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raayllum · 2 months ago

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Cube Hostage Exchange Theory, for Real This Time

Intro

A few days after Through the Moon came out in September 2020, I made a throwaway theory post about a potential Rayllum reconciliation scenario in which Rayla would be taken captive / threatened by the antagonists, and Callum would hand over the Key of Aaravos in order to save her life.

In the almost four years since then, the theory has blossomed into much more than it started as, largely due to people's amazing art and fic inspired by it, and by the enthusiasm it's been received with, and for those things I will always be eternally, deeply grateful for.

The theory (henceforth CHET, an acronym coined by @jelzorz) has likewise gone through many metas (some of which will be referenced and linked to here when applicable), 20+ pages alone on my blog, with surprising leaps in popularity and plausibility, and multiple variations, both within the theorizing space and within canon itself (5x08, you will always be famous).

There's also been many moments of doubt.

As much as everything seemed to make sense even as Rayllum's post-TTM reunion went on, there was still so much left that was perpetually speculative. We didn't even know if Aaravos would want his cube back, which was one of the theories' many lynchpins, and TDP loves to be subversive (within reason) and throw curveballs I never saw coming, like Terry's wonderful existence or Sol Regem's swerve to attacking Katolis. I've speculated alternative uses for the Key to high heaven (as Aaravos' missing heart piece, a key to the Star Nexus or realm, the key to his prison, and sometimes all three simultaneously as a power up he needs to free himself and wreck celestial havoc). The closest I got to was it being a literal key and related to something Aaravos would want/need back, and indeed a power up, and that he did need a quasar diamond to get out of his prison and that one was in the staff and not also in the Key. Not bad, but definitely missing some marks.

That is to say that there could still be curve balls or swerves, and a theory isn't set in stone as happening until it happens. After all, I've been fully prepared to pack the theory up and for it to not happen three times now (going into S4, particularly S5, and S6). When the S4 finale did indeed have a hostage exchange involving Rayla and Claudia and a boyfriend, I chuckled and figured we might not repeat a plot beat like that again; when 5x08 did it twice, I was overjoyed at getting the exact irony of "Callum literally frees Rayla while chaining himself further to Aaravos' will" that I'd always wanted. 5x08 was, and is, enough for me; if S7 never takes it further, I'll still be pleased as punch.

However, after four years of hemming and hawing and going into seasons preparing for curveballs... I'm pleased to say I finally don't have any doubt.

And here's why.

Sections:

Background

The Cube and the Game Motif

Neon Lights, Narrative Set Up and Pay Off (6x03, S6)

The Knowledge Motif Thread Detour

Tests of Love (Leola, Chaos, and Love)

Alternatives (no possession, third path, Rayla handing over the cube, etc)

Conclusion

Background

First, a little background. Any relevant information in the metas listed below will be summarized / explained / alluded to accordingly for your benefit, but it is a good luck at 1) how the theory has evolved over time and 2) will be drawing in relevant aspects from said metas when discussing season 6.

Previous proper CHET metas include (in chronological order):

The Original Theory Post / Meta (Oct 2020, post-TTM)

Rayllum and Rayla's Weird Consistency with the Key (March 2022, pre-S4)

Rayla's Duality as Callum's Salvation and Destruction (Aug 2022, pre-S4)

CHET: End of Days (Nov 2022, pre-S4)

Opposing Cube Symbolism in 2x08 (Dec 2022, post-S4)

Here's How It Can Still Win (Dec 2022, post-S4)

Aaravos and Rayla as Callum's Two Paths (May 2023, pre-S5)

Shorter post-S6 meta

Things that are useful to our meta here ultimately, however, with a couple of S6 updates in later sections are

THE GAME MOTIF

This refers to a repeated visual and verbal literal and metaphorical motif running throughout the series. Although not exclusive to him, 90% of the time the Game Motif is in relation to Aaravos. It is most prominent when discussing the Key of Aaravos in arc 1 ("This is the game room. Cube should be in there" / "It's a glow toy" literally / "Are you practicing magic or are you losing to Bait at a game of rolly-cubes?") with one 'throwaway' line from Viren to Aaravos in 2x08: "What game are you playing at?"

This then took on a much more prominent focus in arc 2 thanks to the pawn intros and lines from various characters, such as Zubeia's assessment that "We had to beat Aaravos at his own game," Viren's reservations that "I believe Aaravos may be toying with us," Ezran's "His pawns are working to free him even as we speak."

Much of this has been rather set in stone for a while now (one of the TDP's shorts did, though, excitingly link Aaravos' test of love to the game motif, with the line "They aren’t games. They’re tests") but S6 did add some very exciting overlap with Aaravos' game and dark magic, which is fitting given that the two are deeply intertwined: "Because you're too good for dark magic, now? You had a lifetime to play with your toys, and now you decide to hide them away and destroy them?" (Viren to Kpp'Ar about the staff, 6x06.)

We also see occasional overlap with this motif and the stage motif ("You've played your part well" in 6x08 to Sol Regem / "Aaravos chose as his instruments..." + "You will perform acts of love so unforgivable..." in 4x04) as you can play a game, and play your role in a theatrical performance. Or in Callum's case, as a puppet who is "destined to play right into" Aaravos' hands.

PRIMAL STONE FORESHADOWING

As Callum discusses in 2x02 directly, he broke Claudia's stolen primal stone on purpose (not by accident) because he had "a good reason". The comparison later on in the same season, then, that the whole world is like a giant primal stone, and Callum's tendency towards breaking things (specifically magical objects) we well as the emphasis on "breaking the cycle" therefore felt like setup. It also felt particularly apt given Aaravos' wish expressed in Patience that:

I have not seen the stars in centuries. But when I see them again—when the stars are forced to look upon me, their dark brother—they will know how I have waited. And when everything they have built lies shattered, I will savor their fall from the sky.

S6 also affirmed this by associating the primal magic that Leola 'gave' to humans the "first step in a long spiral towards Callum," and what that might mean for Callum, someone who is uniquely a primal mage and has used dark magic. The fact that Aaravos and his key (remember that game motif) are associated with the book of / primal magic as well as dark magic reinforces this duality further.

Who better to shatter the Cosmic Order and known world for the worst better than the boy who is already shattering it for the best?

LIGHT AND DARKNESS

The cube and Aaravos are associated with both light and dark, not only in design, but in magic systems. Aaravos and dark magic are routinely related to darkness ("because I have followed a dark path" / "the darkness and corruption will overwhelm you" / "and my favourite, the human mage, already tainted by darkness" / "in darkness, gaze upon a fallen star"). This is fairly straightforward, as Rayla represents literal light (which we'll get to in S6 in a moment) that heals Callum's broken spirit and rescinds Aaravos' control over him. Note, for example, the way she's shrouded in light in clear opposition to Aaravos' mirror right next to her, with Callum facing ahead towards both of them.

However, it's not that simple, because light can also be seen as a bad thing, such as the possession eyes, Karim's desire to "return the light/sun" to his people, the cube-moon opal's light on the Bridge of Darkness in 4x07 leading to danger, dark magic turning your hair white, and most notably, the way the pawn becomes a literal glow toy in the 4x04 / 5x08 pawn intro.

The light of the cube — perhaps the light in general — is not going to be exclusive in playing into Aaravos' hands. In the mirror-Rayla screenshot, for example, the path towards Rayla is embodied by the shadow she casts on the floor (similar to how regularly Claudia is portrayed in Viren's shadow in S6).

And, speaking of light...

RAYLA AS CALLUM'S PATH, SINGULAR

As speculated pre-S4, Rayla represents light, truth, and love in Callum's life. This was then canonized in 6x06. Post-S4, it seemed overtly evident that Rayla was being set up further to represent a path in opposition to Aaravos. She would save Callum from being Aaravos' prey, she was the Light and reminder of agency to Aaravos' Darkness and stripping of agency. "What if I'm on a path of darkness?" "Then take another path, dummy." This was, of course, all in line with the previous light-darkness and game motif described above. Rayla couldn't, and won't, kill Callum permanently after all if at all, so she has to save him instead.

However, it was also pretty clear following S4 and especially S5 that the razor's edge between salvation and destruction, as embodied by Rayla being the reason he was in Aaravos' clutches in the first place (getting him the cube, being his motivation behind doing dark magic), would eventually merge. Her love would ultimately save him, but it would destroy him first.

This has, of course, been their pattern throughout the series: Rayla comes into his life, causing him to turn/destroy his relationship with Claudia and put him in danger, but she's also what pushes him to do magic for the first time; he follows her off the Pinnacle at great risk to himself, but his love for her helps centre him enough that he can save them both; she is the reason he does dark magic (twice), but is also what fixes his broken spirit during the star-light trial ritual.

Because she's not just the other path in opposition to Aaravos. She is his path, singular.

If you're interested in more of this, I'd recommend my one about the layers of Rayla being Callum's One Truth in greater detail, as well as general speculation of their arc in S7, some of which will be referenced/summarized here as well.

With all that out of the way, let's get into it

The Cube and the Game Motif

Anyone who knows me knows that the Game Motif is my favourite motif in TDP (which is saying something) and that said motif has been a long standing cornerstone of CHET. This is mostly because, as noted, in arc 1 the Game Motif existed almost exclusively with the cube down to its introduction.

CALLUM: This is the game room. Cube should be in there. (1x04)

CALLUM: Last night you thought the cube was just a worthless toy. But now we know— RAYLA: It's a glow toy. (1x05)

The Game Motif was also associated with Aaravos sparsely in arc 1 ("What game are you playing?" Viren demands in 2x08, and never receives the answer / "Well played. She will be a valuable asset") and magic itself ("Is this a guessing game? Just do it!") although to a lesser degree. There were also nods to the imbalance of power in Xadia, with Harrow noting, "Entire armies have crumbled and fallen like toys before [Avizandum]. How can we hope to kill such a godly creature?"

Then, as noted in arc 2, the game motif went from being associated just with the cube to being associated with Aaravos outright, both verbally through dialogue and literally in the pawn intros. This is what I call a motif expansion, where something moves from subtext to text. It is somewhat similar to a merger, where two previously separate associations are brought into being one in the same. This is initially how the cube operates, since the game motif is ongoing whereas Callum's statement of "You wait here, however long it takes, I'll go find a key" in 1x04 is only made foreshadowing in 2x06 when he learns it's called the Key of Aaravos.

2x07 takes this further, though, with this dialogue exchange:

CALLUM: [Holding the cube] What do you think this thing is, anyway? He said it was a key, but a key to what? RAYLA: Are you practicing magic, or are you losing to Bait at a game of rolly-cubes?

For example, here we see the Key analogue/association and the game motif be linked together. TDP does this a few more times with Aaravos' key becoming associated with light (4x04/5x08), destiny dark magic (2x08, 4x04), secrets/mysteries (2x07, 2x06) and more. A lot of this is, of course, because Aaravos is likewise associated with all these things, and the Key is tethered to him and his plot line / motifs and associations.

The game motif does exist outside of the cube's associations — Ezran's pattern of hide and seek represents his childhood innocence, his tendency to run and hide when things get hard, and him shedding both these patterns as they attempt to find

The most interesting thing that S6 did on this note, then, was make the game motif associated not just with magic, but very specifically with dark magic:

VIREN: Because you're too good for dark magic now? You had a lifetime to play with your toys, and now you decide to hide them all away or destroy them? (6x06)

Why am I screaming about this, you may ask? Well, the Staff of Ziard is about as synonymous with dark magic as a thing can get in TDP. It too belonged originally to Aaravos, and became a cornerstone in his grand plan, at least of getting out of the prison.

HARROW: It belonged to an elven wizard in Xadia, the Archmage Aaravos, a master of all six primal sources. (2x06) IBIS: If you seek to return that staff to its true owner, you pose a greater danger to the world than I can allow. (4x03)

So the Staff is a toy, and dark magic, and belonged to Aaravos, and used in his plans, brought directly to him by Viren (indirectly) and Claudia (directly). And the Key is also referred to as a toy, is also in the possession of another pawn, and has also been hidden and/or 'should' be destroyed. A knowledge of primal magic, at least in terms of how it manifests in creatures/locations, is also required in order to be a successful dark mage.

So not only is Aaravos and the key tied directly to the game motif, but through Viren's exchange with Kpp'Ar, so is dark magic. In many ways, this takes what was subtext — dark magic is what allows Aaravos to puppet and manipulate people such as his pawns, and keep the Cycle (his game) going, even if he's not what directly started it (that was the Cosmic Order/Council) — and makes it text. Aaravos' toys are toys ultimately because of their tethers to magic, typically dark magic as well, and his objects of choice, such as the Staff or the Key or how he puppets his pawns, are not exceptions. (There's potential for primal magic as well, of course, but it's currently not as direct).

We also know, thanks to Arc 2, that the Key and Staff are more similar to one another than we might've thought in terms of their purposes in Aaravos' plan. I'd speculated in the past that the Staff and/or the Key held quasar diamonds that Aaravos needed for some power-up purpose; the Staff had the diamond needed for his body contingency plan, and the Key is needed for his primal book to operate and presumably be found, so that he can be at full power.

