#those tags are mostly for internal blog organization as this is very rambly

[undercat-overdog]

So I was reading some of your older answers to questions about your fics when I became curious about something. Let’s pretend that there’s an AU where a more corruptible version of ‘Bones’ Celebrimbor accepts Sauron’s proposal to marry and rule with him. What would happen to Sauron if Celebrimbor were to die? (Let’s say in battle fighting for Sauron) Comparing it to Melian’s reaction to leave everything behind after Thingol’s death.

Hey anon! Thank you for the ask, and sorry for my delay in replying.

You know, I was thinking about it a while back and I definitely think there's a tack Sauron could have used that could have led to Celebrimbor's darker side coming through. I thought a bit a while back about how to do that and mostly they wouldn't work as an AU from that particular point in Bones (things like insidious mind control using the One, C being captured and through a mix of stockholm syndrome and wanting to make S's rule less horrible comes to participate - if you're curious about such AUs, simaetha on ao3 has some fantastic fic), but had Sauron framed it as less "let's rule the world together" and more "Gil-galad's not ambitious enough, you are, those less knowledgeable and skilled and smart as us 'wander here untaught', we need to raise them up, even if not all of them like it at first, etc." Basically the appeal he made to the Elves of Eregion in the Silm but upping the imperialism. Because Celebrimbor is prideful and is ambitious and does have a sense of superiority, and I definitely think it could be appealed to more.

Of course, Sauron didn't think he needed to hide his eventual plans, though he certainly planned to keep hiding his rather unique biography. He is also hiding his current extra-Eregion activities - he is at this point (c. SA 1200-1500) occasionally traveling around working on his evil empire. I like to imagine he sent back regular letters to Celebrimbor talking about how lovesick he is all the cool, definitely not evil-empire-related stuff he's seeing. Probably some rock samples or pressed flowers. He is being dishonest and deceiving Celebrimbor about a lot of stuff, but he is for the first time open and honest about his true goal in the proposal scene.

Anyways! In the scenario you propose, Sauron would react very, very poorly to Celebrimbor's death. Many people would die horribly. However he felt about Celebrimbor at the time - and I think he would probably end up respecting him less and Celebrimbor becoming somewhat less important in his life, thought certainly still very important - Celebrimbor is his and it is unacceptable that someone (else) hurt him. And elf soulbond! (I do love elf soulbonds.) I think it would cause a lot of pain to Sauron. Emotionally of course, he would be incredibly distraught and bereft, but metaphysically too.

To go to Melian's reaction, there's the interesting question of how she returned to Valinor. She is shapelocked, due to "begetting", but I find it logistically unlikely for her to have left Beleriand physically; I imagine she shed her form, which implies to me some sort of metaphysical change? She is no longer capable of being tied to Thingol physically (maybe a little desperate necro, but Thingol's no longer in that body). Likewise, in a situation where S loses his elf husband, I imagine it would create some sort of 'wound', if you will (and that Melian experienced that). Different in scale and effect than the loss of the One in canon, certainly not permanently incapacitating, but not too different in quality. A part of Sauron was wretched away, leaving a gaping, bleeding wound.

Many people would end up dying, horribly. But Sauron certainly isn't going to Valinor, as Melian did. I imagine the timeline and plot here would draw closer to canon. If the One wasn't already made (and I'm uncertain if a married Sauron could make the One as it is: his soul isn't just his own anymore, there's another soul that's intertwined with it*), I don't know if Sauron would make it, because I'm not sure there's the same incentive as there is in canon, but maybe something like it. But certainly going full on dark lord, Sauron the Great, King of the Earth, as he called himself in canon.**

*as a general rule I prefer 'soul' in writing, but yes, technically eala and fea and the two are different. Sauron has no "true" physical form and is whole without a fana, but Celebrimbor or any other elf are only whole when his fea and hroa/soul and body are together. But for the terms of a marriage bond, they function more or less interchangeably.

