#thomas c marshall

[lil-als]

Inspired by @anteabbie’s telling presidents on characterai that she’s pregnant…. Veeps!

[dustzvacuumcleaner]

Too many old stuffs lol dk which to post everyday

tagging these names makes me sick

[loganslowdown4]

*screaming crying throwing up*

Gary Prince and Marshall Lee

This is perfect 😭🩷

[antebellumite]

At the end of the day, because I'm a sucker for these plots ( and these dynamics ):

Modern AU where Calhoun, Clay, Jackson, Hayne, and Biddle are all adopted siblings and prospective heirs to the Virginian Dynasty, a multi-industry multinational conglomerate run by the eccentric, famous, well-meaning, and multi-millionaire James Monroe. Monroe, according to public gossip, is planning to retire soon, leaving his behemoth of a company behind to one of his five sons-all of whom are known political enthusiasts ( Monroe himself was adamant about nonpartisanship ). This fact is what draws much of the public's attention to the inheritance of the VD, since depending on just which of the five inherit the VD, certain aspiring politicians may just have received for themselves a very powerful sponsor indeed.

Yet, despite this attention, neither the public nor the potential inheritors themselves know who will end up taking control of the company after Monroe's passing-leaving the five men to duke it out between themselves.

Enter Daniel Webster, an everyday lawyer who through his connections with Hayne, manages to worm his way into this family drama. His goal? Find out the inheritor of the company, latch onto them, and siphon as much wealth out as possible for hightailing out. His original plan was to take advantage of Robert Hayne's easy nature, making sure he inherits the wealth, but as his stay in the family sphere elongates, Webster finds himself uncovering secrets, threats, plots, and more plots under the shiny veneer of normalcy that is the Virginian Dynasty. Beyond just ensuring his true intentions aren't found out, Webster is trying his best to endear himself to everyone in the family-which might be working too much, considering that all of them are now trying to get him on their side. One thing is clear, soon enough, it might not just be his gold-digging tendencies that'll be at risk, but his very life.

Featuring:

James Monroe: The eccentric, high-society, slightly air-headed, optimistic, and utterly filthy rich CEO of the Virginian Dynasty. His aim is to retire in the near future to write a memoir, dote on his family, and pass on his legacy in peace.

Henry Clay: The golden child of the VD, a fantastic lawyer and speaker, known for his Wild Lifestyle, filled with parties ( drinking, dancing, snuff, drugs, gambling, women ) and accusations of corruption and promiscuity, as well as his promising political career. Perhaps the most open about his aims to inherit the corporation, and to many, the most reasonable and expected option.

John C Calhoun: An equally politically prominent figure of the VD, and famously is allying himself with Clay in order to share the VD profits among themselves once they get the money. The somber, cold, humble, puritanical, and serious moon to Clay's flamboyant sun, the two of them make a good team...for now.

Andrew Jackson: Unlike Clay or Calhoun, Jackson's fight to take control of the VD stems from the fact he doesn't trust Clay or Calhoun an inch with the power the VD holds. In fact, as a self-proclaimed champion of the working class, Jackson vows to bring down this corporation once he gets his hands on it, reforming it to better pay and protect employees, remaining bipartisan, etc. As an already established military leader who owns quite a few newspapers himself, he's by far the most widely known and admired of the potential inheritors.

Nicholas Biddle: Perhaps the only one here who actually knows how to run a business to be sustainable, let's face it. But alas. Biddle here is perhaps the heir to the VD with the most conflicting accounts. Just as famous as the others, to many, he is a conniving, corrupt, and sinister figure, aiming to do anything to take control of the corporations for his own aims, even if it means utterly destroying his own siblings in the process. Others say that he is righteous, amiable, bubbly, and kind- some argue, even an idiot who could do nothing of that sort. Some say he is the best option for inheriting the Dynasty, and others say he is the worst. Whatever the case, it won't due to overlook him.

Robert Hayne: To be honest, no one really knows if Hayne even wants to be in the running for the corporation. An idealist, Hayne, like Jackson, believes he can reform the company, but in a way not as extreme as him. Yet from the looks of it, it appears that Hayne would also be more than glad to just let Clay and Calhoun take control of the company instead, if he is granted a subordinate position. Perhaps the least well-known of the successors, he is an associate of Daniel Webster-and a link for getting him involved in the drama.

Daniel Webster: A man with a plan. Webster's an up and rising in popularity and fame lawyer and orator. His intentions were to get into the family to find out who was going to inherit the company, seducing/latching onto that inheritor somehow, and siphoning money out that way. Originally, Webster's target was Hayne, though, due to Hayne's oblivious and idealist nature, it soon became clear that there was no way that he would be inheriting the business. So instead, Webster finds himself playing along with the other potential heirs instead-finding himself attending poetry sessions with Biddle, parties with Clay, intellectual discussions with Calhoun, and military speeches with Jackson, weaving himself closer as a potential ally to all of the heirs, and deeper and deeper into the dramatic events as they unfold.

Martin Van Buren, Thomas Cadwalader, Thomas Benton, Theodore Frelinghuysen, John J. Crittenden: Friends, allies, and bodyguards ( not all at the same time ) of either Jackson, Biddle, Hayne, or Clay. Varying levels of importance.

John Quincy Adams and John Marshall: Advisors to James Monroe, and the guys who're actually running the company. ( Also is this a spoiler? This is a spoiler: JQA is the guy who's actually going to end up inheriting the business. Sorry Clay, Calhoun, Jackson, Biddle, but whilst you all were bickering amongst yourselves, I was already forming diplomatic ties with trustbusters and unions to make sure none of you idiots and demagogues got your hands on this multimedia corporation. )

[swampflix]

The Not-So-New 52: Justice League — The Flashpoint Paradox (2013)

Welcome to The Not-So-New 52, your digital Swampflix comic book (adaptation) newsstand! Starting in 2007, DC Comics and Warner Premiere entered the direct-to-home-video market with animated features, mostly in the form of adaptations of well-received event comics or notable arcs. This Swampflix feature takes its name from the 2011 DC relaunch event “The New 52,” and since there are (roughly)…

[theambitiouswoman]

Book Recommendations 📚📒

Business and Leadership:

"Good to Great" by Jim Collins

"The Lean Startup" by Eric Ries

"Zero to One" by Peter Thiel

"Leaders Eat Last" by Simon Sinek

"Outliers: The Story of Success" by Malcolm Gladwell

Success and Personal Development:

"The 7 Habits of Highly Effective People" by Stephen R. Covey

"Mindset: The New Psychology of Success" by Carol S. Dweck

"Atomic Habits" by James Clear

"Grit: The Power of Passion and Perseverance" by Angela Duckworth

"The Power of Habit" by Charles Duhigg

Mental Health and Well-being:

"The Power of Now" by Eckhart Tolle

"Feeling Good: The New Mood Therapy" by David D. Burns

"The Gifts of Imperfection" by Brené Brown

"The Anxiety and Phobia Workbook" by Edmund J. Bourne

"The Dialectical Behavior Therapy Skills Workbook" by Matthew McKay, Jeffrey C. Wood, and Jeffrey Brantley

