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battyaboutbooksreviews · 2 months ago

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🦇 Heir Book Review 🦇

Rating: ⭐⭐⭐⭐⭐

❓ #QOTD What's your favorite fantasy book?❓ 🦇 An orphan. An outcast. A prince. And a killer who will bring an empire to its knees. An old tragedy fuels Aiz's need for vengeance, while love of her people that propels her. Sirsha agrees to use her magic to hunt a killer who is murdering children across the Martial Empire. And Quil is the Empire's crown prince, though he's loath to take the throne. Sabaa Tahir interweaves the lives of these three young people as they grapple with power, treachery, love, and the devastating consequences of unchecked greed, on a journey that may cost them their lives—and their hearts. Literally.

💜 *Insert a plethora of creative curses here* For fig's sake. I can't even begin to describe the pure AWE I have, not only for this story, but for Sabaa Tahir, fantasy and Muslim-American literary goddess, in general. I honestly can't think of a story I've read that was so well intertwined, so fully conceptualized, while respecting roots of the series that came before it. Earlier this year, I had the fortune to read The Fragile Threads of Power by VE Schwab, which continued her Shades of Magic series. Reading Heir sparked that same feeling; the sensation of returning home after a long journey through other vast worlds. I'm grateful that Penguin Teen hosted the Ember in the Ashes read-along this summer. While Heir introduces us to new characters, 20 years after the Ember in the Ashes series ends, each mention and emergence of a familiar character provided a sweet taste of nostalgia I didn't know I needed. These books have seeped themselves deep within my marrow since 2015, and Sabaa Tahir has been on my favorite/auto-buy author for just as long. She's the first Muslim-American to win the National Book Award for Young People's Literature; a feat that gives me hope and inspiration as a Muslim-American writer.

💜 Reading Heir, you can see how much Tahir's prose has flourished over the past decade. Despite stepping back into this familiar world, it's richer, more vivid. The action is just as intense and ruthless, the characters undeniably unique. The underlying themes resonate deeply. I loved every nod to South Asian, Pakistani, and Islamic culture. It's always the five-star book reviews I struggle with the most. I could talk about this story for hours, but I'd spoil so much that I want you to experience for yourself.

💙 Don't worry: if you haven't read the An Ember in the Ashes quartet, you can still enjoy Heir. The three main characters have their own vivid story to tell, and while there are mentions of many beloved characters from the original series, they're supporting cast to Aiz, Sirsha, and Quil. I will say that the first part of the story took a moment to adjust to, and there's the lingering question of HOW these characters are connected, but once you realize how the breadcrumbs were laid out for you, you'll realize the execution is FLAWLESS. The fast pace keeps you on your toes, the ever-growing tension driving you to the last page. As for the underlying romantic story, AH! It was perfectly built, the sass and chemistry playful without stealing from the main plot, yet heart-wrenching; that kind of painful that keeps you invested long-term. OH! And can we talk about our villain? That BUILD?! I love a villain with reason--a character who doesn't realize they're the villain at all, someone with a mission that goes about it in all the wrong ways. This story had EVERYTHING and then some. I'll be recommending it for the next 20 years.

🦇 Recommended for fans of The Red Queen series, The Lunar Chronicle series, and The Throne of Glass series.

✨ The Vibes ✨ 🫀First in a Duology ✨ Young Adult High Fantasy/Romantasy 👑 Political Intrigue ⛏ Enemies to Lovers 💓 Found Family 👁 Multi POV

🦇 Major thanks to the author and publisher for providing an ARC of this book via Netgalley. 🥰 This does not affect my opinion regarding the book. #Heir

💬 Quotes ❝ Get what you need. Forget the rest. ❞ ❝ "You are a daughter of the evening star. You are not meant to be caged." ❞ ❝ “I give my heart unto her keeping, a gift with no compare.” ❞ ❝ "The past will distract you from the now. And it’s the now that matters.” ❞ ❝ “You seek to understand the fibers that make the world,” Loli Temba said, “but not your own pain, nor that of others. You’d be better served understanding the latter.” ❞ ❝ He looked at her like her secrets were the sea, and he was at home in dark water. ❞ ❝ “Quil—” His name rolled off her tongue, a prayer. “Please—” “Mmm,” he said. “You should say that more, Sirsha. I’d give you whatever you wanted.” ❞ ❝ “Care about yourself as much as you care about those you love. As much as— as we care about you.” ❞ ❝ Sirsha grabbed his hand, wishing she could articulate the desire suffusing her, something more than I need you and I wish I didn’t. ❞

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nomsfaultau · 3 months ago

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Au body switches :DD

One of the sbi people wake up to be in the body of their counterpart in another au for a day!

A mortal in the body of a god in Minecraft/medieval era!

A god in the body of a mortal in modern times!

Fault!Phil in place of Where Lamb Wolves Near(?) Phil, making everyone an imposter in the pretend family! Nothing will go wrong trust

Also oooohhh what animal best symbolizes the strengths of each of the fault crew if it's okay with you,,,,they're just really interesting and complex characs and would love to know more about them ^^

already have the animals one in this text post right here!!

Alright let’s pit a dark sbi fic bs one where it hella sucks but they’re only mildly toxic. Recap for anyone who needs it: Fault au is a band of monsters on the run from the scp Foundation, Philza is an immortal dragon and has murder problems but is mostly chilling. The Lambs Wolves Wear has Philza trying to survive by pretending to be a Good Father for the monsters that stole/killed his children and replaced them. He is being abused and is hanging on by a thread.

Lambs:

Well, almost immediately it would be very clear that Fault!Philza (Fhilza from here on) is simply not human. Which kinda breaks a lot of things. “Techno” and “Tommy” are specifically using his humanness as covers for their goals. Also “Tommy” and “Wilbur” latch onto The Lambs Wolves Wear!Philza (Philambs) and are going to be furious about him getting yoinked. “Tommy” might come around if Fhilza fills his affection needs, but “Wilbur” is specifically obsessed with Philambs and would NOT handle it well at all.

While Philambs is ungodly kind and unendingly patient, Fhilza is a lot more likely to call the monsters out on their crap. He’s just not going to put up with the same things Philambs does. So, shutting down “Tommy’s” physical abuse like immediately, banning “Wilbur’s” truth compulsion/glamour things. Potentially he is a great resource for untangling their particular traumas. However… I’m not sure he’d care much for the imposters. They aren’t his kids. Neither are the real children, too, but specifically the imposters are designed to be uncanny resemblances to sbi that just aren’t them in crucial ways. And Fhilza would immediately clock that and decide they aren’t his problem. He’ll be polite, maybe give them some advice, but the moment they start causing problems he’s not dealing with that. He’s far more stern than Philambs and just. Isn’t going to get abused by these random punks that only vaguely look and act like his Collected. While he could be a strong force to help the imposters figure out their issues and get the therapy they need…their mental health isn’t really his responsibility, especially if they replicate some of their toxic behavior with Philambs. Fhilza’s main priority is getting back to his real Collected and trying not to unravel at the seams at the possibility of having lost them. It depends on how long he’s in the au, bc long term there’s a high chance he’ll latch onto the closest pathetic rat of a child he can find in order to keep his life together. However unless the imposters get their crap together enough it’s not gonna be them because, again, Fhilza won’t tolerate abuse. Fhilza adjusts well to being in medieval times again, and says muffin it and just walks into town as a clear dragon demon!? That’s a demon get it! and just shrugs off holy water or whatever while shopping. Potentially an arc where the town learns to accept monsters that behave, the imposters integrate into the community, happy ending.

“Techno” is annoyed, but has no investment in Fhilza, and is relieved to not have to live in fear of Philambs betraying them. Far more comfortable in an all-monster house, potentially sees Fhilza as a source of training. Possibly Fhilza gets them to take better care of their body, but Fhilza is notoriously a bit of a hypocrite on that front. Could teach them what ptsd is, which is a godsend. Fhilza considers Technoblade to be the Collected of “Technoblade” and prods them to be a better Collector. Can connect on the dying really sucks part.

“Tommy” is angry that Fhilza isn’t a push over, and probably would try to turn it into a fight. Fhilza would oblige, not really impressed by the demon, though not inclined to kill. After getting thermally trounced, “Tommy” reverts into a more submissive/fawning situation where he’ll do anything to appease the ‘greater demon’ until Fhilza snorts, says that’s deeply muffined up and "Tommy” should get some self respect. Less ‘showing the abuse survivor love for the first time’ arc and more ‘telling them bluntly that wasn’t normal and he better knock it off with the might makes right bullmuffin’. Given how achingly familiar Fhilza is with a world where the powerful are powerless against systemic oppression, he finds it particularly stupid.

“Wilbur" does not handle it well at. all. Does not enjoy the taste of his own medicine with the loved one being taken by a doppelgänger thing. Plus the whole complex about Philambs being the only one that will ever truly love him does..not go great. At first allies very strongly with Fhilza on the ‘trying to get back’ part, which Fhilza really appreciates! But as it seems like there’s nothing they can do, “Wilbur” starts asking more and more questions about Fhilza’s life, drawing out truth with his power. Starts acting more and more like scpilbur, eventually taking its form. Because the only way “Wilbur” knows to be loved is to be someone else. Which Fhilza finds completely horrific and creepy. So that bridge crashes and burns.

Overall, no one is happy with this change. Well, except “Techno.” He has a difficult relationship with Philambs, and happily returns to having trust issues.

Fault:

As for Philambs…instant panic attack as he’s suddenly surrounded once more with monsters, except this time he’s the imposter. Plastered smile, trying to be kind but he’s terrified and surrounded by openly horrific creatures that are nothing like the imposters he was maybe beginning to accept. Maybe he even goes for the Fhilza mask, trying to pretend be him with 0 knowledge, pouncing on a mention of amnestics without really knowing what’s happening but sure memory loss is so convenient! Yep that’s definitely what happened why is no one convinced..? Oh he’s a demon in this version of reality fantastic absolutely fantastic. Admits he’s not sure what’s happening or where he is, but he mistook them for his own monster children. …why did everyone flinch?

And Philambs is crazy good at masks by now, is convincingly good at being confused and polite and only wanting these poor people to get their real father back but- well. The Blade can hear his heart going a mile a minute, and him and Tubbo can smell the feel of fear. Even as he smoothly denies it, eventually the pressure causes him to crack. Philambs completely breaks down because pretending to be a father was his only way to survive. The façade was all that was keeping him together. And now there’s nothing. No way for him to save himself, save his kids.

Veeeery awkward for everyone else, especially the hints that this guy is super anti monster. But they don’t really try to force him to be Fhilza. Like they have problems but they aren’t that extreme. They accept him into the group kinda, mostly since he’s a prime target for the Foundation. They miss Fhilza like crazy but the new guy is fairly different and blatantly doesn’t know them and isn’t keen on making friends with more people that only look like his kids. He does have some useful knowledge tho, and is down to not get skewered by pitchforks (what in Prime’s name is a gun??) by the mob hunting them down. Fault crew doesn’t really have the time or safety to try and fully investigate the swap, and without Fhilza’s firepower they have to be extra cautious to avoid the Foundation. Plus, The Blade can get summoned too and they found him last time so maybe it’ll work out?? Everyone continues to have their own respective personal issues, although Tommy swaps out ‘I’m terrified of Fhilza abandoning me again’ for ‘he has’, and Tubbos’ despising Fhilza problem is neatly solved.

