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pathofcomet · 4 years ago

Text

and it’s just around the corner

fandom: stardew valley

pairing: sebastian/player (female)

summary: She’s a fool – she tries to tell herself. There’s nothing she can offer Sebastian that would make him stay in this village he so obviously loathes. She’s just dumb enough to have fallen for the man she cannot even bring herself to ask to love her back.

rating: explicit // word count: 25k // AO3

She cannot remember the farm per say, just the proof that she’s been there once: a dusty, yellowed photo of herself, smiling in a pink sundress under the shade of a gigantic oak, 4 years old and beaming. She can vaguely bring back the savour of cranberry jam on her tongue, the authentic, slightly sour taste that only meant home-made. She thinks they had a gray cat, and she can feel the smell of gasoline in her nose, from the long car ride there as a child. That’s all she remembers about her grandparents’ old farm; and anything of that lifestyle is completely lost upon her, or her memories of her grandpa. They haven’t been crazily close either: she was busy pursuing her education too far away to allow proper visits, and the phone signal failed the old man too much to allow even constant communication. When he died, they buried him in the city, next to his wife, and everything about the way he lived his life became hazy and forgotten in the lives of the living.

Which is probably why it is so hard to comprehend what she’s reading now, in her cubicle at work, defeated under her 16th time this month of overwork. Her grandpa was known for being eccentric, which is why she expected to see a card with hey, we all die in the end! or something written on it, and not the dreams of her childhood offered on a plate to her. She stares at the paper, reads and rereads it for 7 times before she’s convinced it’s actually real.

She’s touched at the care in his words, at the oozing affection on that piece of paper. It’s something that she didn’t know she was missing until now. A care sent across generations, to reach her – and when she feels like she needs it most. She doesn’t know if she should scream or cry or laugh.

She looks around: there are only a couple of other workers left in the office at the moment, in the late hours of the night. There’s delivery food all across the others’ empty desks, and a few of the girls switched their shoes, from heels to sneakers. And yet, as she stops, the clanking on the keyboard never ends around her, and the neon light remain buzzing above her, the static noise of her real life nightmare. The sigh coming from a co-worker several seats away is deafening in her ears. As she’s writing her resignation letter, for her boss to find on his desk at the first hour in the morning, she can’t help but notice how her vision shakes, how she can’t quite straighten her back under the pain of hours and hours of being hunched at a desk.

It’s not even the irony of it all, dying in a storm of unfair overworking while those above her wallow in money, that upsets her more. But rather, the way in which she cannot have any satisfaction out of it anymore. As a graduate, she thought she’d find happiness in a corporate job that pays well, but now the comfort of money means nothing when she doesn’t have the time to even spend it, and she can’t even recall what her hobbies are, let alone when’s the last time she did anything else but work, do house chores and sleep.

She cannot recall the last time she met up with some friends, visited new places or ordered online something else but a new pair of heels or a new shirt for work. Gods, now that she hit the brake on her wreck of a life, she can’t stop noticing how pathetic she’s been.

Her hands tremble as she signs the paper, as she tosses her meagre office belongings into her bag, as she pushes the elevator button. She’s already overthinking the decision, but it’s already made and she can only worry about what’s to be done next now. She’s 100% sure she’s not made for this, she has zero knowledge of how to take care of a farm and she still screams when she sees a spider in her apartment. But she’s tired, there’s a tiredness that never seems to let loose, and no matter how much she sleeps on Sundays, she wakes up feeling like she has her hands and feet tied. Even if to only rest for a while, and the whole ordeal would still have been worth it.

Sleep doesn’t come easily to her that night. She reads the letter over and over again, she measures the weight of the keys in her palms, she tries to put puzzle pieces together, from old photos she brings up from hidden boxes. Nothing tells her she made the right decision, though in her old photos, everyone looks so happy while on the farm. Maybe she didn’t even truly get to the end of her patience, just a bad day, maybe she still could have taken it for a while. After all, it’s not like she had that bad of a life. But then, it’s not like it was that good either. And once she started thinking of it, the idea of change became hauntingly tempting. The potential in this new place is infinite, and so, so terrifying.

But a change nonetheless.

She spends the next couple of weeks in a frenzy: selling most of her belongings, keeping only the strictly necessary. She keeps the pictures, of course. A few books, only those that she read during university and she felt like they changed her life, though she hasn’t revisited those stories since. Maybe she’ll finally have the time to, now. She sells or donates all her office clothes, expensive shirts and bags – all gone, because they remind her of some kind of work she never wants to do again in her life.

When she stops to count what’s left, looking at her near-empty apartment, two suitcases and a backpack put aside, she’s overwhelmed at how pointlessly she lived her life up until this point. She has nothing to show for all the efforts she’s made, and she can feel the skin all over her body itch with the realisation, itch for something else to do.

She doesn’t look back, as she’s returning the keys of her rented apartment. She has been paying expensively for the chance to live on her own in the big city, and there’s nothing but bitterness towards that idea anyway. She waits in the bus station with music playing at the highest volume, drowning out an incoming panic attack – as she’s struggling to count up to 10, reassure herself that she’s a grown fucking adult and that she can do something as easy as just moving someplace new.

Still, the scenarios roll in her mind, unperturbed, and she almost throws up thrice before she reaches her destination – and then she almost throws up again, as she’s watching the bus pull away, leaving her alone in the middle of nowhere. The sun is bright, but too bright and her clothes are sticking to her skin, even if it’s barely early spring, and the air is fresh. A fairy-tale start to her new adventure, and yet she feels like crying right then and there, a fain headache booming at her temples from all the anxiety she had to push away.

She’s already exhausted and it’s barely noon. She starts pulling at her suitcases, though the road makes it a tricky and tiring job. Then, just as she’s ready to take her first break, a hand grabs the handle, and she stares up in the face of a kindly looking old man.

Mayor Lewis; she still remembers the face, as he is the kind of person who probably always looked the same. They’ve last seen each other at her grandfather’s funeral, so there’s a bit of awkwardness hanging between the two of them, as she’s allowing him to help her with her luggage.

A redheaded woman is waiting for them in her truck, a bit of a distance away, and she helps them with her stuff. It’s easy to make conversation when friendly people are pushing it forward, and they seem way too enthusiastic about her presence. They don’t even comment about her sneakers, totally unfit for most of the roads in the town, or her outfit, that would rip or get dirty the second she’d encounter a field.

She already has a room prepared at Lewis’ place, there’s no way her old house can offer her proper living conditions just yet. That’s not a jab directed at her, rather at the passing of time and the overgrown state of her courtyard. But there’s nothing mean behind their comments, and they’re even offering all the help they can.

She’s trying to come up with a list of things that she might need, but Robin is already writing one of her own.

“She’s our architect,” Lewis whispers, winking at her in secrecy.

It’s weird and scary and she doesn’t know how to feel about it. Back in the city, she could have crumbled on the sidewalk and nobody would have cared. Here, it seems everyone jumps at the chance to do just that, help and care, and she’s terrified out of her skin. Her thanks are muffled by the weird knot in her throat. When balancing things out in her head, there’s nothing she can give them in equal measures.

The key in her hand feels foreign, but yet it’s that thing that grounds her to the moment, doesn’t let her slip away in that part of her brain that makes her forget things even happened. The house is, of course, a disaster, though someone had the good thinking of covering the furniture. The place is small, and it needs a good dusting, maybe even a new coat of paint. Robin, by her side, is still doing her job.

“Is there anything you want in particular?”

“No, not really. I don’t think so?”

She’s lost and overwhelmed. She’d like to just sit somewhere and start unpacking, maybe go and switch all of her things again actually, because there’s no way she can fit in with these people. But Lewis’ arm is around her shoulder, urging her back the way they came, promising her his special vegetable mix and green tea.

Once finally out of his sight, and comfortably settled in his extra bedroom, she squeezes a pillow close to her chest, hiding her face in it, and starts crying. She sobs – for the grandparents she didn’t properly appreciate while alive, that still left her with so much. For the chance that not many have to switch things around. For the state in which the farm is, and the immense effort she’ll have to put in building it back together. For the pain in her arms, the burn so unfamiliar that it must be only the sign of something new. She’s overwhelmed and scared, and hours pass before she finally falls asleep,

The next morning, she refuses even the breakfast, and immediately heads towards her place, luggage in tow. Mayor Lewis promised he’ll solve the problem of electricity and water running back to the place, so at least she can forget the administrative part.

She greets everyone she passes by, because otherwise the staring just gets too unbearable, and though they’re curious, they also remain polite too. But her courtyard and house are truly disastrous. She’s glad it’s still so early in the year, so the weeds didn’t grow yet on the path towards her door, so at least she can focus on dusting off the room, polishing the floor. She unpacks with nostalgic music blasting from her phone: plates in one drawer, her clothes in the other two. She builds herself a nightstand out of all the books she brought with her, and she washes the curtains by hand, letting them dry out in the sun.

She goes to the town for bedsheets and even more cleaning products, buys a basil plant for the windowsill. The place is small, smaller even than her city apartment, and she has nothing of her own to properly decorate it with, give it a specific charm, so she allows herself to get lost between the small isles of the store, and pick whatever piques her fancy. But this is fine, she thinks. This is, after all, the true definition of a new start.

She watches the sun set from her porch – she thinks she’d like an armchair for the place, it’d make a lovely reading pace if it’s not rainy, and there’s a soft lull from the TV inside, where the weather prognosis for the next day rattles on.

She finds grandpa’s old gardening books, and she starts reading them. She cleans up a small portion of the land, plants some seeds she picked based on Pierre’s recommendations. Gathers wood from the end of the forest that runs almost up to her house, practices splitting it in smaller branches, that she can carry and gather in the small tool shed, for the winter.

During the first night that it rains, she opens her door to a stray, lost dog. She hugs him close to her all through the night, as he whimpers and warms up – and in the morning she names him Max, and buys him dog food and a colourful bowl. She stops feeling so alone, so lost, a purpose forming, even though she can’t quite name it.

When too many days pass with her cooped only at her place, letters and requests for visits start pouring in her mailbox. Sometimes mayor Lewis comes pick her himself, walking around the town with her, stopping to present her to any villager they encounter. She feels like a circus freak being paraded around like this, but she smiles, wonders if Max is getting bored at home or if she could walk through the forest in search of some fruits.

***

Then, when the weather prognosis tells of many sunny days in a row, Robin shows up at her doorsteps, can of paint in one hand, brushes in the other – and her son behind her, to help her out.

She watches him, fiddling on the spot, looking like he certainly doesn’t want to be here and she smiles. Well, that’s at least a feeling that she can relate to, even when in her bed after a tiring day, she still sometimes yearns for everything that this place is not. Max helps. In this case as well, as he runs to the door and immediately jumps on him.

“Max, no!” she chides, though he settles calmly on panting up at the man for pats. Luckily, he hasn’t slammed him to the ground, as he tends to do with her, but that’s still no proper way of greeting strangers. “I’m so sorry…”

“Sebastian,” he says. “There’s no problem, really.” He’s scratching the dog between his ears, absentmindedly looking in through the door, at the small place she now calls home. There’s nothing much in there, but she finds herself growing protective over it anyway, at his gaze.

Max, the traitor, is now cuddled down at his feet. From the side, Robin laughs.

Her and Sebastian move the furniture, as Robin tapes newspaper on the wooden floor. She prepares fresh lemonade for her visitors and helpers before they start painting, and she takes a short break just to water her crops. They do the work in silence, mostly, just her phone turned on to fill up the space – and without mayor Lewis’ fast mouth, she isn’t certain what she could possibly talk about. From time to time, Robin asks Sebastian something – regarding his sister, or some things she asked him about before, which sounds a lot like nagging so she prefers to stay out of it.

She thanks them many, many times before they leave for the day. Especially since it was the weekend, and she’s sure they just threw away a perfectly free day on helping her put together her house. She just feels more and more indebted towards all these people. Even if Sebastian didn’t look her way even once.

***

She starts going to the local library, borrowing books and learning more and more things about the farm. She accepts the quests from the bulletin board, and in exchange she asks for fishing tips or some town history. She starts taking evening walks, with Max, picking up acorns. She gets stronger and better at all the farm work. She places various orders, starting to gather syrup from the trees near her house – and one lazy day, she makes jam, that she then sells.

She starts counting the money, making plans for the farm. She buys two chickens, and the one day when no one in the town sees her, it is because she struggled all the time to build a fence so that they won’t step all over crops and no fox would reach them during the night.

***

Everyone is friendly, showing up at her door with gifts for her new move: a handmade mug from Leah, a beautiful seashell from Elliot, an actual functional first aid kit from Harvey. She suspects the mayor’s doing behind all these kindness acts, and yet it’s with a reverent kind of gestures that she finds a place for all of them in her small house. She starts adding some kind of adjectives to this cast of characters that enter her life.

But with Sebastian, something’s different. She doesn’t know what makes her notice him again; that something that made him stand out from the mass of people she met in the past few weeks. Maybe it’s not even just one single thing, but a mix: like how he is the son of the kindest lady, paler than the farmers or football players, how he doesn’t want to stand out at all, how she has to go out of her way to find him, instead of the other way around.

Most of all, it’s the desperation she can feel off of him. There’s a force in him that cannot make peace with how things are for him at the moment – and it’s the familiarity of it that pulls her in, lets her gaze linger on him for a bit longer, makes her ask about him while smiling in the most innocent way, sipping tea in Robin’s office.

***

They’re not that different; she’s easy to fit in the village life, mostly because she’s so pliable for others, knowing the memory of her grandpa is attached to her as well. She sometimes feels like the older residents of the town look through her, instead of directly at her, and see the ghost of someone else they used to know. And the days pass, things fall together, and yet in her chest, there’s a clock ticking away, counting down the time spent here, because if she was looking for something like belonging, it seems this town buried it away with her grandpa, and things don’t seem that different from how they used to be. She just has dirtier nails now, and some decaying make-up skills.

So she never visits without a purpose, doesn’t get too friendly with most of them. She spends days in a row on her farm, ploughing the land, watering the plants, feeding the animals. Task upon task, she goes through all of them, grateful for how it’s silencing her mind, giving her the time and space to breathe. If she finishes early, she likes to go fishing, the breeze nice against her sun-warmed face, especially as the dusk approaches.

It’s the simplicity of life that lulls her into wanting something more, eventually, tentatively. She visits Robin, as she’s closing the store, so they can share some fresh-picked fruits while watching the sun set. She meets up with the mayor for chess during Sundays, stories of two best friends half a century ago embedded in every sigh, and she wins every time and that’s how she knows he just lets her. When she passes by to drop something for the museum, she spends the remaining afternoon in the library, browsing the collection, reading for the children fresh out of classes that ask her to do so.

But if anyone in Pelican Town would be asked, they wouldn’t be able to tell people that much about their newest villager. In truth, even for those closest to her, there’s an aura of mystery: whatever her life was before, she doesn’t go into details. Whatever and for however long she might remain in their lives, she doesn’t say.

To Sebastian, that’s what makes it easy. He doesn’t expect her to tell him anything, since she’s not pressing her curiosities either. Probably why she opens so willingly, why she creates a routine around his. She always stops at the edge of the river, where she knows she’ll find him in the evenings. They never talk for long, or of important things – but she thinks, the magic is in staring together at the same scenery, feeling much of the same things. After the third time, she asks for a cigarette from him, and she winks at him when he looks just a tiny bit surprised.

This is how it begins. The rest she almost doesn’t even notice.

***

She remembers the Egg festival; she’s sure she took part in one of the hunts back when she was little, though the details are foggy in her mind. She doesn’t remember any of the villagers, but she’s been a very shy child, and not even the promise of bunny chocolates was enough to persuade her back then.

Still, she worked for so long in a corporation, at this point the spirit of competition is embedded into her. She wakes up early, and she wears one of her dresses from before, even if she has to match it with grandpa’s old jeans jacket. She even puts on make-up, manages to water her plants as well before she’s walking towards the town.

She officially meets Maru and Demetrius, as they’ve been so busy during her past visits. Marnie clasps her in-between her arms, exclaims how pretty she is when not trying to imitate her house’s looks, and loudly kisses both her cheeks. Gus waves at her, and keeps presenting various plates to her, and by the time she can excuse herself, she’s glad she hasn’t eaten any breakfast. Jas and Vincent come at her yelling tag! and she spends the next half an hour running around, followed by the sometimes annoyed, sometimes happy smiles of the other villagers.

She buys strawberry seeds, more on a whim, because she was craving for some, and gets herself a cute bunny plush, since she’d had trouble sleeping, and she’s sure Max would appreciate her hugging a non-living thing more. She feels like she fits more, now, that she’s surrounded by everyone else, and she realizes that she knows them all, that they know her back – and there’s no outright hostility.

She greets Sebastian, and meets his friends. She compliments Abigail’s hair, Sam compliments her instead. He’s friendly and outgoing, compared to the other two in his group, but she notices Sebastian’s fleeting smile at the toy in her arms, so she straightens her back even more.

As soon as mayor Lewis starts his announcement, Abigail immediately seems more excited, especially since she is presented as the winner for the past decade. However, by the time the day ends, Pelican Town has a new Egg Hunt winner.

The straw hat doesn’t fit her outfit, and it’s not quite yet a necessary accessory, but she’s beaming at every villager that comes to congratulate her, even if she’s already so old and she shouldn’t be so happy about beating a few 10 year olds. Even Abigail is a good sports and promises she will beat her next year.

Next year – she wonders if she’ll even be around for that long. Her saved-up money is slowly trickling down, as she keeps buying things that she needs, and she has no idea yet how much profit she’ll be able to make at harvest time. She feels better knowing her doubts don’t show to others.

She walks part of her way home with Robin and her family. Maru is happily telling her something about her research, though it goes over her head and she doesn’t understand much of what’s going on. Demetrius and Robin walk several steps ahead, arms linked, and it’s a sweet sight to see, that they can be so close even after so many years.

Then, before she takes her turn to her farm, after everyone else said their goodbyes, Sebastian looks up at her.

“It suits you,” he says, so low she almost misses it, nodding his head at her hat. She blushes under the street lamp, but he’s already turned his back on her and he can’t see, so she can go on her own way and pretend it never happened.

***

She starts going to the mines, even if everyone tells her she better not. But she needs better tools, more resources and something to do on rainy days, so she goes anyway. She comes out late into the night, dirtier than she’s ever been, spider cobwebs stuck in her hair, but her backpack heavy.

The next morning, she struggles packing some presents for Robin and Lewis, for all the help they’ve showered her in ever since she moved. She doesn’t have much to offer, some syrup and a jar of jam, a few eggs. But as she’s going into town, there are three presents that she’s carefully carrying around in her bag.

She stops by Lewis first, sits on his stairs with a steaming mug of coffee between her hands, as he waters his small garden – and they chat about the weather, the fishing days that Lewis has programmed, their favourite Stardrop meal. The days get warmer and warmer, as they’re slowly rolling towards summer, and she’s feeling peaceful, listening to the mayor’s chatter, his grunts as he digs around, his yelling when she offers to help him around.

She drops by Clint to let him examine some of the stuff she found underground, and by the time she reaches Robin’s place, the older woman is taking her lunch break. She’s exclaiming happily at the gift, and invites her to stay for lunch. She helps her with the plates, and while Robin goes to gather the rest of her family, she sends her to get Sebastian.

