#those were the two main people so those are the only ones i want to mention idk

[lanalosty0uu]

⋆.˚ PROLOGUE ᝰ.ᐟ

🕰️ BACK TO THE FUTURE 🕰️

no specific warnings on this chapter slight foreshadowing of another stranger things character!

main masterlist

pairing: steve harrington x fem!reader

"Oh, no need to help, dear! I can do it by myself."

The nice 50 year old-ish lady told you not to worry about her fish pond. You're a second year high school student who just got accepted in an exchange program, and now you’re finally here, in Hawkins, Indiana.

"Oh, don't worry, Mrs. Byers, I can handle it pretty well… My dad also has a fish pond on the back of our house.” You tried to reassure her that it’s totally fine for you to take care of it. Remembering that she can already be categorized as an old lady, it would be very cruel of you if you let her clean it by herself.

“You are truly an independent and hardworking young lady… Reminds me of myself back in the old days.” You can see her smile while looking to a blank space, probably reminiscing herself back when she was younger.

You chuckled at her compliment, slightly thanking her for saying something you don’t hear everyday, especially from your parents. Instead of saying anything further, you smiled at her before continue cleaning her fish pond.

⊹ ࣪ ˖🕰️୭˚. ᵎᵎ🗝️

“Please, dear. Feel free to look around.”

Ever since you got here last week, you never had the courage to explore her gigantic house. Not because it has spirits living on it, of course not! (hope so) But, it’s more like you don’t wanna disturb her peace and you don’t wanna look like you’re being nosy about her personal stuff. Yet, from the first step you took on this house, you literally fell in love. The vintage architecture, big pillars on her yard, it seems impossible for an old lady to live her by herself.

Sure, her house only has two levels, but the interior of her house is just mesmerizing. The details and antique things in this place are remarkable. If only you don’t have to control yourself, you’d already touch every single one of her things.

The only thing that you did here was to go to school and spend time with her a lot. You went shopping together, clean the house, do regular house chores, watch cheesy rom-coms or comedy movies (which you surprisingly also love). The whole week basically already felt comfortable for you.

You always loved old people. You get to hear their stories, adventures, and all what happened in the past. It seems… Very interesting, so different with what you have now. And one of the things you love about Mrs. Byers, is that she talks about her youth days a lot in the 80s! You, as a person who is a big fan of the 80s always had an open jaw when listening to how beautiful life seemed to be in the 1980s, especially in the year 1985.

“These are some beautiful watch collections, Mrs. Byers!” You looked through a cardboard box full of old clocks and watches inside.

“Those were my parents’. I was planning to give those to the antique store since I don’t really use it. But you can look around there if you’d like, dear! If one catches your eye, please do take it before people put a price on it in the antique store.”

The feeling of knowing that you can look at these old watches and actually bring them home without needing to let out a single dollar made you feel euphoric. But, you still need to help her cleaning up this messy attic, not wanting her to get asthma from breathing the dusty air so much.

“Maybe I’ll do it later, Mrs. Byers. I gotta clean these up first.”

Mrs. Byers looked at you, giving you the ‘I swear this kid never rests’ look. Yet, she just smiled. And you know deep down she’s really happy to have someone to be her company and to help her around since her husband died a year ago.

⊹ ࣪ ˖🕰️୭˚. ᵎᵎ🗝️

“If you need me, I’ll be downstairs, okay dear?” Mrs. Byers excused herself to go back to her room, probably knitting since it’s what she’s been doing at home (as far as you know). She left you there in the attic, wandering through her watch collection.

As you were diving through it, you took pictures of every single watch, especially the ones that has unique details in it. But one caught your eye… A golden pocket watch. It has golden chains, chained to the top of the watch. Tiny details surrounding the face of the watch. Since it looks pretty old, it was also covered in dust and rust, including the roman numbers that tell the time inside.

You made the watch dangle around your arms, admiring it’s old, yet timeless beauty. You started turning the clock around, seeing if it still works or not. Sadly, it’s broken. You immediately thought of the 80s just by looking at it, imagining how Mrs. Byers would always wield it and brought it everywhere she goes, even though you know this watch must’ve came from an older time… Most likely to be from the 30s or the 40.

Since you liked that pocket watch so much, you put the chains around your arms, keeping it there as you put back the rest of the watches gently inside the cardboard, not wanting to be irresponsible after Mrs. Byers let you mess around with all of it.

note: hey, i'll be publishing the first chapter like around... later! but i'll be posting it today as well (i'll try hihi ^^), lmk what r ur thoughts about the prologue so far, and if there's any of u that wants to be in the taglist, feel free to ask! hope you like this one <3

@xprloki @pupwrites @gorlillaglue25 @lovestrucklyuniverse since y'all seemed pretty excited abt this, i've decided to tag y'all in this and all future chapters, really hope y'all like it and continue reading <3

[an0nwr1tes]

DP x DC idea, post AGIT

So, Bad ending Parent route for Danny when his foks find out he’s phantom which triggers the usual OH ANCIENTS YOU HAVE TO DIP NOW DANNY but, instead of it being Danny revealing it to his parents or his parents finding out by accident it’s Vlad who’s revealed it, completely by accident mind you, so now it’s Danny and Vlad who are on the run and have to jump dimensions because the Fentons definitely went to the GIW after finding out that not only is their SON a ghost but so is their oldest friend?

The GIW proceed to reclaim all of Vlad’s business’s and property’s meaning they find out about the clones and sure Vlad might have stuff set up to blow should someone who isn’t a halfa or already in the know find out about it but there’s no way Vlad just ignored Dani after AGIT and what about Dan? Those were his fail safe body’s but he can’t just kill the GIW because he’s not just recovered so suddenly the Government and fentons find out that there are TWO MORE HALFA’s or ghosts puppeting human corpses as far as their concerned which means all four halfa’s are on the run!

So one thing leads to another and they decide as a group to just jump ship, they get to the ghost zone but as nothing can ever go right for them they get attacked and after months/weeks? Of constantly fighting the GIW and having their names and faces plastered on very screen in the world they’re all too weak to properly fight back and so they run again.

Danny finds a portal and decides that anywhere is better than here and dives in the others following, now their are in the DCU.

So where do they end up in? Gotham of course, and no this isn’t just because I want the Bats to go; who are these skrunkaly children and feral raccoon man?? But because objectively Gotham is one of the best places for them to be when none of them have ID’s or social security numbers or like….anything at all.

So they arrive but nothings going right, Dan and Dani’s clone body’s haven’t stabilised, Danny’s powers are on the fitzs and Vlad just flat out can’t go ghost after he took some really bad hits form the GIW and Fentons to keep the younger less durable Halfa’s safe.

