#this track - and the album it is from - is a tribute to him

[lacefuneral]

holy shit imagine getting shing02 himself

[doyoulikethissong-poll]

Nirvana - The Man Who Sold the World 1993

"The Man Who Sold the World" is the title track of David Bowie's third studio album, which was released in 1970 in the US and in 1971 in the UK. Although no singles were issued from the album, the song appeared as the B-side on the 1973 reissue US single release of "Space Oddity" and UK single release of "Life on Mars?".

In his journals, Kurt Cobain of the American grunge band Nirvana ranked the album The Man Who Sold the World at number 45 in his top 50 favourite albums. Nirvana subsequently recorded a live rendition of the song during their MTV Unplugged appearance at Sony Music Studios in New York City on 18 November 1993 and it was included on their MTV Unplugged in New York album released on November 1, 1994, nearly seven months following the death of Cobain. The song was also released as a promotional single for the album in 1995.

Nirvana's cover received considerable airplay on alternative rock radio stations and was also placed into heavy rotation on MTV, peaking at number 3 on MTV's most played videos on 18 February 1995; it also peaked for two weeks at number 7 on Canada's MuchMusic Countdown in March 1995. Nirvana regularly covered the song during live sets after their MTV Unplugged performance up until Cobain's death. In 2002, the song was re-released on Nirvana's self-titled "best of" compilation.

Bowie said of Nirvana's cover: "I was simply blown away when I found that Kurt Cobain liked my work, and have always wanted to talk to him about his reasons for covering 'The Man Who Sold the World'" and that "it was a good straight forward rendition and sounded somehow very honest." Bowie called Nirvana's cover "heartfelt", noting that "until this [cover], it hadn't occurred to me that I was part of America's musical landscape. I always felt my weight in Europe, but not [in the US]." In the wake of its release, Bowie bemoaned the fact that when he performed the number himself, he would encounter "kids that come up afterwards and say, 'It's cool you're doing a Nirvana song.' And I think, 'Fuck you, you little tosser!'"

At a pre–Grammy Awards party on 14 February 2016, Nirvana band members Krist Novoselic, Dave Grohl, and Pat Smear teamed up with Beck to perform "The Man Who Sold the World" in tribute to Bowie – who had died the month before — with Beck performing vocals.

"The Man Who Sold the World" received a total of 77,6% yes votes! Dave Grohl has previously been featured in the polls with Foo Fighter's "The Pretender" at #111 and as a drummer on Queens of the Stone Age's "No One Knows" at #87, and David Bowie has been featured with "I'm Afraid of Americans" at #33.

[bigbigtruck]

A non-comprehensive list of favorite songs that came out in 2024

Elbow, "Things I've Been Telling Myself For Years" [YOUTUBE] alt-rock Haven't been super thrilled by the past 2 or 3 Elbow albums but they're back in fine form with Audio Vertigo. Swinging for the bleachers, getting a little weird with it again, thank god. This one's got my favorite verses on the album: I'm the dashboard hula girl of nodding self-deception Here's to never accepting slight adjustment or correction... Of course I'll live to ninety-six and fix the welfare state I'll build a house with these two hands, my face above the gate I haven't paid for cabs or beers or met a cunt in twenty years Like all that outrun poverty, all I have was coming to me Things I've been telling myself for years

TWRP, "Content 4 U" [YOUTUBE] pop Highly danceable, highly relatable. First heard this on the Digital Nightmare tour this spring. After shaking my ass and giggling into the April night air, the lyrics sink in and I'm doing that dead eyed Lisa Simpson stare at the pavement because yeah that's. That's trying to live from any creative hustle in this bitch of a 21st century. Excellent work, boys, I hate it. I love it.

St. Vincent, "Big Time Nothing" [YOUTUBE] alt-pop What's the big deal this is just "Numb" over the bass line from "Army of Me" with a little Laurie Anderson and Talking Heads thrown in and wait hold up this rules

Oranssi Pazuzu, "Muuntautuja" [YOUTUBE] (link fixed!) prog/psych/black metal Goes hard and slow. A pulsating, hypnotic onslaught of black smoke and sandpaper. The whole album's incredible but this is probably my favorite track.

