” it. Take this recent trend with Miku. International Miku was beloved! But if you draw any other character as Black on any other day, there will be people that are horrid about it. Ask any artist, Black artists and Black cosplayers especially, who’s ever done it what their comments are like. I’ve read entire missives akin to white supremacist drivel on how it’s somehow morally wrong to make characters Black. Meanwhile no amount of “hey maybe you shouldn’t do this” prevented the movie Gods of Egypt from being created, with a cast full of British White people.
Solutions to Avoiding Whitewashing!
1) Using References!!
Do I think you should know what Black people look like? Yes. We’re humans. It’s 2024. Everyone knows what we look like when it’s time to hate and discriminate against us, so you know what we look like when it’s time to love and depict us. If you’re on Tumblr, you have access to the Internet. ESPECIALLY if you’re in the U.S., as Black people are the source of damn near every piece of online pop culture. If you can find my dialect to make my jokes, you can find pictures of me.
Would I rather you use a reference every single time so that you can only strengthen your depiction of my people? ABSOLUTELY.
Anyone on the Internet telling you not to use a reference or that you shouldn’t need a reference? Unfollow them. You don’t need that negativity in your life. Why would you deprive yourself of a tool to create? The greatest portrait painters in history had to look at their subjects! You are not getting paid nearly as much to do this as Hans Holbein, and he had to stare at Henry VIII correct else lose his head- you can pull up multiple references. I’d far rather be judged for using hella references than be judged for being a racist!
Part of the issue is people draw what they’re used to, what they’re comfortable with (thus last lesson). But if what you’re used to is not what someone will look like… That’s not okay. Their features are not the issue, your skills are the issue. Learn! Practice! There is no rush. No one is rushing you to be perfect at drawing Black characters, and no one is rushing you to post them. You can just practice! If you’re not a professional, you can take as long as you need to draw! If you need to draw that piece of hair over and over until you feel like you have down the shape, you do that! If you need to use a tool that would draw the hair for you, you get that tool!
If you want to post, you can say you are practicing! If you make clear you are practicing, then be willing to accept that people may have feedback. I’d far rather deal with someone saying they’re unconfident and practicing, than someone posting a whitewashed caricature and closing their ears because “well at least I’m trying!”
2) Empathize! Care about actual Black people when you create a Black character!
Imagine, if you will, in the Twilight Zone: you went to an artist, and you asked for a white character (I typed in “regular looking white dude” on google). There’s hardly ever any white characters, you’re so super excited about this one! You paid good money, because you’ve seen just how amazing this artist creates! They’re so good at drawing characters of color! But no matter how many times you ask, they send you back an image of… Assad Zaman.
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That man might be fine as hell! Gorgeous! Beautifully done! Chef’s kiss. Stunning! But… He’s not white. That’s not what you asked or paid for. You can’t even fathom how they mixed this up, they don’t even look alike! And when you confront them, they gaslight you, they call YOU the issue for not understanding how you can’t tell that this is a white man! They would never get this wrong! They have white friends, you’re the racist! But you’re not stupid, and you have functioning eyes- you can SEE what this drawing looks like! And… It’s not you.
It’s dehumanizing. It’s being told that there’s a “better way” to look like you, and that’s by… Not looking like you. You, as you exist, are what’s incorrect. Your identity is incorrect, not their drawing. It’s better to have thinner hair instead of an afro or locs, it’s better to have lighter skin, it’s better to have a straighter, thinner nose over a round one, and smaller lips.
And what makes it worse is knowing that people who don’t look like you? Probably won’t care. They won’t be willing to see- not unable, but unwilling- that playing with this caricature is harmful, that they’re propagating harm by not acknowledging it. They’re letting you know that your humanity means less to them than the clout received with a whitewashed or half-assed Black character, and that people will applaud them for that ‘attempt at inclusion’. And people will applaud! They will be entertained by the mere performance! And that hurts.
I’m going to say this, and it’s awkward and I try not to say it directly on here, but… Having Black friends and/or being around actual, real life Black people would help. I can tell from some of the questions I receive that Black characters and their traits- especially things like our hair and our cultures- are being treated as… alien concepts. But even if, for whatever reason, you legitimately don’t know any Black people, you do not need to know us individually to care about our humanity as a whole! Even if you do not know we’re there, we are, and we could possibly see your work!
By acknowledging Blackness and making room to understand what it means- and that includes how we can look- you are doing the bare minimum of acknowledging our personhood. If you cannot do even that, you don’t need to be drawing us.
Conclusion
Here’s the thing: if you want to draw a white man with tanned skin, do that. Just do it! You do NOT have to erase me to have more of you! There is not a single fandom where the majority of the white fans ever said “gee, not another white guy!” It simply doesn’t happen. God knows we wish it did sometimes. You will always have an audience for white characters. There’s no danger to any of you of “being erased”.
(Without putting on my political hat, I will say that a lot of white people who consider themselves to be far from white supremacist will express beliefs in line with great replacement theory if you push them hard enough. It is unfortunately not as uncommon an idea as you might think. I would do some self-evaluation.)
People are going to notice that you only ever draw white people, but… To be frank, that has never stopped anybody from being successful. Again, Jen Zee, at Supergiant with the terrible dark-skinned characters… Still has a job. at Supergiant. A professional studio. Dragon Age. Multiple games of consistent whitewashing and racist writing. Still going. If racism prevented creation and popularity, I wouldn’t have to have this blog. Alas, that is the society we currently live in.
But if you ACTUALLY want to depict Black characters, if you ACTUALLY want to do right and be respectful- not because you want the clout, but because it’s the right damn thing to do- then you need to commit! This means drawing them as they are meant to be! Accept that you’ll likely lose some fan base, who was there (whether they were aware of it or not) for the white and lighter skinned characters. Accept that this means that trying to appeal to those people by whitewashing characters is 1) wrong, 2) racist, which is 3) something you chose to do when you could simply have just… Drawn more white people.
I’ll say it again: antiracism is hard. It’s hard doing the right thing in a society that rewards racism so easily. It’s really hard knowing that people will stop supporting you or caring as much about your work when you start including Black characters as actively as you do white ones, especially if you start talking about the importance of it. But in my honest opinion, I’d far rather be someone that cared about others, with genuine fans, than someone that was racist for the fleeting internet clout of strangers. And that may be less ‘hopeful’ than I normally am in these lessons, but… People make choices. And people who have been informed- as you are now- are aware of the choices they are making. It’s the thought that counts, but the action that delivers- let’s choose better actions.
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tojigasm · 3 months ago
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Thinking about Logan fully smoking in the middle of fucking you.
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He's got you laid out amongst his bedsheets, face warm and thighs spread, one leg resting on his shoulder as he rolls his hips into you.
You're a complete mess beneath him, and you struggle to concieve how he still seems so composed after pulling what feels like the third orgasm from you in the span of an hour and a half. The dark tufts of his hair are still pointed upwards, and his skin silky in a sheen of sweat.
"Y'still with me?" The rough of his voice pulls you from the foggy headspace, vision blurring slightly as you refocus on him, letting out a choked whine when the girth of him stretches you in just the right way.
You give a weak nod, "mhm," you twist your hand into his silk sheets, stretching the fabric downwards.
"Good girl."
Logan smirks above you, turning his head he keeps his eyes on yours as he presses a gentle kiss to your ankle.
You damn near cum at the swift contrast between his brutal thrusts to the softness in his touch. The action almost feels merciful.
And in the same moment you bask in the soft of it, you can feel Logan reach for the nightstand.
He moves back to stand between your thighs again, holding a cigar he'd left on the ashtray. Using his free hand, he readjusts you by the plush of your hip, pulling you further down the bed until your ass cheeks rest on the very edge.
Hand still twisted in the sheets, you pull them down along with you.
Your eyes settle on him as he blows a pillow of cloudy smoke past his lips, thick brows furrowing as he takes another inhale before blowing another cloud from between his teeth.
For a moment, you're captivated at the sight. The amber light from your shared bedroom in the mansion glows around him in almost halo-like essence.
He looks so beautiful.
"Y'so pretty, Lo," you whisper, smile evident in your tone.
He smirks down at you, rivets of smoke trailing in the air. A thick brow raises in tease.
"Oh, yeah?"
You nod, giggling as you pull the sheet over your mouth.
"Hey, don't twist the sheets." He scolds, unwinding your hand from the wrinkled fabric and placing the cigar back on the ashtray before slipping your other thigh over his arm before threading his fingers with your own "Hold on t'daddy, fr'me, yeah?"
You keen at that, choking on a gasp when his cock strokes the gummy walls of your cunt in a way that has tears bubbling over your cheeks.
You're passed overstimulated, legs trembling in his hold as he sinks to the hilt before twisting his hips.
"Oh!" You squeal, instantly grabbing ahold of him.
"There we go." Logan kisses the curve of your jaw as he rolls his hips into you.
He places soft kisses to your temple and down your face to your neck before licking a stripe up from your collarbone to the curve of your ear, chuckling when a line of goosebumps rise in wake.
"Gonna cum, Lo" you sob through a shiver, turning to press your head into his forearm.
He nods along with you, "I know." He cocks his head some, leaning down some, "Give daddy a kiss."
On command, you're leaning into him with what little strength you have left to sloppily meet his lips as your gummy walls tighten around his girth.
The two of you moan into one another's mouths and leave messy trails of drool along your chins as he fills you.
Logan waits a moment before slipping out of you gently before lying down against the headboard, helping to guide you to lay your back against his chest.
"Y'okay, kid?" He asks, running his knuckles down the side of your arm softly.
You nod against him and he grunts. You can feel him reach for the nightstand again before you hear the puff of the cigar.
A cloud of smoke circles to the side of the room.
He nudges you.
"Words." Is all he says, somewhat muffled by the cigar held in his mouth.
"M'okay." You say, turning your head upwards to meet his eyes.
Logan takes the cigar from his mouth, holding it between the fingers of his left hand.
His right hand comes up to cup your jaw, gently running the pad of his thumb over the skin of your jaw to your chin before he's leaning down and meeting your lips in a kiss.
He tastes like tobacco and smells of leather.
"Gonna let me take care of you?" He asks softly, still stroking the skin of your jaw.
And you know how he means it.
You nod.
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carrotpiss · 1 year ago
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This is a bunch of sad lost and confused and frustrated and lonely sludge, advise not reading
#im just so completely miserable and exhausted and just angry with everything#gic has gone silent. im getting so stressed about the ethics of my top surgery fund because i dont know if its something i should be still#doing how long until they talk to me again if they do will the waitlists even be livable is it ethical is it worth it does anyone even have#the money to spare anyway to help before the endless nhs waitlist#why am i being left in the dark#im terrified that i dont know when my pap smear will be and that i have to go under anesthetic for it because i fucked up my own body by#being a pathetic cowardly idiot who is to stupid to exist like im supposed to so now im worth nothing and i cant navigate dating bc of it#bc it just makes me shut down immediately when i realise its something i do have to disclose because im shitty and broken and worthless#and i dont know whats happening and i dont want the smear anymore and the nhs sent me a terrifying letter saying im not a real person and i#predictabley got to scared to reply to so now i may have fucked up literally everything which is my fault but also why does the ngs not just#have a system that works and isnt briken just because im trans#and i jsut want to die i cant die but im jsut scared and i want to hide forver#i dont know whats happening with my job am i still getting paid will i get the November cost of living backpay will i get my pension refund#i jjst feel lost and pathetic and desperately clawing out for any vague threads of interest for sex and dating even though im as previously#mentioned in these tags not fit for that and should just die forever in box alone and aghhhhhhhhhhhhhhhhhhhhj#I just want a hug for the next millennia#instead im kust fighting off thoughts about starving myself as punishment because i dont deserve to eat jm not worth the expense of my own#paycheck to buy food for not that it matters because im sick and getting sicker amyway and of course one of my moles is looking insanely#dodgey and ive had to book a doctor's appointment for it but its so tempting to kust ignofe it surely itd be better if it was cancer and#then j could just die amd people wouldnt blame me for being pathetic or whatever removing myself but sad and tragic for dying from something#scary or whatever the fuck im fully aware thats a fucked up thibg to be thinking im just a bit at amessy ends atm and j dont even have a#hot chubby dude or not dude to pretend is ever going yo be interested in me or whatever and ahhhhhhhhhhhhhhhhhhhhh#dw to anyone reading this in the event someone is i wont remove myself im a huge coward and too lazy to do that#crouch speaks#and its only November! we still got winter to come!!!!! my favourite (sarcastic) time of the year that doesnt absolutely fuck with my head
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willowser · 7 months ago
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dynamight is clearly trying to go unnoticed in the grocery store, but you recognize him, anyway, despite the mask and low-pulled hat. knowing makes you feel even worse about approaching him—because you'd be too afraid to, otherwise—but you're not sure what else to do at this point.
you lean in close to him as he's standing in front of the produce, poking through the same bin.