**what name he ended up using here is also open to debate. "Sauron the Great" is a title he did use canonically, but does anyone know he is Sauron/Gorthaur in this AU? Maybe not, aside from some Orcs! He's probably going by Annatar in this AU and he might end up keeping it. Well, as one of his names: I imagine he had many in different local languages.

(Also, please don't worry, your asks made me very happy to receive!)

[wiredandrewired]

Was trying to actually work on something but my brain is stuck on loop.  So instead I’m gonna make a post of the Voltron stuff sitting unposted in my writing WIP folder to help me organize my thoughts.

I guess since I’m posting this, if you have anything you wanna say/ask about any of these feel free.  I respond well to outside interest.

1. Project ReVolt is without a doubt the project I’ve posted about the most here.  And talked about in random tags.  And tangents.  Originally it was just the name the project had in my internal brain filing cabinet but it’s kind of spread and stuck to where my wife and I just refer to it as that when we talk about it.

ReVolt is basically going to be a VLD series rewrite more along the lines of how my wife and I would have done it or at least liked to see it done.  In some places it will probably stick pretty damn close to the events of the series canon, but in others go completely off the deep end.  We’re each going to be doing one, so a lot of the headcanon and worldbuilding and such that we’ve worked out together in various other stories and RPs will be consistent between the two stories, but it will also give us a place to veer out and do things without the others’ input (as we’re not gonna let each other see our fics until they post, tee hee).  I’ve done a SHITPOT of rules and infrastructure work using actual alchemy tracts to try and make sense of the series’ largely Powers As The Plot Demands system,  and am pretty convinced I’m going to A)fall hard into my very common Esoterica Ranting Mode pitfall and B)enrage literally everyone who reads it with my character and plot choices.  Most conservative estimate says this will be six ‘books’ long as again, we’re doing literally the entire series.  Current status: at the ‘ridiculously large amount of notes and setting up actual arcs and outlines’ stage, and waiting for the wife to finish ‘Happier HOPEless’.

2. There Are No Monsters Here is a fic I really want to do but cannot seem to get off the ground, set to take place entirely in the ‘last universe’ from season 8--the one native-Honerva died in and crazed-death-god-Honerva picked out as her ideal and tried to wedge herself into.  I guess the basic idea was that, like the ‘main’ universe, it got rebuilt pretty much as it was prior to Nightmare Mom Ruining Everything, and I have it with no one fully remembering the events of season 8 that took place there, but characters really closely tied to those events having some itching feeling that something happened, and all the Altean alchemists agreeing that some kind of massive quantum Event certainly occurred even if they don’t know what.  

Mostly the story exists as  a place for me to have a canon-compliant AU that still lets me explore stuff like Altean history, the racial and cultural tensions of the Coalition, dink around with Oldadins that DON’T die in one fell swoop, a living Daibazaal and Altea, Lotor growing up with a decent-but-not-without-strains relationship with his dad, teen Allura and tiny Lotor being absolute shits to each other while also coming to terms as they grow up with who and what they MUST be both on a political and quantum scale, and generally prove that even a perfect universe isn’t, all in one place.  The title is entirely facetious, and anyone who’s read any of my alien culture headcanons for this series knows that.  Lol.  Current status: lots of bits and pieces, but no good beginning or connective tissue.   I have a lot of notes, some arc outlines, and a few scattered scenes and bits of dialogue from later in the story, but my god, I CANNOT get it off the ground.

