#those come with other people who care about them

[moldspace]

i was at a restaurant last week, watching the political ads on the TV between sports games. one from the trump campaign ended with the slogan “kamala is for they/them. trump is for you”. it was vilely clever - and it made a clear statement about who was the enemy, the other, the unwelcome, in trump’s great america. i thought about how the right had gone all-in on transphobia this election season, and i hoped it was a gamble that would cost them.

this week has been a gut punch, and i’ve been feeling a lot of things - rage, fear, grief, and subspecies of those emotions. what i kept coming back to, though, as i digested these feelings, were the people i love. my queer friends. the trans kids in my community. the people who, already, are losing their rights to bodily autonomy, state-by-state. the way that i’ve had to start looking at our country as a fucked up patchwork of safe and not-safe. the way that access to medical care, increasingly, changes depending on which side of an arbitrary border you’re on. i’m also realizing the ignorance and privilege it is to only think of our country this way, now. america has always been about picking and choosing who deserves rights, who we consider a person. but, despite the deep-seated flaws of this country, i live in it. so do so many people i love. and that’s what I keep coming back to: the people i love, and my desire to protect them. at the very center of all the rage and hurt and anxiety and sorrow i’m feeling, is a deep, perilous love. i am holding onto that love. i hope you are, too.

[ace-of-bass]

Also: Building community is not just an outreach tool. It is a tool of keeping ourselves safe and keeping resources available to all. Offering things on social media like rides to abortion clinics, or diy hrt, or anything else that is perhaps not-totally-legal in all places, is not a great strategy. For one, you shouldn't trust strangers on the internet with information that sensitive, so those you are offering those services to would do well not to trust you. If you want to meaningfully contribute to providing things such as the above, or even more legal-but-logistically-complex things like feeding a large number of people, handing out narcan, etc, you need to organize in person. How do you organize in person? By meeting people in person, aka building community.

If this is your goal, you can start with people who are very similar to you! You don't have to start by reaching out to Alt Right David or even Annoying Uncle Bill - you can start by going to a local show or a group that meets at the library or hanging out with your D&D group when you're not actively playing D&D. Then, you have friends that you can rely on to take care of you, and who you might be able to plan some cool mutual aid shit with. I've been working on building community for awhile, at first not intentionally and lately very intentionally, and here's how I met the group of friends I started a monthly free store with:

1. Met Friend A at a choir thing since I like to sing and was looking for friends after moving somewhere new. Friend A ultimately left choir but we stayed friends, and at one point I told Friend A I'm ace.

2. Friend A said, "oh you'd love my friend B, who's also ace! She's doing a comedy show, let's go see her perform together and then you can meet her!"

3. Friend B and I become friends, and start a local peer support group for aspec people, based mostly on Friend B's existing communities and our sheer determination.

4. Fast forward a year and a half, Friend C comes to our aspec peer support group and I become friends with her.

5. Friend C and I are talking about activism, and Friend C says a lot of the things I'm interested in aligns with what Friend D has talked to her about. Friend C introduces me to Friend D.

6. Independently, I have been building a community space on my street, in the rough neighborhood of where Friend C, Friend D, and I live.

7. Friend D and I want to create a solarpunk future but decide to start small. Friend D ropes in several of his friends, one of whom I happen to know from the community space mentioned in 6.

8. This group of friends runs a free store once a month in the community space, open for all to donate to and all to attend. As we find out about others who are doing/want to do similar things, we try to join forces. In this way we've expanded from just a free store to a free store + clothing swap, and we're only on our third time hosting it.

All of these friends are lefty, and all of them are queer in some way or another. The free store friends are explicitly anarchist, like me. I think OP's point is useful for deradicalization and for growing the movement, but if you are alone and you are scared, encouragement to build community is just as much about finding your people in person as it is about forming coalitions with those different in you.

Another important note is that finding people like you should be a starting point, not an ending point. The goal of this is not to find friends, though that's a good start. The goal is to build dual power, which is done by working together with others and having open doors to join the movement. Once you've found some friends or communities, work to ensure that they are open to all, that you are reaching the people who most need the work you are doing, and that you are not simply making yourself feel good or just having a good time with your friends.

Activism is not cold-calling.

Activism is not cold-calling, and this is critically important to understand.

I'm seeing a lot of posts on here about 'building bridges' and 'finding community,' and then (extremely valid) response posts saying "BUT HOW??" And I'm going to explain something that can be very counter-intuitive: there is strategy involved in community.

As a longtime volunteer labour organizer, I’ve taken and taught many trainings on the strategy of talking. Something that surprises a lot of people is the very first thing you do in a union campaign. You sit down with your organizing committee, take out pen and paper, and literally map it out. You draw a physical map of the workplace: where are the entrances, exits, break rooms, supervisor offices. Essentially, ‘where is it safe to have a union conversation.’ Then you draw another physical chart of your coworkers. You sort out who is union-friendly, openly hostile to unions, or somewhere in the middle, and then you plan out very deliberately and carefully who talks to whom and in what order.

Consider: If Vocally Leftist Jane walks up to Conservative David and says "hey what do you think about unions," David is going to shut down immediately. He's not inclined to listen to Jane. But if Jane talks to Moderate Jason and brings him into the fold, then Jason is a far more effective strategic choice to talk to David, and David may actually hear him out without an instant reaction.

IMPORTANT CAVEAT: If Conservative David turns out to be Alt-Right David, and could be dangerous to follow organizers, we write him off. We are not trying to reach Alt-Right David. We are trying to reach Conservative David, who may actually be persuaded to find solidarity with other employees as fellow workers. Jason is a safe scout to find out which one he is. It does no one any good if Leftist Jane (or even Moderate Jane who is a visible minority) talks to Alt-Right David and puts herself on his radar. Not only has she done nothing to convince Alt-Right David to join a union - she's probably actively turned him against the idea - but now she's also in danger and the entire campaign is at risk. NOBODY WANTS THIS. Jane was NOT a hero for doing this. The organizing committee was foolish and enacted a terrible strategy to everyone's detriment.

Where you can make a difference is with people who will listen to you. You having a conversation with your well-meaning but clueless Centrist Democrat Auntie, and maybe gently helping her understand some things the media has been glossing over, is way more strategically useful than you marching up to MAGA Neighbour You've Met Once and trying to "build community" or "understand" them. They don't care. They're impervious, dangerous, and cruel. But maybe your beloved auntie will think about what you said, and then talk to her friend Anna who IDs as "fiscally conservative" but didn't vote because she can't bring herself to get on board with Trump. Then perhaps Anna talks to her brother Nic who has MAGA leanings but isn't all the way there yet. Proto-MAGA Nic would not have listened to you, nor would he have listened to Centrist Democrat Auntie, but he might absorb some of what his sister is saying.

This is not a cop-out or an echo chamber. This is you spending your time and energy strategically and safely. You are not a useful activist to anyone if you’re dead. Anyone who is telling you to hurl yourself directly at MAGA assholes like cannon fodder has no understanding of the strategy behind community building, and you should feel comfortable writing them off.

Last point: If you are tired, emotionally devastated, and/or in danger: take a break. This post is for people who would feel better jumping into action, not for people who are too overwhelmed to even think about it right now. You are worth so much even if you’re not actively Doing Activism, and your rest is worth more than “a break period so you can recharge and Do More Activism.” We all deserve the individual dignity of being worthy of comfort, rest & safety just on the basis of being human, outside of whatever we're doing for others' benefit. To deny ourselves that dignity is to devalue ourselves, and that’s the absolute last thing any of us should be doing right now.

[smitethestate]

So in terms of what we need to look out for first with the new Trump presidency, I think the first threat to a huge number of people is going to be mass deportation efforts.

One thing to consider about Trump and Project 2025 is that Trump's first priorities will be himself, his money, his power, and his ego. He doesn't care about anyone or anything but himself. He doesn't care about Project 2025. So what comes first will be about his image and what the people who can bribe him the most want.

Immigration is a huge thing with him, tied up in his ego and his racism. All immigrants, even those who have gained US citizenship, are at risk.

If you are an immigrant or have loved ones who are, look up organizations like the Immigrant Defense Project. Find immigrant defense lawyers in your area. Know your rights and which of them will be stripped when he invokes the Alien Enemies Act on 1798. The ACLU and other human rights orgs will be fighting him every step of the way, but prepare for anything. He will be giving ICE a lot more power. He says he won't tag in the military for this but don't believe a word he says, ever.

For the rest of us, if you're looking to help, you can join or revive local groups that work to alert people to ICE arrests and move to intervene. Forming crowds around arrest vehicles has worked many times to stop arrests from happening. That rules.

If you can't or don't want to join an org, get in touch with your immigrant neighbors, coworkers, etc. Start chatting with them, let them know you want them to stay and you're available to help. We must be in community with our migrant neighbors to effectively help them.

Start thinking about what you're willing to do. All the way to do you have an attic or other hidden space in your home where you can hide people? Are you willing and prepared to be arrested? Defying the government puts you at risk of imprisonment, and you need to be prepared for what that means, both in a practical sense and mentally/emotionally.