Goal Setting and Achievement:

"Goals!: How to Get Everything You Want—Faster Than You Ever Thought Possible" by Brian Tracy

"The 12 Week Year" by Brian P. Moran and Michael Lennington

"Drive: The Surprising Truth About What Motivates Us" by Daniel H. Pink

"The One Thing" by Gary Keller and Jay Papasan

"Smarter Faster Better" by Charles Duhigg

Relationships and Communication:

"How to Win Friends and Influence People" by Dale Carnegie

"The 5 Love Languages" by Gary Chapman

"Crucial Conversations: Tools for Talking When Stakes Are High" by Al Switzler, Joseph Grenny, and Ron McMillan

"Nonviolent Communication: A Language of Life" by Marshall B. Rosenberg

"Men Are from Mars, Women Are from Venus" by John Gray

Self-Help and Personal Growth:

"The Subtle Art of Not Giving a F*ck" by Mark Manson

"Daring Greatly" by Brené Brown

"Awaken the Giant Within" by Tony Robbins

"The Miracle Morning" by Hal Elrod

"You Are a Badass" by Jen Sincero

Science and Popular Science:

"Sapiens: A Brief History of Humankind" by Yuval Noah Harari

"The Immortal Life of Henrietta Lacks" by Rebecca Skloot

"Cosmos" by Carl Sagan

"A Short History of Nearly Everything" by Bill Bryson

"The Selfish Gene" by Richard Dawkins

Health and Nutrition:

"The China Study" by T. Colin Campbell and Thomas M. Campbell II

"In Defense of Food" by Michael Pollan

"Why We Sleep" by Matthew Walker

"Born to Run" by Christopher McDougall

"The Omnivore's Dilemma" by Michael Pollan

Fiction and Literature:

"To Kill a Mockingbird" by Harper Lee

"1984" by George Orwell

"The Great Gatsby" by F. Scott Fitzgerald

"The Catcher in the Rye" by J.D. Salinger

"Pride and Prejudice" by Jane Austen

[queer-ragnelle]

Seeking a book to read this winter break?

Brand "New" List of Additions to the Arthurian Preservation Project Archive

In time, all books will be added to my Retellings List or Medieval Literature List respectively, and possibly a third page for handbooks/informational resources. Retellings may be under construction for a bit as I reformat to accommodate the influx in links. There are some duplicates—Alan Lupack's and Mike Ashley's anthologies occasionally contain a one-off story I've otherwise included in an individual volume of collected works by the author.

Links connect to corresponding PDFs on my Google drive where they can be read and downloaded for free. But if you like what I do, consider supporting me on Ko-Fi. I haven't yet read these listings in full; I cannot attest to their content or quality. A big thank you to @wandrenowle for the help collecting!

Modern Retellings

Merlin in Love by Aaron Hill (1790) — Opera about Merlin & his love interest Columbine.

The Fortunate Island by Max Adeler (1882) — A family shipwrecks on an island only to discover its populated with Arthurian knights, including Dinadan, Bleoberis, & Agravaine.

Sir Marrok by Allen French (1902) — Werewolf knight.

The Story of Sir Galahad by Mary Blackwell Stirling (1908) — Illustrated retelling of Malory's Grail Quest.

The Story of Parzival by Mary Blackwell Stirling (1911) — Illustrated retelling of Eschenbach's Parzival.

Stories From King Arthur and His Round Table by Beatrice Clay (1913) — Illustrated retelling of Malory.

Cloud Castle and Other Papers by Edward Thomas (1922) — Contains two Arthurian entries: the story Bronwen The Welsh Idyll about Agravaine & his lady Bronwen, & the essay Isoud about the Prose Tristan.

Collected Poems by Rolfe Humphries (1924-1966) — Contains Dream of Rhonabwy about Owain & Arthur's chess game, A Brecon Version about Essylt/Trystan, Under Craig y Ddynas about Arthur's "sleeping" warriors, & The Return of Peredwr about the Grail Hero's arrival to court.

Peronnik the Fool by George Moore (1926) — The quest for the Holy Grail based on Breton folklore.

The Merriest Knight by Theodore Goodridge Roberts (1946-2001) — Anthology of short stories all about Dinadan.

The Eagles Have Flown by Henry Treece (1954) — A third Arthurian novel from Treece detailing the rivalry between Artos & Medrawt, with illustrations this time.

Launcelot, my Brother by Dorothy James Roberts (1954) — The fall of Camelot from Bors perspective, as a brother of Launcelot.

To the Chapel Perilous by Naomi Mitchison (1955) — Two rival journalists report about the goings on in Camelot.

The Pagan King by Edison Marshall (1959) — Historical fiction from the perspective of Pagan King Arthur.

Kinsmen of the Grail by Dorothy James Roberts (1963) — The Grail Quest but Gawain is Perceval's step dad.

Stories of King Arthur by Blanche Winder (1968) — Illustrated retelling of Malory.

Drustan the Wanderer by Anna Taylor (1971) — Retelling of Essylt/Drustan.

Merlin's Ring by H. Warner Munn (1974) Gwalchmai is a godson of Merlin's that uses his ring to travel through the magical & real worlds.

Lionors, Arthur's Uncrowned Queen by Barbara Ferry Johnson (1975) — Story of Arthur's sweetheart & mother of his son, Loholt.

Gawain and The Green Knight by Y. R. Ponsor (1979) — Illustrated prose retelling of SGATGK poem.

Firelord (#1), Beloved Exile (#2), The Lovers: Trystan and Yseult (#3) by Parke Godwin (pseudonym Kate Hawks) (1980-1999) — Book 1 Arthur, book 2 Guinevere, book 3 Trystan/Yseult.

Bride of the Spear by Kathleen Herbert (1982) — "Historical" romance retelling of Teneu/Owain.

Invitation to Camelot edited by Parke Godwin (1988) — Anthology of assorted Arthurian stories from authors like Phyllis Ann Karr & Sharan Newman.

Arthur, The Greatest King - An Anthology of Modern Arthurian Poems by Alan Lupack (1988) — Anthology of modern Arthurian poetry by various authors including E. A. Robinson, William Morris, C. S. Lewis, & Ralph Waldo Emerson.

The White Raven by Diana L Paxson (1988) — "Historical" romance retelling of Drustan/Esseilte.

Merlin Dreams by Peter Dickinson (1988) — Illustrated by Alan Lee.

The Pendragon Chronicles edited by Mike Ashley (1990) — An anthology of Arthurian stories, including some translations such as the Lady of the Fountain, and retellings by John Steinbeck & Phyllis Ann Karr.

Grails: Quest of the Dawn edited by Richard Gilliam (1992-1994) — Anthology of Grail Quest stories.

The Merlin Chronicles edited by Mike Ashley (1995) — Anthology about Merlin from authors like Theodore Goodridge Roberts & Phyllis Ann Karr.