Furthermore, we have a pattern of dialogue about the Key / game motif eventually becoming literal. The cube is called a glow toy, and then in the pawn intro is revealed to be a literal glow toy; Callum says "what if it's magic?" in 1x04 and we discover that it opens up a book of all primal magic; it's foreshadowed loosely as a key, and it is a key; Rayla asks if Callum is losing a game, and he's embroiled in Aaravos' game as a pawn. Callum will win eventually, of course, as will everyone else... but he has to lose, really lose, first.

After all, every other line regarding the cube has come to fruition other than three:

"This is the game room. The cube should be in there" and "I'll go find a key" from 1x04 have both come back around. "It's a glow toy" from 1x05 ended up being true as well, with the cube flashing a bright light in Callum's pawn intro (and even the cube being included in the pawn intro). The Key's secrets are things Callum is currently investigating (6x02) and will likely fully discover in S7, possibly leading him to Aaravos' book or something else near Elarion and the thematic culmination of the Mystery of Aaravos. Callum's notice that the key seems to be glowing differently in 1x09 is revealed to be true because of the Moon Nexus. Rayla's line in 2x07 about losing the game to Bait is true in 5x08 as he practices magic (both dark and primal) in order to save her from being literal bait, even if that means taking a step closer to Aaravos and 'losing' the game. I expect Callum's assessment of "No good can come from it" (4x07) will ultimately be untrue if it helps him study primal magic ("What if it's magic? [...] I just have a feeling this cube thing can help me"), and Rayla's decision of "Let's go get your cube" is likely going to be true by the end of S7, with Callum reclaiming ownership completely this time.

So let's talk about the three lines that haven't come to fruition yet, because they paint a pretty apt picture:

So in the biggest notion of currently untapped set up, Rayla after being the first to declaring the damn cube a toy says "I hope it was worth it to you putting everyone's lives in danger." The thing is that this it's not like this line doesn't work in context, it very well does; someone could've gotten hurt and Rayla was nearly killed. This is also a sort spot for her because she'd just done the same thing in 1x01, putting her troupe in danger, so of course she's extra (somewhat fairly, somewhat unfairly) miffed at new mage boy repeating her mistakes as well.

Games (and chess) are all about patience, exchange, and sacrifice. We know now that the cube is something powerful, why it is, what it unlocks, and why Aaravos has the incentive to want it back (which as stated was an assumption before).

But the fact remains that the game motif has been tied to the cube to the start and continues to be. Callum's test of either playing into Aaravos' hands and coming back from it (the option that I lean towards) or outright rejecting it again cannot be fulfilled until the cube pawn intro has come full circle.

So let's talk about

Neon Lights, Narrative Set Up and Pay Off (6x03, S6)

As you can garner from this meta and any of my previous ones that have touched on this theory, there were a lot of assumptions that had to go into it. I had to assume, prior to season six, that Aaravos would even want the cue back. I had to assume, prior to season four, that the Rayla-Aaravos Callum-Viren foils thing was happening on purpose and that Rayla would be put in opposition to Aaravos as the light to his darkness. I had to assume, prior to season five, that S4's emphasis on people doing terrible/misguided things for love through characters like Rayla, Terry, Viren, and Claudia would eventually become a mainstay in Callum's arc 2 character arc.

I had to assume, prior to season six, that the story would eventually be inclined to put Callum in a scenario where he'd have to choose between Rayla and the greater good so directly. After all, while I was confident post-season 2 onwards that, if put in a situation with Rayla and/or Ezran's life on the line, Callum would always do dark magic, that was ultimately a characterization basis. Yeah, I could think that he would go there, but the story was under no condition to go there from a Plot standpoint, ie. assembling the story and plot line so that Callum would be faced with that kind of choice again. They could choose to not explore that aspect of a potential character arc, leaving it technically unknown. My characterization predictions in these scenarios, then, have been routinely consistent, but whether the plot itself would cooperate was entirely up in the air, with some plot evidence existing due to TDP's love of exchanges, trolley problems, and hard choices.

Then 6x03 happened:

To say that I cried/cheered would be an understatement.

This, of course, doesn't necessarily mean that Callum will do what I think he'll do, or that it'll play out in the manner I'm imagining. It does seem blatantly obvious, however, that S7 with the season's synopsis emphasis on sacrifice that both Callum and Rayla will face the choice of whether to sacrifice the other, one after each other: Callum first — as he must do dark magic again in order to be possessed — and then Rayla, tested and finally choosing not to sacrifice something to her, saving him back as a result.

But furthermore, I lost my fucking mind explicitly because it's not just a question of "will you sacrifice me or yourself" (which we know isn't a real question for either of them) but "will you sacrifice me or the world (greater good)" which is exactly what I've wanted for both of them all along. For Callum to put Rayla first the way that he always has, and for Rayla to (subsequently) put Callum first as a sign of growth/character development. (This also ties into Rayla's whole thing in s6 of taking the lessons Callum's taught her about how to love and implementing them with him in turn or with others, but that's a meta for another day.)

Now, there are alternatives that there could be / ways to get around the 'greater good' slice of the pie, which I'll talk about later under the Alternatives subheading.

For now, I just want to assert the narrative set up and potential we have so far in a plainer way:

The Knowledge Detour

We know that Aaravos wants the cube (6x09) and we know he knows that Callum has it (4x04, 5x08).

The game motif and key motif have been directly related to dark magic (2x07, 2x08, 4x04 "play right into my hands," 5x08, 6x06, etc).

The Key itself is also related to secrets (2x06), the secrets of primal magic (2x01), and thereby knowledge / answers to the 'Mystery' of Aaravos.

This is also related to the idea of knowing too much or having too much knowledge being dangerous (which you can read more about here, although it's pre-S6 so it doesn't touch on everything presently that it could have).

After speaking with Rayla, Callum tries and fails to give up the cube to assert his own destiny / that 'destiny is a book you write yourself' (4x07)

Callum, like Rayla, will be forced to make a choice between the greater good and his loved one. He will choose her even if that means sacrificing himself on top of the world, and she will save him (symbolically refusing to sacrifice herself).

[Gestures to the rest of the cube / key foreshadowing]

I also want to talk a little bit more about mystery. I touched on it here in a previous meta (Rayllum's potential S7 arc through the lens of S6), but there's an emphasis in S6 on mysteries versus love, with love winning.

I would tell you that the vast mystery I travelled the world to find was contained in you all along. (6x03)

Those few short years with Leola were the most meaningful. Pondering the deepest mysteries of the universe could not hold a candle. (6x09)

Both of these sentiments are similar and apply to Rayla and Aaravos directly: she wanted the security of knowing Viren was dead only to return home to the one thing she wanted ("the best thing I ever had: you"). Likewise, Aaravos had the best and most meaningful years of his eternally long existence when he was with his daughter, where his study and pursuit of magic / universal mysteries ultimately paled in comparison. While it is ordinary parent behaviour as well, Aaravos being away from Leola because of his key and book upon the moment she's taken has layers, as well as how he torments Sol Regem specifically with a mystery concerning love:

We see 4x01 establish two mysteries for Callum that run throughout the rest of the arc thus far. The first is the mirror ("What secrets are you hiding?") which is a stand-in for Aaravos, and then Rayla, even once she returns ("I don't know how to feel about Rayla, either").

These threads run in parallel throughout S5 and S6 (Rayla specific one only here). In season 5, Rayla kicks off both Callum's desire to discover how to kill Aaravos (5x01-5x05) and his new understanding of himself in the Ocean arcanum through their relationship (5x01, 5x04, 5x08). In many ways, S5 is him realizing that he will always be there for her, no matter what the cost — even if that means taking a step closer and making himself more vulnerable to Aaravos.

In season 6, Callum is grappling over the Starscraper / Nova Blade as well as worries of how Rayla will respond to his dark magic use. He worries that Aaravos will use him: "I don't know how, but I'm afraid he... he's gonna use me." The mystery he does solve within the season, then, is suitably what is his one truth — what does he know, without a shadow of a doubt, beyond and above anything else? If S5 is Callum realizing he will always be there for her regardless of anything that's happened or could happen, then S6 is him realizing that Rayla will always be with him (regardless of whether she's physically there or not) and will come back to him.

The reason I'm tangentially emphasizing this is because Callum is a knowledge seeker, inherently — he wants to learn magic and he wants to use magic, and that has always been one of his greatest strengths and weaknesses (ie. going out into the Storm, being unable to throw the Key away). The Mystery of Aaravos through figuring out the Key's secrets will be just about undeniably important, and while Callum might not get obsessive about solving it, the Key still represents that curiosity and desire to Know—the mystery he's chasing and has continued to chase about the world. Knowledge or love (giving up magic to save Zym and Rayla by proxy), and on occasion ("How did you—?" "Cause I love you, Rayla" / "To love is simply to know this") both at the same time, just as Rayla's arc has routinely centred on the push and pull and occasional reconciliation of love and duty.

Rayla's advice in 4x07 made him nearly throw the Cube away, or give up that Knowledge seeking quest. This doesn't mean that Callum should give it up entirely (I've said this in many places, but I think by the end of S7 Callum will likely have the Key and Book as his own rather than Aaravos', paralleling his reclamation of himself and his identity) but the current framing of 4x07 begs the question of "What would you give it up for?" What would you sacrifice this knowledge or curiosity for? Because we know, typically, curiosity and the pursuit of knowledge isn't enough for Callum; he won't "risk his life for magic" (2x04) and views that as being an idiot, but he'll launch himself off the Pinnacle. He'll do things for love that he won't do for magic; he'll be motivated to find knowledge and walk down those paths because of love. Just curiosity, typically, hasn't been enough.

Speaking of which, let's talk about

Tests of Love (Leola, Chaos, and Love)

The game motif and its connection to other aspects of the series—the stage motif (Aaravos and Callum's bowing / "destined to play right into my hands"), dark magic ("You had a lifetime to play with your toys and now you hide them all away or destroy them" / "I'm afraid Aaravos is toying with us")—and indeed the concept of tests ("We all want peace and we all want love, but violence tests us" / "They aren't games, they're tests") had always felt conducive to Aaravos' character, thanks to his statement in 2x09:

You tried to win over the other humans with loyalty and friendship, but they ignored you. Those who fail tests of love are simple animals. They deserve to be motivated by fear.

Even before S6 aired, this statement already made sense—while Viren was motivated by his quest for power and importance, and that was what Aaravos seemingly preyed on, when at the core of it was Viren's desire to be loved and to matter:

I am having some trouble getting people to listen to me. To hear the importance of what I am saying. [Who are these people?] They are kings and queens, the other leaders of the Pentarchy. (2x09)

[To Harrow] What? No, that's not what I'm saying. Please, listen— (1x03)

It is everything to me, to know that I mean something to you. To know that I matter. It's all I ever wanted. (5x02)

Aaravos was able to give them something they wanted very badly. (4x04) / Search your heart. There is something you want very badly. (2x09)

Aaravos' entire manipulation of Claudia has also been based around love��encouraging Viren to lie to her so she wouldn't break away from him and subsequently preying on her desire to keep her family together, dangling Viren's life like a carrot in front of her for two years, pushing her relentlessly on a 30 day limit, and then telling the tale of his daughter to help her perform a spell (the same spell that Callum is doing miles away) literally out of love by letting her connect it to her father.

We see where this mindset came from, of course, in S6, with Aaravos bargaining for Leola's life on the basis of love/compassion, and then to die in her place, both of which being refused. The Cosmic Council failed his test of love, and now he's out for revenge no matter the cost, as Terry says:

Maybe this started out as a story of love, but along the way, it got twisted. He isn't doing anything out of love. He's doing it for revenge.

We also know that the parallels Rayla already has to Leola are just going to be continued into S6 further.

We also know thanks to S6 that the Cosmic Council considered humans having primal magic to be "the first step in the long, slow spiral to chaos." Callum then having multiple arcanums and presumably one day going to continue to spread primal magic to more humans is definitely something they're going to be apprehensive about. Callum reclaiming the Key and Aaravos' book alongside his own identity/agency would make a lot of sense, but that reclamation is only really possible if those things were stripped away to begin with... and it's likely only one thing could strip away those things from him: the lengths he's willing to go through for love, and how love can also bring him back (much the same way Claudia's love for her family doomed her, and will ultimately likely save her).

Callum, you're the 'Destiny is a book you write yourself' guy. No one can control you or make your choices for you. (4x07)

See? So long as we protect each other, so long as we love each other, you can never control us. (5x08)

To love is simply to know this: the tides are true as the ocean is deep. (5x01, 5x08)

Love can save and destroy us, much like how Rayla is the reason Callum took (and may take again) a path of darkness and also lead him back to light (hopefully with help from Ezran). No matter how corrupted or broken, no matter what you've done before, you can be saved and can fix things and at the very least make amends.