Speak with your partners, roommates, friends, and comrades about this. Know who is at the most risk to be arrested and what they will likely experience in prison. For example, BIPOC and disabled people are at a much higher risk when dealing with police and ICE agents. Under no circumstances would I recommend trans women/transfemme folks risk jail or prison time. Be prepared to risk sustaining psychological trauma. Draw and maintain the boundaries you need around any activism, resistance, or revolutionary activity.

I'll go more in depth on what migrants have to expect during the first 100 days of the second Trump term in a later post.

Please add more ideas and resources below if you have them, or make your own post and alert me so I can boost.

[claudiafrankie]

Pick a Card: How They See You

DISCLAIMER: TAROT IS NOT AN EVIDENCE-BASED PRACTICE. YOU ARE IN CHARGE OF MAKING YOUR OWN DECISIONS.

Pile 1: The Dog

This person sees you as having mastered the earth element. I think you are pretty detached with the way you approach your goals and it like doesn't compute in this person's brain that this is how you get the things that you want and build the world around you that you have.

They see you as someone who revels in the simple pleasures in life - sitting in the grass on a sunny day, stretching your body in the morning, a delicious seasonal coffee creamer. You are rich in the ways that count pile 1. You take good care of yourself and because of this you kind of exude a nurturing quality to those around you. Whether you intend to or not, you help other people get to where they want to go. You build people up and show them that they are capable of achieving their goals. I think you have a good eye for material goods and know what to splurge on and what to buy generic brand. Maybe you invest in nice cookware and knives because you know you'll use those for years to come, or in a high-quality bed spread or mattress. You take care of your body and appearance, you understand this to be an art form. But you also know that it's not everything. And this down-to-earth quality of taking good care of yourself but also not taking it too seriously or to extremes is really sexy to a lot of people. I think this person thinks that other people see you as husband/wife material. If you're single they're scratching their head like "how the hell are they not wifed up yet"

I think they see you as someone who doesn't stay in people's lives for very long, and they are worried that this is going to be the case for your relationship with them as well. They think you are in tune with the rhythms of nature and aren't afraid to let go and move on. You enjoy the good times when they come knowing they won't last forever, and you don't let the hard times beat you down when they come because you know they will pass.

I think they see you as someone who has learned all this the hard way. As someone who has been through many highs and lows, someone flexible in the circumstances you can thrive and survive in. You know when a tree lifts up the concrete of a sidewalk? That's you. Pavement be damned, you are going to keep growing and growing. You understand setbacks are part of progress. You don't let the hiccups hangups and obstacles sway you from steady movement forward.

I think they think that you are very loyal to those you care about, perhaps to your own detriment at times. I think this person sees you as someone who feels easily caged and needs a lot of space to try new things and be your own person. They see these two sides of you being at odds with each other at times, whether that is true or not.

This person sees you as being perhaps at times unwilling to open up emotionally. I think they respect you for your stoic disposition, but they think that sometimes you take this position/approach when it isn't necessary and that you actually hold yourself back a little bit in this way. Like you are a little blocked in your self-expression. Again, this is how they see you. It doesn't mean that this is actually who you are.

Pile 2: The Moon

This person thinks that you are in an incredible amount of pain underneath a calm surface. The card you picked, I just really tried to sense what it would be like to be there. Sitting next to a lake on a cloudy night. You have that smell of the freshwater and grass, and the sound of maybe a frog or two. Some light wind ruffling the surface of the lake... sitting in that setting depicted on the card it has the vibe of "something happened here and there's this weight hanging over the whole place." Like the trees are clinging to the ground so tightly because they are afraid of a strong wind knocking them down, and maybe there's a dock with a small boat that has rusted over from getting no use anymore and with no one around to take care of it or store it properly.

That's how they see you, as someone who has been through something, or maybe a series of things, that have deeply impacted you. And it's like you're still processing and aren't quite sure what the you that comes out the other side of all this processing is going to look like yet. This goes beyond sadness, this person sees you as grieving. Who or what I don't know, but they see you as dealing with some kind of loss. I think it could have to do with your family. Maybe you have been dealing with family troubles or grieving the loss of a family member or a family friend. Or, if it's not a literal death that you are processing, it could be that you are beginning to understand your family in a different way, a deeper way. Maybe your perspective on your family is expanding, you are understanding the pain and wounding that they have been through, and you're angry. You could be reconciling feelings of bitterness or anger towards your family with feelings of sympathy for the difficulties they have faced in their own lives.

I think this person sees that you are holding on to this pain and struggling to let it go. Maybe they sense a despondency in you, a subtle hopelessness. Not detachment so much as fear of encountering the same lessons with different people, of being hurt in the same ways again. They can feel a deep anger in you, seeing you as someone who is looking for their place in the world, wanting more than anything to feel like you belong.

This is really sad pile 2. You are so strong and this person wants to help you but they know that you have to want to get better, and they think that you don't even see the sadness, anger, and longing in yourself. They won't offer unsolicited advice, so for the time being I think they are taking the role of being a supportive friend and willing to give advice should you go to them for it.

There is some judgment coming from them. Like "why can't they just get over it" or "they are so stuck and don't even realize." It's weird, they want to help you, but they do kind of want you to lean on them as some sort of savior/hero/rescuer figure. I think they believe that you really want someone like this to come along and sort of take care of you. I'll say it again, this is how this person sees you not necessarily who you actually are, so don't get too fixated on their perspective - especially if it is not accurate. You know yourself best.

I think this person is equally invested in making you feel better as they are making themselves feel better. Maybe they think that your well-being is what they're concerned about, or this is what they're telling themselves, but really they are dealing with their own insecurities and need to feel like the hero to be worthy of love. Maybe this person is an overachiever, or highly successful for their age. They could come from a family where this was expected of them - to win.

So yeah they see you as a little bit of a damsel in distress pile 2. I don't think you need anyone to save you or are trying to signal this to people, but I do think that this person thinking that you deep down want someone to come along and sweep you off your feet has some truth to it. And I feel like I should tell you that wanting to be saved and taken care of is totally normal and human. We live in a world where it's difficult just to be a person. Dealing with deeply rooted pain while navigating the mayhem of daily living is incredibly difficult. You are doing a good job, pile 2. Maybe no one has said that to you in awhile. Keep up the good work. And, while there's nothing wrong with wishing for a knight in shining armor, remember who it is that has been saving your ass this whole time in their absence. ;)

Pile 3: The Broom and Whip

Hey pile 3! Lets get into it

This feels like someone that you had or have a romantic connection with but there was a falling out. They see you as someone who is defensive and in a lot of pain. They know that you are not the type of person to lash out and take your hurt out on other people, but they almost wish that the two of you could have it out - I just don't think that you are expressing your anger to this person. I think they could be concerned that this is eroding you mentally and emotionally, that you aren't expressing to them how you really feel.

I think you guys aren't talking right now and they are feeling this separation big time. They really want to work this out and come back together. You literally got the Lovers and the Two of Cups side by side - whoever you are asking about sees you as a soulmate, as their endgame. They are worried that this won't work out and they are trying to plan how to fix things with you, possibly asking about you to their friends or asking their own friends for advice on the situation.

This person sees how naturally cooperative you are with the people around you, how you are so willing to work with others and put your own interests aside if it benefits the majority - it's like this is just how you operate, you don't even have to think about it. They could see you as working on some kind of skill and gaining notoriety for it, gathering some attention for your diligence, attention to detail, and team-oriented attitude.

Yeah dude this person just thinks that you're it for them. The Lovers and the Two of Cups??? Come on. I think that even though this person is upset they see whatever upset is currently going on is temporary. It's like they aren't even entertaining the option or possibility that things are over over between the two of you. It will not compute in their brain.

I think this person thinks that you're pushing them away. They think that you are retreating into yourself where it's safe and keeping them at arms-reach. I think the way you are interacting with them now compared to the way you used to interact with them is very different - I think right now you are giving them friendly, polite energy but it's just a way to maneuver around them so you can keep them away. You are relying heavily on your manners to protect yourself in this situation and they can tell. They hate that you used to have so much vivaciousness when you used to talk to them and now they don't get that side of you anymore.

I do think that there is part of this person that enjoys the suspense and tortured waiting of what's going on. I think that they want to comfort and soothe you, to coax you into their arms and hold you while you hang onto them. I think this is part of a sexual fantasy of theirs as well, where they are the one to console you and then fuck the sadness out of you. They could be into BDSM type stuff, or if it's not that heavy/intense, they just want to test your limits a little bit. They like the idea of being the one to inflict some pain on you and then show you that they can make it better, that they can make you feel even better than you did before the pain even occurred.

It's hard to explain but it's not really an exotic fantasy or unusual I don't think, I'm just having a hard time putting it into words. They want to like........ stretch you? LMAO Like yeah just see... what you can take. And when they're done having their way with you, being the one who you collapse into. They want to be the person with the power to harm and to heal you. Not sure if that's your vibe but that is what I'm getting from this person. Very intense and steamy, if this is your situation then please write smut about it or something so the rest of us can live vicariously through you lol.