The Chronicles of the Holy Grail edited by Mike Ashley (1996) — Anthology about the Holy Grail from authors like Cherith Baldry & Phyllis Ann Karr.

The Chronicles of the Round Table edited by Mike Ashley (1997) — Anthology of assorted Arthurian stories from authors like Cherith Baldry & Phyllis Ann Karr.

Sleepless Knights by Mark H Williams (2013) — 1,500 years have passed but Lucan the Butler’s still on the clock.

Medieval Literature

Three Arthurian Romances (Caradoc, The Knight with The Sword, The Perilous Graveyard) [This is on the Internet Archive & cannot be downloaded. If someone could help with that, lmk!] translated by Ross G. Arthur

Le Bel Inconnu (The Fair Unknown) translated by Colleen P. Donagher

Segurant The Knight of the Dragon (Portuguese) edited by Emanuele Arioli

An Anglo-Norman Reader by Jane Bliss

Stanzaic Morte Arthur / Alliterative Morte Arthure edited by Larry D. Benson

Sir Perceval de Galles / Ywain and Gawain edited by Mary Flowers Braswell

Sir Gawain: Eleven Romances and Tales edited by Thomas Hahn

Prose Merlin edited by John Conlee

The Middle English Breton Lays edited by Eve Sailsbury & Anne Laskaya

Il Ciclo Di Guiron Le Courtois Volumes 1-7 (Italian)

Wace's Roman de Brut / Layamon's Brut by Robert Wace & Eugene Mason

Arthurian Literature by Women edited by Alan Lupack & Barbara Tepa Lupack

Handbooks

Studies in the Fairy Mythology of Arthurian Romance by Lucy Allen Paton (1960)

A Companion to the Gawain-Poet edited by Derek Brewer (1990)

The Mammoth Book of King Arthur edited by Mike Ashley (2005)

A Bibliography of Modern Arthuriana 1500-2000 by Ann F. Howey & Stephen R. Reimer (2006)

[amphibious-thing]

Pink is for Boys

"Pink or Blue? Which is intended for boys and which for girls? This question comes from one of our readers this month, and the discussion may be of interest to others. There has been a great diversity of opinion on this subject, but the generally accepted rule is pink for the boy and blue for the girl. The reason is that pink, being a more decided and stronger color, is more suitable for the boy, while blue, which is more delicate and dainty, is prettier for the girl." ~ The Infants' Department, June 1918

[Left: The Blue Boy, oil on canvas, c. 1770, by Thomas Gainsborough.

Right: The Pink Boy, oil on canvas, c. 1782, by Thomas Gainsborough.]

Pink is for girls and blue is for boys. But it hasn't always been this way. Colour coding infants as a way of denoting gender was popular in 20th century America. The problem? Pink and blue? Which is for boys and which is for girls?

In 1927 TIME Magazine asked ten of the "leading stores that sell baby equipment" which colour was for which gender. Four stores responded pink for girls and blue for boys; Macy's (Manhattan), Franklin Simon (Manhattan), Wanamaker's (Philadelphia) and Bullock's (Los Angeles). Five stores responded pink for boys and blue for girls; Best's (Manhattan), Marshall Field's (Chicago), Filene's (Boston), Maison Blanche (New Orleans) and The White House (San Francisco). Curiously Halle's (Cleveland) responded that pink was for both boys and girls.

This debate would continue and it wasn't until mid-20th century that pink for girls and blue for boys became firmly cemented in western culture.

However the idea of colour coding infants dates back to the 19th century. According to La cour de Hollande sous le règne de Louis Bonaparte in 1808 in Holland pink was used to announce the birth of a girl and blue a boy. In March 1856 Peterson's Magazine (Philadelphia, USA) advises that the ribbon on a christening cap should be blue for a boy and pink for a girl. On the 23rd of July 1893 the New York Times writes that for baby clothes it's "pink for a boy and blue for a girl!"

[The Oddie Children, oil on canvas, c. 1789, by William Beechey, via North Carolina Museum of Art.]

During the latter half of the 18th century one of the most popular outfits for young children, regardless of gender, was a white dress with a coloured sash tied around the waist. Pink and blue being the most popular colours, although other colours were worn as well. It would be tempting to assume that the colour of the sash indicated gender but there isn't clear evidence that this was the case. The Oddie Children (above) depicts Sarah, Henry, Catherine, and Jane Oddie. The three girls are all wearing white dresses; two with a blue sash one with a pink sash. We also see Henry Russell (bellow left) wearing a blue sash and Prince William (bellow right) wearing a pink sash.

[Left: Anne Barbara Russell née Whitworth with her son Sir Henry Russell, oil on canvas, c. 1786, by George Romney, via Woolley & Wallis.

Right: Prince William, oil on canvas, c. 1767, by Allan Ramsay, via the Royal Collection Trust.]

Pink was just one of the many colours popular in 18th century English womenswear and seems to have stayed popular throughout the century. On the 3rd of January 1712 The Spectator published an article in which a man recalls seeing "a little Cluster of Women sitting together in the prettiest coloured Hoods that I ever saw. One of them was Blew, another Yellow, and another Philomot; the fourth was of a Pink Colour, and the fifth of a pale Green". On the 1st of May 1736 the Read's Weekly Journal, or British Gazetteer reports that the ladies attending the royal wedding wore gowns of "Gold stuffs, or rich Silks with Gold or Silver Flowers, or Pink or White Silks, with either Gold or Silver Netts or Trimmings;" shoes either "Pink, White or Green Silk, with Gold or Silver Lace and braid all over." On the 24th of May 1785 Charles Storer writes to Abigail Adams advising that fashionable colours in English court dress are "pink, lilac, and blue" such "as is worn at Versailles".

[Left: Frances, Daughter of Evelyn Pierpont, 1st Duke of Kingston, oil on canvas, c. 1700-23, by Godfrey Kneller, via Art UK.

Middle: Mrs. Abington as Miss Prue in "Love for Love" by William Congreve, oil on canvas, c. 1771, by Sir Joshua Reynolds, via Yale Center for British Art.

Right: Mary Little, later Lady Carr, oil on canvas, c. 1765, by Thomas Gainsborough, via Yale Center for British Art.]

In particular pink was popular amongst young women as the colour was associated with youth. Older women who wore pink were mocked as vain for dressing in a way that was seen as improper for their age. On the 31st of January 1754 Lady Jane Coke writes to Mrs. Eyre criticising old women who wear pink:

As for fashions in dress, which you sometimes inquire after, they are too various to describe. One thing is new, which is, there is not such a thing as a decent old woman left, everybody curls their hair, shews their neck, and wears pink, but your humble servant. People who have covered their heads for forty years now leave off their caps and think it becomes them, in short we try to out-do our patterns, the French, in every ridiculous vanity.

[Folly Embellishing Old Age With the Adornments of Youth, oil on canvas, c. 1743, by Charles-Antoine Coypel, via Master Art.]

