#those compel me a ton

[bam-stroker]

y'all I really gotta come up with a proper name for this diner / motel au because I wrote some more and sweet lord. It's giving me 1950s house wife realness of the isolation of capitalism and idolization of a false American dream but like... they're a robot at a theme park cheap resort

Sun really is going through it y'all... I guess this one is gonna be my throws the blorbo in a jar and shakes them fic

[limewatt]

ough. reading sousou no freiren. i’m so fucking dehydrated and i’m not yet a tenth of the way through. really really fucking good everything looks blurry and my face hurts

[harryssyndrome]

Darkness and You | h.s

summery: a late night drive takes an unexpected turn when an handsome stranger takes his place in your passenger seat.

wc: 5.3k || 🌕🌖🌗🌘 Masterlist 🌒🌓🌔🌕

WARNING ⚠️ sexual references, mention of unprotected sex. MINORS DNI! you’re responsible for your own consumption, don’t blame me later. It’s your own choice.

Posted on: November 25th, 2024

Tag-List: @fruity-harry @angeldavis777 || TAGLIST IS OPEN!

Surprise lovelies! The first part from serial-killer!Harry series is here and I really hope you enjoy it. 😌 let me know how was it and if you have any ideas for other parts, I just might post some more this week itself. this is my first ever try at writing 18+ stuff tho it’s not really much so I hope it didn’t suck🤭😳 REQUESTS ARE OPEN!

You don’t do this. Any of this. You don’t pick up hitchhikers in the middle of the night. Especially men.

You’ve seen a lot of horror movies and you’ve heard a ton of news stories.

You’re not five. You know what you should and what you shouldn’t do. But you’ve made an array of bad choices tonight so why not continue it?

You don’t know what it was but something compelled you to pull over.

The boy with the curls and those deep green eyes, gets into the passenger seat, a grateful smile on his face. He looks sweet, to be honest.

“Oh, thank you so so much. I’ve been out here for so long. My car just gave out on me and there’s no signal in this shithole.” He says, his English accent very evident as he adjusts his seatbelt. “May I know my saviour’s name?” He asks with a smiles that shows a pair of dimples.

The air is thick with the quiet hum of the engine, and your fingers clench the steering wheel a little tighter than usual. You’re not sure if it’s the cold seeping into the car or the nervous energy building in your chest. Something about this feels surreal, like stepping into a scene you’d only watch from the safety of your couch. Yet, here you are, with a stranger in the passenger seat and an unspoken weight hanging between you.

“Uh, YN,” you reply, your voice more hesitant than you’d like. His accent catches you off guard again, so polished and charming it almost makes you forget the unease simmering below the surface. Almost.

“YN,” he repeats, letting your name roll off his tongue like he’s testing its sound. “That’s a lovely name. I’m Harry.”

Harry. It suits him somehow. Still, you can’t help but glance at him out of the corner of your eye. His curls are messy, probably from standing in the cold too long, and his coat looks worn, but there’s a warmth to him. Those green eyes, so striking, carry a sense of ease—like he’s the last person in the world you should be afraid of.

Still, you’re not stupid. Sweet smiles and dimples don’t guarantee safety.

“So… where are you headed?” you ask, trying to keep your tone neutral while silently calculating how far you are from the nearest gas station or town. Somewhere with people. Witnesses.

He exhales, the sound almost a laugh. “Honestly? Just anywhere away from here.” He runs a hand through his curls, shaking his head. “My car decided to betray me in the middle of nowhere. Tried to call for help, but of course, there’s no signal. Classic, right?”

You manage a small laugh, though it feels forced. Your instincts are at war—one side whispering that this guy is harmless, the other screaming at you for stopping in the first place.

“Well,” you say, trying to sound composed, “you got lucky I came by. Not a lot of cars out tonight.”

“Not a lot of kind people either,” Harry adds, his voice softer now. “I was starting to think I’d be out there all night.”

His words linger in the air, and for a moment, you feel a pang of guilt. Maybe he’s just another unlucky soul, stranded and hoping for a break. Maybe you’re overthinking this. Or maybe this is exactly how every cautionary tale starts.

“So, YN,” Harry says, breaking the silence again. His tone is light, conversational, as if this is the most normal thing in the world. “What’s a girl like you doing out here at this hour? Don’t tell me you’re running away from something, too.”

The question catches you off guard, and your grip on the wheel tightens. “No,” you reply quickly, a little too defensively. “Just… a long drive. Needed to clear my head.”

He hums in acknowledgment, not pushing further, and you feel a flicker of relief. He leans back in his seat, letting his head rest against the window. For a moment, you think he’s going to drift off, but then he glances at you again, his eyes almost piercing in their intensity.

“You’ve got this look,” he says, his voice quieter now. “Like you’re carrying the weight of the world.”

You don’t respond right away, unsure how to take that. “You’ve known me for all of five minutes,” you finally say, trying to deflect with a weak smile. “Bit of a bold assumption, don’t you think?”

He chuckles softly. “Maybe. But I’m pretty good at reading people.”

The car falls into a strange silence again, and you can feel his gaze shift back to the window. There’s something about him—something you can’t quite put your finger on. It’s not just the way he talks or the way he looks at you. It’s the way he feels out of place, like he belongs in a story that hasn’t been written yet.

And for reasons you can’t explain, you let yourself keep driving.

There was some reason he can’t take his eyes off of you, almost as if you’re a rare piece of art he couldn’t help but admire.

“You always pick up handsome strangers in the middle of the night?” He teases with a cheeky smirk on his features.

You glance over at him, briefly, before focusing back on the road. The way his smirk lingers, paired with those dimples, feels both disarming and maddeningly charming. “Not usually,” you reply, your tone even, though you’re acutely aware of his gaze on you. “Just the ones who look like they’ve had a rough night.”

He laughs at that, the sound soft and warm, filling the small space of the car. “Lucky me, then,” he says, his accent turning the words into something smoother, like they carry more weight than they should. “Although, I think the luck might be yours. How often do you get to share a car with a proper English gentleman?”

You roll your eyes but can’t help the small smile tugging at your lips. “English gentleman, huh? You sound like a guy who gives himself that title. Let me guess, you also drink tea at every opportunity and say ‘cheerio’ unironically?”

His hand flies to his chest in mock offense, and he lets out a dramatic gasp. “Cheerio? Absolutely not. What do you take me for, a walking British stereotype?”

“Maybe,” you shoot back, your tone playful now. “I mean, you did say your car ‘gave out,’ and who even says that anymore?”

He chuckles again, his head tilting slightly as he studies you. “Fair enough. But for the record, I’m more of a coffee guy. And I don’t say ‘cheerio.’” His smirk returns, softer this time, as he adds, “I think you might be the first person to question my gentleman status, though. Most people just take one look at me and assume I’m… irresistible.”

You snort, trying to stifle your laugh. “Irresistible? You really do think highly of yourself, don’t you?”

“Can you blame me?” he quips, his voice teasing but not cocky. His gaze lingers again, softer now, almost contemplative. “But I’m serious. You’ve got this… way about you. Like you’re completely unimpressed by people like me, and I can’t decide if it’s refreshing or terrifying.”

That catches you off guard, and you shift in your seat, the smile slipping from your face just a little. “People like you?”

He shrugs, the smirk still lingering but now tinged with something deeper. “You know, the ones who talk too much, crack jokes, try to charm their way through life. The ones who should be lucky just to share the same space as someone like you.”

Your stomach flips at his words, a mix of unease and flattery you’re not quite sure how to handle. You keep your eyes on the road, focusing on the distant glow of headlights in the distance. “You’ve got a lot of opinions for someone who just met me.”

“Maybe,” he admits, leaning back in his seat and letting his gaze wander out the window. “But you can tell a lot about someone in five minutes. Like how you’ve got this look in your eyes, like you’re constantly bracing for something to go wrong.”

You freeze for just a moment, his words hitting closer to home than you’d like. “You’re imagining things,” you say quickly, brushing it off with a casualness you don’t really feel.

“Maybe I am,” he replies, his voice low and calm, like he doesn’t quite believe you but won’t push. After a moment, he adds, almost to himself, “But for some reason, I can’t stop looking at you. It’s like… you’re a puzzle, and I can’t figure out the edges.”

You don’t know what to say to that, so you settle for silence, the tension in the car shifting to something strange and unspoken. Outside, the road stretches endlessly ahead, the darkness pressing in on both sides. And for the first time since picking him up, you wonder if you’re the one being read, the layers of your carefully built armor peeling away under the weight of those deep green eyes.

Harry leans back in his seat, one hand resting casually on his knee as he studies you. His gaze, though soft, feels weighted—like he’s trying to peel back layers you didn’t even know you were wearing. After a beat of silence, he speaks, his voice low and curious.

“Can I ask you something, YN?” he says, his tone gentle, almost disarming.

You glance at him briefly before focusing back on the road. “Sure,” you reply, though the way he says your name sends a faint chill up your spine.

“Aren’t you scared?” he asks, tilting his head slightly. “Picking up a male stranger in the middle of the night? Alone? I mean, you said it yourself—this isn’t exactly normal behavior.”

You bite the inside of your cheek, his words triggering the voice of reason that’s been screaming at you ever since you stopped the car. Your fingers tighten on the steering wheel, and you force a small laugh. “A little,” you admit, though your voice wavers slightly. “But you don’t seem like the scary type.”

Harry’s lips curl into a smile, one that’s almost too perfect—dimples and all. “Well, I promise you, I’m not some sort of serial killer,” he says lightly, his tone almost playful. “Scout’s honor.”

Something about his phrasing makes you laugh, and the tension in your chest eases—if only slightly. “Isn’t that exactly what all serial killers say in the movies?” you tease, glancing at him briefly with a raised brow.

Harry’s smile widens, but there’s a flicker of something behind his eyes—a shadow of a thought you can’t quite catch. “Touché,” he says, leaning forward slightly, resting his elbows on his knees. His gaze never leaves you, as though he’s memorizing every detail of your face. “I suppose it would be the perfect cover, wouldn’t it? A smile, a little charm… make yourself seem harmless enough, and no one suspects a thing.”

The way he says it sends a ripple of unease through you, and the playful smirk he wears only deepens the strange knot in your stomach. You force yourself to stay calm, trying to brush it off. “That’s… a little creepy, don’t you think?” you reply, half-joking.

Harry chuckles softly, the sound low and almost hypnotic. “Maybe. But if I were a killer, wouldn’t I have already done something by now? You’ve got me here, alone, no witnesses. Seems like the perfect opportunity, doesn’t it?”

Your heart skips a beat, and your hands grip the wheel tighter, your knuckles whitening. His voice is still light, teasing, but there’s an undercurrent to his words that you can’t quite place. You glance at him out of the corner of your eye, trying to gauge whether he’s just messing with you or if there’s something darker lurking beneath the surface.

“And yet,” he continues, his tone softening again, “here I am, just a guy stranded on the side of the road, grateful for the kindness of a beautiful stranger.”

Your throat feels dry as you swallow hard, forcing yourself to respond. “Well, for your sake—and mine—I hope you’re telling the truth.”

He lets out another soft laugh, leaning back against the seat again. “Of course I am,” he says smoothly. But there’s something about the way he says it—like he knows more than he’s letting on. Like he’s enjoying this moment a little too much.