Kendrick Lamar, "Euphoria" [YOUTUBE] hip hop I mean, it's Kendrick Lamar. Dude's a fuckin Godzilla across the musical landscape. "Not Like Us" was the splashier hit of the summer, but this is the one that stayed with me. (Listening again while writing this and. Jesus, It's... it's 6 solid minutes of sticking your hand right on a hot burner.)

King Gizzard and the Lizard Wizard, "Antarctica" [YOUTUBE] southern rock A fun (ironically) warm summer jam that fuckin blew the doors off live. Easily my fave from their most recent album.

Nick Cave and the Bad Seeds, "Wild God" [YOUTUBE] alt-rock/symphonic Really sneaks up on you, like a mumbly guy in the coffee shop. What's he writing? "Moving through your body like a prehistoric bird?" Huh, Looks intriguiOH HOLY SHIT HE HAS A CHORUS WITH HIM.

John Grant, "All That School for Nothing" [YOUTUBE] alt-pop/funk John Grant's got this particular nasty (complimentary) streak, a deep-seated gay cynicism that reminds me of Hidden Cameras at their best, but with more lush and varied instrumentals. His lyrics are always tops, and this one's no exception. The whole album, The Art of the Lie, is great, with "Marbles" being another delight.

Ninja Sex Party, "Let's Save The Earth" [YOUTUBE] comedy pop Feels silly to put this one in alongside the rest, but... I mean it's NSP. They do goofs, not a poetic dissection of the zeitgeist. I actually heard this one on tour in Fall 2022 and it brought the house down--I might actually prefer it live with audience participation TBH. This has become me and Brett's karaoke go-to.

A.G. Cook, "Soulbreaker" [YOUTUBE] electronic Deceptively simple chord progression becomes healing, memorable. The animated video for this is essential viewing, IMO. Wild art style and cool concept. This song makes me feel like things might turn out okay.

Elbow, "Balu" [YOUTUBE] alt-rock Probably my most played track of the entire year. Apparently this is a semi-fictional tribute to a beloved cousin or nephew? Once again back with the incredible lyrics. Probably my favorite line of the entire year: I'll never be home without you, but I'll never grow in your shadow. Anyway that bass/keyboard line is sending me to the center of the galaxy

[thehypnone]

'Tis time...my 'tism decided to challenge me and stand me up against the ultimate musical 'tism. Tobias Forge's

Influences in the music of the band Ghost (tributes, nods & inspirations)

Some of them are a very straightforward copy-paste action, some of them are smaller nods towards other artists and some of them are only influences, or even something I personally hear, but not everybody might. They are in order from most obvious to might-be-my-delusion. I didn't include covers because. Kinda obvious.

It is possible that some of these are simply samples, I didn’t look into that, but if I’m being completely honest, I don't think Tobias is a sample guy. Also, there’s couple examples from Impera alone, mostly because he spoke about his inspirations for it a fair amount, which makes it easier to trace, so to say.

This one goes first, because it's literally the same thing! Just reversed. I feel like that's common knowledge in the fandom, but I couldn't skip it. If you didn't know and Deus Culpa always hurts your ears (same), this is why!

(These two are in one file because Tumblr has an audio limit and I had to merge something) Tobias frequently speaks of his love for Metallica's music, as well as its members, so it's honestly no surprise hfhfh. He fangirls hard, and it even got him to open for them as we all know, so that's super cool!

I haven't seen/heard him talking about Opeth that much, but he is and/or used to be close with multiple members so again--no surprise at all.

This one is super interesting, because it's not only similar soud wise.

“[...] we recorded this album [IMPERA] in Atlantis Studio in Stockholm, [...] where ABBA recorded most of their hits. [...] it’s the exact same outboard gear, mixing console, microphones, marimba and piano we had around us. You’d play the piano and it would sound exactly the same as it did on Money, Money, Money.” --Tobias Forge for Guitar World

Not much to say about this one other than hell yeah, Michael Jackson.