"ooh, we need to get an onion, too, remember?"
he startles enough away from you that you can feel the foundation of your last ditch efforts crumbling. even beneath his hat, his light eyebrows pull down hard, gaze narrowing, and on the other end of such a fiery glare, you're reminded exactly why you've never wanted to meet him before: he's terrifying, handsome as he is.
"hah—"
you smile at him and hope it looks real, squishing into the space he's created even though your hands are shaking. "the guy by the juice followed me all around the store from the parking lot and i don't know what else to do." you widen your eyes, and you want to look, you do, but your facade is hanging on by a thread. "please help me."
dynamight swallows, and you hope his expression only seems so guarded because you're so close; enough to smell his subtle yet sharp cologne, to see the dark blonde wisps of his eyelashes. when he blinks, they brush against his mask, feather-light.
"okay," he nods once, and the gravel of his voice makes your stomach turn in some teenage way, that has your cheeks flaring.
(this is really not the time to be getting shy.)
he doesn't look towards the juice either, thankfully, and instead adjusts his stance, leaning into you in return, large and wide and formidable enough to nearly shield you from view. "an onion, huh? think we got one at home."
you can feel the warm press of his body against your own and it has you releasing a breath that had been trapped deep in your chest, has tears stinging behind your eyes. the sharp pain in your sternum lessens, and when you feel his hand come up to sit, carefully, against your lower back, dynamight murmurs,
"y'r alright,"
and you are.
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soaps-mohawk · 2 months ago
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Cherry Red, Crimson Blood
Chapter 35: Threads
Summary: Pack bonds are made up of delicate threads, small fibers webbing together the dynamics and relationships that make up each individual pack. The omega stands in the middle, holding the pieces together, keeping the pack from crumbling by clinging to those threads like a strongman holds pillars up with chains.
Pairings: Poly 141 x reader
Word Count: 11,740 words
Warnings: Alpha/Beta/Omega dynamics, Alternate Universe, angst, descriptions of physical pain, brief description of drowning, medical stuff, panic, crying, panic attacks, nightmares, PTSD, very heavy emotions, alcohol and brief mention of alcoholism, language, fighting (not physically), Kyle being the best boy, aftermath of trauma, brief mentions of the events of the previous chapter, guilt and shame, angst, and finally some comfort after the hurt (but not quite what you'd expect)
A/N: So I may have been slightly wrong, the angst isn't over, but it's not quite as intense as it has been. There are little tidbits of comfort in this one, though it's not like "okay it's over, let me wrap you in this blanket and everything is fine and happy now". It's...you'll see. If you're waiting for the fine and happy comfort then...you might want to wait a few chapters still. The comfort will come on slowly, but it has officially started.
MASTERLIST | <- Previous | Next ->
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Screaming. 
Someone is screaming. 
It hurts your ears, high-pitched and ringing. Your hands cover them, but even that can’t block out the sound. 
It’s ringing in your own head. 
Your body hurts, every joint and muscle aching and throbbing. They’ve been locked in place too long, frozen in one position, a safe position. Safety. That’s what you’re seeking, that’s what you’re trying to find. That’s why you’re here. 
This isn’t a safe space anymore. 
The walls are crumbling, the darkness is fading. There’s light seeping in, threatening to pull you out, make you face whatever is waiting on the other side. It’s not a comforting light, it’s bright and piercing and threatening. You don’t want to leave the darkness. You don’t want to face the light. You want to stay there, stay frozen, stay safe. 
Your throat burns, raw and painful with every breath. 
It’s you. 
You’re screaming. 
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Hands are flying, mouth open in a scream. It’s a horrible sound, grating and feral sounding. Your body twists and turns as they try to hold you down. No restraints. You’ll just hurt yourself more. 
Blood is flying, splattering on the gurney, the floor, the walls. Yours or someone else’s? It’s hard to tell. 
Simon. 
“Simon!” 
He snaps out of his daze, his eyes darting up to look at Dr. Keller across the gurney. Her hand is around his wrist, your elbow knocking against his forearm as you try to fight whatever it is you think you’re seeing. Maybe you’re seeing nothing at all. 
“I know.” Dr. Keller’s voice is soft despite the chaos of the moment. Her gaze is firm but comforting. She knows. “I need you to hold her still. She’s going to hurt herself further if she can’t calm down.” 
She’s going to hurt someone else too. 
The monitors are beeping and screaming. They managed to get a blood pressure cuff around your arm before you snapped out of the daze he’d put you in and started fighting. You’re like a wild animal, cornered and fighting for your life again with a renewed vigor. Renewed for now. If you don’t calm down again, something will give out. 
There won’t be any coming back from that. 
“Don’t be afraid if you hurt her.” Dr. Keller says, squeezing his wrist. “Bones can be fixed.” 
He catches your wrists in his hand, pinning them down against your chest. He uses his weight to his advantage, pushing his arm into you as he leans down so you’re face to face. You let out another scream, fighting against him but he has you beat. He’s bigger, stronger, calmer. 
“Look at me.” He says, his alpha rumbling low in his chest. It has even the beta nurses stopping in their tracks to look at him. The only one unaffected is Dr. Keller as she uses this moment to her advantage. 
You stop fighting him, breathing in heavy gasps as you stare right up into his eyes. Wild and untamed, pupils dilated in your aggressive state. Dilated out of aggression or dilated out of fear? Perhaps both. Beads of sweat slide down your face, your body hot under his. It mixes with the blood on your skin, blood from your own injuries and from the Shadows you killed. Your cheek is bruised, discolored from broken blood vessels. Your left eye will swell shut soon. He needs to get you calm before then. 
It’s almost cute, the way you bare your teeth up at him. He might have thought it cute in a different setting, if your life wasn’t dangling over a ledge right now. A low growl rumbles in your chest, a warning that has his own hackles raising. He bares his teeth back, an answering growl, deeper and angrier, rumbles in his own chest. The nurses take a step back. Even Dr. Keller pauses at the sound. 
Yet, despite the threat in his growl, it doesn’t deter you one bit. Your knee drives into his side, making him grunt from the impact, but he doesn’t let up. You’re fighting him again, trying to wiggle your way out of his hold. If he pushes any harder, he might break a rib. You’re going to break something if you don’t stop. 
You’re too far gone to recognize anything but fear and danger. You’re only going to fight, only going to attack anything you perceive as a threat. You won’t even recognise him. He has to get you to calm down before you have a heart attack. He considers getting one of the nurses to bring Johnny in, but there’s no guarantee that will work. You’ll just perceive him as another threat, another danger. More people in the room will only make you more aggressive...make your omega more aggressive. 
He’s not dealing with you. He’s dealing with your omega in her raw form, the animal deep underneath forced out of her hiding place. Whoever said omegas are weak never had to face one in this state. 
He stares down at you as you fight and scream, battering his side with your knees but he can hardly feel the pain. His arm is still throbbing where you bit him, but he can hardly see the blood streaked on his skin. 
He has to save you. 
He can’t let all of this go to waste. 
They’ll never recover if they lose you now. 
He moves almost seamlessly, time seeming to slow as he lets you go. He unclips his vest and rips it over his head in one movement, uncaring as it hits the floor with a heavy thud. You lunge up at him but he’s ready, catching you before your lower body can leave the gurney. It���s a risk. A huge risk, but it’s all he can think of doing. It’s hardly the worst place to be if things go wrong, if this fails. If he does fail, at least he’ll know he tried. 
He pushes his mask up to his chin, pressing your face right into his neck. 
Your nose pushes against his scent gland as he cups the back of your head, holding you there. He projects his scent as strong as he can, hoping it can reach some deep part of your mind, some glimmer of you that’s left in there. 
If this goes wrong, you’ll rip out skin and veins with your teeth. He’ll bleed out on the floor before they can even get him on a gurney. 
He wraps his other arm around you, holding you as still as he can. Tears prick his eyes as he holds you, shoving away the beeping machines, the panic still thrumming inside of him. Scruffing you was only round one of this fight. He should have held it longer, should have been brave enough to do it a second time. 
He can still feel it, your neck in his hand, the way you gave in so easily. You had no choice, he gave you none. It was necessary, it was vital that he did it. You wouldn’t have made it this far if he hadn’t. 
He should do it again. It would be easy, just slip his hand down and squeeze and you’ll be gone, lost in your head again and under his control. Maybe then he’d get you to calm down, get you out of this state and free from the danger looming closer and closer. 
Heart attack, stroke, organ failure. 
Why couldn’t Price be the one to go after you? Why couldn’t it be Price standing here making this decision. 
“I’m sorry.” He whispers before slipping his hand down, wrapping it around the back of your neck again. 
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Pain. 
You’re in pain. 
You try to fade away again, try to push yourself back into the darkness to avoid the pain, but you can’t. 
There’s no escaping it. 
Your body hurts, every joint and muscle throbbing. Fire licks at your very cells, burning hot through your veins, scorching your skin. Safety. You want safety again. You want to retreat back into yourself, back into the comfort only the darkness can offer you. 
Nowhere is safe anymore. 
Tears are rolling down your cheeks, the light pressing closer and closer. It’s somewhere above you, shining down in offending shades of white. You can see it behind your eyelids no matter how hard you try to squeeze them together. There’s no escaping this light. There’s no retreating back into safety. There’s no safety anymore. 
You’re underwater, slowly rising to the surface. There’s sounds around you, muffled and dampened by the water. You need to breathe, you need to inhale precious oxygen but you can’t get to the surface fast enough. Lungs burning, your fingers claw at the water but you can’t reach it, you can’t swim fast enough. 
Your hands curl into soft fabric as you cough, choking on imaginary water. There’s warmth surrounding you, pressed in on all sides. You’re leaning against something, something hard and solid and warm. The sounds are louder now, mixing into a convoluted cocktail of constant noise. You hate it. 
Pain ripples through your throat as you let out a groan, the sound catching and cracking on the rough edges of your vocal chords. Another choked sound leaves your lips, pain rippling through your very nerves. The skin on your face is burning, simmering ashes being fanned by every tear sliding down your cheeks. 
You’re crying. 
There’s a deep sound coming from under you. It’s vibrating against your body, your pulsing ears focusing on that sound. It’s familiar. You’ve heard it before, somewhere back in the recesses of your mind. 
Your mind. 
It’s there. You can feel it beginning to take shape, thoughts beginning to form out of the fractured darkness. You’re not in your mind anymore, your mind is in you. You’re a being inside of a body, a body wracked with pain. The urge to retreat back is strong, but you can’t. That part of you has been closed off, sealed away by the light. 
Fingers and toes twitch, tingling and throbbing with the cold despite the fire blazing its way through your veins. It is cold, your hand pulling at the softness you’re clinging to. The low vibration begins again, rumbling through you, igniting something in the back of your mind. 
You know it. It’s familiar. 
Something tingles in the back of your mind, starting to come to life. Despite the agony there’s something in there, something warm and comforting. There’s no name for it, no thought flashing through the swirling mass of neurons slowly taking shape. It’s soft and warm and whispering to you. 
Wake up. 
Wake up. 
Wake up! 
Your eyes open before you can stop them. You’re immediately blinded, eyes throbbing from the bright white light above you, a high pitched whine leaving your lips. It rattles through your throat, broken and squeaking through your shredded trachea. You clench your eyes shut again, wincing away from the intrusive light, the movement sending a bolt of pain through your body like an electric shock. You let out another garbled sound, your fist tugging on the fabric it’s clenching. 
“I know, I’m sorry sweetie.” A voice says, the light disappearing before another takes its place, softer and lighter and less painful. 
Your eyes crack open again, still throbbing despite the light being removed. Your entire body is throbbing, pulsing like an exposed nerve. You feel like an exposed nerve, weak and vulnerable. It triggers something deep in your brain, the light starting to dim. Something is rising, something is coming. You want to lay back, let it take over, let it take control. You want to sink into the darkness again. The darkness is safe, the darkness is secure. 
The beeping is getting louder. Beeping, that’s what that sound is. There’s something beeping. It’s getting faster and faster. You’re starting to go numb, the tingling in your fingers and toes fading away. It’s not so cold anymore, the ache in your limbs fading into oblivion. You’re fading into oblivion. 
“Oi! None of that.” 
You’re awake. You let out a disgruntled sound as the warmth and comfort leaves you, deserting you in favor of retreating into the recesses of your mind again. A shiver runs down your spine, your very skin tingling with pinpricks of pain as it goes. 
“Open your eyes again for me, love.” 