The road stretches on in front of you, the darkness pressing in from all sides, and for the first time, you start to wonder if stopping for Harry was the worst decision you’ve ever made. Because while his smile is charming and his voice is calm, there’s something about him that feels off. Like the quiet before a storm.

Harry shifts in his seat, his gaze flicking to you every so often, like he’s studying the curve of your profile, the way your fingers tap the wheel, the faint crease in your brow as you concentrate on the dark road ahead. The hum of the engine and the soft patter of the tires on asphalt are the only sounds filling the car now, a strange kind of peace settling between you two.

“How far’s the city?” he asks casually, breaking the quiet, his voice smooth and easy, though there’s a strange undertone to it—like he already knows the answer but wants to hear you say it.

You glance at the dashboard clock before replying, “Probably around three hours. Give or take.”

Harry lets out a soft hum, leaning back in his seat, his head tilting toward you as though drawn by some invisible force. Three hours. Three uninterrupted hours with you. It’s enough to make his heart race.

He lets the silence return, but his thoughts are anything but quiet. His mind is a storm of emotions and desires—chaotic, consuming, and entirely focused on you. There’s something about you that’s different. It’s not just the way you look, though your beauty feels like something out of a dream. It’s the way you hold yourself, the sharpness in your wit, the vulnerability you try to mask but can’t fully hide. You’re magnetic in a way he can’t explain, and the more he sits beside you, the deeper his obsession grows.

He watches the soft glow of the dashboard lights reflect off your face, highlighting your cheekbones and the curve of your jaw. He wonders what it would feel like to trace that line with his fingers. To know the softness of your skin. To see you look at him not with the occasional suspicion that flashes in your eyes but with trust. Admiration. Love.

His thoughts spiral, wild and untamed, as his gaze lingers on you. What would it take for you to see him the way he already sees you? Would you ever understand how special you are? How perfect this moment is? You were meant to find him tonight—he’s sure of it. The universe wouldn’t have aligned so perfectly otherwise.

His fingers twitch, his desire to reach out, to touch you, almost overwhelming. But no, not yet. He has time. Three hours to savor this moment, to bask in the glow of your presence, to solidify the bond he’s convinced you’re destined to share.

You’re unaware of the storm raging in his mind, the way his chest tightens with every glance at you. You think the silence is peaceful, and in a way, it is—for you. For Harry, it’s intoxicating. Maddening.

He forces himself to take a steady breath, his fingers curling into his palms as he tries to calm the fire within him. He doesn’t want to scare you, not yet. You’re like a delicate thread, and if he pulls too hard, you might snap.

So, he keeps his voice soft, his demeanor calm, though his thoughts are anything but. He smiles to himself, a small, secret smile, as he stares out the window at the endless darkness. You have no idea, he thinks, how utterly and completely you’ve captured him.

And he plans to make sure you never get away.

As the silence stretches between you, Harry's mind spirals further into chaos. He shifts again in his seat, the seatbelt digging into his chest as his thoughts race uncontrollably. His green eyes flicker to the rearview mirror and then to the empty backseat, a dark thought taking hold of him. It's ridiculous, he knows, but the image is vivid, almost too vivid to push away-the two of you tangled together in the small space, your back arching against the leather as his hands grip your hips, holding you in place.

The idea sends a heat rushing through him, and he clenches his jaw, forcing his gaze back to the road ahead. But it's no use. His thoughts keep circling back, no matter how hard he tries to distract himself. The way your lips curve as you speak, the soft rise and fall of your chest as you breathe, the faint scent of your perfume that fills the car—it's driving him mad. You're so close, yet just out of reach, and it's enough to make him want to explode.

He imagines it so clearly: the way you'd look beneath him, your head thrown back, your lips parted in a gasp as he claims you. The sound of his name spilling from your mouth, a mix of moans and screams that would echo in his ears forever. The thought of marking you, leaving his fingerprints, his bruises, his everything on you-it consumes him. He wants you to be his, entirely his, in every possible way. To make sure no one else could ever have you, touch you, or even think of you the way he does.

His breathing becomes shallow as the lust builds inside him, threatening to take over. His hands clench into fists in his lap, his nails digging into his palms as he fights to regain control. Not yet, he tells himself. Not yet. You're driving, unaware of the wildfire burning inside him, and the last thing he wants is to ruin this perfect moment.

But his eyes betray him, flicking back to the rearview mirror, imagining again how easy it would be. The backseat seems like it was made for this-for you. He could pull you back there, coax you into his arms, and let his hands explore every inch of you. He'd take his time, memorizing the feel of your skin, the way your body reacts to his touch. You'd look so beautiful, so utterly perfect, with your cheeks flushed and your voice breaking as you beg for more.

Harry exhales sharply, trying to shake the thoughts from his mind. He turns his head slightly, stealing another glance at you, and it only makes things worse. The way your lips press together in concentration as you drive, the way your fingers drum softly against the steering wheel-it's enough to make him want to lose control.

He shifts again, trying to adjust himself discreetly, the tension in his body almost unbearable now. His lustful thoughts are a storm, loud and demanding, drowning out every ounce of reason he has left. He's trying to distract himself, to think of anything else, but it's no use. Every thought keeps looping back to you-your voice, your scent, your body, your everything.

You glance at him briefly, catching the flicker of something dark and unspoken in his eyes, but you brush it off as nothing. To you, he's still the stranded, grateful stranger, polite and charming, sitting quietly beside you.

But Harry's chest tightens as he fights the urge to act on the consuming need inside him. His teeth graze his bottom lip, his mind racing. He's never felt like this before— this overwhelming obsession, this uncontrollable desire. And it terrifies him. But it also excites him, in a way he can't even begin to describe.

For now, he forces himself to stay still, to keep his hands in his lap and his voice calm. But his thoughts? His thoughts are far from calm. They're filled with you, with every possible way he wants to have you. And the longer he sits beside you, the harder it becomes to stop himself from making you his. Completely, utterly, and irrevocably his.

Harry’s voice cuts through the silence, a casual curiosity in his tone that makes you glance at him briefly. “You don’t have a boyfriend yet, do you?”

You raise an eyebrow, momentarily taken aback by the unexpected question. You keep your eyes on the road, trying to process his words. “How did you know?” you ask, voice light, though you can’t quite place the reason why it feels like an oddly personal question.

Harry shrugs slightly, a devil-may-care smile curling on his lips. “Just a guess,” he says nonchalantly. “No man in his right mind would let a gorgeous girl like you be alone at night for this long. Either that or you’ve got a terrible taste in men.”

His words hit you with an unexpected warmth. You laugh, a soft chuckle escaping your lips, trying to hide the flutter of something that rises in your chest. It feels like he’s teasing you, and yet there’s a charm in his tone, something alluring and carefree that makes it hard not to feel a little… flattered.

“Terrible taste, huh?” you reply, half-joking, your eyes flickering back to him. “Well, maybe I’ve just been too picky.”

Harry’s smirk deepens, a glint of mischief dancing in his green eyes. He leans forward slightly, his voice low, as if sharing a secret. “Maybe I can be your new boyfriend,” he suggests, his tone playful but with a teasing undertone that makes your pulse quicken. “Save you from your bad taste?”

You laugh again, this time more freely, the sound light and natural. “Oh really?” you reply, shaking your head with a mock skeptical smile. “You think you could do a better job?”

Harry’s gaze flickers to you, a knowing glint in his eyes, as if he’s sure he’s exactly what you need, even though you’re not quite sure how to respond. “I mean,” he says, his smile widening, “you wouldn’t know until you tried, would you?”

The playful banter between the two of you continues, the tension that had briefly been present starting to dissipate, replaced by a light-hearted connection that feels easy and natural. But beneath the surface of the conversation, Harry’s thoughts still swirl with that same obsessive desire. He’s enjoying the game, enjoying the way you laugh, the way your eyes twinkle when you tease him back. But deep down, he’s already picturing what it would look like if he were your boyfriend. How it would feel to have you close, to make you his—completely, entirely, and without question.

For now, though, he lets the teasing continue, enjoying the playfulness between you, and the undeniable pull he feels toward you. But he knows, deep down, that this is only the beginning. This is just the start of what’s to come. And he’s more than willing to wait for the moment when you’ll be his.

Harry’s smirk widens as you teasingly reply, “Maybe.” He can’t help it; his pulse quickens at your words. He’s always been good at reading people, but with you, everything feels like an exciting game—one he’s eager to win.

He leans in a little, his arm stretching out to rest on the console between you, positioning himself closer. His breath hitches slightly as he catches the scent of your perfume again, the warmth of your presence filling the car. He’s trying to remain casual, but he can’t help it; his thoughts are moving too fast, pulling him deeper into the haze of attraction.

“Give me some hope at least, moon flower,” he says, his voice softer now, almost intimate. “Let me know I’ve got a shot.”

His eyes never leave you as he waits for your response, and when you tease him back, saying, “Okay, you do. You have a shot at it,” Harry’s grin stretches across his face, almost too excited for his own good. It’s as if he’s won something. Something he can’t quite put into words yet, but it feels like a step toward getting closer to you.

He sits up straighter, a surge of confidence overtaking him. His gaze moves over your figure with a deliberation that makes your stomach flutter. The way his eyes drink in the details of your face, your body, makes you feel… noticed. Seen.

“That’s one hell of a boost for my ego,” Harry says, his voice dripping with a mix of playful arrogance and genuine admiration. “I’ve got a chance with the most beautiful girl I’ve ever laid my eyes on.”

The words hang in the air for a moment, and you can feel the intensity of his gaze. It’s flattering, but there’s something else in his look—something deeper, something more consuming than mere compliments. It’s as if he’s claiming you in some unspoken way. His eyes linger a little too long, and though he’s trying to be playful, there’s a certain hunger there that catches you off guard.

A part of you wants to laugh it off, but another part of you… well, another part of you can’t quite deny the effect his words have on you. The way his confidence oozes, the way he seems to have you completely captivated even when he’s just speaking casually.

You force your gaze back to the road, but the tension between you both feels different now. It’s charged, electric—filled with unspoken possibilities. Harry, however, doesn’t let up. His eyes keep studying you, as if trying to decipher every little detail about you. His lips curl into a smile that’s both triumphant and knowing.

The atmosphere in the car shifts. The lightness of the teasing still hangs in the air, but there’s a deeper layer now—one that feels almost like a promise. Harry’s made it clear: he’s not here for just a simple ride. He’s here to win your attention, your affection, to make sure you know exactly how much he wants you. And as he watches you, he knows he’s already made his mark on you in some way, whether you realize it yet or not.

The air between you thickens, charged with the energy of his words. Harry's voice lowers, almost like a secret. "This might sound crazy since I hardly know you," he says, his gaze flickering from your face to your lips, then back to your eyes. "But I really, really want to kiss you."

The intensity of his gaze, the weight of his words, sends a rush of heat to your chest.

Your heart skips a beat, then races faster than before. You know it's reckless, impulsive, but it's as if something deep inside you is responding to him, telling you to act, to do something. But before you can process the surge of emotions, your foot slams down on the brake pedal without warning.

Harry's eyes widen, his body thrown forward by the sudden stop. His hands instinctively grip the console as he stumbles against the force of the car halting.

"Jesus!" he exclaims, his voice laced with shock, his pulse spiking.