Now here’s where the fun starts, Vlad isn’t willing to live in poverty but he doesn’t have enough powers to properly build back his empire, Danny refuses on principle to overshadow people and do the other morally incorrect things Vlad does for fun, Dan would do it he’s destabilising so there’s no way he can survive overshadowing someone with this body melting and him being stuck out of time line again and Dani’s just too weak at the moment to really understand what’s happening.

For the Dani bit it’s because the other Halfa’s are all complete, Dan is a full ghost so even if his body melts they just need to get a storage device to keep him till they can make another, Danny and Vlad are weaker but their body’s are fine as true Halfa’s can be so Dani is the first priority.

Now I see this going two ways, Vlad uses persuasion(using the power of suggesting, literally he just went: you want to give us this apartment, the guy: I want to give you this apartment) and then Dani and Danny stay at home so Danny can try and start stabilising her while Dan and Vlad get to work on their criminal empire.

Eventually this gets back to the bats and they decide that Vlad and Dan are the main perpetrators and are keeping Danny and Dani prisoner and forcing Danny to make them weapons and machines by threatening her sister, which would make it hilarious if after they’ve stabilised Dani she takes one look at the bats and goes: I am SO going to mess with them! and goes full super villain.

The second way (AKA; the funnier way) is if Danny has to help stabiles Dani and Dan so Vlad is the one left to go about things but he’s weaker so they don’t get an apartment and Danny is stuck feeding their cores his own ectoplasm in whatever abandoned building they’ve squatted in for the night while Vlad grumbles and runs around attempting to steal things and not doing a very good job at it.

The reason I think this is the funnier option is because in my head, Dani and Dan make themselves look smaller, kinda de-age but their both still them, so that Danny doesn’t have to expend as much energy meaning that the Bats chance upon this group of what looks like a father and his trans-son (because Jazz SO gave that idiot enough thearapy that he isn’t as easily misunderstood as he used to be) and like two very young children and the whole family kinda goes; ….we have to help them

This is also funnier(and this is the main point) because the way that help would definitely be trying to convince Vlad to get a job at WE after Danny let’s it slip that Vlad’s an engineer, which he is case and point the GIANT LAB UNDER HIS CASTLE, and Vlad will be suffering because he DOES NOT want to work for some billionaire but they also need stuff to stabilise Dani and Dan and Danny can’t keep doing it because he’s so weak after expending this much energy that Vlad genuinely thinks he could die, ghost self and all and has to reluctantly agree.

Feel free to use this however, just tag me if you do ok?

[superconductivebean]

Just my thoughts—as a fandom hermit of sorts.

Creating for nobody but yourself is actually discouraging when it's done repulsively. You'll feel its hard slap later down the line—unless your inner reader began to enjoy you as an author. They will gradually subside your inner critic and might teach them few lessons in how to appreciate maybe not the work itself—who of us doesn't have an one we dislike in some way?—but the craftwork went behind its creation.

How to do that?

Surprisingly easy.

Watch your creative decisions. Introspect. See yourself in your work.

You are inseparable in some way or another, your reflection is present within it, and by that I imply how you felt writing it and why did you think something would or wouldn't work. The only one who usually know is you, so, if you feel something is wrong, it probably is. The best is the enemy of the good, yes, but I'm not talking about perfectionism. I'm talking about the need to listen to that tingle and being able to assess it before editing.

Perfectionism is, in a sense, artistic pessimism. It tells you everything is wrong but it can't be an objective truth. Then some scenes must be wrong, and alright, good, the field is narrowed down. Which ones? Where? Why? At that point, put the work away for a day or two, then re-open, re-see, realise, that yes, that could be improved, except it isn't a scene. It's a sloppy word choice. It changed the sentence, that avalanched into a little rearrangement, and voila, everything works.

You fight the pessimistic outlook with a little bit of rest.

The more you learn how to treat your work, the more you might grow excited to try new things and not because you want to show them to the world but first to yourself.

That little part of you is who actually matter. Learn to love these little emotion abstractions. Care for the little guy, nurse them, feed them different ideas, styles, work them up to your master and see yourself forming in directions you'd never thought you would be able to simply because them—you—wanted to try something new. It would not matter if those were successful or not; when the entire process is a journey, the output's performance begins to matter very little.

Besides, the little guy would want company—and that's when other people come in. The reader doesn't like negative responses or no responses at all, true. Know who does? Your inner critic.

They're all too eager to overthink things and they're the perpetrator of your pessimism. So make them analyse why something clicks for many people and why something goes under their radar, make them a little analytics-building machine (which is also a skill), and just keep its outputs close in case you're curious how different fandoms or communities work. It's mostly a useless information. But you will be certain about things, and certainty brings comfort.

It will help to find readers in case you'd need more, too. Or if you'd like to meet someone new. But is it a guaranteed method? No, it isn't. Sometimes you'll write the most influential fandom monsterfic and all these people will pass by. Othertimes you'd write the smallest fic in the fandom but all its people will get around it because they liked your take on things or became curious with your ideas—and they can actually stuck around. You may never know. Fandom isn't business, it is rather a wild fair with barely predictable events in its main mystery.

Besides.

You can't make yourself a miracle to everyone; but be the miracle to yourself, and people will notice it and will try to comprehend you. Be Original, they say. They lie. They want the same jacket but red. Or the same jacket but sewn from kelps. Be Familiar But Be Outland-ish. Do your thing, that everybody else does, in your own fascinating way. Be the artist after all, be that bitch and leave people with the art-shaped holes in their thoughts.

I used to play an instrument once. I was bad at it, well, I was taught poorly and was only ever learning how to play from the sheets. It never go outwith or far and the instrument is long-sold, but I'm still able to recall the emotions I had while playing it. Heartbeat was the metronome, the hands were going in perfect synch, the entire body was able to feel the timings, and at some point, it wasn't simply the flow and going along with it. It was being the flow. The architect behind its creation—well, yes, the music wasn't mine, but being able to recreate it and make it sound as it supposed to sound was utterly captivating, enamouring, absolutely wondrous experience.

Years later I became enamoured with the writing—the process of it. If I manage to build the flow correctly and sail down my own rivers with little to no bump, unless planned, I'm overjoyed and amazed.

But will it go far? How well will it perform? Sometimes I do care if I know people might be interested, but beyond that, it's just doing its thing and bringing me joy because it's a puzzle, because it's a never-ending fascination—and because it's even more than that when done in the completely different tongue. And people take to it. Because it looks fun, perhaps, or it's something they had rarely seen before done in the language, or maybe it's just the way I tend to pick words and arrange them. I always get different answers. But what I know for certain: that something I found within me works both for me and people liking my things.

That what matters.

It all might sound a tad bit mental but it's so important to be in harmony with yourself as an author, as a reader, and as your own critic—who else knows you as much as you? Don't forget the people you have—the crowds will come and go, but the friends will stay.