She has to breathe deep, count to 10, before she has the courage to knock at his door. There’s the sound of something tumbling to the floor, and she winces; more shuffling, and the door finally opens to reveal a somewhat sleepy looking Sebastian. It looks like he hasn’t brushed his hair yet, as it sticks out in odd directions, and in his own space, he’s wearing some old, washed-out t-shirt that is several sizes too large, and sweats. She stares at him, entirely endeared, but also deeply aware that there’s a line she has just crossed by seeing him like this – and she’s not sure she was allowed to.

“Hi,” she says, at the same time he says “Shit”, closing the door on her. She opens and closes her mouth several times, trying to come up with a proper way to reach to this, but her mind coming up blank.

Eventually, she lamely says “Robin said lunch’s ready,” before she leaves for the kitchen again. Demetrius is already seated at the table, looking up at his wife like she hung up the sun on the sky. Maru refuses to show up, as she’s too invested in her research, but there’s the slam of a door from downstairs, and Sebastian eventually shows up, just as his step-father takes his first bite from his plate of spaghetti. Their guest has not yet picked up her fork.

Sebastian is now wearing actual jeans, and his hair looks a bit more tamed. He sits next to her, and the four of them eat in relative silence, though she’s obsessively thinking of her knee, against Sebastian’s, under the table and she wants to fucking swear at herself, for acting like a fucking cowardly high-schooler.

“So, why did you move to Pelican Town?” Demetrius asks her, in the end. She notices him wincing immediately after the dull thud from under the table, and she imagines that was Robin kicking him from asking a question that no one had dared poise to her until now.

She finishes chewing the food in her mouth, swallowing a bit more painful.

“I needed a change,” she says eventually, entirely too vague.

“From? You should tell Sebastian about your city experience, because he’s obsessed with leaving the town.”

There’s a disapproving tone in his voice that makes her wince, but her head snaps up at Sebastian, who looks both entirely annoyed and disappointed. She’d like to press her finger to the frown now so obvious on his forehead.

“Really?” she mumbles lamely instead. Sebastian’s now looking at her, and although across the table his parents are bickering with each other in low whispers, he doesn’t break the eye contact. He just nods at her question, grabs another bite of food – the words won’t make it any better.

She always thought that the people in this town are happy to live here, heck even she’s trying to understand the charm of the place and why her grandpa never left it. She always thought that if there is someone to leave it, that’d be her, in an example of another of her life’s failures. But here’s Sebastian, burning with a yearning for a city just as hers to leave it was.

He takes her back home, assuring her that his lunch break is long enough to allow him to do that. They’re walking side by side in companionable silence. Sebastian, unlike his father, doesn’t ask her anything, so when they reach her property, she hands him her last package.

“Can I?” he asks, a hand already tugging at the ribbon, and she smiles at him. Inside, there’s an assortment of minerals: quartz, obsidians. She’s found them during her time in the mines, and the only thing she somewhat remembers from her dialogue with Maru is that her brother loves this stuff.

“What’s this for?” he says, voice a little chocked, laughing at the end, embarrassed and overwhelmed.

“Thanks for that day,” she says. Then, more unsure… “And good luck for the future?”

“Yeah. Thanks.”

She’s already turned around on her feet, a hand up in the air in goodbye.

The next morning, even if Sebastian never eats breakfast, he makes toast and eats it with strawberry jam, from a jar cutely decorated in stickers, where in cursive, their newest villager wrote for Robin and family <3.

***

She goes to JojaMart to buy an electric kettle; she can’t quite yet afford to get her kitchen built in, so she’s been eating at the Stardrop Saloon or lived on oatmeal and salads. But the mornings are dreadful with instant coffee and cold tap water, so she’s finally investing in something to make her life a bit better. This lifestyle reminds her of being a student in the dorms, and it’s not something she thought she’ll ever return to.

Sam looks around for his managers, and when there’s none around, he stops next to her and they chat by the vegetable stall. She’s frowning at the price, way higher than what they can find in the town and what she sells her own products for.

“Capitalism,” Sam says brightly, tugging at his employee lanyard, and she laughs at him.

“Oh, trust me, I know all about that.”

He wiggles his eyebrows at her, which makes her snort. Shane, his co-worker, turns to stare at them, but he’s not telling them on, so she moves one step closer to him.

“I’ve worked in customer care for Joja Corporation.”

Sam mimics throwing up, turning serious again only when she’s elbowing his side. She’s painfully aware of all the cameras in the store, after all this time away from anything of the sorts.

“But for real, you’re way better in Pelican Town,” he says, even if she’s not yet quite convinced.

But he doesn’t continue pressing the matter. Instead, Sam invites her the next Friday for an evening at the Saloon, where him, Sebastian and Abigail are supposed to play live a few of their songs. She clasps her hands together, and agrees immediately. She used to love this kind of thing: but it’s been so long since she allowed herself to take an evening off, both in her life back in the city, and the life here.

***

She’s already a regular, so Emily nowadays greets her with a hug. Though this time she whistles suggestively at her outfit. Since it’s supposed to be a more special night, she chose a low cut blouse to go with skinny jeans, and she’s no more a formless body buried under work clothes. The only make-up is a very dark lipstick. Her… friends, she supposes, are already on the side, tuning their instruments. Sam grins at her, waving her at the table Gus saved up for them, where he ordered pizza for everyone.

They’re not playing for a long time, maybe half an hour, but by the end, everyone is loudly clapping at their performance. She’s the only one whooping, and Sam is loudly laughing at her embarrassed grin afterwards, runs to fall into her waiting arms and twirls her around in the air, feet not touching the floor.

“Who knew our biggest fan would be you?” he says, helping her pat her hair pack into place.

“I did. I mean, your band has Abigail.”

The girl in questions frowns a bit at her, suspicious that it’s less of a compliment than she tried to make it, turns on her feet as she moves to the music box, tosses a coin in and picks a song. It takes a few seconds for her choice to start loudly booming in the saloon, but as soon as she does, she moves to grab at Sebastian’s arm, dragging him to the dancefloor, though he looks like he’s a lamb taken to sacrifice.

Sam laughs at the two of them, then turns back to his new friend.

“Do you think these two will ever hook up?”

She chokes on the slice of pizza that she’s eating, punching at her chest so she can breathe again. Someone slides in the chair next to her to the table, a hand slapping her hard on the back until she can breathe properly again. Then, frowning, she turns towards the newcomer, because she can’t bear looking at Sebastian and Abigail, together, dancing. She doesn’t think she can look at them without imagining them doing exactly what Sam asked her about, and it’s a shaming thought that she burns down. Shane, the one sitting next to her now, has already picked a slice of his own from their order, and nodded in greetings at Sam.

Sam leaves to talk with Penny, spending enough time as it is in Shane’s company, so Shane moves even closer to her, so he can be heard over the loud music. He’s a bit of an asshole, as he’s looking nowhere else but at her cleavage and the skin she’s showing with her choice of clothes. He’s not even trying to hide it, licking his lips, speaking without even trying to lift his eyes.

“Didn’t know the sunshine and the emo buy are hiding such a beauty between themselves,” he says, snaking an arm around her waist, shoving the second pint of beer he arrived with in her direction. He already smells like the stuff though, which means he’s at least tipsy, if not outright drunk yet. There’s offense in the way he said those nicknames, horrible on their own as well, but she’s sitting between the wall and his body and he’s a man showing interest in her, clearly going out of his way to make it obvious.

She takes several big gulps from her beer, and then turns towards him, smiling. He can’t tell it is strained.

“Well, I’m here now,” she says, and the hand around her squeezes in response. She lets him talk, mostly shit about the town, then shit about himself, and she keeps drinking and drinking, glass after glass of alcohol, because then at least she doesn’t have to reply. In the dark, they must look pretty cosy to the others, because no one else returns to the table – and by the time she remembers she is supposed to have friends around, and looks around for them, her vision is unfocused and she can’t make out the shapes and figures all around.

But she can notice the slightly grown stubble on Shane, how he’s now so, so close to her, his lips brushing against her ear each time he tells her something. She feels like she’s about to suffocate. But he tells her about how beautiful she is, how hard he makes her – and he guides her hand to his pants, where she indeed can feel her effect, and it’s a surge of pleasure and power. She squeezes him through his pants, and he groans in her ear. Her nipples perk up. And then his lips move closer, to her neck, where his tongue is lapping at her skin, sucking against the space. She feels hot all over, in a way that she doesn’t know if she likes or not. His other hand is now fondling with her breasts through her blouse, and she gasps – which only makes him to go at it harder. His mouth finds her, his tongue moving against hers immediately. She’s lost in time, doesn’t know for how long he does it – her body becoming lighter and lighter with each swipe of his saliva against her lips.

Then, a cough from behind Shane. She snaps out of her daze, looks up. Makes eye contact with Sebastian, which feels as effective as a cold shower to her fogged mind. She yanks Shane’s hands off her, but he’s unbothered, turns to look at Sebastian with something like disgust and boredom.

“Can we help you?” Shane says. She hates how the word we sounds from his mouth.

Sebastian doesn’t bother to even look at the drunk guy, instead addressing her only.

“Do you want to go home? The others left already, but it’s getting pretty late…” He stops to stare at Shane, and she wordlessly nods at him. He starts moving instantly, shoving Shane away so he can grab her wrist and help her out of her chair. She needs a few seconds to stabilize herself on her feet, stop the dizzying headache that hit her at the sudden movement.

“Come on, man, what do you think you’re doing?” Shane asks, though he also has troubles standing on his own feet. He makes do with leaning against the table, doing his best to look as menacing as possible.

In his arms, she shudders at the sound of his voice, clutches her fingers around Sebastian’s leather jacket. He doesn’t move away, but he doesn’t want to touch her either, so he just stands still.

“She’s coming with me,” is all he says, and when he starts towards the door, she follows silently. He offers her jacket, which he picked up earlier, before checking on her, and she hangs her head even lower in shame. The cold, outside air is quickly sobering her up, and she really can’t believe she lost herself, just as if she were a college freshman. She burns with embarrassment.

Once out, Sebastian moves a bit away from her, offering her space, though he always extends an arm in her direction when she stumbles on both existent and imaginary obstacles. The silence now is excruciating.

“Say something,” she croaks, her throat hurting from all the alcohol.

“Are you okay?”

His voice is soft, and he stops, looks at her for the first time since the start of all this situation. She knows she probably looks like a mess, lipstick smeared all around her mouth, clothes hanging awkwardly, but his eyes just search hers. She suddenly feels like crying. He must see it too, because he’s moving closer to her.

“Can I-” he tries, sighs, moves a hand through his hair in frustration. “Can I touch you?”

She nods, but he doesn’t move.

“I’ll need verbal confirmation.”

“Yes.”

She’s outright staring at him now, as he makes his way to her, cups her face in between his hands. His fingers are cold against her flushed skin, but it grounds her to the moment. Sebastian’s eyes are moving now, across her face: stop at her jaw, her neck, where Shane sucked painful love bites against her skin, visible even only in the light coming from the street lamps. He hesitates before moving his gaze downwards, where similar marks were left by his fingers against her tits. She feels like used goods, even if there is no judgement from Sebastian.

“Did you want that?” he asks again, sounding deadly serious, so she’s trying to think equally as seriously about his question. It’s hard, her thoughts all jumbled up, a soft kind of edge to everything going on in her head.

“I don’t know,” she answers finally, her head pressing more firmly against his palm. Sebastian’s thumbs are now moving softly against her jaw, and she wants to purr, just like a cat, maybe hang on to him for more of his warmth.

“God,” he says, and it sounds like a swearword. He unglues himself from her, extends an arm that she gracefully takes as they continue on the road to her house. He doesn’t say anything more until they arrive on her porch, though he looks like he’s thinking very hard. She’d like to press her finger to the frown on his forehead.

Max is happily snoring on the warm ground, and she lets go of Sebastian to run the short distance to her dog. She goes on her knees, grabs Max’s head in her hands and coos at him like she would to a baby, talks lovesick nonsense to the dog, pats him all over.

Her voice sounds fucking cute, Sebastian thinks, but instead he fishes something from the pockets of his jacket, bends down so he can press it in her palms. She immediately turns to look at him, eyes big and questioning.

“Take those in the morning, okay? You’ll need them,” is all he says, raising a hand and waving it in a goodbye.

***

Sebastian is right. She wakes two hours later, empties all the contents of her stomach, tears burning at her eyes, and when she wakes again, she thanks all the gods that outside it is raining, because she only gets up to get a glass of water and swallow the pills. Her head is killing her, and her heart aches in embarrassment at the way she acted. She hangs between screaming out in frustration at her own self and complaining about being hangover the whole day, hating herself so, so very much.

She still shoots Sebastian a text, thanking him for taking care of her, in so many ways, the night before. He leaves her on read.

For the next week, she busies herself with work on the farm. She makes another batch of jam jars, which she sends to Lewis for selling. She plants a new tree sapling, harvests strawberries, even builds an ugly-looking scarecrow out of an old broom. She cuts down wood, saves up stacks of it for when she’ll eventually afford Robin’s services. She goes in the mines, once or twice.

Then one of Lewis’ invitations is waiting in her mailbox, for another festival. Spring is coming to an end, already a sweeter, warmer breeze in the air, so the whole town is to celebrate the exact thing.

***

But Pelican Town is a small place, and so it never forgets gossip too easily. On that evening, enough pairs of eyes saw her fumbling in the dark with Shane, and so enough pairs of eyes are now watching her suspiciously as she greets the mayor. She’s wearing some city dress again, though more modest, and ribbons in her hair. She’s forcing herself to smile at everyone she encounters, trying not to seem so affected by the outright cold shoulder.

Sam still greets her, though, grabbing her in his arms.

“Oh, handsome!” she says, and laughs when he’s looking around, to check if anyone else heard her. But he is wearing a suit, his hair is gelled down and he smells like his mother. His eyes are searching hers though, and she thinks Sebastian might have said something to his friend. But thankfully Sam mentions nothing.

She looks behind him, at Sebastian, dressed in a costume as well. Her heart starts beating faster in her chest; his hair is pushed back, and his forehead is now uncovered. He sits relaxed, his hands in his pockets, like he doesn’t really want to be there and she hasn’t seen someone look that heartbreakingly gorgeous.

“You too,” she says. Sebastian raises an eyebrow at her. “Look good, I mean,” she clarifies, and she clears her throat before the awkwardness chokes her.

It’s a big understatement, but it’s the best she can do right now. There’s a small smile that she gets in reply. On the other side of the field, by Robin’s side, Abigail, Penny and Maru look absolutely stunning in their festival dresses, with the flower crowns on top of their heads. They’re laughing at one of Abigail’s stories, and they’re just beautiful and young and entirely enrapturing. She wonders if she didn’t fuck it up so badly earlier, she would have been invited to be one of them.

This time around, there’s not as much mingling with the people as earlier in the season; people are a bit warier, though she supposes she deserves it. She’s busy setting down a mat under a blossoming tree, preparing some kind of picnic and viewing spot at the same time.

“You look beautiful,” she hears from behind her, and she turns around to find Shane. A bit behind him, Marnie is engaged in a conversation with the mayor, and by his side, there’s Jas, who immediately shoves her sandals away so she can step on her mat and sit next to her.

She offers her tea and strawberries, places her own hat on top of the child’s head to protect her from the sun, who squeals in delight that she can show off the winning prize of the egg hunt. Then, she turns back to Shane:

“Is she your daughter?”

“Gods, no. She’s my goddaughter.”

She sighs, relieved a bit. In the morning, Shane looks just scruffy, some kind of sober, but his face is still red and puffy, sign of alcoholism. She knows Jas lives with him and Marnie, and it can’t be a good environment for a child, but she’s heard the rumours that he’s not that much at home anyway. She’s worrying for the young girl, but she also trusts Marnie to handle the subject, not really her place to say anything anyway.

Shane moves closer, his hand grabbing the end of the scarf she’s wearing around her neck, tugging so it comes undone between his fingers. She gasps, palm gluing to the skin there, reaching out for him.

“Give it back,” she all but growls it out, eyes frantically looking around, hoping no one is actually looking their way, since everyone is focused on preparing for the dance.

“I did that, right?” he asks, finally stopping, and she takes back her scarf, hangs her head low, so that her hair can cover her movement, as she ties it back in place.

“Yes, you fucking asshole,” she spits, but doesn’t move away from him.

“I was honest, you know. About you looking beautiful. Then and now too.”

“Thank you,” she says, and stays in place even as Shane gets closer to her. He’s also dressed up, wearing an actual shirt and everything, his jaw freshly shaven. He even looks somewhat attractive, and just like last time, she’s grateful for the attention. Back in Zuzu City, no one bothers with any kind of dating, no one bothers to notice someone else at all – no sweet lies, no prelude, just a dick and a cunt. So this feels new and flattering at the same time.

She sits down on her mat, reluctantly serves Shane too with some of her freshly picked strawberries. Jas moved over to Vincent and Jodi, her hands carefully holding on to the hat that’s still a bit too big for her, so it’s only the two of them in this corner. The music can’t start soon enough, because she can feel stray eyes looking to them.

The dance starts, and she watches, transfixed as the pairs walk towards each other, meeting in the middle in an embrace. Almost immediately the dresses flutter in the air, twirling. There’s an admiring exclamation from somewhere in the crowd, Jas happily clapping along to the rhythm. She looks at Sam, all but drinking up Penny’s laughing face. She looks at Abigail, tightly holding on to Sebastian’s shoulders. She looks at her friends dancing with the girls they have a crush on, and something in her chest rips apart.

“Hey,” Shane says. “Wanna get out of here?”

She nods wordlessly, and he takes her hand. No one looks at them, as they discreetly make their way behind everyone else. Once out the field, Shane breaks into a run through the woods. They stop in a clearing, both breathing hard from their run, and Shane grins at her, before straightening his back, walking purposefully her way and deciding to kiss her. It’s hard and rough, much like he’s been handling her until now too, but she still moans.

His hands are already moving at pulling his belt apart, and he takes her hands and moves them towards his dick.

“Come on, play with it,” he whispers breathlessly, as he’s pulling apart her scarf for a second time today, mouth finding the tender skin, reinforcing the fading marks. She’s feeling needy herself, she’d like him to shove down her panties and eat her out, but she makes do with moving her legs one against the other, seeking some kind of friction, as her hands are moving from his tip towards his balls, slower at the beginning, and faster once he starts grunting in her ear, pumping into her hands.

Then, he grabs at her hair, and she has to bite her tongue to stop from yelping.

“On your knees,” he says, already pushing his weight on her shoulders, and more or less willingly, she gets to the ground. The uneven dirt hurts her skin, and yet she has to ignore it, because Shane is already guiding his dick with his hands towards her lips. She forces herself to open her mouth, hopes he’ll better get down to do the same thing for her.

Her mouth is warm, and she’s fucking good at what she’s doing, sucking hard and taking him all in, like a good bitch, even if tears are forming at the corner of her eyes and her throat is burning. He pulls out, just to slam, hard, back inside her wet, welcoming hole – and in just three shoves, he comes undone, half coming in her mouth, half out just so he can have his fantasy of his cum leaking on her face.