This one also has a play on Europe's, which I find super cool! Swedish rock unites. From what I remember Tobias has also mentioned something about Whitesnake being an important influence.

(This one is empty for the first 10 seconds to go around the copyright scan) This is a cute little nod towards Pink Floyd that has Tobias put into live shows, and it's been a thing since 2015.

Another one that Tobias has spoken about for Guitar World.

“The double bass allowed for that Vinnie Paul [of Pantera] thing where there are triplet-feel things on the kick drum. Nothing against Pantera, but what influenced me there was actually a track called Blood Ritual by Samael, which had that feel I wanted to tap into.”

It was said about Watcher In The Sky, but I think same idea guided Twenties as well.

Griftwood was also talked about for Guitar World

“What made the song for me was the fact that there’s this crazy breakdown in what’s otherwise a Sunset Strip kind of thing, which I see as more Van Halen than Ratt.”

No song was mentioned by Tobias, but I had Talkin' 'Bout Love in mind even before I read this article, so I'd say it fits!

Pretty self explanatory, I think.

(This one is empty for the first 10 seconds to go around the copyright scan) Kansas is an absolute gem and to me it does sound like it was the inspiration here. Knowing how much respect Tobias has for rock classics, I'd say it's very possible he had Carry On Wayward Son in mind.

And that's it! Sorry if y'all hoped for more jfgjdfg but anyways, hope you enjoyed my yapping and, as always, any questions are very welcome :3

Taglist: @delusionalbitchinthehouse @0-miles-away @callmeghoulshit @skele-bunny @ratsummer @kentuckyfriedsatan @everybodyshusband @lilhoechlinsbae @jimothybarnes @starling-ghoul @rain-ghoul-appreciator @devilsandstarlight @karmicbias @jazz-bazz @arkeusruin

[louisupdates]

Louis Tomlinson - does it ring with this name? As a singer of the British boy group One Direction, he was successful in the years 2010-2015. Together, the band decided to take a break. It has remained so to this day. In 2016, however, Louis began to take his own path. On his solo paths, the singer-songwriter has developed a style that takes up influences from British rock, alternative and indie pop. His music is often melodic, with catchy guitar riffs and a rather down-to-earth sound reminiscent of British bands of the 2000s. Already his first single Just Hold On sold 1.8 million copies. In 2020 and 2022, he released his two albums Walls and Faith In The Future. This was followed by two incredible world tours with over 170 concerts in 47 countries on 5 continents.

For this, an idea matured - a live album should be created, but a very special one. Thus, individual songs were recorded during the tour. On the 25th In April, the result was surprisingly published digitally. 14 songs have been released. Each of them was recorded in a different city. So the listener at home can also mentally go on a small trip around the world while enjoying the individual songs. Now the physical versions of the live album also followed, which make the concert feeling in the living room perfect. These include four more, exclusive tracks. In addition to the double CD, a double picture vinyl edition is available and it has it all!

The vinyl edition contains a special tour book. Fans were able to submit personal impressions about their concert experiences. And these are now included in this extra booklet. Louis decorated the recordings with individual hearts, smileys or crosses and handwritten the first names of the respective fans. This recorded, mutual appreciation is truly a magical highlight. The 28-page, regular booklet is no less lovingly designed. In addition to the lyrics, you will encounter the London set list, high-quality backstage photos and touching recordings made during the concerts.

Louis is happy about this release: "I have been lucky enough to tour the world twice in the last 3 years. The feeling I get when sharing these live moments will accompany me forever. The opportunity to record these songs anywhere in the world and release them as an album is something very special and a real tribute to the fans, who make every single show a unique and incredible experience. Thank you! Enjoy!"