Philamb is terrified of the monsters no matter what they say, because he’s been dealing with illusions for a long time. But there’s nowhere else to go in the middle of nowhere, and he’s piecing together that the world beyond would be incomprehensible to him. Clothing, tools, packaged food, it’s all foreign to him. He doesn’t know where else to go, and if the Foundation doesn’t show up and start a fight he might begin to ease a little. But Philambs keeps a watchful eye on weaknesses he notices. At times Philambs very automatically slips back into the fatherly affection/advice/support mode that kept him alive, but abruptly stops. It scares him a lot, the thought of slipping back into a lie. He refuses to share his thoughts with the group, is quiet more often than not, but he’s allowed to be honest in a way he previously wasn’t. Not constantly controlling his expressions, reactions, words is a great relief.

Philambs tries to gravitate towards Tommy and Wilbur because they look the most human, but Wilbur kinda despises him for being human, albeit torn bc that’s kinda my dad but not?? The monster comments dig under its skill. Plus Philambs is not nearly as great an asset to their survival. Weird for Tommy too since usually Fhilza is this strong pillar of support and this guy is kinda a wreck. The Blade is very uncomfortable to now have a second person in the group that’s terrified of him, and he didn’t even disable this one! Tubbo actually starts to get along tho, happy to find out Philambs is actually not a scary mass murderer and also agrees on the not attacking people bit. Plus from Philambs pov this stranger isn’t trying to be like one of his kids at all. Quietly, Tubbo offers to take Philambs with them when they decide to run from the group. And since they now have someone who can carry them out, their plans jump up far sooner. Without Fhilza, Tommy is slightly less tied to the group.

So, when Fhilza does eventually get back, the group is rather fractured and on fire. Philambs is devastated to be back in his home story, and potentially gets killed bc he’s forgotten how to gaslight gatekeep girlboss.

#Man Fault crew look healthy compared to the Lamb imposters #Ask #sbi #sbi au #philza #dark sbi #ask #fault au #the lambs wolves wear #sbi scp au #mcyt #dsmp #tommyinnit #technoblade #Tubbo #scp wilbur #Scp philza #Noms wilbur #something to nom on

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bopinion · 2 years ago

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2023 / 03

Aperçu of the Week:

"A regime that murders its own youth to intimidate its population has no future."

(Foreign Minister Annalena Baerbock, who again summoned the Iranian ambassador to the Foreign Office after the execution of two more protesters in Iran)

Bad News of the Week:

In the 1980s, we took to the streets with the slogan "Make peace without weapons!" Nowadays, it's "We need more guns to keep the peace." Swords to plowshares was yesterday. A beautiful dream from which we wake up startled because a few despots on this planet apparently had a too small shovel in their sandbox. Or a too small penis in their pants. "Geostrategic interests" is the name of the game. The laughter gets stuck in your throat there.

Welcome to a new age of the arms race. Current lowlight: President Emanuel Macron announces that he will invest almost 700 billion in France's military by the end of this decade. Among other things, in aircraft carriers and - watch out! - nuclear weapons. Because "nuclear deterrence (is) an element that distinguishes France from other countries in Europe." So do baguettes and croissants. But they are much more digestible. And, "We see again, in analyzing the war in Ukraine, their high importance." Ooph...

Good News of the Week:

The global community faces a series of interlinked crises. As this year's Global Risks Report explained, a polycrisis. As the summary of the 53rd World Economic Forum in Davos puts it: "The scale of the challenge, the sense of urgency, and the importance of collaboration was a thread that linked all the discussions this week, whether on Ukraine, the climate crises, supply chains, technology and innovation, health, the economy and so much more." In his closing statement, WEF President Børge Brende therefore also says that "in an uncertain and challenging time, one thing is clear: We can shape a more resilient, sustainable and equitable future, but the only way to do so is together."

For years, the Swiss event has been as a gathering of global elites who, far removed from the everyday lives of ordinary citizens of the world, worshipped the capitalist El Dorado of globalization. That is increasingly changing, even if not everyone has realized it yet. For example, German Chancellor Olaf Scholz, who used his appearance there as an advertisement for Germany as a business location instead of showing internationally long-awaited leadership in crisis management. This year's motto was "Cooperation in a fragmented World", which explicitly does not only mean economic cooperation.

WEF founder Klaus Schwab published the book "The Great Reset" a good two years ago. Conspiracy theorists (mis)understand the positions in it as evidence that a non-transparent neoliberal club is reaching for authoritarian world domination. In fact, it is exactly the opposite: in a disruptive age, the only viable perspective for the global community is to reorient the economy and society. Toward sustainability and social balance instead of profit maximization regardless its downsides.

Once again, it is UN Secretary-General António Guterres who puts it in a nutshell: "There are no perfect solutions in a perfect storm. But we can work to control the damage and seize opportunities. Now more than ever, it's time to forge the pathways to cooperation." Guterres apparently not only has better speechwriters, but also a clearer compass than Scholz. If the physical meeting of global decision-makers in appropriately placarded venues can also be understood as rallying behind the idea in terms of economic policy and aligning their future decisions and actions with it, the world can not only weather the polycrisis, but perhaps even emerge stronger. I hope I'm not being too naive here.

Personal happy moment of the week:

Winter has come after all. Which we enjoyed yesterday on a hike with friends around the Eibsee at the foot of the Zugspitze. As well as with the best pasta I've eaten in a long time. That's how a weekend has to be.

I couldn't care less...

...that French people see it as state overreach that the retirement age is to be raised moderately to 64. In Germany, we are already at 67, and even that will not be affordable in view of the baby boomers who will soon reach that age. To put it another way: the more years you work in the future, the fewer years you will spend in old-age poverty.

As I write this...

...I hope for the better: Today, according to the Chinese calendar, the Year of the Water Bunny begins. A year of hope, as it is called. We can all certainly use that.

Post Scriptum

"The (...) danger assumed on the basis of subjective perception is neither concrete nor present. Whether there will be climate changes is not scientifically proven, causal links between individual human impacts on the environment and climate phenomena are open." What sounds like Joe Manchin is an official pronouncement with which the energy company RWE - that's right: which is currently demolishing Lützerath - has defended itself in court against accepting responsibility for climate change. In 2006!

RWE is the largest producer of carbon dioxide in Europe. And in the next few years, it will earn about half a billion euros a year from coal alone, according to estimates by analysts such as Guido Hoymann, an expert on energy suppliers from Bankhaus Metzler. So money should be there when, hopefully, large-scale lawsuits are finally filed because fossil fuel companies have not only ruined the climate, but also lied about the consequences against their better judgment. The tobacco and fast food producers can sing a song about this.

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saintkevorkian · 1 year ago

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NPR: ‘we can’t read more than a few paragraphs & you shouldn’t have to either’

i’ve come across this whilst searching {unrelated osteopathy topic}

you know, tumour people wouldn’t shut up about it last year, and I can’t help myself--daily reading questionable books. Parts were on the nose imo (diabolus ex machina), but those parts are not criticised. It’s surprisingly difficult to criticise what one is unaware of lol. It seems Rachel Treisman has read online threads about the book, and reactions to the book, but not the book itself, which is about the investigation of a murder of a character that was harassed online. The harassment involves numerous brainless reactionaries both left and right being manipulated and manipulating each other, but this is ultimately noise in terms of the investigation. Turns out the character was murdered over a personal (non-political) grudge.

While I found the denoument a bit silly, within the same book there is an alt-right campaign to galvanise the left into fractionalisation. And really though I do not care about the future of the left, the long-form critique is rather apt.

Unlike the royalists, muskrats, bezoars, &c, I don’t stan billionaires on principle... nor do I become deeply emotionally invested in children’s books as an adult. But I have to say, this round goes to her. In future (if hand-wringing doesn’t replace literacy) someone will probably write a different article, e.g., ‘In light of the hysteria generated in people who clearly did not read it’s... super meta lol’

To wit, the whole thing seems a bit sordid, but the american press reports are either libellous (RS) or made by people who on balance probably didn’t read the book (NPR)

#jaded voice 'journalism standards sure have fallen'#oh the hype. the hype

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cl1v9zfsfo1 · 4 years ago

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Some personal recs for those finishing/liking OMORI so far

After 6 years, this game made it to the top in less than a week....

Lately, RPG Maker games have been somewhat staying in the shadows. And as a (horror) RPG Maker sucker, even though I suck at giving advice, I’d love to spread the word about some other similar projects. To either save you or throw you into a eternal cycle of despair.

So here you have... The Incredible Low Budget “You May Also Like...” Viddygame List For OMOREE Fans (For Free!11)

(TW thread ver including personal thoughts on some of them) (For RPG Maker fans, have this huge list kofy and I made with links and CWs listed! Still a big WIP but we update it regularly!)

Before playing the games, remember to read tags carefully.

Personal note: Exceptions noted, most of these games are free and made by only one dev, or no money has been previously invested in them. They’re not huge projects like OMORI was... But please don't think of them as poorly made! There’s always a ton of love and effort involved in each project.

Now, without further ado... Here we go!✨ (Added a few tags regarding abuse and mental health, TY /melohax!)

1. END ROLL

Tags: death, blood, family abuse, murder, eye horror, animal death, suicide, drug mention, implied sexual abuse (+ one optional/hidden map implying child abuse). Battle system, no jumpscares but sudden horror-ish scenario changes including low/saturated sound effects.

Gameplay is ~10 hours, so it is kinda long for a game of the sort. It follows Russell’s dreams in a sort of... program, yes. Great narrative and very horror-driven. It has lots of things to explore and many sode quest you can do to unlock endings and info. It is filled with overall negative vibes and messages and touches some heavy topics. If OMORI unsettled you, consider skipping this one.

In terms of narrative, I think it's the closest to OMORI.

2. Hello Charlotte series

Tags: eye/body horror horror, mild graphic gore, religious themes, in-screen bullying, death and suicide, parental and personal difficulties. No jumpscares, optional battle system. For people with psychosis/schizophrenia, this game can be really overwhelming. Please take care and check/ask for more info before playing it! (TY @/melohax for addressing this!)

Series of 4 games + spin-off VN. Gameplay of about 3 hours/each. As I always say: Before dropping it, wait for EP 2 and on. It’ll be a big ride. Very interesting imagery. May be be graphic at times, but it puts some (very) relatable thoughts into words really well.

Not that close to OMORI but I fans can really enjoy it if focusing on its psychological themes.

3. Life Tastes Like Cardboard

Tags: loud noises, derealization, strong depictions of depression and discussion on negative feelings.

Definitely a vent/personal game. You just follow the main character’s mind and body, thoughts and experiences. It is VERY visual, and plays with colors, sarcasm, size changes in maps and strong colors to strongly depict a feeling of overbearing pain and loneliness. Many people (me included) said this game is really overwhelming, which is probably the main intention of the game itself... Play carefully it if you usually empathize with this kind of content. Even so, for those willing to explore sad feelings through art, this game is a really good option.

4. Witch’s Heart

Tags: blood, murder, death, family abuse, and mild eye/body horror. Battles (no leveling, just kicking monsters here and there), no jumpscares, puzzles.

Two games of about 15 hours/each and ongoing conclusions for each route. The storytelling is closer to a book or VN. Lots of mistery and text, small pieces of information, and the kind of game you’ll definitely regret to play twice just to find everything makes sense and you didn’t even notice at first. You have to play the game through many routes to piece the story together.

It honestly has little to do with any OMORI vibes. However, if you’re a fan of character analysis and drama, this one will be one of your best choices, probably.

5. Farethere City

Tags include blood and death.

Gameplay of about 3 hours. A previous work from the same author as END ROLL (am i this biased). Much brighter themes. Some fans find it dull- the gameplay is much shorter than some of the games above. The worldbuilding is sad and cute, and easy to understand too.