Your body moves before you can tell it not to, your eyes fluttering open again. You’re squinting despite the bright light being gone. Any light is too much, your mind seeking out the comforting darkness once more. 
Darkness makes you vulnerable. 
In the dark, you’re blind to things that may be hiding there. 
No. 
No more darkness. 
You want the light. 
Scents flood your brain as your eyes fully open, slamming into you like a wave. It’s too much, nearly choking you again as you try to register everything. The burning scent of sterilizer, the soft scent of clean linens, the harsh scent of chemicals. There’s a soft scent mixing in with the others, something easing the turmoil in your mind just slightly. Above all else, though, is the intense smell of leather and something soft and fresh. It overpowers almost all of them, standing out distinctly. It makes your nose throb, something tickling in the back of your mind. You’re afraid of the scent, yet...there’s something else. Something...familiar. 
“Back with us yet?” The sound rumbles under you again. 
“Nearly there.” Another voice says. “Heart rate is coming down again. Still feverish, though.” 
You’re suddenly aware of your body again, the pains, the aches, the burning, the cold. You’re trembling, your skin prickling from how cold it is. You try to press forward against the warmth in front of you, but the movement has pain slashing through your very cells. Another pathetic whine tears through your throat, every movement sending stabbing pain through your very being. 
“C...C-Cold.” You manage to croak out, the word forming clumsily on your tongue. It feels heavy, like you’re relearning how to speak. 
“I know.” The softer voice says, something dragging across your skin. “We’re trying our best.” 
Something moves against your back, dragging against your skin. Whatever it is, it’s warm, but it’s rough. You push into it, something telling you to get closer, to wrap yourself in it and let it suffocate you. Somehow it’s comforting to you, somehow it’s familiar. 
Slowly thoughts and sensations begin to return to you, your mind dragging itself from the depths it had sunk into. 
It was purposeful. 
You did it to save yourself. 
You’re shaking for a different reason now, suddenly aware of the parts of your body that ache the most. Your shoulder, your cheek, your throat, your wrists. There’s a deep chill that has settled in your bones, sinking past the fever and the pain, past the memories beginning to resurface, past the hopelessness and the anger and the fear. 
“Simon?” You croak out, the name burning its way through your dry throat. You desperately want something to drink, anything to ease the burning desert in your mouth. 
“It’s me, love.” The sound rumbles under you again. 
Leather. Eucalyptus. Warmth. Alpha. 
You groan, trying to shift closer but the tensing of your muscles has pain screaming through your body. A shuddering breath leaves your lips, your body tensing until it passes. 
“Try not to move too much.” The other voice says, a hand coming to rest on your arm. You’re still clutching Simon’s sweatshirt in your hand like it’s the only thing keeping you tethered to this earthly plane. 
It might be. 
“Dr. Keller?” You croak out, recognizing that voice. 
“I’m here too sweetie.” She says somewhere behind you. “Take it easy, you’ve had a rough go of it.” 
She’s not wrong. 
The memories are coming back slowly, each one playing through your head like an episode of some fucked up television show. Except, it isn’t a television show. It’s your life. 
You hate it. 
“John?” You ask, trying to get your tongue to work, but you desperately need water. 
“Probably yelling at every person who crosses his path.” Simon says. “He was blazing a path to hell and back earlier trying to get ahold of anyone he could yell at involved in this.” He rubs your back. “He’ll be here as soon as he’s calmed down. Kyle and Johnny are working overtime trying to help restrain him.” 
You'll always be a second thought. 
“You?” You ask, unable to form the whole question you want to ask. Why are you here and not with your pack? 
He's quiet for a moment. “We got here before John and Kyle did.” His hand stills against your back, palm pressing below your shoulder blades. “You wouldn't let anyone close to you. The doc said it's normal, coming out of that state. I had to help keep you calm so you could get patched up. Then you wouldn't let me leave.” 
Your fingers ache from how hard they're gripping his sweatshirt. He stayed. He's the one here with you, not your alpha. 
You let out a groan, the pain starting to intensify. There’s a throbbing in your calf, and a deep ache starting to pulse in your joints. You’re almost glad for it, the turmoil in your mind starting to twist and fog your thoughts pushed aside in favor of the pain screaming at the forefront of your brain. 
“Time for more pain medicine.” Dr. Keller says somewhere behind you. “You’ll probably get sleepy, but rest is what you need right now.” 
You let out another groan, pressing your face back against Simon’s chest. Despite the pain in your body, there’s an even deeper ache in your chest. It’s not a physical one. Your alpha isn’t here. He’s left you again, abandoned you in favor of something else, something he deems more important. 
Tears are brimming in your eyes as they slip closed, the exhaustion and the drowsiness from the pain medicine taking over. 
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It’s not quite so cold when you wake up next. It’s brighter in the room, the light not quite so artificial as it had been the first time. There’s no body against yours, no warmth seeping into your skin or scent in your nose. Your fingers twitch, almost like they want to seek it out again. 
You’re alone. 
You let out a quiet breath, your brows furrowing. Your shoulder aches, throbbing in time with the beep of the heart monitor. It hurts less to move as you shift your arm to itch the other. It’s horribly itchy, but your fingers meet gauze instead. 
Right. Phil had cut you there. Not very deep, but still deep enough to hurt. Just another injury to add to the list. 
You try to lift your arm but burning pain shoots through your shoulder. You wince, letting out a quiet moan of pain as you drop it back into the bed. You breathe as the pain shoots through you, swirling through your veins before it begins to settle. 
“You shouldn’t try to move too much.” A voice cuts through the silence. 
Your head whips to the side, your arm shooting out to grip the side rail as pain burns through your body like lava. It seeps slowly from your left shoulder down to your toes and into your very hair follicles. You let out another groan of pain, your eyes squeezing closed as you wait for it to pass. 
“Sorry.” The voice says softly. “I suppose that didn’t help any.” 
You open your eyes, still breathing heavily as the pain begins to fade. Your hand is still wrapped around the side rail as you stare at John. He’s seated next to the bed, his elbows on his knees as he stares at you. He looks tired, eyes puffy with dark circles around them. He’s in a simple green shirt and cargo pants, yet he’s not quite as put together as he normally is. His hair is sticking up in different directions, his beard scruffier than normal. There’s a faint pink line of what was probably once a cut on his cheek. 
It’s the first time you’ve seen him in weeks. 
You should be happy. 
You should be ecstatic. 
You should be relieved. 
Yet, all you can feel is pain and anger and betrayal. 
“There’s nothing I can say that will make this better.” He says, his voice rougher than usual, even after returning from a deployment. His eyes shine with emotion. You hate it. “There’s nothing I can say that will undo what happened.” He runs a hand over his mouth, letting out a breath through his nose. “This shouldn’t have happened in the first place. We should have known better, we should have questioned it.” He shakes his head. “We put too much trust in those above us, and we were all fooled.” 
Tears blur your eyes as you stare at him. He’s not just talking about Shepherd and the initiative. He’s talking about you too. 
“I regret it more than any decision I’ve ever made. I’ll regret it for the rest of my life,” He continues. “You put your trust in me, and I failed you. I let this happen to you because I got too caught up thinking about the greater good of the pack and I ignored what was right in front of me. You’re here because of me, because of the decisions I made. I had one job, and now you’re paying for my failure.” 
He pauses for a moment, tears shining in his own eyes. You should feel surprise, sympathy, something. All you can feel is hatred. He doesn’t deserve to cry over you. He doesn’t deserve this chance to try and explain himself to you, to try and give excuses for his actions. He made his choice. He made it very clear where his loyalties lie, where they’ve always been, where that line was laid before he even claimed you. It was never about you. Nothing was ever about you. It was always the initiative, and then when the initiative turned out to be false, it was about the ‘greater good’. You should have been the greater good. You should have been their focus. Instead they all betrayed you. 
They betrayed you in the end. 
“I made a bad call.” He continues on. “I shouldn’t have left you there. I shouldn’t have made that decision. It never would have played out how I thought it would in my head at that moment. Now you’re here, like this, because I made a stupid mistake.” 
He stares at you for a long moment, as if he’s waiting for you to say something, as if you  should have something to say in response. He’s waiting for an acceptance to his half-assed apology, as if his words can somehow undo the pain, the burning in your wrists, the throbbing in your shoulder, the agony every time you simply move a limb. As if his half-assed apology can somehow undo the weeks of depression and anguish and the worry and the fear. As if his half-assed apology can make up for the way they all cut you off, treating you like a traitor before abandoning you. As if his half-assed apology can undo the hours and hours of torment and pain the man you once thought of as a family friend unleashed on you all because of them. 
The hatred burns almost as hot as the lava in your veins, so hot you’re surprised the tear that slides down your cheek doesn’t start steaming. Your heart rate is picking up again, the monitor beeping with the sound of the anger simmering inside of you. The blood pressure cuff squeezes around your arm, a grunt of pain cracking in your throat. 
“Yeah,” You say, your voice hardly more than a whisper. You turn your head away from him, wincing as an electric shock of pain jolts through you from the motion. You drop your hand from the side rail before he can touch you, tucking your arm back under the rough blanket. “You did.” 
You have nothing more to say to him. 
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John enters the room solemnly, the silence nearly palpable as they all wait in anticipation. They’re all looking at him, waiting patiently for their captain, their alpha, to speak. They always look to him, they always rely on him, they always trust him and now look where he’s led them. So rarely does he make the wrong decision, so rarely does he lead them astray. 
What happened this time? 
Why did he so easily turn them away from you? Why did he so easily turn his back on you? 
What words are there to say? He knew his words would do little to calm the raging storm inside of you, the hurt and the pain and the betrayal they put you through all because of him. 
The rejection still hurts, but it should. They all rejected you as soon as they left you behind. 
It’s only a fraction of the pain you must be feeling. 
“How is she?” Kyle asks, breaking the tense silence. 
“Upset.” He sighs, sinking down in a chair. 
“Fuckin’ sure she is.” Johnny snaps, anger radiating off of him in steaming waves. He’s been on edge, they all have, since the four of them were reunited. He had been there, stuck in the hall as you screamed and fought. He thought the worst when your screams cut off until he was finally updated by one of the nurses leaving the room. “Of course she doesnae want to see any of us! We just fucking left her, just like that, and it was your fuckin’ fault!” 
Simon grabs his beta before he can throw a fist at John, holding him back. Johnny lets out a string of curses none of them understand, fighting against his alpha. Simon holds him tightly, the image of your bloody form fighting against him still at the forefront of his mind. He grips Johnny tightly, muscles straining. Johnny is bigger. Johnny is stronger. 
He has half a mind to let him go. 
John doesn’t move, doesn’t even flinch as Johnny yells and rages. He’d welcome a good beating right now. He could use some physical pain to distract from the ache in his chest. 
“Calm down,” Kyle says, getting in Johnny’s face. “I said calm down!” Kyle yells, Johnny stilling for a moment. It’s not often Kyle raises his voice at one of them. “We’re not doing any good being upset with each other. We all made mistakes over these last few weeks, especially these past few days. None of us are guilt free in this. We all have our omega’s blood on our hands. Fighting amongst ourselves will only fray the bonds more than they already have been.” 
Johnny deflates with a sigh, standing there in Simon’s arms for a moment. Kyle is right. They all can feel it, the way their bonds are fraying. Their pack is resting on a dangerous ledge, tipping back and forth with every strong emotion, every argument, every sour feeling. They’re all holding onto that bond, trying to pull it back to keep it from falling into the abyss. As angry as they are with each other, just one of them letting go will be the end of the pack. 
“There’s nothing we can do to change what happened.” John says, looking up at the other three. “Kyle’s right. I led us all in the wrong direction, but we can’t go back and change it. We can’t undo what happened to us, we can’t undo what we did, we can’t undo what we...” He lets out a breath. “What I let happen to our omega.” 
“She won’t trust us again.” Simon says, his hands still shaking as he releases Johnny. They haven’t stopped shaking since he scruffed you a second time. 
“She won’t.” John affirms, no matter how badly it hurts him. “She won’t forgive us either. The best we can do is to give her what she needs, what she wants. Right now that’s space. Dr. Keller will keep us updated as things develop.” He pushes himself up to stand, looking at each member of his team, of his pack. They all share the same guilty look on their faces, they all hold the same anger at themselves deep inside. “This may be the hardest mission we’ve ever had. No matter what we feel...none of that matters anymore. What matters is keeping our pack together. What matters is that we keep those bonds from fraying. We lose ourselves, we lose everything.” 
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“Still sore?”
You nod, wincing as it sends a bolt of pain through your body. 
“I know.” Dr. Keller says, adjusting the ice pack on your shoulder. “Hurts like a bitch, but luckily it won’t cause any lasting damage.” 