Right at the opener The Greatest, you seem to be in the middle of the action with your eyes closed. In addition to the live sound, the fans can also be heard clearly. Louis invites them to tune in with him: "Sing it with me!" And they do! The spirited mood comes across clearly. In the meantime, the fans also get the space to sing alone. You get used to the choruses and the delighted shouts from the audience very quickly. In Bigger Than Me, the British singer gives space for personal growth and self-reflection. In the song, Louis describes how he deals with the changes in his life and realizes that life is bigger than himself. He talks about taking responsibility for his actions and decisions, especially with regard to his career and the people who support him. The song contains a powerful perspective on growing up and taking responsibility.

Holding On To Heartache puts the fans in great excitement. screams welcome the gentle song. This is about how difficult it is to let go of the pain after a breakup. It's about holding on to grief because it's connected with the memories of lost love, and it's not easy to finally finish with the past. The single We Made It is powerful. In the booklet, the single was translated into Filipino - after all, the recording comes from the concert in the Philippines. Although Louis sings the title in English, this hidden greeting is really adorable. By the way, this approach can be found several times in the booklet. For example, All This Time/She Is Beauty We Are World Class, the titles played in Munich, were also translated into German, for example.

High In California, for example, can only be found on the physical editions of the album. This lightness that the song contains is clearly noticeable. This is about escaping everyday life and getting lost in a state of freedom and lightheartedness. The lifestyle and atmosphere of California make you forget your worries and problems for a moment - just as is the case with Louis' concerts. Here you feel protected and can escape all negative thoughts.

Common People is about the appreciation of ordinary people and their experiences. The song deals with life in everyday life and how important it is to connect with the "ordinary" people and understand their perspectives. Challenges and struggles that many people experience should be taken seriously instead of romanticizing them. It is his tribute to the authenticity and reality of life. It therefore becomes gently rocking with All This Time/She Is Beauty We Are World Class. Here you rock with real fun from the sofa. The groovy guitars do the rest:

In Walls, delicate strings underline the song about emotional barriers and the struggle to show themselves vulnerable. Louis addresses the need to dismantle one's own walls in order to enable real connections with other people. It is an honest and personal song about vulnerability, love and the desire for closeness, despite the difficulties that can be associated with it. Louis calls on his fans: "Here we go! Scream" and together the fans sing with their idol: "But these high walls, they came up short. Now I stand taller than them all. These high walls never broke my soul. And I, I watched them all come fallin' down. I watched them all come fallin' down for you."

Out Of My System is then reached harder into the guitar strings. The drums are also picking up speed. With the fast track, the good mood is at a peak. This is about the internal conflicts and the difficulties of freeing yourself from the emotional burdens, while at the same time trying to find yourself and your identity. Overall, it is an energetic track about the process of leaving the past behind and starting over. In Paris, Louis is impressed by his crowd: "This looks fucking amazing!" With a warm voice, he performs Saturdays - a song that clearly reminds you of Oasis.

Silver Tongues is accompanied by a lively piano playing and you can really imagine how the euphoric fans on site shine with shere joy and rock them together again. "Krakow, you have been absolutety incredible tonight. Thank you, thank you, thank you! Sing this next one with me, here we go... as loud as you can!” And the crowd settles in: "You and me until the end. Wakin' up to start again. You and me until the end. Wakin' up to start again. There's nowhere else that I would rather be."

The record ends with Kill My Mind from Santiano. Louis sings of a roller coaster of emotions in a passionate, but also chaotic relationship. It's about the challenge of letting yourself be overwhelmed by the feelings and the inner struggle that arises when you are trapped in a relationship that is both exciting and stressful.

Louis Tomlinson and his crew have succeeded in a truly remarkable work. What is actually the advantage of a live album? You are not terribly sweaty, the way home is not imminent and you do not fall into the aftershow blues like a real gig afterwards, but can simply start all over again. 🙂

Louis Tomlinson's album Live was released on 23.08.2024 as a CD and vinyl via the label BMG.