You breathe shakily, your hands still gripping the steering wheel as the car finally comes to a stop. The silence in the car is thick with anticipation. Harry's heart is racing, not just from the sudden stop, but from the way you're looking at him now-there's something different in your eyes. Something that mirrors the craving he's been feeling.

When the shock of the stop wears off, Harry turns to you, his breath coming in quick bursts. His chest rises and falls rapidly as he stares at you.

"Why the hell did you stop the car like that, love?" he asks, his voice rough, his brows furrowed in both confusion and curiosity.

Your eyes lock with his, and something shifts. The walls you'd both been playing behind-teasing, joking-begin to crumble. His question hangs in the air between you like a challenge. But then, without saying another word, you lean toward him. A glint of something darker passes over your face.

"Because I wanted to do this," you whisper, and without waiting for any further hesitation, your lips crash into his.

The kiss is immediate and intense, born out of the tension that's been building ever since he first got into the car. His lips are soft but urgent, pulling you closer. There's no room for uncertainty anymore; only the heat of the moment, the heat of his body pressing against yours, the heat of desire crackling between you both.

Harry responds eagerly, his hand reaching to cup your jaw, fingers threading into your hair as he deepens the kiss, his lips moving hungrily against yours. The taste of him is intoxicating, sending a pulse of warmth straight to your core. His kiss is fierce, as if he's been waiting for this moment just as much as you. His tongue brushes against yours, a soft, tantalizing pressure that makes you lose yourself in the sensation.

For a brief moment, nothing else matters-the world outside the car, the consequences, the lingering doubt. All of it fades away as you both succumb to the pull of each other, driven by something stronger than logic or reason. The kiss feels like a release, the pent-up tension from the entire ride coming to fruition in one passionate, desperate embrace.

When you finally break away, your breaths are ragged, both of you still close, your foreheads resting against each other. Your pulse is wild, your heart pounding in your chest, and you can't help but smile at the way he looks at you now-his eyes dark with desire, filled with a hunger that matches your own.

Harry grins, a satisfied, almost predatory look crossing his face. "Well... I guess I got what I wanted," he murmurs, his lips barely brushing against yours as he speaks.

But you know this isn't over. The tension between you both is only just beginning, and neither of you can walk away from it now.

“God, you’re so hot,” Harry mutters against your lips, the hand not on your face sneaking down to your thigh, his fingers gently squeezing the flesh through your jeans. He’s getting drunk on you, addicted to the feeling of your lips on his. He’s never before felt this way, it’s like something in him has snapped in half, the primal and possessive side of him awakening. He doesn’t want to let you go.

The kiss gets more heated, the sweet gestures replaced by desperate and hungry ones. Harry’s fingers dig into your thigh almost possessively, his head tilting to deepen the kiss even more.

His tongue runs over your lower lip, begging for entrance.

As soon as you grant him access his tongue immediately pushes inside your mouth, exploring every inch of your wet cavern hungrily. It’s as if he wants to devour you. His hand moves up from your thigh to your waist, pulling you closer, trying to get the most possible body contact.

“You’re driving me insane, princess…” Harry mumbles against your lips, one hand now gently gripping your chin, holding you in place. He’s practically addicted to the way your mouth feels on his, you’ve unleashed something primal in him, something he has trouble controlling.

“Your car is like.. a perfect spot for this, love,” Harry comments, his lips moving off of yours, down to your jawline. He begins kissing the skin there as he speaks, “Plenty of space… dark, private… you should park somewhere. I bet your backseats are really comfortable.”

There was no denying that he get want he wants and you’re now his… and this is just the beginning

[ot3]

Just curious, what’s your opinions on Kristoph and Phoenix? I see you reblog ship posts about them sometimes and I’m really curious about your opinions on their dynamic both inside and outside of ship stuff, because I didn’t really know how to interpret Kristoph in particular. I think he’s one of the worse villains in AA tbh, it’s been a while so I may be misremembering, but I just didn’t… get that much substance from him?

kristoph is certainly a really hard character for me to fully develop an opinion on in isolation. i think the only area where i'm capable of saying anything about him i can back up with significant references to the text is in regard to his relationship with phoenix, because that's where the meat of his character interactions are. and more broadly because as a #phoenixhead my primary means of looking at the entire franchise is how things relate to phoenix. if you'd like to read about my interpretation of phoenix and kristoph's relationship more specifically i've got a post on that subject here. i think it's a character dynamic that has a TON going for it relative to the screentime if you're able to disregard fanon and look directly at what's in the text.

but more on kristoph individually

kristoph suffers from the same thing that all of aa4's major characters and plotlines do: not getting another game. there was clearly more to the gavin brothers' story we didn't get and will never get, and knowing that there's Something there we have absolutely no means of predicting or unraveling makes it hard to theorize. he kind of exists in a quantum state for me where i can see a ton of alternate perspectives on his character's complexities and just buy whichever one i'm feeling at a given moment. i personally wouldn't say he lacks substance because every interaction he has with any other character is, imo, very compelling and gives me a lot to chew on. but he's a character that's all questions and no real conclusions for sure.

i don't think he's a cackling machiavellian serial abuser. i think hes easily the kind of person who has the capacity to be emotionally abusive and manipulative to the people closest to him without being Pure Evil. because we have so little on him it's very easy to portray kristoph as the kind of sinister that provides whatever OP's favorite flavor of angst is. and i'm certainly no exception to that; i just happen to be a person who is into maybe some subtler flavors.

he's both one of ace attorney's most calculated villains, with poisoning vera's nailpolish being an incredibly cold maneuver that suggests a lot of foresight, and one of ace attorney's most brutal murderers, capable of getting aggressive enough in a moment to bludgeon a man to death with a bottle. i think kristoph can be understood as a character whose primary motivation is control, both over himself and others. there's that critical line in turnabout succession where he tells klavier he's out of control, and klavier says "whos control? mine, or yours?" his reputation is built on his ability to stay calm under pressure, and his ability to stay calm under pressure is built on his tendencies to preemptively engineer situations in his favor. the stuff with phoenix and the gramarye case represents what we can presume to be the biggest failure of his career.

i think this puts him very much in line with AA1's main villains. people like to compare him to dahlia a lot for obvious reasons and there's some fun to be had there but i think it lets people overlook how well he ties into AA1. redd white controlled the press and controlled the judges to get away with his blackmail ring. von karma controlled the witnesses to engineer his perfect cases. damon gant controlled the police and the evidence, and then controlled lana to control the prosecution. although those were all one-case villains i think kristoph justifies his larger scope in aa4 by the significant and longstanding personal connections he has to the rest of the main cast. kristoph represents the mirror image of those AA1 villains; aa1 shows the way the deck is stacked against the defense. kristoph shows what it looks like when someone tries to stack it in the other direction

i think kristoph plays an important part in the larger franchise by showing what corruption looks like from the defense's bench, and how this corruption takes a different cadence when it lacks the systemic power that the villains like gant had. i think his cold, calculated approach to defense works well as a foil to the type of defending we saw from phoenix who is all heart and charges in head first. i think apollo works well representing a sort of compromise between the two, being a little bit shrewder than phoenix but no less earnest. i think klavier, then, as a prosecutor who is much less aggressive than the previous 3 both personally and professional serves to further invert the expectations set by the trilogy in a way that's really satisfying.

is kristoph missing some pretty critical backstory that i would love to see? yeah. absolutely. but i think when you look at him as a story device rather than an underdeveloped character he adds a tonnnnn to the series. that said, i will die wondering.

[kattomei]

Fic where insecure!reader who strives for perfection keeps accepting other people's requests at the expense of her health and Sebastian is left to follow her around everywhere because he's concerned and worried half to death, lol.

Wordcount: 4,874

Warnings: none. Just tooth-rotting fluff and a very stressed out Seb.

(this is my first ever fanfic pls be nice...I do appreciate any constructive criticism tho- and I'm also in the process of writing a few others, i alr have a crap ton of drafts so stick around if u happen to like this one! ☺️)

Sebastian noticed a gradual shift in your once-lively demeanor. Your usual sunny disposition, which seemed to consistently lift the spirits of those around you, was now tinged with a growing exhaustion of some sort. The usual bounce in your step was replaced by a slightly slower, lagging stride, and your typical bright smile that could instantly push away any dreariness out of a room was now feeling subtly gloomier.

The changes were miniscule at most, but Sebastian pondered internally that, had he not been watching you so closely, he would've otherwise thought nothing was amiss.

Even your conversations had become disheartening, as his recent attempts had only been met with a sense of detachment. He had grown to long for your usual, easy flow of banter and witty remarks. Despite Sebastian's best efforts to keep your exchanges the same, that had only served to make it feel even more forced and one-sided as he observed you in classes, your gaze seeming to frequently be unfocused and your mind, lacking of any coherent thought.

At first, Sebastian dismissed the changes as nothing out of the ordinary, as everyone had all been preparing for the approaching N.E.W.T.'s exams. He simply reasoned that similar signs of fatigue could be observed in his fellow sixth-years, attributing to the stress that comes with these events.

----

As morning brightness streamed through the Transfiguration's classroom windows, You, Poppy and Natty sat side by side, engaged in silent contemplation, having an almost unspoken agreement on not to converse as the looming threat of exams has all but drained you three completely.

Mrs. Weasley's rather authoritive voice encompassed the otherwise silent space. Though most of her words seemed to lack any coherence as you actively fought the sleep taking over your slumped form.

You hadn't even realised when the exhaustion had won your silent battle but you're quickly awakened by Poppy's warm palm on your shoulder, fluttering your eyes open to be met with her concerned gaze

"Are you okay?" The hufflepuff noted the unusual darkness circling your undereye, peering behind you to share a troubled expression with Natty.

"I'm fine, no worries." You quickly dismissed her and shook your head enthusiastically, ignoring how the action had all but made the room spin.

Natty's worried voice spoke up from behind you, "Are you sure? It is not like you to fall asleep, and during class hours no less." she insisted.

"I assure you both, I'm feeling quite alright." you piped, rather frantically and curse at the slight waver in your voice, certain that both girls had noticed it. You straightened your shoulders from it's slouched position, as if to further prove your point. Natty's scrutinizing gaze made it clear that the feeble attempt hadn't convinced her, however.

The minutes ticked by slowly, each of them feeling like an eternity. The class seemed to last significantly longer than usual, further adding to your mild frustration. However, your clouded thinking, or rather lack thereof, was eventually interrupted by the booming voice of Mrs. Weasley..

"Now, I would like all of you to repeat after me, AH-viss." Her command was followed soon after by echoed choruses of the incantation from the class. "Very well. Now, Kindly try it for yourself. Do remember the meticulous 'M' movement, lest you find the idea of being faced with countless squawking, flightless creatures compelling." She grimaced as though an unsavoury memory flashed in her mind, before shortly replacing it with her usual assuring smile.

Even without paying close attention, you heard enough to know that the spell's purpose was to conjure several, flying medium sized birds. You Steadily pulled out your wand, and point it upwards, you steel yourself... then tensed. Pausing for a moment, you rack your brain to recall the incantation.

Just as your worries began to mount, Poppy's clear words suddenly piped from beside you, looking over you see her apprehensively whipping her wand : "Avis!" Despite the timid attempt at casting, her incantation rang out with such clarity that you questioned briefly if she had noticed your silent struggle.