Take care pile 3 :)

[impactrueno]

Beetlejuice clearly wasn't interested in Lydia when they met, so when do you think he actually fell for her? Was he so impressed by Lydia defeating him that he developed a little crush?

i think this might be the biggest thing i've been turning around in my head since the sequel dropped. how did bro get to this point. i need to know. you weren't like this where we left off, what happened during that huge time gap????

this is where canon ends and conjecture begins, you just have to theorize and fill in the gaps yourself with whatever makes the most sense to you, which is what i've been trying to do this whole time. so please bear with me here.

i don't know how much i want share or save for my comics because i don't know how much he would actually reveal about this but whatever we ball

edit: ok so i scrolled back up to this after finishing writing this and as it turns out i have no self control and i ended up sharing everything that crossed my mind. craziest stream of consciousness i've ever written down. strap on and keep your limbs inside the ride at all times. whatever. we BALL.

let's review their first encounter from his point of view:

you're hired to scare the deetzes, right? so you do just that. excellently you might add. just when you're about to terrorize their teenage daughter, barbara banishes you and the party is over. what fucking losers right? you get the sense that adam and barbara care about this girl so you make some remark about her and it pisses them off. haha. also whoa where did this place come from? damn adam, who could've guessed he had it in him. you forget about everything else and dance your way to dante's inferno room.

after spending a respectably tasteful evening with those ladies, you're chill now. relaxing under your little sun lamp to work on your tan.

someone walks in looking for adam and barbara. don't they know they're dead?

"are you a ghost too?"

"i'm the ghost with the most, babe."

hold on a sec, who's even—

...well hey. it's the girl.

the girl who can see ghosts, and she's talking to you.

target acquired. this one's your ticket out of this hellhole.

"you look like somebody i can relate to," you tell her. relate how? doesn't matter. you're ensnaring her with your affable demeanor like you always do, make people feel like you're pals with them first and foremost. she seems like a nice girl, so this should be easy. you tell her upfront that you want to get out of there and you need her help to do so.

"i want to get in," she says.

whoa there.

what? she wants to get in? she says that in response to you saying that you wanted out. she really has no idea what it's like on the other side, huh. but shit, that kinda stops you in your tracks a bit. this girl wants to die. this young? that's not right. makes no sense.

"...why?"

she just looks at you and says nothing. jesus. ok maybe it's none of your business so let's back it up. you're losing control of the conversation and you're on a mission here. you figure if she helps you get out, you might as well talk her off that ledge or show her how shitty it is on the other side or somethin'. frankly, you can't afford to care right now. you're not entirely sure why she thinks things would be better on the side you're so desperate to get out of, but alright. doesn't matter, right now you gotta get her to summon you. so you begin your little game of charades.

after she correctly guesses your name and almost says it a third time, she recognizes you as the snake that terrorized her family. god fucking dammit. you're losing her. you're getting impatient. your affable act is over. "nah...i want to talk to barbara," she says and now she's REALLY getting on your nerves because fuck barbara, fuck adam, you're SO CLOSE to getting out and you're not gonna let this go now, go go GO GO SAY IIIIIIITTTTTTT

adam and barbara walk in because of course they do. womp womp

ok well that didn't work, but you're not gonna give up so easily. sooner or later another opportunity will come and soon you will be free.

wait why are they moving the model— where are they taking it—

ooohhhhh. business meeting. get a load of these yuppies, trying to turn winter river into a town-sized Ripley's Believe it or Not. a talking marcel marceau statue? and you thought you were a con man. no wonder the deetz girl wants to die, it's bleak as hell here too. but if you get out...you can fix that. hell, you can fix anything.

these bozos are here to see some ghosts, but the girl says they're not going to show up unless the fleshbags stop making a mockery out of the whole thing and that maybe they can all live happy together in the house. ain't that sweet.

of course no one's taking her seriously. she's a kid, what does she know, right? they'd rather listen to the most obnoxious guy in the room (besides yourself) who has no idea what the fuck he's talking about, but somehow, he's got his hands on the handbook.

the girl panics, then immediately says completely deadpan "wait, what am i even worried about, otho, you can't even change a tire" and you're surprised they didn't hear how hard you cackled at that.

despite all that, they seem to have started a séance with their old wedding clothes. bad news for the maitlands. they're about to be dead-dead. the girl cries for them to stop, and these guys are just sitting there scared shitless. you're hearing everything. you knew a new opportunity would arise, so you wait, because this is the part where people remember how good at your job you are. they always do.

she knows you can help. you're the only one who can help. so here she comes. those wedding clothes give you an idea. plan B is now in motion.

well well well.

look who came crawling back.

she asks for your help, and you're happy to oblige, under one condition of course. after all, you don't do anything for free, and she's the only one who can help you with your problem. how serendipitous.

once again, you lay it on her, straight up. you want out. and a way to do it (thanks adam and barbara for the reminder) is through marriage with a fleshbag. you need to get married. a green card marriage, if you will.

she's immediately disgusted by the idea. you don't take that personally, of course, because it doesn't matter. she's just a kid and it's not a real marriage. she just happens to be unlucky enough to be the only one around who can assist you with this, the poor girl. it's a marriage of convenience—or rather, inconvenience—and you're not planning on sticking around because you will get the hell out of there as soon as you can. so there shouldn't be a problem, right? besides, does she know how many women would kill to be in that position? she gets to brag about it to her friends, what's not to like? it's a totally even deal.

the clock is ticking and the maitlands aren't getting any younger. she agrees to the deal. you win, at last.

she already knows what to do, so you sit there patiently with a shit-eating grin on your face, awaiting the three little B words. gloating.

Beetlejuice........Beetlejuice...........Beetlejuice.

it's showtime.

this is your favorite part. you love a dramatic entrance. you decide to show the deetzes and their greedy friends the circus they so wanted to turn this town into. horrible as you are, you're also pretty damn good at calling out other people's horribleness, and you do love an ironic karmic way of dealing with someone. for example tubby here thinks he can escape, but not before you change his sleek black suit into a tacky white leisure suit. the horror! this is why you're a professional at this.

you effortlessly end the exorcism and the maitlands are saved. a little pruney right now but they'll be fine. everything is taken care of, you have fulfilled your end of the deal like you promised. only one thing left to do.

"shall we?"

there's really no need to make a whole show out of this, but you're a showman first and foremost and as a 𝒥𝓊𝒾𝓁𝓁𝒾𝒶𝓇𝒹 𝒶𝓁𝓊𝓂 you'll be damned if you're not gonna let yourself have a little fun with this. everyone looks terrified. this is why you're a professional at this.

witnesses and reverend in place, you can finally begin the ceremony. you're having fun, yes, but let's try to pick up the pace a bit, okay? the closer you get to your goal, the more impatient you get. the girl isn't finding any of this very funny at all and she protests. the maitlands butt in and are now kind of twisting your arm a bit, but you deal with them harmlessly, until they get on your last nerve so you send adam to the model and barbara to saturn. all of this after you honorably fulfilled your end of the bargain and saved the day. jesus christ, are you the only one with some integrity around here or what.

you forget the stupid ring. shit. you're pretty sure you have it on you somewhere, ever since you chopped up delores into pieces for poisoning you. you kept her ring finger as a trophy and as a reminder to never get married again, and yet here you are, but desperate times call for desperate measures. finally, you find the ring (still on her severed finger) and hastily tell your new bride-to-be that delores meant nothing to you. in case she even cares. she doesn't seem to. not even a chuckle? oh well.

almost done with the ceremony. almost there. you're holding the girl's hand with an iron grip to keep her in place as you're about to put that ring on her finger. "i now pronounce you, man and—"

a tiny car crashes against your foot and it catches on fire. you scream. a fucking sandworm crashes into the room through the ceiling. everyone screams. you scream LOUDER.

you're sent back to the afterlife waiting room.

not your first rodeo with a sandworm, but that doesn't make the experience any less shitty. the real annoying part is being in the waiting room again. this could take ages. you're number 9,998,383,750,000 and they're serving number 3 right now. you trick the guy next to you and steal his ticket (number 4) but he's not too pleased about that, so that didn't work.

a long time sitting here it is, then.

movie ends, credits roll.

for reference, that was 1988. winona ryder was 15 when they were filming in 1987 so while lydia doesn't have a confirmed age, i think we can safely assume that she was the same age as winona at the time.

36 years later, it's 2024. or 34 years later, it's 2022. we don't know the exact year because while bob's in memoriam credits scene says 2024 and all the interviews talk about how 36 years have passed in universe as well, there's this other one tiny detail.

jeremy's death passport says he died on march 11, 1999. jane butterfield says he died "23 years ago," putting the movie in 2022. they did film it in 2022 so the math is mathing correctly there. given that the in memoriam scene was more of a joke and jeremy's passport is a canon prop in the movie, i'd say 2022 is the canon year the movie is set in. (small sidenote; the passport also has the roman numerals DCLXVI which is 666. cute detail i loved it)

in the sequel, beetlejuice says lydia has been ignoring him for 30 years. i always thought that was curious because outside of this claim, they always specify how many years exactly have passed since. he doesn't say 34 or 36, he says 30. and for his degree of obsession (and the fact that he remembers exactly how many times he's watched The Exorcist) i think he would be counting even the days so i think he did really mean 30 years. so this would mean at least 4 years passed between getting sent back to the waiting room and the beginning of his stalking.