6. Re:Kinder

Tags include death, family abuse, depression, mild gore/grotesque imagery, suicide. Battle system (no lvling), no jumpscares.

Gameplay of around 3 hours. Suggesting this one is a kind of... Russian roulette. You either understand and love it, or find it gross and nonsensical. It’s a remake of a 2003 game called “a cry of help” by some fans, since the author passed away shorty after posting it. I think it’s important to have the release date in mind to be warned about some stuff that can come off as disrespectful sometimes.

Very naive artstyle, has plenty of crude jokes and nonsensical scenes. The plot doesn't drastically unfold until you clear half of the game. In my opinion, the strongest point is definitely the way children are sensitive about depression, and the way they deal with it.

7. Mouth Sweet

Tags include loud & saturated noises, violence, laboral abuse, in-screen animal abuse (just once towards the end), attempts of identity erasure (trans ppl, check website warnings just in case), mentions of suicide attempts. Battle system, you'll have to shoot at random "enemies" frecuently.

Gameplay of about 2 hours. Really blunt. Can get really stressing, but fairly sure that’s the feeling the author was trying to convey.

Even as eerie as it tries to be delivered itself, it feels real, and it hurts a little. Has a strong message to tell about overwhelming toxic enviroments.

8. Fantasy Maiden’s Odd Hideout

Tags: blood and death. No battle system, chases, no jumpscares.

Gameplay of around 5 hours. Has to be played twice to get the whole story (usually worth it).

Not very close to OMORI, has some pacing issues, but the quick things escalate once you connect the dots makes up for it, and vaguely resembles the game. From the same author as Chloe’s Requiem (tw for implied child abuse in this one) (starring: a piano and a violin, for those looking for The Content)

9. LISA series

Tags (severe, btw): body horror, sexual abuse, mutilation, violence, blood, grotesque imagery, family abuse, drug use, constant swearing. Battle system, no jumpscares.

Three games, maybe of about 5 hours/each (first installment, LISA: The First is shorter than that). Started as a sort of Yume Nikki fangame and ended being its own genre. Even for local RPG Maker fans, it can be a VERY hard to swallow pill. The gameplay can get a bit extreme- you’re forced to make difficult choices all the time, even sacrificing body parts, and it can affect your stats quite too much.

If you’re into OMORI for the anime-ish style, this one won’t be your cup of tea... maybe?

10. Tomorrow Will be Dying

youtube

An interactive VN on progress. The Kickstarter was successfully funded on March and it’s aiming for release in 2022. Made by a caring, lovely, small team, the project looks AMAZING so far.

Apparently not horror-driven but talks about friends, youth, living your own... A very promising game, just like OMORI back then.

11. Pocket Mirror

Tags: blood. No battle system, chases, no jumpscares but follows the classic horror RPG criteria (kinda).

Gameplay of about 5 hours. Lots of symbolism and imagery to tell the journey of a girl finding about herself when no one did. Not a huge blow like OMORI, and you will need to read some theories to fully connect all the dots and small details, but I’d say it can suit your tastes too, somehow.

Unlike many other RPGs, it has some animated sections AND voice acting!! That rocks too.

Other titles ‘cause otherwise I won’t end this post in years:

- Jimmy and the Pulsating Mass (Gameplay is +40 hours, tags include gore, death, kinda grotesque imagery. The battle system is a bit meh but the dialogues and story are amazing) - Lobotomy Corporation (NOT a RPG but a management simulator. Tags include BODY HORROR, death. It’s a game about... uhh... making OCs and... taking care of things called Abormalities... but there’s a lot of lore to unfold...?? More popular sequel is Library of Ruina) - To the Moon (relies A LOT on narrative, tags include death and crying like crazy) - Rule of Rose (NOT a RPG; for PS2, rated +18 for many troubled themes inclusing animal death, bullying and heavy implied child abuse)

And that’s all...?? I’m sorry for making such a long post 🙏🏿💦 Some people found it useful, so I tried to add a few more here for any OMORI Tumblr fans looking for more fun (haha..! y..yeah;;;,..; f..fun..,;!!111) If you need any details or something is troubling you... Here I am!!

Thank you for reading! Have fun and take care!

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peppermintliquorice · 3 years ago

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1x1 information

Hi tags, I’m D and I’ve just recently rejoined 1x1 rp after being gone for nearly a year. I’m in the market for some long term partners, preferably on Discord. Info and rules are below, if you feel we’re a good match, DM me or like this post!

PLEASE DO NOT LIKE THIS POST IF YOU ARE NOT INTERESTED. PLEASE DO NOT REBLOG.

- Slice of life, dark crime, paranormal (not supernatural) and historical only. However, with the latter, I can be picky with era. - I don’t do fandoms. - Angst, drama, angst. Angst. - Looking for long term, active partners only.

faceclaims: play as / play against

Please read my rules below 👇🏽

I’m a 30+ year old writer/roleplayer, no minors. Please be over 20.

I’m a mixed race person of colour, particularly of indigenous and black descent. I am always okay with you using faceclaims of colour.

I write on Discord mainly. I can write on Tumblr but my activity will be more limited. Plus, I just prefer Discord.

I'm highly active – I’m a contemporary painter offline and run my own business from home hence the ability to pretty much be on whenever. I’d prefer writing with those who have plenty of time on their hands to write as well. I’m looking for people interested in rapid fire threads or two replies (or more!) a day.

I play male and females equally. Unfortunately, I always get stuck playing the male, so with that said, please do not use me for my males in mxf dynamics. I literally haven’t written a female in a mxf dynamic in years. Literally.

I don’t double. However, if we get along well ooc and have had our dynamic for several months, feel free to suggest another plot/dynamic. I love creating new muses, but only for partners I trust and I know won’t ghost me.

MxF and FxF only.

Smut and NSFW content will be written in my plots. I do not like fading to black.

I’m also totally cool with platonic ships as well!

I love exploring more mature/darker topics that affect society and particular communities as I love writing real and raw things. This can be anything from the inner dialogue of a murderer to the exploration of the complications of an interracial relationship/marriage. Think of series like The Sinner, You, This is Us, etc.

I’m dedicated and invested and looking for people who are dedicated and love their muses and our dynamic just as I do. I’m not looking for short-term writing to solely pass time; I’d love to find long-term partners who are just as invested and excited about the plot, our muses, their relationship, their history, etc.

I prefer older muses. Muses and faceclaims must be over 25. I only use/write against actor faceclaims. No animated faces, kpop, musicians etc.

Quality over quantity, please be proficient in writing in English. I can write anything from one paragraph to 5+. Depends on context, the scene/situation, and so on.

No godmodding/metagaming etc. Do not control my muses. Do not tell me what I should/shouldn’t do with my muses. I don’t mind minor godmodding, just ask to double check. If you need to fast forward a scene for whatever reason, just ask. More than likely, I’ll be okay with it.

Lastly, please do not interact if you’re not even going to reply to my messages. It’s a waste of my very valuable time and I’d prefer not to deal with that, thanks.

#1x1 rp #1x1 discord rp #discord 1x1 #indie 1x1 #1x1 smut rp #1x1 kink rp #1x1 urban rp #indie rp #indie smut rp

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popsiclemania · 3 years ago

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mad for each other: a review of sorts cw: abuse

(i went into this show not knowing much except that it was about mental health and that people found it progressive. it’s 13 thirty-minute episodes, so it’s not much of a time investment.)

The first two episodes are pretty choppy in that the two “mad” leads dissolve into hysterics or uncontrolled rage every time they meet. It’s meant to show how they are misfits in regular society and also “crazy” by its standards. The man (Hwi oh) is a suspended cop with a history of assault and getting mandatory therapy sessions for his anger problem. The therapist is iffy at best.

Once we get past this setup though, the show becomes primarily about the paranoid female lead (Minkyoung) who lives an isolated life and in constant fear. She’s suspicious of everyone and takes steps all the time to ensure she can be safe in any situation, which often means she screams in terror and attacks people if they get too close or walk behind her for too long. (Which the male lead happens to do by coincidence) But is it really paranoia if your fears are real?

This is the part that’s amazing part to me: how they unfold exactly why she behaves this way. Why does she read into situations that seem harmless? Why is she suspicious of every single person she comes across? Why does she keep forgetting things she does all the time?

The narrative slowly delineates her history of abuse and the effects its had on her memory, her emotions, how she presents herself in public and her living situation. The focus is more on her and less on the events. I love how she consciously uses people’s assumptions about her “craziness” to protect herself. Hence, the open hair, the sunglasses and the flower behind her ear.

So far, Hwi oh is barely tolerable as a character, nor is his problem something that moves me. (He’s an angry cop!) What bothers me also is that in a story populated with women, there are mostly two kinds: absolute villains and ones the ML admonishes for being terrible people.

The writer saves this from being insufferable by writing the main secondary characters— women’s association president Kim Inja, part-timer Suhyun and Samantha— with some complexity and their own storylines. (I love all three of them)

It also helps that Hwi oh’s primary function from episode 3-12 (apart from romance) is to serve as a device to understand Minkyoung’s past and the journey she is on in the present. This is in addition to the arc we’re already on with her character.

Which brings me to why Minkyoung’s story is so compelling. She’s set up as an unreliable narrator of any scene she is witness to. It’s drummed in that she doesn’t trust herself either. This is what the writer uses to chalk out the complicated aftermath of trauma and abuse. From ep 3-12, the show centres her and peels of layer after layer to help us understand her behaviour. This is a person committed to survival, to her truth, and to learning to rebuild a life she has lost. She is shrill, hysterical and rude, everything that makes it easy for people around her to write her off. But the writer shows again and again, how in the face of suspicion and disbelief, even from a well-intentioned Hwi oh, she is right about everything and has absolutely valid reasons for how she does and does not defend her behaviour in public. Each time I think ‘surely, they will not take this particular thread to its realistic conclusion’, they do. WHICH IS WILD. Because every drama I’ve watched so far (except Law School) has hedged on a story like this. It’s also not held the "good men” accountable for their own toxicity.

All of this is why the literal and figurative car crash of a last episode absolutely ruins everything they’ve built till them. Hwi oh is shown to begin coming to terms with his anger until he absolutely loses it for “good reason” in defence of Minkyoung. The scenes where she confronts him about how his treatment of her, despite his best intentions, is just a degree removed from her abusive ex are so great. Then they fuck it up trying to tie up the romance between two “misfits” with a big bow. Except Hwi oh isn’t a misfit, he’s a cop with a history of going off the rails for “justice” and “catching the bad guy” and one who doesn’t fix himself. (This a trope far past its expiration date in murder mysteries, it doesn’t have a place anywhere anymore.) And he gets her back using tactics very similar to her abusive ex.

(In a limited way, I’m coming to understand why dramas make this U-turn. The writers are usually women, PDs are often men, and South Korea has a not-so-great relationship with feminism right now. I’ve also seen women there talk about what it’s like to confront men in public places.)

Popular media takes so long to catch to up how it validates violent male behaviour and what that violence even encompasses. (Like Bollywood has barely caught up to its stalker heroes, and the Salman Khan industrial complex is still at its peak. How do we even begin to talk about emotional violence?) I understand that and it also fills me with rage. It’s effect is so visible here in India. I would love to know what South Korean women thought of this show. In conclusion, watch for Minkyoung’s story and Oh Yeon-seo, for a stellar performance by Gil Hae-yeon as Minkyoung’s mother, for Bae Ji-won, Lee Suhyun and An Woo-yeon and end at episode 12. Episode 13 does not exist.

