#this was a doodle that was too fun!

[butterfriedcircuits]

based off my friend's commentary whilst watching the 'Orion Pax' arc of Transformers Prime:

"I'm sorry, but if i woke up from a million year 'coma' and you asked me to call you 'LORD'... you need humbling'

edit: friend is @machinatings <3 they are slowly watching transformers

[0ffisially0ll0]

this was the experimental doodle lying in my folders for quite a while lol

[verflares]

meteorologists report sky just a little bluer today, and it's because skyloft residents link and zelda are in love :)

also on inprnt :]

[abisalli]

okay hear me out: magical girl transformation but it’s tim getting into his suit and no one knows how he does it (bart runs around him really fast so no one can see him changing)

insert magical girl music

[spacebubblehomebase]

(Canon Luci with Shrunken Al. Did not go so well. 😅)

Everyone: Deer instincts this. Radio noises that-

Me: Why don't we make use of the snake thing more often? I will never get over the fact that between the two of them, the predator and prey is not who people would usually expect.

Tied to this:

-Bubbly💙

[alleesaur]

miku abnormality doodles

[ashoss]

this idea wont leave my brain please help me !! YIPPEE HADES BATKIDS !!!

without the bg and text under the cut :))

asdhj probably gonna post like,, two at a time because thats ,, a lot,,,, of drawing ,,,,,,, so heres tim and jason! i think i got the hang of it more with jason lol

ALSO ALSO!!!

thank you to those who helped me with the titles for the batkids!! they were all really good :D (all on insta lol)

timothy: the tenured - thomson_at

[forgetfulmachineart]

[ID: A colored, simple, three panel comic of teen Gojo Satoru and Megumi Fushiguro. Panel one: Megumi sits on a stool, feet hanging barely half way down, as Gojo kneels in front of them bandaging their arm and holding their hand. Megumi has Gojo's sunglasses and is labeled "gojo put the sunglasses on them to keep Megumi's hair out of wounds." Gojo says "You got pretty close this time, Gumi! Want my help taming Nue next time?" Second panel: Megumi from the waist up, looking at her bandaged arm and saying "No. I'm alright Dad." A small cartoon Megumi realizes what they said and goes "wait..." Third panel: Gojo has a closed eyes smile and says "Okay, Gumi" but is labeled "Trying very very very very hard to play it cool." Multiple loud and ugly crying cartoon Gojo's reflect his real feelings in the background. /End ID]

They proceed to never talk about it again

[alicenpai]

princess tutu: die jahreszeiten 🌸

kind of a companion piece to my 2022 ptutu drawing | it's on inprnt

this print was at anime north; next con is otakuthon!

oops so my hand slipped and i made another princess tutu drawing. i admittedly don't watch that much anime so my catalogue of work is gonna be the same 5 animes LMAO. what can i say, i love "dark" fairy tales, and i've been really enjoying the more fine art approach to a lot of my drawings as of late (and the watercolour brush i've been using has been so perfect for that...!)

as my first princess tutu drawing is now 2 years old, there are some areas i've grown to have ... qualms with... although both drawings as a whole are pretty much exactly what i envisioned, and that's always satisfying!

both of these were drawn in roughly a week's time (yes really...) for con crunch period (and i went back to this drawing after the con to touch up some areas that were a bit rough!). i wanted a different approach to this new pt drawing, with the focus on the line work, rather than on colours and lighting in the 2022 drawing.

this drawing had 2 goals: to continue the style i adopted in my witch hat atelier "lantern bearers" drawing (which i promise i'll post in full soon as soon as all of the zine artists get their go-ahead to post their pieces!), and to emulate the art nouveau movement's heavy emphasis on line work, albeit not a 1:1 style replication of course.

the seasons also aren't a 1:1 representation, as i didn't necessarily pick flowers or colours that are most strongly associated with the season (e.g. summer being a dark tone is a bold choice?). but it's kinda whatever, as i said before i drew this in a week, there may be more appropriate flowers with better meanings. i couldn't spend too too much time drafting and researching.