Furthermore, if killing Leola for her mercy was what broke Xadia, saving Rayla (and her mercy) will be thematically what helps fix/save it—and also means she can save Callum afterwards, too, since he's the Hope of Xadia and changing the magical scales.

With this basis in mind, let's look at:

Alternatives

For the sake of posterity, the exact events I'm laying out in the above theory is something that looks a little like this:

Rayla is injured and/or dead / on the verge of death somehow

Aaravos (or Claudia) promises Callum can save her if he hands over the Cube

Callum does so and in turn receives the dark magic knowledge he needs to save her

He does the dark magic, and Rayla is saved

Callum is corrupted / possessed and leaves with Aaravos

This lets Ezran and Rayla come together to get him back and resolve any loose ends from their Big Different Feelings about Runaan from earlier in the season

Although Callum did play into Aaravos' hands, he will break free and live beyond Aaravos' perceived use for him, and help defeat him

Now let's talk about alternatives:

Callum doesn't get possessed

This is the only one I'm gonna rule out directly, as I don't think it's likely given the amount of set up and that S7 is Book 7: Dark. You wouldn't have Callum bring up the promise either in 4x07 or again in 6x03 if you didn't want Rayla to be faced with that choice, so he has to get possessed. That at least means a major risk of playing into Aaravos' hands, even if those plans aren't taken to fruition.

Callum gets possessed but not through dark magic use

I've seen positing that Callum could get tainted by dark magic again if he was exposed to the Lux Aurea corruption from a creature or something. I'll also toss one in, which is that perhaps you could be hit with a spell of dark magic of some kind, and have it seep into you—if not from Claudia then maybe Aaravos. Both of these options would fit to me if Callum was pushing someone (Ezran, Rayla) out of the way as that still provides an active choice. It just being happenstance because the characters were randomly attacked in a dangerous area doesn't sit right with me and the show's emphasis on choices and agency even when it would be possible and easier for characters to be more blameless, so I think there will be something along a choice rather than it just being entirely random / Callum's agency being entirely removed. Otherwise, we'd be back entirely to where we were in S4/S5 where he was tainted and open to possession no matter what through no real fault of his own (prior to 5x08); S6 giving him a clean slate also gives him agency about whether he's corrupted or not, and I think it'd be less effective if that agency wasn't utilized.

Aaravos doesn't get the cube

While nothing but canon itself (as it could pleasantly surprise me, and I'd reassess) could change my mind regarding "if Ez or Rayla were on the line, Callum would give Aaravos the key/whatever he wanted to save them" from a characterization basis, that doesn't necessarily mean the plot is going there. For example, I could see Callum just taking the dark magic deal, and then the race is on for Rayla to try and stop a corrupted Callum from delivering the cube to Aaravos. It'd have high stakes, he'd still have some faith that he could make his choice without dooming everyone because she's there to be his safety net, and it'd bring the "I hope it was worth it to you putting everyone's lives in danger" about the cube back but on Rayla's end, as she was the speaker and Callum is worth it.

Rayla gives Aaravos the Cube

I'll admit a set up scenario for this leaves me scratching my head a bit—would Callum be possessed, but Rayla had the cube for safekeeping, and she hands it over so Aaravos would release him? which isn't too dissimilar from some of the central scenario of what I've proposed—as well as it taking away from 1) Callum's agency in breaking free from possession, ironically, and 2) the Cube being his item, not hers. That said, I do expect Rayla to choose Callum over just about everything this season (including possibly the surefire safety of the world) and for the season to do the legwork to get her there from a character development standpoint, so it's not out of the question. It just currently seems unlikely.

Callum doesn't pick between Rayla or the greater good, and has a third path instead

This one is interesting to me, mostly because I'm not sure how it'd fit into the season pacing wise. As stated, I think Callum has to get possessed in the season, as that plotline has too much buildup to get dropped. I suppose that could mean something like 1) he's corrupted through other means (see bullet point number two), 2) Rayla + Ezran saves him from possession, and 3) afterwards, he's presented with a choice between her and the greater good? That could take us to the finale where he's able to find a way through Aaravos' machinations to avoid making that choice, but it does mean until that moment Callum has had little to no agency (and therefore little to no character development) in our final season of the arc. That could reflect the possession plotline's lack of agency, even if it doesn't feel quite congruent with S6 handing Callum back his full agency, but... shrug emoji?

To me, the clearest third path between not sacrificing Rayla or the greater good would be "Callum sacrifices himself in order to take down Aaravos" which could mean unlocking a super dangerous arcanum he might not come back from (Stars would probably fit best there, but Sun or Moon too?) OR doing dark magic to defeat Aaravos; the latter in particular would be a strong Viren parallel to 6x08. We would get the self sacrifice and corruption slant, but it would be without the actual possession part, even if his corrupted form would be undeniably dangerous. It would mean that Rayla is saving him without risking much else, though, which lessens the impact of her arc. This first arcanum avenue would work for a finale, with the dark magic avenue being reserved for mid season (7x04 to 7x07) as a possibility.

If there any alternative theories or ideas you've seen or have that I haven't addressed here, feel free to send them in or leave them in reblogs/replies (I definitely could've missed one, or misrepresented one)—so long as you're earnestly presenting one, and not just wanting to see it debunked because you think it's stupid and/or that people who like it are silly or foolish.

Conclusion

So, in conclusion, CHET as fully and currently posited:

Explains hy the cube is in Callum's pawn intro

Furthers set up with the cube and game motif (+ others) throughout the show

Explains he'll be corrupted and how the possession plotline will come into play

Deepens the series' theme of exchange (i.e. bringing Zym home in return for peace) and transaction (dark magic)

Culminates the setup from 4x07, 5x08, 6x03, and 6x06 in particular

Reaffirms Callum's struggle with losing his sense of self amid dark magic use and Aaravos' hold on him with literally losing himself

Allows Callum to reclaim the cube alongside his own identity once he has broken free

Develops his relationship with Rayla, as well as Rayla and Ezran's dynamic

Culminates Callum's arc in exploring Arc 2 (and the series') main theme of "love can destroy you, yes, but it can also save you" / arc 2's focus on reconciling dualities, as discussed

And I think that's about it!

If you made it through all of this—or indeed have enjoyed this pet theory for any of the 4+ years it's existed—thank you for reading and engaging with it! It was crazy to me after S5 and especially S6 that it was still on the table rather than being decidedly demolished, and I'm excited to see parts / pieces likely come to fruition in S7!

#rayllum #cube hostage exchange theory #tdp meta #tdp #the dragon prince #analysis series #analysis #aka yes i am clearing out / cleaning up my drafts rn

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steddieunderdogfics · 5 months ago

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This week’s writer spotlight feature is: starryeyedjanai! @starryeyedjanai has 74 fics in the Stranger Things fandom and 60 of them are in the Steddie tag!

@steddieas-shegoes recommends the following works by @starryeyedjanai:

All things end and all things change.

what lurks beneath

nights like this

if i could hold you for a minute (i��d go through it again)

"Janai is one of those authors that can make absolutely anything hot. I could sit and talk for hours about how they characterize Steve and Eddie. I absolutely love everything they write and always make it a priority to open the AO3 email when the notification comes in!" -- @steddieas-shegoes

Below the cut, @starryeyedjanai answered some questions about their writing process and some of their recommended work!

Why do you write Steddie?

These two burrowed their way into my brain and just won’t leave. I can’t not write them when I am thinking about them literally all the time and am brimming with new ways for them to fall in love.

What’s your favorite trope to READ?

I’m kind of a sucker for steddie talking via notes, letters, etc. before they ever meet in person. There’s just something so special about them falling in love in unconventional ways before they ever meet in person that hits the spot, you know? I also just really love all the creative AUs that people come up with that I never would have thought of writing.

What’s your favorite trope to WRITE?

I love writing anything that has friends to lovers and especially if they are so, so stupid about it. Idiot4idiot my beloved. friends/acquaintances to lovers is So fun to explore because there are a million ways to do it. I love a good oh moment where things just click into place.

What’s your favorite Steddie fic?

It is So hard to pick just one!!! So i’ll list a few: One that I have reread a few times that I just really, really love is All I Do Is Want by novemberthorne. There’s just something really special about it—all the emotion in the beginning and then the smut which is just top tier. like a sack of bricks and literally anything by alligator_writes is great off the beaten path by pukner is also really, really great

Is there a trope you’re excited to explore in a future work but haven’t yet?

I have a fic idea that I've been thinking about for a while that involves alternate universes, like the metaverse, because if the Upside Down exists, there are probably other dimensions as well.

What is your writing process like?

It is honestly so variable. For the majority of my ficlets, I get an idea and just start hacking away at it intermittently until it’s done, so it’s safe to say that at any given time, I have like eight ficlets that are partially written. I never used to outline because I didn’t really write fics longer than around 5k, but since I’ve started writing longer fics, it is almost necessary for me to have an outline that hits all the major plot points because otherwise I will forget what I have planned. So for anything that I know will be longer than a ficlet, I’ll write out an outline, even just a few bullet points so that I can reference it when I’m writing and not lose sight of where the story is going.

Do you have any writing quirks?

I use way too many em-dashes and my sentences are sometimes comically long, but the way I write is indicative of how fast my brain is moving, kind of. I typically headcanon Steve and Eddie to both have ADHD, so any fics in their points of view will have their thoughts coming out as fast as my own typically are. And sentence length and structure can really help convey that.

Do you prefer posting when you’ve finished writing or on a schedule?

I prefer posting once I’ve finished writing because my focus shifts around a lot and it sometimes takes a while for me to actually finish projects (like i had a fic that sat at 16k for months as I worked on other things that caught my attention and then I finally returned to finish the last couple thousand words six or so months later)

Which fic are you most proud of?

I am proud of all of my fics, but I really, really love how All things end and all things change. turned out. Some fics just come together so easily and this was one of them. I outlined the fic and let the idea marinate for a couple months and then I wrote ~20k in about a week and finished the fic.

How did you get the idea for All things end and all things change.?

This fic was for a holiday server exchange so my giftee gave me three prompts and I found ways to incorporate all of the prompts. I saw the prompt for mutual pining roommates and immediately knew I was going to write Eddie taking Steve home to Wayne over the holidays. I originally only planned on using that prompt, but the prompt for a snowy cabin getaway really called to me as I got further along in the fic and needed more tension between them. It was just a really excellent set of prompts.

When writing All things end and all things change., what was something you didn’t expect?

I did not expect it to get so long! My original estimate was 10k, but then I kept adding more to Wayne and Eddie showing Steve how special Christmas could be with people who care about him and then I added the cabin scene which added an easy 5k to the fic and then I was staring at what was, at that time, my longest complete fic. Wild.

What inspired what lurks beneath?

This honestly came out of left field for me because I had only ever written one other fic like it. I was doing kinktober for the first time and had a few different ideas for the prompt for that day and then I saw that the date of that prompt was Joey (@matchingbatebites)’s birthday and remembered her lake monster Eddie ficlet and instantly knew I wanted to explore a different version of lake monster Eddie.

What was your favorite part to write from if i could hold you for a minute (i’d go through it again)?

I really, really loved writing the flashes into the future at the end of the fic. Throughout the fic, there was some yearning and pining from afar and getting to write that everything works out in the end was cathartic.

How do/did you feel writing if i could hold you for a minute (i’d go through it again)?

Oh boy, this fic put me through the ringer. This was written for the steddie big bang and it was the first longer fic that I was attempting to write. I just had so many different ideas for this fic that it made it hard to choose the direction I wanted to go in. I probably have like an additional 20k words that just did not end up in the fic because it contradicted things that did end up in the fic or just didn’t fit with the vibe I was going for. There were times that I felt discouraged and felt like I might never finish it, but I am very pleased with how it turned out in the end! It was extremely rewarding to finally finish it and get it posted in February!

What was the most difficult part of writing nights like this?

Honestly, I don’t remember this one giving me any trouble at all. Once I got the idea in my brain, I think I sat down and wrote all 2.5k in a day. I do not know what my brain was doing during kinktober, but I think I ended up writing like over 60k that month and it was the only time that I’ve ever really been able to sit down and write a ficlet from start to finish like that and it happened with multiple of the ficlets that I ended up writing the day before they were published.

Do you have a favorite scene and/or line from any of your fics?

I really love the lead up to the smut in my fic catch the embers on my tongue. Like eddie being a little self-deprecating and in awe that steve might feel the same way he does was so fun to write. Also the summary for surface level freak is probably one of my favorite things i’ve written.

Do you have any upcoming projects or fics you’d like to share/promote?

Some of the projects I’m working on right now are things I can’t really talk about, but look forward to fics from me in the Steddie Summer Exchange, the Steddie Bang 2024, and the ST Sapphic Mini Bang!

Outside of these questions, Is there anything YOU would like to add?

Whoever nominated me, I am kissing you full on the mouth with tongue (if you’re into that kind of thing)

Thank you to our author, @starryeyedjanai, and our nominator, @steddieas-shegoes! See more of starryeyedjanai's works featured on our page throughout the day!

Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!