You blink at Dr. Keller, staring at her for a beat. You don’t think you’ve ever heard her curse before. You’re not sure she was ever capable of it. 
“What? I use swear words. Sometimes.” She says, almost like she can read your thoughts. “Sometimes expletives fit the moment better than any flouncy, sophisticated words do. This feels like the proper situation to use some.” She lets out a sigh. “Your shoulder will be the worst of the pain, at least physically. The mental pain...well, that’s not something I can treat with pain medicine. Shouldn’t, would be the proper wording there.” 
Some people do use it to numb the pain. 
“We all made a lot of bad decisions these last few days. Your support system, those you were supposed to be able to trust, failed you.” She stares down at you, emotion shining in her eyes. It’s a mirror of John’s own stare when he’d looked at you, but this time there’s no anger burning inside of you. Dr. Keller didn’t betray you. Dr. Keller will mean her apology, because you know that’s what’s coming. “I know you’ve probably heard this a lot over the last few hours, but I am sorry too. I shouldn’t have left you alone like that. I shouldn’t have fallen for that phone call...I should have been there.” 
You stare up at her, tears pooling in your eyes. If she had stayed, things would have been worse. It was almost better she left you. You can’t lose her. You need her now more than you ever did. 
Tears streak a flaming path down your face, a choked sob tearing its way through your trachea up through your lips. It burns your throat, no amount of water you’ve had in the last few hours has been able to ease the ache that’s taken up permanent residence there. 
Graves choked you. It’s the bruising from his hand squeezing your windpipe making you ache. Your voice may never recover, may never go back to normal. Crying hurts, hurts more than just your mind, your chest. It hurts your whole body, yet you can’t stop. 
“I know, I know.” She says, petting your hair as you sob. “I’m not going anywhere this time. We’ll get through this, okay? It’ll be a long road, but you won’t be walking it alone. You’ve got me, and you’ve got your pack.” 
Your gaze hardens at the mention of your pack, the sob in your throat coming out almost as an angry grunt. The thought of them makes your chest ache, the pain of their betrayal burning hot in you. “I don’t want them.” You whisper. 
“I don’t blame you.” Dr. Keller says, leaning against the side rail of your bed. “They let you down. The betrayed your trust in a lot of ways. They made you feel abandoned, and then abandoned you when you needed them most, even if they thought they were doing the right thing at the time. You have every right to be angry at them, upset with them. They hurt you in the worst way they could.” She pulls the blanket higher over you, tucking you in. “You’ve gone through a lot these last few days. Some very traumatic events, on top of being injured and your body going through extreme stress. You’re exhausted in every way you can be. Rest first. Worry about everything else later. Doctor’s orders.” 
“I did it to myself.” You say before she can walk away. 
She turns back to look at you. “What?” 
“I made myself distress.” You say. “I made my omega come out.” 
“That was very brave of you.” She says, giving you a soft smile. “Sometimes we have to take drastic measures even knowing the risks. You did what you had to in the moment and I think it was the right choice. You didn’t know what was going to happen, what was happening. Things worked out and you’re still here. That’s all that matters.” 
You think about her words for a moment. You did make it out. The fact you’re here means someone found you, someone saved you. Someone scruffed you. 
“It was Simon, wasn’t it?” You ask, even though you already know the answer to that. 
You wouldn’t let him leave. 
“You’ll have to ask him for the whole story, but yes. He’s the one that rescued you.” She adjusts the blanket around you again. “Get some rest.” She moves the call button closer. “I’m on the other end of that button if you need me.” 
You stare up at the ceiling after she leaves, counting the tiles above you. It looks like every other ceiling you’ve ever seen in a doctor's office or clinic or hospital. It’s not all that different from the ceiling in the med center on base. 
Base. 
You don’t ever want to see that place again. You don’t want to step foot in the barracks, you don’t even want to think about the clinical sterility of the buildings and the cold comfortless spaces meant for nothing more than to serve their purpose. Just like you. You served your purpose. You proved their point, even if it was never the true point of the initiative. Packs will get stronger with an omega, but it will come at the detriment of that omega. 
The job always comes first. 
There was a time you thought perhaps it wouldn’t. Maybe they could put it all behind them  and put themselves first, put you first. Then they proved they can’t. They won’t even put you first when you’re at the threat of being tortured. You were hurt because they wouldn’t put you first. You are hurt because they wouldn’t put you first. 
You don’t care about them. You don’t care about their excuses. You don’t care about the bonds or the claims or the emotions. 
You’d be happy if they left you here. Just a few days ago you were panicking about them leaving you, about them deciding you weren’t enough and abandoning you. 
Now you wish they would. 
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“Has she said anything?” 
“Not much.” He sighs. “She won’t see any of us. I can hardly blame her.” 
“You made a choice, John.” Kate says, hands wrapped around her cup of coffee. “Choices have consequences.” 
“You were right. Then again, you usually are.” He sips at his tea. Bitter without milk, but then again, he’d prefer a glass of whiskey right now over tea. “I don’t know how to fix this.” 
“I don’t think you can.” Kate takes a sip of her coffee. “She’s going to decide when she wants you to fix this, if she wants you to fix it.” 
John lets out a sigh. “We’re her pack, it’s our job-” 
“You’ve failed at your job.” Kate says, her gaze hardening as she stares at him. “You’re good at being a soldier, you’re good at being a leader, you’re good at saving the world, but that’s not your only job. You have a responsibility to take care of your omega, and you failed. You made your choice, and you turned your back on her. She’s not a soldier, John. She’s never been tortured, she’s never been left for dead, she’s never taken a life before and here she’s been through all of that in the span of two days. You made a choice, John. You made a choice knowing damn well what the consequences would be.” 
He sits in silence, staring at Kate. It’s not often she gets mad at him, the frustration evident on her face. It’s a mirror of the anger and disappointment on the faces of his packmates. They’re all feeling the weight of his decision, of his mistakes. They’re all feeling the weight of their rapidly fraying bonds. 
“You have a choice to make now, John.” She stares at him pointedly. “You pick up the pieces from this, you all take the time to recover and heal. Then what? Things aren’t as simple as we thought they were, John. None of us knew what was going to happen. We were all so focused on the potential benefits that we all overlooked just how much of a detriment this would be. Your omega hasn’t had a choice in anything in her entire life. Every decision has been made for her, whether or not she wanted it. She has had no say in any of this. She’s been nothing more than a variable in an experiment, a statistic, a number, a list of pros and cons. She’s been reduced down to nothing more than an object.” 
John winces at her words, the weight on his shoulders growing heavier and heavier. He’s treated you as nothing more than an object, even if not directly. Leaving you so easily, yelling at you when you made an innocent mistake, letting you be tortured because he couldn’t get his head out of his own arse. 
“We all know she’s more than that. Far more than that. But she will never have any say in anything, unless you let her. Outside of your pack, she has nothing. In your pack? She should have the loudest voice.” Kate leans her arms on the table, shifting closer to him. “Right now she has no voice because you’ve proven where your loyalties lie, and they’re not with her. You have one more decision to make, John. Do you keep standing where you are, put the job first and wear your omega down until she’s nothing but an empty shell? Or, do you take this chance while you have it and finally put her first?” 
Kate pushes herself up to stand, grabbing her cup of coffee. John’s not used to feeling small. He’s used to being in charge, being the captain, being in control. People look to him, they listen to him, he’s the one everyone turns to when things go to shit to lead them out. 
He’s not even capable of doing that anymore. 
“Your life as you knew it ended as soon as she was placed in your pack. It’s up to you to decide how it continues.” Kate leaves with those heavy parting words, the door clicking shut behind her. 
John stares down at his cup of tea, the cup half full, or perhaps half empty depending on how one looks at it. It feels more than half empty now, spilling slowly through some microscopic hole in the side. It’ll only be so long before that hole will widen, worn down by the weak paper the cup is made of, the liquid eating away at the cup until there’s nothing but a puddle of tea on the table, slowly rolling towards the edge to dip onto the floor. 
That microscopic hole started as soon as they left you alone for the first time, and none of them were aware enough to even notice it. 
That hole is a gaping wound now. The contents inside turned acidic as soon as he cut you off in his disappointment, as soon as he started digging into the belly of the initiative. That acid has been eating away slowly at the fragile bonds that were in place. Fragile. They really were. No matter how strong they all thought those bonds were growing to be, they were built with fear and anxiety and uncertainty. Uncertainty of the future and what it may hold, anxiety towards a new pack and an entirely new shift in lifestyle, and fear of one day losing a pack member. 
Bonds built upon such frailty can hold no weight should one piece fall. 
How strong can bonds really be when you live with that knowledge, that constant fear that someone could die at any time? Someone in the pack, someone you’ve bonded with, someone you’ve grown a relationship with, might leave and never return because of the risks of their job. How strong can those bonds be? Was that the point of the experiments all along, the 141 and the initiative? Testing the limits a pack could be pushed to, testing if bonds could be formed in such a high stress environment and if so, how strong they’d be? What limits would they have gone to, to test that theory? Would they have gone to the point of sacrificing one of them to test those theories, had the truth not come out when it did? One wrong decision, one wrong step in the field and everything can crumble. Would they have gone to that length to test just how a bonded pack would react, if they could still function after everything? 
The sacrifice was you. 
Kate is right. You’re not part of their world. You’re not a soldier, you haven’t been conditioned to live with that fear, you can’t be conditioned to live with that fear. You shouldn’t have to be conditioned to live with that fear. You had no choice in this. None of it. From the moment you presented, nothing in your life would be yours. From the moment you presented, you would never make a choice for yourself again. 
The sacrifice was you. 
And he played right into their hands. 
The cup is blurring as he stares at it, his eyes blinking rapidly. 
They say an omega is the balance that holds a pack together. It’s a delicate bond, a single thread coiled around the structure of the pack. Wear that thread down until it snaps and everything crumbles. How long have you been fraying? How long have you been silently screaming for help, desperately trying to hold the pieces of the pack together like a strongman holds two pillars up by chains? You never had chains, you’ve been holding everything together with sewing thread, fighting desperately to keep the pieces from crumbling at the risk of being torn in half. 
How long have you been silently screaming? 
It’s all his fault. He’s been wearing you down, he’s been fraying that bond fiber by fiber. He’s been standing there watching you fight to hold the pack together while screaming at him to help, screaming at him to take one of those threads and hold at least half of the weight for you. 
That’s what he’s supposed to do. 
The threads have snapped. You were torn in half by the weight and those threads are gone. They’re crumbling, the bonds coming undone, unraveling minute by minute, second by second. They’re losing each other because they lost you. 
He covers his face with his hands, not even bothering to try and silence his sobs. 
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Something has pulled you from the sweet arms of sleep. 
It’s dark in the room, the only light coming from the one behind the bed. The curtains are drawn over the window, keeping you hidden from the darkness outside the window. It’s late, or at least you think it is. You can’t quite see the clock in the darkness with your one good eye. It’s fuzzy in the darkness, too far away for you to truly find where the hands lie. 
Shadows fill the corners of the room, oppressive and claustrophobic. The longer you stare, the bigger they seem to grow as if they might suck the light right out of the room and swallow you in darkness. The longer you stare, the more it seems like there’s something there, something hidden in the darkness. 
Something is staring at you from the shadows. There’s eyes on you, your skin prickling from the uncomfortable feeling of being watched. The more you stare into the darkness, the more the shadows begin to take shape, forming monstrous beasts just being held at bay by the light. 
“Hi, darlin’.” 
No. No, no, no, no. 
“Miss me? It’s been a long time.” 
You shake your head, your heart monitor starting to beep rapidly as your heart pounds in your chest. “N-No.” 
Phil sits forward in the chair in the corner, his face coming into the light. It is him, blonde hair, blue eyes, that disarming grin on his face. He can’t be here...unless he escaped before your pack could catch him. Did they manage to catch him? You don’t know. You hadn’t even thought to ask about Phil or his whereabouts. No one informed you either. 
“No? You didn’t miss me?” He tilts his head, his eyes shining with faux hurt and disappointment. “That’s not very nice of you to say. I thought your father taught you your manners. Have you forgotten them in the time you’ve been away.” He tsks, shaking his head. “Those boys have been letting you get lazy.” 
Your breathing is picking up, panic starting to fill you as you stare at him. It’s impossible. He shouldn’t be here. He can’t be here. He couldn’t have just walked onto base and walked into the medical center, could he? Corporal McKinney fooled everyone for months and drove right off base with you in his car and no one said anything. How much would the guards at the front entrance of the base take as a bribe to let him in? 
Why isn’t your pack outside your door? Why would they let him in? 
They had to have put out a warning. Someone should have put Phil’s face everywhere, sent out a message, something. 