FLOWER SYMBOLISM:

- spring: apple blossoms, tulips - the apple blossom is a quintessential spring flower, and thus symbolize the arrival of spring. spring is a season of change, which ahiru/princess tutu is a force of, instigating change in her friends and unravelling the story around her. the flowers below her are tulips, and there are many meanings to tulips depending on the colour, due to their ubiquitous nature. i narrowed on one, and intended for them to symbolize happiness. princess tutu's pose is one in which that is open, inviting, and warm - reflecting her nurturing nature in the series, and her willingness to help others achieve happiness.

- summer: deadly nightshade flower, yellow rose - i chose for rue/princess kraehe to symbolize a fiery summer's night instead of the typical dazzling heat of a summer's day, a rather bold and unusual choice. the warmth of sunshine didn't quite fit, as the character is quite dramatic and passionate, with her intentions often hidden in shadow. next, the deadly nightshade - atropa belladonna - has a lot of mythological associations, a lot to do with poisoning, as the flower is toxic. the flowers bloom at night (another reason why i picked a nighttime backdrop for "summer") and also outwardly match rue's dark design scheme, as the cherry on top. yellow roses, at the bottom of her frame, are the archetypal flower depicting jealousy (as with many yellow flowers are), and at one point in the story, rue only wished for her own happiness at the misfortune of others.

- autumn: douglas fir needles, orange calla lily - autumn is another season of change - although much more tumultuous, as this season is traditionally taken to prepare for a long winter ahead - fitting for fakir as the role of the storyteller. the douglas fir is not a flower of course, but is a tree - with many different parts of this tree offering many benefits in advance of the winter season. i wanted the versatile nature of the douglas fir to reflect on fakir's dependable personality. next up, the calla lily is a flower with a dual meaning - on one hand you have life, on the other you have death. a storyteller quite literally can grant both at the tip of their fingers.

- winter: birch tree, snowdrop - winter is a rather still and unchanging season, a lull in the passage of time. this symbolizes mytho's passive nature at the start of the series, especially with his doleful pose here, as if almost in hibernation. to contrast, mytho is perched on the branches of a birch tree, which means new beginnings and renewal - as mytho is one of the characters that undergo the most change throughout the series (i'd argue the most?), regaining pieces of his heart. under mytho's frame is the snowdrop flower - and if you've read my witch hat atelier: seasons piece symbolisms, one of the snowdrop's meanings is rebirth, with connotations to the bible, bringing hope, when all had forsaken eve. the snowdrop is one of the first flowers to bloom even when the snow has not yet fully melted, further echoing mytho as an analogy for rebirth.

[s-aint-elmo]

the theme is same faces

(ID in alt text)

bonus + design notes:

sparknotes:

tridentarii: the building block was "lions" (corona's mane of hair and king vibes + ianthe's scar lionking swagger) but i think i lost that plot at some point. regardless peep the earrings for symbols of their twisted mutualism. also they have dimples <3 bc on corona they're perfect and on ianthe (when she smiles wide enough) they're sickeningly dissonant

the nonas: harrow has curls bc i think the only thing funnier than saddling a nun who's been shaving her head since infancy with fast-growing hair is for that hair to be horrible messy springy curls that are barely spared from frizz by the sheer grease #bathingisn'tsafeformern. please also applaud my restraint in adhering to canon and not giving nona dimples. she deserved them

the sixth: came to me fully formed honestly. palamedes calls camilla beautiful enough for the alexandrites so i just let my heart and sapphism take the wheel here. for pal when i first read gtn i visualized him very differently but other artists made such a compelling case for scruffy pal that now i can't see him any other way

the second: also let my heart take the wheel here. wanted to draw a man carved out of hardwood so i did <3 at the caliber of necromancer that g1d is i know he probably wouldn't have so much scarring but the heart wants what it wants (cool factor). in my head and in my heart they're from wake

naberius: i don't have anything to say in my defense. i rewatched teen beach movie, found the perfect face claim and set the wheels of fate in motion. i think babs is hot the way a ken doll is hot, y'know? it takes yanny piloting his flesh mecha for him to be gender (<- testimonial from my masc nb friend)

[gunstellations]

safety first! 🏍️🏍️

[kidokear]

Have you seen the Murder Drones Episode 8 teaser???