AND NOW that we established all that, we are finally getting to the answer to the question, "when and how did this all start?"

so okay, he spent a while in the waiting room. a lot of time to think. probably replaying the events at the deetzes' in his head over and over, how he got here, where he fucked up, what's he gonna do once he gets out. cursing the maitlands for ruining his plan when he was soooo fucking close. wondering what ever happened to lydia deetz.

lydia deetz, the young girl who told him she wanted to die.

...

is she alright?

i don't think he's capable of feeling guilt, but we can probably argue that he's not entirely heartless. what she said about how she wanted to "get in" must've stuck with him from the way he reacted when she dropped that bomb. she never showed up in the waiting room so he knows she didn't follow through with that. still, he used a vulnerable young girl for his own selfish gain. ironically enough, he knows exactly how that feels, because he also got tricked into marriage and got used for someone else's gain. the difference being that he dealt with that shit with an axe.

much much much to think about for mr. juice.

after years of ruminating in that waiting room, he's finally out and back to the regular day to day afterlife. definitely gets chewed out by juno, maybe forced to do community service or labor or what have you, he basically just needs to clean up his act now. this freelancing shit is becoming more trouble than it's worth anyway.

he's still wondering about lydia deetz. should he check in on her? maybe he should, he's too curious now.

at this point, lydia is now about 19-21 and in college. maybe he manages to sneak into the model one time she's back home for the holidays or something. and oh my god would you look at that, what a beautiful young woman she's grown into. she's radiant. she's happy. she's no longer that gloomy suicidal kid he met in the attic. seems like what she said about the deetzes and the maitlands sharing the house did come true after all.

that's nice. very sweet. good to know.

maybe he wonders if she remembers him and tries to get her attention somehow, give her a little scare for old times sake or whatever. for a brief moment it seems like she saw something and her expression changes, but she shrugs it off and continues on chatting with her two sets of parents. no such luck.

oh well. curiosity sated! and beetlejuice goes back home and doesn't return.

until the next time he returns.

and he keeps coming back to check in on her, telling himself he's just making sure that she hasn't killed herself or something. and he's not above admitting that with every year that passes, she keeps getting more beautiful. and to think they almost got married, huh.

he constantly tries to get her to notice him somehow, and sometimes she almost does, but ultimately he never really succeeds beyond making her do a double take. very rarely she does catch a glimpse of him. he's seen her mutter to herself that she's just seeing things and she seems a bit frightened every time this happens, but there's nothing to fear, honey, it's just good ol' beetlejuice. he won't lie, he gets a bit of a rush every time and it makes his dead heart beat faintly. he's gotten this far, he can't just stop now. in his mind, this has become their little private game of cat and mouse, where the mouse ignores the cat. but aren't they cute? he thinks they're cute. this is not creepy at all!

before he realizes, he's already learned everything about her. he knows about richard and even watched their wedding from afar like a loser. he knows she gave birth to a healthy baby girl named astrid. he knows they have a blast on halloween. halloween is lydia's favorite holiday, and his too. sometimes he can't help but see the three of them happy together and think it could've totally been him. even if he and richard are nothing alike (in fact could not be more opposite) and the circumstances of their unholy wedding were nothing short of grim and a farce. but in his mind, he's starting to convince himself otherwise.

maybe it's his jealousy speaking, but lydia doesn't seem to be that happy with richard despite everything. even though richard is like, the perfect guy. then one day his suspicions are proven correct: neither of them knows why it happened, but after having a long and emotional talk (that he watched with a bucket of popcorn) they decide to get a divorce. he pumps his fist, feeling victorious for some reason. sure he's a little sadistic at times, but why is this giving him so much glee?

the divorce is hard on lydia's kid, who was always more attached to her father, but they still spend a lot of time together. sometimes the three of them, since richard and lydia kept things amicable after the divorce. lydia tries to move on and see other people, but each relationship fails before it even starts. mostly because she keeps holding back and so fails to connect with anyone else, but also sometimes because, well, he can't help himself but to scare them away from her from time to time. it's fun. in his mind, he's just being protective of her, as a gentleman should for a lady.

then richard dies. fell into a piranha infested river from the looks of it (he saw him at immigration one day, don't ask what he was doing around there, force of habit after constantly making sure lydia hasn't killed herself yet.) it's devastating for both lydia and astrid, straining their relationship even more for the next few years as they both try to cope with the loss. the shock proves to be too much for lydia, so she goes to a survivors retreat to work through her trauma, both from richard's death and "unresolved feelings."

then lydia, at her most vulnerable, meets rory.

beetlejuice was able to clock him immediately. a textbook manipulative opportunist, he himself knows the tactics very well. swoop in to "help" someone in a vulnerable position, pull the wool over their eyes and begin taking control so you can get what you want out of that person.

he wouldn't admit it, but this really irks beetlejuice. you know when you see someone who reminds you of the worst parts of yourself, so you despise them? yeah. he's been there, and he's also been him.

but rory is somehow even worse than beetlejuice. see, rory is her manager, and boy does he manage to get on his nerves. he takes her phone. he controls what medication she takes. he blames and guilt trips her about every mishap that HE causes, making himself look like her benevolent savior and making her feel like she would be lost without him, confusing her with his psychobabble. on top of all that, he's forcing her to do this hacky show called Ghost House where she "hunts ghosts" or whatever. the houses he's been helping newly-deads with in his day job as a bio-exorcist (now with a fleet of employees,) she's "hunting" those ghosts now. it's so dumb. it never works. beetlejuice doesn't even know what the hell she's doing, she's phoning it in most of the time and she knows she's become a sellout. what happened to that "strange and unusual" girl who stood up for her ghost friends when those suits wanted to profit off of them back in winter river?

he needs to bring that back. he's the only one who can.

in his mind, beetlejuice has already rewritten the events that transpired. in his mind, lydia has been his wife this entire time, it's just, y'know, one of those open long distance relationships and she doesn't always remember him, but that's okay. in his mind, they share a psychic bond that allows her to sense his presence or see him in her dreams from time to time. he's got nothing to be jealous about, because other men can't compare. no one else can match what they have.

sure, part of him knows he's lying to himself a little bit. but he's already clung to this idea; these past 30 years wouldn't make sense otherwise. he's in love with lydia deetz. this isn't insane of him to say at all. and if it is, well, you know what they say, love makes you do batshit crazy things.

it's not that complicated, no matter what they say you'll never meet another me it's not that difficult to get my head around i'll never meet another you

the end

don't trick me into writing a fanfic again

[frankensteined]

it's been days since i finished it, and i'm still thinking about the way that a crow rook who romanced lucanis fares in his "a murder of crows" quest.

how, if they get hit during the boss fight, viago shouts at them to stop embarrassing house de riva, but rook immediately knows that he's yelling out of concern and reminds themselves not to die "or viago will kill them", because he cares about them. if they keep taking hits, viago will yell at them to stop "letting that idiot win", and then also to stop getting hit altogether, because his concern comes out as anger that they're not being safe. and rook responds with a huffy "i'm not doing it on purpose!" (very sibling-coded), and then "sorry viago", because this is just how they communicate with each other, and the concern and care is still noted, despite how tense the situation is.

how, if illario hits rook, lucanis will growl that he's going to kill his cousin for hurting them. how he'll urge rook to fall back if they take too many more hits, assuring them that he'll finish the fight himself.

how illario will pleasantly assure rook that it's nothing personal at the beginning the fight, but when he draws in closer later on he'll sneer "you picked the wrong dellamorte".

there's an unspoken understanding of what is required from the first talon, from the perspective of a crow rook, that the player can't help but keep in mind. but when rook expresses concern that those responsibilities could take lucanis away from them, he assures them that he wouldn't leave the lighthouse while they're still there, listing them separate from everyone else when he's remarking on the people that he cares for.

just. CROWS!!!!!! y'know?

[sincere1ystar]

Shining just for you

coriolanus snow x fem! reader

After things get messed up between the two of you at the gala, Corioanus is desperate to fix things between you two again

authors note: guys when i mean desperate i mean DESPERATEEEE

Everyone always said that the C in Coriolanus Snow stood for calculating. What a silly saying, because when it came to you the C in Coriolanus Snow stood for clueless.

The image he built himself as a man who oozes with power crumbles in a matter of seconds around you. You liked it that way, you knew it was just a persona and if life hadn’t pushed him around the way he did he would’ve stayed soft.

When the two of you first met you didn’t fall pity to his charms like the rest of the peers around you. He liked that about you, you were diligent. You had beauty and brains, unlike those lifeless souls that threw themselves at him as they fluttered their eyelashes. He considered himself lucky to call himself yours and he wasn’t afraid to show it either. Every gala he was there right on your arm, and if you didn’t encourage him to go converse with the other party-goers  to others he probably would have stayed there.

You had built a home in Coriolanus’s heart, love was too weak a word to describe his emotions towards you. He didn’t consider himself a violent man, but for you he wasn’t afraid to roughen up the edges of himself. To make his image seem more powerful than it already was, so people would fear him and not even think about hurting you. 

Of course he got invited to many galas, it was only natural considering he had made a name for himself now. Still, he viewed them all as pointless affairs and if you weren’t so fond of going to them he wouldn’t bother to even step foot in the venue. 