Maybe this is a hot take, but as creative people, our #1 priority in our work should be ourselves.

It is not, AND SHOULD NEVER BE, what would get us the most engagement. Dispel "content creation," popularity, and monetization from your brain. Write, paint, draw what you want to! HOLY SHIT!!!!!!

The people who resonate with it will eventually show up. But the people who don't? Who cares???? The art you personally create is meant to help you heal, to help you express, to bring you joy and pain!!!!

You need to learn how to work on something because you deeply care for it and can revel in that self-satisfaction. Of course recognition feels fucking great! We all want it. We are humans, but you need to stop creating with the idea of other people consuming your work!!!

Give into the art movement. Create a renaissance for yourself. Fuck other people. Be that bitch! People are not going to be in your lives forever, and when you're left to your own devices, you should be able to look at what you've created and fucking love it.

[ridox]

A Theory on Caleb and MC’s dynamics —

Now that our beloved Pilot is back from the dead with a new preview I have several theories regarding his and MC’s past involving Ever

(I’m also back with theorizing this year now that we’re finally getting main story progression and updates!)

All theories under cut! 🦾

What struck me the most about the preview was the line “They are the optimal weapon for destroying one another.”

Alongside the information we got that Caleb’s EVOL is classified as gravitational combat.

We already know that Grandma was a former researcher for EVER that adopted both Caleb and MC after the experimentations done to them. Whether it was green lighted by EVER or not is not entirely sure yet but we could infer that EVER didn’t mind so long as MC was with Caleb and Grandma (more so Caleb). Why?

I think Caleb was sculpted by EVER to be MC’s demise if her EVOL goes out of control. He was made as a Plan B if their efforts to suppress her EVOL did not work.

MC is essentially carrying the power of a planet’s core inside of her (re: see Xavier’s myth regarding MC and her role in saving Philos). EVER wanted to make sure that if things ever go south they would have an asset behind them that could take out the threat.

And the closest asset they have to her is Caleb himself. Too much gravitational pull could make a planet collapse in on itself. MC’s Anhaunsen Class EVOL could be the push that Caleb’s EVOL needs to trigger that. Except he doesn’t want to kill MC, he’s grown to attached to her and have been keeping her in the dark when it comes to his space missions as a feeble attempt to save her.

EVER has had their eyes on MC since she was a child, but she didn’t became a liability until the supposed guardians the company assigned to her mysteriously died. But we now know that Caleb isn’t actually dead.

Of course, it only makes sense that EVER is going to save him. He’s their only weapon against MC should she decide to awake her full power and wage a war against them. Caleb is the only LI linking them to her because all the other LI’s have grudges against EVER.

Case in point:

- Xavier doesn’t trust Ever for experimenting on Wanderers. It’s also been suggested that former backtrackers who formed a grudge against their prince for ‘abandoning them’ has made it known that they’re also out of MC and possibly even started working with the company to annihilate her.

- Zayne doesn’t trust Ever for their involvement in practicing dubious medicine involving protocores. One of his specialties as a doctor is dealing with symptoms of protocore syndrome and from his branch we were able to see just how much distrust and disdain he has for these people.

- Rafayel’s involvement is hazy but possible that he has some inkling of a doubt about the experiments Ever has been doing behind closed doors. He’s a possible asset to them after all if they get him. Former God of the Sea and one of the few remaining Lemurians alive today. We also know he made a deal with a representative of Ever during the auctions so there’s no doubt he actually knows their shady business on the side.

But this is where it gets interesting for me!

Sylus has direct contact with Ever in the N109 Zone and he has all the reason to involve himself in their business after they involved him in theirs. We know Sylus was gone for an unnamed amount of time and within that timespan the two explosions had happened. They pinned it on Onychinus afterwards to take advantage of Sylus’ missing status.

It also just make sense that once he got a wind of it, he’s going to investigate what really happened. Sherman was most likely bought off by Ever to do their dirty work in the N109 Zone and possibly to kidnap MC once they got wind that she’ll be at the auction. I feel like through those series of events Sylus was able to find out that Caleb was in fact still alive and has been tasked to get MC back to Ever’s hands.

Alas! These are all merely theories. I’d love to hear anyone’s thoughts. I’m so excited for the Main Story Update more than anything.

[alexa-fika]

The apprentice’s apprentice (Chp 1)

Lesson 1:Don’t Anger The Captain

Prologue

A/N Omg guys I have been wanting to start actually doing series for a bit and I decided to start with this one! I ‘m still deciding if I want to do more than one series at the same time since I ‘m still backed up on requests but I am really exited for this project!!!

Reader here is replaced by Dokucha which stands for Reader in japanese for the enjoyment of both reader and oc character readers alike!

Most Grammar mistakes here are in purpose to better portray Dokucha/reader’s age and if they are not 🤫

Dividers by @/firefly-graphics

“Dokucha, don’t go far. We don’t know what’s on this island.” 

“Oey Ayeigh!” Dokucha responded with a skip on their step as they hurried off, excited at the promise of new land to survey and explore

“There they go again; I swear it’s like talking to a wall!” Rayleigh grumbled as he made his way down the slipway

“Wahahaha! Don’t worry so much, Ray! They will be fine, let them be a kid.” Roger laughed, not far behind his first mate. 

“You’re too soft on them, Roger, you leave them be, and next thing you know, they will be bickering over nonsense like those two!”

“H-Hey!” Buggy protested, a frown painting his face at the accusation 

“Dahahah!”

“What are you laughing at, idiot? He means you, too!”

“What did you say?!” 

“You two better not start squabbling!” Rayleigh snapped, rolling his eyes as the two were quick to look away from each other in a petty display

“But Rayleigh, you also cuddle them!” Buggy accused as he pointed at the man, letting out a yowl as his comment got him a fist on his head

“Serves you right!” Shanks snickers

“Regardless, what are you trying to do here, Roger? Even if Whitebeard was spotted around here, what makes you think he will come here? Are you just going to wait for someone you don’t know will come?” Gaban questioned, joining his crewmates

“He will come! I am sure of it!” The Captain proudly stated

“You don’t know that, Roger,” Rayleigh sighed, pinching the bridge of his nose at his Captain’s antics.

Meanwhile, Dokucha made themselves to the edge of islands some ways away from where the Oro Jackson had anchored. Within minutes, they let out a grin as they had found what they had hoped to find: plant life.

Despite their young age, Dokucha had begun to show interest in plants. Initially, it had begun as a simple attraction to the vivid colors and different shapes, just as many kids their age. However, upon learning from Crocus that plants could be used to treat people in different inflictions, they had found themselves trying to learn all they could about plants, always asking their uncles and brothers to read them books regarding the topic, although still unable to read thanks to this help they had become able to identify a small array of plants and were always on the lookout for plants they could show the crew, happy to show off these skills.