3. Someone Must Get Hurt (But It Won’t Be Me) is supposed to be a pretty wholly Honerva-centric fic that starts...sometime in her youth?...and carries forward to an as-yet-undetermined point.  Probably her death.  I mean the first one.  I’m not sure.  Another chance to dig my fingers into Altean culture and Alchemy, this time leading up to All The Bad Shit That Happened, with the added bonus of being done from a focal point of a character I have a lot of really strong feelings about both positive and negative that’s resulted in me somehow being EVEN MORE wrapped up in her than I was before I added abject knee-jerk trauma hatred to the mix.  In no way meant to make Honerva more sympathetic, I think I just want to write her even more like my mother so I’ll feel EVEN BETTER about killing her?  Idk man my feelings about her are so complicated.  Also an excuse to write a shitpot of her and Zarkon because listen, I’m really glad they’re married because I ship them so fuckin hard.   Current Status: SO many notes.  SO much infrastructure.  Like three pages of an opening I’m almost definitely throwing away because I can’t decide where, when, or how to open but feel like this isn’t it.  One short but very telling scene of Honey and Zarkon from late in the story.  I’m obsessed with it but I can’t get anywhere. 

4. Currently Untitled Demon Hunter AU started because my wife talks to me about Happier HOPEless a LOT and I just got an itch in my bones to work on one myself.  In spite of the entire Demon Hunter AU thing getting started by a prompt on a Shance blog, neither Shiro nor Lance are set to appear for at least a chapter?  And I am not confident in my ability to not veer off into utter non-shipping anyway because man, am I bad at it.  Or like...just an entirely different ship for either or both of them.  Current Status: A lot of vague notes, a POWERFUL urge to structure the chapters and overall arc after Ripley’s Gates even though that limits my chapter count and means I will DEFINITELY have 20k+ word chapters, and about seven pages of the first chapter so I guess I’m committed now?

5. Currently Untitled Post Series Fic basically exists for me to vent my frustrations about two main things: The Universe is Fucking Huge And There Are Dangers Other Than Galra, and The Galra Empire Was Huge and Is Not Going To All Fall In Line Behind Voltron Coalition and Especially Behind Keith Who Just Arbitrarily Fucking Decided To Tell Them They Couldn't Pick A New Leader According To Their Own Traditions And Need To Do What They’re Told Now What The Fuck.  Also there was a lot of stuff in the series that got left hanging, and while ReVolt is an IN-series fix-it fic, I wanted something that patched up loose ends in a way that was satisfactory to me but also kind of canon-compliant.  Current Status: A lot of notes and screaming.  No one has seen my progress on this and they might never.

6. Dog Runs And Death Dreams is a warmup file turned deeply self-indulgent series of scenes in which I choose to assume that Shiro’s rare neuromuscular disorder was left so ambiguous so I could plug the symptoms of mine into it.  It’s genuinely not any deeper than that.  The whole thing is set pre-Kerberos, and includes copious Shiro x Adam content because of it, but also not the kind that makes me feel good about writing because that means it includes the ‘slow fizzle’ that leads up to their breakup before the mission.  Ugh.  Working on it does make me feel better when I've been having symptoms, though, and I’ve been letting myself write it, unchastised, in a really loose rambly way that I usually deride myself for.  It’s just cathartic.  Current Status: no notes, no plan, just strain-writing between seizures, but somehow it feels like it has some kind of structure and just keeps growing?  Possibly too close to the bone for me to ever post.

7. Birth and Rebirth was born out of two things: the fact that Zarkon is shown to have two ENTIRELY DIFFERENT reactions to first being presented with his baby son in different flashbacks and different seasons, and the fact that in spite of the flashbacks we get at the end of the series, earlier on, the impression I got of Lotor and Zarkon’s relationship wasn’t of a young man who had never had affection from his father, but who had instead lost it.  Well, three things: I have a lot of underlying issues at work, at play, and at large when it comes to the Galra Imperial Family.  Also, anyone notice the monitor blips in the first baby Lotor flashbacks indicate a heart murmur?  Anyway, it was supposed to be a thoroughly self-indulgent and thoroughly self-hurtful examination of Lotor’s early life and the death by degrees of what was left of his father in the husk Rift Adventures left behind, but I got stuck on it a little way in.   Current Progress: ten pages, a lot of notes, and some wistfulness.  I keep hoping I’ll get inspired to pick it back up again.  Contemplating rewriting some of the beginning, maybe it’ll help?