Her dress is stained, and almost all her arousal is out of her. She wipes her mouth with the back of her hand, presses a palm against the painful strain in her jaw. Shane hurries to put his now flailing dick back inside his pants, and he’s not helping her back up.

“Gotta go,” he says, and he’s patting down his pants, where she held onto and left some creasing.

“What?” she asks, suddenly annoyed. “What about me?”

“Solve it yourself, princess.”

He starts walking away. She screams after him.

“Oh, fuck you!”

“My pleasure, next time!” he shouts back, but he doesn’t stop, as he’s making his way back towards the festival.

She shoves the middle finger up in the air, stomping her feet at the same time, shrieking.

“You fucking asshole!”

He chuckles at her tantrum, but he’s spent and satisfied, while she’s there frustrated and fucked over, so he’s not bothering to take her too seriously.

There’s no way she can go back there without everyone else figuring out exactly what she’s been up to. Of course, Shane looks no different than his usual, maybe he’s even surrounded by some post-orgasm glow, but there’s some bleeding from one of her knees, his now dry cum on the front of her dress, and her hair is nothing but a mess. She can’t believe how fucking stupid she can be, and how she fell again in the same old game of “I give you some attention, you give me some sex” that she’s been playing for ages now. It seems like habits don’t change, no matter if she’s in Zuzu City or Pelican Town.

And for what? Just because she felt lonely and jealous, because she felt like no matter how much she’ll try, she’ll never be anything but a passing fancy to these people that know each other inside out?

She makes her way towards her farm stomping her feet, swearing at Shane and mumbling curses all the way. Once back, she draws herself a hot bath and, in the tub, finally somewhere safe, she touches herself, moans out into the air a name she doesn’t dare to even say out loud, and thinks of someone who never even looked at her in any way to indicate she might want her too.

So, she must make do with fucking Shane?

But as she succumbs to her orgasm, moving lower into the water, maybe she can just order a dildo online and leave it at that.

***

On the first summer days, she takes up fishing. She buys a bottle of mead, because she’s heard from mayor Lewis that’s the favourite drink of their local fishermen, and she goes down the beach to beg.

She wants to learn fishing, she says. Just a couple of lessons, whenever he can leave his store and he’s willing to – she really just wants some new hobbies. It’s dreadfully awful to have only three functional TV channels, and only a dozens of books. Even Max is just a dog, and there’s a limitation to what he is capable of. Willy is funny and wise in the way only old men who love the sea can be, but he’s patient in his explanations – and sure enough, very soon, she catches her first fish.

She takes a picture of it on her phone, proud of her achievement. She sends it to Sam, to boast a bit and to annoy him, because he’s currently stuck at his part-time job. Then she goes shell hunting, because she’s too giddy to do any actual work. The villagers recently rebuilt the small bridge on the beach, and it’s lovely to get to take a walk like this. She wants her house to have the same fresh feeling, so she visits Robin for an upgrade.

And she knows she’s paying for the work, but with Robin, she feels like she’s asking for a favour, so she must give something back. And because she feels guilty, for having thought so angrily and jealously about Sebastian and his life, she wants to say sorry in a way, even if he has no way of knowing why she’s doing it in the first place.

Robin’s outside the house, just having come back from an exercise class at Caroline’s. She greets her visitor just a bit more strained than usual, and well – there’s no doubt that if there’s a gossip mill in the town, that’s probably the weekly gathering of middle-aged wives.

The farmer sighs, agrees to wait in the house while Robin takes a shower, before they can discuss about work.

“Is Sebastian home?” she asks, and the older woman makes a dismissive sign with her hand, which means she can go and check for herself.

The door to his room is slightly open, and he actually asks her to come in when she knocks. She greets him from the doorway, suddenly shy when he speaks, suddenly guilty that she’s interrupting him. She sits down on the couch, starts by watching him work, and then eventually she gets distracted by the posters on his walls, and the huge book collection he is showcasing on his shelves. It’s work that she’s familiar with, the stuff she liked to read before, when she used to have time for her hobbies, about worlds that she could escape to only by reading about them in books, featuring magic and dragons and robots.

He doesn’t seem to mind her looking around, as long as she’s quiet. Then, he eventually finishes, and sighs, stretching out his arms.

“Sorry about that, had to finish what I was working on.”

“Ah,” she nods. “And what is that?”

“I do freelance programming,” he answers. “I just want to save up enough to move from here. You know, if I’d gone to college, I’d probably be making six figures right now… but I just don’t want to be part of that corporate rat race, you know?”

“As a rat,” she says, a smile already on her face, “I totally agree with you.”

He looks at her; this is the first hint he gets – of something more about her. He’s heard from Sam, of course, about her actual job in the city, but it’s different to know it from her, to know he has her trust, to hear the defeat behind her voice, even as she tries to hide it with humour.

Then the moment is broken, the ping from his IM breaking the companionable silence between them. Normally, he’d have to explain to people why he is not in the mood to meet up with others, his introversion something out of a freak show with the villagers, but she just nods at him in understanding.

But the next interruption is almost brutal, Robin returning to pass on Abigail’s message, so filled with dismissal at his work, and indifference at his preferences. The easy air about him, as he was talking about a work he clearly loves and his dreams, is now entirely stifled – and instead he, defeated, just accepts all of this, even if he complains. She’d like to press her finger to the frown on his forehead.

This situation makes her blood boil, though: because she’s been in his exact spot. She’s had people look down at her choices for as long as she’s decided to walk her path, out there in the city – and now that she knows what it’s like not to, she can’t take to be the witness to it happening in front of her. Of course, some people will always have something to say, but it should be different with those considered friends – considered family, no?

From the kitchen upstairs, Robin is calling out her name – now, suddenly, she doesn’t really want to go, especially when she knows her presence is soon to be replaced by someone else’s. So, she acts daringly. She touches his arm, as she raises to go:

“You know, I think you’re doing an amazing job, especially considering your conditions. And trust me, it really is better than being a clog in the corporate system, and your work is important, even if it’s important for you only.”

As soon as she came, she’s gone and he loses his chance of asking for more. She left behind another sloppily packed present on his desk, a piece of quartz inside. He gets up, moves to put it up on his shelves – and shit, he wonders if she noticed the other stuff she’s given him, up there.

***

So Robin starts coming around with her carpenter tools, sometimes so early in the morning that she’s welcoming her still in her Disney pyjamas. They drink instant coffee, warm this time – and they discuss recipes that she’d like to try in her new kitchen, or the kind of animals she’ll grow in the barn. She learns that Robin loves goat cheese, and she shares that she absolutely hates peppers. She asks about Sebastian and Maru’s childhoods, she tells of her grandpa’s favourite magic trick.

The sound of Robin’s hammer accompanies her through her motions, as she’s ploughing the land for the summer crops. She didn’t really understand how lonely she has been all these months, just going through what she has to do. It’s nice to have someone to talk to, even if just for a few stolen minutes.

Sebastian drops by during his breaks sometimes, to bring his mother’s lunch, and both women nag at him so much that he ends up eating with them, Max nestled at his feet under the table.

Once, she walks back with him towards the town; she needs to drop by Pierre’s, to order some kitchen utensils – and by Lewis’ house, to leave him a note with info on her next batch of syrup and honey, that she sells for some good prices. He strains himself to walk in a pace that matches hers, even if he just wants to hurry home and take a nap.

She noticed, how tired he looks lately: hair more dishevelled, the slight stubble on his chin, the dark under his eyes. She knows, from Robin, that he spent even more time than usual in his room, refusing to meet even Abigail or Sam. She’d like to press her palm on his forehead, check for any signs of sickness.

“Are you working a lot these days?” she asks, fumbling with the edge of her t-shirt, feeling shy and worried that she might be overstepping.

“Had a tight deadline, but it’s over now.”

He pushes the hair out of his eyes with his hand, pats the pockets of his jeans with the other. He takes out his cigarettes, and then swears.

“Shit, do you have a lighter?”

In fact, she does. Sometimes, when she goes to the mines, her flashlight flickers and dies out, so she started the habit of carrying candles on her expeditions, and always a lighter in her pocket. She offers the fire; she has to stand on her tiptoes and he has to bend down to make it work.

Sebastian looks at her; she’s determinedly staring at the ground. They’re so close that even in the summer heat, she can feel his breathe on her cheek. Once the cigarette is lit, she almost scrambles away, pressing her palms to her cheeks, complaining about the hot weather.

She starts walking faster, afraid of what she might do if Sebastian looks into her face. There’s a small smile on his face that she can’t notice.

***

Pierre’s store is more of a general hangout spot for his daughter, though – Maru is eating her lunch with Abigail in a corner, and she waves at the two of them as she turns towards the counter. Of course, Pierre convinces her to buy several types of flower seeds – and she walks around the town with those in her arms. She thinks she might actually be his best customer. Or easiest, which in his case, it is one and the same thing.

That’s how she meets Evelyn: in the town square, taking care of the flowers. In truth, she never stopped to think about who maintains the town, and now she seems to have her answer. There are many people around; Penny with the kids, playing in the water fountain. Mayor Lewis and Harvey discussing in front of the clinic, Gus sticking a request on the board.

But the old lady spots her shopping, and sits her down on a bench, where she lectures her on the proper way to take care of them.

Then, the tone shifts – and the older woman asks her about the animals she’s growing (they’re well), how she finds Pelican Town (nice) and what’s her favourite flower (hyacinth).

“You know,” she laughs. “I almost married your grandpa.”

She sputters, unsure how to take this wild what-if she’s presented with. Of course, if Evelyn would have ended as his wife, she wouldn’t be here at all. And still, her curiosity gets the best of her.

“What happened?”

“Oh, George – that’s my husband, dear – bought an old farm here in town and moved one day. The next thing you know, everyone was smitten with the new farmer, me included. And by then, your grandpa was already in the army.”

And when he returned from the army, he returned with a wife – that’s a story that she knows. Grandpa met her grandmother at one of the dance evenings organized for young soldiers, and if the story she was told as a child is to be believed, he danced with no one else that night, the next and all the other ones that followed.

“How was he like?”

Sometimes, when it comes to someone you love, it’s hard to consider them from another point of view than the one you were always familiar with. He has always been just her grandfather to her, yet Evelyn here has seen him growing, becoming all those things to all those many people: son, neighbour, husband, father.

“He always worked hard, stirred trouble wherever he went and loved this town like no other,” she says, a faint smile on her face, lost in memories.

That sounds like the old man alright.

“Th-thank you, Evelyn.” Her voice sounds a little chocked. Just a little.

“Psssh, please. Call me Granny.”

The old man takes her hand, squeezes her fingers in hers – and pats her butt when she gets up to go home.

***

“Hey, mom,” she says, pressing the phone closer to her ear. It’s the first phone call she’s making from the landline, and there are jitters all over her skin. She hates that she has to stay still, glued to one spot the length of the phone’s cable. Her brain goes in override.

“Darling!” her mother exclaims from the other side. There’s some shifting, the sound of a door closing, then a sigh. “How are you? How’s Pelican Town?”

She tries not to sniffle outright, tries not to cry that she wants her mother when she’s a fucking grown-up adult, but that really is how she feels. It was all okay, the construction almost to an end, her crops growing beautifully – and then Max gnawed at her only good pair of shoes, and the thing sent her into a spiral of self-pity. She really has no idea what on earth she is doing here.

Instead, she asks: “Did you like living here?”

She is grandpa’s only living child. After her older brother’s death, she simply packed her stuff and moved to a shitty dorm in city, got married in two months and had her almost immediately after. Nowadays, her father is drowning in alcohol and her mother is drowning in work – and she wonders if the first coping mechanism may be more useful than the latter, though her last experience seems to point to a no.

“No,” her mother says. “But depends on what you’re chasing, or what you’re running away from. So, do you like living there?”

She tugs at the phone cord, shifts on spot, looks at Max sleeping a few feet away.

“M-maybe? I don’t know.”

“That’s not a no,” her mother says, ending the call immediately afterwards.

She sits on the same spot, with the tone dead in the background for a very long time, just staring out the window at the setting sun.

***

With the new barn built, she visits Marnie about filling it with the appropriate animals. She’d like a sheep, just because she thinks knitting would be a useful hobby to pick up by winter. Maybe a goat, so she can make cheese and thank Robin properly for all the overtime work she put in finishing her house so early.

Jas is out with Vincent, but before discussing the price of the animal, Marnie hands her the straw hat and her picnic mat. She burns as she takes those from her, not knowing what to say. It’s been two weeks since she ran from the town’s celebration, and even now, she burns with the shame of that day. She starts looking around.

“He’s not-”

“At work, dear,” she says, and finally she starts calculating and writing down something at her desk.

“So you know.”

“Everyone knows,” she says and sounds forcefully cheerful, although she must understand what weight her words have, because the farmer is slouching in a chair, head hanging in her hands.

“There’s nothing going on,” she wails, looking up at Marnie, begging her to believe her – even if she’s just a stranger, asking for a bias against her own blood relative.

“Nothing going on anymore?” Marnie corrects, moves to pat her on the shoulder, signalling at the same time for the young woman to follow her. She nods her head, defeated, and Marnie has to wonder what exactly did this hard-working farmer see in her drunk nephew. She feels relieved to know that she put an end to it. Maybe exactly because she got involved with her good for nothing boy that she feels a bit more forgiving towards her.

She talks her in getting another chicken too, as an apology for having fucked around with her nephew. She doesn’t have the heart to correct this motherly woman that it was, in fact, the other way around. But either way, she’s forgotten.

She knows that because the next day, Penny calls her and asks her to spend the day together with the kids on the beach. She shouldn’t be that surprised to see Sam there too.

***

She asks everyone she gets along with over, after the house expansion is finished. She spent most morning just preparing various recipes, to fit everyone’s taste. Penny arrives first, dropping an apple pie on her kitchen counter and moving around the house to admire Robin’s work. She’s been thinking of doing something about her trailer-living situation for a while.

Abigail and Maru arrive together, with a plate of Robin’s spaghetti. Her and Demetrius decided it’s better to skip the evening, seeing how everyone else there is the same age as their children. She learns that Abigail is supposed to start her second year of university in autumn, and that Maru is going to do her master’s in astrophysics.

She whistles appreciatively, makes fun of her literature degree on the way. The two then huddle together in a corner of the porch, feeding Max stray bits of food and cooing at him when his tail starts wagging.

Sam and Sebastian arrive the last, each carrying a board game in their hands. It’s smart thinking on their side, because she’s not sure what she would have entertained her guests with otherwise. They huddle around the table, filling up plates with at least five different food recipes, passing iced tea and lemonade around. Abigail has this perfect skill of being able to imitate Lewis’ announcement voice perfectly, which in turn makes Sam snort his drink out of his noise. It makes everyone else lose it, and afterwards there’s no awkwardness hanging between them.

Penny helps Sam clean up in the kitchen, and they’re gone for way longer than necessary, though everyone else at the table is polite enough not to comment on it. Abigail and Maru, sitting one across the other, keep looking at each other while the other is not looking, and Abigail might be eating so much chocolate cake that she risks getting sick.

Sebastian sits next to her, smiling softly at a story that Penny is telling, from their time together in high-school. She should, technically, feel left out of the loop, but each time she mentions someone unknown, or a habit they used to have as a teenage group, Sebastian leans over closer to her, and whispers explanations into her ear. His voice, low and smooth, makes her feel like she’s melting down her chair.

Sam and Sebastian go out for a smoke, and she’s following them too, asking for a cigarette from Sebastian, letting her lighter pass around in a circle. The sun has already set, and there’s only the soft buzzing sound of her lamp in the air. The boys are talking about their rehearsal schedule, ask her over sometime, which she happily agrees to.

“Hey,” Sam says, kicking at her leg with his shoe. “Are you single?”

“What the fuck?!”

Sam raises his hands in the air, talking with his cigarette between his teeth. “Don’t shoot the messenger!”

She was ready to punch his elbow, but is now lowering her arm, frowning at him. Behind Sam, Sebastian continue smoking, refusing to get himself involved in this mess.

“Whose messenger?” she asks, though there’s a teasing edge in her voice, clearly proving that she doesn’t believe anything else but his own curiosity brought him to this rudeness.

“Look man – uhm, woman I guess, we’re all friends here, no judgement zone.”

“You just laughed at Maru for liking math two minutes ago!” she points out, this time her kicking his leg.

“You can just not answer the question,” Sam says, pacifying, turning towards Sebastian to offer him his lighter, as he’s already on his second cigarette.

“No, it’s fine.” She feels embarrassed for causing a scene, when it’s not even such a big deal. “I am single.”

She starts walking a bit away, making it seem like she’s inspecting the shrub just next to the stairs.

“So no Shane?” this time it’s Sebastian asking, which is surprising because she did not expect him to care.

“No Shane,” she confirms, her voice a bit weaker than she intended it to be.

Sam punches the air in a victorious movement, grinning at her.

“Thank God, that guy’s a fucking asshole.”

He shivers a bit in the cold night air, wearing only a t-shirt, and with a goodbye thrown over his shoulder, he goes back inside. Sebastian moves his hand in the air a bit, gesturing to his unfinished smoke, but she’s still not making a move to go back.

“But him and Penny… totally a thing, right?”

“Totally,” Sebastian says, and they both burst out laughing.

***

When Abigail phoned to tell her about Luau, she actually mostly whined that summer festivals are the most boring ones, because everyone is so busy tending to crops and making the most out of the long days. The farmer herself was actually taking a break, at the height of the summer heat, with a glass of iced water, but counting down the minutes before she’d be back in the garden, pulling out the weeds and gathering ripened fruits.

She still gets invited to Luau with everyone else; somewhat of a temporary, potentially forever fixture to their group. There’s a gaping hole opening in her stomach when she thinks of this, anxiety bubbling all inside her body making her feel sick. She feels like something terrible surely must happen soon, considering how much joy she gets from all these people.

She has sent some stuff to mayor Lewis, to add to the potluck soup: fresh tomato, some mushrooms, basil. But still, the thing looks completely inedible.

“Are we trying to kill the governor?” she asks, as she’s carefully looking at the bowl in her hands.

Sebastian laughs, turning his upside down in the sand. She’d really like to do the same thing.

“It’s tradition!” Maru explains, frowning at her brother.

“Are we choosing governors based on the quality of their stomach?” she tries again, this time sniffing at the stuff. Its consistency looks absolutely… gluey.

Sam joins the laughter this time, and Sebastian pats Maru’s shoulder in some attempt at an excuse. Abigail is the only one who actually eats the stuff, though her face turns somewhat pale as soon as she is done. The governor looks like he is perfectly fine, and even praises their soup, which makes everyone visibly relax.

***

Maru’s birthday was a solitary thing; just another ordinary working day, celebrated only with chocolate cake in the evening with the entire family. Robin builds her another bookshelf, Demetrius and Sebastian get the money for a new telescope. No other guests are invited, though random gifts still find their way to her mailbox: a stray astrology book, a new case for her glasses.

Sam’s not that different, though they all heard the rumours that immediately after his shift, he visited the museum, and spent a very, very long time there. They meet on Friday night at the Saloon though, so that the band can play and the others can cheer. They’re spectacular, as usual, and when doing something they love, all three of them look younger than she has ever seen them.

Penny is at her side, an arm looped around her waist, and they’re both swaying their bodies on the rhythm of the music. Sam winks in their direction, though the redhead pretends she doesn’t see it.