Although his signature color is a shade of deep red, he often matched whatever color you were wearing. Tonight it was a cerulean blue to match your dress of the same color. The only thing that stayed the same was the white rose in his handkerchief pocket that eventually ended up behind your ear. 

As you’re finishing up the final touches to your look Coriolanus comes behind you, adjusting the straps of your dress as he leaves soft kisses on your neck.

“Coryo we’re gonna be late-“, you try to protest but he quickly silences you with a soft kiss to your shoulder.

“We can spare a few minutes can’t we darling?”, he cooed.

By the time you manage to drag him to the car sent for you two, you’re already late to the party. Not like Coriolanus cares though, it was time well spent.

Usually when the two of you arrive to any sort of event, he would stick by your side for atleast the first part of it until some buisnessmen or some senator pulled him away. But this time since your arrival was later than usual, the minute you two walked through the doors some of his fellow associates dragged him off to discuss business. You don’t mind much, knowing he has work to do as you walk over to a few friends of your own.

While you enjoy yourself, chatting away like the social butterfly you are, Coriolanus finds the whole event to be tedious and torturous . He wasn’t even paying attention to what his colleagues were saying, too busy stealing glances at you giggling as your friend told a story about her latest date. He’s so intrigued by observing you as if he was stuck in some trance, that he doesn’t notice Aurelia, a woman married to a local senator whom she openly despised, practically throwing herself at him.

He doesn’t snap out of it , not until he feels her red painted lips slightly touch the tip of his ear. The only thing he feels in that moment is utter disgust. The fact that someone other than you attempt to get this close to him was appalling. Did she not see the wedding band on his finger?

After chatting away with your friends for a while, you politely excuse yourself to make your way to Coriolanus since it seems that all his fellow politician friends have now left. Just as you’re about to approach him, you notice her. The woman who is all over Coriolanus, as if she wasn’t married already to another senator and he wasn’t already yours.

You’ve always been the confrontational type, which is why it’s no surprise when you come up right beside them ready to tell Aurelia to back off. Well that was before you overheard her say in that sultry voice of hers, “A man like you shouldn’t be stuck at some flimsy party like this Coriolanus. I bet you want to get out of here don’t you? Y’know my hotel room is better than any party…”

Before Coriolanus responds, you storm out with anger hot on your heels. How dare he. You decide to just go home, taking the car despite Coriolanus still searching for where you went. He can find his own way home. Better yet why doesn’t he get a ride with Aurelia, surely there’s another spot left in her husband’s car.

Your rage doesn’t die down, even as you reach the manor and tuck yourself into bed. You don’t have too much time to notice how empty it seems with Coriolanus’s side of the bed being vacant before he rushes in, his words overflowing out of his mouth. But it’s all a blur to you, tuning him out completely as you shift your body to face the wall while pulling the blanket up.

It’s not until late at night just as you’re about to fall asleep, when you realize he’s begging.

“Darling.. darling please”, he mumbles almost pitiably. He continues desperately kissing your skin with your back still turned to him. “Didn’t even notice what she was doing.. was too busy looking at you”.

You don’t say anything in response and continue staying still, but you’re not pushing him away and Coriolanus takes this as a sign to keep going. “I pushed her away the minute I noticed what she was doing. I would never be unfaithful to you darling, you know that… you’re the only one for me”.

The stubborn part of you wanted to continue to ignore him, but the more reasonable side of you decided to hear him out. “I suppose… I was overreacting just a little bit. Fine”-, you start before you were cut off by his kisses.

“Thank you. Thank you sweetheart… I know I don’t deserve it”, he rasped while leaving little frantic kisses all over your face, “Don’t deserve your forgiveness. Don’t deserve you”.

“Not so stoic and cold are you now Coriolanus Snow?”, you think to yourself. Oh how funny it would be if all his politician friends see how he acted under your finger.

[stwrrybwrry]

I wonder what Megumi is like after a rough mission...💭

⊹　 ︶︶　 𖹭᪲　 ︶︶　 ⊹

Megumi! Who watches you from a distance after the mission, his eyes filled with a storm of emotions he doesn’t understand himself. The images of his failure—of the people he couldn’t protect—haunt him, and when he looks at you, all he can feel is guilt. The fear of losing you, of becoming the very person who hurts you, keeps him away. He doesn’t know how to fix what’s broken, so he isolates himself, convincing himself that pushing you away is the only way to keep you safe.

Megumi! Who walks past you like you’re invisible, the weight of his failure heavy on his shoulders. He can’t look at you, not when every time he does, he’s reminded of how he couldn’t keep his promise to protect those he cares about. He tells himself it’s for the best, that he’s keeping you at a distance to shield you from the darkness within him, but all it does is make the silence between you grow unbearable. He watches as you begin to laugh with others, each smile a dagger to his heart, reminding him that he’s the one who pushed you away.

Megumi! Who can’t shake the image of your face when he snapped at you in anger and fear, the hurt in your eyes etched into his mind. In that moment, he was overwhelmed—by the guilt of his failure, the anger at himself for not doing more, and the fear of losing you. That fear consumed him, making him lash out, but now it’s suffocating him. He can’t bear the thought that he’s the one who caused the pain he’s seeing in your eyes, and it eats at him every second of every day.

Megumi! Who stands alone in the dark, remembering the screams of those who suffered because he wasn’t fast enough, wasn’t strong enough to protect them. He thinks of you, of your kindness and warmth, and the thought that he might have ruined that forever sends a chill down his spine. The more he tries to push you away, the more it feels like he’s losing you completely, but he doesn’t know how to stop. He’s terrified that if he lets you in again, he’ll only end up hurting you, just like the others.

Megumi! Who sees the distance growing between you, the way your once-friendly smiles have faded into something more reserved, more distant. He’s the reason for this coldness, and the guilt crushes him. He remembers your tears, the way you’d hide your pain, and he curses himself for not being able to shield you from his own self-doubt and turmoil. He wants to apologize, wants to beg for your forgiveness, but he’s too afraid that the damage is irreparable, that he’s already lost you.

Megumi! Who is haunted by the memory of your last conversation—the one where he pushed you away in a moment of panic and fear, certain that it was the only way to protect you. The words still echo in his mind, and each time he sees you, that same terror rises in his chest. He wants to fix things, to show you that he cares, but he’s too afraid that he’s too broken, that there’s no coming back from what he’s done.

Megumi! Who stays up at night, torn between his regret and his fear of losing you. The emotional weight is unbearable. He feels your absence like a hollow ache in his chest, knowing he’s the one who caused it. He watches as you pack up your things, and something inside him shatters. He realizes, too late, that he’s pushed you to the brink of leaving, and that the walls he’s built around himself might be the very thing that costs him your love. The thought that you might walk away for good is too much to bear, and it breaks him to know that, in his attempt to protect you, he might have destroyed everything that mattered.

≿————-　ִֶָ𓂃 ࣪˖ ִֶָ🌷་༘࿐　————-≾

[myceliacrochet]

Reblog if answer tysm!!

You know, the children scream when those planes drop aid. It crushes people. Then people rush to the aid, and some take it first and shoot at others' feet to keep them away.

Palestinians don't want more things dropped from planes.

The man who posted the above, Ahmed Al-Mashaal, lost two children to the IOF, and he had to endure this. So much cruelty from the sky. It is a deeply degrading and violent way to extend a show of "help."

The U.S. acts like this kind of thing is our only way to help, as if we (yes the power elite, but also all U.S. citizens who pay taxes) aren't funding 70% of the genocide. Biden could end this today, Netanyahu could end this today, and the Israeli hostages, who are being cared for, would be sent back. But will the Palestinian hostages ever be sent back? We know what happens to the precious children Israel is holding hostage.

The text image is something my friend Moneer Raed @raedfamily wrote about those awful planes. He is 19 and helping take care of his 4-year-old sister, Sham. When I ask him how he and his family are, he always says they are fine and he just wants to make sure I'm okay. I've come to learn that he and his family are grateful to be alive, they are very positive, and they are in hell.

I asked him today if he has to walk far to get water. He said yes and these days they have trouble finding flour or even finding out the (extremely exorbitant) price. It is filled with mites and mold.

Humans are doing this, not nature. Certain humans. There is enough food and housing and love in the world for everyone and there are ways to distribute it.

If your taxes have ever funded the IOF, here is an opportunity to pay back some of the reparations you owe.