You silently thanked her eitherway, and with a steadied hand, you took a small breath before casting, "Avis!" With a swift flick of your wand, a loud boom reverberated through the air, like a shot from a gun. As the smoke cleared, your gaze settled on the small, twittering bird now infront of you. It's wings fluttered clumsily as it heaved it's body afloat with visible effort.

Looking to your right you see Natty with her assortment of conjured birds swiftly circling around her head - a stark contrast to your own haphazardly flying bird. It was clear that was how the spell was supposed to work, an array of birds instead of the lone creature you had conjured.

Natty directed her gaze towards you as her eyes flicked down and noticed your meager creation. She tilted her head to examine your chubby aviary. Her expression turned visibly worried as she noted the sorry state of your conjured bird. She knew that, normally, your class performance was held to a high standard, often even rivalling her own. However, observing the stuttered beating of your bird's wing only deepened her concern further.

When class had finally ended, you wasted no time in quickly pushing yourself off your seat and striding out the door, knowingly avoiding your friends' impending interrogation.

You slipped out into the hall, and maneuvered around the sea of students with practiced agility. As you strode down the corridor, you were keenly aware of the presence of Poppy and Natty trailing behind you, their footsteps growing nearer with each passing moment. This thought had only caused you to hasten your hurried pace.

Quickly rounding a corner your forehead slams against someone's firm chest and two calloused hands perched itself onto your shoulders to help keep you steady, the familiar scent of books and pine fills your senses. As you look up to confirm your suspicions  you see that it's none other than the subject to most of your budding affections since the past year.

Sebastian's shocked expression shifts into one of fondness as he realises that it's you. He then presents you with his usual charming grin. Sensing your distress shortly after though, his face drops, and his warm hand tightens it's hold against your shoulder blades.

"You alright? You look like you've just sprinted through an angry horde of diricawls." He masks his growing concern with humour in attempt to alleviate your tension and he can't help but crack a small smile as he feels you relax under his palm.

"Merlin, why does everybody keep asking me that.." You groan loudly infront of the boy, and he rolls his eyes in response, smiling fondly. "I don't know, It might  be because you more or less resemble a pesky raccoon with how dark your undereyes have gotten."

"Oh, bugger off, will you?" you merely huff out indignantly and cross your arms in response. The action only serves to make him laugh, his boyish charm radiating off of his echoed laugher, and you unconsciously melt against his hold.

Sebastian's laughter fades as his gaze dropped back to study you intently, causing you to squirm subtly under the intensity of his stare. His amusement quickly gave way to concern as he asked with more seriousness, his tone softer than before, "No, but seriously, you've been looking a bit worse for wear these past few days. Are you sure you're feeling alright?"

"Been keeping a close eye on me, have you?" You chimed, your lips tugging upwards into a slight smirk before you could stop yourself. Sebastian merely quirks an eyebrow at your insinuation, and you shift uncomfortably under him when his signature charming grin slowly made it's way onto his face. He had to admit that he missed your rather flirty  banter and snarky remarks (not sure if you ever meant to make it seem that way, but he liked to think you did.)

Sebastian's voice came out casual and nonchalant, almost playful, as he continued, "Despite your usual, slow judgement, I can see you know. Besides, who could possibly resist keeping their eyes on you? " His words were spoken casually, yet held a hint of flirtation, a slight jab at your obliviousness to his observation.

Before you could even question what he meant, Poppy's voice rings throughout the hall calling out your name, making you look over your shoulder to see her and Natty steadily closing the distance between the four of you.

Without sparing the boy a reply you swiftly duck against Sebastian's hold and hurriedly jog away from his tall frame. Not looking back, you beeline to your next class and silently pray that nobody else bombards you with the same queries and worried glances that had been plaguing you all morning.

Sebastian was left to stand alone, shock evident on his face as his arms are left frozen midair where it had once been grasping your slender shoulders, his form unmoving and mind still reeling from your abrupt departure.

Snapping out of his daze, his head snapped from your steadily distancing frame to your friends' approaching figures. Both girls had finally managed to reach him, and the duo were left slightly breathless.

Sebastian, being the ever courteous lad that he was, waited patiently for the two to gather their bearings before shooting each of them a questioning look.

"That girl does not know when to take a break!" Natty heaved slightly panting, whereas Poppy slumped over herself from beside Natty, her hands perched on her own chest as visible distress plastered itself on her usual calm and serene face.

"She's been performing quite poorly in class and has even been dozing off. 'Suspect she's exhausted.." Poppy said, frowning and continued "It's nothing outrageous for a student of course, especially now during N.E.W.T's... But you  know better than anyone how she normally is, Sebastian. She'd sooner lick the floor rather than let her grades drop.." She mused worriedly.

Sebastian did, in fact know better than anyone that you would strive for the best grades you could possibly get, seeming to brighten with the validation you received from professor's whenever you performed particularly well in classes.

He couldn't help but sink deeper into concern when he realised that at this point, it wasn't just him who noticed your peculiar behaviour. He worried what kind of predicament weighed your otherwise steadfast bright and energetic demeanour and cause it to dimmer significantly.

---

This tiring game of cat and mouse continue as the trio fight tooth and nail to try and drag you into resting. And as another day passes by, more of your mutual friends start picking up on your recent oddities.

Garreth confessed that while he usually did respect you dearly, he couldn't resist the fits of laughter bubbling from his chest at the sight of you, covered in black soot. You were brewing a batch of Wiggenwald and it all but exploded into your face. The dark substance had coated your normally otherwise pristine and spotless skin.

After a while even Ominis, despite lacking the significant bodily sensation of sight, managed to notice your tired energy contrasting the usual sunny girl he's come to know. Everyone tries everything they can to make you rest, but for someone who possesses a considerably fragile disposition you owned a rather steel hard stubbornness (much to your friends displeasure).

Normally, Sebastian would think this trait of yours quite endearing, but these days between everyone including him trying to force you to rest and only having you huffing and rejecting is just proving to irk him more and more.

You've been trying to ignore the dizzying sensations badgering you in random hours the entirety of the day. Afternoon arrives and you're walking with Sebastian and Ominis towards the Potions wing.

Striding rather abruptly, your vision blurs in an instant and the room starts spinning, stumbling slightly you steady yourself in a frenzy and attempt to mask the growing throbbing of your head, hoping to Merlin that both boys had failed to notice.

Purposely avoiding their line of gaze you hurriedly continue to walk forward, missing the deep scowl now etched onto Sebastian's lip and Ominis' visible agitation, the latter's wand pulsing a radiant red.

***

   As Sebastian spots you in the hall the next day, you seemed to look worse than ever before, skin ghastly pale and your usual vibrant face lacking any of it's normal vigor. You looked ready to pass out at any given moment, before he could stop himself he followed you out of heavy concern, purposely sticking to you at a safe distance, intent and ready to catch you when you inevitably fainted before you had the chance to even hit the floor.

He trailed behind your form as quietly as he could (though he doubted there was any use in that since you looked as if your mind held no coherent thought whatsoever.)

You turned a corner and he stalked silently over to the wall to peek his head out. Taking in the view just in time to see a Hufflepuff walking over to greet you, stopping abruptly and leaning his back against the wall he hears the girl say "I'm Adelaide Oakes, you're that sixth year everyone's been talking about since last July aren't you? I've heard about your... endeavours  through countless others and I've been hoping to get some time alone with you..."

Sensing where this was going Sebastian leans forward to hear better into the conversation, hoping, praying that you wouldn't even entertain the idea on accepting whatever this girl was going to ask of you.

The aforementioned said something about suspecting her dear uncle had gotten himself in a band of goblin's bad favours, and she continued by expressing the worry it had all caused her for the past week. Sebastian mentally cursed as he saw your tired eyes softening at the troubled girl's words, knowing full well that you were going to accept the moment the girl finished talking.

Sebastian suspected you were planning to sneak out the moment classes were over, and his mind was already whirling with ideas on how to prevent you from doing so.

With your last class of the day being Arithmancy, Sebastian had already decided that he would intercept you the second you stepped out of the classroom, determined to stop you from carrying out your plan.

As the Slytherin made his way towards his next class, his thoughts drifted off, and he couldn't help but mull over why you seemed to be so willing to help someone else in such a state. Sauntering along, he found himself puzzling over your decision.

He arrived at his designated seat in class and settled down, resting his chin on his palm as his brows scrunched together in thought. Sebastian found himself lost in contemplation, mentally tuning out Professor Weasley's lecture.

Sebastian reached his conclusion as the class continued, realizing that your willingness to help stemmed from your ridiculously kind nature. He thought that you simply couldn't bear the thought of saying no to anyone, and he silently lamented this thought throughout the remainder of the class.

***

But of course, something just had to go wrong. The second Professor Weasley dismissed Transfiguration classes, Sebastian bolted upright and ran straight through the door before most had even gotten the chance to take a few steps from their desks.

'Why does the castle's halls have to be so darn crowded this particular time of day?'  Sebastian thought bitterly to himself,  shoving his way into the cramped cluster of students.

Reaching his destination infront of the open classroom door, Sebastian cursed again, his eyes darting from side to side as he scanned the room, desperately searching the area for any sign of you. Spinning quickly, he anxiously scoured the corridor, but you remained nowhere to be seen.

After glumly kicking the nearby doorframe, Sebastian stalked away with a deep frown, opting to wait for your return instead. He overheard the general direction the girl had pointed you in and thought you would most likely enter through the north exit, passing by a grandfather clock, he noted the time:

5:30 in the afternoon.

With a huff, he sat himself down in front of the giant double doors, stilling as he prepared to wait for your return, ready to tend to you the moment you entered.

----

Weakly striding up the Hogwarts ground's north entrance you reached a hand up to push open the heavy, double door. The sun peeked out of the horizon, steadily rising as some birds started to chirp, all while the cold morning air nipped against your flushed cheeks, Your palm perched on your forehead as a deep gash on your shoulder prevented you on making use of both hands.

Trudging upwards, you swayed under the dizziness and fatigue. Besides the crimson slice across your upper arm, your body was littered with bruises and other minor injuries, your mind, foggy. Wondering how you'd even managed to escape alive and rescue Adelaide's uncle considering your already pitiful state - you had no idea.

Pushing open the large entrance, you stepped inside, your head throbbed painfully as the heavy door slammed shut with a deafening thud.

----

Sebastian's slouched form jerked awake from the echoing sound of the door closing. Rubbing his eyes, his vision focused on the figure now standing at the entryway. Hastily standing up to squint at the figure, he's greeted by a clear view of your disheveled appearance infront of him.

Sebastian observed you taking a few steps forward, and he slowly started to stride towards you. You seemed to be in such a daze that you failed to have even noticed his approaching presence.

Sebastian's concern escalates as he watches you waver and wobble on your feet. Unconsciously, he transitions his stride into a jog, and then a sprint, quickly closing the distance between you- just in time to catch you right before your body collapsed, preventing your unconscious form from hitting the cold marble floor.

***

Waking up to the view of the hospital wing's pristine white ceiling you gingerly blink a few more times in attempt to try and refocus your vision.