***

On one of their river discussions, Sebastian mentions frogs to her once; something she’s been terrified of for as long as she remembers. But there’s just such a soft smile on his face, and his voice is so calm: and as such, she thinks to give it a try. Which is exactly why he finds her one day, as he goes to visit Sam, by the river bank, on all fours, staring into the water.

She yelps when he hears him calling out to her, fluttering her arms in the air in a panic. It’s that movement that makes her stumble forward in the water. She doesn’t know how to swim, but the water is low enough to not be a problem, but as she gets up, sitting on her ass in the middle of the river, she scowls at him.

“I hate you,” she says.

He smiles, and with the sun at his back, it’s the most beautiful sight she’s seen. He offers her a hand, which she accepts gratefully, trying to remain as dignified as possible, considering that her clothes are now stuck to her body and there might be some mud on her butt.

“What were you doing?” he asks, and she immediately reddens under his attention.

She mumbles her answer; she’s a terrible liar, so she doesn’t even try. This time, Sebastian actually laughs at her, and she crosses her hands at her chest, both indignant and cold.

“I hate you,” she says again, this time accentuating each of her words. But there’s no fire behind it, so he ignores her remarks. Instead, he unzips his hoodie and, slowly, places it on her shoulders.

“But-” she starts, already moving to remove it, give it back, refuse the help, her natural instinct kicking in. He hasn’t stepped back, and having him so close, she notices the subtle smell of his aftershave, the dark marks under his eyes. She wants to get on her tiptoe and let her fingers run through his hair, so soft from up this close. Then he speaks, the magic breaking, and she moves her eyes down to her shoes, shy all of the sudden.

“Sam’s living real close, so it’s really no problem.”

He’s trying very hard not to move his eyes away from hers, face burning red with embarrassment – and only then does she realize she’s wearing a white shirt, and she’s wet –

“Oh,” she says, lamely, moving her arms through the sleeves and zipping it up. “I… I’ll wash it and bring it back to you.”

“Yeah, don’t worry about it,” he says, before awkwardly saying his goodbyes. Sam will chew him out for being late, and Abigail will frown at him for not letting them know about this ahead of time.

But their new farmer will stand by the river bank for a long time still, looking down at the water, even when Vincent passes her by and laughs at the wet pool that dripped at her feet.

***

She likes taking the mountain path, especially during hot summer days: less people to stop and chat with under the sun, more shade from the trees, chances to see a wild bunny or a squirrel, maybe picking up some wild fruit. She learnt to enjoy these things, that felt like such a chore back in the day, when she was simply a child helping out her relatives. Maybe because, from start to finish, in everything she does for her farm, she leaves a part of herself in there.

She’s as familiar with Robin’s garden as she is with her own, and that’s why it takes her brain a bit to catch up with what she is seeing.

She didn’t even expect to see Sebastian at all, and especially not like… this. Sprawled under his motorcycle, the picture perfect of her dream boy from high-school. It’s then when it dawns on her that she might have some other reasons too, for visiting Robin today, for picking the mountain path, for going to the mines so often, even if she’ll never admit it to anyone else.

For a second, she hates him so much for having been so kind to her, for having taken care of her, for his beautiful smiles and his unending understanding. For having made her like him so much, when this recluse and silent man seems to dislike everything that she is starting to like lately.

She crushes the feeling coming up in her chest; the despair and the need to go and run as far away from him, before they make eye contact, before her beating heart goes into override.

Sebastian heard her approaching footstep though, and as he’s coming up, t-shirt clinging to his chest, she closes her eyes. God help her not to jump this man right here and now.

“Hey you,” he says, the corner of his lips lifting up a bit seeing her.

She waves, taking a deep breath as she approaches him, taking a seat on the outside bench. He picks up the tool that he needed, and goes back to work. She stays put right where she is, watching him.

“You know, it’s fascinating to watch someone do something I know nothing about,” she laughs, thinking of her useless literature degree as well, her dirt stained nails and her dead-end job back in the city, so opposed to his programming skills and the coppery smell of his motorcycle.

“That’s how I feel when you talk about farm upgrades with mom,” he says, and then asking her for another tool – it’s the round one with a yellow handle.

She shifts closer; he gets out from under the metal labyrinth of his bike enough to nod at her in thanks when she hands it to him. But he understands her feeling better than he manages to put it into words, especially since he’s been an outcast in the village for so long; heck he’s not sure anyone else but her even accepts what he’s working, let alone understand it.

But if there’s someone who can get it, it’s certainly the city girl who gave up everything to become a farmer. Much as he wants to drop everything here just for a shot at the big city. It’s the same strangling hope in his voice, that she’s detected the first time they met, when he talks about his short escapades.

He gets up, wiping his hands on a dirty old rag. There’s a dark stain on his cheek that makes him so incredibly cute, and yet the contrast couldn’t be more obvious with his muscles.

“You could come with me next time,” he says, and he purposefully looks at her, digging out her reactions.

She blushes, all red, prettily and opens her mouth to say something, closes it again. Then, with a bit too much eagerness, that makes her seem just a bit too desperate to do the right thing, she says:

“I’d love to.”

“Great,” he says, and this time it’s a full smile that he graces her with.

They move to enter the house now, the sun setting at their back, and he holds the door open for her. She has to squeeze by him, so close that she can feel the smell of oil mingled with his sweat, and the always present soft aroma of soap.

Robin is in the kitchen, preparing hot chocolate for everyone; Abigail is over too, in Maru’s room, the two’s laughter loud enough to be heard from downstairs. Demetrius is in his office, researching something in one of his biology tomes.

She immediately moves to help Robin; now familiar with the layout of her kitchen, with everyone’s favourite mug. His mother yells at Sebastian to go and take a shower before even daring to enter her kitchen, which is exactly the reason why he moves closer to her instead, loudly kissing her cheek.

Robin shrieks, hitting him with the spoon she’s holding in her hand. Their guest watches the scene with a soft smile; she likes it when there’s no bitterness between the two, which is something that comes way easier when no one else in their family is around.

She presents Robin with her first goat cheese; it’s experimental yet, really I have no idea if it’s any good, but she gathers her in her arms anyway, thanking her from the bottom of her heart. She carefully places it in her fridge.

And while Robin goes to Demetrius’ office, forcing a break out of this man as they plan to drink their hot chocolate together, she’s tasked to bringing up the girls’. She knocks, but it still doesn’t feel like sufficient incessant to stop whatever they were doing, because when she opens the door, Maru’s in Abigail arms, having a somewhat lost look on her face. Abigail’s lipstick is all over Maru’s neck, and smeared around her lips, and both their mouths are pulsing red with the pressure of shared kisses.

She blushes under their eyes, hates to have interrupted what she just did. It’s worse than if they were having sex, because the tension in the air is so thick she can choke on it.

“R-Robin said-” she tries, but she’s so embarrassed that she just leaves the tray on the desk, and all but bolts down the stairs.

Shit, she thinks.

“Shit,” she exclaims out loud as well. She’s so wind up she doesn’t hear the footsteps following her, and she almost screams when Abigail’s hand comes down her shoulder.

“Hey, look, let’s be chill about it and keep it a secret, yeah?”

“Of course,” she nods her head. “And I’m really sorry…”

“Our fault for being daring enough not to lock the door. But in our defence, we didn’t think that would happen,” Abigail says, winking at the other woman, before moving upstairs, probably to calm down her lover.

The theme of her life is that she is a big, stupid, idiotic fool. She’s been jealous for months on a relationship that didn’t even exist, and now she feels guilty and embarrassed all over again for what she did when overcome by those emotions. She stands in the middle of the hallway, hating herself so much that she would burst into flames if she had magical powers.

Sebastian finds her eventually, grounds her back to reality with a soft touch against her elbow and a soft call of her name. She startles like she’s been shot, almost jumping out of her skin, before things start refocusing around her. Sebastian, after his shower, smells like pine and mint, and he’s wearing shorts.

“Come on,” he says, slowly guiding her back to the kitchen, where their drink probably went cold already. At the back of his leg, Sebastian has a tattoo: a man lying face down, ten swords hanging above his body.

“That’s cool,” she nods her head at the design, sipping from her hot chocolate.

“Thanks. Sweet sixteen present, teenage rebellion and everything.”

“I ran away from home when I was sixteen,” she says, and Sebastian rises his eyebrows, clearly sceptical.

“For real!” she laughs. “I came here, to gramps.”

“Can’t remember you ever being up here,” he says, but now he’s curious.

“Well, of course, he called my mom the second I entered the house, and next morning she came to pick me up, but still.”

Sebastian snorts at her story, and she’s beaming at him with the largest smile possible, having gotten such a reaction out of him. It seems like it’s so easy for her to rile him up, or to get him involved enough in what she’s doing that he can’t filter his reactions anymore.

He walks her home that evening; she insisted he didn’t need to go through the trouble, since she’s out even later all the time, but Robin pushed, especially since Abigail was to sleep over, so she didn’t need Sebastian to walk her home.

In the end, she had company on the way home.

“Sorry for the trouble,” she says. Sebastian is smoking again, and only shakes his head. They continue their conversation from earlier, about how they used to be as kids and teenagers, periods in time that feels very far-away. Then she tells him of her past job, how she used to want to kill herself every time she entered the building, how there was no more city around her, and just the clutch of overwork and need for money.

She breathes easier here, she says. She hasn’t seen the stars in years, she adds.

She’s looking up at the sky, but Sebastian is looking at her.

She’s seemed lost on that first day, overwhelmed as she looked around at her inherited plot of land, and he’s given her two weeks maximum to survive in there. And here she is, rounding on six months, looking like she’s always belonged.

She hands him his sweater, thanks him again, in that sweet voice that matches her face, but not her personality when she’s swearing. He wishes the road between their houses was longer, longer than to Zuzu City, so long that they could have the entire night at their disposal.

***

“You’re late,” she says, from where she sits on the pier, her feet just a few centimetres above the water surface.

She’s barefoot, and she’s wearing a thin and short dress, and showing so much skin that Sebastian is a bit distracted at first. Technically, they haven’t set a meeting time, but he is indeed the last of the villagers to arrive on the beach for the dance of the moonlight jellies. By now, the others are also grouped together, leaving her alone.

She pats the space next to her. He sits down, yawning.

“Sorry, I was up until 3am reading a new book.”

She lights up then, shoots question after question at him: about his favourite authors and books, hints at the volumes he knows she’s seen on his shelf. They decide to buddy read a book together, and the next day he finds her favourite novel in his mailbox, he sends his instead. His are in pristine condition, while hers are underlined all over, notes scrambled over the margins that he spends a lot of time trying to decipher, corners dog-eared. The first few are a hit and miss, then slowly, as they go through the volumes, writing long texts and handwritten note with their thoughts on it or calling each other late into the night, they start to figure each other’s state, collections growing on each side.

On Penny’s birthday, no one can find the young woman almost the entire day. For that matter, they had the same problem with Sam too.

On Abigail’s birthday, she knocks on the farmer’s door in the middle of the night. The other woman is sleepy, bleary eyed, and she knows that something serious is going on because Abigail doesn’t even make fun of her pyjamas. She opens the door, wordlessly. Makes some tea, as Abigail plops on the rug on the floor, nuzzling Max.

She passes her a steaming cup of tea, sits in front of her in much the same manner.

“What happened?”

It takes Abigail a long time to reply, and when she does, she stumbles over words.

“I-I came out to my parents. Let’s say they didn’t take it too well. Sebastian lives with M-Maru so it didn’t feel like the smartest move, and Sam’s mother already has enough things to worry about. I had no-nowhere else to go.”

She shouldn’t be this surprised when the farmer leans closer, wrapping her arms around her, squeezing her close. Abigail reaches up her hands, tugs at the pyjama top and starts sobbing. There’s a large wet mark on the other woman’s shoulder when she is done, though she doesn’t seem to notice it as she’s running around her house, pulling out a rolled up mattress and building a make-shift bed in the middle of the room. She’s gentle as she moves Abigail to her bedroom, helps her in bed, petting at her hair, and chanting it’ll be okay over and over again.

Abigail’s already asleep when she moves to the kitchen, scrolling through her contacts list. It takes a few seconds before the person at the other end picks up, and Sebastian’s voice sounds muffled. She imagines him for a second, face half-hidden in his pillow, dishevelled hair. Then:

“It’s Abbie.”

The next day, Sam and Sebastian show up on her doorstep at 6am with chocolate cake, and they barely even greet her before moving inside, slamming open the door to the room where Abigail’s sleeping, essentially waking her up. But they also jump on the bed, squeezing themselves in the small space, peppering her face with kisses, even as she screams at them to stop, that they’re gross. But she’s laughing.

Over breakfast (eggs and salad and chocolate cake), they discuss what they should do next. There’s enough space here for two people, and it makes most sense to have Abigail live here for a while, until things calm down a bit.

“Did,” Abigail starts, unsure, playing with a tissue, “Maru tell your parents?”

“Yeah,” Sebastian says, and he feels like he really needs a smoke.

“I guess it went well.”

Abigail ends with a laugh that resounds dry and bitter in the room. Sam’s leaning towards her, holding her hand.

“Your parents will come around,” he says. “They just need to get over the initial shock.”

Except Abigail, everyone else nods. It’s hard to imagine Pierre staying mad at anyone, let alone his own daughter. But Pelican Town is a small enough place that such a thing might take a long time to forgive in the eyes of others. After the guys leave that first day, Abigail spends the entire day in bed. The next one, she joins her host for coffee, asks about the pumpkin patches.

When the Stardew Valley Fair rolls around, she helps the farmer fill Robin’s truck with her products. The older woman hugs Abigail that day like she’s a long-lost daughter, which makes her cry all over again.

***

The Fair itself is nice; the trees around had already started to turn orange, and it gives the place a really cosy atmosphere. Almost everyone in town buys something from her stall, and Marnie even comments that she fits right in. She enters Lewis’ competition with her pumpkins, but she loses to Shane’s chickens, which is a totally deserved win on his side, though she hates to admit.

Abigail makes up with her family that day, because the second she steps in town, her mother drops a crane of jars, swears, and runs up to her baby girl to hug the life out of her, cry and apologize. Pierre is sniffling at his stall, next to her – and she passes him her handkerchief.

Then, because Abigail is Abigail, she kisses Maru in front of everyone. George whistles, loudly and everyone laughs, which ends any discussion on the topic. With this scene, the farmer thinks she has just fallen a bit in love with the man herself.

Shane approaches her, to boast his win.

“Congrats,” she says, though she is pointedly not looking at the bow pinned to his chest. Jas has already been over, stopping everyone and showing it off.

“You’ve been avoiding me,” he says, and she’s glad the stall stands between them, because she knows he would have liked to be much closer than this.

“Glad you took the hint.”

“Is the freak gang that entertaining, little girl?”

There he goes again, with his horrible nicknames and that shit-eating grin. She hopes he’d choke on all the bullshit he’s spewing, some day.

“Yes.”

She sounds firm, serious and soft at the same time. There’s a small smile on her lips as well, and probably it’s that combination that makes Shane realize she’s entirely truthful. So, he laughs. For sure, he must find her stupid and foolish, and yet she only feels relieved as he watches him walk away, shaking his head like he’s disappointed.

As evening approaches, Sebastian stops by her stall. It’s almost empty now, most of her products sold earlier in the day. He sits next to her, smoking, looking at Sam winning the big prize at darts for Penny. She all but swoons.

Sebastian gets up, throwing his cigarette to the ground and stepping on it.

“Do you want to walk around?”

She nods, he helps her up. She asks Pierre to watch over the rest of her stuff, and when they move from stall to stall, her and Sebastian are so close that their shoulder almost touch, though none moves to put more space between them. She keeps stealing glances at him, as he explains to her about his favourite stalls, and how it used to look like back in his childhood.

They eat Gus’ famous burgers, and her heart almost stops beating when he leans closer, pressing a tissue to the corner of her mouth. He starts by looking her in the eye, but then her own eyes drop to the flutter of his eyelids, the curve of his nose, eventually settling on the plumpness of his lips – and his gaze follows suit, tracing the same path on her face. They sit in silence, staring at each other, until Gus’ boisterous laugh makes them both startle.

She mumbles her thanks, looking at her plate, too afraid to look at Sebastian.

They play darts too, though she only manages to hit the target only once, and only on its furthest ring.

“Sam rigged this game, didn’t he?” she asks, which makes him smile.

Sebastian pays for his turn, raises his eyebrows at her when she’s expectantly watching him. He throws the first dart while still looking at her, and it hits bull’s eye. She screams in delight, clapping her hands together.

He moves his hand to the back of his head, embarrassed at her reaction, even if he so desperately wanted it in the first place. He asks her if she wants any of the prizes, but she shakes her head. As cheesy as it might be, for her it’s enough that she can enjoy the fair, and that she can do it alongside him.

***

When she counts her savings the next day, it’s not as much as she would have liked. So she starts going to the mine again, because she can sell well everything that she finds in there, and for a couple of weeks, it works out just fine. Until it doesn’t anymore.

She knows the place is old, but the crack of the stair giving way under her weight was not an expected problem. The lurking animals and the unmapped areas, sure. But not the wooden step of the stairs.

It takes her by surprise, and she doesn’t have fast enough reflexes to find another footing, so she falls all the distance to the ground. She lands on her side, and there’s a terrible crack in the shoulder that makes getting up so, so painful afterwards. She’s bleeding heavily from one of her knees as well, and several bruises are already blooming on her legs and arms.

Her flashlight also went out on impact, so at first she is disoriented, her head booming with the sound of her fall. Then she gets scared, her heartbeat in her throat, and before she can even think more of her wounds, she forces herself to count up to 100, as slowly as she can, bringing her breathing back to normal, forcing her body to refuse the incoming panic attack just yet.

No one knows she’s in the mine right now, so technically even if they were to notice her disappearance, it will take a while until they find her. And it was already dark outside, judging from the last time she looked at her watch, which makes searching for her unsafe until at least tomorrow morning. She can’t just stay here and wait for someone to find her, even if that is all that she truly wants to do.

She winces when she finally raises to her feet. She’s unstable and everything hurts, but she’s most worried about her arm. She tried to pick up her discarded flashlight, but the movement hurt so much she left out an agonized wail.

Tears start biting at her eyes when she bumps into the stairs, after fumbling through the dark for it. She tries not to think of all the steps until the surface, and then her walk back home – and instead tries to take it one step at a time. She can support her weight only on one arm, and her legs hurt each time she raises them, the skin at her knee ripping open a bit more with each move of her leg up. She takes it one at a time, stops often to breathe deeply, give some part of her body some respite. She struggles even more when she finally gets to the broken stair, and she has to cover twice the distance.

When she eventually collapses on the ground at the entrance to the cave, she can smell the fresh night air, and she can hear the rustling of the leaves, and she starts crying. Somewhere down there, where the mine caved in, trapping workers under the stones and dirt and in unending hallways, is the body of her uncle. Of course, she could have easily shared the same fate today, if she would have been a bit higher, if she would have fallen on one of the sharp stones littering the lower floors instead.

She forces herself, again, to just breathe. But even as she makes herself stand up and walk the long way home, her mind is drifting further and further away, the pain now more dulled at the edge.

That’s why she doesn’t catches when someone calls out her name, doesn’t realize she’s not alone anymore until said person catches her arm to make her stop. Unfortunately, it is her hurt arm, and she shrieks, tears pooling at her eyes, as she’s stumbling away.