Happy with their find and current stash, they picked themselves up, ready to make their way back to their family. However, they stopped at the sight of something off the coast, which urged them to make haste back to the crew.

-

“Capi!” They called as they ran towards the man, stumbling in their hurry to reach them and deliver the news

“Ah!” They cried, extending their hands to protect themselves, closing their eyes tightly in preparation for the fall, only for another pair of arms to slide under their shoulders to hold them up; confused by the lack of movement, they slowly opened their eyes, catching sight of two dismembered hands holding onto them

“Dokucha! Be careful!” Buggy scolded as he willed his hands to return to his body, bringing with them the child

“Sorry” 

“What were you in such a hurry for anyways?” Rayleigh cut in

“I saw maenes!”

“Manes?” He questioned

“No maines!” They corrected him

“Mains?” He tried

“No!” They cried. Rayleigh gave his crew a glance, silently asking for some help.

“What was it?” Buggy asked as the child turned to them

“Maines!”

“M-arines?” He questioned with a cry

“Yeah!” 

“Oh!! Now, this is perfect timing! We have something to kill the time while we wait for Whitebeard!” Roger boomed, a childish gleam escaping him as he spoke.

“Now then!” He started grabbing Dokucha from Buggy’s arms.

“Think you can take us to where you saw them?” He called with a grin as he put his hat on the child

“Yes! Capi!” Dokucha called excited at the prospect of leading the crew to their objective. They saluted the man as he placed them down and scurried their way to the field, not bothering to look behind them as they did.

Skidding to a stop as they arrived on the coast, they spun around, ready to announce their arrival, only to notice the crew had lagged behind. Most likely still talking amongst themselves as they slowly followed behind them.

“Awe, they’re slow!” They complained, their frown turning around as they felt their presence behind them, spinning around once again

“Capi, I beat yo…..” they paused, eyes widening at the men before them their ship and it's goverment symbol right behind them.

“Huh? Why is there a kid here?” The marine questioned

“They’re probably from a nearby village; civilians are quite nosy these days,” a nearby marine said, sending a disapproving frown at the child.

“Now hurry along, brat. The grownups have work to do,” they drawled, watching as the kid slowly backed away from them, stumbling once again. With no one to catch them, they fell to the ground, losing the hat that previously dwarfed them. They scrambled to take hold of it until one of the marines took it instead.

“Wait. This symbol….it’s the Roger pirates Jolly Roger!” The marine called at who Dokucha could only guess to be a commander

“So this brat is one of them?!” He growled, unsheathing his sword

“Go easy on them; they’re just a kid!” one of the soldiers called, though their tone did not offer any reassurance; instead, it was filled with mockery that unsettled the child.

“It’s better to pluck the weed before it becomes an invasion!” He exclaimed, raising his sword and swinging it down on the child 

‘Help!’ 

“W-What the hell?!” The marine cried, urging Dokucha to open their eyes in time to watch as screaming and wailing began escaping the ship as their mast came barreling down on them. Marines soon began to abandon the ship as a huge slash hit the side of the boat with a resounding boom, smoke, and fire following suit; they watched as the cut rapidly capsized the vessel as water poured in.

“I was looking for some fun, but it looks like you lads came looking for trouble; since you saw it reasonable to cut down one of my apprentices, I see it totally reasonable to cut down each of you, yes?” A voice seethed behind them. Had Dokucha not recognized the voice, they would have followed the marine’s actions as they, one by one, began to drop their weapons and attempted to run away, most of them not making it as far as an overwhelming force reached them, causing them to crumple down.

“Dokucha! Come on, we have to get out of the way!” Buggy cried as he scooped them up.

“Why? Capi is here!” They questioned, watching as they started making distance from said man, noticing how the rest of the crew had done the same

“Why is everyone over here?” 

“Listen, Dokucha! You don’t want to be close to the Captain when he gets angry. You don’t anger the Captain and get away with it!”

Dokucha observed the battlefield, kicking their legs as they took the scene in. Buggy’s words turned out to be nothing short of true, as all of the crew let the Captain handle things as he mercilessly massacred the whole brigade, staining the field with red with each cut until there was nothing more to cut, and it was only then that he appeared somewhat satisfied as he sheathed his sword, shaking it dry from the blood trickling from it. 

He leisurely approached one of the few surviving marines and lifted the man until he was on his knees, held up by the scruff of his shirt, his consciousness slipping away.

“You should have brought Sengoku or Garp with you! You guys are no fun,” he called mockingly. Dokucha watched as the Captain continued to taunt him with various words, turning her sight to Shanks. Now wearing the hat the marines had grabbed, he crouched on a fallen marine as he ate the marine’s food happily; at the feeling of being watched, he looked up, grinning at Dokucha.

“You okay, Dokucha?” He called

“Y-yeah!” They sputtered out, getting nervous as the teen furrowed his eyebrows at their words as he continued to watch them.

“Shans?” 

“Hey, you did well back there! Good job in spotting the marines. I ‘ll be sure to give you a treat when we’re done, okay?” He promised as he waved the chocolate in his hands, watching as they beamed at the praise and nodded their head vigorously, stopping at the squeak their brother behind them let out.

“Buggie?”

“It-it’s the Whitebeard pirates!”

Please let me know what you guys think about this one!! Again I am so exited for this!! I ‘ve got a whole draft if the whole thing going and everything 😂

Taglist:

@Imaginarydreams

@amethystviolin

@h0n3y-l3m0n05

@hannahbarberra162

@epochal-oracle

[zahri-melitor]

Hi! I’m a steph fan and your steph post really is good. IDK what post/person you’re talking about (I assume it’s going around, because I’m seeing the tumblr posts about it) but I love steph, and I think her sense of retributive justice and almost like instinctual violence towards men makes complete sense with her character. Even if I don’t think every writer was doing it intentionally (BQM certainly wasn’t thinking about Steph’s history with men when he had Steph get startled and punch Tim accidentally or whatever), these traits I think speak to feelings a lot of abused and wronged teenage girls have. I think it’s genuinely bizarre to want to remove these traits that IMO make Steph interesting in order to make her more palatable.

While I can actually understand people wanting her to grapple with restorative vs. retributive justice (again, i think this is a really common thing for young abused people to question and struggle with so seeing it on-page could be interesting), I think there’s more and more this sense of because Dixon wrote her this way, you should throw it all out which is so catastrophically boring to me. As much as Dixon is a conservative, and wrote Steph as a bit of a mouthpiece (and leaning on stereotypes about young girls in her characterization), plenty of it i think makes complete sense and genuinely works for her character.