For Englishmen acceptable clothing way much more limited. In A Foreign View of England in the Reigns of George I & George II Monsieur César de Saussure writes that Englishmen "do not trouble themselves about dress, but leave that to their womenfolk". He explains:

Englishmen are usually very plainly dressed, they scarcely ever wear gold on their clothes; they wear little coats called "frocks," without facings and without pleats, with a short cape above. Almost all wear small, round wigs, plain hats, and carry canes in their hands, but no swords. Their cloth and linen are of the best and finest. You will see rich merchants and gentlemen thus dressed, and sometimes even noblemen of high rank, especially in the morning, walking through the filthy and muddy streets.

César de Saussure warns that "a well-dressed person in the streets, especially if he is wearing a braided coat, a plume in his hat, or his hair tied in a bow, he will, without doubt, be called "French dog" twenty times perhaps before he reaches his destination" and is not only at risk of "being jeered at" but also "being bespattered with mud, but as likely as not dead dogs and cats will be thrown at him."

[Reverend Charles Everard Booth, Captain Griffith Booth, and an Unidentified Man playing Billiards, oil on canvas, c. 1775-9, by John Hamilton Mortimer, via the Royal Collection Trust.]

For Englishmen dressing "plainly" mostly meant wearing blacks and browns. In his book on macaroni, Pretty Gentleman, Peter McNeil found that in contrast most English menswear that he describes as generally consisting of "monochrome broadcloth" macaroni wore a variety of colours including green, orange, yellow, violet, red, white, blue, gold, silver and of course pink.

But it's not just the macaroni of the 1770s & 1780s that wore pink. We see pink in descriptions of feminine men's dress (both real and fictional) throughout the 18th century.

On the 2nd of June 1722 Sarah Osborn writes to Robert Byng:

I believe the gentlemen will wear petticoats very soon, for many of their coats were like our mantuas. Lord Essex had a silver tissue coat, and pink color lutestring waistcoat, and several had pink color and pale blue paduasoy coats, which looked prodigiously effeminate.

On the 18th of October 1729 the Universal Spectator and Weekly Journal published a story where an "effeminate" man's clothes were described as follows:

He had a flower'd pink-colour Silk Coat, with a Green-Sattin Waistcoat lac'd with Silver. Velvet Breeches, Clock'd Stockings the Colour of his Coat, Red-heel'd Pumps, a Blue Ribbon at the Collar of his Shirt, and his Sword-Hilt he embrac'd under the Elbow of his Left Arm,

[Sir Miles Stapylton, 4th Bt of Myton, oil on canvas, c. 1730-35, via Art UK.]

In The Adventures of Roderick Random (1748) the effeminate (and queer coded) Captain Whiffle is described as follows:

our new commander came on board in a ten-oared barge, overshadowed with a vast umbrella, and appeared in everything the reverse of Oakum, being a tall, thin young man, dressed in this manner: a white hat, garnished with a red feather, adorned his head, from whence his hair flowed upon his shoulders, in ringlets tied behind with a ribbon. His coat, consisting of pink-coloured silk, lined with white, by the elegance of the cut retired backward, as it were, to discover a white satin waistcoat embroidered with gold, unbuttoned at the upper part to display a brooch set with garnets, that glittered in the breast of his shirt, which was of the finest cambric, edged with right Mechlin: the knees of his crimson velvet breeches scarce descended so low as to meet his silk stockings, which rose without spot or wrinkle on his meagre legs, from shoes of blue Meroquin, studded with diamond buckles that flamed forth rivals to the sun! A steel-hilted sword, inlaid with gold, and decked with a knot of ribbon which fell down in a rich tassel, equipped his side; and an amber-headed cane hung dangling from his wrist. But the most remarkable parts of his furniture were, a mask on his face, and white gloves on his hands, which did not seem to be put on with an intention to be pulled off occasionally, but were fixed with a curious ring on the little finger of each hand.

[Henry Ingram, 7th Viscount Irwin and His Wife Anne, oil on canvas, c. 1745, by Philippe Mercier, via Art UK.]

On the 28th of July 1780 the London Courant reports:

A few days ago, a Macaroni made his appearance in the Assembly-room at Whitehaven, in the Following dress: a mixed silk coat, pink sattin waistcoat and breeches, covered with an elegant silver nett, white silk stockings with pink clocks, pink sattin shoes and large pearl buckles, a mushroom coloured stock, covered with a fine point lace; his hair dressed remarkably high, and stuck full of pearl pins.

On the 6th of August 1792 The Weekly Entertainer published Sketches and Portraits form the Life by Simon Tueopnrastus which included the following description:

Mercator was a youth of some genius and expectation, but by a strange perverseness of disposition, notwithstanding the extreme natural stiffness of his limbs, he had acquired an early attachment to the most finical and effeminate finery; so that, while yet a boy, he would exhaust every expedient of a fertile invention to procure a laced waistcoat, or the most foppish toy; would dangle a watch-string, with brass seals, from each fob, at a time when the frugal care of his parents would not permit him to wear a watch in either; and would strut in a fine pair of second-hand pink silk breeches, and a light blue coat, with all the formal dignity of—a soldier upon the parade.

[Left: Thomas King in "The Clandestine Marriage", oil on canvas, c. 1792, by Samuel De Wilde, via Yale Center for British Art.

Right: Edward Payne, oil on canvas, by Arthur Devis, via Art UK.]

While pink is mentioned in these descriptions of feminine men's dress it's not singled out as the girl colour the way pink would become in the 20th century. I would argue pink is seen as effeminate not because pink is a uniquely feminine colour but because it was used in fashionable dress. In 18th century England being interested in fashion was seen as an frivolous female trait. Men who showed too much interest in fashion were mocked and ridiculed for their gender nonconformity. "A Man must sink below the Dignity of his Nature, before he can suffer his Thoughts to be taken up on so trivial an Affair, as the Chosing, Suiting, and Adjusting the Adornments of his Person," complains a letter published on the 8th of May 1731 in Read's Weekly Journal, or British Gazetteer:

Decency of Garb ought inviolably to be preserved; nor can there be possibly an Excuse for Dressing like a Merry-Andrew: Rich and coloured Silks are in themselves effeminate, and unbecoming a Man; as are, in short, all Things that discover Dress to have been his Study 'Tis in vain for a Fop of Quality, to think his Title will protect him.

[Left: Madame de Pompadour (detail), oil on canvas, c. 1756, by François Boucher, via Alte Pinakothek.

Right: Elizabeth Wrottesley, later Duchess of Grafton, oil on canvas, c. 1764-5, by Thomas Gainsborough, via National Gallery of Victoria.]

English fashion was highly influenced by French fashion. A popular colour scheme in French fashion was green and pink. A famous example of this colour pairing can be seen in François Boucher's portrait of Madame de Pompadour (above left), she is depicted in a green gown with pink bows and flowers. You can see and example of how this style inspired English fashion in Thomas Gainsborough's portrait of Elizabeth Wrottesley (above right), who is depicted in a green gown with a floral pattern adorned with pink, white and green striped bows.

[Left: Sir Harry Fetherstonhaugh, oil on canvas, c. 1776, by Pompeo Batoni, via Wikimedia.