Sebastian stares at her, mouth agape, looking like he’s just seen a ghost. He moves his eyes over her body, taking in her state, though he’s unsure in some spots, if the stains on her clothes are blood or dirt.

“Shit, you need to see a doctor,” he says, moving closer again, but she flinches upon his approach.

He passes a frustrated hand through his hair. Dumbly, she wonders what he is doing out here, by the river, in the middle of the night.

“Can I touch you?” he asks. He’s still keeping his distance, though he’s looking at her in a strange way, like she’ll fall off her feet at any moment. Although she nods, this time more aware, more in tune with her surrounding, this time around he approaches more slowly, careful with his movements.

She leans onto him, sighing in relief.

“This will hurt,” he says, and before she has time to think about it, he gathers her in his arms, head at the crook of his neck, her good arm around his shoulder, as he starts carrying her. She just whimpers pathetically, at his chest, blushing furiously and trying not to overthink the gesture, or her weight, or the fact that they’re stopping in front of Harvey’s clinic at fuck knows what time.

Harvey answers on the second knock, looks at the state she’s in and simply mumbles I need my coffee, allowing them inside. Sebastian is still carrying her the flights of stairs up, before finally setting her down on a bed. He’s breathing hard by now, but he’s not complaining. In the light, she can see how wild and panicked his eyes are, how deep his frown is as he searches her body for wounds.

Now that they can see, her shoulder is at a weird angle.

“I’ll have to set it back,” Harvey says, sipping loudly from a fresh cup of coffee, sitting on a chair next to her bed. He looks up at Sebastian, checks the time on his wrist watch. “You can go if you want to.”

“I’ll stay,” he replies almost immediately, making her shiver on the bed, a movement that both men catch. “If that’s okay with you.”

She nods, pleading with Harvey to let him stay, to which he agrees. His job is not made any more difficult, since Sebastian looks perfectly healthy, the weird sleep schedule aside. She doesn’t notice when Sebastian moves, shifts so he can sit next to her on the bed, wrapping his fingers around hers.

Harvey descends like a shadow above her, snapping her bones back in place. She squeezes Sebastian’s hand in her good one, so hard that his bones crack, her fingers digging in his skin until they draw blood. But she only inhales sharply, letting out a string of soft curses, teeth grinding together in pain. When she looks at them, she feels only betrayed, because they both clearly knew what was to come, and did their best to make it as fast as possible.

Harvey hands her a glass of water and some painkillers, and only then does she realize she’s still holding onto Sebastian’s hand. She lets go slowly, smiling at him, patting his hand in silent thanks, though Sebastian cannot smile back at her.

“So what happened?” Harvey asks, moving on to cutting open the leg of her pants, cleaning up the cuts, disinfecting her wounds.

She speaks, evenly, though her panic shows through in some parts, and Sebastian rubs calming circles on her back with his palm. She leans into his touch, swaying in place, eyes fluttering closed, opening them again at a slower and slower pace.

“You should sleep here tonight, so I can monitor your condition,” Harvey says, and Sebastian rises, helping her lay down on the bed, covering her with the blanket, as she’s already fallen asleep.

The two men move downstairs in silence. The clock on the wall shows 4 a.m.

***

She wakes to Granny knitting on a chair next to her bed. It’s such an odd image that it takes her a while to recall all the events of the night before. Then, she startles upright.

“Easy, darling, all’s good,” Granny says, though she didn’t even look up at the younger woman.

She learns that Marnie visited her farm earlier, feeding her animals. Abigail took Max to her place, Penny came by with pie. And Sebastian is downstairs, on his 3rd coffee of the day, not having gone home since he first dropped her at the clinic.

Granny smiles to herself when the patient looks longingly at the door, her skin on fire.

***

Harvey keeps her for one more night, though she is feeling alright, and she insists so to everyone coming around to check on her. She thought Robin will pick her up, something that she agreed to after much pestering from the woman, but instead the one waiting for her in front of the clinic, leaning on Robin’s truck, is Sebastian.

“Mom had something come up,” he says, moving to get her backpack, filled with the stuff from the mine and some clothes that Abigail picked for her. He opens the truck’s door for her.

“I could have just walked,” she says, though her leg is still stiff.

He shuts the door on her, and until he joins her in, she has time to mull over what exactly she wants to say.

“Thank you,” she beings. “For everything and I’m sorry.”

She fidgets on the spot, as he starts the engine and begins driving.

“Why are you apologizing?” his voice is soft, the corner of his mouth tilted up just the tiniest bit.

“For all the trouble?”

It sounds more like a question,

“You know I’d gladly be troubled for you.”

She does not know that, in fact. She turns to look out the window, at the stretch of trees on the road to her farm, and she wonders when she became such a person to others.

When they arrive, she invites him in, but he politely refuses. She needs to rest. But he does walk back to the car, fiddling with the gloves compartment, coming back with something in his arms. He presents it to her, carefully wrapped, and watches attentively as she opens it, catching her reaction.

In her hands, she has the first volume of what she knows is Sebastian’s favourite comic.

Abigail will tell her, later on, that before he came to pick her up, he drove all the way to Zuzu City so he could pick a copy for her. So on an autumn rainy day, she makes herself a cup of tea, and curls in her bed, opening the book.

She takes her sweet time, searching every detail in the art, rewriting particular quotes in her journal. Then her thoughts fly without her even wanting to, to a particular someone she’d like to have next to her, to explain her favourite parts. She’d like to have him by her side more than that though, as she wakes and works, a person that makes it so much easier for her to just be.

She’s a fool – she tries to tell herself, hugging the book close to her chest. There’s nothing she can offer Sebastian that would make him stay in this village he so obviously loathes. She’s just dumb enough to have fallen for the man she cannot even bring herself to ask to love her back. But the image is now stuck on a loop in her mind: stray sun rays filtering through the curtain, and Sebastian in the door frame, with her mug of coffee in his hands, offering it to her as she wakes.

She tortures herself with thoughts like this afterwards, whenever she finds a moment of respite in her work, as she hurries to sell the last of her crops, to preserve the mushrooms, fill the sill with grains for the animals and the storage outside with wood.

***

The first time she gets out of her property after the accident is to attend a dinner on Robin’s birthday. In the town here, it’s not a big deal, so she feels particularly honoured to have the older woman invite her.

However, Robin sends Sebastian to pick her up. She’s on the porch, bundled up in her favourite sweater and a shawl, petting Max, when he pulls up in her courtyard on his motorcycle. He’s wearing a leather jacket, and as he moves to get her helmet, she’s only staring at the way his muscles are straining under the material.

He helps her put it on, clasping it under her chin, his fingers lingering on her skin, and they stare in each other’s eyes for a few long seconds. Then, he holds out a hand, helping her get up, and guides her arms around his waist.

She’s basically glued to his back, and she wonders if he can hear how loudly her heart is beating. He tightens his hold against her arms, signalling that she should hold on tighter, and she does, even though she closes her eyes to will the embarrassment away.

Robin welcomes her with an enthusiastic hug, and she’s delighted to see Abigail has been invited as well, and she’s now sitting next to Maru at the table, discussing something with Demetrius. She’s sent her present in the mail earlier this day, more goat cheese and a few quartz pieces, and the redhead thanks her happily.

When she passes Sebastian on the hallway, she stops for a few seconds to thank him for the ride, warmly clasping his hand in hers. Then just as quickly she lets go, joins everyone else in the kitchen.

Most of the conversation is just the parents dotting on the newly formed couple, though there is a passing comment of the pumpkin soup currently served being Sebastian’s favourite food, so she makes a note to ask the recipe from Robin the next day. There’s an anecdote about how Demetrius and Robin first met, though it makes both their children cringe at how young and lovesick they still sound recalling it. Abigail talks about her studies, Maru continues, though their degrees are vastly different.

The farmer turns to look at Sebastian.

“What about your work?”

The conversation stills, a bit awkward. No one ever asks what Sebastian is doing, since freelancing is such a grey area in their mind – though they fail to see that almost everyone in this town is the goddamn owner of their own work.

“Well,” he starts, playing with the food on his plate. “Actually I’ve got a promotion recently and a really big project coming up.”

She clasps her hands together, beaming up at him.

“That’s wonderful, isn’t it?”

Everyone at the table nods politely, Robin even congratulation her son. But he thinks of her question, and lately the answer seems to be no, because each of his successes brings him closer to leaving Pelican Town, and he’s not sure he wants to anymore.

***

By the end of the evening, everyone is more or less tipsy, made soft by the drink and the warmth of the house. Robin insists that she should sleep over, afraid to let her return home this late. She almost puts Sebastian and Maru in one room, but the daughter refuses so vehemently, that Sebastian instead just tells her he’ll take the couch. Their mother stares for a long time after both of her children, as each turns to their guest, and instead decides to retire for the night, together with Demetrius.

That’s how she ends up sitting on Sebastian’s bed, as he’s searching for a towel and some clothes for her.

“Maru is leaving next spring for a research program,” he explains. “That’s why-”

“She wants to make the most out of it,” she continues.

“Yeah.”

He understands the feeling; it’s why he’s more often than not out of his house these days, afraid that one day he’ll have to root himself out of this place, and he will leave many things behind to regret. And many people he will miss.

He throws the clothes in her direction, points her to the direction of the bathroom.

She’s feeling more awake after the shower, and she’s drying her hair with a towel as she enters his room again. She wears one of his hoodies, but on her it looks almost like a dress, coming down halfway to her knees, sleeves rolled several times over. The sweatpants are equally as large.

“I like your socks,” she says, wiggling her toes, an ugly, green gooey face dancing with the movement.

She’s way too freakin cute, Sebastian thinks, though he only smiles at her as he passes her to go and take a shower. When he returns, she’s snuggled in his bed, a comic book in hands, the sequel to the present he’s given her before. She doesn’t hear him come in until he plops on the couch, and then she looks up at him, cheeks immediately flushing.

“Aren’t you cold?”

He’s wearing a tank top, loose enough around the chest area that she can see his collarbones. She knows she’s staring, yet she can’t tear her eyes away from the skin of his arms, or the taut stretch of his top against his chest. When eventually, finally, she moves her gaze up to his face, he’s smirking, clearly having caught her in the act.

“I never get cold,” he replies, shrugging, though he tenses the muscles on his arm, and her gaze immediately snaps back there.

He’s outright laughing right now, which makes her turn her back to him, pulling the blanket over her entire body and mumble an embarrassed good night.

But she has a very, very hard time falling asleep.

***

“I don’t wanna go,” she whines at Sam, pulling at his clothes, dragging him away from the maze.

He just laughs, tugging her harder instead. His little brother scared her as soon as she arrived for Spirit’s Eve, and since then she refused to leave his side, on edge all the time.

The town is decorated in skulls and supersized spiders, and Abigail took to walking around with a witch hat on and a sword in her hands, which everyone agreed was cool but also relatively worrisome.

She swears, loudly, clinging even closer to Sam’s arm, when Sebastian joins them, carrying two glasses of punch. He chuckles, but still passes one of them to her.

“You don’t celebrate Spirit’s Eve in the city?”

“Well,” she says, taking a large gulp of her drink. “There it’s more about getting shit-faced in a club, and less about your heart going for a run when you turn the corner of the street.”

“Amen, sister,” Sam yells, grabbing her glass and downing it all in one go.

“Hey!” She punches his shoulder.

“It made you laugh though!” he says, leaving so he can get her a refill, and well, he’s not wrong, because now she feels way more at ease than before.

Sebastian shifts closer to her, for which she is grateful.

“Is it really that bad?”

“I just hate jump scares,” she whines, again. “And I’m sure the maze is filled with them.”

“You know you don’t have to do it if you don’t want to, right? We can just sit on a bench and watch the skeletons.”

“We?”

He’s pressing his palm to his neck. “Well I’ve cleared the maze every year, so.”

So they sit, together.

***

Back in the city, she can never tell when it will snow anyway – but here in town, the air is crisp and cold for days before. Robin shows up one early winter morning, and helps her isolate the house as much as possible, around the windows and the doors, so that no cold seeps in, so that all the warmth stays. She might need to renovate the house next year, but for now, it will have to be enough.

Robin sips at the coffee she’s been offered, and pretends not to see Sebastian’s books sprawled all around the farmer’s house, on the kitchen counter, on the bed, next to the TV. She also equally doesn’t comment on one of Sebastian’s jackets hanging on the back of the chair that the young girl is currently occupying. Robin takes another sip, and smiles in her cup.

Back in the city, when it snows, it never piles; part car fumes, part all the people walking around doing their business. But here in the town, when she wakes up one morning, all she can see around her house is a wide expanse of whiteness. Max runs past her, jumps into the snow, comes back in so wet but so happy, that she doesn’t mind having to towel him near the fire from the fireplace.

But she’s left with too much time on her hands; she watches Queen of Sauce almost obsessively, following along in her own kitchen, surprised when her food is actually good. She starts knitting, phoning Granny each time she stumbles through a row. She reads, almost obsessively. And she does go to the mines, but for shorter periods now, scared of not repeating her injury, even if the Adventurer’s Guild repaired the broken stairs.

Then Sam calls her over one day and welcomes her to the world of DnD, him and Sebastian more or less forcing everyone else to start a new campaign with them. It’s the happiest she’s seen them both, so she tries to keep up with the characters, stops to ask about plot holes. They explain things in tandem, finishing each other’s sentences, for almost an entire hour, because you see, this race can’t have this magical power. Sam pulls out his guide, passing it around so that everyone can look up the kind of character they want to create.

That first evening together, that’s all they do in fact: filling stat sheets, searching reference pictures on the internet. And they eat Jodi’s delicious snacks, gossip a bit about Marnie and mayor Lewis’ affair, that the whole town knows about but somehow only the two of them missed this detail.

They turn it into a weekly meeting, rotating their meeting place through all their houses, sometimes the Stardrop Saloon in the days when they know it’ll be more empty and calm. They fight imaginary battles, Sam’s voice guiding them through cities and enemies and friends, saving each other’s asses and forging alliances. It’s the best fun she’s had since arriving in the town, though if anyone were to tell her this a year ago, she would have laughed directly into their faces.

They break the tradition only once, when instead they decide to go ice-skating. Each winter, if the temperatures are low enough, the lake freezes, making it a perfect rink. To be fair, it’s her favourite sport – probably only sport that she’s so excited to do, that she jumps on the spot as she waits for her turn to lend a pair of skates.

She’s looking a bit ridiculous, wearing 3 different layers and one of her grandpa’s padded vests, a beanie on top of her head. Sebastian finds her just really cute. She skates around holding one of Maru’s hands, Abigail the other – because she’s the only one who doesn’t really know how to do it.

Then Sam starts a game of tag with Jas. So they start chasing each other around, yelling when they’re caught only to start again. Penny almost trips, but Sam’s catches her hand and stabilizes her, even if he’s it now. Abigail and Maru skate around holding hands, working more like one person than two separate ones, though Abigail lets go only when it’s her turn to chase someone; and she’s fast as a flash, her turn over in under a minute.

She touches the farmer’s back, and she’s left in the middle of the frozen lake, trying to think who to go after. Her intention is to go after Vincent, his voice shrill with happiness when he realizes he has to run away from her, but her skates catch in the ice.

She only has time to gasp out a swearword, preparing to fall flat on her face. But there’s an arm around her waist, though the angle is awkward and her weight too heavy, so both of them fall to the ground.

She blinks, trying to make sense of the new position. She didn’t hit the cold ice, instead Sebastian’s body cushioned her fall. She’s on top of him, hands on either side of his head, and she’s staring into his eyes. She’s so close that she can feel his chest heaving.

“You good?” he asks, a hand moving to settle around her waist.

It snaps her out of it. “Shit, I’m the one who should be asking that.”

She’s trying to get up, though she’s embarrassed and fumbling, and her first movement just positions her ass on Sebastian’s thighs and crotch area. He shudders, inhaling loudly – and she can feel him stir under her.

“Oh,” is all that she can say, eyes blown wide catching his. Though there’s something more there: curiosity, and a growing interest.

“You guys okay?!” Sam’s voice is distant to her ears, though she waves a hand in the air, to both show that they’re okay and ask for a break from their game. Sebastian says nothing, looking up at her like a man found guilty of murder, face flushed, though he hasn’t moved his hand from her waist.

She grinds her hips, pushing harder against Sebastian’s body, watching in fascination as he’s squeezing his eyes shut, a frown on his forehead.

“Stop,” he says, sounding wound up and chocked.

So she does, rolling from on top of him, pulling herself to her feet, smiling when offering him a hand up. Though he’s not smiling back, he takes her hand.

***

“Happy birthday!” she shouts, when Sebastian opens the door to his bedroom, holding up her present to him.

Behind him, music plays loudly, and she can see Sam and Abigail arguing about who gets the last slice of pizza. She’s the last to arrive, but that’s also partially because outside there’s a real blizzard. Penny comes to hug her in greeting, and she high-fives Sam. Most of the time, they just drink and joke around, chatting about random things, his oldest friends telling tales of Sebastian.

After a couple of hours, Sebastian catches her eyes, motions towards the outside. Sam has given up smoking, being more of a social smoker, just like her. But since he got together with Penny, a fact to which they finally admitted after merciless teasing from Abigail, he quit.

They stop in the hallway, putting on their coats – and she hands him the present again, though he hasn’t noticed her coming up with it.

“You might find useful what’s in here.”

So he opens it to find a matching hat and scarf, in a dark navy. They’re clearly handmade, and handmade by her he suspects – and he’s touched by the time and care she had to put in her gift. Nestled between the material, there’s also a frozen tear.

“God, I-I love this. Thank you.”

She beams at him, obviously relieved. He puts the frozen tear carefully in the pocket of his jacket. She helps him with the scarf and the beanie, her hands lingering on his shoulder for a second afterwards, admiring him.

Outside, in the courtyard corner where they’re smoking, there’s a snowman. Sebastian almost feels like kicking it when she mentions in passing that it’s cute.

“I built a snowgoon but Demetrius made me get rid of it, yet Maru’s cute little snowman still stands…”

He didn’t mean to sound this bitter. She shifts, coming in closer, taking his empty hand in hers.

“If I just disappeared, would it even matter?”

He means it like a rhetorical question, just for himself – but she’s strengthening her grip on him, forcing him to look at her. She wants him to understand that she’s entirely serious.

“It would matter to me.”

***

It’s drizzling, a mix of snow and rain, weather suddenly warming up. On the beach, anyway, snow never piles up, and when Sebastian turns around, he finds her standing a few feet away, staring out into the sea. She is drenched, shivering lightly with each gust of wind, and now that her concentration has been snapped by his movement, she’s staring at him instead.

He gestures her closer, and she stops by his side. Now, closer, he can see that she’s shivering more violently than he initially though, and she’s certainly not dressed properly for the weather.

“What are you doing out here?” he asks, softly, pushing some of her hair behind her ear. She closes her eyes, head leaning toward his touch, and he finds himself cupping her cheek without thinking too much about it.

“What are you doing out here?” she counters, blinking up at him.

Maybe it’s the absolutely pathetic state that both of them are into that makes him answer honestly to the question. Or maybe it’s the fact that it’s her.