Which, again isn’t to say I think every single aspect should be immutable forever (I think that would also be boring, especially for Steph who very rarely has gotten to be seriously introspective or have a fully realized arc in which her beliefs change past like 2000), but plenty of them straight up work for her teenage years in particular. Like of course the girl with no friends we meet on-page and no real support system when shes introduced is going to be possessive and desperate and catty! She started coming on to Tim after he REMEMBERED HER VIGILANTE NAME. That’s what it takes for teenage steph to like a boy, which I think speaks a ton for her dynamics with her male peers in her life. Like the minute you think even a second about what Steph’s life was probably like pre-Spoiler, I think most of her character flaws as a teenager (even those born of a conservative era or sexist writing) make complete sense.

I understand people not liking Steph (although I think she gets a lot less leeway than her male counterparts), but I think buffing out her canonical traits and flaws so she’s just like this freakish exaggerated version of herself (a perky, hyper-feminine stereotypical blonde thats super chaotic and doesnt think and does everything unintentionally) that only exists as a character foil to Tim or Cass or as a like cookie cutter snarky young female sidekick is way worse.

The thing about Steph in particular compared to a lot of other characters is that she has two very distinct, separate versions of her story that exist in an overlapping form (rather than before and after a Crisis like a lot of other characters who have a similar discontinuity in their characterisation).

The main character Steph you get reading Batgirl 2009 and Batgirls 2022 is a quite different personality to supporting character Steph that forms her appearances from 1992-2004, Batman RIP, Tynion's 'Tec, and Mariko Tamaki's 'Tec and One Bad Day.

Now personally, what I enjoy in a character is complexity and personality traits that are simultaneously assets and flaws (This is part of the reason I adore Barbara Gordon: she's a stubborn, grudge-holding hypocrite, and it gives her character so much depth). Another thing that you particularly see with female characters is they often develop a lot of complexity via stories that don't quite line up but when analysed turn into patterns of behaviour that various writers didn't even realise they were contributing to.

Supporting character Steph tends to be allowed to be messy (to help move stories along!) and that's where a lot of her most interesting personality traits pop up. As you say, there's a lot of solid background to why she hates to see criminals 'get away with it' based in her background and childhood and storylines. There's reasons for why she seems such a loner who has trouble forming friendships and who clings to the people who do put up with her for validation, and is so territorial over her relationships with Tim and Cass. She's desperate for approval and will cling to any shred of it she gets. And that desperation and determination is where her stubborn commitment to get back up again and ignore everyone trying to convince her to stop comes from, and how she keeps fighting, to prove her naysayers wrong.

While I tend to feel the Batgirl 2009 and Batgirls 2022 version of Steph is really flattened out into Generic Perky Blonde Optimist, because she's not allowed to face consequences of her actions or be at fault for anything in those titles.

It also obviously makes discussions difficult, with the overlapping contradictory characterisation versions, because if you're talking to someone who's only read a small chunk of her canon, you have to work out which bits they know, and with the added problem that what looks like obvious entry points (her solo or Batgirls) tend towards more uncharacteristic and flattened personality versions of her. Someone who's only read, say, Batgirls, has a very different view of who Steph is than someone who's only read Steph's Robin appearances, and if they try to discuss it without realising the significant differences in characterisation they're going to end up talking at crosspurposes.

[cirusthecitrus]

Question 6 from the entrapdak question game? :))

Thank you for the ask! There are two terrible takes that to this day make me believe that some antis watched spop skipping every scene that had Hordak in it

Well, the first one is more of a crazy conspiracy theory, but I still wanna mention it - "Entrapdak is a pedo ship cause Entrapta was meant to be a teenager" and "her age was actually retconned so the writers could ship Entrapta with Hordak". I do wish that Entrapta's age was confirmed in the show itself, cause this aspect of her character did genuiely confused a lot of fans, but thinking that she was actually written as a minor but then was aged up just cause the writers wanted to make entrapdak less problematic?? Insane

The other take is "entrapdak bad because Hordak was manipulating Entrapta to work for him and was abusive towards her". And it used to be such a prevalent opinion in the main fandom too! I honestly think those people just hated Hordak sooo much (mainly for being a threat to Catra) that they were making shit up to make him even more evil and irredeemable so everyone would stop liking him or wishing him a happy ending. Many also loved Entrapta, but hated Hordak so much that they imagined he'd be a terrible partner to her and were insisting that she "deserved better" and was actually unhappy with him (some fake ass Entrapta fans imo) Like, lets dissect this take again. At first, as fellow Hordak fans always say, Hordak couldn't even manipulate himself out of a plastic bag. Plus there wasnt a single scene where Hordak manipulates Entrapta to do smth for him. It was Catra who made Entrapta side with the Horde and convinced her to work for them. Hordak didnt mind, but he also had no say in this. And when they became lab partners it was Entrapta who forced herself into Hordak's lab and in his life, she was the one always insisting on getting information and knowledge out of him, who insisted on working with him, bro just could not make her leave!

Many used to say Hordak was only using Entrapta for her skills (and also didnt care about her as a person, like hello?? have they seen s4 and 5?) when Hordak never made her do anything she wasnt intersted in - he didnt made Entrapta help him build the portal, she was already curious about portals! he didnt make her take care of him or build him a new set of armor, it was her gift! and he was never forcing Entrapta to stay by his side or be loyal to him or the Horde - she simply enjoyed working on this project and spending time with him. And when Hordak was told that she betrayed him he just... accepted it and never thought about revenge or punishment or anything like that. And he wasnt angry cause he lost a tool that could upgrade his tech or fix his problems, he was devastated because he lost his only friend. But you know who only saw Entrapta as a tool-

Then the abuse part - by that antis usually meant those two moments when he yelled at her/ cut her off while being in pain (and also brushed off Entrapta's hair). Like, yeah, Hordak has anger issues and he does scream a lot, and my boy should work on that, but such behaviour never made Entrapta feel distressed or afraid of him. She was either unbothered by Hordak's attempts at being scary and intimidating, or she was sad FOR him (and slightly dissapointed) - she never took his outbirsts as Hordak being genuinely mad at her, she knew smth was wrong with him, but it had nothing to do with her. He yells when he tries to imitate Prime and make ppl leave him alone, or when he's in so much pain he can't handle it and once again wants to be left alone (all because he himself doesnt feel safe around ppl T-T). Should he still apologize for snapping at Entrapta? Yeah. But is such behaviour abusive? I can be, but in case of Hordak? I dont think so

[stitchzin]

Letter from a Crow

As soon as Rook disappears, Lucanis is the one who decides to tell Viago, the word spreads as Rook's friends begin to read books on how to rescue her. Lucanis goes to Caterina, they meet at the Cassino, and says he stopped her from confessing because he didn't wanted bad luck. Now he feared he would never hear this again.

"She wanted to call me Vhenan... do you know what it means... It means, my heart."

"My poor boy..."

"Raise your head" Illario appears behind him. "You won't avange her while having it down." They were a weird family but they were there, healing some woulds.