Donation-protected GoFundMe for Moneer and Sham

Same for Ahmed Al-Mashaal

More about him

More about Moneer and Sham

@opencommunion @phaon1 @heliopixels @neechees @beserkerjewel @deepspaceboytoy @rhubarbspring @lesbianmaxevans @malcriada @turian @sxpph0 @rebel-girl-queen-of-my-world @neptunerings @dykesbat @halalgirlmeg @userpeggycarter @minosbull @hamstertross @buttercuparry @kaleschmidt @jaylung101 @irhabiya @captainsaltymuyfancy2 @timetravellingkitty @sun-and-moon-side @socalgal @xinakwans @kahin @greenmossyrock @theparanoid @steep1253o @victoriawhimsey @dirhwangdaseul @cruzwalters @ladycelebrianofimladris @tamamita @50seagullsinatrenchcoat @deathlonging @nconiku @briarhips @kaislittlecorner @mahoushojoe @sar-soor @rhubarbspring @pcktknife @sawasawako @feluka @anneemay-blog @ralfocups

[kodashi21]

I’m white and I’m straight but I’m also a woman and a Latina and I’m so fucking mad right now that I just want to burn all those piece of shit 💩 who voted for that rapist. I’ll be more than happy when he starts to deport those Latinos that voted for him. I’ll be more than happy when he start to desnaturalize those Latinos and their kids and start to send them back to their countries. I’ll be more than happy when those white women lose their rights and start bleeding in alleyways because abortion and healthcare is banned. I would never think that I was capable to feel so much rage and hate towards other people but here we are. If you didn’t care about the well being of other innocents, I’m for sure will not feel guilty for enjoying all the bad things coming your way 🤷🏻‍♀️😒

Watching the elections hurts so bad. Because it’s no longer they voted for someone I dislike. It is they

- voted against my right for disability accommodation

- they voted against my sister right to love who she wants

- they voted against my friends feeling comfortable in there skin

- they voted against my mother being worth more than a wife

They voted against me and the people I love. They voted against our fundamental rights. And seeing HOW MANY fucking hurts. Do 62 million people really hate my existence that bad? Do 62 million people really think my sister doesn’t deserve happiness? Do 62 million people really see my mother as nothing more than a uterus?

Can 62 million people really be this hateful?

[dark-dragon-8]

A Supernatural × Batman crossover where the Batfam are actual cryptids and the brothers are sent to hunt them, only to find out that these guys are pretty much immortal, god like beings whose only weaknesses are each other, the sun and some weird sentient manifestation of their home city that they seem to care about, and most of them already grew out of the second one, since, apparently, the sun only affects them when they're newborns/newly transformed/changed.

The whole reason they ended up in Gotham in the first place was because of some online rumors saying that there is a demon cult in the city, as well as Blüdhaven [it's true, partially, the Bat clan has had several cults and/or religions painting them as godly beings/saviours of Gotham throughout the years, still do (imagine the colonies from F'ing Demon Bats, only this time the cryptid part of them is actually real)] along with shrines for human sacrifices.

At first they thought the locals sold themselves to a Pagan God in exchange for their safety, that the shrines and "holy grounds" spread throughout the city were for blood and human sacrifices and the creatures were feeding on the souls of their followers or something.

Turns out, that couldn't be further from the truth. Yes there were bloody sacrifices at the shrines, but most of the time those were just grieving kids bringing their dead pets to silence's holy grounds for them to be healed, or taken care of, by the spirit and have their souls at peace. But, again, that was rare, and only occurred at the holy grounds themselves rather than the shrines people attended to daily.

Majority of those shrines were filled with books, art supplies, music boxes with ballerinas and, sometimes, you could even find a few trinkets and computer parts, as well as the occasional plates and plastic boxes filled with home cooked meals, sometimes they even put pots and kettles filled to the brim with savory goods and nice tea. Nobody ever touched the food, not even the poor and desperate, when asked why all the brothers received were looks of horror and hushed whispers about how "The bats don't like thieves" and "They'll stop coming by the shrine, maybe even destroy it if we do that"

Dean didn't like it, neither did Sam, they didn't like how the locals, people who barely even bat an eye when they see a dead body on their way to work, get so scared and terrified as soon as they hear of something that might displease the Bats. They tried asking around, trying to figure out what is it that makes them so scared of their dearly beloved deities, after all, they talk about them like such a wonder, like they're the best thing that ever happened to them. Hell, one of them is named Mercy and was revered for its compassion and understanding of those around them.

They only got their answer when investigating a place called Crime Alley. They locals were all the same, if not even more reserved than their city's counterparts, but there was one person, a young girl who couldn't be older than ten that said she'll be willing to answer their questions in return for some money and stories from their time as hunters. They were reluctant at first, but seeing as they haven't had much of an option, they agreed.

"So, Masey" Dean started

"Missy" she corrected

"Right, sorry, Missy, you said that you could tell us what's up regarding those demons"

"Deities" she said sternly, the man simply nodded "And yes, I can do that, but you'll have to do something for me first"

"And what would that be?"

"You said you were a hunter, right?" He nodded "And you also said you have some money. So I want you to give me two hundred dollars, cash, and a written story containing at least three of your adventures with your partner. You can't use big fonts, lie or omit any details from the story, it needs to be one hundred percent real and legible and needs to be at least fifty pages, understood?"

Dean was confused, confused and worried. Why would this child need a story about them hunting monsters? And why did she need it to be so long and accurate? Was she trying to sell them out to the Bats or something? Why was this so important?

A million questions flooded his head and looking at Sammy, he could tell the feeling was very much mutual.

"Um Missy" it was Sam talking to her this time "Why would you want a story of us hunting like that? We could tell you about our time together on the field, if you want, but why do you need that written so meticulously?"

The little girl shook her head before he even finished speaking "No, no, I need it written"

"How so?"

"For Passion, of course"

"Passion?"

"Yeah, Passion, the component watching over Crime Alley, it loves reading stories but only when they're worth it. It doesn't like when people give them stories only to please it or for it to give them undeserved attention. It needs to be good and interesting, a story about two hunters will definitely do that"

The two hunters met each other's eyes, both their expressions filled with worry, apprehension and suspicion.

"And why all the other rules? Why does have to be so long and accurate?"

The girl tilted her head, looking at them as though they've said something stupid "Because you're introducing yourself, maybe"

"I can't just tell you guys all there is to know about the Bat without at least one of the components acknowledging you guys and giving me permission to share that information with outsiders"

"And what makes you think it won't just kill us as soon as it realizes what we do for a living?" They might've been desperate, but that doesn't mean they're going to give an essay about their weaknesses and hunting methods to a freaky, probably homicidal spirit on a silver platter

"Because they like people like you, people who put their lives on the line in order to help those around them. Also" she leveled her gaze with Dean's, which was pretty impressive considering she barely reached his hip "Had it wanted you dead, you wouldn't have been able to take two steps inside Crime Alley without having a heart attack, or your head magically disappearing"

The two brothers tensed, the taller's eyes rapidly scanning their surroundings, hands fishing out a weird cellular device, probably an EMF reader or maybe a bottle of holy water, as the shorter failed to keep up his confident facade in front of the (probably) ten year old (because Dean isn't going to be spooked by a kid that hasn't even reached the double digits yet, he's 𝘯𝘰𝘵)

The little girl laughed, completely ignoring their - very justified!!! - panic "Relax, would ya? Passion doesn't kill people unless they feel like it's necessary"

They didn't seem to be very relaxed, she didn't care, she just told them to meet her again on the border of Crime Alley and its neighbor city in a week, before leaving.

Two hours later, Carrie Kelley was skipping into the main living room of Wayne Manor, where several of her siblings played video games and with their father reading the newspaper on the side, the perfect illusion of a normal, happy, completely human family.

She walked up to Bruce, sitting on the arm of his sofa as the last of her illusion magic slipped away

"Did you do it?"

"I offered them the deal, still not sure if they'll end up actually agreeing to it"

"Mn. You did well"

The young teen preened under the praise, thanking her father before going off to boast and scheme with the rest of her siblings, they were up planning contingencies and devising plans until Sundown.

[sepublic]

I remember hearing that Dana was inspired by True Crime, amongst other things and people IRL, when writing Belos. And it seems that contrary to the notoriety of True Crime fans, she actually understood the assignment.

Because she opted to demystify the serial killer as this dark, unusual psychology that operates outside of societal borders and rules, disturbed by some secret reason, and instead literally pull off the mask to reveal he’s just some white manchild who hates women and minorities to a violent degree, because he feels threatened by them and their ability to say No in his entitlement. There’s nothing special or unique about his motives.

He’s no exception to the status quo, he is it unmasked of the veneer of civility, he’s the lynch mob and the cop (all of whom inherit the violence of white supremacy and colonialism) and fittingly a lot of serial killers were clocked by women and PoC as dangerous, but cops —largely white men— dismissed their claims because look at this dude, he seems like an upstanding citizen! And that’s really how he got away.

And because his victims were people the system was less likely to believe because they both operated on the same biases, you see why a lot of cops who commit brutality are drawn to an institution where they’re given violent power over brown and/or queer communities who are labeled as ‘suspicious’, because they enjoy easy targets they know the system doesn’t care about, and are enraged by body cams and accountability.

It doesn’t matter if they’re intentionally bigoted, their support of an inherently bigoted institution makes them the same; Internalized biases and “I don’t see race” and all that. You see how Philip wanted to be a witch hunter —the prototypical cop who is not exclusively violent towards women but still has a clear slant— or colonial savior so bad, because his violence could be legitimized by the authority of the state.

He leans into it hardcore when he feels threatened by the presence of an outside girl who challenges the Christian narrative of Gravesfield, to the point of violence; It’s a position that validates killing anyone who doesn’t agree with him in general, hence Caleb and the Grimwalkers, but of course his and society’s biases slant towards women and PoC. And while it ultimately doesn’t matter whether he’s intentionally racist/misogynistic, it’s worth addressing that he very much does have the intention due to his blatant Conservative backdrop.