#writer's spotlight #writer's wednesday #steddie #steddie fic recs #steve harrington #eddie munson #steve x eddie #stranger things #boost reblog

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tyquu · 1 month ago

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Ezra time travel fic recs? I too love time travel fic

Hell yeah!! Here’s the ones I re-read often cause they’re that good.

Zephyrus by Jumiko

I love this one sooooo much. It’s written so well. I don’t know much about Jango Fett but he’s pretty cool in this fic, and Ezra trying to act like a normal 10 year old is great too. This particular fic is finished, but the author is currently adding more to their series if you feel like reading those too!

The other End of Destiny by Dghom4him

Mace Windu WAHOO!!!! This one is fantastic!! Ezra in this is sooo fun, and like I said earlier, Mace Windu! Need I elaborate more?? (Cool implied Wildspace adventure stuff too cause I’m always a sucker for that)

The Ghost of Our Future by PadmeNaberrie

I think this one is on hiatus or something, but it’s totally worth a read regardless! You get some different POVs which is super cool and the plot really keeps things tense! Love the way Kanan and Ezra’s dynamic is written in this fic and so far the stuff with Maul is very exciting!

You Enough to Try (To Build a Better Life) by AndiinaRaethTash

Okay, I will admit, the whole “Ezra being a Skywalker” thing is not my cup of tea. But literally everything else about this fic is, and it’s sooooo worth reading! Some lovelyyyy character dynamics and drama in this one. It’s also complete!

All the echoes fade by Reedroad

Okay, what’s super cool about this one is that I read it like, seven months ago and I can’t remember what happens in any detail at all. It’s also long as balls. It’s also not a time travel fic??? More of an alternate universe thing, but I’m putting it here cause to me it counts. Anyways. Brilliant read. Binged the whole thing (so far, it’s still being written I think) in two days and was on the edge of my seat the whole time. Ezra is written so cool, and we get so many other characters too, like Thrawn, Luke, and Leia! Brilliant stuff. (Oh, also skybridger !!!)

#fic rec #Ty tidbit #asks #Ty recs #Ezra bridger

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williamkisser · 5 months ago

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♡— The Mercenary and Forward when they’re sick

♡— I don’t know how to start…. here we are. I was talking with @fishermanshook some time ago on discord about random stuff as always when i expressed that i feel like writing something. I discussed it a little, i started writing a draft on tumblr and ended up writing something completely diffrent lol. But anyways. If you know me from my @williaml0ver account you’re most likely aware i retired from writing like… three months ago? I just gave up on doing it. But now that time passes i feel quite rested and ready to write something silly. Maybe from time to time i may write something more. Either way, i hope you all enjoy writing my goofy fic.

♡— Warnings: g/n reader, short fluffy hcs, a little over 400 words for each character

♡— You instantly received some mixed signals from the rugby player when he refused to wear warmer clothes on the way to his match. Sure, the days were still fairly warm, however at nights it could get really cold. William, who seemed very bold before going out, is now tucked in his bed with two blankets on.

♡— At first, the Forward feels embarrassed. He should have listened. William would like to pretend everything if fine to save his pride, but he can’t hide the symptoms even if his life depended on it. When he sneezes, it’s like if there was a small earthquake in the room - at least from what you can hear in the other room.

♡— This man leads a healthy lifestyle. Obviously, he is an athlete. He also eats a lot, mostly healthy food and has a consistent diet. You barely see him ill. But when he IS, he can be very unbearable, only calm when he’s asleep. Thank god he gets back to his shape swiftly.

♡— Inevitably, the signs of William’s illness grow stronger with time. Still, it’s just an ordinary cold, but judging by his dramatic behaviour you’d think you’ve got a victorian baby about to die from fever.

♡— That’s right. Being sick is never a fun thing, but William plans to make the best out of it. He loves being babied by you. He’s a cute menace. Constantly whimpering or whining that he’s dying and needs cuddles and kisses. He will convince you to snuggle together, knowing there’s a risk of you catching the cold as well.

♡— Whenever you’re not around, he would play with his plushies by throwing them up the ceiling and then catch them. Obviously, if one of them falls on the floor, he will specifically call for you to pick them up. Later on, he claims to already feel better, which obviously is not true. He’d get scolded for going to the toilet on bare feet, without slippers on. Much to your horror, William even takes off his fuzzy pajama and starts walking around only with his boxers on. He claims the sweat is unbearable. To avoid such situations, he needs some entertainment. Maybe play board games together? Or just have a nice chat. He’d also appreciate it if you read him a bedtime story and cuddled together.

♡— When it comes to medicine, William struggles with swallowing pills. For some reason, he just can’t do it. He needs all of his medicine as liquid, and still he would complain a little, claiming the taste is unbearable. If there’s no drinkable alternative, you may as well attempt to blackmail him into swallowing. Just say you won’t cuddle with him anymore, he’ll swallow those pills immediately.

♡— Overall, when sick, William turns into a baby. Like i said, he’s only calm when he’s sleeping.

♡— As a Mercenary, Naib has to deal and interact with a lot of people, dead and alive. He is, of course, always very cautious. There is literally no room for a mistake at a job like this, which means he pays a lot of attention to hygiene. Obviously, even if someone tries to avoid illness, everyone can get sick sometimes. Mercenaries included.

♡— When Naib’s approaching home, he begins to feel some sort of weird feeling in his throat. One thing leads to another and quickly enough he starts sneezing and feeling cold. The first feeling that comes to his head is confusion. Is this sickness going to develop further? Will he be able to continue his duties the next day? As soon as he comes home, he actually seeks medicine, but he doesn’t explicitly tell you that he’s caught a cold - though there will be signs. There’s just a growing feeling of unnecessary shame in his mind. He wishes for both of you to live peacefully, without worrying for money, so he considers to continue, despite being sick.

♡— Naib, just like William is a healthy man. He has his routine and is fit, he also eats healthy. He gets ill a little more often than the Forward, but still, it’s a rather rare occurence when you see him coughing. Surprisingly enough, when you realize he’s sick, he doesn’t protest when you tell him to rest. Naib is actually calm and obedient. As much as weak and uncomfortable the virus makes him feel, he probably enjoys not having to be in charge from time to time. He as well heals fast.

♡— The Mercenary tries to stop the cold before it starts to intensify. He stays in bed and takes the needed medicine, but it is sadly no help. Yet, he won’t make a big scene of it. You might hear him complain about having a sore throat here and there, but it’s not constant.

♡— He won’t mind, and will be actually grateful when you take care of him, but he’s capable of healing on his own. It’s up to you if you want to take the risk and cuddle with him, Naib won’t force you, although he’d like it a lot. Usually, you’re the one clinging to the Mercenary when sleeping, to your surprise, for this period he becomes a greedy cuddle bug. You may tell him that he’s gripping you a little to rough.

♡— Whenever you’re not around, at first he’d probably find a way to kill time. Would appreciate it if you brought him a book. While going through illness, his appetite, which already is quite big by default, would raise drastically. You should control him a little, unless you want to see him running to the toilet every ten minutes. After some time, Naib states that he already feels stronger and wants to help around the house, which you should not allow him to. Make sure he’s not overworking himself. While he usually prefers to sleep in boxers and a tank top, for sick days he actually dresses up in his pajama.

♡— About medicine, he won’t complain about it and will take whatever you offer him, Naib however is an avid enjoyer of natural medicine, saying that the factory-made one doesn’t taste that great. Both ways are fine though. Maybe prepare some warm tea for him?

♡— Overall, taking care of a sick Naib is a pleasant experience. He is very calm and doesn’t make much hustle.

Idv x reader tag how are you guys feeling today……. im kind of eepy…….. it’s almost 2am yippee

#idv #identity v #idv x reader #idv x you #naib subedar #william ellis #naib subedar x reader #william ellis x reader #idv forward #idv mercenary

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queens-of-spirits · 2 months ago

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The Poolverine Playlist

So as I mentioned in the latest chapter of my fic, I have a Poolverine Playlist. I had some people say they were interested so here it is! Please let me know if you have additions or edits to these songs to share! It’s under read more because it is loooooong. I was going to add links but tumblr will not let me add that many.

Like a Prayer by Madonna (3 versions). You know why this is here, I know why this is here, no explanation needed, it is their song

The Power of Love by Huey Lewis and the News. It’s the song that plays while Wade is searching for his dream man a wolverine

You’re the One that I want - From Grease. The Honda Odyssey song!!! The thing that, combined with the come hither motions, the taunting, the belt grab, and literally ever other part of this scene, makes it clear that there was a little more than fighting going on in that car.

If I Could Turn Back Time by Cher. I know this one is more from the second movie, but the themes of time travelling to undo past mistakes (specifically of cruel worlds like those initially shared between them) really fits their story

The Masochism Tango by Tom Lehrer. My personal alternative soundtrack to the Honda Odyssey scene. They both were enjoying stabbing each other a biiiiit to much for this not to be fair game.

Love Grows (Where My Rosemary Goes) by Edison Lighthouse. I can’t stop imagining this playing over a series of domestic vignettes post-movie where Logan realizes he’s in love. Also, there is hand-holding imagery, you’ll see a lot of that in this list.

Problems by Mother Mother. Particularly the first few verses. The whole finding love in a strange place while locked up in a cage is very them (“Not all of you was asleep,” anyone?) and that first bit about the singer believing that the subject is good enough for heaven but they aren’t? I can see the edits in my mind’s eye. The best part? It works no matter who you imagine as the singer.

Wrecking Ball by Mother Mother. This could be either of them, but I just can’t help by see Logan dealing with his anger and violence and idea that he ruined his worlds and then the two coming together to be fucked up and break shit together.

Curses by The Crane Wives. This is so Worst Wolverine. His world is destroyed and it’s his fault, but then Wade comes along and makes it all easier somehow.

Tongue’s & Teeth by The Crane Wives. Again, so Logan it HURTS. Feeling like a monster that hurts or destroys every good thing and will ruin Wade too, but willing to accept the fact that Wade seems to know this, but doesn’t care.

Predator by The Crane Wives (I really like their music lol). It’s on their latest albums and again. It really embodies the character of Logan to me. Tim’s hard to describe without just showing you guys the lyrics, so honestly go listen to it guys.

Sticks and Stones by The Pierces. This one is hard to describe, so please trust me and listen to it with Poolverine in mind

Iris by The Goo Goo Dolls. Okay, if I had to pick another song for the hand holding to Madonna scene, it’s this one. The vibes are immaculate, the theme talking about not being understood but finding someone who sees you are perfect, but that’s not why it’s here. It’s here because if two lines that are so much like Logan in that moment where he rushes in to save Wade. One: “you’re the closest to heaven that I’ll ever be/And I don’t want to go home right now.” This one is Logan finding something in Wade he’d thought he’d lost and realizing, perhaps even in that moment, that he doesn’t want to go back to a fixed world. Two: the very first line “and I’d give up forever to touch you.” Logan believes that if he goes in that chamber he will die, but he breaks down the door anyway. He’s literally giving up his effectively immortal lifespan (forever) to touch Wade because he’d rather die with him that live in a universe where he doesn’t exist.

Too Sweet by Hozier. This one is so Logan falling in love with Wade post-movie. Logan having another chance at life and Wade trying to pull him out of his most self-destructive habits while Logan can’t think of anything but how Wade is too good, too sweet for him.

This is Love by Air Traffic Controller. I love these boys but they are a liiiiittle toxic. This is that (plus the knife and gun imagery)

The Red Means I Love You by Madds Buckley. Remember that scene where Wade bled into Logan’s mouth and he had that feral ass grin and laughed? Yeah.

I WANNA BE YOUR SLAVE by Måneskin. You say rough sex I say Poolverine.

Big Bang Theory Man by Clare Fader and The Vaudevillians. It’s another toxic romance vibes song. This one has guns lol

Somebody to Love by Queen. I think this really exemplifies their lives before they find each other. They’re both lost, both put down by life and the world. They don’t know it yet, but they’re just looking for somebody to love.

You Give Love a Bad Name by Bon Jovi. A little more toxicity for the boys. Logan singing this about Wade works well. Like with the idea that Logan played his part in Wade’s game and got sent to the void. Plus comparing Wade to a loaded gun? Yes. Just yes

You Make My Dreams (Come True) by Daryl Hall & John Oates. I like to believe that they both made each other’s dreams come true. Wade got to team up with Wolverine and Logan got a second chance.

The Other Side from the Greatest Showman soundtrack. Look I know Hugh is the one singing here, but I can’t help but draw comparisons from this song to Wade dragging Logan away from the bar where he’s content to waste away.

I Don’t Care if You’re Contagious by Pierce the Veil. My beta reader (crypticanid here on tumblr) recommended this one so it’s here.

The Chain by Fleetwood Mac. The chain is them holding hands to save the world :-)

Dancing in the Dark by Bruce Springsteen. Here for dad rock energy and because it fits pre-movie Logan.