(ps: why is a drug lord, trying to zealously hide his face, getting his food delivery in person🙄)

#mad for each other #as an aside #i just realised the law school yesul storyline reminds me of bollywood's pink #there's probably a way to right about upright angry men #it's not this #i also have zero patience think about it #coz my primary mood on most days is f*ck men

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michaels-blackhat · 4 years ago

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So You’re Feeling White Guilt and You Don’t Know What To Do

I’m not going to rehash the most recent Roswell New Mexico fandom news. I’m not going to rehash any of the difficult and necessary conversations surrounding race and racism that have been happening over the last week. They are important, they shine an important light on fandom racism, and they have caused many to reflect on their own unconscious bias and how it has manifested itself in fandom. That’s important. That is the constant work of an ally: to reflect on your bias and your actions and take steps to inform yourself and do better. As participants in a racist society and a culture that tries to say that racism is only an overt, obvious thing, we must always take the time to listen to others and change our own behavior.

This post isn’t necessarily about that either. It’s about how you can do other, small things, for yourself to help a community and individuals who are continuously mistreated, whose suffering is continuously erased, and whose culture is continuously stolen. Political involvement is always an option, but it’s also not always possible. I know for myself, I work two jobs that leave me with 14 hours days multiple times a week, and only one day off a week to relax, do household chores, and prepare for my grad school classes. I can exercise my right to vote, right to assembly, etc. but sometimes doing more isn’t a viable option.

So what else can I do?

Below I have accumulated links to different relief funds, bail funds for protesters, language programs, native artist collectives and stores, musicians, and conservation project.. Some of the links will take you to a larger project that you can explore. Some of the links will be for direct donations. This is not exhaustive. This is limited to what I’m able to find and authenticate to the best of my ability. But I wanted to put this out into the world, as an example of different ways you can support people, cultures, and communities. I invite anyone to add on to the list, particularly people who are Native American.

Special thanks to @jocarthage for being an amazing resource and adding to my already long list. And @litwitlady for the bookstore link. Additionally, I was writing this and realized how long this got, so I started limiting to two or three links per area. Please, add on.

Relief Funds:

An article from Navajo Times that highlights different Coronavirus relief funds, including the Navajo Department of Health, John Hopkins Center for American Indian Health, relief for families and children, and Food Baskets for Elderly.

https://navajotimes.com/coronavirus-updates/relief-for-coronavirus/

Reply with recommendations

Bail Fund:

A thread on the O’odham land & water protectors: https://twitter.com/LaikenJordahl/status/1315707808470503427?s=20

And the bail fund: https://t.co/yzyDnEi0x6?amp=1

Generally, the National Bail Fund Network’s twitter page is a good place to go to keep up about bail funds for protesters for many leftist causes. They also help with immigration detention and the cause to end money bail in general. https://twitter.com/bailfundnetwork?lang=en

Reply with recommendations

Language Programs:

https://www.firstnations.org/projects/native-language-immersion-initiative/ : The Native Language Immersion Initiative aims to build the capacity of and directly support Native American language-immersion and culture-retention programs. They work with the National Endowment for the Humanities, along with support from the Lannan Foundation, Kalliopeia Foundation and the NoVo Foundation. The linked website has the list of grantees from the previous years, so you can go and explore the different language programs that have benefitted from the initiative. The NLII aims to support the cultural and linguistic preservation of all Indigenous Americans, including Native Alaskan and Native Hawaiian cultures.

The website also allows you to explore their programs, learn more about topics such as environmental justice within native communities, and donate directly.

Duolinguo has short courses in both Navajo and Hawai‘i. They’re not perfect, but they’re a good starting point. Spending some time getting used to the sounds and cadences can be really grounding in the realities of the language and grammar (and if everyone who read our fics downloaded it, it would give Duolingo a strong indicator of interest in these languages, which might encourage them to invest in making them full courses).

Reply with recommendations

Art & Clothing & Holiday Presents:

Art and clothing are grouped together, as a lot of the websites feature both.

Beyond Buckskin: https://shop.beyondbuckskin.com/

A shop/collective started by a member of the Turtle Mountain Chippewa tribe. They have a variety of products and you can learn more about their individual artist. They also have events, news, and a lot of cool things to explore on their website.

+their buy native list:

http://www.beyondbuckskin.com/p/buy-native.html

b.Yellowtail: https://byellowtail.com/pages/about-us

The clothes are designed by Bethany Yellowtail, a Northern Cheyenne & Crow fashion designer. The art and jewelry are made by hand by a collective of Native Americans, First Nations, and Indigenous creatures throughout North America.

SheNative: https://www.shenative.com/

A shop that primarily focuses on leatherwork, but does have other products as well. The aim of the company is to empower Indigenous women, so Idigenous women work on all levels of the manufacturing of the products. Additionally, they donate at least 10% of profits towards causes and charities that aim specifically to help Indigenous women.

Etkie: https://etkie.com/

This collective of Native American artists all hail from New Mexico. They specialize in beaded cuffs, all of which are gorgeous. Personal note, I very much want the Dawn Glass Cuff.

There are a lot of people who sell Native American art who are not, in fact, Native American people. Here are some sources:

The Indian Pueblo Store is owned and operated by New Mexico’s 19 Pueblo tribes. Find our physical location at the Indian Pueblo Cultural Center in Albuquerque https://www.indianpueblostore.com

The bookstore in the Smithsonian Museum of the American Indian has one of the best collections of books about Native American life, by Native American authors, anywhere we’ve found (if you become a member for $25 a year, you get their excellent quarterly magazine) https://americanindian.si.edu/store

Weirdly for a museum named for a man famous for playing a white cowboy in American movies, the Gene Autry museum in Los Angeles has one of the other really good collections of books by Native American authors on modern Native American life, as well as historical books: https://shop.theautry.org/collections/books

I haven’t been, but the Heard Museum gets recommended a lot and their shop has a lot of authentic Native American pieces: https://www.heardmuseumshop.com/

Birchbark Native Arts seems to have an extensive collection: https://www.birchbarknativearts.com and is associated with the bookstore mentioned below

Note from JoCarthage: In 2016 I drove to all 58 counties in California and started my collection of books on Native American tribes living and working in California, both as research for what I thought might be a book and because I was curious. A lot of the books I found are not on Amazon, you can only buy them in reservation book stores or National Park bookstores or little county museum bookstores. When the world opens back up again, that is a good process I have found for building my own understandings.

It’s not a perfect system, but when you’re shopping, look for the term “Authentic Native American artworks” and a seal like this one; here is a longer guide to buying Native American art:

Reply with recommendations

Music:

Spotify & website links are provided. This is also limited to what I know and already listen to.

A Tribe Called Red: Website: http://atribecalledred.com/ | Spotify: https://open.spotify.com/artist/2jlWF9ltd8UtoaqW0PxY4z

Mary Youngblood: Website: http://www.maryyoungblood.com/ | Spotify: https://open.spotify.com/artist/0pRrf0i6X4uUIdzYrA2mDz

Buffy Sainte-Marie: Website http://buffysainte-marie.com/ | Spotify: https://open.spotify.com/artist/5exO2eW84QucBhrRhcK76x

youtube

[Video: A Tribe Called Red’s “Burn Your Village to the Ground”]

Books:

Based on the theory that the best information is closest to the source, all of the books below are written by Native American authors; the bookshops are owned by Native America booksellers.

Bookshops:

Birchbark Books, a bookshop in Minneapolis: https://birchbarkbooks.com/ They also have art, jewelry, and community events. When available, the links for the books below are provided through the store’s website.

Book Recommendations:

Nonfiction and hilarious: Custer Died for Your Sins, by Vine Deloria Jr (Standing Rock Sioux): https://birchbarkbooks.com/all-online-titles/custer-died-for-your-sins

Poetry: New Poets of Native Nations, edited by Heid E. Erdrich (Ojibwe): https://birchbarkbooks.com/all-online-titles/new-poets-of-native-nations

Novel (murder mystery): Chenoo, by Joseph Bruchac (Abenaki): https://www.oupress.com/books/14415530/chenoo

Poetry: When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry, edited by US Poet Laureate Joy Harjo (Muscogee Nation): https://birchbarkbooks.com/CatalogueRetrieve.aspx?ProductID=9713772&A=SearchResult&SearchID=11528255&ObjectID=9713772&ObjectType=27

Art book: First American Art, Edited by Bruce Bernstein and Gerald McMaster (Plains Cree and member of the Siksika Nation) https://americanindian.si.edu/store/books-and-products#1845

(The Mitsitam Cafe Cookbook: Recipes from the Smithsonian National Museum of the American Indian by Richard Hetzler (Not a Native American person but the recipes reflect a huge range of modern Native American recipes and are worth cooking through ) https://birchbarkbooks.com/CatalogueRetrieve.aspx?ProductID=9685880&A=SearchResult&SearchID=11528257&ObjectID=9685880&ObjectType=27)

Here is a selection of children’s books, YA, memoir and biography, and Native American fiction and poetry, Native studies, and Native language

Reply with recommendations

Diné and other Native American actors’ accounts to follow:

Why include fun social media stuff: because we’re humans and we like nice things. It’s very hard to keep learning about something that challenges our whiteness and privileges if everything we read and consume is painful and grim. It also fundamentally limits the stories we consume about modern Native American lives if all we do is wallow. So read good poetry, cook recipes that are shared freely, follow pretty actors on Instagram. When Jo went through her house to find the above book recommendations, 4 of them were on her Native American section, one in her poetry section, and one in her cookbook section. Native American stories and food and life are part of modern American life and integrated them into your bookshelves and menus and IG scrolling is a good way to stay aware and learn more osmotically.

Kawennáhere Devery Jacobs (kanien’kehá:ka from ⁣⁣⁣ kahnawà:ke mohawk territory⁣⁣⁣) https://www.instagram.com/kdeveryjacobs/?hl=en

Tatanka Means https://www.instagram.com/tatankameans/?hl=en

Jay Tavare https://www.instagram.com/jaytavare/?hl=en

Forrest Goodluck seems to not be active on social media, but he’s worth keeping an eye out for https://twitter.com/forrestgoodluck?lang=en

Check out more here, from pocfansmatter https://pocfansmatter.tumblr.com/post/632180141361119232/my-favorite-native-american-men

Reply with recommendations

News Sources:

Note: none of these are perfect. They all have their own biases, foci, and weirdnesses. But if you subscribe by email to a few of them, you’ll get a pretty good idea of what issues are important, generally.

Native America Calling: https://www.nativeamericacalling.com/

Navajo Times: https://navajotimes.com/

Indian Country Today: https://indiancountrytoday.com/

Reply with recommendations

Conservation:

A petition to close Mt Rushmore and to return public lands in the Black Hills to the Oceti Sakowin (Seven Council Fires of Lakota, Dakota, and Nakota Nations).

https://actionnetwork.org/petitions/petition-to-close-mt-rushmore-and-return-all-public-lands-in-the-black-hills-to-the-oceti-sakowin

From the site: “Standing in solidarity with our ancestors, families, our allies, and the Oceti Sakowin (Seven Council Fires of Lakota, Dakota, and Nakota Nations), we are calling on Director Bernhardt and Representative Deb Haaland to close Mt. Rushmore and return all Public lands in the Black Hills to the Oceti Sakowin as negotiated in the 1868 Treaty of Ft. Laramie, as Indigenous treaties are the supreme law of the land.”