But Viago's family was Rook and Teia. And both don't know what to do this time. One day the owner of one of the city's theaters enters the Cantori Diamond, and gives Teia a letter that looked like it had been read several times.

She said that regardless of whether Rook was found or not, Viago should read it.

Rook was unique in relation to many crows, she did not move from the main house after she started earning her money. In fact, she even has a rented room near the theater, but she only used it when she had her nights with friends. Her "real" room was positioned next to Viago's room. Every morning he opened her door and said "Those who earn money lying down are whores, get up", even if Astraea was already awake.

He drank coffee Rook drinked her chocolate, talked about various subjects, nobility and Crow gossip, new poisons and the weather. Teia adored that, It was rare that she and Rook shared the breakfast table, but it was pure entertainment to watch Rook and Viago have the same mannerisms.

Viago was training when Teia delivered the letter, the exhausted body of a man who tried to throw his emotions on anything but those around him. He had returned from a visit to Caterina, who had been through something similar. There was no way of knowing what the first Talon had advised him, but it had had an effect on him.

And reading that yellowed paper, with purple ink and a dried jasmine branch on the page made him freeze. Rook had had the courage to say what he had never said explicitly. And without her there for him to provoke, or correct.

He didn't know what to do.

The only person he wanted to talk to about his favorite's disappearance was herself. Teia and he sat on the balcony drinking wine. The balcony of Rook's room, surrounded by her things he asked the servants to keep it neat. The vases of jasmine that never died made everything smell like her. And he read it again out loud.

Nesryn,

I remember the day I arrived in Treviso, the way I followed Viago because I thought I could rob him he was covered in silver and good quality leather, only to witness a murder. I didn't even feel afraid it was so quick and ellegant. He dragged me by the ear to you, thought I was one of your children and apologized afterwards and turned his back. I think he thought my Vallaslin was a theater painting because of its unique lines.

Despite everything, the following week I followed him, he told me to mislead people and I did it, he told me to deliver messages and I went.

He would give me a candy, a bag of fruit or a silver coin. If he was having a good day, a full meal before correcting my acrobatics. Funny two weeks. But... If I hadn't stolen keys from that smuggler and entered that warehouse and freed him of that trap, he might never have taken me to Villa De Riva. If Viago had been impressed by my peculiar way of moving between the rooftops before, he didn't show it until that day, always so critical. In my 12-year-old mind he hated it, but today I know he corrects it, because he cares.

"Astraea is your name now, Sitara is dead in that desert." I didn't want to stop being Dalish, and when Viago said he would never ask for such a thing, I accepted. I think he just accepted that I would always be this slightly wild thing with blue hair.

I arrived at the Crows knowing much more about hunting and survival than murder and became my unique self, always thinking of a way out, a new trick. Even so, with all this transformation I still saw myself arriving at your house. With bruises, cuts and sore muscles. Learning to make medicines, cook with you or play one of your instruments. You asked me to leave thw Crows, and I asked where. Still you were there when I became a crow, and when I did so well at my job that I earned the family name.

I heald high for many years.

When Antaam arrived, when he caught you, I had to show my gratitude by saving you. Obviously, the Talons weren't happy, but I trusted Viago. Even though I was afraid of being abandoned again. After a lot of yelling, Viago sent me away. I knew he was risking his neck by doing this, so I obeyed. And I didn't regret saving the friends I made at the theater. Nor did I regret traveling together. We passed through villages while I hid half of my face. There I saw a different family, light conversations at the table, lessons on sewing clothes, who would wash the dishes, putting feelings into poems and songs.

It was a beautiful time. And thank you for showing me this family that was made up of our friends. It was beautiful to see worlds within the world, realities marked by a veil that separates them from the rest. Dancing gave me new ways to practice sword and dagger, so beautiful that you had me as a nighttime attraction, using a ribbon to disguise the murderous beauty of my hands.

The thing is, my world is different from yours. In my life, I learned to get up when I fall, to keep walking because no one will save you, to endure pain so that it becomes a surmountable difficulty, to feel the effects of poison before receiving the antidote and to build up resistance. It wasn't easy. But that's what my family taught me. And that's what saved me many times.

Nessie the issue is... staying with you, away from Treviso without being able to return reminded me that Viago is my family. He and I are within the same veil. And the difference between you two is brutal.

You told me that "It's possible to live even after discovering that the world has gone bad, as long as I don't allow the world's evil to seem normal."

Viago told me "We carry death in the shadows, and at the same time we look in the eyes and say: not today."

We have different lifes, different sayings to keep our heads held high in the world we live in.

Being in this family these days rekindled my light and I'm going to use it to deserve to return home. That's why I'm leaving with Varric and Harding. I promised I would only send a letter to Viago through a contact, but life is as untamed as I am.

I'll see you again in Treviso.

Love, Astraea De Riva.

[mirikitakato]

[Translation] Anan 12/2024 Issue: Mahoyaku Interview with Tsushimi Bunta and Kazuma Kowo

This is the short Interview with Tsushimi Bunta (Main Screenwriter) and Kazuma Kowo (Worldbuilding Supervision), released to celebrate the 5th Anniversary.

Interviewer: Congratulations on the 5th anniversary of "Mahoyaku". As you continued writing, have your messages you wanted to convey through Mahoyaku changed?

Tsushimi & Kazuma: The fundamental message hasn't changed, but we feel that the way it's conveyed to people around the world has. For example, from a youthful, hopeful message of listening to everyone's voices, like Arthur, and a world that is tolerant and positive towards others, it's shifted towards a more fatigued Figaro-like feeling where there's an overload of such messages that people are tired of being considerate and tolerant. We're feeling a sense of "For Myself" like Mithra or Owen. The message Mahoyaku sends doesn't change, but we need to change the way we address Arthur compared to Figaro or Mithra.

Interviewer: As the story progressed, were there any wizards whose character changed or exceeded your expectations? Also, Arthur and Murr have graced the cover of the special edition. Are there any wizards who would be interested in a magazine like "Anan"?

Tsushimi & Kazuma: We have never talked about this, but if we continued to portray scary characters like Oz, Mithra, Owen, and Bradley as scary, it might disrupt the balance with other characters or invite hate, so we needed to reveal their cute sides early on. If there was only one main character, we could have revealed it slowly, but to depict the cohabitation of two main characters, we needed to reveal each character's gap early on, and I think the gap was established faster compared to the normal narrative speed. I think Chloe would probably like "Anan"!

Interviewer: In Mahoyaku, there are many attractive sub-characters besides the wizards and the player. Are there any sub-characters that left an impression on you or are your favorites?