Shackled And Drawn by Bruce Springsteen. See above (Springsteen is peak dad rock to me)

Angel Eyes & Basketball by Foot Ox. Look at these opening eyes and tell it isn’t Logan “There are flowers growing all around a massive animal inside of me/And it's so ugly/And I'm so broken/And I'm so ugly/And it's so broken”

Heaven’s Gate by Amélie Farren. This is so Worst Wolverine pre-movie. He’s lost and helpless and blames himself for ruining his world. Also, the bit about “I was told that I was vital in the plan to save my life” is giving Logan agreeing to help Wade so the TVA can fix his world. And not believing in Wade and always running away before finally deciding to stay and follow? So represented in this song. Also! “‘Cause I didn’t deserve heaven, but I’m standing at its gate”? That is so Logan when he sees the start of his life with Wade stretch out before him.

Creepy Old Guy from the Beetlejuice musical soundtrack. This is one of the silly ones, but I find the idea of Wade singing this about Logan, who remember is over 200, really funny. He’s Logan’s controversially young girlfriend.

November by Sparkbird. It’s a song about travelling grouch parallel universes and the vibes are very Poolverine. Plenty of knife imagery.

Loser, Baby from the Hazbin Hotel soundtrack. Look I know this one is a little off the wall, but c’mon, it’s a song where an animal themed alcoholic and a hyper sexual gun-lover who are heavily implied to have feelings for each other sing about how life sucks and they’re both losers, but at least they have each other. It’s one the nose (I would actually cry if someone did artwork of them dancing in front of that billboard like in the show)

#poolverine #deadpool #deadpool & wolverine #logan howlett #wade wilson #wolverine #shipping #ship #ship playlist #playlist #Poolverine playlist #deadclaws #deadpool and wolverine #deadpool 3 #deadclaws playlist #music #idk what my music taste even is #Spotify

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vaperarmand · 2 months ago

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this is such a fucking stupid question but. do you have any advice for developing a good understanding of characters? like i wish i could put those guys into situations but it's like there's a mental block and my mind goes blank as if they're Unfathomable Real People Who I Cannot Possibly Hope To Ever Understand.

no not a stupid question! actually a really good question. it's such a good question in fact that i don't have a simple answer so i'm going to. word vomit onto the page and hope something sticks. i ramble like crazy so have a read more :)

precursor: i have to note that i feel like armand and daniel are the two characters i've like. Understood. more than any other characters in my life. i think that's because i relate to them both in very distinct but separate ways (we'll discuss that later) but i think it's also because. part of anne rice's writing and the show's adaptation is so determined to break these characters down to their fundamental parts. that's kind of the thesis statement of the books, even, that when you live forever you're no longer a "product of your time" but rather just you, yourself, and you kind of have to spend the rest of your eternal life figuring out who that is. so that to me gives both a flexibility and a set of basic building blocks for each character that you can play with.

that being said, here are a couple of ways i maybe go about building understanding:

option 1: the projectorrrrr (this is me most of the time)

if you like looking at your character and going "ha ha i do that" then that's awesome. do that! figure out what parts you relate to and think, okay, if the vampire armand was me, how would he react to my coworker saying this. alternatively, if i was the vampire armand, would would i do if i'd just broken a 500 year vow to myself?

this is where, like, critical thinking comes into play of course, because you are not the vampire armand and the vampire armand is not you. but 1) you're allowed to play around in the sandbox and have fun without constantly going "He Would Not Fucking Say That" because uhhh. this is fandom and we are doing this for fun and 2) once you to get to the point where you're kindly going "He Would Not Fucking Say That" you can then be like oh! well what would he say? because the contrasts are often as fun to explore as the comparisons

option 2: that's my friend

i also think you genuinely can view characters as Real People — but you can hope to understand them!!! or at least you can understand Your view of them, which doesn't have to perfectly match mine or anyone else's view.

this is going to sound crazy and part of the reason why i feel like i don't have a good answer to your question, but genuinely my best writing happens when i uhhh. hear them speaking. in my mind. this is literally a developed skill because like 4-5 years ago i was terrible at writing dialogue and it frustrated me + i never had good ideas for fics because i just wanted to write meta posts. so i was like. i'm going to get good at writing dialogue if it kills me. imagine you're talking to them or they're talking to someone else. look up writing prompt sentences (like on roleplay blogs if nothing else) and think about how they'd respond. i'm at the point where i'll decide on a situation and will sit in silence for a minute, imagine them like dolls in my head, and go "SPEAK!" and wait to hear what they'll say.

my final tip is to please please remember if nothing else that this is supposed to be fun and that at the end of the day it is just playing with dolls online with your friends. you're allowed to be wrong. in fact you probably will be. but that's okay! you can start small and be wrong and as long as you're having fun and enjoying putting your characters in scenarios it's all worth it

#asks #writing tag #i hope this was helpful. sorry i've developed a crazy system i didn't really realize i had until recently

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happyk44 · 6 months ago

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Ya know what I find really weird in PJO but I can't find an alternate explanation for/scene for and so it must stay in my brain as a "I can't find the solution for this and it's making be rage" thought?

The whole "Greek and Roman Deities Fighting Each Other" for the same brain/body. Like, I somewhat get it from the author's standpoint but as someone who knows both of their myths, I'm like??? They literally both have their own gods without "counterparts" like Bellona, which Rick acknowledges within the series and each deity literally has different values within somewhat same domains. Like, Juno? Entirely different epithets from Hera, although they share the same "place" within their pantheons. And, yes, there are some overlaps which come from the fact that Rome came after Greece and has a lot of influence from the Greeks, just like our books and literature has a lot of overlap with ancient cultures and, very specifically, America with European roots. That's just how humans work! Look at literally any fictional book with its own "world" and see all the things it took inspiration from! Even Tolkien! Especially Tolkien! And now look at the things we took from Tolkien.

It's just. I don't know what to do about this and I'm mad about it. Do I like, make the whole scene change when the gods change. Do I replace their entire beings with the other culture's. Do I make them coexist and just pop up everywhere? Answers, brain, answers.

[Coming from an author who's especially enraged bc he's trying to write a Mortal!Big Three AU after the series with a lot of roman influence but a majority of the series is based on Greek Influence--even Camp Jupiter, who has child soldiers??? Dude, they should be adults-. "Oh what about Jason and Reyna?" Make a funny little plot thing where literal adults are tasked by one of their Patron Goddess to take care of a Small Child which they literally did not ask for and raise him/it to be a functioning soldier. Make it so when we're introduced to The Camp via Percy, the soldiers groan because they're literally being run over by children, wtf man. Anyway, if someone writes this into something or finds a fic with an idea similar to this, send it to me <3--and so now he has to do a lot of research based in roman culture with very little Referenced Points.

{The author's starting to but it's gonna take a while and they wanna write this fic now-}]

Fair warning it's like 4:30ish in the morning as I write this and I haven't slept yet so this might be all over the place but, yeah, Risk doesn't do enough to differentiate between the two sides within canon. So I think a lot of people come out of the series assuming that there's little to no difference between Greek and Roman gods and culture, aside from the change of their names. And since there's no perceived difference, they don't really do their own research.

Plus adding in details that aren't accurate to ancient culture/ideology (re: Neptune being hated because Romans weren't seafaring. Like. They were. They had a navy. And they didn't hate Nepetune) and then not elaborating any further on those details (we never see Neptune so we don't get to be exposed to how terrifying or different from Poseidon he is, we have no active child of Neptune to give us a reason why the modern day campers would be fearful other than a story about an earthquake, which I still find ridiculous because really? None of your siblings have ever made a devastating fuckup?)

It definitely could've been more well thought out. I mean I wrote a book featuring different gods, and a key player is Kali. In some text, Kali is an aspect of the goddess Durga. Durga has other aspects as well, such as Parvati. It's sort of similar to how the gods are presented in PJO/HoO. However, I wanted to clarify that Kali is a separate entity, so over the course of the last few centuries and as a result of colonization, she and the other aspects separated out from the principal goddess to be their own. She was the last to sever out. While she is worshipped as an aspect of Durga, she's still a goddess in her own right! But the aspect wording caught my attention and I wanted it to be obvious

With PJO/HoO canon, it could be the opposite. They started as separate entities but public perception caused them to merge. We know through TKC that public perception affects the gods - gods that have been forgotten become senile. Why can't public perception affect them in other ways? In my book, less known mythologies and gods become weaker and weaker, especially as colonization has erased knowledge and artifacts, which is why I had them centralize their power into a collective that equalizes belief among the whole of them (with a little boost for the well-known and worshipped), because hey, if it can happen to them, it can happen to you.

Anyway, a fun way to go about this is maybe making a joke that Hermes and Anubis can't interact because otherwise they start to combine and separating them takes time and energy and other people's help because of Hermanubis. The Greek and Roman gods want to be separate but because public perception tends to conflate them way more than they're already conflated, they're stuck battling it out. Greek gods tend to win more because, again, public perception tends to prioritize Greek mythology (at least I think so anyway) which is one of the reason legacies are so commonplace in Camp Jupiter in a way they aren't at CHB.

By this you can have "designer" legacies - kids with more than one godly ancestor (like Frank) in order to continue on the powers or strengths of multiple gods rather than just the one. With the way New Rome is structured, I can't imagine why demigods wouldn't hook up with one another. With CHB, you can leave so relationships between demigods may fizzle out after the summer or when demigods choose to stop coming back to camp for whatever reason. They also don't have to send their kids to camp, and can train their kids on their own, so less interaction with legacies is had with CHB, and thus godly influence slowly dies out as the legacies don't hook up with one another or other demigods. There's also the ever present risk of monsters, so Greek legacies may survive less.

With CJ, everyone tends to migrate into New Rome when their service is done. Between school, work, and homing options, there's less reason to leave, less likelihood of relationships fizzling out, higher likelihood of multiple godly ancestors among legacies.

One of the things that I've complained about with the Greek vs Roman battling it out thing before and what I wanna reiterate again is that Frank should not have been the one to deal with both aspects of his dad arguing in his head. It should've been Jason!! The one who actually was unsure of his standing as a Roman or Greek demigod.

But there's no differentiation. Even the arguing in Frank's head is just "kill everyone!" and "war is great!" There's no line between Mars as war god and Ares as a war god, despite the reality that there was - Mars being more disciplined and Ares being more bloodlust.

And attempts at describing a difference are either unclear or delivered through secondhand information, like when Thalia claims that Jupiter seemed different to her when he came in that aspect of himself but in text, the actual exposure we get of him feels no different to what we've experienced of Zeus in PJO. Neptune vs Poseidon.

Why does Athena have kids but Minerva doesn't when both are virgin goddesses born from their father's head? Why does Minerva's status as a virgin goddess bear more significance than Athena's to the point she doesn't simply replicate the actions of her other self to have her own kids?

The only line of clarity I can really see is Pluto vs Hades, and even then, the characterization between the two of them is essentially the same, the only weight is in the importance of their godly priorities shown both through their kids (Hazel vs Nico) and described in text (wealth vs dead). But we get little to no other exposure or line of thought from other characters with the same godly parent, just different aspects. How does Frank differ from Clarisse, or Jason from Thalia? How does the chosen aspect of their godly parent affect their personality, their powers, the way they interact with the world or how others see them?

I do like that idea of random adults at camp being given a kid by various gods who are just "take care of this thing for me, thanks" and bouncing off. That's funny. But also lol, Jason being CJ's only child soldier. He's Jupiter's child, and a champion of Juno so he's special and must be treated as such, even if that's by being attacked by wolves nonstop as a toddler and then raised in barracks from ages 3 to 15. And when people go "what about Reyna" or "what about Frank", like, idk how commonplace it is in most places but I know the US has those like junior army clubs or whatever it's called, so why couldn't they just be part of CJ's equivalent to that and then run off to do their own thing with the others because they're teens with ADHD and impulsivity is a thing, especially when you care about your friends.

But, like, also the soldier aspect isn't really key. "What about Reyna?" She was gonna end up at Camp Jupiter either way. "What about Frank?" He needed to be trained because it'd been 16 years and the fact that he hadn't experienced any monsters up to 'til then can be written away as his mom and grandmother defeated them before he could be hurt, and then his mom died and his grandmother realized she won't always be here to defend him so fuck it, let's tell him the truth about his father and send him off to learn how to defend himself.

And again! It's as you said - epithets differ even between similar gods. Their priorities differ - both in ancient culture and with the god themselves. Principal gods differ. Mars was held to higher esteem than Ares - Frank's status as his son should've been exemplified. Mars was second to Jupiter in importance - Jason could've subconsciously adopted Frank as his second in command, which would've been neat because we know Frank struggles with anxiety and confidence and we know he wasn't all that thrilled with being Mars's son at the start, and him getting a bump up in status/importance could've been an interesting arc to navigate, as well as further cement the key moment in HoH when he takes over for Jason as praetor and leads the ghostly army.