Turning your head to the side, you're greeted with Sebastian's slouched form sitting on a stool beside you. Dark circles encompassed his undereye and his  hair seemed to be messier than usual. He seemed to be in deep thought, both elbows on his knees and chin resting on his palm, brows furrowed while he chewed on his bottom lip, staring intensely at a corner of the room.

His gaze wandered until it locked with yours, without warning he swiftly straightened his body and clutched your unmoving hand positioned on your side. He seemed to be in an internal debate with himself as his mouth closed and opened repeatedly.

Finally, after silently confirming that you seemed to be in a steady enough condition, he yelled loudly, making you visibly flinch in response to the sheer volume and intensity of his voice. "How could you have been so utterly daft!? You've been out doing who knows what, running around the highlands doing favours while  being in such a state!? Imelda had been going at it in my ear for the better part of the morning reprimanding me for ever letting you get away with all of it in the first place-- And honestly I can't blame her! Merlin , If I didn't know any better, I'd think you were intentionally trying to get yourself killed!"

You were speechless, you had expected some  sort of lecture, but definitely not something that  heated. You stupidly stared at him with wide eyes paired with a slightly agape mouth, until finally managing to sputter something out. "I-I'm...sorry...?"

You were surprised at his outburst because you hadn't ever witnessed Sebastian being this emotional, except when it was something that had been related to Anne.

Unbeknownst to you, the sight of your bedridden form, pale complexion, cracked lips, and labored, shallow breaths had all but hit Sebastian with a gut-wrenching familiarity. He simply couldn't bare the concerning resemblance you momentarily held of his cursed twin, and without thinking, he had lashed out the emotions of his revelation to you.

Letting out a shaky exhale he rested his gaze back onto yours, his eyes round and forehead wrinkled. "You.... I don't understand. Why on Merlin's name, would you do something so foolish? "

Wincing at the sharp edge in the last word of his question, you averted your gaze, shame washing over you as you instinctively pressed your lips together in a thin, tight line. "I...I'm sorry, I just, I-.." Mentally cursing at your pathetic stammering, your face steadily grew hot, and your eyes brimmed with tears. "u-uhm-...." Your voice cracked, forcing you to briefly clench your eyes shut to contain the tears threatening to spill over.

Sebastian instantly softened and unconsciously rubbed his thumb over the back of your clutched hand. "I apologise, I... While I daresay this wasn't an overreaction  on my part, eitherway I'm still sorry." A few seconds of silence pass before he continues. "I get that you find it difficult to reject favours... But is it truly  that hard to say no for you?"

Swallowing heavily, you slowly shake your head, denying his prior assumption which, in turn earns you a confused stare from Sebastian. "...I don't do it because I find it difficult to say no to others."

Pausing, you hesitantly look back at the boy and he replies, slowly. "Then why..?" Inhaling a sharp breath you continue, "I do it to feel  like I'm a better person than I actually am.. I'm just constantly worried about what others think of me. This image of being the almighty 'Hero of Hogwarts'  It's...It's like a shadow that follows me everywhere, and... I'm scared of the day when everyone realises that I'm really... nobody special."

"Bullshit." Sebastian firmly speaks out, making you stare at him with wide eyes. Brief silence envelopes you both, the slytherin pauses to sigh deeply before looking at you with furrowed brows paired with wide, round eyes before giving your hand another gentle squeeze.

"Where on earth have you been getting these ideas?" He asks, before his expression of gentle concern shifts to one of anger "Has someone been planting these absurdities into your head??" Hastily, you shake your head and it takes a moment for Sebastian to recollect himself before directing an incredulous stare at you (as if it was hard for him to comprehend that you could even think you weren't deserving of your reputation and title.) Because truthfully, he thought you  of all people deserved it most, and he would sooner dive fifty meters off the edge of a cliff before letting you think differently.

He rubs his thumb over the back of your palm again before raising his unoccupied hand onto your upper arm and slowly sliding it onto your shoulder. "You're absolutely unreal. I mean, the least you could do to appear more human is to grow an insufferably large ego- to match all the things you've managed to do. I mean, of all the thick-headed prats I know... none of them could even begin to compare with all the things you've accomplished."

Suddenly, the room feels considerably warmer, the thick hospital blanket draped down your lower body suddenly becoming more unbearable as the seconds ticked by, you're avoiding Sebastian's gaze as he addresses you with the utmost gentleness you've ever heard someone speak.

"....Think about it, you started late into hogwarts-- fifth year, where OWL's and every heavy workload starts piling up when you were running behind in five years worth of education. And yet you managed to pass through considerably one of the hardest exams in hogwarts being only second to N.E.W.T's in difficulty- and all the while fighting trolls, poachers, goblins and ashwinders and who knows what every other day like they were child's play, WITH your limited duelling knowledge."

Sebastian retracts his hand from your shoulder and launches it onto his messy hair, pushing the strands back with his fingers before abruptly leaning his head back to let out an unbashed laugh and dropping it back down to lock eyes with you. "Bloody hell, don't even get me started on your duelling. I mean, you managed to beat me! Reigning duelling champion with Levioso! A damn first-year level levitation charm! On your first day, no less!"

The brunette scoffed and rolled his eyes as you giggle, feigning annoyance while he secretly feels himself melt at the sound. "Yeah, you're probably feeling quite pleased with yourself now, aren't you?" His scowl gradually faded into an endearing smile as he gazed back at you. "Good."

Your laughter falters as you're caught off guard by the look of fondness his gaze held as he stared at you. He continues his verbal tirade, but this time he looks to the side, opposite of you, unable to meet your gaze as he blurts out the last of his confession.

"I don't know how you ever came to the conclusion that you're somehow undeserving of everything you've rightfully earned. Well, I'll even go as far as disagree and say that you deserve more... But- that's not the point" He falters for a brief moment, stuttering slightly as his ears flush a delicate shade of red, and you can't help but bite your lip, suppressing a giggle at the sight.

He inhales sharply, before continuing speaking, his tone filled with conviction. "But... I know you better than anyone else. And I can say this with absolute certainty, you are far from a nobody. You're strong... kind,- and one of the bravest people I know. You may not see it, but trust me, you're anything but insignificant." Your breath catches in your throat as he slowly turns his head back to look at you .

Silence hangs in the air as the two of you lock eyes for a while. You take a deep breath and summon your courage, raising your free hand, you gently rest it on his, the one that's grasping your own. His eyes follow the movement closely, then he snaps his gaze back to your face. A demure smile graces your lips, unknowingly making his heart stutter at the sight. Then, you give his hand a firm, reassuring squeeze, and he swears he felt his soul ascend for a brief second.

Your shared little moment is quickly dissolved as the hospital wing's doors slam open, the familiar view of your friend group marching in. Instinctively, you tug both your hands out of his grasp, momentarily pulling your conjoined hands, and in turn, Sebastian- forward from the sudden action.

Imelda's familiar rumbustious voice fills the quiet room. "Nice of you to rejoin the land of the living." she announces, whereas Poppy quickly makes her way over to your side, opposite of where Sebastian was situated.

"Does your head hurt?-" Not giving you any time to reply, she hastily grabs both your shoulders. "Your shoulders are so tense- I'll ask Nurse Blainey to prepare you a calming draught right after this." She coos, before swiftly raising a hand over to your forehead "Oh my, you're heating up...Your face is unbelievably red- Oh, poor you-"

"Merlin, let the girl breathe Poppy." Imelda barks out a laugh from the foot of your mattress. You manage to flash a weak smile to the worried hufflepuff before she reluctantly leans back and steps away from your bed.

Sneaking a quick glance back over to Sebastian, you're greeted with the view of him unmistakably pouting, his hand left on the spot ontop of your bed where you had pulled away from him. Your train of thought is interrupted by the sound of Ominis' musing.

"I can't say we didn't tell you something like this would end up happening if you didn't stop, but you're just as stubborn as our dear Mr. Sallow, here." Everyone collectively shares a laugh before Natty steps over to your side holding up a pile of parchment.

"It's some of our classwork you missed throughout the day, we all decided to help out in gathering it.... To make sure you wouldn't miss out on any of the lessons." the girl smiled before putting the assortment of work on your bedside table.

"Thank Natty, She thought about the idea first, she deserves most of the credit." Garreth confesses, effectively causing Natty to rub her neck, and she looks over to you, bashful. "Well, I don't share all the same classes with you, so none of this could have been done without everyone's help."

As the group steadily starts talking between themselves, You slowly slide your hand over to Sebastian's, your touch tentative as you shyly maneuver to link your pinky with his, keeping your gaze fixed on your chatting friends. He's initially caught-off-guard by the gesture but quickly responds by shifting his finger to press gently against yours, his pout transforming into a subtle, tender smile.

In your mind, you made a mental note to talk to Sebastian after your friends left, with the intention of continuing your prior conversation to where it had been left off.

[jonesywrites]

Look. I think Penelope is hot. Okay? I do. Sue me.

I dunno, you can disagree if ya like but don’t bring it over here by me.

I think she’s gorgeous.

Eyes beautiful.

Skin beautiful.

The bosom , babe. Have you seeeeen the bosom?

I mean let’s not talk about those lips. Her sexy/adorable little downturned smile? Come on man!

The brains, can we talk about how damn funny she is? She could roast the shit outta every member of the ton without breaking sweat, and has done, quite nearly.

Yo, writers are hot. Words arranged well? With charm and humor and flourish that hooks you in? Sexy shit right there.

The curves are hot too and you know Colin likes to caress and squeeze and massage and kiss every single one. I’m very bi so I would too tbh.

Yall haters need to stop with the bullshit. That girl is smokin hot anyone who can’t see that because of their own weirdo biases or whatever you got going on inside that compels you to put people down can choke.

Yall just jealous cuz she got the hunky sensitive guy worshipping the the ground she walks on and your hateraide won’t let you self insert.

[kelocitta]

In honor of the @rw-ship-showdown I wanted to write about Artihunter as someone who jokingly slapped them together pre-downpour and still thinks they are actually very compelling. Just not in the super soft love wins kinda way (Although I get why people like that more) And the only way I know how to do that is talking too much so heres a far too long slug essay-

Obviously the slugcats don't offer a ton of characterization but theres not nothing to work with. Their stories, whether by their roles in it or the overarching themes do provide a backbone to work with. Even gameplay itself can provide a bit. (for some more than others) Hunter, to me, is ultimately a story about selflessness. The goal is to revive Moon, which is very much an act of kindness from both Hunter and NSH. But the weight of that action is much more significant for Hunter- Hunter is deeply sick. They're on the clock, and for all their skill in combat none of that will ultimately help them to survive longer than their body can hold out. Moon is a close friend of NSH but that means little Hunter- Hunter really gets next to nothing out of helping them, and ultimately pays quiet a bit spending their limited time alive fighting to deliver that neuron so that someone else can live.

To spend ones limited days on helping another, in a game that very much stresses the unwavering cruelty of the world and nature- is pretty notable. (And you could even say that Hunter being the Hardmode of Rain World adds another layer to this)

And then we have Artificer. A storyline that very much stands out to people as more… villainous (so to speak) than the other slugcats. Artificer's story covers a lot of things. Trauma, violence, revenge, etc. Revenge is a bit of a selfish desire- That need to see someone hurt as they have hurt you. A punishment that ultimately does not fix whatever harm was done- but feels good to see because you were hurt and now those responsible share that pain.