Right: Francis Lind, oil on canvas, c. 1775, by George Romney, via Mackinnon Fine Art.]

Fashionable Englishmen were also inspired by these French designs. Horace Walpole refers to the popularity of the colour combination writing to Lady Ossory on the 19th of February 1774 "If I went to Almack's and decked out my wrinkles in pink and green like Lord Harrington, I might still be in vogue". Almack's is referring to Almack's Assembly Rooms on Pall Mall which is believed to be the inspiration for the Macaroni Club. (see Pretty Gentleman by Petter McNeil p52-55) In a letter to Lord Harcourt on the 27th of July 1773 Walpole writes of "Macaronis lolling out of windows at Almack's like carpets to be dusted."

[Left: Detail of Stephen Fox from The Hervey Conversation Piece, oil on canvas, c. 1738-40, by William Hogarth, via Fairfax House.

Middle: Sir William Jones, oil on canvas, c. 1769, by Francis Cotes, via Art UK.

Right: Portrait of a Gentleman, oil on canvas, by George Romney.]

Men who wore green seem to have been just as much, if not more, at risk of being ridiculed, or even assaulted, for the colour of their clothes as those who wore pink. In Pierre Jean Grosley's A Tour to London (originally published 1772) he recalls traveling with a young English surgeon who was harassed by Londoners due to his green French frock coat:

At the first visit which he paid me in London, he informed me, that, a few days after his arrival, happening to take a walk thro' the fields on the Surry side of the Thames, dressed in a little green frock, which he had brought from Paris, he was attacked by three of those gentlemen of the mobility, who, taking him for a Frenchman, not only abused him with the foulest language, but gave him two or three slaps on the face: "Luckily, added he in French, I did not return their ill language; for, if I had, they would certainly have thrown me into the Thames, as they assured me they would, as soon as they perceived I was an Englishman, if I ever happened to come in their way again, in my Paris dress."

[lil-als]

Some additions if you don’t mind. Most notably Marshall because if we have Wilsom we need Marshallmallow

MANHOOD IS A SPECTRUM

You all should add your favs :)

This is based off of the Professor Lando model. He used Abraham Lincoln as an example.

[leasthaunted]

Episode 120: Spooky Lighthouse

Cody talks to his brother Gunner about his obsession with Lighthouses. Why are they so spooky? What are they for? Why is it a bad idea to have two men with the same name in the same one? Follow the flashing beacon to the answers as they try to solve a 124 year old mystery.

Episode art is by Gunner and you can see more of his art on his tumblr, @ohthatfranky.

Check out the images below discussed in this week's episode and please come join the episode discussion on the Least Haunted Discord!

The Lighthouse of Pharos (Alexandria) Constructed between 284 and 246 BCE.

The Tower of Hercules, A Coruña, Galicia, Spain. Built by the Romans ca. the 1st Century CE. It is the oldest lighthouse still in operation in the world.

A model of the Smalls Island Lighthouse as it appeared in 1801. This is where lighthouse keeper Thomas Howell spent several months alone with the corpse of his colleague, Thomas Griffith.

The lighthouse was replaced with a stone tower in 1861. This picture illustrates how wild the sea can get.

The Flannan Isles, aka, The Seven Hunters off the coast of The Isle of Lewis in the Outer Hebrides of Scotland.

The Flannan Isles Lighthouse.

From left to right: James Ducat, Thomas Marshall, Donald McArthur and Superintendent Robert Muirhead, c.1900. The first three men would vanish from The Flannan Isles Lighthouse on December 15th, 1900.

[choicesficwriterscreations]

CFWC F/AotW - April 7 - 14, 2024

✒️ = Fanfic | 📱= Text Fics/Edits | 🎨 = Fanart Ⓜ️ = Mature Content 18+ | 🔥 = Explicit/NSFW 18+ 🏳️‍🌈 = LGBTQIA

BLADES OF LIGHT AND SHADOW

Back on Vacation 🎨| Imtura Tal Kaelen, Nia Ellarious, Valax, MC - @myautumnrose

BLOODBOUND

Five of Cups ✒️| Gaius Augustine - @thosehallowedhalls

The Sock Giveaway ✒️| Adrian Raines x F!MC - @thosehallowedhalls

CRIMES OF PASSION

A Begining ✒️| Ruby Webster, F!MC - @thosehallowedhalls

Movement ✒️ | m!Trystan Thorne x F!MC - @thosehallowedhalls

Second Language (Series) ✒️| m!Trystan Thorne - @inlocusmads Chapter 1: "What's that song you sing for the dead?"

DESIRE & DECORUM

Annabelle Parsons Fanart 🎨by @artbyalz

Ernest Sinclaire Fanart 🎨by @storyofmychoices

THE ELEMENTALISTS

Cloud Watching ✒️| Beckett Harrington x F!MC - @storyofmychoices

THE FRESHMAN SERIES

The Press Secretary (Series) ✒️| Chris Powell x F!MC - @eadanga Chapter 12

HIGH SCHOOL STORY

Aiden Zhou x MC Fanart 🎨🏳️‍🌈 art by @callmebeem (C: @cadybear420)

IT LIVES SERIES

Lincoln Aquino x MC Fanart 🎨🏳️‍🌈 by @weetlebeetle (C: @storyofmychoices for @abelflints)

Noah Marshall x MC Fanart 🎨🏳️‍🌈by @payroo

LAWS OF ATTRACTION

Uncharacteristic ✒️| Gabe Ricci x F!MC - @thosehallowedhalls

MULTIPLE STORIES

Bloodbound/Nightbound

Disembodied 7/8 ✒️| Adrian Raines x MC, Nik Ryder x MC - @mynotsohealthyobsession

TRR / RoE / TNA / CoP

Isle of Misfits ✒️Ⓜ️| Multiple Characters - @tessa-liam Chapter 9: Inconvenient Truths

NIGHTBOUND

Bound by Fate (Series) ✒️| Nik Ryder x F!MC - @ladylamrian Chapter 3: The Unknown

OPEN HEART

Complete Open Heart List - Week ending April 13th

THE PRINCESS SWAP

Prince Clarke x MC Fanart 🎨 by @bri1234

RED CARPET DIARIES

Comfort ✒️| Thomas Hunt x F!OC - @thosehallowedhalls for @storyofmychoices

THE ROYAL ROMANCE

Behind Closed Doors (Series) ✒️Ⓜ️🏳️‍🌈| Maxwell Beaumont x MC, Liam Rys x Maxwell Beaumont - @angelasscribbles Chapter 1: The Invitation

A Bird in Hand ✒️| Liam Rys x MC - @angelasscribbles

Catch & Release ✒️Ⓜ️| Liam Rys x MC, Drake Walker x MC - @dcbbw

Dance Under the Rainbow 🎨🏳️‍🌈 | Hana Lee x MC - @uselessgay10101

[deadpresidents]

2 and a half weeks until JC passes Cactus Jack!