Bonus entry that is not actually in any form of progress soever:

50/50 Voltron Trashfire Edition is spawned from the ‘50/50′ challenge on an old TF board I used to haunt.  It’s a fifty-prompt smut challenge using the list of ‘50 reasons to have sex’ from some tv show, and the idea is to write a different ship for every prompt (hence the name).  My wife is blazing through it and has several (like twelve?) up on her AO3, but I’ll be utterly blunt: I haven’t written fifty porn fics in my LIFE.  Over ALL my fandoms.  Current Status: Literally all I have done is assign a ship to each prompt, and I might actually have some prompts with just question marks beside them still.  I have one aborted start to one entry.  That’s it.  It’s not happening.  But the empty file is technically in the folder, SO.

[seenashwrite]

The Nail: August 2017

The Nail isn’t about perfection. It isn’t about award-level contenders. It’s about seeing focus and effort and hard work radiate off of the screen.

And The Nail’s purpose isn’t to highlight genres of fics or specific ships or pieces written during a certain time frame - the sole focus is quality.

Character dimension. Writing with clever readers in mind. Solid world-building. Tension through boundaries. Crazy crisp dialogue. Incredibly tight plotting. Big emotion.

And though yours truly - nice to meet you, new folks, I’m Nash! - is editor of the list, the goal is for YOU to curate the content.

Read more about how all this came to be, find past editions, see what factors are considered when constructing the list, and how to get your recommendations in/be a curator HERE.

Hey, ramblers? Let’s get ramblin’.

For your reblogging convenience, here’s The Nail Master Post of Editions!

Quickie Nash Note:

As this project evolves, I'm still determining the best way to present it for easiest reader use.

And so, faithful followers of The Nail, you'll notice a touch of a categorization change-up. The lengths are still the m.o. vs. type ["angst", "fluff", etc.], but are now listed in order of word count, low to high. The rest of the categories remain the same, plus a new one that may or may not appear on every edition [you'll see why!].

I've also put a new page on my blog, mainly for authors, with explanation for things they may question regarding this format - things I’ve mentioned prior, but it takes up too much space. Some of the current FAQs are....

- Why did someone make up a summary/why didn't you use my summary? - Why did someone make up a title for my story/poem? - What are those Q comments? - Is Nash actually reading all of this?

One last thing: The Nail is meant to go out the first full week of each month, and was mostly ready this weekend, however I just wasn't in a jovial, woo-hoo mood, I made a brief post why, I've no doubt each and every one of you understand, but you have my apologies nonetheless as poor time allocation on my part meant this wasn't out at some point during the past week.

XO - Nash.

* ~ * ALL FROM THE WORLD OF "SUPERNATURAL” UNLESS OTHERWISE NOTED * ~ *

- SUPERNATURAL SUPERSTARS - Organized by length.

THE BOY KING'S DEMONS  -   @rex-daemoniorum / @vengeuse WORD COUNT - 279

Sam understands that there are exceptions to even his own rules. 

Q: Nice detail, pertinents given painted the picture effectively/no belaboring; through-line present of Sam's ability to relate without spelling it out/written for intelligent readers; complexity of situation related in short amount of space

[Nash Note: Additional shout-out to @azazelsocks, who provided a high-quality prompt, as - if your humble editor may be blunt - most fic prompts are beyond lame. Well done, 'Socks.]

--> I cannot tag these folks, if someone could kindly let them know or give it a go in your reblog

CIRCUMSTANCES -  @jessmoorechesters WORD COUNT - 347 words As years pass, the Moores have often found their thoughts turning to Sam.