#happy's asks #happy talks pjo #sleepdeprivationbutitsvaruna #it's 6am now and im sorry if this doesn't make complete sense #my cat is yelling at me that it's bed time so i am. gonna go try to do that

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clanwarrior-tumbly · 1 year ago

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i don't much know tmc so i hope this makes sense, but 65 for adam and jonah and friendly alternate reader? maybe it goes the way you laid out in your original post, where the events of volume 2 make them distrust reader briefly and the fic is set in the aftermath?

Good idea! Also this is slightly different from how I wrote those hcs, but the general idea is still there!

65) "I didn't mean it...please forgive me."

.......

While waiting for your human friends to finish their investigation inside the house, you remained in the van that you all arrived in, trying your best to remain patient.

You would have much rather accompanied them, knowing of the dangers present....however the fragile trust you've formed with the two was close to shattering.

Preacher arrived without any warning on the second night, and you caught her whispering things to Adam while he was trying to get some sleep. Jonah was wide awake and had the misfortune of seeing her face-to-face before he hid somewhere, allowing you to confront her.

Although you succeeded in driving her off by pretending that they were your victims to claim, he wildly misinterpreted your actions and believed you summoned her here to kill them both. He didn't believe your ruse for a second, as he freaked out on you and demanded you to get out.

In fear of triggering a panic attack in the already frightened boy, you just quietly left, but stayed inside the van to ensure that no other Alternates could interfere with the radio signal or hijack it.

Yet as the minutes dragged on, you grew more and more worried about their well being.

Preacher easily believed your lie--considering Alternates were master manipulators--so she won't be coming back anytime soon...but you didn't like the thought of leaving those two all by themselves.

Sometime later you saw the front door open, and you teleported out of the van, finding Jonah standing there. He appeared unharmed, much to your relief.

However that's when you noticed only he emerged from the house..Adam was nowhere in sight.

"Jonah, are you alright? Where's Adam?"

"Th-The basement door opened..and he wanted to check it out. I-I told him not to, but he wouldn't listen!" He panicked, before he suddenly fell silent as his expression turned to a hateful scowl--aimed at you. "I bet you opened it, didn't you? Or was it your freaky lady friend?"

"That was neither my doing nor hers. And she's not my "lady friend"." You huffed, wishing he'd stop accusing you. "Why did you leave him all alone in there? It's too dangerous."

"He doesn't know the first thing about "danger". You don't think I've been trying to tell him these ghost hunts are gonna get us killed one day?! It's like he doesn't even hear me! We both know his mom is dead and he's looking for something that's not actually there..but god forbid I ever tell him that. I'm just sick of him getting pissed off at me for wanting to fucking live."

"I understand your frustration, but..leaving him behind is not the solution here." You tried to reason with him. "To my knowledge that's not how friends should treat each other, even if they-"

"I'm not sure if I even see him as my "friend" anymore." He scoffed, hugging himself as the air grew chillier. "He literally screamed at me to leave, [y/n]. So that's what I'm doing. I don't give a shit about him or the fame or the money anymore. I'm done. I'm going back home. Alone."

Hoping to put this conversation to rest, Jonah stormed past you and hopped into the driver's seat, trying to start the engine...but it wasn't turning on at all.

He tried hotwiring it as well--to no avail.

"Shit, [y/n]..are you doing this?" He glanced at you, annoyed. "Are you screwing with the transmission?"

"........."

"C'mon, I'm not in the mood for-"

"We cannot leave him behind, child." You insisted. As much as you hated to anger your friend, this was the only way he'll listen. "Is this truly how you wish to end things between you two?"

"I'm not a child, I'm a grown ass man. And I've made my choice, and he made his."

"It doesn't have to be that way. I can still help you both-"

"If you're so insistent on "helping" me, you'll let me start this goddamn car and stay out of my life!!" Jonah slammed his hands on the steering wheel, but unfortunately for him, you weren't about to give into his childish tantrum.

"The only way I can help you is by NOT letting you leave." You shook your head, trying to stay calm and logical. "There is no running away anymore, Jonah. If the others realize you are all by yourself...they will come for you, including him."

"...wait, how do you know he'll show up?" He blinked.

"Because...I've known him since our creation. I'm aware of his patterns. Your government calls him Intruder, children call him Stanley....we call him Six. His connection with technology knows no boundaries, including radios and GPS, so it's imperative that I'm here to stop him from- "

"Oh, so you've been bffs with that child kidnapper since the dawn of time...and you're telling me he could've been fucking eavesdropping on all our conversations regarding BPS?!!"

"I.." For a moment you tensed up, realizing you may have said too much. "No, Jonah. That's not what-"

"Damn, I wish I knew all of that before we decided to trust you." Tears welled up in his eyes again, threatening to spill over. "Adam never should've let you come along. I told him he was making a huge mistake letting you out of that TV..and guess who was right?!!"

Your nonexistent heart sunk slightly at his words.

"Jonah, please calm down. You're not thinking-"

You tried setting a comforting hand on his shoulder, but he violently smacked it away before your claws could even graze his jacket.

"DON'T FUCKING TOUCH ME!! You're all the same....you're a bunch of heartless, lying, demonic bastards who destroyed our lives and made our loved ones kill themselves!!" He choked out. "You've taken everything from us...a-and if it weren't for you....THEN MAYBE ADAM WOULD STILL BE ALIVE RIGHT NOW!!"

You physically flinched at his screaming, having never seen a human look so enraged...yet sorrowful at the same time. The emotions emanating from him were quite powerful, and when he stopped to take several deep breaths, you needed a moment to absorb them all.

But seeing as you didn't immediately leave, Jonah felt his resolve completely crumble as he gritted his teeth together, trying to stop his sobs from escaping..only for them to come out as small hiccups and gasps.

"J-Just stop pretending to care, alright? Go and...a-and leave me be." Tears streaked down his face as he clutched the steering wheel with trembling hands, laying his head on it as he tried muffling his sobs.

He felt like he just gave himself M.A.D with how badly he felt like dying right now.

Although you were initially stunned by his emotions going from one extreme to the other so quickly, you snapped out your shock and frowned slightly at his distraught state.

'He's so young...and has gone through far too much...'

You gently reached over to set your hand on his back, feeling his entire body trembling beneath your fingertips. Surprisingly enough, he didn't shove your comfort away this time as he was too busy scrubbing away his tears.

You understood that he didn't actually mean those hurtful things. He just needed to lash out after all the stress of these past few nights, and you so happened to be the closest person--whose species is the very cause of his anxieties.

"[Y/n]..I-I..I know you're not like the others. It's just...I'm so lost and I'm so fucking scared to lose one more friend...!" His voice cracked. "I-I don't wanna lose him.."

"I know, my little fish.." You soothed. "I know your heart and mind are deeply troubled. I know you're very afraid...but rest assure, I will not let anything bad happen to either of you. Whatever you think of my kind is fine, but please understand that I would never pretend to care for your safety. It is...my purpose to protect you both from their evil ways."

"..a-according to who?"

"Me. Not my "Savior" or anybody else." Taking your hand off his back, you stepped away as he finally looked up at you. His eyes were wet and tinted red from crying so hard, but through blurred vision he could see you offering your hand. "Come, let us seek out Adam. I sense he is still alive."

With a small nod, Jonah grasped your hand so you could help him out of the van, though as soon as you let him go....he hugged you unexpectedly.

You blinked, looking down at him in confusion. "Jonah? Is everything okay?"

"Y-Yeah, I...I'm just sorry about what I said to you." He sniffled quietly, his forehead pressed to your chest. "I didn't mean it..please forgive me. You know how I tend to say stupid shit when I'm scared and-"

"You needn't justify yourself, my friend. I absolve you." You smiled as you patted his head. "I have gotten worse insults in my lifetime, so they don't affect me as much."

"Good to know. Also...why did you call me "little fish"? I don't hate it or anything, but I was wondering."

"Ah, because you remind me of some...old friends, we'll say. Were you ever told the story of Jonah and the Whale?"

"...uh-"

"What ever happened to "I won't be here to confirm that"?"

The moment was cut short as Jonah suddenly let you go, looking back to see Adam emerge from the house completely unharmed. He had the camcorder and other equipment in his arms, and an annoyed expression on his face.

As he approached the van, he stopped short upon seeing the other male, blinking in bewilderment. "Were you crying?"

"..n-no, it's the allergies. I told you it's that damn cat's fault.." After making a point to wipe his eyes, Jonah shoved his hands into his pockets. "So um...what did you find in that basement?"

"Just an old TV. And you're right about that cat..it was actually an Alternate. But I got some other good footage, so I'm ready to bail."

"What about staying-?"

"We'll tell the lady we stayed all three nights." Adam shrugged. "It's not like she'll know."

"Oh, so now you listen?"

"....look, this shit's getting heavy. So if you don't mind-"

"I'll help." You spoke up, disliking this growing tension in the air as you took the heavier equipment away from Adam and loaded up the van with it.

But still, you refused to allow it to start, and Jonah knew exactly why.

He couldn't just act like he didn't have that huge fight with his friend only a short time ago, so they both talked for a few minutes, apologizing to one another and hugging it out.

When they heard the engine crank on, they immediately rushed towards the van...only to see you sitting behind the wheel, much to their confusion.

They didn't know Alternates could drive.

"You kids had a rough few nights. I'll take us wherever you desire to go." You offered.

"Jeez, since when did we have our own chaperone?" Adam rolled his eyes, but opted to climb into the back while Jonah called shotgun. "I guess we owe you an apology too, right?"

"Well..Jonah and I talked it out already, but I forgive you both."

"Yeah...I still feel like shit, though."

"Dude," the brunette huffed. "What did you say to them?"

Jonah opened his mouth to speak, but thought better of it as he didn't wanna bring up the harsh words he said out of frustration and anxiety. Instead he just shook his head. "I-It doesn't matter. Let's just get outta here and go for some pizza."

"I would very much like that." You agreed, backing out of the driveway and heading down the main road.

"And....as thanks for putting up with our bullshit, we'll let you pick the toppings this time."

"What?!" Adam's jaw dropped, but your smile only grew, and he had no choice but to relent.

It was certainly something to think about on the way to the pizza shop you all knew and loved.

#leave it to alternate y/n to break the canon /ref #clanask #anonymous #mandela catalogue x reader #the mandela catalogue x reader #tmc x reader #alternate reader #alternate y/n #adam murray #jonah marshall #platonic #hurt/comfort #angst/horror prompt

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gaylordscooter · 3 months ago

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i only ship kist because of you. i didn't even like shipping or any romantic connections between characters before seeing your kist content. your kist propaganda is too powerful

im flattered that my stuff is good enough to be the sole reason someone ships something

also between u and me, anon, i hardly shipped kist (or ANY sans pairing really) myself before making this blog. only reason i ship them now is because in a narrative sense it just became an interesting pairing to explore.

those two are extremely similar with few key differences, and having them interact calls for interesting stuff to happen. I haven't read that many utmv fics, especially ones focusing on the bad sanses so i was mostly working from the ground-up while loosely looking at canon.

and one of the similarities i noticed in canon is the self-loathing they have and how they wear it differently. in killer's case, he feels as if he's too far gone to ever be redeemed and tends to lash out whenever anyone tries to help him (and also works for nightmare somewhat out of his own volition). in dust's case he literally has his own personification of his self-loathing in the form of his own brother constantly insulting him and assigned himself the sisyphean goal of killing the human over and over and over

but obviously my versions stray from canon a fair bit but the self-loathing still stands, which is the starting point for their relationship (because i am a sucker for relationships where they initially don't get along and then eventually do). AND through learning to love the other they're also unlearning self-loathing (it is here where i tie in that they're the same monsters from alternate universes because when i write a dynamic between two people i must use ALL the context okay)

however tbh i don't see those two as specifically "romantic", they wouldn't consider the other their boyfriend. nor is this shit platonic, they are secret other thing to me (self-love)

#ask #anon

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dairy-farmer · 4 months ago

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Hi ❤️ so asides from horny, what other tropes do you love to write? Because your comedy has me literally howling and your angst has me sobbing and obsessed for days. You are an amazing writer, you convey not just emotions, but each thought of each character you write so fully. They all have their own distinct personality, it seems as if Im watching an episode of a person's life or a movie with the best actors ever who act as if they *are* the person and not they're pretending to be the person. No character you write feels like some plot device, instead there's a reason and a result. You are beautiful and brilliant and if I was a billionaire nobody would know it except you cause Id spend all my money on you. Each story you have, even when you're just entertaining thoughts, you build a whole new world where everythint just makes *sense* your mind works in mysterious chaotic and entertaining ways and I wish I had your skill and your brain

🥺🥺🥺🥺🥺 this is so nice!!!!!!! thank you!!!❤️❤️❤️ wow this is such high praise!!!! i'm so happy you enjoy my work and characterizations it means so much to hear 🥰🥰🥰!!!!!!!

aside from horny hehehe some things i really like are case fics!! where the driving point of the plot is a particular or specific case/mystery. it's like detective novel-esque inspired but not quite because i'm still not quite good at mysteries yet (you need to genuinely be clever to write them well😂)!!! i also like sort of 'twist' ending stories where you're subtly decieved about what's really happening until the end where the full picture blooms and everything that happened makes sense and what you thought was going on wasn't what was happening. i've done a twitter thread or two with that as the main trope. but i think my very favorite trope aside from horny is the whole 'alternate dimensions' thing!! the plot of those is just so fascinating because you have characters set opposite to people who both are and aren't their friends/families!!!

i'm so happy you like my writing!!!!! for a lot of what you mentioned liking i think it really comes down to fleshing out characters!! i think that the two major things that make someone's writing really enjoyable, and the things i try to focus on are 1. character writing and 2. pacing. for me, if a fic has those two things then the quality, writing style, and even the plot would mean nothing to me because i would be absolutely entertained while reading!!!! i remember a while back i saw a tweet or something about people complaining how massively popular and successful books like twilight and harry potter were when they weren't even written well and they didn't understand why they were so popular and the answer someone gave is that the characters themselves were well done. that if you plucked a character out and put them in any sort of scenario or situation, you'd have a pretty good idea of how they'd respond. and in reading that i realized that's sort of what i've been trying to do while writing- try to make characters, not realistic, but fleshed out! and i'm so happy its what you picked up on that you liked about my writing!!!!!🥰🥰🥰❤️❤️❤️❤️❤️

#answered asks #asks #anonymous

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fiveredlights · 7 months ago

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Okay I need to know things from literally ALL of the wip’s 😂

But I guess the ones that intrigue me the most are the post AUS2024 fic, the alternate Vegas 2023 story and the lmao daniel retirement fic!!