I saw that part with Uzi and her gun

And I thought that it was a minigun version of it that her tail was helping her support it or something. I honestly thought it was like-

[wardingshout]

Zelda goes mushroom girl

[doctorsiren]

Okay, doodle request:

Reigen meeting Serizawa before Claw got to him. Maybe helping him start leaving his room?

I had a lot of fun with this one. I wanted it to parallel the scene of Serizawa meeting Suzuki, and so pages 6-8 are directly referenced from the manga (just in a flipped format so it reads left to right like the rest of the pages) and I also referenced some shots from the anime (like the final panel of page 10). For the dialogue in those middle pages, I referenced lines from the unofficial English translation of the manga, the official English translation of the manga, and the anime. (I was picking and choosing which lines I liked better). I also had fun with the colouring, which is something I love to do in comics especially. It starts out with Reigen in a muted, paler, desaturated palette with no highlights. But when he meets Mrs. Serizawa (I gave the name “Azumi” because it means something along the lines of “safe home/harbour”), she’s much more warmer and saturated and she has highlights. Once she starts explaining her son’s situation, that’s when Reigen has the variation of colour as well as the introduction of some small highlights. Then, the colour palette changes in every panel after that point. Serizawa is done with a grayscale palette, with the only colour on him being the bright light of the TV screen (reflecting video games as his only joy and his escape from reality). As Reigen talks to him, Reigen slowly start to lose some of that variety and saturation (AKA hope) he got from Mrs. Serizawa until he goes grayscale as well when he thinks that Serizawa might know he’s a fraud. He decides to switch up his approach and actually open up, which is what causes the variations in colour to return. Serizawa stops being grayscale in the panel where Reigen reveals that he too is lonely. (He’s a gray-blue palette, but it’s not true grayscale). The next page is in bright colours as Reigen opens up and doesn’t lie, which causes Serizawa to have bright colour as well, since now there is light and hope. In the page after that, Serizawa’s colour fades until he is grayscale again because it’s him not believing fully and still having doubts, while Reigen maintains that bright colour. (Also silly Falsettos reference on that page). I have Reigen’s colours shift from yellow until he reaches pink which is the colour I just have assigned as His Colour (since his tie is pink). Serizawa gains colour again and he shifts from that muted dark blue to finally orange (which is his colour) as he finally accepts Reigen’s help. The light from the TV is no longer coloured, and is just white, because Serizawa now has a new source of colour in his life (that being a real friend.) It ends with them being in their normal palettes at a normal happy saturation, contrasting the muted colours of the start of the comic. With the umbrella, I still wanted to include it and give it a role in the story, but in a different way from how Suzuki used it. While Suzuki used it to directly manipulate and control Serizawa, Reigen used it as a way to open up a choice for Serizawa to either let Reigen stay or make him leave. He asks Serizawa if he can sit and stay for a while since it’s raining outside and he didn’t bring an umbrella, despite clearly having done so. And then I ended the comic with a shot of the umbrella to emphasize that point.

Sorry for the long and probably unnecessary explanation. I just really love explaining my intentions and symbolisms in my art. Yeah I just had a good time over the last few days doing this :) I thought it was an interesting idea and I couldn’t think of a way to reflect it better than in a comic (which was also partially inspired by this wonderful Ageswap AU comic made by @fend13th about Reigen helping Serizawa)

[mitathemita]

SURPRISE FANART FOR THE AMAZING WORMS @way2gosuperrstarr ‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️

(alt. versions under cut!!)

[wasabi-gumdrop]

neon glory squad 💖