It took me a little bit to figure out what you were referencing, but yes, Jimmy Carter will pass John Nance Garner as the longest-living President or Vice President in American history on September 18th. And if he is still with us on October 1st, Carter will be the first President or Vice President in American history to celebrate their 99th birthday.

And since I'm a huge dork who finds this stuff interesting, here's the big, complete list of longest-living to shortest-living Presidents and Vice Presidents in American history: (Presidents are in bold text, Vice Presidents are in italics, and those who served as both POTUS and VP are in bold italics.) John Nance Garner: 98 years, 351 days Jimmy Carter: 98 years, 337 days (As of Sept. 3, 2023) Levi P. Morton: 96 years, 0 days George H.W. Bush: 94 years, 171 days Gerald R. Ford: 93 years, 165 days Ronald Reagan: 93 years, 120 days Walter Mondale: 93 years, 81 days John Adams: 90 years, 247 days Herbert Hoover: 90 years, 71 days Harry S. Truman: 88 years, 232 days Charles G. Dawes: 85 years, 239 days James Madison: 85 years, 104 days Thomas Jefferson: 83 years, 82 days Dick Cheney: 82 years, 216 days (As of Sept. 3, 2023) Hannibal Hamlin: 81 years, 311 days Richard Nixon: 81 years, 104 days Joe Biden: 80 years, 287 days (As of Sept. 3, 2023) John Quincy Adams: 80 years, 227 days Aaron Burr: 80 years, 220 days Martin Van Buren: 79 years, 231 days Adlai E. Stevenson: 78 years, 234 days Dwight D. Eisenhower: 78 years, 165 days Alben W. Barkley: 78 years, 157 days Andrew Jackson: 78 years, 85 days Spiro Agnew: 77 years, 261 days Donald Trump: 77 years, 81 days (As of Sept. 3, 2023) George W. Bush: 77 years, 59 days (As of Sept. 3, 2023) Henry A. Wallace: 77 years, 42 days James Buchanan: 77 years, 39 days Bill Clinton: 77 years, 15 days (As of Sept. 3, 2023) Dan Quayle: 76 years, 211 days (As of Sept. 3, 2023) Charles Curtis: 76 years, 14 days Al Gore: 75 years, 156 days (As of Sept. 3, 2023) Millard Fillmore: 74 years, 60 days James Monroe: 73 years, 67 days George Clinton: 72 years, 268 days George M. Dallas: 72 years, 174 days William Howard Taft: 72 years, 174 days John Tyler: 71 years, 295 days Grover Cleveland: 71 years, 98 days Thomas R. Marshall: 71 years, 79 days Nelson Rockefeller: 70 years, 202 days Elbridge Gerry: 70 years, 129 days Rutherford B. Hayes: 70 years, 105 days Richard M. Johnson: 70 years, 33 days William Henry Harrison: 68 years, 54 days John C. Calhoun: 68 years, 13 days William A. Wheeler: 67 years, 339 days George Washington: 67 years, 295 days Benjamin Harrison: 67 years, 205 days Woodrow Wilson: 67 years, 36 days William R. King: 67 years, 11 days Hubert H. Humphrey: 66 years, 231 days Andrew Johnson: 66 years, 214 days Thomas A. Hendricks: 66 years, 79 days Charles W. Fairbanks: 66 years, 24 days Zachary Taylor: 65 years, 227 days Franklin Pierce: 64 years, 319 days Lyndon B. Johnson: 64 years, 148 days Mike Pence: 64 years, 88 days (As of Sept. 3, 2023) Henry Wilson: 63 years, 279 days Ulysses S. Grant: 63 years, 87 days Franklin D. Roosevelt: 63 years, 72 days Barack Obama: 62 years, 30 days (As of Sept. 3, 2023) Schuyler Colfax: 61 years, 296 days Calvin Coolidge: 60 years, 185 days Theodore Roosevelt: 60 years, 71 days Kamala Harris: 58 years, 318 days (As of Sept. 3, 2023) William McKinley: 58 years, 228 days Warren G. Harding: 57 years, 273 days Chester A. Arthur: 57 years, 44 days James S. Sherman: 57 years, 6 days Abraham Lincoln: 56 years, 62 days Garret A. Hobart: 55 years, 171 days John C. Breckinridge: 54 years, 116 days James K. Polk: 53 years, 225 days Daniel D. Tompkins: 50 years, 355 days James Garfield: 49 years, 304 days John F. Kennedy: 46 years, 177 days

[shifterdomain]

Hospital Confessions / Jonah Hauer-King X Actress!Reader, Halle Baily & Cousin!Reader

Summary: You are starring in a big fantasy/action feature, but in doing your own stunt, you get hurt and end up in the hospital. When your cousin Halle visits you, together with Jonah, you end up confessing your love to the latter. Warnings: Some Cringe. Also mentions getting injured pretty badly, followed with fluff and comfort. A bit of angst as well and one cuss word. Word count: 2391

─── ･ ｡ﾟ☆: .☽ . :☆ﾟ. ───

”No, I can do this,” you assure the director as you both go over the next scene and he reminds you of the possibility of calling in your stunt double. Even though the stunt wasn’t that dangerous or complicated, he didn’t want to risk you getting hurt, which obviously you understood. But you had always wanted to do your own stunts, especially after hearing the stories of how other actors like Tom Cruise always did them themselves.

You hadn’t been in the business of acting for the longest time, only being fairly young yourself, so you wanted to try everything you could to make a name for yourself. And the stunt wasn’t that big of a deal, so why not?

You were put into a harnes by the crew, wires attached as the backdrop of the soundstage showed the location of your scene, which was the mansion of the big bad. As your co-star got on their mark, the director yelled action.

“You see, Y/C/N, I always win,” your co-star recited their line, a smirk on their face as they pushed their hands forward. As they did so, the wires of your harness swung you back, making you fly across the room with a high speed. But as your back hit the backdrop, you heard a snap before everything turned to black.

⋅───⊱༺ ♰ ༻⊰───⋅

A soft humming echoed through the sound stage, the angelic voice earning smiles on the faces of the crew as Halle had had the song ‘Part of Your World’ stuck in her head for a few days now. They waited for the crew to be done setting up the last scene for the day, which would be the wedding for prince Eric and Vanessa. Melissa was still in the hair and make-up trailer, getting her wig fixed, Javier talking to the director about his views for the final fight scene, which would be shooting a week from now, and Halle and Joseph sat somewhere in a lonely corner. Halle, ever so gracious, sat patiently in her cast chair. Flipping through the pages of the script to prepare for the scene as she excused her humming as warming her vocal cords. Jonah, on the other hand, sat on the floor across from Halle, immersed on a game of Angry Birds on his phone.

It took them a few takes to get the full scene just as Rob Marshall wanted it to look, and once he was sure that he had the perfect shots, he dismissed the cast and told them they were free to leave.

“You wanna go and grab a bite?” Jonah suggested, quickly catching up with Halle’s steps. “I was thinking of some Nando’s?”