But like I said, I want to know all things lol! You are like one of my favourite authors ❤️

P.S. please feel no pressure to update, write or anything. Take your time

beth you ask and i will dutifully answer, gonna put everything under the cut because this is a long post 🫡

snippets: ausgp 2024/you're on another path

so fun fact about this one i wrote it post quali, and i had planned to post it after the race was done so i a "pre-wrote" two endings. i wasn't going to because i was gonna be like "oh max will win but something bad might happen to daniel" so i had this ready to go:

and i was sitting in the grandstand watching max's car explode in the pitlane and all i could think about was "did i do this. again" and honestly who knows.

Daniel’s already lying down face first on the bed when Max makes it back to their hotel room. He’s been doing it a lot recently after races, opening the door to their hotel room and just starfishing on the bed, unmoving until Max gently coaxes him to actually sleep.

God, if his twenty-something year old self could see him now.

Yeah, you’re back at the team you started with—no not HRT, that’s gone now, yes the Red Bull—not junior—sister team. The Red Bull seat? Yeah, not yours anymore, and it’s looking like it’s gonna stay that way. No, no podium at your home race, more like qualifying P18 because you were an idiot and drove over track limits. Points? Well, you had a good chance but I guess luck just wasn’t on your side yet again.

Oh, and that young and upcoming driver from the Netherlands? Yeah, he’s your boyfriend now—surprise, you’re gay! And he’s a three time world champion, but that’s probably not important.

Any one of those things would’ve sent Daniel into hospital, but all of those things combined?

Early death.

snippets: las vegas 2025/bonus fic reimagined

(i'm going to assume you mean las vegas 2025 and i'll give you both)

Max isn’t winning right now.

He couldn’t really tell you why.

Plenty of pundits, fans, strangers on the street have stopped him and asked him to dissect why he hasn’t won a championship in the past two years. He gives them a hastily PR trained and approved answer that seems to be more conscious in his mind now than before and cracks a well timed joke he’s sure his teammate would be proud of.

Then Daniel comes along and will say, “Max already has three, he’s got to leave some for the rest of us!”, and the conversation will usually move on quickly after that.

He knows that Daniel isn’t the sole reason for his non-winning ways right now, but when the eventual news of their relationship happens to drop, there’ll be dissections for days on if Daniel plays a part in Max’s performance right now.

The last time Max hadn’t won a championship was when Daniel Ricciardo was with Red Bull, surely there’s some connection there?

snippets: las vegas 2025/don't read the last page

(Max is italics, Daniel is not.)

Max 🩵

July 31, 2025

...

I may have accidentally

I swear it was an accident

Like I pinky promise swear to our first born child

Don’t bring Matilda into this

Did you murder someone

What

Why is that your first thing

You are making a big deal out of it

Like bigger than the podcast you did in January

So I have to assume you murdered someone

Okay well it’s not murder but nice to know you think I’m capable of it

Daniel

I forgot to take off my wedding ring and wore it in the paddock and people saw and I got asked about in the press conference

They definitely thought I was just engaged so I guess that’s just a silver lining

And you have a bet with Lando over when I was going to accidentally do this

Which is rude because I would never do the same to you Maxy

You literally have a bet with Fernando over if I’m going to slip up and say husband in an interview

How do you know that

And he’s Fernando you know you can’t say no to him

Daniel

When you came out you literally posted a photo of me on your Instagram

The whole paddock knows we are married

Half of them went to our wedding

About 85% of fans think we are in a relationship because you keep on teasing them with photos that is definitely me

Is it so bad that we just say yeah we’re married

We are literally about to have a kid

Okay well when you put it like that

I guess you’re right

I know

I’m always right

snippets: lmao daniel retirement

They asked him if he wanted a big farewell thing, like they had done with Sebastian and Kimi a couple years back.

He’d almost said no until Lando pulled a face and said “Mate, people’s last memory of you driving can’t be you heading to the pitlane again.”

So he agreed. Told Blake to tell them to keep it minimal. No standing on giant mockups of his face during the national anthem or whatever.

#wip game #maxiel #five writes #queued #daniel retirement au #don't read the last page #you're on another path

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that-student-that-has-homework · 9 months ago

Note

Heyy, I’ve been reading your wonderful one piece works for a while — and I couldn’t stop wondering how are you actually doing those magnificent headers?

Like… hello? The great quality, with additional 3D-alike details I could catch by my eyes? I got only Ibis Paint X on mobile, since I’m only a young man that literally two months ago went on a life-time ‘adventure’ of living alone in a small apartment.

In short — I got no money to pay for additional graphics/drawing programs, not yet at least

Hello!

Thank you! I'm glad you enjoy my writing - I'm curious to know what's your favorite piece / part? Also I'm so happy you like my headers? Makes it feel worth it to spend time on them! :D

I have excellent news for you, I used a mix of Canva and Photopea. They're both FREE!

I'll be explaining the process for making these two kinda? The full tutorial is below the cut, to be courteous to the other folks, hope you don't mind?

Though I am hearing that Canva has given people some grief. But Photopea is just *chefs kiss*

If you've ever used photoshop, Photopea is essentially a free photoshop, and it even has the automation tools! An absolute lifesaver when you have multiple layers you want to export (but that's for larger projects not this)

I'm going to assume you have basic knowledge of layers in digital drawing programs for this. If anything isn't clear: ask me, I'll clarify!

//-------------------------------------------------

My General Process is:

Search for official art / images

bring it into canva / photopea

crop / arrange images to match the dimensions

select a thematic color that is associated with the character

separate the foreground from the background

mess around and test things until they work

//--------------------------------------------------

Given "Louder than Words" is the latest one I've made, I'll start with the process for it.

Dimensions: 3000 x 1055 px dpi: 96

//-------------------------------------------

Let's Get Crackin'

Alright let's grab some official art so we're not using any fanart without the artist's permission

I try to pick images that feel relevant enough to what I'm trying to make. For example: the image for the Matching banner shows the ASCE tattoo which is super important in that fic

2. Let's arrange them onto a banner where each individual image has the same/similar dimensions to the rest

That's probably part of why you like these. To a certain extent they have similar dimensions, so they have a uniformity that's pleasing to the eye! (It's not perfect because I threw perfectionism to the wind because this is tumblr not my portfolio) Tip: if you have 3 images and only 2 that have similar dimensions, and the 3rd one can't be cropped logically: but the one that's a different aspect ratio in the middle!

3. lets arrange them in such a way that the borders all feel like they're the same/equal width/thickness

you might find that you have to shrink some images for this, that's fine.

ALTERNATIVELY: if you're going with one image crop it so it's just the relevant info and it matches the dimensions (3000 x 1055 px)

We have our base! Now let's add some color, and direct the viewer's eye together!

4. pick out a color that you think matches your character / vibe - that color is going to be your background Given I'm making an Ace banner: orange is the color I'm going with

I went and named my layers for this lol. The numbers represent the opacity, and they aren't important. I just kept changing the opacity until I liked the way things looks. But here's the secret to the 3D feel:

Motionblur (+ moving it about)

Separating the foreground and background and dulling out the background.

I'm going to show you my process so you can see the effects, but first let's give you some quick skills:

//------------------------------------

SKILLS / THINGS I THINK ARE HELPFUL

//------- Select Similar

magic wand -> select something -> right-click -> select similar This works best when you have high contrast images (like manga panels that are black and white). You can select the black or the white areas. Depending on what works better for you. TIP! Invert selections with ctrl + i Say you know that you want to select everything but Ace's face in the second panel. Select his face with the magic wand then ctrl + i, and that's the only thing NOT selected

TIP!!!!!!!!!!!!!!! Please, please, please, duplicate your original image and work on the duplicate layer. This helps you SO much. !!!!!!!!!!!!!!!!! TIP! Check your selection tolerance! This could be why too little, or too much is being selected.

//------- The Move Tool

Shortcut key: v While the move tool is active, you can nudge the stuff on whatever layer with your arrow keys Shift + arrow key = 10 px move (generally)

//------- Layer Locking

1- Layer Blending Mode (see Overlay vs Multiply vs Normal) for how this can affect results) 2- Opacity: how see through it is / isn't 3- Lock Transparency (it's the little checker board) 4- Lock Layer (looks like a lock) 5- Lock icon that appears when anything on the layer has been locked More on 3 Lock Transparency: You can only paint on / modify what's on that layer. You CANNOT add anything to any area that is already transparent Here's a demo of what you can do with this power:

Here's the original Image - notice how it's just the lineart with a transparent background.

It's powerful: abuse it

//------- Overlay vs Multiply vs Normal

I think seeing this is the best way to visualize how different modes can affect the color.

//--------------------------------

Back to the Tutorial

!!I IMPORTANT NOTE !!

Please play around with the opacity slider to figure out what opacity works best for you on the multiple different layers we're about to make / work with. It's up to your own style to figure this out. Next: please feel free to not follow all of it. Add more layers, add less layers, take the base principles and go wild! :D

5. Separate the lineart from the background and save it as a new layer 6. Duplicate it and set it to overlay, or set it to overlay immediately

7. Duplicate that lineart layer twice and set the blending mode to overlay 8. lock transparency on the top one and change it to be a dark grey 9. Apply motion blur to both:

Main menu bar -> Filter -> Motion Blur I made it so that the grey layer was blurrier than the black layer

10. More them around a little to give it a "3D effect" as you called it.

It creates shadows under the lines - I was aiming for an effect similar to chromatic aberration (chromatic aberration is a valid way to add punch to your stuff too!)

So this is what things look like now - painful, but let's keep going

11. Duplicate the ORIGINAL / BASE lineart layer, that you DID not apply motion blur to -> set the blend mode to multiply (reduce opacity for it to actually take effect)

okay that's less painful here's what the layers look like right now:

let's bring more focus to Ace's face, and push the background farther away:

12. Use the magic wand tool to quickly select large areas of the faces / focal area / foreground and the lasso tool to refine things

TIP! Hold shift + click -> add to selection Hold Alt + click -> subtract from selection

13. On a new layer with blending mode -> lighten, fill that selection to be white

If you look at it, you'll notice that it is ALREADY starting to draw our attention to his face, but the background is kinda aggressive, so let's dim that down

TIP! Right-click on the gradient tool to find the paint-bucket tool

TIP! Sample All Layers: Turning this option off makes it so that you only work with the content on THAT specific layer. Turning it on makes it so that it is working while taking all other layers into consideration.

14. ctrl + click on the "white foreground" layer to select the contents of that specific layer (pink thing is your mouse)

15. ctrl + i to invert selection and ON A NEW LAYER (layer mode -> multiply) fill that with a complementary color

16. I did one last thing where I took the original base (before we separated the lineart) and added it to the very top and played with the opacity to get something less in your face (layer blend mode was set to NORMAL)

And that's it!

More considerations that I take:

I want the banner to be "thin" or not square, so it doesn't take up too much screen real estate on people's devices

I don't want readers having to scroll too much to get to my writing (which is the whole point of the post, let's not waste their time making them look for things)

I want the banner content to be relevant enough?

ie: with Matching: I wanted the ASCE tattoo to be visible. With matching I wanted Ace to not look too happy in some of them.

I'm also trying to avoid spoilers, I hated getting things spoiled, so I'm trying to be careful that the images I pick don't spoil anything really.

Congrats on starting life on your own! I did that whole living by myself thing too! Tip: keep the pantry stocked with lentils, beans, pastas, baking essentials, rice. They really come in a clutch when you're hungry.