He lets out a sigh, pushing himself to stand. “I guess I’ll have to teach you some manners myself.” 
The glint of metal catches your eye, the icepick catching the light as he steps closer. 
“No, no,” You shake your head, your fingers scrambling for the call button.
Not again. Please, not again. 
Your fingers close around the call button, your thumb pushing it over and over and over again. Someone has to hear it. 
He lifts the ice pick, reaching out for you...
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You’re being shaken. A scream tears from your lips as you struggle, trying to get away from whoever is holding you. Your body is alight with pain but you wait for more, for the ice pick to drive into your scent gland again, open the wound and light your body on fire once more. You expect it to come down again and again, filling your body with holes so you bleed out on the floor. 
Where is your pack?
“Easy, easy. You’re alright.” 
You know that voice. 
You’re sobbing, your brain slowly beginning to come back into consciousness. You had been asleep. You were dreaming. The light is on in the room, the harsh fluorescent a welcome presence for once. The shadows are gone, dissipated by the bright light overhead. Phil is gone, wiped away with the rest of the shadows. 
He’s nowhere to be seen because he wasn’t there in the first place. 
It was just a dream. It was just a nightmare. 
There’s a hand on yours, gently easing your fingers from the call button. You’re still trying to press it, your thumb moving almost automatically. You started pressing it in your sleep. 
“You’re okay. Breathe for me.” 
It’s Dr. Keller’s voice. It’s her arms wrapped around you, trying to stop you from moving as much. Your body is screaming in pain, but the panic flooding your body makes you almost numb to it. The pain in your chest is screaming with every rapid inhale, tightening and tightening the more until your fingers and toes start to go numb. 
“Deep breaths.” Dr. Keller says, her own breaths slow as she holds you. “In and out.” 
The inhale catches, the air shuddering into your lungs before you hold it, trying to force your body to calm down, just like the two of you practiced so many times. The heart monitor is beeping rapidly, another thing that must have translated in your state between wakefulness and sleep when Phil had shown up. Your heart is beating rapidly, thudding in your chest almost violently. It’s been through a lot these last few days. You wouldn’t be surprised if it just gave out suddenly. 
“Phil.” You gasp out, still trying to slow your breathing. “Phil was here.” 
“It was just a nightmare.” Dr. Keller says calmly, keeping her arms wrapped around you. “No one has come in or out of this room besides me. The guard outside won’t let anyone else in.” 
Guard. There’s someone outside the door. Your pack? No. She would have said so.
Where is your pack?
Phil was never here. It was just a nightmare. 
The last two thoughts repeat over and over in your head like a mantra as you start to cry, sobs wracking your body. You hate it, the fear, the terror, the anguish you felt as he lifted that ice pick, ready to stab you with it. 
“I hate it.” You croak out, voicing your thoughts for the first time in a few hours. 
“I know.” Dr. Keller says. “It’s normal to have nightmares after a traumatic event.” She adjusts her hold on you, tucking you against her chest. “It’s your brain trying to process what happened, trying to work its way through the trauma of the last few days. It’s cruel, but it’s a necessary part of healing.” 
Healing. 
Are you healing? Can you heal after everything? The pain is intense, not just outside but inside as well. The hurt, the anger, the fear, the anxiety, the panic, the depression, the rage, the betrayal. It’s too much. It’s so much all at once. You hate it. You hate that this happened in the first place. You hate that you have to go through this, have to heal, have to live through more nightmares. 
You hate your pack. That’s why they’re not here. 
For all you know they’ve left you. For all you know they’re on a plane back to the UK. 
Why would they want a broken, angry omega?
“I just want to be okay.” You sob, face pressed against her shoulder. 
“I know.” She says, cradling the back of your head, keeping you tight in her arms. “I'm so sorry this happened to you. I know words can't change that it happened, words can't make it all better, but we'll get you to where you're as okay as you can be again. I promise you I’ll do everything I can to get you there.” She leans her chin on the top of your head, squeezing you against her chest. “We'll get there, no matter how long it takes.” 
How long will it take? How long will your pain and suffering drag on for? Your body will heal eventually, but will your mind? Are you going to be this way for the rest of your life? Will you ever know peace again? But...have you ever really known peace? Your home growing up certainly wasn’t peaceful. Your presentation wasn’t peaceful, and neither was life at the institute. Being chosen by the FBI for this initiative that never existed in the first place certainly wasn’t peaceful. Despite how happy you became with your pack, even that life wasn’t peaceful. What little peace you thought you had was upended in the blink of an eye. 
How easily everything crumbled. 
Will it be possible to put it all back together again? 
Do you want to put it back together again? 
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Alcohol is easy to find in a place like this. Soldiers gravitate towards whatever crutch they can find to erase the nightmares they live in. It numbs the pain and the brain and keeps one sane, or at least that’s what his father used to say. 
Of course his father would drink himself into a stupor every Friday night, and he’d wake Saturday morning still in his chair with a full breakfast waiting for him. 
Much like his father, John has lost track of how many times he’s filled his glass. 
It’s been a long time since he’s gotten this drunk. He shook that habit after a shameful morning over ten years ago. He’d just gotten back from a bad deployment, one that gets labeled as a “mission gone wrong.” It failed under his command. He lost a lot of lives, not just his fellow soldiers. He’d drunk himself past a stupor and woke up passed out in a bush covered in vomit outside the gate with a rather angry CO over him. 
He shook the habit after that, easing himself to just a glass every so often on those days he needs to take the edge off, on those days he needs to numb the aches. 
Then Kyle came along. Kyle, his sweet beta with his ethical moral compass. His sweet beta who deserved a better life than what he was pulled into. Dutiful, loyal, principled. A good soldier, but a better man than John could ever be. He could fall into Kyle, bury himself under those soft touches, the soothing whispers, the comfort Kyle could offer him. The screaming in his head became less and less as he allowed Kyle to do what he was meant to do at his core. 
Comfort. 
Then you came along. 
He found himself turning to the liquid medicine less and less because he could bury himself in you. He had an omega, he had someone he could lean on, someone who understood without having to be told. The bond between alpha and omega is something so sacred and special, something to be cherished. 
And he threw it all away. 
He downs another glass, staring at the almost empty bottle. It had been sealed when he got it, brand new and fresh. He can feel it, the fogginess of alcohol clouding his brain. The world is swirling, melting together. He can’t feel much of anything anymore, yet that pain lingers deep in his chest. 
The bond. 
It’s like an open wound, gaping and pulsing. Eventually it’ll slow, eventually it’ll give out. That bond will be cut and everything will crumble. 
It’s all his fault. 
He ended things, he ended the pack, he ended the bond, he ended you. 
Would Graves have killed you? Would Shepherd have given those orders if they pushed onward, if they caught up to him? Graves would have done it slowly, taken his time, reveled in it. They would have gotten a video of it, hours long as you were tortured to death, zoomed in on your face as the life left your eyes. 
The thought makes his stomach churn. He wants to vomit at the mental picture of you laying there, covered in blood, those lifeless eyes staring at him. Eyes that once shone with life and happiness. Despite everything you had been happy. Despite everything that spark inside you was never extinguished. A fiery little thing that would give what they gave right back to them. 
Now you’re not even smoldering. 
You’ve been reduced to ashes, and it’s all his fault. It’s all his doing. 
He skips the glass this time, drinking straight from the bottle.
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“Have you seen John recently?” Kyle asks, standing in the doorway to their temporary living quarters. It’s a single room with two bunk beds. Far too tight of a space for their quickly souring dynamics. 
“No, not recently.” Johnny says, lifting his head up from his pillow. He’s been crying again. “You, LT?”
LT. They argued earlier...more like yelled in each others’ faces until they had to be separated at the risk of things getting physical. Kyle’s not even sure what they had been arguing about in the first place. Probably something miniscule and unimportant. Everything seems to be setting them off like grenades. Pull the pin and watch them explode. They’re all on edge, all of them feeling the distance growing wider and wider despite their best efforts to stop it. 
“No.” Simon says simply, staring up at the bottom of the bunk over him. He’s flat on his back, hands folded on his stomach. He looks like a corpse, might have been mistaken for one if it hadn’t been for the slow rise and fall of his chest. He’s still in his mask. He hasn’t taken it off since he arrived in the field. 
It’s late, but none of them can sleep. None of them have been able to get much sleep since they arrived nearly two days ago. Weeks without good, decent sleep wears on the brain too. 
“If he comes back here, text me.” Kyle says before closing the door, resuming his search for their missing captain. 
John has been beating himself up for nearly two days now. Kyle’s never seen his captain quite so distraught and lost. He’s blaming himself, which in all fairness, he should be doing. It is his fault. Kyle will be the first to point blame in this situation, but none of them are truly blameless. None of them questioned it, none of them even argued with him on that decision. They followed blindly as they were supposed to for the first time in a long time. They didn’t question their captain, their alpha, their leader. 
He hates himself for it. 
Why didn’t he question it? Why didn’t he argue? Why didn’t he voice his opinion, fight back against that decision? He trusted his alpha when he shouldn’t have, and you paid for it. 
He’s glad he didn’t have to see you. He’s glad he didn’t have to face down the state Johnny and Simon found you in. He’s glad he didn’t have to see what you looked like even after the blood had been cleaned off and the true horror was revealed. 
He hasn’t gone to see you at all. 
He’s not sure he could handle it. You won’t care either way from the sound of it. You’ve been reduced to a shell, silent and empty. You’ve barely said a word since this morning, instead just lying there and staring at the ceiling according to the doctor when she’d updated them this afternoon.
Your body will heal slowly, but your mind will remain a battleground. 
He leaves the barracks, looking up at the dark sky. It’s clear tonight. He’d probably see the stars if there wasn’t constant light pollution around the base. What do the stars look like here? He’s stared up at the stars constantly in the last few weeks in places there was little light pollution. His only comfort about being away from you so long was the knowledge that you were under the same sky. Be it day or night, the stars were overhead. You wouldn’t be able to see them either way, but they were shining for you too. 
Now you’re both under the same stars, but you’re both still so far away.
He lets out a sigh, lowering his gaze. He has a job to do, a captain to find. 
“Where are you John?” He breathes, looking in all directions, trying to decide which way to go next. He had stopped in at the med center already, but he wasn’t there. No one had seen him, even the doctor. He’s searched everywhere he could think to search, but his captain is nowhere to be found. 
John will kill him if he requests a base-wide search. 
He walks around the side of the barracks, hoping maybe he’ll run into John coming back this way. Usually he wouldn’t bother searching for him, but with his mind how it has been, Kyle can’t help but be worried. Even with the bonds fraying between them, he still has that instinctual need to make sure his alpha is okay. Instincts can’t be ignored. No matter how much bonds between packs fray, instincts will always remain the same. 
That’s why he still feels that urge to go and see you. 
John will kill him if he requests a base-wide search. 
He knows how self-destructive John can be despite how composed he makes himself appear. He’s only seen his alpha in that state once, and he has a feeling he’s about to a second time. 
He leans against the wall with a sigh when he reaches the other side of the barracks. Nothing. No sign of him. No texts from Johnny or Simon either. He’d asked Dr. Keller to let him know if he shows up in the med center too, but there’s been nothing. No word. No signs. 
Maybe he should just give up looking. John will find his way back to the barracks eventually. Or he won’t. 
That could be tomorrow’s problem. A distraction, a mission, something to give them purpose and force them to unite again. 
Find their missing captain. Find their missing alpha.
He turns back around to follow the sidewalk back to the front of the barracks when he hears shuffling footsteps dragging on the concrete. He turns, squinting into the darkness between lamps as a figure stumbles through the shadows, muttering under its breath. He knows that voice, he knows that figure. 
John. 
John stumbles forward, nearly falling but Kyle reaches out, catching him. His mind is racing, silently checking for any blood, any sign of injury, but there’s nothing. 
Maybe everything is finally getting to him. Maybe his body has finally been pushed to the limit and it’s giving out. He’s having a medical emergency. 
“Easy, sir.” He says, trying to calm his panic as he fights to keep John upright despite John’s body wanting to fall the rest of the way onto the ground. Kyle takes a breath in, catching the sour scent of alcohol wafting off his captain. 
Not a medical emergency, then. 
He sought out some liquid comfort instead. 
The thought makes Kyle’s chest twinge still. 
“’S all over.” John slurs, his weight getting heavier and heavier. “Everything is over.” He turns his head, blinking slowly. “Kyle?” 
“It’s me, sir. I’ve got you.” He slings John’s arm over his shoulders, making his weight easier to hold. 
“Kyle.” He slurs again, the two syllables blurring together. “Too good to me, Kyle.” John pulls his arm free, stumbling forward. 