The Kumeyaay people are currently protesting against the illegal destruction of their sacred lands to build the border wall. You can keep up with their work and support them directly through their twitter account.

https://twitter.com/kumeyaayprotest?lang=en

The Native American Land Conservancy aims to reacquire Native American land, particularly in Southern California, to preserve and protect sacred sites and areas.

The group has a mix of board members from a variety of tribes, along with members who are not affiliated with a tribe but have a focus and background in environmental conservation.

Reply with recommendations

Thank you for sticking with us through this whole list. It’s long, yes, but it does not even begin to show even a small percentage of places and artists you can support.

And as for what to do about your white guilt? Live with it. It’s not going to help anyone if you express your guilt continuously. It’s not going to help anyone if you push it aside. Live with it. We benefit from a racist system and we should not forget it. Do what you can to help others, lend your voice in support of others. And for fuck’s sake remember that it’s not about us.

#resources #native american #Tyler Blackburn #native american artists #indigenous peoples #I'm sorry I actually have no idea how to tag this #but also i'm not sorry for tagging the actor because I think it's a thing that people who maybe want to avoid the truth should see

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arbitrarygreay · 4 years ago

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I watched all of Killjoys with @mimeparadox! - This being my third time through seasons 1 and 2, I probably enjoyed Dutch-D'avin the most I ever have, really seeing what the show was trying to convey with that relationship. That said, I still do not like the show's attempt to make them do insipid romantic fluff at the end of S4 and S5. They still work best as comrades. - There is no best season of the show. S2=S3=S4 > S1 > S5. S2 is the best the show does with its class conflicts, having discarded the Pretty People Dramz of S1. S3 is the most coherent in its character themes, everything lensed through the tragedy of Dutch and Aneela. S4 does the most payoff for all of the relationships in the show.

- Oh, poor S5. This is the first time I've rewatched it, and I did still have a good time. Basically, S5's weaknesses all have to do with it being the final season. The Prison arc is actually quite fun...so long as it has nothing to do with The Lady. In general, the show is not as good as when it remembers that they have to tie things up and finish off this alien invasion storyline. They're great at the serialized character/relationship elements, less good at the serialized plot parts. - The Prison arc shows that Lovretta could definitely be the showrunner for a classic spy competence porn show a la Nikita. - The Lady is still great as Khlyen's third failure as The Worst Dad to Murderous Teenage Daughter. The reason I love her as a garbage fave, whereas Angel's Connor is a (hah) narrative killjoy, is that The Lady's behavior does not cause the other characters to betray themselves. For the most part, The Lady incites the others to do more competence porn, whereas Connor just incited tedious interpersonal Dramz (with maybe the exception of the return of murderous Fred). - mimeparadox and I have discovered across watching multiple shows that the best character archetype is an ultra-competent slightly neurotic uptight character getting blindsided by their Feelings (bonus points if said Feelings are romantic). We have named this archetype Paris, named after Paris Gellar from Gilmore Girls. The Paris is such a powerful type, especially as a Big Bad, that Killjoys does it twice in a row, with Aneela and The Lady. - Intriguingly, I finally saw what the show was trying to do with a series-long arc for Johnny. - In S1, the seeds are planted for the fact that Johnny wants to do more than survive, he wants to have a stronger emotional anchor than just being with Dutch (he is Dutch's gravity, but the reverse isn't true). In S1, this manifests in his being intrigued by Scarback spirituality. In S2, this manifests in his becoming more invested in Westerley's class politics (with Pawter) than Dutch's more self-centered investigation of the Hullen. And in S5, he decides that being a rootless Killjoy isn't viable in the long term. He doesn't want the warrant to be all. - Of course, the execution gets muddled, because Johnny on the mission Fun Train is entirely too compelling, as are his dynamics with everyone else on the team. Note how S3 and S4 aren't mentioned above, as in those seasons, with the exception of the Hackmod Arc, Johnny is focused on Dutch's war with Aneela and The Lady. The fact that there's no issue with the character dropping his series arc for two seasons shows that this arc isn't really critical to his character at all. - And that's exactly the conclusion that the show itself comes to, with the Oneyer absence tossed aside in the end for a "one for the road" of indefinite length. - Part of this, though, is not a betrayal of the series arc because at the end of the series, Johnny is not still simply a Killjoy, for whom the warrant is all. He's a new Level Six, and so has a purpose to genuinely care about (which also happens to enable his pursuing the other missions he wants on the side, like The Factory). - I got a better sense for Dutch's series long arc, too, which was really interesting, because she is never actually a hero in her own motivation. She is basically selfishly motivated from beginning to end, but just slightly growing the circle of who she considers under her protection. Dutch's driving motivation at the beginning of the series is to flee anything that might impinge on her personal freedom. Then, she decides to fight back instead of flee, which means that she seeks having just enough power to do so. S4 is about how she balks at the responsibility that comes with it, which we discover is rooted in how she's having an identity crisis about her biological family. In S5, she comes to a more stable place in her identity and how much responsibility she's willing to take on to defend her home, but grapples with some of the remaining things impinging on her emotional freedom (the loss of the certainty of Johnny, and then cycle of Khlyen's abuse). - Which is to say, it's pretty cool that we get to have a science fiction where where the central protagonist gets to be basically a shameless charismatic hedonist. She's all but said that she's basically outsourced her morality to the rest of her team. This is a rare character complexity for any genre show protagonist, much less a lady. And it makes the writing extra impressive for setting up the plot and world so that such a protagonist gets guided into doing heroic actions entirely on following a selfish priority through the incentive gradients. - This is all really only possible because Turin is a good boss, though. If she had a RAC supervisor who played power politics with her, she'd be toast (and probably quit the RAC to fly away in a heartbeat). Of course, that Turin is a good boss is meant to illustrate how the RAC is a an outfit that takes in misfits, people who are loathe to (and already failed to) play traditional social politics as opposed to mere sportsmanship competition (thing-oriented people over person-oriented people). They have to be the kind of people who could ever believe that the Warrant is all in the first place. - Killjoys never truly grapples with its politics. I stand by my previous stance that this is a good thing, because the very core build of its protagonists prevents that. This show, ah, kind of embraces ACAB as a good thing, nothing of which to mention how Delle Seyah and Aneela becoming allies therefore results in a "yasss genocidal girlboss aristocracy slay" conclusion? ("Colonialism is good if they appoint an emotionally invested immigrant warlord as governor") - Killjoys' broader wonky politics doesn't bother me, because FUN TRAIN! DO NOT STOP THE FUN TRAIN!! Seriously, there were definitely plot holes in this show that never went away, and I did not really care because almost every given moment of the show was delightful. The lore of how Hullen/The Green worked was laughably inconsistent, and I did not really care because the lore was whatever it was at the moment to enable storylines that were really fun. In fact, joking about the inconsistency of the lore therefore became its own pleasure, because it still did not detract from my enjoyment of canon. Altered Carbon shows how the prestige version of Killjoys would have been no fun at all. Down with Prestige TV. Which isn't to say that I've changed my mind on character vs. world-building as source for plots! I remain dedicated to my apathy to Wynonna Earp, which is a show which nominally builds its world/plot to service character, but leaves me cold. What Killjoys has, in contrast, is a rock solid world-building foundation, and then we watch the fireworks of character reacting to the setting and each other, with characters themselves serving as expressions of world-building. This is why Killjoys' writing is weakest when it has to plot for the sake up wrapping up plot and character threads, instead of plot as per how character interactions with the world organically develop. The way this doesn't contradict with the above is that Killjoys firmly declares what parts of the world-building are really important, which is the setup of institutions that determines the power-dynamics between any two given characters. Plot elements that aren't about that can be wishy-washy without therefore making the characters look incompetent. (With the exception of "stick a knife in the necks of all of the Hullen already!" because that's a very tangible action anyone can do, as opposed a squishy genre detail.)

#killjoys #killjoys syfy #syfy killjoys #category: tv #category: craft

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mystiika · 3 years ago

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re; gomez addams

note: while i will be using icons of raul julia or reblogging gif sets of him, i recognise that not everyone is comfortable with deceased fcs, so i will be tagging any & all relevant posts with ‘raul julia //’ & ‘deceased fc //‘

i will also have an alt fc of antonio banderas to use in threads instead of raul julia should people prefer him

h i s t o r y

above all else, gomez is a family man. family comes first no matter what, willing to do anything for them & is an extremely devoted husband to morticia. no matter the adaptation the never ending examples of affection towards her is hard to miss. he very much so fits the latin lover archetype & essentially worships the ground morticia walks on ( as he should !! ).

gomez is quite eccentric ( as is much of the family ). he’s described as puckish, optimistic despite his love of the macabre. he’s crafty, mischievous, & extremely sentimental. he’s athletic & acrobatic as seen in most depictions. he’s very skilled in sword fighting, knife throwing, &, ofc, dancing.

additionally, gomez is an exceptionally successful business man & a multi-billionaire. he grew up wealthy himself & though the addams family had a fortune of their own, his luck in business seemed to never cease. he gained most of his personal fortune through inheritance & investments. he has little regard for money & will casually spend thousands of dollars on any whimsical endeavor. & his choice of investments are based by a whim rather than strategy, though luck rarely — if ever — fails him. gomez owns businesses around the world, including a swamp bought for "scenic value", crocodile farm, a buzzard farm, a salt mine, a tombstone factory, a uranium mine, & many others.

in the real life forbes magazine, gomez was actually listed in their 2007′s "fictional 15" list of the richest fictional characters.

as a young man, gomez was a perennially sickly youth, gaining perfect health only after meeting morticia. he nevertheless studied law although he rarely practices, & in the new addams family sitcom, gomez apparently had also studied medicine.

in the movies, gomez talks about how he met morticia at a funeral & proposed the next day. i see this happening when they’re quite young but it’s sort of implied that the addams family is supernatural in some way as they’re constantly cheating death so could possibly have extended lives ( not quite immortal but living longer than your average joe ). this would also give his long term investments plenty of time to come through & could explain such massively accumulated wealth we see the family own/exhibit.

i n f l u e n c e s

so, gomez addams is the father of the addams family, a person & family portrayed a million times across different media. primarily i will be based on the gomez was played by raul julia in the movies the addams family ( 1991 ) & addams family values ( 1993 ). however !! i mean this more in personality than anything as i will absolutely be taking smaller details & individual facts from other adaptations, mainly the 1960s show & perhaps something from the new addams family sitcom ( 1998 - 2001 ) if i’m feeling wacky. i don’t really like any of the remaining movies or shows involving the family so don’t expect any influence from those.

i think the most notable difference between the television series & the movies i primarily follow is there are a couple of familial changes. so in the 1960s tv show, grandmama is gomez’s mother & fester is morticia’s uncle. however ! in the movie, fester is gomez’s brother, not morticia’s uncle, & grandmama is actually morticia’s mother. in my portrayal i’ll be doing a mix. so fester will be morticia’s uncle as well as grandmama being her mother. i think it also makes more sense for why gomez has such an obviously spanish first name while the last name addams & all other first names of the family have seemingly no hispanic influence.

the movies also denote that gomez’s parents were murdered by an angry mob?? but idk if im gonna keep that or not tbqh.

i also quite like the addams family in gotham series on tik tok by nikhilclayton. i just think its fun so i may decide to add something from there as well just because i can & no one can tell me not to.

#raul julia //#deceased fc //#queue.#gomez tag tba.