And seeing how charming Philip is and the portrayal of him as a little kid playing games in his youth, a perception Caleb might’ve still had which led to his death, I can see the direct line to families who find out their sons are school shooters and are in disbelief because he was such a nice kid! While ignoring the obvious Red Flags because white men are allowed to express these without being immediately scrutinized by the community, by having it brushed off. On some level cops don’t suspect him because he’s the same type of guy as them.

Part of that denial comes from the fact that he’s not an “unfeeling sociopath” who’s wired differently. Philip can feel empathy and guilt like anyone else, but he’s still a hateful prick and these aren’t mutually exclusive; Not when people can be perfectly selective about who they extend these feelings towards, or even do things in spite of these feelings, because other ones —anger and pride and hatred— exist and they choose to prioritize those. There’s an assumption that empathy and guilt inherently make you a good person, but they don’t; That ultimately comes from what you do about it, not how you feel.

You could even say Dana and the other writers wrote him too well, because true to life, we have a similar issue but on a micro-scale via the abstraction of fiction regarding a very dedicated fan base who loves to romanticize him and his actions, attributing his issues to some secret trauma in childhood, a young man failed by society! While also scrubbing him of his racism and misogyny and reliance on the status quo, to make him ‘apolitical’ and you can see the same not just with fans but also in society.

Because society doesn’t want to acknowledge serial killers as just the truth behind their white sons and the system that absolved and encourages them, because that would require them to admit their guilt in how they’re structured. Rather, they’ll say these men reflect some dark truth inherent to humanity, and don’t exist within a certain sociopolitical framework.

And so he was a ‘loner’ whose problems can be pathologized via mental illness, his trauma can be traced back to a specific incident in his youth he just couldn’t get over. So you see how school shooters are made into victims, how serial killers are also made apolitical and even alien to distance them from the status quo.

And then you can lean into how unusual they are by writing characters like Dexter or Hannibal Lecter, you can not just defend the system but feed into it via the commodification of their violence as entertainment and consumption, and thus fuel the white supremacy train by letting their violence towards women and minorities be praised as something fascinating and interesting and conveniently clean of bigotry. This is the dichotomy of the hypothetical, romanticized Fantasy Serial Killer, and the banal IRL Serial Killer.

Thus we have the same cycle of white men’s violence being praised and validated by the system, and white men feeling entitled to this fame as a delusional fantasy. Because you’ve never heard of a black serial killer; Because black people are violent, that’s just the way they are, right? But if white men are violent, this is sensationalized as somehow unusual and fascinating and worth dedicating countless books and shows and movies towards. Obviously.

And even going back to witch hunters, sometimes I wonder about the constant consideration of, What if witches did exist? What if they were evil? Things like The VVitch or The Conjuring series, which have some framing of the Salem Witch Trials’ IRL violence towards women as legitimate in another universe, because of Satanism’s genuine predatory threat towards women, and how evil women sacrifice theirs or others’ God-given gift of a child, and now threaten another white Christian family.

And again there’s the the demystifying of the real life witch hunter too when we have a historical reenactment declare verbatim that IRL witch hunters were motivated by economics and other banal factors, not by any genuine belief in the dangers of demons; And even in a setting where the demons were real, they were not the predatory threat IRL witch hunters made them out to be, and so their very real biases and ulterior motives still apply in cumulative insincerity.

Hence, the Titan correcting Luz by explaining Belos as someone who only cares about being the hero in his own delusion; The fascist wet dream of a hidden invader here to corrupt even young white men, an outside monster to vanquish and whose destruction justifies the state, when in reality the monster IS the state, and before he was even presented as a witch (much less the human truth), his system’s destruction was called for.

Ultimately, a lot of True Crime and similar narratives are criticized for focusing more on this apparently inevitable mystique behind the perpetrators, who warrant far more attention than their victims. So when the villain is an example of True Crime, it’s worth noting how the show is so much more focused on the ‘weirdoes’ he targets, on women and/or PoC. The lives of Luz Noceda and her friends, them getting along and their psychologies, are just so much more important, and it really isn’t about that guy, who is informed as much as he needs to be.

But again, the True Crime fans dilemma; People genuinely salty at the show for not focusing on their favorite serial killer and his troubled backstory, his tragic motives and Puritan repression. The framing of his murders and motives isolated through the lens of his violence on undeserving white men, and not on the out-group he is specifically targeting and has committed much more violence on, esp if you look at the narrative’s actual framing of his impact on our protagonists, but also other victims who are witches or demons, and even his own self-professed motives; Hence, ‘Fratricide Georg’ as a joke depoliticized of his colonial violence, a violence that is not just adjacent to but fulfilling racism.

Because he hallucinated only those white men out of guilt, but that’s his biased perspective and priorities; And so you see how this is contrasted with a refusal to empathize with people like the Collector or Luz, who are put into the same situations as his white male victims via shared cinematography, yet are just as rejected. Luz is only put into this situation as convenient to Belos’ narrative, the closest replacement to a white male human he can get, but again if this girl of color says No, he tries to murder her and even does.

Yet again, people take genuine, personal insult at the creator for finding Belos to be her least favorite character to write, while ignoring that she still found him necessary to the story she was trying to tell; She just found the framing and focus should’ve been shifted to his actual victims’ deep and meaningful lives, how they matter. So people hate that S3 cares more about Luz Noceda’s relationship with her parents of color, as well as her female mentor and demonic brother, or her queer relationship with her girlfriend, etc.

And even when they get a bone of white boy Hunter, it’s still not enough; Fans inevitably gather themselves into an almost frenzied state of personal victimization, rallying into harassment of PoC who criticize their portrayal and discussion around their colonial serial killer fave, organizing dedicated trends and months to giving their white men the focus they ‘deserved’, because this is just White fandom in general.

Look at the entitlement campaigns regarding Ben Solo or Billy Hargroves deserving better, these young white men violent to women and minorities. It’s just the same thing but on a micro-scale, at least filtered via fictional characters. But Jesus you see how internalized biases bleed into everything. You’ve never heard of a black serial killer and fandom doesn’t fight for characters of color.

[disaster-j]

What really pisses me off is people insisting the break-up doesn't make sense as its own thing when it's so clearly in-character for both of them

Buck has been in a serious relationship with a man for six months but hasn't said the word bisexual. We only know that's His Label bc Oliver Stark calls him bisexual outside of the show. Buck has had what seemed to be a perfect fairytale relationship with Tommy bc Tommy made him feel so safe and comfortable and taken care of that he just let everything else about his coming out journey kinda simmer on the back burner.

And, hey, there's nothing wrong with taking your time with that. But considering the scene at dispatch where he still couldn't talk about his sexuality in concrete terms, clearly he hasn't processed it much, if at all. Buck is the guy who dives deep into research at the slightest opportunity, him knowing so little about queerness and queer culture six months into a serious same-sex relationship isn't just out of character but a clear sign that he simply hasn't done any work to explore his sexuality for himself outside of his relationship with Tommy. Whether the writers intended for it read like that or not doesn't matter very much, bc that's exactly what I'm seeing here.

And, again, that alone as a reason to break up with someone is extremely shitty but that's also not what happened.

Tommy clearly has a history of isolating. He's been hurt a lot in the past, we don't need to know the details to know he's a deeply wounded man who spent most of his life guarding his own heart from the world. He told Buck and the audience over and over again, "I look confident. I look sure. I am comfortable. But it took hard work. I wasn't like this before. This is new. This is good but this is scary. I'm working on it I'm working on it I'm working."

He can see that Buck views him as something more, something better, than he thinks he is. Buck loves Tommy, Buck was infatuated with Tommy. Tommy was this perfect guy in Buck's eyes. And that scared Tommy. It intimidated him. But he kept going bc it wasn't a big deal and he could always remind Buck that hey he's just a guy, a guy who had done things wrong for a long time. But Buck never fully grasped it either. Likely bc of how good Tommy made him feel, he struggled to fully grasp that things with Tommy couldn't always be so perfect and good and safe.

They don't talk about that but they keep going bc they like each other bc they're falling in love bc until that six month mark they were both still fairly distracted by how good it felt to be together to really, seriously consider the ramifications of ignoring those not-so-little things they didn't want to face right then.

And then suddenly it's been six months and they're clearly both in love and they're both clearly not ready to be acknowledging that at all. It's been six months and they're just trying to match each other's pace but have never talked about what that pace actually is and then suddenly they're talking about how Tommy used to be engaged to the woman who taught Buck what a real relationship meant and they still aren't even ready to acknowledge they're in love but Buck is already asking to move in together and talking about marriage and they haven't even said i love yous and Buck can't even utter the word bisexual out loud but he wants to jump into living together and fusing their lives together.

But he's not ready for that. As far as Tommy can see he's not ready for that. And if he's asking for something so big when he can't even say the word love then maybe, in Tommy's mind, he'll never truly be able to say it. Maybe they'll keep going like this. Living together and being together but Buck can't face his sexuality as its own thing and Tommy can't face how his trauma affects their relationship and eventually it'll be too much and maybe Buck still wouldn't want to say it and Tommy would push him away like he pushes everyone away and then they'll be right back to that moment, weeks or months or years later, with Buck wanting more but not able to say those words and with Tommy wishing he'd left before it hurt so much.