Q: While perhaps started as headcanon, reads third-person omniscient; emotional, rambling, almost panicked cadence/style/lack of caps/punctuation absolutely works for this subject matter; nice full-stop short sentence toward end; inclusion of poignant details/no unneeded detail

[Nash Note: I already had this on the list, had a couple informal suggestions to check it out, spotted it more than once in my feed - overall, this resonated with many of you, and rightfully so.]

DESIGNATED DUTIES  -  @fanforfanatic  WORD COUNT - 412

A tale about the seemingly ordinary things we do for one another.

Q: Moves at a crisp clip; heartfelt without bending sappy; several great lines/points of humor, prevents getting too heavy given the short length/action in question; nice cap-off/prompts reader to use imagination while not ending on a proverbial cliffhanger

HELLO, DARLING  -  @whispersandwhiskerburn  WORD COUNT - 789

Crowley and Billie have a little chat.

Q: Excellent use of vocab in descriptions; quick, crisp dialogue; spot-on characterization; kept story moving/pacing well done; didn't waste time on explaining things/rehashing things readers already know from watching the show/written for clever readers

SHAPE OF YOU  -  @winchester-family-business WORD COUNT - 1K [minus song lyrics]

In which Dean walks into a bar, has a drink, meets a woman, and whether it's for now or forever, it's definitely meaningful.

Q: A get-in-and-get-out in the opener, setting the scene with just enough information and moving on to the actual story/no wasting time with a long set-up; excellent use of a "gimmick", re: initial communication; nicely fleshed-out protag who has her own thing going on, which he respects, which is in line with the character we know; took a commonly used set-up and took it to a thoughtful but not belabored/shmoopy place

GOOD NIGHT, LITTLE KING  -  @moonlightcas WORD COUNT - 1.6K

At the age of six, Sam is visited by Lucifer.

Q: in medias res; excellent pacing; perfectly plausible in canon; slightly chilling and pressing and foreboding without being suffocating; timing of the name reveal is Absolutely. Spot. On.

ONE, TWO, THREE  -  @kathaswings  WORD COUNT - 3.4K

A trip to a bookstore turns out to be more than you - or Sam - could have imagined.

Q:  in medias res; structure that would please any screenwriter; meet-cute without being immature/shmoopy/saccharine, specifically - protag didn't turn into a pile of weepies or gigglies/displayed strength; nice choice to include action; solid ending/author knew when to step away from the keyboard

[Nash Note: author's inspiration is revealed post-story, however they kept a light hand/did not merely re-hash source material bit-by-bit & just throw SPN atop it, instead made it their own - points and gold stars for this, always]

SUNDOWN, SUNDOWN  -  @thayerkerbasy  WORD COUNT - 6.2K 

"Crowley was done. After hundreds of years and one last sacrifice, he was done. Except, somehow, he wasn't."

Q: in medias res; spot-on characterization; tackled character departure in unique manner that could have easily gone shmoopy/author demonstrated restraint in walking the emotional line/kept that slightly off-kilter tone; moved at quick clip/efficient structure/fluid; touched on things/events seen in show but did not belabor/used as tool vs. crutch; phenomenal end dialogue/last line

- POEMS & POETICAL PROSE - Mostly quick reads, these are actual poems of any structure & short [< 2K] stories that have a poetic feel to the narrative with appropriate use of poetic verbiage given the subject matter and / or setting; pieces in the less-than-300 words neighborhood are considered quality in their entirety, therefore no "Q" notations; organized by length.

SECOND FALLING  -  @vintagesam  WORD COUNT - 135

"Despite the silence in the church, the earth is deafening."

INTOXICATION  -  @copbydayfangirlbynight  WORD COUNT - 199

"Out of nowhere, these two guys you’ve never seen show up and slip onto the bar stools next to you."

THE LEGEND  -  @quailpower  WORD COUNT - approx. 300 words

Exploring the costs of immortality, and what one angel chooses to do with his time.

JULIET  -  @roxy-davenport  WORD COUNT - 1.7K [minus song lyrics]

A night in the life of Crowley's beloved hellhound.