Kyle just manages to lessen his fall onto the concrete, making sure John doesn’t smack the back of his head at least. He’ll have some scrapes and bruises tomorrow, though. Right now he probably can’t even feel it. If he was responsible, he’d take John to the med center, let him sleep off the alcohol on the safety of a gurney, but that would probably just cause more problems for everyone. 
John would be pissed when he woke up. 
He lets out a sigh as he stands there, staring down at his captain. John’s on his back, eyes up and focused on the sky, hiccuping every so often. He’s never seen his captain quite this drunk before, though he has heard stories of when John was younger. 
“I’ve killed her.” John mumbles. “I’ve killed all of us.” 
Kyle drops to a knee beside John. “You haven’t killed anyone.” 
“She’s fading away. Soon she’ll be gone.” He murmurs. “We’ll go too.” John pushes himself up to sit. “It’s all over. Everything is over.” 
Kyle grips John’s arms before he can fall back again, holding him in place. “Nothing is over yet, sir. We can still do something. It’ll just take time.” 
John turns to look at him, his eyes hazy and far away. “Kyle.” John says his name softly, reaching out to brush his fingers across Kyle’s cheek. “Pretty boy.” He slumps against Kyle’s chest, his weight nearly making both of them topple over. “Too good to me, Kyle.” 
“I care about you a lot, sir.” Kyle says, rubbing his back. “More than I think you realize.” He murmurs the last bit more to himself than anything. Not that John will likely remember any of this in the morning. “We should get you in bed. We’ve got a long day tomorrow.” 
They do. They have to decide what to do next. 
“Come on.” He says, hauling John to his feet carefully. John lets him, letting Kyle wrap his arm around his shoulders. 
It’s slow going, Kyle half dragging John back to the barracks. He’s quiet at least, only the occasional scuffle of his footsteps as he stumbles breaking the quiet night. He gets John back to their room fairly easily, easing him into the other bottom bunk across from Simon. The room is still and silent aside from the occasional sniffle from one of the top bunks. 
He grabs the blanket from his own bunk, draping it across John instead. Maybe in his drunk state, the scent will bring him some comfort, help ease that ache inside of him.
He’s hoping John’s scent will do the same for him. 
“It’ll be alright, sir.” He says, making sure his captain is comfortable. He stands up, staring down at his Captain. “Everything will be fine.” 
He’s not sure who he’s trying to convince. 
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John stares down into his tea as they sit around a table. His head is throbbing, pulsing heavily behind his eyes. It’s his own damn fault, going out and getting drunk like that. He hasn’t done it in years, yet he couldn’t stand the pain gnawing away at his chest. Alcohol hadn’t fixed it. It’s still there, still pulsing away. The alcohol had only numbed it at least for a few hours, and if anything, it made it worse. 
“Kate left this morning back to DC.” He says, glancing up at the other three members of his team. “They're still working on cleanup and helping Alex and Farah track Shepherd. I spoke with Dr. Keller this morning. We’ll be able to fly out soon.” 
The words hang heavy in the air. He hadn’t mentioned you at all, but he’s not sure he could without breaking down. You are improving slowly, Christine had said, giving him a sympathetic look as he squinted in the harsh fluorescents. She knew. She could tell just by looking at him. She’s that good at her job. 
He’s glad they have her. He’s glad you have her.  
“Where are we going tae go?” Johnny asks. 
“We can’t go back to base.” Simon says. 
“You’re right. Going back to base is too risky.” John says. “Shepherd could have eyes there already. And with her mind where it is...” Taking you back would be too much too soon, even without the risk. One of their own had already betrayed them once. They can’t trust anyone anymore. “We need somewhere secluded and quiet. Somewhere no one will know we’re going where we can lay low for a while.” Both out of necessity for their safety, but also for your sake. 
It falls silent between them. Shepherd knows all of their possible safehouses, all of the places they mind go to stay hidden. Those only they know off the record are hard to get to, requiring miles of hiking. You wouldn't be up for that even without the physical injuries, and they doubt you'd let one of them carry you. If they had to get out quickly...
“My parents have a place,” Kyle says, glancing up at them from his own cup of tea. “Out in Cornwall. A cottage near the cliffs. It’s quiet, secluded. No one knows about it but us. Tourist season is over too. There won't be many out there poking around this time of year.” Anyone wandering around out there that close would be suspicious.
“It’s a good option.” Johnny shrugs. 
“It’s our only option.” Simon says. 
“It’s exactly what we need.” Kyle says. “Trying to rent this time of year will only draw attention, and we can't trust we won't be ratted out. Shepherd likely still has allies. We were betrayed by one of our own before.” Kyle says. 
“You're sure no one else knows about it?” John asks, looking at his beta. 
“Just my parents and my siblings. They wouldn’t ask any questions if I told them it was being used.” Kyle shrugs. “It might be our best option.”
John looks around at them. It is their best option for now. He knows Kyle's family is just like the rest of theirs. They know they can't know and they won't ask questions. 
“We had a conversation once, months ago.” John says. “She told me she wanted to live next to the sea someday. She wants to be close enough that she can smell it and see it.” 
He pauses thinking back months ago after Simon left, after you were so affected by his absence. That conversation when you asked if he’d ever leave for you, when he told you if your life was ever in danger because of them he’d leave in a heartbeat. He’s made a liar out of himself. He broke his promise, so many promises, made not just to you. Not just to the pack. 
He glances at the other three, fighting back the lump in his throat, the endless threat of tears that has been rising like the tide and threatening to drown him at any moment. He’s made his decision, he’s made up his mind. 
You have to come first. 
His priorities have changed. There’s no initiative to follow, no orders to be given out. Kate was right. This is their moment to change things, this is his moment to change things. His pack will follow. Despite everything, they’ll trust him to make the right decision. They won’t hesitate to challenge him anymore, but there’s still that deeply ingrained trust in their alpha and captain. 
The alpha comes first. 
No, the omega comes first. 
He takes a sip of his tea, bitter without any milk, but it’ll do. “She wanted to be close to the sea.” He looks back up at the other three having made his decision. “Taking her there might just be what she needs.” 
NEXT ->
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vampiefemme · 8 months ago
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smut! 18+ below, minors dni.
thinking about ellie accidentally sending you a video of her fingering herself.
the video preview is completely dark, so you have no clue what to expect when you click the play button. you assume it’s another one of her rants - lately she’s taken to sending you clips of herself complaining about her family, work, politics. she’s sent a few videos of her trying new foods while completely obliterated on an edible, too, which you’re kind of hoping for. her eyes look so pretty all droopy and red, and she has the cutest laugh when she’s high.
but oh, no. this is… nothing like that.
you’re lounging in bed, head propped up against a pillow, when you get the notification from ellie and click to your text thread. you hit play on the video, watching with a furrowed brow as the camera moves from darkness - the forest green fabric of ellie’s duvet, you realize - to reveal her room. and it’s a familiar sight; you’ve been there a hundred times. but that’s where the familiarity ends.
because this new camera angle shows ellie naked from the waist down.
she’s flushed, her cheeks tinged the faintest shade of pink. her chest rises and falls in a quick rhythm; the light catches on a smear of wetness on her inner thigh, and you realize with a flutter in your belly that she’d been going at it for a while before she’d pulled out the camera.
“okay, fuck,” ellie pants, her voice a bit tinny through the speakers of your cell phone. she lifts one muscled thigh to her bed, which she’s standing before - right in front of the camera. your mouth goes dry as your eyes flicker over her body: heather grey tank riding up her toned hips, the faintest sheen of sweat on her chest, her thigh flexing as she spreads herself in front of the camera.
“i got close beforehand so i wouldn’t… didn’t wanna be nervous,” she says, avoiding eye contact with her phone. “but i’m - wait. why the fuck am i talking? you’re not supposed to talk in these, are you?”
blood rushes into your cheeks, warming your face until you feel like your skin is about to burn off. you should probably stop watching, shouldn’t you? you should click out of the video, pretend you never opened it in the first place. this is clearly not for you to see.
but you can’t look away.
ellie reaches her hand between her legs, and your stomach warms with arousal. there’s a flutter between your legs that leaves you squeezing your thighs together, seeking pressure.
“oh god,” ellie mutters as her fingers play in her own pussy, the lewd, wet sounds echoing. she slips a finger inside of herself, then two, her eyes fluttering shut as a string of curses leaves her lips.
she starts to pump her fingers, the heel of her hand pressed to her clit, and your breath catches in your throat when she looks up at the camera. you know she’s not really looking at you this way, but you tense up regardless. the look in her eyes is sultry, lustful, hungry.
there’s a growing damp spot on your underwear.
ellie’s getting close; her brows are pinched together in concentration, and each of her moans is more ragged and high-pitched than the last. beneath the thin fabric of her tank, you see her abs tense with her impending orgasm. you bite your lip until you’re sure you taste blood.
she comes with a shuddering cry, bicep flexing as her hand stalls between her legs. strands of auburn hair, darkened with sweat, cling to her freckled forehead. she lowers her leg from the bed and stands upright again, still panting. she reaches for the camera and the video ends.
you’re still staring wide-eyed at your phone when a series of texts come through from ellie.
oh my god
please tell me you didn’t see that
holy fuck i’m an idiot
i’m so sorry
i did not mean to send that to you. holy shit i’m sorry
your chest tightens with sympathy - you can imagine how panicked ellie is on the other line, how utterly ruined her post-orgasm bliss must be.
you type out a quick response: it’s okay. give me a second to reply, alright?
finding a convenient place to prop up your phone, you hook your thumbs over your underwear and tug them off, leaning forward to press record on your phone.
read part two here!
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luveline · 2 months ago
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hihihihi! 🥹💕 i want to let you know that i adore your hotch fics! and i wanted to ask if you’d be ok—but no pressure!!!— to write one with bombshell!reader waking up from anesthesia and forgetting hotch and her are already together and starts flirting with him the way bombshell!reader absolutely would lol? thank you!
thanks for requesting lovely! fem, 1k
You don’t remember waking up, but you’re sitting against a pillow with a yoghurt in your hand. You must’ve been on some sort of auto-pilot… Are you in a hospital gown?
You put your yoghurt down on the table that’s been wheeled over your lap and stare at the white-blue chequered gown creased between your thighs. Your head feels heavy. 
“You okay?” 
You drag your gaze to the source of the voice. 
Agent Hotchner sits in the chair next to your bed. He has one leg crossed over the other, but he notices your confusion and his nonchalance turns to concern. “You need help?” 
“With the yoghurt?” you ask. 
“Yeah, honey. I can help.” 
You roll that over in your mind. Stern Agent Hotchner just called you honey. 
You’ve been trying to convince him for a while that you’re someone worth being sweet to. Trying to sway him, because there are parts of him you can’t get out of your head when he’s not around. He has not yet been swayed. Honey is a hand held out you’re going to snatch. 
Hotch stands. He goes to pick up your yoghurt. 
“What, are you gonna spoon feed me?” you ask, a clumsy drawl to your voice.
“I was going to… but I don’t like your tone.” 
Is he flirting back? You must’ve hit your head. “Coward,” you murmur. Speaking of hitting your head, there’s a throbbing behind your eyes, and a dryness to your throat bordering on uncomfortable. The yoghurt was there for a reason, clearly, but you don’t have the energy in you to eat seductively. 
“My head hurts,” you say quietly. 
You close your eyes. 
“I know.” A hand touches your face. You stay very still, though your heart doesn’t. “You don’t feel too hot. Do you want a drink? I can get you anything.” 
“Your hand is so big…” 
“Not so much bigger than your own,” he says. 
“Prove it.” 
He says your name like he knows you well, which sets your racing heart off all over again. But, used to hiding from him, you open your eyes to watch him and wipe all surprise from your face. You raise your hand, and he raises his, and you press your fingers together. Your fingertips don’t reach his, his palm wider, warmer. You thread your fingers carefully into the gaps between his, your lips curling into a satisfied smile. 
Less satisfied when he closes his hand around yours. 
“You’re teasing me,” you say. 
“Honey, I have no idea what you’re talking about. Why don’t you lay back properly?” 
“Super, super forward.” You lay back under the pressure of his hand, stricken by the feeling that he’s done something like that before. You rest your head against your elevated pillows and have to give up —you can’t hide how surprised you are at his open touching, his face so close to yours you can see every warm fleck in his dark eyes. 
“You look startled,” he murmurs. 
“I think you’ve been bodysnatched.” 
“I have?” 
“Yes.” You nod. “I can’t keep up. And I’m usually pretty great at that.” 
“At what?” 
“Flirting.” 
“Oh,” he says, taking your hand again, pulling it toward his mouth, “you think I’m flirting?” 
“Is there something wrong with me?” 
“Not beyond the usual. You’re more lucid than they suspected you’d be, actually.” He kisses your knuckles. 