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delicatevalentine · 10 months ago

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january activity check. ♡

skill points.

activity — passed [any+1] apollyon ouranos — knowledge gem [any+1]

allocation.

axe — [ A+ → A+⅔ ] total — [ 39 ]

claims.

apolloyon ouranos participation — hurricane axe apolloyon ouranos grand prize — with my little eye, hunting whip, gospel of theta

thread tracker.

we are not losers — waiting on me famous last words — waiting on me slacker, no slacking — waiting on me stay cool! — waiting on me blinded by your light — waiting on chrom we should unionize — waiting on sylvain the masked stinger — waiting on leonardo squeak squad attack — waiting on byleth

completed threads.

please accept our condolences for the murders that we definitely did not commit — 1345 words fallen soldier — 725 words battleships but instead of boats it's dead bodies — 1310 words the brightest shade of sun — 725 words murder is a long-term investment — 954 words the decision — 426 words

#toaactivity

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mediaevalmusereads · 3 years ago

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Black Sun. By Rebecca Roanhorse. New York: Saga Press, 2020.

Rating: 3/5 stars

Genre: fantasy

Part of a Series? Yes, Between Earth and Sun #1

Summary: In the holy city of Tova, the winter solstice is usually a time for celebration and renewal, but this year it coincides with a solar eclipse, a rare celestial event proscribed by the Sun Priest as an unbalancing of the world. Meanwhile, a ship launches from a distant city bound for Tova and set to arrive on the solstice. The captain of the ship, Xiala, is a disgraced Teek whose song can calm the waters around her as easily as it can warp a man’s mind. Her ship carries one passenger. Described as harmless, the passenger, Serapio, is a young man, blind, scarred, and cloaked in destiny. As Xiala well knows, when a man is described as harmless, he usually ends up being a villain.

***Full review under the cut.***

Content Warnings: blood, violence, gore, body horror, drug/alcohol use, self-harm, suicide, mutilation, reference to child sex slavery

Overview: I came across this book while looking for fantasy novels set in non-European-inspired worlds. I got really exited about the premise: a pre-Columbian, indigenous-inspired story? With multiple perspectives? And crows? It sounded great! Unfortunately, I couldn’t give this book more than 3 stars for a number of reasons: I felt like the writing could have been a little bit better and that character motivations could have been more clear; and I ultimately didn’t feel like the story was a true race-against-the-clock until the end. While I’m intrigued enough to pick up book 2 in the series, I do wish this book had done a little more to make me feel connected to the plot and the characters.

Writing: Roanhorse’s writing reminds me of some New Adult prose styles: it feels straight-forward, clear, and well-balanced, but sometimes tends to tell more than show, especially when it comes to emotion. I really liked that I could follow the prose without issue, but I often felt like Roanhorse was dumping some info on me and expecting me to absorb it right away. For example, Xiala (one of the protagonists) tells us that she’s always felt like an outsider and that’s why she has such an immediate connection with Serapio (another protagonist), but I didn’t exactly feel that. There were also some worldbuilding details that seemed to be inserted to flesh out the world - which was great - but ultimately didn’t feel relevant to what was going on in the plot.

This book is also told from multiple perspectives and flashes forward and backward in time. While I personally was able to follow the voices and time skips just fine, some readers might find it a challenge.

Also, without spoiling anything, the end of this book seemed to rush by WAY too fast, and I honestly didn’t feel like most of the book was building to it.

The worldbuilding, however, was wonderful. I really liked the way Roanhorse described the look and feel of everything from the tastes, smells, sights, etc. and I loved how diverse and rich everything felt. While I don’t know enough about various Indigenous groups to comment on whether or not the cultural elements were incorporated well, I did like that various populations didn’t seem to be monoliths and varied in terms of social structure, dress, and custom.

Plot: The plot of this book follows two-ish threads: in one thread, Xiala must get Serapio to the city of Tova in time for “the Convergence,” a time when the celestial bodies are aligned AND there’s a lunar eclipse. In the other, Naranpa must navigate a plot to oust her from the priesthood while also dealing with rising opposition from clan Carrion Crow (and their cultists, with whom Okoa is involved).

Because of the many POV characters and the flashbacks in time, it was difficult to feel any sense of urgency in either plot thread. Xiala and Serapio’s thread was a travel narrative, and most of the conflict stemmed from the fact that the crew just straight up did not trust Xiala. At first, I thought we were getting a narrative where the crew mistrusts Xiala because she’s Teek, but then they appear to be ok with her in what was a pleasant subversion of my expectations. But then something happens and we’re back to what I expected, and it proves inconvenient for getting Serapio to Tova in time. Because I didn’t feel like I had much of a reason to want Xiala and Serapio to succeed (Serapio’s motivations are mysterious and Xiala mostly wants wealth), I felt pretty “meh” about them potentially missing their deadline. I would have much rather seen Xiala (and perhaps the crew?) be challenged and grow from the setbacks she experiences at sea, and for her to become more personally connected to Serapio so the journey shifts from one done to earn untold wealth to one where Xiala wants to help her friend (even if said friend ends up being deceptive).

The Tovan plot is likewise a little “meh” because there wasn’t a huge sense of urgency or suspense. I felt like I didn’t know the clans enough to feel strongly about their politics (aside from understanding that killing people is bad in the abstract), nor did I have a concrete reason for wanting the institution of the priesthood to remain (once I learned more of their history and the fact that most priests - called “Watchers” - would rather be elitist than minister to the people).

Perhaps that’s why I felt a little underwhelmed by the plot as a whole: while things certainly happened, I ultimately didn’t feel like they impacted the characters’ inner lives much, or if they did, that evolution was told to us more than shown. While I understand that Black Sun is the first book in a series, I still would have liked the plot to have more of an impression on the characters.

Characters: I think it’s safe to say that this book follows 4 main protagonists: Xiala (a Teek sea captain who fills the Han Solo archetype), Serapio (the mysterious blind man with crow-themes magic powers), Naranpa (the Sun Priest who struggles against traditionalists to make the priesthood more active in people’s lives), and Okoa (the son of the murdered Carrion Crow clan matriarch). While I liked all of these characters, I do wish they had been a little less dependent on archetypes (lusty sea captain, Chosen One, etc). Maybe things will change as they develop in later novels, but for now, they’re fun and certainly likeable in their own ways, but not mind-blowing.

Xiala is likeable in that she’s a hot mess with a heart of gold. She drinks, swears, and gets into trouble, all in the pursuit of earning enough wealth to make a living. She is also Teek - a member of a (rumored) all-female island clan, whose members have special sea-based magic. I liked Xiala’s connection to the sea and the way she communicates her people’s stories and cultural values. However, I do wish she was challenged a little more to want something more than material reward.

Serapio is an intriguing character in that he fits the archetype of dark, mysterious Chosen One. While I appreciated that he wasn’t a gruff loner (instead, he seemed eager to connect with people while recognizing that his appearance might unsettle them), I also think his backstory is a little too “edgy” for my tastes. His motivations were somewhat shrouded in mystery, which made it hard to know whether or not I wanted to root for him to succeed, but because he’s not a complete jerk, I found him interesting enough.

The connection between Xiala and Serapio could have been a lot stronger than it was. While I liked that they bonded over their “outsider” statuses, I ultimately felt like this was told to us rather than shown. Thus, when they kind of sort of “get together” later in the novel, it doesn’t feel earned. I didn’t understand what Xiala saw in Serapio other than his physical attractiveness and (maybe?) feeling like he didn’t treat her as a foreigner. While fine, I wanted Xiala to be more attracted to Serapio’s personal qualities, not just that he was nice to her. Same thing for Serapio: I didn’t get the sense that he had genuine feelings for Xiala personally, just that she was intriguing because she was Teek.

Naranpa, the Sun Priest, was an interesting figure in that she was caught up in the politics of the priesthood. While I liked watching her navigate the various setbacks and conflicts with traditionalists, I ultimately wish I had been given a more compelling reason to root for Naranpa to succeed. Trying to make the priesthood more hands-on and philanthropic is all well and good, but it felt too abstract. I wanted Naranpa to have more personal stakes - because she comes from the “gutters” of the city, is she more invested? But if so, how does she reconcile that with her decades-long absence from where she grew up? There was a little of that, but ultimately, I didn’t feel like I had a reason to want the priesthood to continue. I didn’t understand why Naranpa was so attached to the priesthood as an institution; why didn’t didn’t she cut her losses and go elsewhere?

Okoa is something of a late addition. His perspective doesn’t appear right away, but I think that worked out fine, considering when it appeared. Okoa is a warrior who finds himself torn between keeping peace between his clan and the Priesthood and joining a rebellious cult who wants to restore the old religion and seek revenge against the Priesthood for past trauma. While I think his perspective was important, I didn’t personally feel invested in this plot or Okoa’s dilemma. Perhaps it’s because I didn’t feel like the rebels were treated as having a real grievance; we’re told about the past and told that it was harmful, but because we don’t get the perspective of someone dedicated to the Cause, I didn’t feel like I could sympathize with it. Okoa himself is resistant, calling the rebels “cultists” and saying that though he understands their grief, he doesn’t want to support violence. Perhaps if Okoa felt threatened by the cultists, or if their cause was a true threat to the stability and well-being of the clan, then I could feel more involved. But as it stands, Okoa was somewhat wishy-washy, and I couldn’t quite understand the stakes to make his indecision feel justified.

Side or supporting characters were interesting. I really liked that Roanhorse included plenty of queer characters, including trans and non-binary/third gender characters who use pronouns like xe/xir. My favorite was probably Iktan, the head of what is essentially the assassin’s branch of the priesthood.

TL;DR: Black Sun is an intriguing fantasy with intricate worldbuilding and premise. While I personally felt like the inner lives of the characters could have been more developed and the plot more compelling, I think this book (and author) will satisfy many fantasy lovers, and I look forward to picking up the next novel in the series.

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terramythos · 4 years ago

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TerraMythos 2021 Reading Challenge - Book 7 of 26

Title: The Shadowed Sun (Dreamblood #2) (2012)

Author: N. K. Jemisin

Genre/Tags: Fantasy, Third-Person, Female Protagonist.

Rating: 7/10

Date Began: 2/15/2021

Date Finished: 3/02/2021

Ten years have passed since the events of The Killing Moon. Imperial Kisua rules the once peaceful and deadly city-state of Gujaareh. But war stirs on the horizon. Wanahomen, the exiled heir to the Sunset Throne, seeks to reclaim his disgraced father's legacy. And with his unexpected allies-- the so-called barbaric Banbarra tribes--he might just succeed.

To assist his gambit for the throne, the priesthood of Hananja sends two of their own into the Banbarra canyonlands. Hanani, the first female trainee of the order, has to contend with an unfamiliar culture and the arrogant whims of the Prince in order to succeed. But her greatest challenge comes from her self-doubt-- and events that will challenge the very core of her faith.

Meanwhile, a mysterious plague strikes Gujaareh. Transmitted through dreams, it afflicts nearby sleepers and casts them into an endless nightmare. If they are to retake the city, Hanani and Wanahomen must find the disturbing source of the sickness before it's too late.

If only the poisoned fruit did not keep ripening in my time.

Full review, some spoilers, and content warnings under the cut.

Content warnings for the book: Some sexual content. Domestic/child abuse. R*pe via inc*st and threatened/attempted r*pe. Graphic violence (including police brutality), murder, warfare, body horror, and death (including child death). Structural/social misogyny and ableism are discussed and challenged to varying degrees.

I'm in the minority when it comes to The Shadowed Sun. While there are aspects of the novel that I really enjoyed, I had a hard time getting into the story. My main issue is that there were three separate plotlines, but they didn't really connect to each other until the last third or so of the book. The primary plot was also the one I found the least interesting, which didn't help. A lot of this is personal preference; I'll go into specifics below.