Q:  HERE [Nash Note: Short version? Knowing when it is appropriate to inject "flowery" verbiage into a narrative. Hint: fits the time period and/or character, is kept crisp, to-the-point, and used sparingly, regardless]  

- MULTI-PARTERS - Stories with a minimum of 2 parts, max of 3-to-4, with modestly sized [1-to-2K] chapters; completed as of this list; organized alphabetically by title. 

None this time! [but I’ve got a couple bookmarked whose wrap-ups appear to be en route]

- SERIES SPOTLIGHT : SUPERNATURAL & SPN CROSS-OVERS - Works that are completed series, as well as ongoing / in progress series, with at least 3 parts published as of/prior to the edition of The Nail in question; unfinished series must have been updated within roughly 6 months of this post;  these are lengthier than multi-parters, getting into a 5K+ range per chapter; organized alphabetically by title.

MISE EN PLACE  -  @sp-oops  

A look inside the ways you  - and the rest of the family - help Dean deal with the effects of the Mark of Cain.

Q: in medias res; quick, crisp dialogue & pace; no heavy-handed/laborious descriptors of setting/emotions, whether internal or verbal; nice character development/casual, easy feel to character interactions; sex fit into plot organically/didn't feel forced; plausible reactions by Dean/Sam/protag regarding the complexities of the residual impacts of the mark; witty humor throughout; nice cap-off/author knew when to step away from the keyboard  

Curated by @smi727 , who said: "Stumbled upon this little beauty of a series recently. I was seriously blown away by the plot, the writing, the reader’s personality, everything! Please Nash, share this wonderful writer with the world!"

- RANDOM FANDOMS -   All types, all lengths, all the things that aren’t SPN but are still pretty damn super; organized alphabetically by title.

AGENT 15  [series in progress]  -  @bellamysgirl

[MARVEL - AGENTS OF S.H.I.E.L.D.]

"Agent 15 was one of S.H.I.E.L.D.'s top agents - that all changed when a mission went terribly wrong... but Coulson found a way to drag her back."

Q: in medias res; moves at a quick clip/no time wasted on extraneous detail; well-done characterization of both known/O.C.; reads as if watching episodes/movie; nice format/use of time flip vs. heavy exposition telling another character about those events; keeps intensity while splashing in moments of camaraderie

VERY MUCH FAEBLOODED [drabble]  -  @mickeyrowan

[POTTERVERSE]

"She knows she’s different. She’s always been different... No place lets her forget this."

Q: Introspective without taking the reader on a deep, angst-filled dive; even-handed character portrayal; tone consistent; nice choice of event highlighting vs. a traditional narrative; well done on complementary kick-off/wrap-up

WHO YOU ARE [one-shot]  -  @blackcaptainrogers

[MARVEL - AVENGERS]

Bucky knows showing love takes on a variety of forms.

Q:  HERE

[Nash Note: Short version? Your audience consists of such variety, it’ll take your breath away. And, well...]

On that piece of white paper, Sam wrote, "Write about me sometime." And I typed something back to her, standing right there in her bedroom. I just typed, "I will.”  ― Stephen Chbosky, The Perks of Being a Wallflower  

- ORIGINAL WORKS - Anything from haiku to novella; pieces in the less-than-300 words neighborhood are considered quality in their entirety, therefore no "Q" notations; organized by length.

IT IS SO TIRING TO BE DIVINE  -  @mythaelogy WORD COUNT - 52

"The architecture of your bones was built by conquerors."

MYSTERY GIRL  -  @inkskinned WORD COUNT - 111

"[A] girl who convinces you of magic, who flickers just a little on the edge of reality..."

I HAVEN'T LOOKED AT THE STARS IN A MONTH  - @poemsforpersephone  WORD COUNT - 125

"It’s an easy thing, to open a window, to step outside."