“Looking out at the bleak horizon… It makes me feel like it’s worthwhile to keep pushing on.”

He shrugs, trying not to look as serious as his statement. Lately, he’s been having more reasons to believe that same thing, but old habits die hard, and there’s a particular calmness in being somewhere where no one else is. Or, he thinks, looking down at her, almost no one.

“I just like the sea,” she says, and any awkwardness that he still felt dissipates with her admission. The water is raging, stirred on by the storm, crashing violently against the pier, and they stand in silence, his hands carefully petting her hair, pulling her closer when she shivers again.

“Fuck, do you want to catch your death?”

He undresses quickly, placing his jacket over her shoulders. It doesn’t make much of a difference, but it’s more waterproof than what she’s wearing, and also carrying his warmth. He pops open the umbrella he’s carrying, and with an arm around her shoulder, pulls her to his chest.

“You know,” he starts, his palm rubbing circles on her back. “I would normally feel anxious doing this with anyone. But somehow, you’re the exception.”

Her head turns, chin resting on his chest so she can look up at him.

“I want to kiss you,” she says, and Sebastian chokes on whatever he wanted to say before. “Can I?”

She’s on her tiptoes now, her lips so close to his that their breathes are mingling, yet she’s giving him the choice of covering the remaining distance. Which he does, hungrily, almost desperate for it, both hands cupping her cheeks as their mouths clash. The umbrella falls into the water, and yet they don’t care enough to notice it.

They stop for a moment, coming up for air, and then they’re back at it, and despite the fire growing at the pit of her stomach, the kiss is languid, exploring, tongue pressing against tongue. Slight movement, a change in their position to deepen the kiss, her fingers now playing in the hair at the nape of his neck, his hands at her waist.

He kisses her like he never kissed somebody else, and went hungry for it all this time. His fingers move under her sweater, and the sudden cold touch makes her break apart. His touch turns comforting, pressing against her skin, and she sighs. Their foreheads meet.

“Fuck, I wanted to do that for so long,” he breathes and she laughs.

“We are two idiots, right?”

“Big idiots,” he nods, and she takes his hand in hers, starts pulling him in the direction of her house.

***

She starts the fire in the house, as he’s slowly undressing layer after layer. In the bathroom, the bathtub is filled with hot water, waiting for him. He’s down to a t-shirt and his boxers when he cups her elbow in his hand.

“Join me?” he asks, voice a bit strained, but firm.

She can only nod, dazed, not trusting that this is not just a dream, afraid that speaking will ruin the moment. He sits down on the edge of the tub, gesturing for her to come closer. She’s standing in front of him, and he’s gentle in guiding her out of her clothes, letting them drop to the floor. He strays from his purpose sometime, to press a kiss against her hip, or at the tip of her fingertips.

When she eventually ends up stark naked, his eyes are hungry, but his touch not, as he guides her inside the hot tub. She sighs in pleasure, closing her eyes. She opens them again when she hears the rustling of clothes, to watch him undress. He’s a bit slow, a bit shy, joining her inside the tub. The water almost spills over. She tries not to think of his cock, the precum leaking. She tries to ignore the uncomfortable heat growing between her legs.

She helps him shampoo his hair, he washes her back. They go off track from time to time, kissing lazingly for a long time, his hands massaging her breasts, her teeth grazing his neck. Until she moans, a loud sound. Until he gasps, her name caught between his lips.

Then, with ease, he helps her out. They share one, large towel, huddling together until they reach her bedroom, giggling like children. They’re almost to the bed when he stops, looks at her.

“We don’t have to do anything.”

He’s a liar, because his cock is pulsing with want and she can feel him against her hip. She pouts.

“But I want you.”

He kisses her pout away, pushes at her shoulder until she falls to the bed with a yelp, hands wrapping against him, taking him down with her. She’s laughing, pleased with having him on top of her, when his mouth moves downwards on her body, kissing against her collarbones, sucking at the skin, biting at the skin, until there’s a dark mark behind. He throws her a pleased grin, moving lower yet again.

Sebastian takes one of her nipples in his mouth, a hand moving up to tease the other. Her hands immediately wrap in his hair and she gasps. He pulls at the sensitive area, with his teeth and his fingers, licking it better immediately afterwards, and she writhes under him. He kisses his path downwards, though his lips kiss at her hips, he bites at her thighs, always circling around where she most wants him.

“Seb,” she whines. “Please.”

He stops his ministrations to look at her, frowning and pouting, hair dishevelled against her pillows, her body flushed all over, his marks so obvious against her skin. He feels himself growing at the sight, though he smirks at her.

“Please what?”

She blushes.

“Please eat me out?”

It sounds like a plead and a question and a prayer and a command all at once, and he’s on her in the blink of an eye, tongue lapping at her folds. Her back arches, but his hands are keeping her in place – and he maintains a constant, slow rhythm.

Until he doesn’t, one of his fingers entering her in full, with ease. Sebastian chuckles.

“You’re so wet, baby.”

Her walls squeeze at the nickname. He adds another finger; watches, transfixed, as it disappears inside with the same ease. He starts pumping them inside her, and the sound of her wet pussy taking it all in is so hot, that he groans.

Buried down in her to the knuckles, he opens his fingers apart. She moans, pushing down, searching for more, more, more. He scissors her, spreading her wide – and his head moves lower yet again, lips kissing against her clit at first.

Then, he adds a third finger. He can feel her stiffen under him, so he pulls her clit in his mouth, rolling his tongue around it, just as he starts pumping his fingers inside her. Now her hands are holding on to her sheets, and she’s mumbling some curses, halfway lost to her pleasure, moans louder and louder as he speeds up.

He raises his head just for a second, to chuckle against her heated pussy.

“Come, baby.”

So she does, and he continue pumping inside of her, letting her ride her orgasm. She still sighs when he pulls out his fingers, immediately missing the feeling of being filled up with him. He moves to pepper her face with kisses, petting at her now sweated forehead.

“You did so well, baby.”

He’s teasing her, knowing how much she likes the nickname. So instead she looks down between their bodies, his cock against his navel, leaking – and looking like the most beautiful dick she has ever seen in her life. It’s not the biggest one she’s seen, but he’s thick and she’s never wanted to taste something more than the cum that’d spill out of it.

Still staring, she moves her hands to grab it, her fingers dancing over it, starting with his leaking tip, spreading his precum all over his length, before stopping with a slight squeeze at its base. Sebastian shivers over her, eyes closed, mouth open in an unspoken prayer, because he’s not sure even god can help him now.

Holding his dick in her hands, she helps him adjust at her entrance. At first, he teases against her cunt, pressing his cock between her folds, rocking his hips back and forth as they both moan in tandem. She’s already dripping over the sheets again.

He grabs at her hand, fingers entwined.

“You ready?”

“For that dick? Born ready,” she says, chuckling, but not moving her eyes away from where he’s starting to push inside her.

“Fuuck,” he says, just as she moans, only the tip in. The stretch is painful, but so fucking delicious and she’s a blabbering mess begging for more, pulling him closer with her free arm. He slams inside her, forcing the rest of his length inside in one go, and she swears. He kisses at her eyebrows, at the tip of her nose, apologizing softly.

“Tell me when to move again,” he says, and true to his words, he seems content to just kiss her, tongue at her neck, words whispered and lost in her hair, but making her shiver nonetheless just because there’s the hot breath so close to her skin. She’s trying to adjust to his entirety of him inside her, not hurtful but not entirely comfortable just yet either, and his mouth now licking at her hypersensitive nipple seems to slowly do the trick.

“Move,” she says, and he does.

He’s slow at first, almost frustratingly so, pulling out almost entirely, before slowly filling her up again. She moans, drawn out sounds, with each movement – and she almost doesn’t notice when the speed picks up, when she starts moving her hips to meet his actions. They’re a mess of grunts and moans, gasps and swears – and he squeezes so hard at her hip when she comes again, the orgasm washing over her with an intensity that it’s almost blinding, that she’s sure he’ll leave bruises.

Sebastian looks like a man in pain, inside her as she’s coming back to herself after the orgasm. She kisses his cheek, hands rubbing against his chest muscles.

“Do you want to cum all over me?”

He almost trips with the haste that he’s pulling out of her. She’s waiting, on her back, tongue lolling out of her mouth. Sebastian rises on his knees – it’s embarrassing that he only needs two more pumps to come. Most of it falls on her tits and neck, though she’s happily licking every bit that she can reach with her tongue, swallowing it all like a good girl.

“Fuck,” Sebastian says, falling next to her on the bed. “You’re so fucking sexy.”

She beams at him, getting closer. They kiss for a while, bored and tired and messy, teeth clanking together, tongue at the corner of the mouth. There’s a string of saliva between their lips when they separate.

She gets up, goes to the toilet, returns all cleaned up, before coming back to the warmth of the bed, dragging the covers over both of them. Sure, the sheets are dirty, but that’s a problem for her future self, because right now, all she wants to do is snuggle at Sebastian’s back, an arm draped over his waist. So that’s what she does.

***

When they wake, they fuck on the kitchen counter, the angle hitting her just right. Truthfully, half of her butt is in the air, her legs wrapped around Sebastian’s torso, as he snaps his hips up in her, deeper and deeper each time. She’s never been so glad she doesn’t have neighbours in her entire life. Maybe because it’s been so long on her part, or because Sebastian is really just that good, she’s loud – and she loves to feel him stirring inside her, with each of her moans and praises.

“So good,” she gasps, fingers digging almost painfully in his back, and he proves his point by ramming into her, ripping a sob of pleasure out of her.

He’s wearing a condom this time around, so there is no mess to clean up, and they drink their coffee afterwards – talking about this and that, not even skimming the topic of what they’re doing, or why.

He kisses her goodbye though.

And on Winter Star, while she’s getting ready for the feast with everyone else, Sebastian comes by. He welcomes him warmly, and he sits on the side of her bed, watching her finish her make-up and doing her hair, and though he doesn’t move, she keeps catching his eyes in the mirror, looking at her every movement hungrily.

“We’re not fucking after all this effort I just put in,” she says, pointedly plucking her lips and applying a bright, red lipstick.

“I want to take you out on a date,” he says, ignoring her childish theatrics, but shaking his head with a soft smile.

“Sure.”

She tries to sound nonchalant, but her heart is beating in her chest. As much as she’d like to have him bend her over the table and take her like a bitch in heat, she’d much prefer him being her boyfriend while he does so.

“Good, let’s go then.”

“Now?” she yelps, when he grabs her hand and walks her towards the entrance.

“Now,” he says. He helps her putting on her beret, she straightens the scarf around his neck. “I’ve already called Sam and told him we won’t make it to the feast.”

“You did? What did he say?”

“To have condoms on me,” Sebastian says, face serious, which is why it makes her snort.

“And?” she’s wiggling her eyebrows at him. “Do you?”

He slaps her butt as she’s getting out instead of a reply. She turns at him, the slightest darkness in her eyes.

They go for a ride, promise not forgotten. They drive for a long time, and when they finally reach their destination, he tells her to keep her eyes closed, keeps his palms against her eyes as he guides her steps.

When he moves his hands away, she gasps. Spread ahead of her, the lights of Zuzu City against the usual darkness of the night. Sebastian moves next to her, grabs her hand in his.

“I come here when I want to get away from everything and just… think.”

He’s been doing this a lot lately, ever since she came to the valley, became his friend. Torn between his dreams of the city and the familiarity of home, he came here often thinking about what he should do.

He’s fumbling with his cigarettes, before eventually lightning one. Leaning against his motorcycle, she’s still looking out at the landscape in front of them.

“It gives such a strange, sad feeling…”

She’s almost saying it to herself. She doesn’t understand why he is showing this to her, and she can only think of how much he wants to be a part of those lights shining in the distance. She knows, if he is to walk that path, there’s nothing she will do to stop him.

Sebastian gets close to her, slings an arm around her shoulder. His gaze is still fixed to the city out in the distance, but when he speaks, it’s all just for her.

“The city used to draw me in… but now I’m finding myself happier at home in the valley.”

Her head snaps up so fast that it almost hurts. She doesn’t trust herself to say anything, afraid she’s overstepping, afraid she actually misunderstands whatever is going on, afraid to hope too much.

He turns to her, knuckles slowly caressing her cheek.

“You’re the only one I ever brought to this place. You know what I’m trying to say, don’t you?”

She shakes her head; wants to hear it. He leans down, pulling her close with his other arm, covering her sound of surprise with his mouth, kissing her. She doesn’t think she’ll ever get used to his kisses; he’s a passionate but patient kisser, drawing out the movements for as long as possible, biting and licking at her lips, smiling smugly and lazily at her when he is done.

“I want us to be together. For real.”

She jumps in his arms, the move making him stumble a bit, but they’re not falling. She looks in his eyes, the gaze as touching and passionate as it’s ever been.

“I love you, Sebastian.”

“Wha-”

But she kisses him.

***

She’s obsessed with saying those three words. Now that she has the right to say it, it blooms out of her at his every gesture. She says it out loud without embarrassment or care as to whoever else can hear it. She says it as good morning and as good bye. She says it when he stays the night, and when he asks her over to play a new game together. She says it in front of Maru and mayor Lewis. She says it when he comes inside of her. She says it when he lets her borrow his sweater. She says it when he calls her in the evening after work.

It makes him dizzy with how wanted she makes him feel.

It’s the middle of the night and they’re waiting, alongside everyone else from the city, for the clock to strike exactly 12, and the fireworks to blast into the sky. She’s holding onto his arm, chatting happily with Sam about a cover song they’re planning. Her weight, next to him, is something new to get used to – but she’s always fitting herself right there with so much ease, that it seems almost natural.

The countdown begins, mayor Lewis’ voice booming across the square. At 8, she joins in. At 3, he does too. The fireworks blast with a loud noise, and she squeezes herself closer to him, her eyes to the colouring sky, her lips to his ear.

“Make a wish, babe.”

She closes her eyes, thinking of everything she wants in the upcoming year. He looks at her.

“So, what did you wish for?” he asks.

She tugs at his jacket, kisses him.

“You.”

#stardew valley #stardew sebastian #sdv sebastian #sebastian x farmer #sdv farmer #sdv fanfic #i think this is the first part and i might do a 2nd one with them being domestic pieces of fluff #i'm so tired i 'm so glad this fic is DONE #hope you enjoy ~#my writing

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franciscretarola · 5 years ago

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Matera, the Brigantaggio, Southern Italy’s Mostly Unknown History

There was a lull during our tour of Matera's sassi, the former cave homes of workers, farmers and shepherds carved into the gorge beneath the city's elegant "Civiltà" and "Piano" neighborhoods. Sasso literally means "stone" in Italian. The homes had been excavated from the calcareous tufo stone and fronted over the centuries by what are often elegant facades. The rest of our tour group, a family from Seattle, was still inside a small sasso that had been turned into a museum. My wife Cathy and Kateri, a professional photographer and staffer at our Philadelphia Abruzzo-dedicated restaurant, stared out over the densely packed and compelling warren of the Sasso Caveoso, one of two sassi quarters in the city, apparently reflecting on what we'd just seen. The cave home was just slightly larger than my South Philly row house living room but until the 1950s had been shelter for thirteen people, a donkey, pig and chickens. All the family's possessions - mostly equipment used for farming and raising animals - were stowed on the walls. There was one table with a large wooden serving board and two chairs. The home had just one bed which stood high above the floor to separate the sleeping family from their animals and afford the chickens a place beneath to roost. It was both a sobering look at the desperate circumstances once faced by the common people of Matera and an impressive display of ingenuity: each sasso had an intricate system for water collection - rain is scarce in this part of Basilicata - that was connected to a common cistern shared by its immediate neighbors. When the family's cistern was filled, runoff was channeled to the common container; nothing was wasted.

Our guide, Luigi - a trim, dry-witted and instantly likeable guy with thick, professorial glasses and dressed casually in jeans with a flat cap - leaned back against the stone facade of a sasso and stared pensively at the ground. Before the tour had started we'd talked a bit about the town and local history - this was not my first time in Matera - and I felt we'd had an instant rapport. So, I screwed up my nerve and asked him what I'd been dying - for years, actually - to ask someone from Basilicata. We spoke in Italian to keep our conversation private.

"So...what do you think of Carlo Levi and Christ Stopped at Eboli?" Luigi's face first registered a mixture of surprise and fear but resolved into a knowing smile. "How much time do you have?"

First published in 1945, Levi's book has come to define much of Italy's south, especially Basilicata. For most people, it's all they'll ever know of Basilicata, called "Lucania" in antiquity and during the Fascist period (Mussolini was trying to evoke ancient Rome and inspire a renewed imperial spirit), unless they've heard of or been to Matera, whose sassi are now a UNESCO World Heritage site and were used by Mel Gibson to stand in for Palestine in his film "The Passion of the Christ." Levi was a vocal critic of fascism. He was arrested and then, like many other left-leaning intellectuals and opponents of fascism, sent into "exile" in the remote south, specifically in his case to the towns of Grassano and Aliano (which he renames Gagliano in the book). His account of the appalling living conditions, poverty and malevolent neglect (centuries old, by every form of government and of every conceivable kind, from a lack of educational resources and infrastructure to access to medicine) suffered by Aliano's townsfolk and other lucani (citizens of Basilicata) moved postwar Italy to (briefly) countenance the "Southern Question" and seek remedy. It has deeply affected readers all over the world, including me.

Levi's description of the poverty in the sassi (delivered in Eboli by his sister, who'd had to stop in the town to receive official permission to visit him in "Gagliano") is particulary grim:

"...Of children I saw an infinite number. They appeared from everywhere, in the dust and heat, amid the flies, stark naked or clothed in rags. I have never in all my life seen such a picture of poverty... I saw children sitting on the doorsteps, in the dirt, while the sun beat down on them, with their eyes half-closed and the eyelids red and swollen; flies crawled across the lids, but the children stayed quite still, without raising a hand to brush them away. They had trachoma. I knew it existed in the South, but to see it against this background of poverty and dirt was something else again. I saw other children with the wizened faces of old men, their bodies reduced by starvation almost to skeletons, their heads crawling with lice and covered with scabs. Most of them had enormous dilated stomachs and faces yellow and worn with malaria."

At one point during her exploration of the sassi, Levi's sister was followed by bands of children begging not for coin, but for quinine.

Eboli stirs the emotions and Levi's heart was certainly in the right place (his actions as well: his atrophied skills as a trained physician were much needed in malaria-plagued Aliano) and much of what he writes about Italy's neglect of the south was - and is - certainly true, but after much reading and travel I began to believe that, however well-intentioned, the book’s tone is condescending, its view of history distorted by a northern perspective and, to create the desired effect, its depictions of the rural population exaggerated. Luigi agreed.

"For years we've been living with Levi's book on our shoulders. People come here looking for his lucani, his Matera and his Basilicata. I think they see what they want to see." Levi's lucani peasants are superstitious creatures (that much was true, and to some extent is still, and not just in Basilicata), immune to or unknowing of logical process, cause and effect. They seem almost another species, existing beyond the boundaries of time and untouched by the influences of the region's many conquerors, from Greeks and Romans to the Piemontese army of Vittorio Emanuele. Their physical appearance reminds Levi of depictions of ancient Italic peoples and to him shows no evidence of later ethnic incursions. Their stoicism and desolate world view, bereft of any hope, are born of millenia of futility and neglect. To hammer home the desperate situation he found, Levi - knowingly or not - created mythical beings beyond our understanding or experience. This device was effective but Basilicata (and much of southern rural Italy) still suffers the stigma that his book and descriptions, and other less well-intentioned depictions, created.