Unlike my experience with The Killing Moon, characterization was one of the strongest parts of the book for me. Sunandi and Nijiri returned as important side characters rather than leads, and I found I liked both of them more in this story. They were even sort of friends after ten years, which was fun when compared to their tense and mildly antagonistic dynamic in the last book.

Instead, The Shadowed Sun starred newcomer Hanani and Wanahomen--a very minor character from The Killing Moon. What's interesting about these two is neither were especially likeable characters to start. Hanani initially came off as painfully timid, submissive, and naïve. Wanahomen began as an arrogant, sexist asshole. But both of them went through significant emotional development over the story, and I really liked the sheer character growth.

Wanahomen in particular was a hard sell for me, but Jemisin put in the work. He did let go of some of his worst traits pretty easily-- like his hatred of the Hetawa and reverence for his father-- considering that they were beliefs he'd held for most of his life. I'm also a little torn on his eventual romantic relationship with Hanani, due to a particularly horrible act of his that she quickly forgave. But ultimately I chose to let these details slide because I liked his arc. Hanani took me a little longer to appreciate, as she spent most of the novel in various states of emotional trauma. But her arc of self-acceptance and reclaiming her womanhood was SO cathartic by the end. Their eventual banter-filled dynamic reminded me strongly of Sophie and Howl from book!Howl’s Moving Castle. Of all things.

I also appreciated the stronger focus on narcomancy and dream worlds, which were sadly lacking in The Killing Moon. It was cool to see more firsthand perspective on the workings of dream magic. In particular, the nightmare world during the climactic chapter of the book was disturbing, imaginative, and emotional. That entire chapter just slapped from start to finish-- I loved that the solution was ultimately kindness and compassion.

There were lots of small details I liked as well. The Banbarra being loosely based on the Anasazi was really cool to me on a personal level. Cliff dwellings! Fuck yeah! What other novel can I read that has fantasy!Egyptians and fantasy!Anasazi interacting with each other? Wanahomen's daydreams served as a subtle but important hint for later stuff, which was cool. The theme of fatherhood at its worst and best--and all the complicated emotions that entails--was something that didn't hit me until after I finished the book. The title is a fucking pun, so thanks for that. I was also surprised to see a mostly happy ending in an otherwise dark series.

A lot of my struggle with the book came down to pacing. As I mentioned, there were three story threads. There was Hanani and Wanahomen hanging out in a canyon. There was miscellaneous political intrigue around the upcoming coup in Gujaareh. And finally there was Tiaanet's story + the magic dream plague + its disturbing source. But the primary story was the canyon one... which I just didn’t find interesting. Lots of sitting around, cultural clashes, and horrific personal trauma. This was fine for a while, but once I reached the 2/3rd mark, I struggled to get through it. The plots also felt disconnected from one another until the end, so scenes from the two more interesting stories seemed sudden and sporadic. It tied together pretty well in the strong last third of the book. But there was a long investment to reach that point.

There was also a lot of r*pe in this book; way more than anything I've read by Jemisin. On a literary level, I get it. A central theme in this book is misogyny, and there's lots commentary around that. Both Gujareen and Banbarra society revere women in different ways, yet they have very limited social roles. Sexual violence happens regardless of how much women are supposedly admired by their cultures. And in the book, it was rightfully portrayed as disgusting and traumatic. But this content was emotionally exhausting and uncomfortable. It's probably the main reason it took me so long to get through the book. Tiaanet's arc was especially disturbing, though it ended in a very cathartic way.

So yeah, mixed feelings on this one. In terms of themes and ideas, The Shadowed Sun did a lot right; so I can't justify anything lower than a 7. But story-wise, I really liked the last third of the book and kind of wished the rest was like that. Jemisin's writing usually clicks with me more, so this was an odd exception. If you're interested in this series, it's not for the faint of heart. Please mind the warnings on both this and my review of The Killing Moon.

#7/10 #2021 reading challenge #i usually write these in present tense but decided to switch it up #taylor reads

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morethanaprincess-a · 4 years ago

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THE POSITIVE & NEGATIVE; Mun & Muse - Meme.

fill out & repost ♥ This meme definitely favors canons more, but I hope OC’s still can make it somehow work with their own lore, and lil’ fandom of friends & mutuals. Multi-Muses pick the muse you are the most invested in atm.

My muse is: canon / oc / au / canon-divergent / fandomless /

Is your character popular in the fandom? YES / NO / Depends. I think fans usually love Sonia or hate her.

Is your character considered hot™ in the fandom? YES / NO / IDK.

Is your character considered strong in the fandom? YES / NO / In some aspects.

Are they underrated? YES / NO.

Were they relevant for the main story? YES / NO.

Were they relevant for the main character? YES / NO /

Are they widely known in their world? YES / NO.

How’s their reputation? GOOD / BAD / NEUTRAL / Verse-dependent. Mostly good, unless Despair-verse or post-Neo World Program/post-SDR2 for canon verses or Talentswap!AU for my Ultimate Mafia Boss AU. Sonia's reputation is pretty terrible in these.

How strictly do you follow canon?

I do the best I can, considering that for most Danganronpa characters, there's limited information unless they're a protagonist. Considering DR, depending on the timeline of Sonia's class, takes place in various settings, realities, and states of mind, it can be a challenge to keep everything consistent. While I don't do a lot of threads that take place strictly in the SDR2-verse, where I do try to keep events canon to how they unfold in the game and as precisely as Sonia is presented as I can, other verses tend to be a bit more canon-divergent in order to fill in character building gaps that the game and anime don't really offer. The biggest change I tend to do is that unless I'm writing a thread of Sonia's arrival or first year at Hope's Peak or during the Neo World Program of SDR2, I don't tend to write many of her slang or word mix-ups. While Sonia reads and writes her 30+ languages better than she speaks them, I still believe she picks up on foreign languages easily and learns from her mistakes. She's a smart person, considering all of her talents mentioned in the SDR2 game alone. I also tend to disregard some of Hajime's free-time events with Sonia, particularly in terms of the hero legend and how she would allow the fabled hero to immediately marry and rule with her. My Sonia, for the most part, is a self-rescuing princess (and has a tendency to want to rescue everyone else too!).

SELL YOUR MUSE! Aka try to list everything, which makes your muse interesting in your opinion to make them spicy for your mutuals.

Is your muse looking for a friend and/or significant other who's just fascinated by everything they do and will support them no matter what? Someone who doesn't care about where you come from, your family, your looks, your socio-economic status but only who you are? Someone generous, kind, gentle, optimistic, smart, well-read, well-mannered, and will always be your muse's biggest cheerleader? Then your muse will definitely want to meet Sonia Nevermind, Hope's Peak Academy's Ultimate Princess and occult and serial killer-lover extraordinaire. She's poised to inherit a European country that thrives under absolute monarchy, a ridiculous amount of wealth and prestige, her own military, and more homes and assets than one person, and one family, really need. But get her talking about her favorite books/movies/TV shows, particularly horror and romantic dramas, and she'll be ecstatic. She loves exploring haunted locales, questioning the motives and methods of serial killers (real and fictional! I hope you've seen Friday the 13th, Halloween, A Nightmare on Elm Street, etc. Is your muse Team Freddy or Team Jason?), and experiencing a 'normal' lifestyle unbefitting of a royal. Novoselic has no amusement parks, so your muse can really wow Sonia by introducing her to her first roller coaster! While she can't actually participate in Freemasonry or murdering people (Despair and Talentswap verses aside!) due to her title, she's still quite intrigued by it all. And like any proper Novosonian, she adores her chocolate and her wine. She's got a massive sweet tooth, perfect for her usual sweet and kind demeanor.

Now the OPPOSITE, list everything why your muse could not be so interesting (even if you may not agree, what does the fandom perhaps think?)

She's not terribly edgy or sarcastic in most of her verses. It's very easy for Sonia to get duped by someone, as she's quick to consider people friends unless otherwise shown differently. She's very poised and polite due to her upbringing and doesn't often act on every impulse she has or speak her mind, especially if her opinion is divisive or negative, unless she trusts your muse. It's easy for her to accept friends into her life and far more difficult to accept romantic love, as she's frequently facing people who love her for her looks, title, and apparent purity, which frustrates her. She doesn't want to be put on a pedestal, she simply wants to be treated normally. She also doesn't get into too many fights, especially if she's been slighted. This is not a muse who's going to throw a punch, but she's excellent with firearms of all sorts. Pistols? Check. Rifles? Mastered them. Rocket launcher? Her favorite! And of course, she learned how to drive a tank before she could drive a car. If you're looking for a meek and shy muse to write with, Sonia's not that type. She's reserved in some things, but if your muse is really out of line? She'll call them out on it. She also has a tendency to want to lead in everything (it's a struggle for her to give up control, she can't help it!) and is a workaholic unless your muse distracts her.

Sonia has a fair amount of Rich People Problems. If that doesn't interest you or your muse, you may not enjoy interacting with her. But she remains as humble as she can about it all. She's terrible at putting herself first and admitting feelings for anyone, automatically assuming the person she cares for wouldn't want to be close to her, platonically or romantically, because of how complicated her life is as a future monarch. There's a lot of press, official appearances, and times she has to be a Princess before a person. She never wants to feel like a burden to your muse, which can sometimes come off as passive. But in life or death situations? Her bravery comes through.

And let's not go into how her Despair verse could be potentially triggering to some muses and/or muns. Sonia's absolutely disgusting when in Despair: lots of gore, lots of torture, lots of death, lots of blood, and a fair amount of sex with bad intentions. She's a gross human being (and has to deal with all of that in a post-Neo World Program verse!).

What inspired you to rp your muse?

I've been roleplaying for a pretty long time (not necessarily all on tumblr, but for awhile. I'm old!), and I've played action/fighting muses, know-it-all/brainy/witty muses, and muses who border on the mean girl trope with a heart of gold. But I've never really played a sincerely kind and good person. I tend to prefer writing female characters (I'm just more comfortable writing women than men most of the time!) and I've always had an interest in royalty and European history since I was a child. I played and watched Danganronpa: Trigger Happy Havoc originally and while I found it fun, it didn't really hold my attention for long. It took 5-6 years or so for me to try out SDR2, and upon getting introduced to Sonia it was just a perfect fit. I love how kind and open-minded she is, how much she believes in the best of everyone, and how her interests in the occult, serial killers, anime, and dramas are a stark contrast to her royal upbringing. So many royal characters are complete snobs with no interest in commoners, which was never the sort of muse I wanted to write. But I loved the idea of Sonia's fish out of water situation of being the only foreigner in her class (and likely most of the school), who's just so happy to be there even though she gets various customs wrong and is just plain weird due to her personal interests. Additionally, I have a strong interest in horror, the occult, and serial killers myself, so it's been fun incorporating my thoughts on what Sonia would like outside of what the game and anime offered.

What keeps your inspiration going?

This might be corny, but it's Sonia's innate curiosity about the world and everyone in it. Admittedly, I'm not terribly up to date on current and popular anime (and I've only played DRV3 once, so I don't know those muses as well, and I never completed that game's Talent Development Plan), so it's hard when I don't always know the franchise of the other muse Sonia's interacting with, but she's still so fascinated about others and is inclined to ask questions and take on new experiences. But when I'm feeling stuck on inspiration, I'm returning to books, movies, and TV shows. For Sonia specifically, I watch and read a lot of historical and royal-focused dramas, as well as horror and classic literature. I also follow blogs featuring royal history and modern royal coverage (though when it turns too gossipy, I tend to cringe!) for plot ideas.