“Sure, that sounds good,” she nodded, looking back at Jonah with a warm smile, sliding her hand into his. But before getting a chance to even get out of their costumes, Halle’s phone begun to buzz in her purse, which still stood on her cast chair.

“Hello?” she answered, holding the phone up to her ear, catching Jonah’s attention.

A deep voice answered, saying: “Good evening, my name is Doctor Sharpe of the St. Thomas’ Hospital. Am I speaking with Miss Halle Bailey?” The voice sounded serious and Halle could feel her heartbeat gradually increasing, worry etched onto her face, causing Jonah to frown as well.

“Yes, this is her.”

“I am calling regarding Miss. Y/N Y/L/N, you have been listed as her emergency contact. I am sorry to inform you that she has been in an accident and is currently going into surgery,” the doctor explained and her heart dropped in her chest with worry and fear.

“I’m on my way,” she stated, hanging up the phone and quickly putting her things back in her purse. She hadn’t even realized the worried looks, mainly coming from Jonah, as she was too wrapped up in wanting to get to you as quickly as possible.

“What’s wrong?” Jonah questioned, concern lacing his voice as he shuffled closer to her to try and comfort her. Her state of panic had drawn Javier’s attention as well as he approached the two, gently placing his hand over Halle’s shoulder and giving it a gentle squeeze, hoping that the fatherly gesture would help in calming her down.

In a clear state of panic, she pushed her belongings into her purse with trembling hands. “Y/N/N- Y/N/N has been in an accident and- and she’s- she’s into surgery,” she stammered, her words rambling.

Jonah’s heart dropped at her words, having the same reaction as Halle had upon hearing the news. Not wasting a second, he fished out his car keys. “I’m driving,” he stated, leading Halle back to the car as they drove towards the hospital to get to you.

⋅───⊱༺ ♰ ༻⊰───⋅

Jonah’s heart broke when he saw you laying in that hospital way. He wanted nothing more than to go over and comfort you. Hug you and never let you go again. The way you lay there with your arm in a cast, a nasotracheal tube taped to your rosy cheeks. But he let Halle be the first to go over to you, waiting by the doorway and ready to offer his support when necessary. After all, you were still asleep and probably needed it.

Halle was pulled away by the doctor to fill in some forms, seeing that she was the one registered as your emergency contact.

You had always valued family, but no one was as close as you and Halle were. Since you were children, you had been unseperable. It took a lot of tears and getting used to when you moved to London, but it was the best option when you had signed for a role in the British hit series of Doctor Who a few years back. But when you heard that Halle got the part of Ariel and that shooting was mostly going to take place nearby, you both were absolutely stoked.

Halle moved in with you for the time being, so naturally you spend a lot of your time together. But in that time, you also got to know Jonah. It only took a day for you to become friends and within a week you knew. You tried to deny it at first, but it became impossible. You had turned to Halle and said ‘one day I’ll marry him’. You just knew. He was the one. The one.

Jonah sat at your bedside. The hospital chair was uncomfortable, but it didn’t bother him. His hand gently held yours, your fingers entwined as he crossed his arms at the edge of your bed, his chin resting on top. His eyes were glued to you, a frown on his lips.

As night came, Halle had finally managed to drift off on the small couch that stood in the corner of the room. But Jonah hadn’t moved, refused to do so. He wanted to be sure to be there when you woke. He wanted him to be the first you’d see, selfishly so. He couldn’t seem to sleep anyway, his mind plagued with thoughts of what could have happened had you not fallen on the mat below you, but on the floor instead. He tried not to think of it, the thought of living without you being an unspeakable thing to him now, but he couldn’t help it. So he remained determined to stay awake until you’d come to.

It felt like an eternity, but was in fact a mere few hours. Your fingers twitching around his, an almost drunken smile on your lips as your eyes slowly fluttered open. “Jo,” you whisper his name, your voice a little rough from not using it.

“Hey there sleepyhead,” he greeted you, a relieved but tired smile tugging at his lips. “You gave us quite the scare.”

“Why?”

Jonah couldn’t help but chuckle lightly at your question, noticing the dilation of your pupils as the pain medication was very clearly still in affect.

“Because of the accident, sweetheart,” he answered. “I was worried about you.”

“You’re so sweet.”

“Well, I’ll wait with scolding you for doing your own stunts until you’ll feel better,” he replied teasingly, giving your hand a gentle squeeze.

“I mean it. You are sweet! And- and handsome,” you start to compliment him, your words slurring slightly from both the medication and the sleepiness. “And really funny. And handsome. And- and why am I saying this?” you cut yourself off with a chuckle, pulling his hand a little closer as you begin to play with his fingers. “You’re sweet.”

“You said that already,” he commented with a grin, his free hand moving to push the hair from your forehead. “But you’re just very, very high.”

“I wanna get high more often.”

Jonah let out a laugh, leaning over to press a soft kiss to your forehead, your heart leaping in excitement as your cheeks flushed a deep red. “Don’t let the press hear,” he teased, pulling away again.

“Fuck ‘em.”

“Shhh,” Jonah hushed you with a laugh, moving your hand up to press another kiss to the back of it. “Sober you might want to keep your career,” he added, pressing the back of your hand against his cheek.

Your hand reached up, the tip of your index finger poking his dimpled cheek. “These are very cute,” you note, your voice hushed as you look at him intently. “You are very cute.”

“And you’re adorable,” he grinned cheekily, giving you a playful wink. “Adorably not in your right mind.”

“No, high me equals brave me.” You keep your eyes on him, your finger moving from his cheek to trace the seam of his lips. “You are cute. And funny. And kind. And caring.”

“You’re making me blush,” he replied jokingly, trying to hide the effect your words were having on him. He wanted nothing more right now than to lean in and kiss you. He had wanted nothing more for a while now, but he had always denied Halle’s claims of him liking her. He was afraid that if he’d admit just what he felt, you would reject him and realize you could do better. He didn’t know that you feared the exact same.

“Jonah-”

“You should get some sleep,” he interrupted you, fearing that if he didn’t end the moment right now, he actually might give in to the undeniable desire to kiss you. Finally be able to feel your lips on his as he’d imagined doing since the day you met.

But you were on pain medication. You weren’t in your right mind, and he didn’t want to take adventage of the vulnareble state you were in. He would hate himself for it, never forgive himself if he ever did anything to hurt you in the slightest.

⋅───⊱༺ ♰ ༻⊰───⋅

You were still asleep when Jonah awoke the next morning. After your pleas, he had given in and crawled on top of the bed, slipping under the thin covers beside you. His arm wrapped protectively around your shoulder, careful not to hurt you, as his other hand rested on your hip.

Listening to his heartbeat under your ear, you slept better than you had in days, not even really minding the injuries. They felt impeccably small when Jonah was at your side.

“Good morning, sweetheart,” Jonah murmured when he felt you begin to stir.

“Morning,” you reply, your voice still hoarse from sleep. Your eyes opening and looking back up into his, only now realizing that he was still in his prince Eric costume, a handsome suit that made him look more dreamy than ever. Well, apart from his plaid pajama pants and dark blue pajama shirt that is.