A TRADITION  -   @wakor-rising / @wakor  &  @sonatagreen   WORD COUNT - 189

"In peacetime, the ruler grows their hair long. In war, they cut it short."

--> I cannot tag these folks, if someone could kindly let them know or give it a go in your reblog

NEW YORK CITY TO RICHMOND  -  @haleyincarnate  WORD COUNT - 269

"I wonder if he knows that I can see the trying part of him..."

THE HOUSE OF GRUMLY  -  @erinnightwalker  WORD COUNT - 553

"Everyone knew that the Widow Grumly’s granddaughter was a werewolf."

Q: Sharp start with a phenomenal choice of an opening sentence; took a "historical fact", ran with it, and created a captivating world / plot in an incredibly short span of time; formatting, flow, verbiage crisp; nice & layered/written with a clever audience in mind

THE ADVENTURES OF ROXY AND JUJU   - @wheresthekillswitch  WORD COUNT - 2.4K  [part one/series in progress]

"JuJu finally relents and hands over the car keys to Roxy. It couldn’t possibly go more wrong than it did the last time Roxy drove…. right?"

Q: in medias res; crisp dialogue; absolutely engaging, witty characters developed in a short amount of space; vivid descriptors without being heavy-handed; leans into a vignette [character study] feel vs. hashing out a distinct plot; nice intro/kick-off for a series, though if author opts not to proceed, works just fine as stand-a-lone...

[...which is why I broke my own damn series criteria rule, so sue me. -N.]

- STUFF SO CREATIVE & UNIQUE, IT JUST CAN'T BE CATEGORIZED - What it says, organized alphabetically by title.

ENTRIES  - @cardinaleyes

An inside look into the journals of Team Free Will:

DEAN

SAM

CASTIEL

Q: an ongoing pseudo-series with a creative concept; keeps distinct style for each; bonus points regarding convenience for the reader by having a "home" for each character vs. all together in one blog

JEOPARDY

In which Team Free Will plays a game.

It began with a piece of fanart by @lastlabyrinth  ....

....which got some dialogue by @phantomrose96  ....

.... which got a follow-up by @casonly, and a nice wrap-up from  @guntheramvs 

Q: Written with sharp, quick-witted audience in mind; spit-take worthy humor; great characterization, spot-on in fact regarding our host for the evening; crisp, fun dialogue; excellent collaboration by all involved

[h/t  @waywardafbabygirl ]

JOURNAL OF A MAN OF LETTERS  -  @petite-madame

From the creator: "[This is] a diary in first-person narrative written from Sam's point of view. Once a week, I post an art and a ficlet inspired by an episode or a scene. I'm following the show timeline as close as I can but I'm taking liberty with canon here and there."

Q: Extraordinary, above-and-beyond, clearly evident care, devotion, countless hours put into this project, and it has paid off many times over - there is some of the most beautiful art you'll ever see, there are stories [have a sample] that will hit you right in the feels, there are moments ranging from light-hearted to introspection, and you even have an option of platform - go HERE for the LiveJournal headquarters. Phenomenal, top-to-bottom. I am not over-selling this.

TWO AGENTS MISSING, PRESUMED DEAD - @bohoartist & @piecesofscully

[THE X-FILES]

Two agents are missing - follow the twists and turns as clues are examined, leads are followed, and information is exchanged.

Q: The planning and execution throughout was nothing short of excellent; written/developed with smart audience in mind; methodology of storytelling unique and, more importantly, appropriate for how the authors chose to unfold the plot; format/use of images was spot-on; clear through-line and tone; mystery that was engaging, teasing but not frustrating  

[h/t @itssteaksauce ]

*~* Shameless Self-Promotion *~*

Happy Reading!  XO - Nash.

* Authors, I encourage you to express your appreciation to your curator(s). Readers, if you enjoy curator selections & found them to be of quality, I encourage you to not only give the authors feedback, but also thank the curator(s) for bringing the story/series to your attention. I suspect they’ll dig it. *