Still, it's the hardest for me to interact with other muses whose muns automatically assume I'm familiar with their fandom, especially when it's popular. I tend to do a fair amount of apologizing in that case, as most of my favorite anime are considered old or classic at this point.

Some more personal questions for the mun.

Give your mutuals some insight about the way you are in some matters, which could lead them to get more comfortable with you or perhaps not.

Do you think you give your character justice? YES / NO.

Do you frequently write headcanons? YES / NO.

Do you sometimes write drabbles? YES / NO.

Do you think a lot about your Muse during the day? YES / NO.

Are you confident in your portrayal? YES / NO.

Are you confident in your writing? YES / NO / Most of the time!

Are you a sensitive person? YES / NO.

Do you accept criticism well about your portrayal?

Not terribly. In general, if someone doesn't like my portrayal, I question why they're following me (especially if we aren't writing together). I'm much more the type to respect someone's space if they decide to unfollow and/or softblock than want criticism of my portrayal. Of course, it's different if I'm writing with someone for awhile and we have multiple threads and character development, I'm a little more open to criticism but likely won't change my portrayal based on it.

Do you like questions, which help you explore your character?

I do! In general though, I tend to prioritize threads and IC asks over OOC, starting with what I've got muse to write with first. I have anon turned off and so I don't really get a lot of random questions about my muse anymore unless I've posted a meme asking for muse headcanons, but when I do get them, I try to answer them to the best of my ability.

If someone disagrees to a headcanon of yours, do you want to know why?

Not really. It's okay to disagree with my headcanon, that's totally valid! But if it gets to the point where I'm being told how to write my muse, I get annoyed. When I write with a mun, I accept their headcanons in our threads, no questions asked. I prefer the same courtesy with my muse and their headcanons too.

If someone disagrees with your portrayal, how would you take it?

Doesn't really matter to me. My general assumption is, is if someone disagrees with my portrayal, they likely won't write with me, follow me, or accept ask meme submissions from me.

If someone really hates your character, how do you take it?

We probably aren't roleplaying together. They likely either don't want to write with a Sonia or my version of her, and that's ok! What isn't ok is gossip and anon hate. I've turned off anon for this reason and won't turn it back on unless I need to (for example, a mutual I trust wants to send something on anon IC). It's a significant weight off my shoulders, not dealing with OOC anon rudeness.

Are you okay with people pointing out your grammatical errors?

Sure! No one's perfect. The only one that bothers me is different spelling for US English and UK/AUS/CAN English. I'm from the US and it's just easier to write in that, so I don't get anything wrong.

Do you think you are easy going as a mun?

I like to think so! I'm pretty easygoing and understanding of things like hiatuses, no writing inspo, etc, as long as I'm told that's what it is. Of course, I have my preferences for writing style (I don't do much one-liners or crack RP, just not my thing. I write a lot and try to avoid purple prose as much as I can!), but otherwise I like to plot, to wing it, coming up with new AUs and ships, etc. I also like chatting fandoms and such OOC as well! Admittedly I'm not great when it comes to mental health struggles, as I go through them myself and while I'm pretty high-functioning, RP and tumblr is my escape from my career and horrible stuff IRL, keeping me grounded and such. I like roleplaying, chatting fandoms and fun things, and just having a good time over here and on discord.

That’s about it, congrats for filling out!

Tagged by: @monsieur-de-paris (Thank you!)

Tagging: Since this is a very long meme, whoever wants to do it.

#more-than-a-princess musings #The positive and the negative meme #tw: long post #(I've had this sitting in my drafts for a week!)#(Just needed a good amount of time to fill it out)#(But I love new threads and interactions to go along with my current active threads!)

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jaimetheexplorer · 6 years ago

Text

Oh, let’s go back to the start

WARNING: negative review ahead!

Game of Thrones is over, and it’s never coming back.

I think many viewers all over the world thought that once this day came, they would wish they could do it all over again because boy, what a great journey it was. Or they would be eager to rewatch the whole show and look out for all the little clues they missed and revisit characters and storylines they might not have previously paid attention to.

Instead, most of us are left with a bitter taste in our mouth, and many of us are left wondering why we even bothered investing our time and emotional energy (not to mention money) in the first place. This is because the final season of Game of Thrones did not make fans wish they could go back to the start and do it all again, but, rather, took many of the plots and characters people knew and loved back to their start, at best, if not to an even worse place.

Game of Thrones changed television as we know it, but this has never been a flawless show. Plot holes and questionable adaptations had been criticized for many years. Book readers in particular have been very vocal about the quality (or lack thereof) of the show’s writing. Yet I feel people kept coming back to see how it all would end, because, surely, the endgame would still be worth the investment.

Season 8 then came. Much criticism can be raised to the first half of season 8 for having wrapped up the Night King/fantasy storyline too quickly and with almost nothing in the way of explanation. While I understood and shared some of that grievance, I also thought that it was perhaps not that overwhelmingly disappointing, and that it could make some sense from a narrative and logistic perspective. Little did I know, however, as the credits rolled on the third episode of the season, that that instalment was symptomatic of a much more dangerous problem that was just around the corner, which would butcher most of what people loved about this story that had been built up so slowly across years (i.e. its characters), at lightning speed, in the remaining episodes.

From a character perspective, at least the deaths in the battle of Winterfell were mostly well earned and actually wrapped up their characters’ arcs in a meaningful way. Jorah died protecting his Khaleesi. Theon died protecting the home he helped destroy, fulfilling his redemption. Lyanna died taking down a giant. Melisandre died after having fulfilled her purpose. Edd died to protect one of his best friends. Beric died to protect Arya so she could save humanity. While Jon and Dany were not the saviours of mankind, like everyone expected them to be, they were still instrumental in helping humans to victory; Jon having done all the work to bring together almost the entire continent to fight the threat and Dany providing valuable help with her dragons and armies. Underwhelming, perhaps, but it didn’t damage any character.

I never expected things to go smoothly afterwards. I enjoyed the political tensions between Jon, Dany and Sansa and was looking forward to seeing Dany become greyer as she struggled in a different continent and with competition. I knew Jaime was going to be in King’s Landing again at some point, to wrap up his storyline, and wouldn’t just shack up in bliss with Brienne for the entire rest of the season. I knew beloved characters would probably die (even though I had hopes for several, not just mine). But I did not expect that, from episode 4, the story would begin spiralling into a cruel, sadistic and nihilistic mess that would continue until the very end and spare almost no character that wasn’t named Stark. Nearly all the evolution, all the progress, all the journeys that people kept coming back for, year after year, were invalidated in the span of three episodes, bringing them back to square one, if not worse.

Jon, assassinating his aunt/lover, broken by the fight and taking a black for which we don’t even understand the need for anymore. Dany, her long journey to Westeros ending with being murdered by her nephew/lover for having gone from grey to Mad Queen in the space of two episodes. Jaime, apparently accepting that all these years have only taught him that his true self is a hateful man, obsessed only with his sister to the point of destroying anything that is good, pure and innocent and does not deserve to be caught up in their mess. Brienne, essentially ends up right back where she started, serving in a celibate order after learning that love is not not meant to last for women like her and failing to prevent the death of the man she loved (and having to write her rejection down, to add insult to injury). Cersei, trying to pass off Jaime’s child as someone else’s, her prophecy discarded completely and facing no comeuppance for her actions. Missandei, freed from chains to end up executed in chains. Sandor, dying in the fire that traumatized him his entire life. And even the ones who did not face bitter endings did not move much from where they either started or had been for a long time: Tyrion (who lost much of his charm and intelligence this season just to watch the world burn around him) and Davos ended up in the same sort of advisory position they were in all along.

The ending was advertised as a bittersweet, Lord of the Rings type ending, but there was a lot more bitterness than there was sweetness in this. Especially when it comes to romance. Rarely is life so cruel to couples, and the only sweetness was reserved for Sam and Gilly, who everyone knew had been safe for years and who, let’s face it, never elicited particularly strong emotional investment from anybody to qualify as a payoff.

Sansa came out perhaps the strongest in the end, which is well deserved. But this was not just the Sansa story. There were a dozen other plots and characters people cared about, and they almost all were served a fate that made you feel like there had been no point in their journeys all along. And for a show that wanted to subvert expectations (!!!1!1!), it ended ticking the most predictable boxes in terms of characters fates: all the bad guys are dead (and the one “good guy” that died broke bad in order to justify her assassination), all the redemptive characters are dead too, and only the good guys are left.

So here we are, at the end of the biggest show of all time, with an ending that retroactively ruined most of what made it so big in the first place and left little room for excitement, if any.

The sad thing is that all of this was easily avoidable. When people say that delivering an ending that satisfies everyone is impossible, that is very true, especially for a show with such high expectations. But delivering an ending that disappoints nearly everyone, is actually equally as hard, if not harder, and yet... they managed to achieve it.

Finishing a story is never easy, but I think the important thing to keep in mind is that what makes people stick with a series is the journey they are taken on (especially when they are asked to invest years of their lives into a story). If the journey starts to suck, that’s when you lose numbers. So if you have a good enough journey, with all the ups and downs and angst and drama you like, which makes people stick with it for years, you’ve accomplished 90% of the task. The ending is just the icing on the cake and it needs to provide a payoff that is consistent with that journey and does not make the audience feel like they never want to eat what’s underneath that icing ever again.

This does not mean handing out fanservice left and right. But there’s a difference between succumbing to fanservice and destroying literally everything that made people come back for more and that the story had been building up towards. There’s a difference between fanservice and delivering an ending that is unpredictable not because it emerged from a subtle thread woven within the story that was always present if only people paid attention, but because it came out of nowhere and/or had little to no buildup within the story, and/or went in the completely opposite direction to where the buildup was pointing towards.

I see some complaints about the criticism this season is receiving saying people are too emotional about it and therefore not being objective. And yes! Of course people get emotional about stories! What kind of writer doesn’t want people to become emotionally invested in their story, and just see it as a giant, sterile, plot-driven spectacle? This is why humans are attracted to stories in the first place! And this is particularly true of a story like ASOIAF which is entirely built upon the concept of character perspective. This is why, while slow, the first two episodes were still highly rated: they were character-driven. This is why, despite The Long Night being criticized for an underwhelming conclusion to the WWs storyline, it was not even remotely near the huge dealbreaker the last three episodes were for the audience. That is because The Long Night disappointed in wrapping up the plot, while the rest of the season crashed the characters. I feel like D&D’s never really understood how crucial character-driven perspective was (they didn’t even remember Sam was a major POV character!) and so wrote the show as a sterile, shocking, plot-driven spectacle that eventually made people sick due to the total lack of care with which the characters they know and love were handled.

And let’s stop pretend that misery and nihilism at all costs is “adult storytelling” while hope and a sense of fulfilment is for children. Adults need hope too, perhaps more than children, because we know just how tough life can be, whereas children often don’t. Dramas can be great tools to show how people face and overcome tragedies and conflict, find the silver linings and some comfort in the chaos, even if things ultimately don’t end the way they expected they would at the start. All Game of Thrones has shown us, in the end, is how people fail and how little changes. No matter how hard the journey, no matter the effort, no matter the loss, most of these beloved characters might as well never have set off on their journeys at all, given the results.

While this kind of storytelling can work and be compelling for a single season, or a single book, or a single movie, once you ask people to invest years of their lives, you will never land the ending with this last minute, bait-and-switch approach.

So who wants go back to the start, now, and rewatch the story of these characters once again, knowing most of them end back to square one? Who thinks that it was worth the journey, if we end up exactly where we started? I certainly don’t.

#game of thrones #game of thrones meta #review #this is the end

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