Artificer's actions are founded in that need for revenge, their pups killed for overstepping boundaries they didn't know existed. Is it not fair for them to be angry at that, to punish the scavengers for their violence with their own? Why should the scavengers ever be forgiven when they and their pups were not? And that's how you get that loop- Harm for harm over and over.

The original action has been lost in a spiral of violence for violence. And here stands Artificer- their very spirit scarred. Not just because they sought revenge, but because they never ceased trying to scratch that itch for violence as an answer. Artificer only has two paths for their story- killing the scavenger king (Someone who, really, has little to do with the original 'crime' of the scavengers, but represents an important individual to them- as did the slugpups to Artificer), locking themselves as karma one for good and spending the rest of their life chasing creatures that no longer even fight back in a warped sense of closure- or to dissolve themselves in the acids of the void sea because they're too far gone to find any real peace.

They can't meaningfully recover from that state, not alone, twisting in on themselves. Even if they halt their actions, they've been using violence as a feeble defense against their own pain- violence that no longer has any real direction or basis. Artificer gets no real closure from killing the scavenger king. All they can do is continue the cycle, or try to scrub it away. No real peace in a prison of their own making. So you have a creature, who even with a strict timer on their life- a body that will crumble to disease, spends its last bit of time on saving another. And another who was so caught up in the pain of loss that were eaten alive by their own anger, poisoned their own soul on such a deep level even self-proclaimed gods have no solution for them. What peace can they offer each other? For Hunter, its only a fleeting moment of happiness- of selfish love, before their own body fails them. A bit of indulgence in something for themself. For Artificer, its a single, comforting thread to ground them again, something tangible to protect and care about again. But thats a thread that will ultimately be snapped under the cruel indifference of the world. Hunters timer will tick down regardless of if it takes another with it. Its a tragedy- its doomed to end badly. Whatever good it offers to either of them to find each other will only provide the fleeting comfort of a band-aid that will be ripped away too early. But all that can be worth indulging in anyway, if only for the moment. It doesn't change the ending, but the ending was never going to be happy. Its can so yuri

[malleusmaleficent]

There's obviously many ways that Killua and Gon compliment and contrast one another, but I think the most important one is nature vs. nurture.

Killua is a bad person, right? Like objectively. He's murdered untold numbers of people. The world would've been a better place if Killua had not been born. But at the same time, we can see that he, on some level, doesn't like that. He wants to be someone with friends, someone that is relied upon, someone that protects others. He has a nice side to him, and when we meet him he is trying to live his life in a way that allows him to let his kindness out without being punished for it. He seeks out this life independently, too. That's the only reason why he was there to meet Gon in the hunter exam.

Gon, on the other hand, helps tons of people. He's a good person, and a dutiful friend. But he's kiiiiiind of an amoral freak, right? Zepile straight up says this during the Yorknew City arc. Gon isn't nice and friendly out of some moral or ethical code. He is only a warm, positive person because it is fun for him. If something else were fun for him, something bad, he'd do that too.

We see this over and over again, especially when it comes to him insisting on what is fair vs. not fair in a confrontation. Gon has no qualms with being callously indifferent when push comes to shove, we see this in the Chimera Ant arc. If Gon gets to be as powerful as he was in the climax of that arc, while maintaining that propensity for callous indifference, he'd be a world-threatening menace to society.

Killua is a good person forced to do bad things by an unhealthy family environment, while Gon is a good person purely on a passing whim and without any actual beliefs. Killua at his best would be a boon to everyone around him, while Gon at his best would be a smiling time bomb waiting for something to start the timer. Killua has some sort of innate ethical framework, while Gon does not.

For me, anyways, that's what makes those two so compelling.

[yamujiburo]

POKEMON SERIES RANKED (IMO)

I get this question a lot and haven't made an updated list with Journeys

Original Series (S1-S5)

Sun & Moon (S20-S22)

Chronicles (S0)

Diamond and Pearl (S10-S13)

Advanced (S6-S9)

Journeys (S23-S25)

Black & White (S14-S16)

XY (S17-S19)

Original Series (S1-S5)

OS had that first season charm. Very unpolished, still finding its footing but super enjoyable for those reasons

Probably the strongest series comedy-wise

That GORGEOUS 90s anime style

Main character dynamics were REALLY strong

Ash's personality felt much more like a shitty little 10 year old which was entertaining

Dub writing was also the best hands down

Sun & Moon (S20-S22)

Honestly tied for first with OS for me

REALLY fun ensemble cast! They do a fantastic job giving each character enough time for you to get to know and care about

Excellent modern anime style that perfectly fit the vibe of the season and allowed for some of the best character animation of the show's run

Finally figured out how to write Ash like a 10 year old again (but in a kind/sweet 10 year old way as opposed to OS)

Very different from previous series in terms of the formula they'd follow. Doing a school series instead of another "8 badges to championship" plot felt new and fresh!

This series genuinely made me cry the most (MEMORIES IN THE MIST!!!!! LIKE ARE YOU KIDDING ME)

Chronicles (S0)

Fun concept! It was really nice to see more of the side characters without Ash there. We get to see more of Misty, Tracey, Daisy, Brock, Ritchie, Oak, Delia, Butch, Cassidy, Jessie, James and Meowth!

Stylistically really nice. Just solid drawings all around and it retained the 90s anime style in digital form more successfully than other digitally done series imo

BUTCH AND CASSIDY!!! Team Rocket centric episodes!!! Training Daze!!!!!!!

Idk how possible it would have been (seems like a TON of work) but it made me want one of these in between each season, where we'd follow the characters that Ash had just said goodbye to for the next region.

Diamond and Pearl (S10-S13)

Series I grew up with! Honestly I was kinda a hater as a kid but having watched it back, I love the series

Love that Ash and Dawn were bros. They had a really fun dynamic.

Debatably peak Team Rocket. They had some of the best Team Rocket centric episodes this series.

Contests were really fun and a bit more figured out compared to the Advanced series

Fun, memorable rivals for Ash (Paul and Barry) as well as Dawn (Zoey, Kenny and Jessilina sometimes)

This is unfortunately where I stopped caring about Ash as much. He feels kinda watered down for the next couple series.

Advanced (S6-S9)

Pretty tied up with DP for me

Really fun series! Still had some of that early Pokémon charm

I appreciated that they put Ash in more of a mentor role for May (but he still had a lot to learn himself).

Ash and May constantly butting heads was really fun

May was a very compelling character to me, being very clumsy, kinda lazy, directionless, not really into Pokémon, etc. But then over time, she comes around and finds something she's interested in!

Journeys (S23-S25)

I love the episodic take as well as the way they let the characters jump around from region to region at random

Goh was a GREAT travel companion to Ash. They contrast each other nicely, have moments where they get on each others' nerves but still get along and have a mutual admiration for one another.

It was fun that they made Goh's thing catching every Pokémon (the motto of the entire series) so they could focus on Ash just training and prepping for Worlds.

Amaaaazing style. Took the great parts of classic Pokémon, roundness of SM and blended em together for a really fun look.

Black & White (S14-S16)

I don't think it's that controversial to have BW this low haha

I did enjoy Iris and Cilan but it felt like the writers didn't reaaally know what to do with them? Also this was their first time in a while not having Brock and it shows. I feel like Brock was successful because he was grounded and lower energy compared to the rest of the kids. Having 3 pretty eccentric characters is kind of a lot. No hate to the characters in the slightest, there was just not as much balance.

I think maybe they leaned on Cilan and Iris for more comedic relief because they killed the comedic relief that was Team Rocket this series. I appreciate them trying something new with Jessie, James and Meowth but I don't think it worked very well lol

XY (S17-S19)

I've ranted about this series a lot LOL. I get the appeal of it, but it just wasn't for me. I felt like it was the weakest comedy-wise and took itself a bit too seriously for my taste

My main gripe is that Serena, Clemont and Bonnie all like,,, worship Ash. By doing so, Ash begins to feel like a side character because we're constantly looking at Ash through their eyes. There's so little conflict within the group so their dynamics feel really flat. I think this dynamic could have worked if they leaned waaay more into Ash being a mentor and maybe feeling the pressure of having to be a role model for the people around him.

Team Rocket very much feels like an afterthought in this series. They did in Journeys as well, but at least in Journeys they were doing something silly and also had a handful of episodes dedicated to em.

Outside of that, the episodes weren't super memorable for me

I think it's just frustrating because there was sooooo much potential character-wise

[tsartistry]

So there is a character in Niobe Fic that I have not really mentioned at all, and I don't think any of you care, but I care and I wanna talk about Elmer. I think he's neat. I will be honest upfront, this is me indulging in one of my favorite friendship tropes:

Small Precocious Child and the Big Beefy Bodyguards who will protect them at all costs.

More than anything, Niobe needs to make sure no demigods get anywhere near Lester, so she hires monsters as security around her home/business. After all, monsters can smell demigods from miles away. She pays them handsomely, and includes very delicious and filling meals as part of their compensation so they won't be compelled to wander away and hunt for food.

Periodically throughout the Riordanverse we get glimpses of the monsters having an entire underground society (Monster Donut, the serpent on the train in TON, etc.) It seems like the majority of them want nothing to do with Demigod Bullshit and just want to live normal lives. So I think Niobe had no shortage of Monster Applicants wanting a Normal(ish) Job that pays Actual Wages instead of whatever Kronos was paying them (if he was paying them at all.)

Elmer is a Manticore that Niobe hired to be Lester's personal bodyguard. He has one job: If he smells any demigods, get Lester out of there.

Of course, Elmer has no means of sniffing out any other kinds of special children. So when Lester starts hanging out with Carter and Sadie, Elmer is just like "Well, the kid does look pretty lonely. He should have some normal human friends. As a treat."

Lester, being a mortal who doesn't remember anything about Greco-Roman myths being real, doesn't see Elmer for what he is. Which makes things very awkward for Sadie, who can see his true form almost immediately.

But Elmer seems pretty fond of Lester, and pretty chill in general so... maybe he's not dangerous? But there's definitely something WEIRD about Lester's life that she wants to figure out.

(and for those just joining us, Lester has a service dog because the process Niobe used to erase his memories gave him literal brain damage, so now he has a seizure alert dog)

[hotvintagepoll]

Marjorie Main (The Women, Summer Stock)—a world weary dame who wore her midwestern accent on her sleeve. marjorie main kills it as a reno ranch owner in "the women" (1939) and as warm mother hens <3 she was no shabby actor either! this scene with her and humphrey bogart fucking haunts me [link]

Zero Mostel (A Funny Thing Happened on the Way to the Forum, The Producers)—Archetypal. Comedian of all time. The worst combover in cinematic history, probably. Could make more laughter with one muscle in a singular eyebrow than 98% of all men across the face of the earth. Hardcore Committer to the Bit. Man of all time, and also told HUAC directly where they could shove it, which is a primally appealing and scrungly quality.

This is round 1 of the contest. All other polls in this bracket can be found here. If you're confused on what a scrungle is, or any of the rules of the contest, click here.