“How are you feeling today?”

“Alright.”

“Really?” he inquires, the worry still etched onto his features. “Because if you need anything, I’ll get it for you.”

“You really are sweet.”

“Yeah, you mentioned something like that.”

“And I mean it,” you reply, your eyes locked on his. Your heart was pounding anxiously, causing you to blush slightly in embarressment when you heard the beeping of the machine that tracked your heartbeat. Gathering all the courage you could master, you decided that now was as good a time as any and added: “I meant all of it.”

He didn’t know what to say, you’re words catching him off guard but working wonders in waking him up. “Are- are you sure? ‘Cause, you kinda said a lot,” he chuckled nervously, not daring to hold the hope that maybe she indeed felt the same way as he did.

“Not enough,” you reply, sitting up slightly as Jonah follows your movements, his hand instinctively coming to rest on the small of your back. “I don’t want to ruin our friendship, but there’s something I just have to say and if I don’t do it know, I probably never will. Jonah, I- come on, Y/N/N, Jonah, I have feelings for you. Feelings beyond friendship. And I don’t know if I can call it love, but it’s strong and undeniable and I- I care for you. Perhaps more than I should. But if this isn’t love, I don’t know what is.”

Jonah remained silent for the longest minute of your life. His eyes glossed over, a breathy laugh falling from his lips as a smile tugged at his lips. “Y/N fucking Y/L/N, I love you.”

You had never expected those words to fall from his lips. Even as you confessed your feelings, you had thought he’d find you crazy and never talk to you again. How could you possibly be lucky enough to receive the love of a man as kind-hearted and beautiful as Jonah.

As he leaned in closer, his hand moved to cup your cheek, his thumb caressing your cheekbone as you saw nothing but love and adoration in his eyes. They were the perfect mirror of how you felt for him and your joy could never be put to words as you knew that he felt the same way, as you felt the softness of his lips brushing timidly over yours.

Jonah counted himself the luckiest man alive, smiling into the kiss before whispering against your lips: “I love you, Y/N.”

And maybe he had been right all those months ago. Because, a week after you met, he had turned to Halle and said: “One day I’ll marry her.”

[foxi-gi]

My Characters and AUs for TSP!

(Its a long list so-)

The gatherer AU:

Originally this was named differently, lost AI Au I think? But I think this fits much better!

◇ Neil [and all of his inner personalities: Chase, Scott, Ozil, Liel, Luth, Crash, Null] (the Narrators)

Neil's children:

◇ Claire (the Curator)

◇ Tk (the time keeper. Seen in my Coliseum posts)

◇ Marshall

◇ Blue

◇ Thomas (fallen human/the protagonist)

◇ Terry (Cat shaped Adventure Line)

The Swap AU:

◇ Neil/Nolan: former Narrator. Victim

◇ Tom: former protagonist. Fallen Human. Victim.

The mask: Parasite

The Godly Au:

Lien (the father. The Narrator. The keeper.) (Said like "Lee-n")

His kids: (at least a few of them)

William, Claire, Truce, Marshall. And MANY more.

(He will also adopt YOU if you'd like that)

The Starsmith: Spec

Buckets and Plants Au:

◇ Conrad (the Narrator)

◇ Bruce (The Stanley)

(They're gay your honor)

The Tea AU:

Nothing special yet so I will add more "characters development" at some point.

◇ Robert (The Narrator)

◇ ■■■■ (the Curator)

◇ ■■■■ (Mariella

◇ Stanley (Stanley :])

◇ ■■■■ (The settings person)

The Host Au/Arc:

(This one's a big one guys)

The Doctor: Dr.S

The assistant: Saul

The subjects:

Host A: Caden (Narrator) or Felix

Host B: Kelvin (Narrator)

Host C: Buer or Neve (Genderbend Narrator)

(These 3 are all versions of each other from other AUs but due to...circumstances, they're the same AU now.)

Subject Ci: Cindy (The Curators remains), a child.

Subject R: Ruru (The Narratoes Remains)

Subject Ca: Carlson C. Jesse. (The Time keepers Remains)

The mass: ■■■■■■■■

The Host Victims:

- Henry: A Narrator

- Henry's Stanley -> lives on as Jimley, Henry's son.

- James: A Narrator, now leader of a Rebellion.

- Stan: The remains of a Stanley. A child. Adopted by James.

- Keith and Asher: Rescued victims. Rescued by ■■■■■■

And many more.

- Cury Culair: A Curator

- Blue (Neil's son as mentioned above)

The Sequal AU:

- Becka: The Blind Narrator

- Mariella: The Seeking Protagonist

The Loop AU:

- Seán: The Fallen

Non TSP:

☆ Chris: The Prince of Stars

☆ Lewis: The vessel

☆ Snake: The Demon

☆ Darkness and Shade: The foes

☆ Scholar: The father

Ollazal: My favourite DND charcater

[royalty-nobility]

HRH William Henry, 1st Duke of Gloucester

Artist: Thomas Gainsborough (English, 1727–1788)

Date: c. 1775

Medium: OIl on Canvas

Collection: National Army Museum, London, United Kingdom

Description

The younger brother of King George III, Prince William Henry (1743-1805) was created Duke of Gloucester and Edinburgh and Earl of Connaught in 1764. He wanted to pursue an active military career, but neither his physical stamina nor his mental capacity were sufficient to carry a commander's position on active service. Nevertheless, he became Colonel of the 13th Regiment of Foot in 1766, and of the 3rd Regiment of Foot Guards in 1767. He was promoted lieutenant-general and became Colonel of the 1st Regiment of Foot Guards in 1770. During the War of Bavarian Succession (1777-1779), he longed to serve under Prince Frederick (Later King Frederick II) of Prussia, but his request was declined. Gloucester was made a field marshal in 1793.

In 1766 Gloucester secretly married Maria, widow of James, 2nd Earl Waldegrave, without royal consent. This was concealed for six years until Maria became pregnant. The King banished the couple from court and they spent the next few years in Italy before Gloucester was restored to favour in 1780.

The Prince is depicted in the uniform of Colonel of the 1st Regiment of Foot Guards, wearing the ribbon and star of the Order of the Garter. It is the earliest known portrait of a member of the Royal Family in the uniform of colonel of a regiment. Unfinished, the painting remained in the artist's studio until his death. It was subsequently purchased by the Prince Regent and given to Princess Sophia of Gloucester, eldest daughter of the sitter, in 1816.

[movies-to-add-to-your-tbw]

Title: We're the Millers

Rating: R

Director: Rawson Marshall Thurber

Cast: Jason Sudeikis, Jennifer Aniston, Emma Roberts, Will Poulter, Kathryn Hahn, Nick Offerman, Ed Helms, Molly C. Quinn, Tomer Sisley, Matthew Willig, Luis Guzmán, Thomas Lennon

Release year: 2013

Genres: crime, comedy, family

Blurb: A veteran pot dealer creates a fake family as part of his plan to move a huge shipment of weed into the U.S. from Mexico.