#photopea resources #photopea psd #tutorial #tutorials #tumblr banner #photoshop #photoshop tutorial #digital art #fuck adobe #adobe photoshop

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katyawriteswhump · 9 months ago

Text

the power of love, part 12 (steddie, steve whump, stobin fic)

Alternate ending S4: Steve has a habit of surviving near death experiences then getting sick for no reason. And Eddie and those fatal bat bites? After an impossible feat of mouth-to-mouth resuscitation from Steve, he’s mysteriously fixed. So, Eddie’s back to being banished, this time with Steve and Robin in tow. Eddie’s healing, but Steve isn’t… and life gets even more confusing, when Eddie develops feelings for Steve, which aren’t entirely unrequited.

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11 Part 13

(also on AO3 here and as part of my steve whump fic series)

Eddie POV

To Eddie, there’s something way too police-like about the way Hopper escorts Steve to the Humvee. He even raises a hand to check Steve doesn’t knock his head, while climbing in the rear seat. Eleven gets in the far side of Steve, and Robin piles in on the near side.

Robin shoots Eddie such a mean look and slams the armoured door. Left standing in the mud, Eddie gets it—subtle as a monster punch in his gut. Stay away from Steve.

“Let’s move.” Hopper motions urgently, and Eddie trudges over and gets in.

“You sure you want me riding shotgun? What with me being… Oh, I dunno, verified spawn of Satan?”

Hopper drops his voice to a barely audible rumble: “Whatever game you two were playing last night, I don’t wanna know.” He doesn’t sound chummy. Not actively hostile either. “I promised your uncle I’d look out for you, if I could.”

Eddie inhales sharply: “You’ve seen him? He’s okay?”

“He salvaged your six-string after the quake. He wanted me to tell you.”

Eddie snorted; cannot deny it’d played on his mind. God, Wayne knows him too damn well.

Hopper fiddles with the switches on the spartan dashboard. “Not gonna say he’s okay, because nobody in Hawkins is. Our best hope is that the military pull out when they can’t find Eleven. We still have allies, acquaintances of Owens, though their numbers are thinning fast.”

“That who we’re running to?”

Hopper has some kind of plan, which he explains as he grinds into gear. They’re heading for a remote road, where these remaining ‘allies’ have arranged further transport. “Luckily,” says Hopper, “you guys were pretty much on route.”

“We can’t stay away long,” says Eleven. “I have to go back. I can beat One, with help from friends, and…”

Eddie peeps over his shoulder, sees her staring hopefully at Steve. Who is staring glassily ahead.

“Steve?” prompts Robin. “Anything you feel like sharing.”

“Will you gimme a break? Look, I got an idea about what’s behind all this. I don’t know how much sense it’s gonna make, so…”

Nothing could’ve prepared Eddie for what Steve discloses next. “I know how nuts this must sound,” Steve says. Eddie, like the others, is temporarily stunned speechless. “That I should be… That I should’ve drowned in that lake, when I was a kid.”

“The only thing nuts,” says Robin, who’s literally cuddling him from the side, “is that you didn’t tell us this sooner.”

Steve squirms. “Honestly? It only came together in my head in the past day or so. It was like a really annoying jigsaw puzzle, and jigsaws are basically my least favorite thing ever.”

“We need to figure this out,” says Hopper. “There was no gate open to the Upside Down in 1978. Doesn’t mean Steve’s powers, if that’s what you got, aren’t linked to the Upside Down, or the experiments at Hawkins Lab. If they are, doesn’t mean they’re all bad news. Look at El.”

“I guess.” The Humvee rocks and rolls over a particularly cavernous pothole, and Steve flinches hard. “In my dreams and shit, I see this trippy… I don’t know how to describe them. They’re like a ghost or something; also, not quite a ghost. Whatever, I got this hunch they’re behind it.”

“Could be some kind of water spirit,” says Robin. “Or even a goddess. Oooh, so the Romans worshipped this water goddess, Minerva, and the ancient Celts had Sulis—"

“Be serious,” says Steve.

“I am serious. In Native American religions, water can represent a link between life and death. I wish I knew more.”

“Not sure I wanna know any of this.” Steve peeps down at El, who’s not quit staring at him. “If this is your crazy-pants frenemy after all, now would be a really good time to tell me.”

She shakes her head. “No. If I sense anything, it’s good… soft… like Mama should’ve been.”

“Oh,” says Steve. “Can you, like, see them too?”

“No.”

“Son-of-a-bitch!” bellows Hopper. The Humvee’s wheels churn uselessly in the sludgy ground. “Everyone out, apart from you.” He points at Steve. “You okay to take the wheel?”

Steve revs for about ten seconds. Eleven uses her powers to unstick the armoured vehicle, and nobody needs to shove. Trouble is, they get stuck again about ten minutes later. And again, five minutes after that. Soon after they next get going, there’s a loud metallic clunk. The Humvee chokes, splutters, and dies completely.

They all tumble out yet again, apart from Steve, who stays put, and nobody argues. Hopper props up the hood. “Munson, you any good with cars?”

“Uh, hello?” says Robin. “My moms jumpstarts her Chevette every single day.”

That distracts Steve’s guard-dog. Eddie suffers a moment of agonising indecision then pops his head in the rear seat.

“How you doing?” Eddie knows it’s a stupid question.

Steve shoots him a withering look, fluffs his messy hair. Eddie slides in beside then totally freezes up. He feels horrible about Steve’s arm in the sling, and as for the rest of it…

HE DIED! On the other hand, I died too.

Yeah, how exactly does Eddie Munson fit into this beyond-freaky legend? He hardly gives a shit— he’s not the one seeing ‘ghosts’ and, worse, starting to resemble a ghost.

“Eddie,” whispers Steve. “I might need to get away.”

“Get away?” mouths Eddie. “What do you mean? From Hopper?”

Steve’s silence is answer enough.

“Granted, the dude’s packing heat,” says Eddie. And driving a freakin’ tank. "He’s not holding you hostage.”

“I know that. God, I’m so confused.” Steve’s stopped being grouchy or fighty. Which is pretty un-Steve, and scary in itself. He curls a hand over his eyes. “I feel like I’m being… I dunno, pulled in the wrong direction.”

A power chord of fear twangs across Eddie’s every fibre. “You want us to go back to Hawkins?”

“Us?” Steve emerges from behind his fingers. “No. Hop’s right. You’d be arrested and I’d be… Ugh, I’m so goddamn sick of this. I want this all to be over, so we can… you know, fool around together.”

He reaches out, hooks a strand of Eddie’s now-totally-mad hair behind his ear, and sorta smiles. For a single damn fine moment, that smile sparks in his eyes; Eddie loses himself there, and their world is perfect.

Then Steve’s fingers drift away. Eddie wants to catch them, kiss them, promise he’ll do anything Steve needs. He’ll take down the whole damn US army, slay Vecna in a blaze of glory, even if he dies AGAIN trying, and yet…

… Holy shit, he’s terrified of Steve! Scared that, if he touches him, he’s gonna crumble into dust, or…

“Earth to Eddie?” Steve waves in front of Eddie’s nose. “Have I added invisibility to my list of useless powers?”

“No. It’s just… I want this over too, so we can do, uh, yeeeaah, stuff.” Wow. Call yourself a lyricist, Munson? He’s rescued by a roar from the Hummer’s engine. That sleepwalker’s glaze returns to Steve’s eyes, and it feels way too much like another door swinging closed in Eddie’s face.

Although the dinged motor is fixed, the mud continues to be literally a pain in the butt. Nobody enjoys the bruisingly rough ride on the rock-hard, upholstery-free seats.

“At this rate, we’re gonna have to ditch this piece of garbage and walk,” says Hopper.

“Jesus Christ, just ditch me already,” mutters Steve, who’s turned a disturbing shade of gray-green. Hopper doesn’t argue, which makes Eddie think he isn’t taking all that Steve says seriously. Which makes Eddie feel kinda sick, too.

What should they do? He wishes he could talk to Steve alone again, this time be less of a tongue-tied dipshit. That said, how can Steve go back to Hawkins? Right now, he can’t hardly walk.

They’re halfway across a patch of open land when they get stuck yet again. Eleven’s nearly as washed out as Steve, her nose bleeding. Hopper suggests they get the Humvee moving the traditional way.

“Shame about all that rain,” says Robin, as she, Hopper and Eddie pile out to push.

“Is that a dig?” snaps Steve, from the driver’s seat.

“Wasn’t supposed to be. Sorry. Sorry.”

They’ve barely put their backs into it, when Hopper squints into the air and curses louder than ever. A distant juddering noise reaches Eddie’s hearing.

“Oh my God,” cries Robin. “Is that—”

“Sikorsky search-and-rescue Hawks,” shouts Hopper. Yup, Eddie counts a battle-wave of ten or more. “Into the trees. Go, go, go!”

“What about our tank?” Eddie jumps on instinct to help Steve, who’s clambering out, seeming kinda dazed. Robin blocks Eddie’s path. It’s all a moot point, because Hopper’s already got to Steve.

“If they see it,” says Hopper, hustling Steve ahead of him, “chances are they’ll take a potshot.”

“I can crash them,” gasps Eleven. “Done it before.”

“Not a great idea, kiddo,” says Hopper. “They’ll know for sure it’s us, and throw everything they got into this part of the country. We’ll never make our meet.”

Eddie is scratched from head to foot by outdoor crap, before Hopper says, wheezing hard, “This’ll do.” They all get down in a bunker-like dip. Steve kneels beside Eddie, Hopper behind them. Robin shuffles around to crouch beside Steve.

“Do you hear that?” murmurs Steve to Eddie.

“Uh, yeah,” replies Eddie. “Evil empire TIE fighters, straight outta the Death Star.”

“Not them. A river or something. Loud. Like a waterfall.”

“Could be a giant bear taking a slash?” says Eddie, because life is currently so unfunny, he really might as well. And no, he can’t hear any water. Only the crescendoing approach of that airborne death squad.

“Bears have gotten so far down my ‘worry about’ list,” says Robin, “that that’s scary itself.” She picks a cobweb out of Steve’s hair. Steve, meanwhile, closes his eyes. He starts to tremble. “Uh, Steve,” says Robin, “what are you—”

“What d’you think I’m doing?” Bitchy Steve has returned, which Eddie chooses to find reassuring. “They’ll see the Hummer for sure. If I can actually do what you say I did—”

“It makes you sick,” hisses Eddie.

Robin bristles. “Since when did you care?”

“Will you both zip it?” says Steve.

Robin rubs his back. Eddie considers squeezing his knee, then decides against it. Hopper stops scrutinising the skies, brow furrowing: “What’s he doing?”

“Nothing!” Robin’s overwrought smile is stupidly guilty.

“Stevie?” prompts Eddie. “Is there anything we—”

“No, no. I remember this insane crackling. If I can get that going… Gnnng!”

“Anger helps,” whispers Eleven, from the far side of Robin. “What makes you angry?”

“A ton of shit! I can’t… Jesus, it feels like my head’s gonna explode.”

There’s a blinding flash, and a deafening thunderclap. Steve crumples forward, and Hopper grabs him by the scruff of his sweater before he hits the dirt. Eddie shrinks back, his own heart beating like it’s gonna bust outta his chest.

Steve’s now basically hyperventilating. “Ssssh, you did great.” Hopper gently braces an arm around him. “You gotta calm down. Breathe slower, nice and steady, huh?”

Eddie glances up at a bank of wispy grey clouds that hadn’t been there before. A few tense moments pass, the air palpably crackling with an electric tension. Then the noise from the choppers begins to fade.

“They’re turning around,” says Hopper. “Hawks can’t fly with lightning around.”

Robin’s shoulders sink with a relief Eddie shares. Steve, however, groans miserably. Hopper is still keeping Steve upright and asks, “You gonna puke?”

Steve scrunches his face and nods.

“Stop goggling and get lost,” says Hopper to the others. Nobody disobeys. They’ve not gone a dozen yards, before Robin trips and falls on her face. As Eddie stoops to help her, she springs back up without aid. Far more shockingly, she throws her arms around Eddie’s neck:

“Oh my God, oh my God, I know the powers are awesome but he’s sick and I’m so scared he’s dying. What do we do? How can we help him? WHAT DO WE DO?”

All Eddie can do is press his cheek to her hair, and answer with an honesty that jack-knifes through his guts. “I don’t know, Robin. I haven’t a goddamn clue.”

Part 13

...

PS--In case anybody's worried... while there is plenty of trauma ahead, I only do happy endings ;)

tags: @estrellami-1 @kal-ology @finntheehumaneater (thank you, thank you, thank you!) If anybody else would like to be tagged on this fic or any of my writing, please let me know :) Reblogs, comments and likes also very much appreciated :) Thank you for reading so far :)

(also part of my steve whump fic series on AO3)

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11 Part 13

#steddie #steve harrington #steddie fic #steve x eddie #steve harrington whump #steddie fanfic #stranger things fanfic #steve harrington x eddie munson #eddie munson #stobin friendship #platonic stobin #stobin fic #stobin

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