And sure it hurts to leave now but at least now he's early. Now, Buck hasn't wrapped himself around every piece of his life. Just his heart. At least now he'll hurt but he won't have to move just to get rid of the scent of Evan Buckley perpetually lingering in every corner of his home.

Buck loves Tommy so much he can't imagine a future without him. Tommy loves him so much he can't imagine a future where he gets to keep him.

The break-up makes all the sense in the world. It just doesn't make sense that the break-up wouldn't force them to work on their respective issues and bring them back together stronger in the future.

[optimisticgardenhologram]

I feel like there’s something very cultish about Wammy’s House. I looked up common characteristics of cults and found these similarities:

Recruitment: The residents at Wammy's House are some of the vulnerable humans imaginable, not only children who are impressionable and helpless by nature but specifically orphans who by definition don't have anywhere else to go, have no other ties to the outside world such as family or other adults to advocate for them or help guide them in life, and are completely dependent on the Wammy's House for their care. 

Isolation: Recruits are whisked away to an isolated and secretive place which is likely in another country or even across the world, where their pasts are erased, identities are stripped and re-assigned. Like previous mentioned they inherently have no ties to the outside world, which leads into the next trait...

Control over members lives: As a private orphanage/school Wammy's House controls every aspect of its children's lives and they are only allowed the freedoms, opportunities, direction and experiences the institution provides and permits them. It also establishes their life goal for them and monopolizes all their time, thoughts and physical energies in service to the institution's vision.

Us-vs-them mentality: The idea that this an elite and fundamentally special group of people, the world's most gifted children, with a special purpose. Where belonging is proven through the competition in an environment where the kids are publicly measured against each other and with the underpinning implication that their value and potential as humans is tied to their performance. This also raises the question of what happens to a child who is brought in but then fails to perform at the high level expected, are they shunned - cast out back to another orphanage that is perhaps not so materially nice and permissive with its kids?

A charismatic leader: How the entire organization revolves around the veneration and almost religious ideation of a human leader (L) who is the living embodiment of a practically unreachable ideal and to whom members proclaim zealous loyalty.

Apocalyptic thinking: The stated purpose of the house is centered on waiting for the unavoidable cataclysmic event of their charismatic leader's death and about��how the new order will be established after.

Conformity and control: All of this happening within a closed-system echo-chamber environment.

..............

So yeah, those boxes get checked. I'm sure it's all fine and none of the orphans will come out of that system messed up at all though, right?

[betterthanakickintheface]

Speaking as a white person... No, people of colour and wanting to be listened to, believed, valued, consulted, and protected in the countries they live in, and are citizens of(I'm Canadian, but I feel like it's all still Very applicable) -daaaaring to be any kind of vocal about how that doesn't happen and how they are, you know, VERY UNDERSTANDABLY not fucking happy about that are NOT the problem

To feel so comfortable saying so just demonstrates how far up your own clearly racist ass you are, no one who wasn't would double down and reiterate that astoundingly wrong opinion again but with more words

And "zero concrete examples"?? You've got some effective fucking blinders on if you can say that and believe it but think that white people's love of moving the goal posts for, and pseudo-intellectualizing away concerns, struggles and very real dangers to REAL PEOPLE who just aren't you/us isn't a very real and hugely documented, and far-reaching problem you're literally just stupid

There is no other way you can look at or hear people sharing their perspective on their own fucking lives and what is important to them as a person who is *specifically* not white and is not interested - and nor should they be - in being told to shut up, keep waiting 'their turn', quiet down, that their extremely valid and NECESSARY voices and experiences get summarily dismissed as "inane" because white people just can't fucking stop deciding that every single discussion about how white people and whiteness have done and continue to do SO much damage is about them specifically and personally that they at "best" allow their discomfort to not only often ignore objective facts about how AT THE VERY LEAST the vast majority of white people and peoples have historically been Very Shitty Indeed to peoples of colour, even people they just think of as 'not as good a white as us *insert north, western, or central European nations especially here*' but also to override or bypass sympathy, empathy, compassion or even willingness to fucking listen to them about their lives to the point that we white people shut anything not complimentary to us down. We are so fucking fragile that we can't seem to fucking get that not everything is about us, for us, concern us, have to include us and it fucking shouldn't have to. Especially when all we seem interested in is having access to any and all spaces so that we can pretend that "no, everyone else is actually wrong about things they-as a group have all professed to have experienced".

Like... Seemingly one of our favourite fucking things to do is brag about supposedly having friends of different ethnicities and cultures to anyone who will listen, so why do so many of us not fucking listen to them??? Why do so many of us then also not care or believe those friends?? Try to help? Aren't they your friends, OUR friends?? Even if it's a hard pill to swallow, why do so many of us white people actively stand in the way of supporting things that will help our friends, partners, family, coworkers(not to mention children, whether connected to you as an individual or not)?? If our friends and loved ones, wider communities are helped, provided for, listened to does that not also benefit us needy white people too by extension of being in the same potentially improving society that doesn't continue to waste so much fucking time and energy on keeping entire peoples down because white people are either insecurity and hate.

White people have been the "not all men" people who get mad when sexual harassment comes up; and yeah, most people know and believe that but that(usually unnecessary) distinction ultimately is diminishing, dismissing and ignoring the point of the matter which is that the generalized statement and belief that "men do sexual harassment" is because so many people have had those kinds of unpleasant interactions or experience, often repeatedly. Even if they were not talking about you specifically, and you've never done anything misogynistic or worse THEY have enough negative experiences with other men that that statement is true to them even if you find it hard to believe.

White people do that whenever anyone says anything about how we have in the past, but also continue to treat people of colour like shit. Like yeah, no shit not all white people are feral racists, just like not all men are creeps... But I dunno if enough people are saying that "more than a few(separate, unrelated, individual) white people have said/done/legislated negative things to and against me" maybe we should fucking SHUUUUT UUUUUP and believe them?? acknowledge that even if we, as individual white people have never knowingly or intentionally been racist there is still clearly A PROBLEM because we keep being told it is a problem.

So yeah, it's very much white people that have held us all back, even the progressive ones because we cant get out of our own way. And when soooo many of us demonstrably have been unable(or unwilling) to even recognize that, let alone do anything to change it it fucking ruins lives in a very real way and if you can't see that...you yourself are part of the problem with white leftists and progressives

**as a white person, and an untagged-by-OP one at that, I totally understand if you'd prefer I remove my addition to your post, in which case I absolutely will 🖤

Every white leftist should read this

[the-music-maniac]

I've never been able to get over stories where the abused becomes the villain. True of any media that has this trope, really, but especially true of Sephiroth. He makes my heart hurt.

Created to be nothing but a weapon, abused and manipulated and experimented on from childhood. Sent to go fight Shinra's wars for them, desensitized to killing from a young age, but still managing to hold onto his kindness somehow. They made him into a legend larger than life for their propaganda, while simultaneously de-humanizing him in the worst ways, isolating Seph to the point where no one around him, not even his closest companions, even realized that he needed support. There's hints that no one around him really knew his background by the things they say - the only one who was aware of the extent of his mistreatment was his abuser. He was a high functioning individual - who would be arrogant enough to assume that The General could need help? Who would dare?

And I don't blame Angeal or Genesis or Zack for not realizing. Along with them simply not knowing there was an issue that needed addressing, Sephiroth probably kept it from them on purpose - whether by choice or necessity or outside influence or self preservation.

Sephiroth just wanted a normal life too. He didn't like having his picture taken, but endured because he had to, and because other people wanted it of him. He didn't really care to compete for the title of hero with Genesis, even though Genesis didn't seem to believe it. He took care of his troops, and we see in that one cut scene where he failed to save a soldier, that he still got upset over stuff like that. All those years of killing and losing his men to Shinra's missions and he hasn't truly become numb to it.

And then nearing the end, after first being told he's a monster by one of his former friends, and then later spending a week in that library not eating or drinking or sleeping, left alone to his devices because who would assume that the most competent general of their time can be in a vulnerable state, and shouldn't be left alone right now?

After learning the "truth" about his origins, and after a lifetime of systematic abuse, no longer believing he's even human anymore. And then the only person offering him a hand in his darkest moments is the one he shouldn't have taken. But at that point - could you blame him? Whether or not the post nibelheim Sephiroth is truly him or just a puppet for Jenova I'm uncertain about, but the end result is that from start to finish - Sephiroth never manages to break free from the whims of those who wanted to use him.

And because he gave into his worse demons - he won't receive a happy ending. He won't be saved. There's no comfort for him, no opportunity to rest and heal and grow. His childhood wish to live a normal life will never come to pass.

Watching Sephiroth's story unfold is like watching someone drown in front of you while surrounded by a crowd of people. And the one drowning doesn't even scream for help because he's been conditioned to believe that the suffocation is normal.

I will NEVER get over him. It doesn't excuse what he did after Nibelheim, I'm aware of that, but I can't help but remember that people only ever had praise for him while he was burning villages down in Wutai on Shinra's behalf.

It doesn't excuse his actions. But I will NEVER be able to forget all the ways the world failed him first.