"Farmers and villagers then might've been simple, often ignorant, but they are not now and never were stupid. They certainly understood most of the reasons they suffered, as well as who might carry some of the blame. Their beliefs weren't all based on emotions and mysticism."

Levi's bias and prejudice are clearest when he discusses the local peasants' obsession with and vibrant emotional connection to the Brigantaggio, the guerrilla war fought by southerners from 1861 into the 1870s in opposition to the unification of Italy under Piemontese rule, Italy's fabled and much-celebrated Risorgimento. He contrasts this persistent and vibrant link to the past with the peasants' apparent indifference to and distrust of Italy's more recent nationalistic adventures: in the First World War two decades before his exile and the expedition to "Abyssinia" then in progress. Unlike some of the town's bourgeois citizens, the very same element who had tended to favor unity over continued Bourbon rule in 1860, the farmers and workers show no nationalistic zeal. They seem to feel that any expedition designed to capture territory and displace others to allow for Italy's expansion, even if they themselves might profit from access to arable land, is doomed from the start and fundamentally wrong. Though many of them fought, suffered and died in the "Great War," they never discuss it. But they seem perpetually ready to discuss the briganti and their exploits; every locale seems to have some historic connection to the doomed resistance.

Levi places the brigantaggio in a context of previous uprisings - to invading Greeks, Romans, etc. and posits that the briganti reaction couldn't be rationally justified but could be understood as an emotional response. The peasants, he argues, reacted with an understandable but irrational and hopeless attempt to strike out at the fates and cultures that seemed to persecute them. Maybe Levi actually believed this. His upbringing in Piemonte occurred during a time when many of the dark and brutal facts about Italy's unification and its effects on the ancestors of these very same peasants had been suppressed, swept under the rug and willfully ignored. But there were still living briganti during Levi's exile. He even met one of them during his time in Grassano. The brigantaggio was not ancient history to the villagers. Modern study has focused welcome light on the Risorgimento, the Brigantaggio and the Savoiarda reaction. Eyewitness accounts from both sides and previously ignored scholarship have been revisited, reevaluated and resynthesized, and the resulting picture - of Garibaldi, Vittorio Emanuele, Cavour and the Savoy military - is not a particularly pleasant or flattering one. What emerges is less an image of a war of liberation than of a violent and abusive invasion, occupation and systematic exploitation. Southern Italy, the new scholarship argues, was conquered, occupied and turned into a colony of the North.

Prominent Italian journalists, politicians, thinkers and historians have been questioning the national narrative for decades. Novelist and screenwriter Carlo Alianello (one of the modern founders of revisionism and a cinematic collaborator with Visconti and Rossellini), economist and one-time Italian Prime Minister Francesco Saverio Nitti, historian and politician Giustino Fortunato (both from Basilicata) as well as Marxist thinker and politician Antonio Gramsci (a Sardinian) all believed northern development had been achieved, to some extent, at the South‘s expense. Much of the best known revisionist scholarship on the Risorgimento has been done by non-Italian academics (English historians Denis Mack Smith, Christopher Duggan and Martin Clark have all, to varying degrees, questioned some official accounts and flattering portraits of the movement and its heroes). But the current spear point of reevaluation is probably Pugliese-born journalist Pino Aprile. During our stay in Matera, I happened to be reading his book "Terroni: All That Has Been Done to Ensure that the Italians of the South Became 'Southerners.'" (Terroni is a pejorative for southerners still in use in the north which links them to the dirt and land, their "terra"; it insinuates ignorance, filthiness and dark skin). Aprile clearly has an axe to grind and sometimes has figurative hams for fists (and no dead horse fails to be beaten, repeatedly), but his work seems well researched (his layman's tome does not always provide source attributions, however) and his arguments well supported. They've gained a lot of traction and currency recently, and I've found few coherent retorts. Many Italians, including some southerners, would rather not know, but Aprile seems to have dedicated his life to speaking what he feels is the truth, or at least one side of it: the side that has gone mostly unheard.

The economic story he weaves (mostly using others' scholarship, especially that of researchers Vittorio Daniele and Paolo Malanima) contradicts almost all prevailing conceptions about the Bourbon realm, its wealth and sophistication and the condition of its subjects, particularly in relationship to northern and central Italy, at the time of unification. He points out the comparative wealth of the Kingdom of the Two Sicilies, the vast monies in its coffers and in circulation and the hale condition of its currency (the Kingdom used gold coins while the Savoy realm had converted to paper money). The Kingdom of Sardegna (as the Piemontese realm was known) had exhausted its funds in a series of wars, including adventures in the Crimea, and was heavily in debt. "War or bankruptcy," one of Cavour's deputies wrote in 1859. Taxes were low in the South and, contrary to the popular image, the Kingdom had a relatively developed industrial base: it was named the most industrialized state in Italy after the 1855 Paris World's Fair, and third in the world. Under King Ferdinand II, it began liberal reforms and pioneered antituberculosis campaigns in Italy, as well as public housing and assistance programs (though the kingdom was hardly liberal and Ferdinand’s reactionary nature and narrow-mindedness undermined these efforts and alienated much of the kingdom‘s intelligentsia). Aprile also notes that, preunification, southern emigration was minimal and significantly less than the diaspora from the North, which stands preconception on its head. And indeed, I'd been surprised to read years ago in Richard Juliani's "Building Little Italy: Philadelphia's Italians Before Mass Migration," that the founders of the city's Italian quarter in the years before Italian unification had been northerners, especially from Liguria. The United States’ first dedicated Italian Catholic parish, Mary Magdalen de Pazzi in the city's Bella Vista neighborhood, was founded by these northerners in 1852, eight years before the war. The destruction and economic disruptions caused by the invasion were exacerbated by the newly unified Kingdom's seemingly punitive measures against the South: disproportionate taxes were imposed, ironically to pay for the "liberation"; many southern industrial plants were dismantled and sent north, as was the gold of the Bourbon treasury. Other plants were closed. Once vibrant cities, most notably the port of Gaeta, were left in ruins. The former Bourbon army, tens of thousands of men, was disbanded, leaving scores of (armed, politicized and militarily trained) men unemployed (they would eventually form the core of the brigantaggio). These actions and policies would persist for decades and, Aprile argues, built the North and created the modern South. But they are not nearly the darkest part of the story.

The Piemontese response to popular dissent and the brigantaggio was violent, at times sadistic. Critics of the new regime were jailed, tortured and sometimes killed. Martial law was imposed on the entire South and the populace forced to endure a brutal occupation that drove many of them, who might have been otherwise indifferent to the regime change, to support or join the briganti. It was illegal, for example, to be outside town boundaries with certain (vaguely defined) quantities of food or supplies as authorities suspected these were intended to sustain the briganti, who indeed relied on local populations for support (which was offered gladly or obtained by threat and violence). For a time it was illegal even to have stores in the larder, as this was deemed suspicious. And the penalties were harsh, including jail sentences, corporal punishment and summary execution. Whole villages were razed to the ground, their populations (including women and children) murdered, displaced or forced into concentration camps. Aprile's rage appears most in the chapter discussing the Savoy army's well-documented atrocities in the towns of Pontelandolfo and Casalduni, in Campania, whose alleged support for the briganti, he maintains, prompted the worst acts of reprisal ever committed on Italian soil (which would include Nazi war crimes during World War II). Individual acts of rape, torture and murder are relayed in excruciating detail, including the names of the victims. Many unarmed and nonresisting villagers were bayoneted, hanged and burned alive in their houses, slaughtered even in the churches where they took refuge. The diary of one of the northern soldiers present at Pontelandolfo, Carlo Margolfo from Sondrio in Lombardia, is matter-of-fact: "We entered the town; immediately we began to shoot priests, men, however many as it happened, then sacked (the town) and finally we set the town aflame." He adds, "...it was impossible to stay inside (the town) because of the great heat, and such noise was made by the poor devils whose fate was to die toasted under the ruins of the houses. We, instead, had everything during the fire...bread, wine, capons, nothing lacking." The general responsible for the slaughter, Enrico Cialdini, enjoyed a long and profitable political career in the service of the newly united Italy. A piazza in Venezia bore his name until January of 2014, when the controversy surrounding Casalduni and Pontelandolfo forced the town council to make a change.

Of course atrocities are common in wars, especially guerrilla wars, and the briganti were not innocent or blameless. But the scale and systematic nature of the northern repression and reprisal leaves no room for comparison. Tens (maybe hundreds) of thousands of southerners were killed, and many more traumatized, injured, displaced, imprisoned and impoverished during the war and brigantaggio, which in some places persisted into the 1870s, more than a decade after the South's fall. And there are components to the repression and treatment of the "terroni" that stink of racism and a lack of the respect one human being affords another. The severed heads of executed briganti were routinely displayed on pikes in southern towns to dissuade locals from supporting the resistance. Photos of dead and mutilated briganti were hot commodities in northern cities during the period. Many of these images are easily found on the internet (though one recurrent photo supposedly of severed briganti heads turns out to be from the Boxer Rebellion). Images of both living and dead guerrillas were used by northern social scientist Cesare Lombroso to form his ominous theories about physiology and criminal behavior. Indeed, the Nazis later enthusiastically (and ironically: Lombroso was Jewish) parroted many of Lombroso's theories on the connections between race, ethnicity, handicap and criminality. The museum of his collection - which is still in operation at the University of Torino in Piemonte - includes the skulls of hundreds of "criminals," including several briganti. He believed he'd identified a "southern" racial type which was, of course, inferior and more prone to criminality than the "northern" example. Over 150 years after the brigantaggio, the relatives of the briganti displayed in this "museum" are still fighting for the return of the remains for proper interment.

A female brigante, or brigantessa, has come for many to symbolize the fate of the South. Michelina Di Cesare was born in 1841 in the small village of Caspoli, a satellite town of Mignano Monte Lungo, in what today is part of Campania’s Caserta Province. Photos of her alive - posed in traditional village costume, holding a shotgun and pistol and with what looks like a sheathed bayonet in her belt - create the romantic impressions of a beautiful, fire-eyed, mountain warrior. She and her husband Francesco Guerra, an ex-Bourbon soldier who’d resisted the draft under the new regime, were part of a band of briganti that operated around Mignano from 1862 until their deaths in 1868. Michelina was not the only brigantessa. Many southern women, after seeing their communities suffer and their brothers, husbands and sons punished, jailed or executed as briganti or Bourbon and briganti sympathizers, supported the resistance, even as armed participants. This created quite a stir in mid-19th century Italy. Northern authorities strove to rob them of their femininity and dignity, and some period reports refer to them as “drude,” or druids, a derogatory term meant to degrade and dehumanize them. Some sources diminished their role and dismissed them as mere companions to the male insurgents. But by all accounts, Michelina was a competent and courageous guerilla and her band a feared cell. In 1868, she and her compatriots were betrayed by local collaborators, trapped and killed by Northern soldiers and Carabinieri under the command of Emilio Pavellicini, who’d used no small amount of coercion to get some locals to turn on the band. Most authoritative accounts have Michelina dying in a gun battle, falling next to the body of her husband (though some maintain she was taken wounded but alive and then tortured and raped before her execution). The last photo of Michelina is posthumous; she is nude from the waist up, her face and body a study in torment and already showing the effects of decomposition. Di Cesare’s corpse was displayed nude, under armed guard, in Mignano’s town center, as a lesson and deterrent to the local population. It’s said to have had the opposite effect, and the local brigantaggio intensified and persisted for several more years.

(Michelina de Cesare) So, if Aprile and the revisionists' studies have any merit, Levi’s notion that the passion and nostalgia Grassano and Aliano’s common folk felt for the brigantaggio was irrational or logically unjustifiable doesn’t hold water. But he was a product of the schooling and propaganda of his time, especially as a well-educated son of privilege raised in early 20th-century Piemonte. The history Levi (and most educated Italians, then and until the present day) had been exposed to had been scrubbed and rewritten. “We have made Italy, now we have to make Italians,” remarked nationalist Massimo D’Azeglio (who also famously said that "uniting with the Napolitani was like uniting with lepers") after the war. A narrative was created to justify the invasion and elevate its purpose. And, in fairness, there were many, north and south, with purer intentions who had long dreamed of a united Italy, Garibaldi included. There had also been many actively against it and millions more indifferent to the question of unity (many liberals, including the blond “liberator,” were later disillusioned by post-war governance and policy; Garibaldi eventually resigned from Parliament, disgusted with the use of martial law in Sicily). Statues of the Risorgimento's heroes were erected throughout the new country and streets and squares named after them, often despite local opposition. If you find yourself in any major southern town, you’re sure to see places named after Garibaldi, Cavour, Nino Bixio or Vittorio Emanuele. The southern kingdom and southern Italians were portrayed as backward, uncivilized and in need of the North’s intervention. And as decades of Savoy economic policy and political repression had their effect, this portrayal was seen to be true, even among some southerners. It was not until decades after unification, Aprile argues, that metrics showed southern farmers and workers to be appreciably worse off than their northern counterparts. The great southern diasporas that followed further reduced and depopulated the South.

Italy’s conscience has, from time to time, been awakened and attempts made to redress the inequalities. In the 1950s La Cassa per il Mezzogiorno sought to build the region’s infrastructure, stimulate economic growth and fill medical and educational gaps in its poorest areas, but these initiatives were mostly short lived, poorly administrated and informed by the idea that southerners were responsible for their condition. This tendency to judge the South undermined efforts and engendered a prejudice which has, more recently, laid the groundwork for separatist groups like the Lega Nord, whose founder Umberto Bossi was for a time Minister of Federal Reform under Silvio Berlusconi. Aprile goes to great lengths to compare the relatively few monies sent southward as part of the Cassa with the vast haul pilfered from Bourbon coffers and raised through punitive taxation of the South during the decades after unification. And he tries to connect the racism of men like Lombroso with the politics and words of Bossi and his allies.

This racism or, if you prefer, virulent ethnocentrism, is real and permeates daily Italian life, and I‘ve had my own small experiences with it. During my first trip to Italy, I stayed with a wealthy family in the town of Vincenza, in the Veneto. My Italian then was limited, but I vividly remember a car ride with five or six local twenty-somethings to what turned out to be a fairly decadent and enjoyable pool party. They were blasting Bob Marley in the Alfa Romeo and the overloaded car attracted the attention of the local Carabinieri who stopped us and interrogated the driver. After a brief but tense exchange, we were sent on our way. The car erupted in laughter and animated conversation. My host, who spoke perfect English, explained that Carabinieri were invariably stupid guys with few options and from ignorant southern regions. I think she’d forgotten that my grandfather was from Abruzzo. Years later, while studying Italian in Firenze, a regular at the bar my new Canadian drinking buddy and I frequented asked us why we were studying the language. My Canadian friend was studying Florentine history, which pleased our interlocutor, whose name was Alessandro. When I mentioned my Abruzzese heritage as part of my reason, he was less impressed. Alessandro described himself as the scion of a noble Florentine family, though I’ve no idea if it was true. He pointedly explained to my friend that the Abruzzesi were just “cafoni,” poor peasants without much going for them. “Cafone” is a term that implies ignorance, lack of couth and culture, and can be a synonym for terrone. I asked him if he’d like to discuss the issue privately, around the corner, but he declined. He took off instead to buy cigarettes, and things de-escalated. The owner of the bar - a fat, loveable and improbably promiscuous Napolitano named Massimo - explained that Alessandro was a bit of a tool and his ornery attitude might be attributed to his wife’s flagrant cheating, which had made him the butt of jokes at the bar (which was in the Oltrarno and strangely named Camelot). Minor stuff, but illustrative.

In 2005, while revisiting what was the last Bourbon fortress to surrender to the Piemontesi, Civitella del Tronto in Abruzzo’s Teramo province, I mentioned to my guide Bruno (the fort’s curator) the stickers I’d been seeing on house windows and cars around the town and other places in the region that read “Zona Degaribaldizata” (“De-Garibaldized Zone“). He said they where part of a recent movement, which was only half joking, calling for the return of the Kingdom of the Two Sicilies. He then gave me an edition of the movement’s magazine, “Due Sicilie.” Its cover was a photo of the door of an apartment building in Torino. There was a handwritten sign advertising vacancies but beneath the notice, in smaller script, it read: “Non si acettano meridionali,” southerners not accepted. It was from the 1970s.

(Civitella del Tronto)

In Philly, Mary Magdalen de Pazzi’s northern parishioners resisted the waves of southerners when they came and newcomers were directed to a second Italian parish founded in 1898 for their use, according to Stefano Luconi’s “From Paesani to White Ethnics: The Italian Experience in Philadelphia.” Luconi writes that Antonio Isoleri, the Ligurian priest who was pastor at Mary Magdalen from 1870 until 1926, was particularly dedicated to preserving its northern character. This dynamic, Luconi notes, was common throughout North American Italian communities, from St. Louis‘s Hill neighborhood to immigrant settlements in Providence, RI. I’m not sure what kind of mindset all this history (both official and revisionist), discrimination, prejudice, regionalism and economic privation engenders in most southerners, the depth of anger or offense felt, the inferiority complexes and desperation that might exist or the desire for vindication, but I’ve plenty of friends from the South and I can guess. And the Italian-American community (which is less a community than an identity and far from monolithic), comprised overwhelmingly of the descendants of southern immigrants, bears some of the South’s stigma and suffers its own complexes. Most Italian-Americans travel to the same spots in Italy as other tourists: Roma, Toscana, Venezia, maybe a visit south to Pompeii or the Amalfi Coast. And places like Roma and Firenze certainly merit a visit. They are among the world’s most significant historical and cultural jewels and the first places I went in Italy. But most Italian-Americans will never explore the regions that produced their ancestors and if they do most will stick to the home town and things specifically connected to family. Some of this has to do with a loss of language: Southern Italy is less accommodating language-wise than the North to the English-speaking traveler and the loss, which amounts to a loss of one’s roots and a blow to personal identity, can be painful and embarrassing. But I don’t think that’s the heart of it. Many Italian-Americans can be almost as dismissive and ignorant of the broader southern culture as any northerner or common tourist, maybe more so (many open-minded northern Italians will admit that life in the South is more rooted in traditions, that it has more soul). Perhaps there is an embarrassment that attends emigration and engenders a desire to justify your decision by denigrating the place you left (though many early Italian immigrants made multiple trips back and forth and lived a kind of double life, one in America and one Italy). When I first began traveling extensively in Abruzzo, many of my South Philly neighbors, including those whose families had roots in the region, were baffled. “Fran, what’s in Abruzzi?” one of them asked. “My nonno said there was nothing back there. He said all they had were dirt floors.” There was a kind of shame expressed, though none of them would have ever used that word. Compared to the splendor of Roma, the art of Firenze and romance of Venezia, what could the apparently forsaken places our parents and grandparents had fled - and always seemingly with nothing - offer us? Who wanted to be reminded of such deprivation, squalor and sadness? But those of us who do go are incredibly rewarded. And the ignorance of and prejudice we see everywhere directed at the South becomes difficult to bear, even in polite conversation. We walk around with chips on our shoulders not completely unlike those born by our meridionali friends. And if one loves Italy - as millions worldwide claim to - one hopes for the resolution of the “Southern Question.” Ironically for many who’ve posed the question before, no solution seems possible until the entire country, particularly the North, comes to terms with its history.