“I’ve hit my head.” 
“No, honey, you were under anaesthesia. Everything’s fine.” 
“You’ve hit your head.” 
He breathes out a laugh. “I don���t remember any injuries, but I’d love to know why you think so.” 
“You’re kissing me.” 
He pauses, lowering your hand. “Yes?” he says cautiously. 
“Would you want to do it again?” 
Hotch puts your hand on your chest. He cups your cheek in one hand, takes your shoulder into the other, and leans down to see you eye to eye. “Are you feeling okay?” he asks. You can feel the love he has for you in each word. 
Weirdly, you can feel it in yourself, too. Like, more than a crush. More than wanting him to spin you around or play with your thigh under a desk. You really love him. 
“I think I forgot you,” you say softly. 
“Amnesia is a very common symptom of anaesthesia, don’t worry.” He pulls your face up to peck you, quick but not without a gentleness that has your hands thrumming with pins and needle. “I thought you were acting strange, but I put it down to discomfort. Sorry, I imagine it’s very disconcerting to feel you don’t know me.” 
He just kissed you. “No, I know you, I just… I think I love you, but you don’t usually want me back.” 
He rubs your cheek with his thumb. “I’ve always wanted you,” he says, his dulcet tenor another comfort entirely. “And I love you, whether you remember it or not. Should we try to finish your yoghurt?” 
“You really love me?” 
He turns your face to press a kiss into your eyebrow. “You don’t remember?” 
“I do–” You begin before thinking about it, and realise that you’re telling the truth. You remember that he loves you. Agent Hotchner loves you. He’s in your hospital room handling you like thin glass.  
“Well, is there much else to remember?” 
You practically smirk at him. “I can think of some things.” 
“Wow!” He leans down for another kiss. “You’re awful,” he murmurs, his smile soft on your lips. 
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caffeinewitchcraft · 4 months ago
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You are a Blacksmith
Set in the universe where your destiny is written on your arm
(The Hero and Hope) (Being Villagers) (You are the Demon King)
You are a Blacksmith.
That’s why the dragon’s fire doesn’t burn you.
“Pretty sure dragon fire is hotter than a forge,” your party’s leader pants. Kent is a veteran adventurer of twenty years to your two years and he’s seen his fair share of dragon fire before today. There are curling scars dragging the corner of his mouth down into a permanent scowl that pairs oddly with how high he has his salt-and-pepper eyebrows. He exhales noisily. “I think you’re just a freak, actually.”
“Not nice,” Sella says. The archer is your age with twice your experience. Her leather armor is well-beaten by four years running around with Kent and getting far closer to battle than an archer should. Her red hair is tied with golden thread that matches the golden charms dangling from her necklace. She adds a new one with every successful monster kill. It’s lucky she’s so stealthy or else she’d be jingling with every step. “Mande is an exception, not a freak.”
You’re a party of exceptions. Most adventurers are Villagers or Guards, common destinies that don’t always find a place within a town or village that have so many of each already. There are days you report for a mission, and you’re offered a blacksmith’s job on the spot just because of the mark on your arm.
Kent is a landless Lord. There’s a story there, you know, but it’s not one he’s ever volunteered. You can see his destiny pull at him in the remote reaches of the Kingdom, where no Lord has laid roots and the monsters run roughshod across the barren soil. Nights where you’re too far from civilization find him gazing up into the stars, his fingers curled like claws into the earth. The look on his face then is so hungry that the first time you saw it, you offered him provisions from your own pack. He’d shaken his head wryly, his scarred frown twisting, and walked off into the night by himself, only returning in the morning light.
Sella is a Guardian without anyone to look after. You knew her story before she told it to you, whispering it like a bedtime story before the end of the world. She was part of a traveling theater group. She looked after them, feeding them and retrieving those with wanderlust from their journeys before curtain call. When a monster siege led by a Demon King fell upon the city they were performing in, the Lord called his people into his castle and locked the doors.
The troupe were not his people. But they were Sella’s.
Until they weren’t.
You drag your battle hammer up and over your shoulder. Conveniently, the dragon fire has burned away the wet viscera that had been clinging to it. The metal is dark with soot, but undamaged.
The things you smith can’t be melted by any fire except your own.
The skeletal trees make the scene of this final battle oddly silent. Ash drifts from the sky, carried by a wind too high to feel. You can hear your party sniping at each other behind you and the gentle gurgle of the beast’s body settling comfortably into death.
The red dragon is beautiful. Its scales gleam and sparkle like rubies in the late afternoon sun and its talons shine like obsidian. Each part of the creature could make an average family rich for a month. You consider it from an arm’s reach away. You chew your bottom lip as you think. Your adventures have taken you across the continent from the southern coast you call your home, to the western land of rivers, to the northern desert and then here, to the eastern dry lands. After all your travels, you find yourself still thinking of home often. Crab is a delicacy where you’re from despite being so close to the water. The preparation can be tedious which makes it a dish reserved from significant occasions. Cracking the shell was always your job…
“Oh,” Sella says faintly. She makes an attempt to rise and nearly tips over in the process. If it weren’t for her bow, she’d be on the ground. Her knees shake as she uses a combination of a tree and her bow to pull herself up. “Mande, rest first! In an hour I can help you—”
You bring your hammer down on the jaw of the dragon. The bone shatters after just two blows. It’s best not to think about how beautiful it looked flying overhead or the intelligence in its eyes. You’ve always had a single-minded focus and you rely on that now.
“Leave her to her dismantling,” Kent grumbles. He’s now curled up on the ground is if in his sleeping roll, hands tucked neatly under his chin. It can’t be a comfortable position given his full suit of armor no matter how peaceful his expression. “If she’s got the energy for it, who are we to argue? Just keep the ribs intact. That’s what the client wants.”
Smash!
“It’s our turn to do the dismantling,” Sella says. She glares down at Kent. “Mande already did last week’s gryphon and the hydra. Get up!”
Smash!
“I’m an old man who needs his nap time.”
“You’re an irresponsible leader who needs to do his part.”
Smash!
“Once Mande stops swinging that thing around, I will.”
“She won’t hit you—”
“She hit me last week!”
“And I apologized for that,” you say through gritted teeth. You let your hammer fall by your feet. Your last blow sent tremors through your arms. The dragon’s jaw is like glass compared to its skull. “Sincerely.”
Sella makes a gagging sound when you fall to your knees next to the cracked skull. “Mande, don’t put your hand in there, that’s – oh, that’s so gross.”
“The book I read said it’d be…aha!” Your fingers graze something cool and metallic. You abruptly feel like crying. It’s been seven months. Seven long months of endless missions and danger and being away from home. This entire dragon is priceless, but you’ve forfeited your share for this. You blink rapidly to keep your tears at bay. You aren’t going to cry. Not until you’re sure that you’ve really found it. “Quick, hand me my waterskin.”
Your urgency gets even Kent up and bustling towards the dragon’s corpse. With trembling fingers you accept the water from Stella, pulling out your prize. It’s smaller than you thought, only about the length of your arm or a third the length of the dragon’s skull.
With bated breath, you gently trickle water over the length of it. Your party kneels beside you, watching just as raptly.
“What is it?” Sella breathes.
Kent is wide-eyed as, inch by inch, your treasure reveals itself.
“A dragon’s silver wit,” you say. The silver is mottled by the dragon’s black blood and grey brain matter. “The last ingredient I need for a Hero’s Sword.”
-----.
“You can’t just make a Hero’s Sword,” Kent is still saying a week later. He throws his hands up to the sky. “Heroes make them from air and magic and righteousness. Blacksmiths just repair them!”
You didn’t ask for Sella or Kent to follow you home. In fact, you assumed they wouldn’t. The slaying of the red dragon marked the end of your time in the Adventurer’s Guild. Now you’re ready to return to your position as the southern port’s best blacksmith and you thought they’d be ready to return to the best two adventurers the Capital Guild had.
“I’ve heard legends about it,” Sella says. She’s walking backward. You’ve already warned her that the roads this far away from Capital aren’t as smooth, but she’d scoffed at your concern. Now it’s pure stubbornness to prove you wrong that has her continuing to walk backwards despite nearly tripping twice already. “Excalibur was manmade.”
“The legend of Hero Arthur is manmade,” Kent retorts.
“If you believe that,” you say, “you really don’t need to come home with me.”
Kent blinks. “Well,” he says slowly, “on the off chance it’s not a fairytale, I desperately want to see it.”
“Then shut up and follow Mande,” Sella says. She elbows him and mutters under her breath. “Or else she might not let us stay at her house.”
You roll your eyes. “I’m sure the dragon fetched enough coin for the both of you to get your own rooms at the inn.”
“Sure,” Kent agrees. He grins wickedly and the expression makes him look ten years younger. “But we’re not going to do that, are we Sella?”
“Nope,” Sella chirps. She loops an arm through yours before you can protest and squints at the horizon. “Is that your hometown over there?”
A hazy line of blue and white roofs is barely distinguishable in the fading light of day. Sella has better vision than you. You’re sure she can see the masts of ships in port, the green and yellow flag waving over the chief’s house, maybe even the orchard that creeps right up to the edge of the bluffs.
You can’t wait to see it yourself.
You aren’t sure how long you’ve been smiling, but your face hurts by the time you find your voice. “Yes. Yes, it is.”
----------.
Mom hurls a loaf of bread at your head when you walk through the front door, Kent and Sella in tow.
Kent catches it an inch from your face. “Whoa, whoa!” He waves the bread as if unsure whether he should drop it or throw it back. “It’s your daughter! Mande! Put down the bread basket!”
“Mande and friends,” Sella says cheerfully. She waves at your Mom, Dad, and little brother. “Hello! I’m Sella.”
“I threw it because I know who it is,” your mom says. The grey streaks on either side of her temple are wider. Her round, kind face is pale with anger. “We thought you were dead.”
“We got your letters,” your dad says before you can ask. His hair hasn’t changed; he’s bald. He’s wearing his leather apron from the forge at the table. He takes a bite of soup. “All three of them.”
“Not nearly enough,” Mom snaps. Then, “And they could have been forgeries.”
“Who would forge a blacksmith’s letters home?” you ask in exasperation. Is that why she never replied? “Mom, please.”
“Don’t giveme that when you’ve been dead for seven months,” she says. She stands abruptly. “Three of you? Sit down. I don’t have enough soup, but bread will fill anyone’s stomach.”
“I’m Kent,” Kent blurts out before Sella can push him into a chair. He sits with a thud. “Sella, it’s rude to sit before introducing yourself!”
“Ruder than not knocking or coming for dinner without an invitation?” Sella hisses at him. She turns a charming smile on your little brother. “Sorry to intrude. You must be Axton. A pleasure to meet you.”
Axton doesn’t return her greetings. His eyes are fixed to the package strapped to your back. “Is that…?”
You swallow hard as your family’s eyes turn to you. You carefully pull the cloth-wrapped rod from your back. Your little brother isn’t so little anymore. You can see he’s taller than you as he stands in unison with Dad to clear a spot on the table. His long, thin hands make quick work of the ties.
There’s complete silence as the burlap falls away to reveal gleaming silver.
Axton’s throat bobs. He’s barely eighteen with the soft look of a fawn hovering around the edges of his jaw and cheekbones. Mom and Dad have done a good job feeding him while you’ve been gone. Seven months ago your brother looked like a wraith, all the light taken from him as if it all came from his hero’s sword.
“You’re going to make me a sword,” Axton says at last.
You’ve thought about this moment for seven months. You imagined you would say something like it’s okay now or maybe big sister fixed it. When his hero’s sword was taken from him, you thought about all sorts of things. It took a month for you to set out on this quest rather than one of revenge. It wouldn’t have helped Axton if you’d forged a hundred weapons of war to punish those who’d hurt him. It wouldn’t help Axton to pretend you fixed anything.
So instead you tell the truth.
“It won’t be the same,” you say. “It won’t work the way you want it to. Not right away. You’ll need to train with it and learn it as you would any other weapon. Your instincts won’t help you. But…it won’t break when I’m done. It won’t bend or chip. It won’t melt. It will serve you, Axton, until the exact moment you don’t need it anymore.”
Axton flies around the table to throw his arms around you. It’s amazing you came from the same parents. Where you are short and stocky, he’s really like a deer. His long arms could encircle you twice as he lifts you with a hero’s strength. “Thank you, thank you, thank you—”
And then you’re being hugged all around. Your dad’s strong, Blacksmith arms are crushing you to your brother, your mother’s soft cheek is against your shoulder, and there’s plate mail digging into your spleen while a sharp elbow digs into your spine.
You manage to turn your head just enough to see Kent hugging your from behind and Sella hugging him from behind. It’s her elbow that’s jabbing you.