Tracklist LOUIS TOMLINSON - Live (Vinyl Edition)

A

01. The Greatest - Live from London, 17.11.2023

02. Face The Music - Live from Nashville, 07/18/2023

03. Bigger Than Me - Live from Vancouver, 26.06.2023

04. Holding On To Heartache - Live from Barcelona, 06.10.2023

05. We Made It - Live from Manila, 16.07.2022

B

06. Chicago - Live from Chicago, 15.06.2023

07. High In California , Live from Amsterdam, 15.10.2023

08. Fearless, Live from Rio, 27.05.2022

09. Common People, Live from Sheffield, 10.11.2023

C

10. All This Time/She Is Beauty We Are World Class, Live from Munich, 22.10.2023

11. Walls, Live from Buenos Aires, 21.05.2022

12. Only The Brave, Live from Milan, 03.09.2022

13. Written All Over Your Face, Live from Budapest, 15.09.2023

D

14. Out Of My System, Live from Brisbane, 30.01.2024

15. Saturdays, Live from Paris, 14.10.2023

16. Silver Tongues, Live from Krakow, 10.09.2023

17. Kill My Mind, Live from Santiago, 15.05.2022

Tracklist LOUIS TOMLINSON - Live (2CD Edition)

Disk 1

01. The Greatest, Live from London, 17.11.2023

02. Face The Music - Live from Nashville, 07/18/2023

03. Bigger Than Me - Live from Vancouver, 26.06.2023

04. Holding On To Heartache - Live from Barcelona, 06.10.2023

05. We Made It - Live from Manila, 16.07.2022

06. Chicago - Live from Chicago, 15.06.2023

07. High In California , Live from Amsterdam, 15.10.2023

08. Fearless, Live from Rio, 27.05.2022

09. Common People, Live from Sheffield, 10.11.2023

Disk 2

01. All This Time/She Is Beauty We Are World Class, Live from Munich, 22.10.2023

02. Walls, Live from Buenos Aires, 21.05.2022

03. Written All Over Your Face, Live from Budapest, 15.09.2023

04. Out Of My System, Live from Brisbane, 30.01.2024

05. Saturdays, Live from Paris, 14.10.2023

06. Where Do Broken Hearts Go, Live from Tallinn, 05.09.2023

07. Silver Tongues, Live from Krakow, 10.09.2023

[elceeu2morrow]

'Louis Tomlinson has proven he's not just an ex-boyband star, he's a rocker'

Some know him as 'that guy from One Direction', others, including myself know him as arguably one of South Yorkshire's finest exports but Louis Tomlinson is only getting better, writes Daniel Bird

Image: Mirrorpix/Daniel Bird

Daniel Bird Assistant Showbiz Editor 17:31, 12 Nov 2023

Louis Tomlinson may only have two solo albums but he's proving to be one of the artists people should keep an eye on.

Having burst onto the music scene in 2010 as one-fifth of One Direction – a band created by Nicole Scherzinger on The X Factor after all five members were rejected, he's proven he's not just an ex-boyband singer. While singers from bands tend to keep a low profile and venture into other industries after a split, Louis is on a one-way ticket to becoming a mega-star in his own right.

Known for never losing his Doncaster accent and humour, the 31-year-old is currently embarking on his Faith In The Future World Tour, performing to thousands of die-hard fans every night – which he deserves credit for.

Although he may have come from one of the biggest bands of all time, the cheeky chap isn't afraid of getting up close and personal with fans – much to the dismay of his security who leap into action when he jumps off stage and runs to the barricade to see fans. In recent weeks, Louis has seen his expensive vests ripped off him, with fans even going as far as tickling him.

This, however, hasn't stopped him from putting on an incredible show. Despite only releasing two studio albums as a soloist (his second topping the Official UK Charts), he's pushing himself to the limits and playing arenas across the world. Most recently, he performed to around 21,000 fans at Manchester's AO Arena on November 11.