At the end of the tour I asked Luigi how he felt about current developments in the sassi, the luxury homes and boutique hotels created from the former homes of the poor, the restaurants and craft shops, the influx of wealthy tourists, including many northern Italians. We ourselves were staying at one of the new hotels and had mixed feelings about it. Luigi thought our ambivalence was misguided. Obviously, he owed his job to these changes. “The economy moves here when it isn’t doing so well in a lot of other places in Italy, especially the rest of the south.” This was true; the week before we’d been in Abruzzo which - though gifted with inspiring, evocative and unspoiled cultures and some of Italy’s most dramatic natural landscapes - has been perennially challenged economically and was now still traumatized from the enduring effects of the economic crisis and the 2009 earthquake. The vitality we saw in Matera was nowhere in evidence in Abruzzo. “Our job is to make sure that people know the history of this place, that they understand and respect the people who built it and made their lives here. But it would be a mistake to keep it as a lifeless museum.” Luigi explained that he’d left his job as an economist, which must be a pretty depressing job in early 21st-century Italy, and followed his passion. Telling people about the area’s history and patrimony gave him a sense of purpose. And he was making a living.

But mostly, Luigi thought our perspective on the sassi and their legacy was too influenced by Levi and based on ignorance. "The conditions in the sassi were not always as Levi described. For much of their history, the sassi were considered marvels and celebrated in period accounts and literature. This, I think, is one of the unintended consequences of Christ Stopped at Eboli: the idea that the sassi were always as overcrowded, poor and unsanitary as they were in Levi's time."

He thought I should read up on the subject and suggested two books: Giardini di Pietra (Gardens of Stone) by Pietro Laureano and Matera: Storia di Una Città (Matera: History of a City) by Lorenzo Rota. We shook hands and parted with plans to meet again later to explore some of the caves in the gorge across from the sassi. Kateri (naturally, for a twenty-something) vectored away from Cathy and me, and I, gently but sufficiently chastened by Luigi for my lack of historic understanding, dragged Cathy to the nearest bookstore to buy the books he had recommended.

When you stare out - let's say from your privileged terrace in a cave hotel constructed from a deconsecrated medieval church, a glass of Aglianico del Vulture in hand - across the densely packed, intricate "plan" of the sassi, one predictable effect is to feel yourself taken back to another, ancient time. The uniform and warm color of the so-called "tufo" stone, the complexity and apparent randomness of the settlement make the sassi seem almost natural formations, part of the gorge's topography. The views of the gorge across from the city, steep rocky walls pocked with unadorned natural and manmade caves where shepherds and monks once sheltered, heighten this impression. Inside the town, the simple sassi and the facades of the small shelters built in front of some caves are all fashioned from the same stone. The view, for me at least, creates a profoundly peaceful feeling. That and awe. That is, until I imagine poor children in rags lingering in front of every entrance, the stench from human and animal waste, the suffering and disease. But ancient Matera was not like this.

(Matera)

Al Idrisi, an Arab geographer and one of history's most important cartographers, visited Matera while working for Roger II, the 12th-century Norman King of Sicily, on a study of the latter's realm. He found the city "magnificent and stupendous," and Al Idrisi had been around, from Islamic Spain to the Balkans. Writing in 1595, Eustacchio Verricelli gushed about Matera: "The air is so good that very few people get sick and the inhabitants live very long: many of them live ninety, one hundred years. The men are of average height and clever... The town is made by buildings in white stone and dug caves where rooms, cellars, mule sheds, cisterns, hollows for grain keeping and even hen houses can be seen... When it gets dark, after a trumpet sounds, all the inhabitants place a lamp out of the houses and buildings. Watching the Sasso Barisano from the Cathedral (located on the Cività above the sassi), it looks like a starry sky... the sky and the stars are under the feet and not above the head...". Other written and artistic depictions describe a harmonious, well-organized community integrated with the Cività. Today, it's possible to visit an enormous cistern located beneath the Piazza Vittorio Veneto (in the so-called Città del Piano quarter, also built above the sassi), with pilasters, fifteen meters tall in places, chiseled from stone (it was one of several such cisterns beneath the upper town). The water it collected fed terraced gardens throughout the sassi. Water descended through intricate channels to nourish walled gardens in front of the homes in the settlement's lower levels. These green plots often sat upon the roofs of the homes below. Two larger, constantly flowing channels called grabiglioni washed each sasso neighborhood of sewage and waste which in turn was collected, dried and turned into fertilizer and humus. Each home and cluster of homes also collected water. The sassi were self sufficient, self sustaining and verdant, a 21st-century environmentalist's green dream. Nestled in the gorge, carved into or fashioned from the stone, they sheltered their inhabitants from heat and wind. Middle-class townspeople as well as laborers and farmers made their homes in the Caveoso and Barisano neighborhoods, living side-by-side.

Things began to go downhill in the mid-17th century when the town became the regional capital. Development of the upper Cività and newer Piano neighborhoods followed and the population swelled, stressing and damaging the vernacular infrastructure. Still, according to Laureano and Rota, some equilibrium seems to have persisted until the 18th century when a decline in the local pastoral economy (due, in part, to the decline of the South's importance in the international wool trade) dealt the peasants a major blow. The beginning of the next century brought more unrest when Joseph Bonaparte, installed by brother Napoleon as the King of Naples, presided over a division of public lands. Joseph's reforms favored the landed gentry and new bourgeoisie over ecclesiastical claims but, in effect, broke the peasant economy which depended on working small plots of land (as well as work done for third parties and civic projects). Joseph also moved lucrative regional government offices to Potenza, north of Matera. The Bourbons eventually returned but the power of the new bourgeoisie grew. Development of the areas along the rim of the ravine - essential in the water collection and dispersement systems that sustained the settlements and already weakened by construction projects in the previous century - intensified with buildings oriented away from the sassi and toward the expanding Cività and Piano quarters and the trade roads leading from Matera. In the 18th and 19th centuries, to quote Laureano: "...the pits, granaries, cisterns, vicinati (clusters of houses centered around a well) and gardens on the upper plain, major nerve centers of the systems of the sassi, are buried and hidden beneath the streets and buildings of the new physiognomy of power." The sassi, gradually cut off from the upper city, their water systems compromised, became poor ghettos. The decline increased after the fall of the Bourbons in 1860, when ecclesiastical holdings were liquidated and the middle class, much of which had favored unification, gained control of vast tracts which had been previously worked as small plots by local farmers. The situation of local peasants and workers became dire and, as Rota notes, their options extreme: "il brigantaggio prima e l'emigrazione poi" ("the brigandage first and emigration after"). Those who stayed crowded into the only place available to them, the sassi, exploiting every undeveloped space, converting granaries, stalls and even wells into the single room homes where they lived in filth with their animals and that are now preserved as museums. The vestigial water systems were further degraded and unable to supply the numbers then living in the sassi. Disease, especially malaria, was rampant. The wonder that had been Matera was gone and its previous splendor faded from memory.

(Cistern beneath Matera)

By Levi's time the sassi had become the fetid, diseased hell described in Eboli. Fascism brought ineffective, poorly considered projects to improve the lives of their denizens. The two grabiglioni drainage channels were buried and paved over to create carriage roads to ease entry into and connection between Sasso Caveoso and Sasso Barisano. Many of the bottegas found today in the sassi exploit these relatively new corridors. But this was a mortal blow to what remained of the sassi infrastructure and left the inhabitants to rely on what insufficient modern systems existed. Conditions only got worse. Levi and other reformers' protests eventually spurred the government to act. In 1952, evacuation of the sassi began. New settlements were built on Matera's periphery to house the displaced. There, they'd have running water and toilets, modern gas and electric service. Luigi took Kateri and me on a drive through one of the new sections. Viewed from the car window they seemed like smart, moderately-sized homes. They were generally built on two levels and organized into compact units. There was plenty of green space and, in all honesty, they didn't seem entirely unpleasant. Luigi thought so as well, but told us that many former sassi inhabitants had been traumatized by the move. Some of them didn't understand how to use the modern amenities they found in the new apartments. Some resisted relocation and most agreed that essential aspects of their lives in the sassi - traditions, daily rhythms, a sense of community - were lost in the transition. But modern Italy, which had largely forgotten the remarkable past of the sassi, looked forward and not back, misinterpreted Matera's legacy and encouraged modernization. The postwar economy, writes Laureano, needed "new houses, new ways of living, new products... necessary to the consumer economy." The sassi were abandoned and each individual property sealed. Without maintenance, some began to crumble. The first collapses stirred conversation about the sassi, whether they could be saved and to what end. Enter, yet again, Carlo Levi (and a little irony). At the end of the sixties, he lent his voice to the cause of conservation: "The sassi are not of minor importance among the most celebrated and important things that exist in our country, Europe and the world... (the example of the sassi) is of a very great value and unique in the study of urban planning, architecture, agrarian culture and world culture." Film maker Pier Paolo Pasolini, who set his Il Vangelo secondo Matteo (The Gospel of Matthew) in the sassi (starting a trend for biblical epics set in Matera), also called for intervention. An international debate began on the future of the sassi and in the 1980s national laws were passed to encourage restoration and investment. Things began to move. In 1993 Matera's sassi were named a UNESCO World Heritage Site; their unique history and contributions would be celebrated.

But many (maybe most?) visitors still focus on the Lucani, Matera and sassi described in Eboli, the sassi and inhabitants preserved in modern accounts and photographs: the sassi as a former vergogna nazionale, a national shame. The accomplishments of the people who built and for centuries maintained the sassi, and the potential lessons the historical sassi might offer a resource-challenged 21st century seem largely obscured and unknown.

In truth, I'd known a little bit about the more positive past of the sassi before Luigi and Messrs. Laureano and Rota took me to school. I remember reading some of Verricelli when we'd been in Matera the first time ten years before, especially his description of the lights of the sassi as stars under his feet. During that visit we'd stayed in one of the first hotels to locate in the caves. An older gentleman, maybe the owner, saw me reading a history of Matera at breakfast on the hotel's terrace and invited me on a tour of the complex. He focused especially on the complicated system for collecting water, explained how it was connected to others in the surrounding caves. He was cheerful, effusive and proud of the ingenuity the network displayed. Despite his obvious familiarity with the sassi - he told me he'd been among those forced to relocate - he smiled broadly when discussing his former life in the caves. His face expressed wonderment. But I was also reading Eboli at that time, as well as other depictions - some written by former sassi inhabitants - that described overwhelming poverty, sadness and stoic perseverence. The idea of the caves as wonderous or even sometimes happy places wouldn't stick. They were undeniably beautiful to look at, exhilarating to walk through, but their legacy was a sad one: poverty, inequality, neglect.

That night, after our tour with Luigi, we navigated the alleys down through the Sasso Barisano to a trattoria recommended to us by him and located on the neighborhood's former grabiglione. The cucina was simple but elegant - whipped sheep's-milk ricotta with honey, local salumi, purèe of fava with olive oil and bitter cicoria greens, a rustic, coarse-ground pork sausage and a potent Aglianico del Vulture, all capped off with several shots of the local Amaro Lucano. Kateri left us after dinner to explore the nightlife on the Cività and Piano and Cathy and I returned to the hotel. I stepped from our spacious cave room out on to the terrace overlooking the sassi. A light rain was falling and I was a little drunk. The sassi reclined in the gorge below me, bathed in the warm glow of the street lights. The rain and wine gave the view a kind of Impressionist aspect. I rested my arms on the terrace wall and saw, really, for the first time, the stars beneath my feet.

The next morning we drove out of Matera on a day trip to see the ruins of Craco, an abandoned medieval village in Basilicata that had gained some fame as a kind of ghost town. The first glimpse of the place, towering above a narrow crag and silhouetted against a pewter sky, was truly spooky. There seemed to be no human presence. Olive groves were scattered in the valley beneath the road. Goats grazed silently among them, apparently unattended.

(Craco)

We drove to a spot just beneath the village, which was cordoned off with barb wire-topped chain link. On the other side of the road, across from the fence, another herd of goats grazed beneath a soft pine canopy. A light rain fell. Kateri got out to take some photos of the goats, and Cathy and I looked for some way to get behind the fence. A young shepherd appeared from below the pines, dressed in a toque and heavy jacket. He seemed a little bemused at the attention Kateri gave him. Just then a old man crested the hill on the road above us. Nearly toothless and apparently agitated, he asked- mostly in an impenetrable dialect - what we were doing there, what we wanted. I said we wanted to see the town. “Ma non c’è nessuno (But there’s nobody)!” he yelled, and then launched into a passionate but - for me - indecipherable rant from which I could only make out the refrain: “Non c’è nessuno.” The shepherd smiled at him and waved. We located a sign on the fence which explained that tours could be arranged at an office a short drive beyond the ruins.

A young man - short, stocky and dressed in the somber, worn but clean clothes I associate in Italy with farmers - sat behind the counter at the office. We’d have to fill out a waiver if we wanted to tour the ruins. “Where are you from?” he asked. When I said Philadelphia his eyes lit up. “Il paese di "Rocky" (The town of ‘Rocky‘).” I smiled and said yes and then told him that they’d filmed a lot of the most recent “Rocky” near our house. “’Rocky 6,’” he responded, without hesitation. His name was Vincenzo and he’d be our guide. He gave us all hairnets and hardhats and told us to drive to the gate beneath the ruins. He met us there after ten minutes.

Vincenzo explained that the first damage from slides had occurred in 1963. As Levi explains in Eboli, the earth in this part of Basilicata is comprised mainly of a slippery clay. Slides are commonplace. Part of Aliano, including most of its mother church, had simply fallen into a depression beneath the town, gone in an instant. Vincenzo pointed to an area of debris beneath the main ruins. This had once been the lower part of the town and contained a piazza, a cinema and pastry shop. A long street, lined with shops, would’ve wound down the hill to where we were standing. Now there were just piles of brick, wood and plaster. Vincenzo didn’t attribute the disaster solely to clay soil. Instead, he spoke of neglect. The retaining walls that had terraced the hill and provided support had not been maintained. The medieval tower that crowned the town and provided its most dramatic visual point had been hollowed out during Fascism and an enormous municipal water tank installed. But the system had degraded over time. Water was not contained and leeched into the hill. Vincenzo’s presentation was calm, authoritative and delivered in a matter-of-fact tone. Contrary to the information I’d found online, the village had not been completely evacuated after the first incident. Parts of the town remained occupied until the 70s and some individual paesani even held out into the 80s and 90s. The people of Craco had had to be pried from their homes. We continued up the hill to the beginning of the ruins. A solitary donkey stood next to a detached, ruined house beneath us, near where Vincenzo had begun his talk. Vincenzo explained that one of the last holdouts had remained in the home, defying authorities to demolish his house with him still in it. He opened another gate and we entered the ruins of Craco.

It’s difficult and probably unnecessary here to describe the feeling of walking through such a complex, strange and painfully beautiful dead place. There’s a presence to formerly vibrant abandoned places that defies explanation. The town, like many Italian villages, was a captivating collection of winding and descending alleys. The buildings were constructed with honey-colored bricks made from the clay soil. Grass and wildflowers tufted from wall cracks and on terracotta roof tiles. Frail wooden doors swung open to reveal spartan, furnitureless interiors. Vincenzo continued his narrative, stopping from place to place to show us a compelling vantage or point out a crumbling, treasured artifact, or where one had once been. The town had been evacuated without much care given to the security of its artistic and cultural patrimony. The bells, altars and pipe organ had been stolen from its mother church. The ceiling above the church’s main altar had caved in due to goats grazing on the roof. Vincenzo pointed out the space beneath where once had been an altar. It had once been decorated with frescoes. Local boys, he said, had used the frescoed niche as a soccer goal.

We reached the summit of the town, just beneath the main tower and entered a home whose windows afforded panoramic views of the surrounding countryside, misty hills of green and brown which rippled to the horizon. Vincenzo offered some stories of village life, of how his grandfather had resoled shoes in the town and also been the street cleaner, of annual festivals, especially the procession for San Vincenzo, his namesake and the town’s patron saint. He spoke of daily rhythms, town life, social etiquette and funeral customs and how, on at least one occasion involving the death of an unpopular woman known (for her colorful language, ornery demeanor and mistreatment of her husband) as “the devil’s mother-in-law,” those customs were ignored.

I sheepishly asked him about briganti and he enthusiastically launched into a series of local stories and myths. Vincenzo was in his twenties, but the connection to the brigantaggio Levi lamented is still strong. He said that Piemontesi authorities had liked to display the severed heads of briganti at the entrance to the local towns, and that Craco was no exception. Levi himself references this intimidation tactic. The most famous local brigante, Giuseppe Padovano (called Cappuccino and from Craco), was an ex-Bourbon soldier and sometimes fought under the command of the most feared of all brigante leaders, Carmine Crocco. From our window overlook, Vincenzo pointed to a place at the foot of the town where there’d been a skirmish between Cappuccino’s band and northern forces. A little over twenty briganti were taken prisoner. They were brought to a place beneath the town in front of the church honoring San Vincenzo and lined up for summary execution. Craco’s most prominent noble family, the Cammarota clan, who had supported the Risorgimento and opposed the brigantaggio, assembled to watch the execution, cheering on the northern soldiers. Town mythology holds that the briganti turned toward the Cammarota and damned the family to a barren, heirless future. And according the Vincenzo, this came to pass. The last of Craco’s Cammarota, an old woman, died poor and alone in the family palazzo. Though most said she’d been a kind and decent person, she’d been ostracized by the local community. The wounds and divisions were deep and her family’s sins never forgiven. Levi notes this divide between the working class and gentry in Eboli.

As we descended the hill and again moved into the rubble field, Vincenzo explained his hopes for the town. In 2010 Craco had been placed on the list of the World Monuments Fund, an international non-profit dedicated to preserving endangered architectural and cultural treasures. But the monies amounted to little more than a trickle. Vincenzo, who’d done his research on his own using the few books he could find, the internet and testimony of Craco’s older population, hoped to create a group of volunteers dedicated to the town’s preservation. They would work independently of the outside organizations and government agencies in which he had no faith. Craco’s population had numbered more than 2000 in the 60s but had declined since the evacuation to around 700 souls. Most of them were moved into a new settlement, Craco Peschiera, a forlorn cement development a few kilometers from the old town. The young people raised there, he lamented, had no idea of the town’s cultural and artistic treasures or traditions. They saw only pale shadows of these and grew up with little or no pride in or connection to the town. Most longed to escape.

Vincenzo pointed to where the pastry shop had once been. His face brightened as he told stories his father had told him about his life in Craco as a very young boy. He’d go to the shop and choose several treats and then run to find Vincenzo’s grandfather, who was usually sweeping up in the piazza. “Dad, I took three!” His grandfather would smile, reach in his pocket and pull out the money needed to pay. “And where we’re standing, this was the piazza where everyone assembled each night. The theater was just over there. There was music and fireworks on festival days...”.

We stood alone on crumbled brick, surrounded by silence.

#Matera Craco Basilicata Mezzogiorno Southern Italy Briganti Brigantessa Michelina de Cesare Italian Americans terroni Civitella

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