“This is sweet,” she says. Her voice is a little muffled from how her face is pressed against Kent’s back. “We should hug more.”
“Does this make your brother a Hero?” Kent asks.
“This is a family hug,” you say.
“Duh,” Sella says. “That’s why we joined.”
You really can’t argue with that.
-
(Patreon)
Next week's story: Everyone in LA has two job. You've got a big smile and a talent for seeing ghosts. It's no surprise what your jobs are.
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imaginedisish · 3 months ago
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One for the Road (Logan Howlett x Fem!Reader)
A/N: Oh my god. This is so dirty, so nasty. Here is the *giving Logan head while he's driving* request. Thank you anon. Thank you so so much. Inspired by "One for the Road" by Arctic Monkeys. ENJOY!
Summary: Forty-five minutes is simply too long of a car ride for you to wait to take care of Logan...Or: you give Logan head while he's driving and he absolutely loses it.
Warnings: 18+ MINORS DNI! Sexually explicit content, Oral (f! and m!receiving), fingering, unprotected PIV (wrap it up!), multiple orgasms, porn without plot (literally), car sex, rough sex, Logan is reckless, cocky!Logan, softdom!Logan, aftercare, established relationship, f!reader/afab!reader, reader has hair (but length/texture/color are not described), cursing, def some grammatical errors, that's it.
Word Count: 2,269 it's all smut im sorry yr honor but I need him
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Logan wants nothing more than to be home. He wants to grab you by the hand, take you up to bed, and hold you until you and he fall fast asleep. This, unfortunately, is not something Logan can do. Instead, Logan’s eyes are trained ahead of him—occasionally flickering to look at you—as he drives carefully through dark, winding roads. 
The only silver lining is that you’re in the seat next to him, leaning towards him. You rest your arm on the center console, silently asking Logan to inch closer, too. He obliges, lifting his right hand from the steering wheel and bringing it down to grip your thigh. He squeezes gently, his thumb dipping between your legs, drawing long, slow circles to the sensitive skin there. 
Heat rises to your chest as his thumb climbs higher, nudging against the hem of your shorts. You can feel that familiar tension building at the base of your spine, the bottom of your belly. You try to ignore it, but you look over to Logan’s lap, and you see that he’s half hard and growing, the beginnings of his erection straining through his jeans.
“How much longer until we get back?” You ask, weighing your options. 
Logan’s eyes drift from the road to you, his hand giving your thigh another light squeeze. “Forty-five minutes, probably,” he answers, smiling softly. 
You hum in affirmation and nod, watching as his erection hardens. You grin to yourself as you reach your hand over the center console and into his lap. Logan’s eyes stay on the road, his throat bobbing as he swallows. You bring your fingers to his belt, watching him closely as you unbuckle the clasp. 
“What do you think you’re doing, princess?” Logan asks as you slip the belt from the loops on his jeans. 
You drop the belt onto your side of the car, working at his button next. “Taking care of you,” you say as you pull his zipper down. You lean over the center console completely, tugging his jeans down his legs as far as you can get them to go. 
Logan’s hand slips from your thigh and grabs your wrist, stopping you before you can tug his boxers down. “I’m trying to drive, pretty girl,” he chides, looking down at you. 
You smile up at him, freeing yourself from his grasp and tugging down his boxers. “I know,” you answer, wrapping your hand around the base of his cock, stroking up and down the length of him. “Doesn’t mean I can’t make you feel good.” You lower your head into his lap and bring his cock to your lips, pressing a chaste kiss to his tip. 
“F-fuck,” Logan stutters, white-knuckling the steering wheel. You lick a long stripe from the base of his cock up to his head. “Fucking tease,” Logan mutters, his hand coming down to the crown of your head. His fingers thread through your hair, nails digging into your scalp. 
You wrap your lips around his tip, and Logan bucks his hips into your mouth, forcing you to take all of him at once. You’ll never get used to the sheer size of him—the way he spills out of your mouth even when he hits the back of your throat. You suck hard, hollowing your cheeks as you slide up and down his shaft. 
You can feel Logan holding back, struggling to keep his hips still as you take him in and out of your mouth. “Such a good fucking girl,” Logan moans, your hand at the base of his cock stroking up and down now. “Feels so good, princess.” 
He twitches inside you, throbbing with need. You swirl your tongue around his tip and take him deeper, as far as he can possibly go. Logan grips the back of your head, guiding you up and down his length. You look up at him, his chest heaving, his eyes still on the road. He curses under his breath, gripping the steering wheel tighter than before. 
His eyes flit down to you and catch your gaze. “So fucking beautiful,” he praises, his foot through the floor on the gas. “So pretty when your mouth is full of my cock.” His words go straight to your core, the aching fire between your legs burning with need. You press your thighs together, searching for friction as Logan’s hips buck into your mouth again. 
He gently fucks your face, his hand still guiding the back of your head, pushing himself further inside. “Taking me so well,” Logan growls. You gag around him as he slides you up and down his cock. “Perfect little mouth, doing so good for me.” You know he’s getting close; it’s the way he whispers your name, the way he pushes you back down after you reach his tip.
Logan flicks the blinker on, and the car jerks to the side of the road, coasting to a stop. His cock twitches as he puts the car in park. He shifts, sitting up, his hips rocking, forcing himself deeper, hitting the back of your throat. You moan around him, taking him up and down faster, chasing his orgasm. 
“Gonna come down that pretty throat,” Logan groans, both of his hands gripping the back of your head tightly, pumping in and out of your mouth. “That’s it, pretty girl,” he soothes. “So fucking good.” His hips stutter, his pace faltering as he spills himself inside you. You swallow everything he has to give you, his hips still rocking as he rides out his orgasm. 
He guides your head up, your lips sliding up his cock as he pulls himself from your mouth. He smirks at you, his hand coming to your chin, wiping away his release and your saliva from the corner of your lips. 
“I think it’s your turn, darlin’,” Logan husks, pressing a chaste kiss to your forehead. He suddenly grabs your hips and wraps an arm around your back, hoisting you up and setting you down on the center console. He keeps his arm around your back to hold you up as his free hand works at your shorts, unbuttoning the denim, pulling your zipper, and yanking your jeans and panties down your legs. 
“Fucking soaked for me, pretty girl,” Logan says, tugging you closer to him as he settles between your thighs. “Could smell how much you needed me when you were getting me off.” His tongue licks a long stripe through your folds and up to your clit. “Couldn’t wait to taste you,” he growls as he laps at you starvingly. 
He pulls you closer, your ass hanging off the center console as Logan buries his face into your cunt. “F-fuck, Lo,” you stutter, his tongue swirling around your clit. He brings his free hand to your thigh, spreading your legs wider. His fingers teasingly trail higher, closer to where you need him most.   
He finally finds your folds, toying with you, spreading your slick as his tongue draws circles into your core. “Tastes so fucking perfect, sweetheart,” Logan mumbles against you, two fingers prodding at your entrance. “Always tastes so perfect.” His fingers thrust inside you—down to the knuckles—pulling out only to pump back in again. 
Everything is hurried and frantic, needy and desperate. He takes your clit between his lips, sucking roughly as his fingers fuck into you. It’s already too much, and you can feel the liquid heat pooling at the bottom of your stomach. “Logan,” you whine, throwing your head back. 
“That feel good, beautiful?” Logan asks, his teeth grazing your clit, sending a jolt of electricity up your spine. His tongue flits in and out, drawing long, solid strokes as his fingers fill you up, stretching you out and working you open.
“Y-yes,” you pant, watching as he devours you, sinks into you. His dark eyes meet yours and he smiles against you, taking your clit back into his mouth and sucking harder than before. “S-so good.”
“I know, pretty girl,” Logan soothes, a third finger prodding your entrance. “Gonna take care of you.” He slips it in, scissoring inside you, massaging your walls. “Gonna make you come.”
You curse under your breath, your chest heaving as he buries his fingers deep inside. His pace is unrelenting and reckless, pumping in and out, lapping at you mercilessly. Your walls flutter around him, sucking him in deeper. “S-so close,” you mumble, shaking underneath his touch. 
“That’s it, darlin’,” Logan coos, licking hard, flat circles around your clit. “Wanna feel you come on my fingers.” His words goad you along, your muscles contracting and releasing around him. He rocks his fingers in and out of you, sucking your clit roughly between sentences. “Let go for me, sweetheart. Let me taste it.”
And then you’re clenching down around him, arching your back as you come undone. You melt into him, his face still buried in your cunt as he works you through your orgasm—his fingers thrusting as he strokes your clit with his tongue.  He slows down, his fingers stalling inside you before he slips out completely. He licks one more long stripe through your folds and pulls away. His chin glistens with your juices, sweat coating his brow, his hair disheveled. He’s a mess, and it’s all because of you. 
Logan pulls you into his lap, and you immediately feel his still-hard cock press against your stomach. “I’m not finished with you yet,” he murmurs at the shell of your ear. “You started this, pretty girl.” Logan lifts you up, his erection suddenly nudging at your entrance. “And now I’m gonna finish it.” He pulls you down onto him, his cock sinking deep inside you—down to the hilt. 
You’re full again—full of him. You lift your hips and sink back down onto him. “That’s it, sweetheart, ride my cock just like that,” he growls, his hand slipping between your bodies, his fingers finding your still-sensitive clit. “Such a good fucking girl.”
“L-Lo,” you whimper, his hips rocking against yours. He thrusts up into you, pushing himself deeper, stroking your clit gently with his thumb. 
“So fucking tight,” Logan groans, gripping your hip with his free hand, guiding you up and down his length. “Such a good fucking pussy, taking me so well.” He throbs inside you, his cock dragging deliciously against your walls. He flicks your clit, bringing you closer to the edge.
You can feel your orgasm building with every twitch of his cock, with every circle he draws into your core. “’M’so close,” you whine as Logan’s hips snap against yours. He’s fucking into you relentlessly—the slow, languid roll of your hips not enough to satiate his hunger. Your walls flutter around him, pulling him in deeper.
“Fuck, darlin’,” Logan grunts, thrusting up into you. “Can feel you squeezing me. Feels so good, so fucking perfect.” He pinches your clit lightly before circling rapidly, adding more pressure. Your muscles contract around him, and Logan groans at the feeling. “Come on my cock, pretty girl. Let me get you there.”
Logan swallows your moans with a kiss as you let go. You’re all liquid heat, shattering, unraveling as your orgasm crashes into you.  Logan is close behind, his fingers still dragging against your clit, his pace faltering as his hips snap into yours. “Where do you want me to—”
You cut him off, wrapping your arms around his neck. “Inside,” you whisper. 
Logan moans your name, his cock throbbing as he fills you up, painting your walls with his release. “So fucking beautiful,” he mumbles, his fingers sliding away from your clit and trailing up your body. He wraps his arms around your back, pulling you to his chest as his hips stall, his cock unmoving inside you. “Wanna keep you right here,” he mutters against the shell of your ear, pressing a kiss to your temple. “Don’t wanna let you go.”
You bury your head into the crook of his neck. “Don’t wanna let go, either,” you say, your voice quiet and shaky. “But we need to get home.”
“I know, darlin’,” Logan says, disappointment heavy in his voice. He lifts you gently, pulling himself out from your cunt. He helps you back over the center console, your bare ass hitting the cold leather of your seat. Logan finds your jean shorts and panties, and motions for you to give him your legs so that he can help you dress. It’s soft, intimate, domestic. He lets his fingers linger on your legs long after he’s done, worshipping your skin, taking care of you. 
He pulls his boxers and jeans back up, zipping and buttoning the denim, and starts the car. He rolls back out onto the highway, his palm finding its place on your thigh—exactly where he was before. 
“Forty-five minutes, pretty girl,” Logan chuckles, his thumb brushing gentle circles into your skin. “Couldn’t wait forty-five minutes for me, hm?”
“Can’t ever wait for you,” you say, letting your eyes flutter closed. 
You’re asleep less than five minutes later, and you’re still asleep when you finally arrive back at the mansion. Logan carries you out of the car, into the mansion, and up the steps to his bedroom. You’re still sleeping as he undresses you. He settles you under the covers and climbs in after you, pulling you tight into his chest. 
“Love you, pretty girl,” he whispers, pressing a chaste kiss to the crown of your head. 
“Love you, too,” you mumble, half asleep. 
And it’s all he wanted. It’s all he ever thinks about. You. 
tags: @ilysmdovie12 @prettyseaveins @spiderset @figsnpassionfruits @silversprings-mp3 @movhoney @wittyjasontodd @theasiaabattoir @fanfic-writing-barbie @manipulatour @pedrohoe04 @derbygracie @honeyfewr @cosmiccandydreamer
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