Tsushimi: Personally, I like Olivia, also Eva-sama and Sophie from the main story part 2. I'm looking forward to the day when the Mahoyaku illustration team draws them. Also, Colin's cuteness and quietness in the Etude of Frog made me feel sad but not empty. I think he swayed my preferences a bit. Also, I was happy that Dianne, who appeared as a mysterious and problematic castle lord in the 4th anniversary event, was eventually accepted with empathy and a watchful eye.

Kazuma: Who impressed me, huh...I am undecided on the names until the very end, so I will choose all the five witches in part 1.5, who are memorable. My favorites are the previous Sage, Aureolin and Scarlett from part 1.5, Zara-sama and Gill who appeared from part 2, and Eva-sama.

Interviewer: Arthur and Murr appeared in this illustration. What kind of relationship do they have?

Tsushimi & Kazuma: They are the faces of the story. Both have curiosity, a spirit of adventure, and intelligence, and they are positive about things they want to know, interesting things, and journeys, as well as having an overarching view of the masses and unwavering devotion and loyalty to those they live with. Seeing those commonalities, I think they might eventually become a pair who get along very well and might cause a lot of trouble. I think they have respect and care for each other, but also keep a moderate distance between themselves.

Interviewer: Finally, what would you like to say to the wizards and the Sage who have been working hard to walk through the story filled with various events?

Tsushimi: Sage, wizards, and all the other characters are always working hard, either to solve problems or to protect their own identities, and I'm very grateful for that. Thank you! It's still too early to say “thank you for your hard work”, so I hope you can continue to support everyone!

Kazuma: To Sage - Even coming to an unfamiliar world, I respect your positivity in taking a positive view of your environment and life, and your compassion and communication skills that allow you to step into the wizards’ minds. To wizards - You're really cool when you're battling, so I hope you'll continue to train your mind and body and wait for your turn to shine. I hope you will continue to do your best even though there may be difficult times.

[weirfq1]

with all these gaston crackships/rarepairs that are coming out lately it would be so fucking funny if he had a flig with all the main characters (ambar, nina, simon... hell luna too if you want) and they all know it except matteo

[icewindandboringhorror]

I find it kind of silly that so many of those "time based life rule" sayings are like ~deep serious guidelines~ of some sort, but then there's that one other Well Known Rule that's just like "hrmm can I eat something off of the ground or not"

[thanatika]

low-coherency rambling in the tags

[sweetandglovelyart]

Might be showing my age a little bit here, but did any of you guys also play Super Princess Peach on the DS when you were kids? It was one of my favorite DS games when I was younger, and the impending release of Princess Peach Showtime has gotten me thinking about it again. I still have my cartridge for it, and I also still have the original case and instruction booklet that came with it.

Even after all these years it still works too! Can’t believe that this game is almost twenty years old!

[cawziiku]

I'm not gonna be responding to these anymore, I don't want to have to think about this rn, but I'm keeping the posts up

[batboyblog]

Copy Right and Public Domain in 2025!

It's January 1st 2025 which means it's my favorite unsung holiday! Public Domain Day! This is the day once a year when, in the US, copyrights expire and things enter the public domain, meaning they belong to everyone! even you, Steve!

American copyright for books, movies, art work, and musical compositions (but not recordings, more on that later) runs for 95 years (way too long!) so today works published in 1929 join us in the public domain.

So whats free? so glad you asked.

Popeye the Sailor Man

Many people assume Popeye originated as a cartoon character but thats not true, he comes from a comic strip. The strip was called Thimble Theatre and Popeye was something of a late addition. Thimble Theatre was first published in 1919, so Popeye's girlfriend Olive Oyl has been in the public domain since before the big 20 year copyright freeze of 1998-2019. Popeye first appeared as a minor character 10 years into the strip's run but was so popular he soon took over and the strip would be renamed Popeye less than 5 years later. Now as always whats public is only what appears in 1929, later developments, remain copyrighted. Such as, while Popeye always had super strength its not till 1932 his superpowers were tied to eating spinach, and Olive Oyl originally had a different boyfriend named Ham Gravy, who she dumped for Popeye when he became the main character. It looks like Popeye is following tradition for famous now public domain characters and getting a quicky horror movie this year.

Tintin!

This is personally very exciting as someone who grew up with the Belgian boy detective. Like Popeye I expect a lot of people don't know that Tintin started off as a weekly comic strip. Indeed Tintin appeared as a part of a weekly youth supplement in the Catholic newspaper The Twentieth Century. Any ways, Tintin was first published in there in January 1929, and soon would start what would become the first Tintin story, Tintin in the Land of the Soviets. Now only part of Tintin in the Land of the Soviets was published in 1929, the story line wrapped up in May 1930, so only those 1929 stories and what appears in them is free and clear and Tintin was published in black and white not color. Tintin's author Hergé had no idea what he was doing and was really learning on the job so In The Land of the Soviets is generally seen as his weakest outing and the only one he never opted to redraw in later years. Even so it's nice to see the character free in the world. No word on if Tintin will star in a horror movie.

Buck Rogers (but not really)

The original futuristic space man was published, again a comic strip, in 1929 which means he should enter the public domain today, but he won't. That's because he already is public domain! Before the Copyright Act of 1976 copyright was 28 years with the option to renew for another 28 years. The copyright on the original comic strips was not renewed so ran out at the end of 28 years, 1958. So Buck Rogers has been free and clear for close to 70 years now, whatever you hear about him today.

What else?

Famously last year Mickey Mouse entered the public domain, but all the entered public domain was one (maybe two) animated short, Steamboat Willie. Well this year a dozen Mickey Mouse animated shorts enter the public domain, including the first time Mickey has his iconic white gloves, and the first time Mickey speaks (the first thing Mickey Mouse ever says, voiced by Walt Disney himself, is "Hot dogs! Hot dogs!" in case you were wondering) This will give creators much more to work with if they want to use Mickey in their works which is exciting.

Speaking of Walt Disney, The Skeleton Dance is entering public domain, you likely don't know the title but I suspect you've seen at least part of it at some point

so look for this showing up on TVs in the backgrounds of films and TV shows in the next year or so

Books

The iconic novels of World War I, Ernest Hemingway's A Farewell to Arms and Erich Maria Remarque's All Quiet on the Western Front enter public domain. In fact All Quiet on the Western Front entered public domain last year, but only in the original German, the 1929 translation by Arthur Wesley Wheen is whats entered the public domain now. John Steinbeck's first novel, Cup of Gold, William Faulkner's The Sound and the Fury, Virginia Woolf's A Room of One's Own, and Agatha Christie's Seven Dials Mystery (always get an Agatha Christie novel on this list for the rest of our lives). Dashiell Hammett published both Red Harvest and The Maltese Falcon, later made into one of the greatest films of all time, in 1929. Future children's book author E. B. White (who's go on to write Charlotte's Web and Stuart Little) and future New Yorker cartoonist and humorist James Thurber teamed up to write the delightfully titled Is Sex Necessary? Or, Why You Feel the Way You Do a book of spoof essays making fun of popular books on Freudian sexual theories at the time. The Roman Hat Mystery the first of the long running Ellery Queen mysteries was published, Queen would keep publishing mysteries into the 1970s (and Ellery Queen was a pen name for two people). Richard Hughes' A High Wind in Jamaica and Oliver La Farge's Laughing Boy also came out in 1929 and are in the public domain now. There's much else but those are the highlights sorry if I missed your favorite 1929 novel.