[additional submitted propaganda + scrungly videos under the cut]

Marjorie Main:

Zero Mostel:

"The chase scene in FORUM is just. it's fucking iconic. It's one of the funniest pieces of cinema I've ever seen in any context, everything about it is genius, and the heart and soul of it is Zero Mostel as Pseudolus. Casting him alongside a young Michael Crawford (of later Phantom of the Opera fame) really highlights the differences between the young romantic lead and the older, sensible, and yet entirely scrungly middle aged man (Mostel was 55 at the time) somehow manages to come off as even more desirable. He has no shit together, not very good plans, is panicked for most of the story, and the charisma of a champ. His flailing, helpless attempts at fighting the gladiator is so... he's so scrungly. "

"He's not fancy, he's not pretty, he's not good at much of anything, but he is Genius despite that."

"There is a magic to Zero Mostel that he manages to bring to roles where he is simultaneously the worst person ever, and also, compelling in every possible way. He had his biggest period of fame in middle age after he got taken off the Hollywood blacklist, and being a fat middle aged man with thinning hair is what gives every single bit of his characters power. As the original Max Bialystock he would eat the entirety of The Producers except that Gene Wilder as Leo Bloom is a genius casting decision, as Mostel's intensity against Wilder's deep discomfort ends up being the right chemistry. In many ways he reminds me of Buster Keaton, the pinnacle of hot scrungly little guy—a unique and expressive face, an instinctive understanding of comedy, active at the same time, and also they were both in FORUM together. Mostel came from an Orthodox Jewish family, was a trained painter with a degree in art, spoke four languages, and when he was blacklisted during the Red Scare and brought before the HUAC, he didn't just refuse to name names, he made fun of the senators. He was disabled after an accident, and still did dancing in movies and things like stunts in FORUM. He did a ton of work on Broadway too, including originating Tevye in Fiddler on the Roof, making the musical more Jewish as he did so. Frankly, I don't think any of those roles (or the eventual later film versions of Fiddler/musical version of the Producers) would work with anyone else. It had to be a fat balding middle aged leftist Jew from Brooklyn. The scrungly is essential.

"the scrungle factor of max in every version of the producers is through the roof but nathan lane does it as suave scrungle. zero mostel does not do suave scrungle. he does old jewish man getting into an argument with the rabbi at the full synagogue passover seder about how much wine has to be in the glass for it to count as "one cup" scrungle; he does old jewish man whose entire fridge is full of pickled herring scrungle. it's offputting in all the ways that make it genius."

[ninainthetardis]

Just something I need to get off my chest

I really think that series like Harry Potter and Percy Jackson, fantasy novels with high stakes focused plots addressed to children, should be romance free. They would be so much better without any romance in it.

I mean, as a young reader, I was just there for the action, the magic, the adventure, the plot twists, the plot itself, the characters as individuals, some of their friendships... that kind of stuff in general. I didn't give a sh*t about romance, not even when I grew up and became a teenager. And those are books meant for children and younger readers, right? So, I'm going to share the opinion I had when I was younger (the one I have now would be much harsher, not to mention much longer).

Now, all the romance in HP bored me to death; most of it didn't even make sense. I just wanted to know Voldemort's back story and then proceed to see how they were going to destroy the horcruxes, you know? And yes, I get it, they're teens at that point and it's realistic they have love interests, etc etc etc, except it felt like that author (*insert disgusted emoticon here*) only chose those couples to make all the characters related by the end of the series and none amongst the relationships was really developed to make any sense or look good. Take Hermione and Ron. They'd have zero chances to work irl. Be honest. But mostly, they're lame, boring, casual, rushed pairings with no development whatsoever (thankfully, I dare to add), usually involving characters who are not compatible at all/in the long run.

This is about the canon, but moving on to the fanon ships (Dramione/Drarry), I don't think that that author would have been able to write enemies to lovers properly (I'd add the plus: involving an LGBTQ+ couple, for the Drarry). The sole idea of any of it gives me the ick. Like no. Thanks, but no thanks.

About the PJ ships, on the other hand... they are a mess. None of them is even remotely good. They're all just a total mess, featuring the following problems:

Weird/creepy age gaps

Toxic behaviour

Emotional abuse

Physical abuse

Disrespectful behaviour

Judgemental behaviour

Disregard/dimishment of other characters' trauma

Isolation of characters from other characters they care about/may meet and befriend

Pairings of characters who are not exactly compatible/would never work in long term relationships

Glossing over problematic stuff, which is a big problem considering the audience the books are aimed at

Also, when they get together, some of them are still KIDS. KIDS!

(Fanon ships also fall under some of these points)

In both cases, it's not even like they are necessary to the plot. The funny thing here is that these stories would flow much better without those parts. What's the point of forcing romance into a story where so much is already going on, which leaves little to no space to develop things properly, and in which such romance has actually no purpose?

No romance at all is better than sloppily executed romance. And not every story needs romance in it to be compelling. Especially if they're meant for kids and are full of magic, action and adventure.

A better exploration of the characters and their trauma would have been much more interesting for me to read as kid who became a teenager while the series were coming out, instead of reading cheap romance while the characters were, well, you know, fighting wars and dealing with tons of sh*t.

[ot3]

I do not understand your love for image genAI bc apart from the rampant theft from artists most of its uses are just. Not good like. Some people are capable of making interesting things with it but 90% of what it's being used for is like. Terrible anyways.

i don't really have any particular love for image gen AI. for starters, the styles its primarily designed to emulate are completely outside of my taste bracket and i find those types of work exactly as hollow and soulless when produced by human hands. there's a reason you don't see me going out there using gen ai for a bunch of stuff. i've never even touched midjourney. i like to draw! i dont want something to draw For me!

but here's the thing. if '90 percent of stuff made this way is crap' was a valid reason for something not existing we would have to get rid of every single art form on the planet. it's the same argument people make about booktok books - Stuff Used To Be Better But Now We Have This Sludge Factory Turning Out Fine-Tuned Consumer Slop With Reckless Abandon And It's a Threat To The Fabric Of Society

buddy ! that sludge factory is the Human Race! what you're witnessing is the lowering of barriers! the more people are capable of producing a specific type of creative work, the overall less quality there will be, because most people are not particularly skilled in creative work, or lack the taste you need to make something compelling when unskilled. that's a good thing. i would rather 99,999 people get the chance to make something i hate if it means 1 person gets the chance to make something i love that they wouldn't have otherwise been able to.

i think that the question of art theft as is done in the training of AI image generation models is a sticky one. i hate the fact that tech companies have made boatloads of money that wouldn't have been possible without a truly countless number of man hours by artists that will never see a penny of that wealth in their lifetime. but i also think the more time i spend sitting down and thinking about it and the more conversations i read on the subject, i can't view the output of these generative models as theft. at least, not without conceding a ton of ground to ideas about intellectual property that i think have been overall much more harmful to the health of the art world than AI image generation will be in the longterm.

gen AI models do not store images. they are not churning out recombination of images that have been fed into them. they were trained to analyze visual patterns in these images, associate those patterns with specific concepts, and produce new images following these patterns when prompted with the specific concept. it is fundamentally not dissimilar to how human artists learn and for me i can't in good faith view it as morally wrong on its own merits. i think where plagiarism/theft/fraud-adjacent concerns come in is 1. attempts to disguise how a piece was created and 2. attempting to create stuff that pass muster as a specific other artist's work.

but neither of these are problems unique to AI. people have been arguing about lying about how you make your art and copying other peoples styles for ages. what AI does is it VASTLY increase the scale this can happen at, because it's removing an insane skill barrier from the whole process. and yeah ultimately at the end of the day that's annoying. there are absolutely going to be repercussions on the art world the same way the digital camera impacted portraiture and the printing press impacted scribing. but ai image generation... isn't going to go away. it's just not. so i feel like developing standards for how we engage with this insane, objectively cutting edge and impressive tech, is going to make the art world much safer than starting what boils down to a fucking culture war about it.

[dracoroma]

I think it's safe to say now that Vax is completely fine with the situation he finds himself in. He has all but said those exact words to Vox Machina.

"I would rather not have [The Raven Queen] gone"

"Death is a part of life"

And this should put Keyleth blaming The Matron for "taking Vax from her", and Pike "not giving up on Vax" into perspective.

I don't get why we are blaming The Matron time and time again when Vecna is the one who killed Vax. He would not be in this situation if not for Vecna. Meanwhile, The Matron has to look over all life and death.

Matt said it well in the wrap party for TLoVM S3. She's a neutral entity, she's persuing her own goals,regardless of what society, or even her, deems moral and just. She has to protect the sanctity of death. In fact, she's basically said why to Bell's Hells, she needs to prevent stagnation.

If not for The Matron, how could we ever truly stop people like Lorenzo, the Chroma Conclave, Ripley, the Briarwoods, Avantika? And how do you think people would feel if their loved ones were disrespected and brought back as zombies?

How about we look at the materials for spells that defy the matron, things like clone and resurrection spells. Spells that when tied together can gove one functional immortality. But these are also expensive and powerful spells, that require a ton of resources. This can create a world where the rich and powerful, through magic, are immortal, unable to die. While the common folk do not have that luxury. And this is a world that many a cyberpunk story depicts.

Even on a smaller level, it becomes a world where some people have to wonder why their family member, their sibling, their lover, their friend, was not brought back when someone else was. And that is an incredibly unfair world

But, there's also a spiritual component here. To Vax, this is his choice. It was mentioned before that he would not be willing to come back through true resurrection. It was his choice to accept his death, his fate. To take that choice away from him feels wrong on many levels, from a level of personal agency to that of denying someone their faith. The desire to bring him back to life is incredibly selfish on Keyleth's, and the rest of Vox Machina's, part.

And, I think there's a final component here. Vax is not just dead. While none of the books explicitly say as much, his role as a psychopomp means something. To me, as a polytheist, Vax achieved apotheosis, he is a minor god now, like Heraclese and Psyche in greek myth. It is a metamorphosis for him into something else.

One of my friends has been talking a lot about how "people rebel against the gods" is not a compelling reason to say that the system is irreprably broken. And that's because they, frankly, have a raw deal. Erathis and Pelor and Bahamut, as entities of law, are going to constantly piss off the punk types like Ashton by representing law. Corellon and Avandra, as entities of freedom and change, are going to constantly piss off people who see law as a virtue. And while Melora and Kord can be channeled to do good things, nature and storms and war are forces that do not care about good and evil. They will cause blights and disasters because that is what they are.

And the center of this issue is The Raven Queen. The protector of the dead. The one who stands against necromancy. Because it is important that oir rest, when we die, not be disturbed. And because of that, she cannot make exceptions

[jonesywrites]

I feel compelled, so I must.

*Now with images for context

Man I shit you not, I have so much stuff to do like SO MUCH but I also have ADHD and a tendency toward hyperfixation so I am compelled, I tell you.

I'm writing for a whole ass other ship, filming, and editing for my YT channel. But I saw gifs, and I read tweets, and I saw hot takes and then I decided to react to Season 3 Part I for my channel.

I AM OBSESSED.

I'm in the middle of editing my reactions to Ep 1-4 and I just HAVE to chime in with these observations I keep having as I go through and re-live each Polin scene while editing. I know some of this has been seen/said before but I'm a newb to this fandom and I just finished listening to all of the audiobooks (save Simon and Daphne's story) so I just gotta! I OBSERVED A LOT and there's a lot here, so . . .

Colin turns to the Featherington house as soon as he arrives home and greets his family.

Because whether he's aware of it or not, he's thinking of one of those Featheringtons, who happens to be standing there as he debuts "the new Colin" to the people he cares about the most -- which includes Pen, they are telegraphing to us in this moment -- (right after testing some of that newfound charm on a gaggle of giggly girls). I don't think he greets her right away because he isn't ready yet but you can see his smile/smirk when he spots her -- like "Yep, Pen, feast your eyes, it's the new me, and NOW I'll bet you'll want to hear about my travels."

Eloise is the first person to spot that he may not really be into this "new Colin".

The show GOES OUT OF ITS WAY to let you know this isn't really Colin, that his heart isn't really into it, from jump. The siblings Bridgerton do a little "we see each other" when he questions her about trying to fit into society after all this time -- they're two sides of the same coin. He's too sensitive and romantic for the rakes of the ton and she's too independent and free-thinking for the boring trappings of the marriage mart, but here they both are. Pretending.

Colin goes out of his way to test his new charm on half the ladies at the Queen's garden party thing BEFORE he approaches Pen to talk for the first time since he got back -- at first glance he's just doing his thing, being the new him, enjoying himself and his new ability to woo the ladies but IT IS THIS AUTHOR'S HUMBLE OPINION THAT HE WAS TESTING HIS CHARM TO ITS LIMITS BEFORE HE WENT OVER TO THE ONE GIRL HE ACTUALLY WANTS TO/TRUELY ENJOYS CONVERSING WITH TO LAY IT ON HER.

Wanna bet me he wasn't thinking about Pen while he was away, wondering why she wasn't answering, plotting to talk to her when he got back, plotting to see if his new charm would work on her because she's Pen and her opinion means a lot to him? He doesn't get why yet but it's there -- the tip of the iceberg, only a strong desire for her attention and approval right now, but I can sooooo see how that started to quickly burn into a much more intense desire for just...her.

I adore how Penelope asks the dressmaker for new dresses in the fashion of "what they are wearing in Paris" after Colin tells her his new wardrobe is what's all the rage in Paris from is travels.

He always counts on her just being Pen in the citrus colors hanging on the wall, a safe place, but then he sees her in that green dress and I truly believe this is the moment he realizes -- nah fam, this isn't just "Pen my friend who doesn't count (as a woman)", this is "wow who is that woman in the striking color with pretty lips and fiery red hair?"

This poor lovesick fellow has no idea why every time he sees her at a ball his heart does a funny thing and he suddenly can't see anyone else and he gets the urge to drink whatever's in his hand/close by.

HEY BABE IT'S BECAUSE YOU LIKE HER. A LOT. She isn't just Pen who doesn't count, she is SPECIAL.

Much has been said about the "Goodnight, Mr. Bridgerton" scene, but I'll just add that you can tell when Colin is being genuine and totally himself vs when he's trying to charm her into relaxing with him/being more like her usual self.

When he says "the colour rather suits you," he's being her good friend who is pleased to see her looking so good but he's also saying that to himself, judging by his tone, like "yeah girl you should wear green more often, this makes you look damn good". And when he says he misses her, he means it, but you can also hear the armor of that New Colin Charm in his tone. It's a vulnerable thing to admit, so he uses a devilish smile and has a wink in his eyes because so far that has worked on every girl here since he got back. Not Pen, though ... he was SHOOK when she rebuffed him and called him cruel.

Yes, he is absolutely panicked that he might lose his one true friend in all of the fickle ton, but also . . . Colin is totally realizing how hot Pen is in the garden scene. Colin is looking into her gorgeous eyes and admitting how she makes him feel and you can see the real-time realization in his eyes/expression. Handshake? He is acting on his impulse to touch her while using his newfound charm to disguise his curiosity.

Colin wants to hang out with her as much as possible because that's how comfortable and appreciated she makes him feel but also it's my opinion that he, at least subconsciously, also wants to keep looking at her, getting closer to her, winning her favor. He's not even thinking about the results of the whole charm lessons thing, he's just thinking about being around Penelope as much as possible because of that realization that she makes existing in a world that is determined to misunderstand him (and has "forced" him to don a mask/facade to survive) bearable.

I agree with those who pointed out that he is taken aback by Pen's awkward flirting session with the fan because normally when they're alone talking all he sees/experiences is her wit, intelligence, keen ability to read between the lines of their society, etc.

Also, you can see he doesn't even care what the other blokes think of her, he thinks she's friggin adorable -- he can't keep the smile off his face even as he's sympathizing with her for going down faster than the Titanic-which-doesn't-exist-yet-duh-but-analogy-with-me-here.

Every moment of the private lesson scene, from him instantly abandoning the card game with his siblings to the way he planned out the whole thing and thought about where everyone would be and what window of time they'd have to "practice" shows THAT HE WAS IN FACT VERY EAGERLY AWAITING HER VISIT for their lesson. Matter of fact, I wouldn’t be surprised if he was the one who suggested the game in the garden to get everyone out of the house in anticipation of Pen’s arrival.

It is this author's humble opinion that Colin really, really wanted to pretend to flirt with Penelope to satisfy his nagging, subconscious (yet fluttering to the surface) curiosity and I AM WILLING TO BET MY TWIN SISTER'S WHOLE 2024 SALARY that (especially after her compliment shook him to his core) they wouldn't have made it much longer without him kissing her if they hadn't been interrupted and she had't read his journal.

He wanted alone time, he wanted intimacy, he wanted to flirt -- they would have charmed each other right into each other's pants if those lessons were allowed to continue, mark my words.

Colin's body was at least several weeks ahead of him. The body doesn't lie. Touching her skin in the garden. Leaning into her whenever they speak (with the convenient excuse of their height difference), pressing his palm into her lower back to escort her to the drawing room, sitting and letting her hold his hand for an unnecessarily long pause before forcing himself to stop staring at her and end the impropriety (escape the intensity of the moment to breathe and process, more like).

Jealous Colin(tm) with his intense eyes and hard jawline is everything and hot af, end of observation.

I love Dream Pen for Colin. The way he dressed her. The way his mind envisions her being breathless for him.

The way he pictures himself just holding her close and indulging in hot, sultry kisses until she's practically melting in his arms. THIS IS WHAT HE DREAMS ABOUT, WHAT HE TRULY WANTS. This boy is a Romantic with a capital ROMANTIC and I JUST LOVE how his dream about Pen reflects that so clearly. We've seen him struggling to pay attention or care in brothels but he displays more sexual intensity, passion, and lust in this romantic wet dream about simply confessing his feelings than any other time he's seen on screen with a woman he's supposed to find attractive.

The "Sweet Treats" scene, as I believe I've seen others pointing out, is --yes, sweet-- at a glance. But also HOT AF. He's pining, he's nervous, he's jealous, she's so sweet and lovely confessing her excitement and hopes for the match with Deblin. But it's also hot b/c I meeeean....The pink everywhere (pink walls, get it), her lips and his reaction to her glancing her tongue across them, his fingers flexing out of nerves but also the subconscious urge to touch, maybe even caress, is all in his stiff, hovering body language. Like, if he could shove those treats off one of those tables, throw her against it and ravage her "sweet treat" right then there in that pink little tent, homeboy totally would have if society/propriety/scandal/watching eyes weren't a concern.

SIDENOTE: I think Deblin was definitely attracted to Pen, it wasn't SOLELY a practical match for him.

He says she can make men wither within seconds of their first meeting and he definitely looks at her in a way that says he's charmed, intrigued, impressed, etc. So I think even they married, eventually he would start to miss her while away, then ache for her, then he would come home to her and he would fall. Gradually maybe, but I do believe Pen was right to hope love could grow between them. However, I'm so so sooo glad neither of them settled.

WHAT CAN BE SAID ABOUT THE CARRIAGE SCENE THAT HASN'T ALREADY BEEN SAID??? It's one of the hottest love scenes I've ever seen, and it's not because everybody is naked or because there's kink or anything crazy. It's because (for me) the actors TRULY CARE ABOUT THE DETAILS. Almost every frame has something you can freeze and stare at in awe, they DID THAT. Colin finally FEELING IT, with the one person who can truly see him and inspire those deep feelings he's been yearning for was HOT AF. Pen basically being at his mercy but also realizing her power over him and embracing it by letting him ruin her because it's COLIN (she wouldn't let anyone else do that, IMO, not even Deblin). MY FAVORITE PART:

At the end, when they exhale and slump into each other/the carriage seat in sync. She looks like she's never felt anything like this in her life (cuz she ain't) and he looks like he's finally HOME. And I'm not talking about his family's estate -- I specifically mean right there in Penelope's bosom, between her legs, her breath, her eyes, her moans for him, like he looks relieved and satisfied AND THEN HE'S LIKE "SO I'M NEVER LETTING THIS GO. DONE DEAL, YOU'RE MY PENELOPE, NOW."

Ugh. I loooove this couple! I HAD TO GET THIS OUT OF MY BODY. Thank you for coming to my TED Talk. Gonna add stills for the moments I mention once Tumblr stops being a bitch.

[avelera]

I know that the Gaiman "word of God" on Dream of the Endless's romantic history is, "He has had many more lovers than the ones we see" with regards to Killalla, Alianora, Nada, Calliope, and Thessaly (ugh) and as someone who will absolutely incorporate word-of-god canon , it's the height of hypocrisy to just dismiss this.

And I will accept that probably Dream has had some sexual encounters outside those five canonical relationships, like the implied Lucifer and Titania flings.

But I just can't escape the sense that the whole, "Oh yeah, he's had tons of other lovers like, just loads of them, believe me, the dude is definitely not billions of years old and only had a half dozen romantic encounters all of which ended in tears, that would be crazy, right??" is just more... something a dude would say about their super cool dude character?

Because I personally like to, in this one instance, rigidly stick to canon as we see it on the page. And that canon is: Dream was deeply lonely and never even officially hit a half-dozen long-term lovers in his life and he only married once. He is a divorcee and he is sad and he is lonely and he would love to find someone to be with and be in a relationship and just continuously eluded him. And our evidence for this? The Wake.

We have some of Dream's past lovers show up at the Wake. Bastet specifically notes that they could have been lovers, probably should have been, but it never happened. Titania implies a relationship but won't say anything more and obviously it was not long-lasting romantically speaking, whatever it was.

But basically, if we take the Wake as an on-the-page canonical account of the living beings who were Dream's lovers and who had enough of a connection to actually show up, it's still a depressingly small number for so long a life, for a character who is defined by his romanticism and loneliness. Even if we say, give or take, there might have been a few more, none of those after Nada could be mortal, so we can't just say they're all dead. That means the other immortal lovers either didn't show up or didn't bother to speak. And sure, if there's other immortals in the mix, sure, we could "Doylist" say the comic just doesn't have room for them all but really, to me, the more compelling take is... there just weren't that many for Dream, and that it's deeply sad. Some of it was, yes, his own fault, probably a lot of it. But it's still sad.

And more importantly, it's a more interesting character. Anyone can say their stupidly powerful godlike character who is beautiful and magical and can craft dreams and stories and is this Byronic hero of poetry and darkness is also someone who had a bunch of romantic partners and can definitely hook up with anyone he wants, psshh, obviously but... a character who is all those things and can't get this one major part of their life together to the extent that he's demonstrated to want a loving partner which he is repeatedly shown to want, is just... it's a certain kind of unique for that character and I'm here for it.