Movies

Alfred Hitchcock and Cecil B. DeMille's first movies with sound, Blackmail and Dynamite respectively, came out in 1929. Marx Brothers' first feature film The Cocoanuts joins the public domain. Other comedy land marks are Harold Lloyd's first sound film, Welcome Danger and Buster Keaton's last silent film, Spite Marriage (which Keaton also directed). John Ford's first sound film, The Black Watch, which also is 21 year old John Wayne's first appearance in a film, as an uncredited extra, he worked in the art department. Hallelujah the first studio film to have an all black cast came out that year. Also worth noting is The Hollywood Revue of 1929 a singing and dancing review, one of the earliest and the movie that popularized the song Singin’ in the Rain, maybe the first time a movie made a song a hit.

Musical compositions

musical compositions, ie the lyrics and musical notations you might see on sheet music are governed by the 1976 Copyright Act, and music written in 1929 is public domain. Music recordings are governed by a whole different law (we'll get there). Songs written in 1929 include Singin’ in the Rain by Arthur Freed & Nacio Herb Brown, Ain’t Misbehavin’ and Black and Blue by the legendary Fats Waller, What Is This Thing Called Love? by Cole Porter, Tiptoe Through the Tulips by Alfred Dubin, You Were Meant for Me by Arthur Freed & Nacio Herb Brown, and also Happy Days Are Here Again by Jack Yellen which would become FDR's campaign theme song in 1932.

Art!

a number of pieces by Salvador Dalí including:

Illumined Pleasures

The Accommodations of Desire

The Great Masturbator

are entering the public domain as is René Magritte’s The Treachery of Images.

Art is hard because while movies and books are clearly "published" and put on sale, what counts as "published" for a piece of art? the law is not totally sure.

Musical Recordings

as I promised, we got here. Till 2017 there were no federal laws governing the copyright of music recordings before the 1970s, it was governed by a confusing patchwork of state laws and it was not totally clear what was or was not free and clear even from the very earliest recordings ever. Now the term of a music recording's copyright is set at 100 years (way too long) so music recorded in 1924 is now public domain such as. Nobody Knows the Trouble I’ve Seen by Marian Anderson, Everybody Loves My Baby (But My Baby Don’t Love Nobody But Me) by Louis Armstrong, California Here I Come by Al Jolson, Rhapsody in Blue by George Gershwin, Shreveport Stomp by Jelly Roll Morton, Mama’s Gone, Good Bye by Ray Miller, and It Had To Be You by Marion Harris. Now many recordings a lot less famous can finally be preserved and digitized to save them for the next 100 years. Many abandoned works are literally rotting away since without the copyright holder's permission digitizing a work isn't legal.

[zosan-secondchances]

The Pirate King of the North

Main Themes: Villain Sanji, Alternate Universe, Zosan Ship

AU where Straw Hat Pirates meet old Sanji from a reality where Reiju didn't have emotions.

Warning: Long post ahead and some One Piece spoilers. Contains strong language.

Part 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12

Young Zoro hates the fucker but those scars and piercings are doing a number to his soul.

Old Sanji's story goes like this:

He didn't experience compassion from anyone else aside from his mother, who--you know what happened.

Judge kept him locked away until he was 13. He had him released when he was deemed too broken to do anything, and he was apparently a waste of space. As far as the world was concerned, he was already dead. He gets left behind at some random pirate town in the North.

His swirly brows were recognized by the pirates who took him in--only for him to be enslaved because people would pay a lot to have their way with royalty.

He picked up some skills from the other slaves and became cunning af--because he had to be.

At 17 he started a revolt against the slaver pirates, effectively taking over as their new pirate captain.

He became the feared "Mr. Prince" and his words are as sharp as his bite.

He's underweight because he doesn't give two shits about good food.

"The All Blue? It's nothing but an old fishwive's tale," he says.

He used his cunning mind and new pirate crew to hunt down and kill his own father from the shadows.

He enslaved his own siblings and becomes the new ruler of Germa Kingdom. Over the years, he used them for warfare and expanded the territory of the North.

His heart is a bottomless pit for power and control.

He had a fling or two or several with is closely allied with Doflamingo because god damn they're both mad like that. The alliance eventually lead to direct connections with Celestial Dragons.

Sanji gains more power and becomes the notorious "Pirate King of the North"

Meanwhile at the other side of the world, Luffy didn't make it as far as he could have without a good cook.

Luffy would have recruited one from Baratie but the restaurant was absolutely destroyed before the smaller Straw Hat crew could make a difference. Some of the staff didn't make it.

Zoro left the crew when it fell apart at some point.

Due to Zoro's reputation and bounty that he had occurred during his limited time with Luffy, he was offered a position as a Warlord, ultimately taking over the late Jinbe's old role. He accepted and served for several years before he was assigned a job that he didn't know would be the most challenging one yet.

The Celestial Dragons didn't like the fact that Sanji had started to have more worldly control over their own, so Zoro was quietly assigned to hunt down the great Pirate King of the North. Zoro accepted because he felt that he needed more experience before he could take on Mihawk again.

Zoro quickly realised that this mission is not a walk in the park.

Sanji loves toying with the Demon Warlord so he insists on taking him on by himself.

It becomes an endless game of cat and mouse. Sometimes Sanji chases and sometimes he runs, sometimes he wins and sometimes he loses.

They're at each others' throats everywhere in the world. Any person, city or being of any kind that gets in the way usually gets torn apart in the chaos. The hunt goes on for a lifetime. They're currently in their 40's.

Zoro severs Sanji's left arm during one huge fight.

Because of this, Sanji relentlessly tries to get Zoro to marry him to use him in so many ways he can think of--both as an asset and under the sheets--oh the things that he wants the swordsman to do and beg for.

Sanji likes to refer to the tiniest scar on his lip as "Zoro's love bite"

He was about to get a nice fresh one on his chest when some fuckers teleported him away.

Hearing old Sanji's backstory was a bit much. It was young Zoro's turn to have a nosebleed that day.

----------

Oh yes I had fun drawing old silver fox, damaged Sanji. I wish I have the time to colour it up. I've also been very much into reading AU stories, especially soul brand ones. Keep them coming, you beautiful people.

Edit: Woo! I finally decided to make my own AO3 account. It's about time. Link here for the story: https://archiveofourown.org/works/60686077