Walking onto the stage may be daunting for some, but Tomlinson showed no signs of fear as he opened with The Greatest – ironically, perhaps the greatest opening track. Throughout the night, he performed hits including Kill My Mind but also paying tribute to his One Direction days, belting out Drag Me Down and Where Do Broken Hearts Go. But since his pop days, Tomlinson has edged towards a more EDM and synth sound before finding his comfort in rockier tracks. He'd previously stated he'd taken inspiration from the likes of Sam Fender, Amy Winehouse, Arctic Monkeys and Manchester legends, Oasis.

Image: Mirrorpix/Daniel Bird

Nowadays, fans can expect the odd pop hit but also enjoy punk rock as well as indie pop and soft rock.

However, despite being in the business for almost 14 years, Louis remained grounded and acknowledged that Manchester was the start of his career. Between songs, he recalled his first audition for The X Factor in front of Simon Cowell, Scherzinger and Louis Walsh, being in the city. He told fans: "This is where I did my very first audition, so to be back here on my own it definitely feels full circle and I couldn't have done that without you.

[taylorhawkins]

14 Essential-Listening Taylor Hawkins Tunes

… that aren’t “Cold Day in the Sun”!

1. Pitiful (Taylor Hawkins & the Coattail Riders)

One of his most emotionally raw tracks. I love the strange chords he used on the acoustic guitar to convey the somber depiction of guilt and shame associated with drug addiction described in the lyrics. This is a really painful song to listen to, but it’s beautiful.

2. The Path We’re On (Nighttime Boogie Association)

Matt Cameron and Taylor share vocal duties on this tune (Taylor sings the verses, Matt sings the choruses). Their voices together are pure heaven! Also features Melvins’ Buzz Osbourne snd Steven McDonald on guitar & bass. This group unfortunately only put out 2 songs during the pandemic, but they’re a magical 2.

3. I Could Be Somebody Else (NHC)

Psychedelic in every aspect of that word, this one is best experienced cranked with headphones. Trippy as hell. Dave Navarro was right when he said Taylor is a mind-blowing lyricist and singer. Another emotionally raw tune, when he said one of NHC’s songs makes him feel naked, I think he was referring to this one.

4. Running In Place (Taylor Hawkins & the Coattail Riders)

This song takes you on a journey. It eases you in, then crescendos into classic prog-influenced chaos before it turns to a stream of pretty guitar work and layered vocals as it drops you back off. Taylor said this one was something he wrote talking to himself, trying to bring himself back down to earth and not go crazy. “The Teacher” by Foo Fighters almost certainly took inspiration from this song - the breakdown is nearly identical, and the “…say goodbye” outro is very similar.

5. Too Much for My Own Good (Phil X & the Drills)

This song by Phil X features Taylor on the drums. This is such a fun rock & roll tune that will definitely be stuck in your head for days but you won’t be mad about it. Every person I’ve ever played this to has loved it!! PS- you’ve definitely heard Phil X before, his discography as a studio musician is wild.

6. You Drive Me Insane (Taylor Hawkins & the Coattails Riders)

I love the trippy riff and the vocals in this song, it’s a California rock & roll vibe and it’s one of my top favorites of his. One of his sexier tunes he said was written about Mrs. Alison Hawkins.

7. Southern Belles

No group credited as he played every instrument and sang this one! (I think the bass is either Chris Chaney or Nate Mendel, but I couldn’t find out for sure). This is a heavy-hitting, super catchy one about his southern family roots. Really under-appreciated track from the same EP that gave us “Range Rover Bitch”.

8. Never Enough (Taylor Hawkins and the Coattail Riders)

Taylor’s vocal range doesn’t get talked about enough… The cathartic way he belts his heart out at the end of this song gets me every single time. His voice was so beautiful. Another of that emotionally raw side of his music.

9. It’s Ok Now (Taylor Hawkins and the Coattail Riders)

Another earworm, this one’s rhythm is bound to make you move. His voice is pure rock and roll. I think you can really hear how much his songwriting impacted the Foo Fighters’ music on this album, even though many people think Dave told everyone what to play…when you really listen, that doesn’t seem to be the case. This song feels like summer sunshine to me.

10. Guess I’ll Go Away (Edgar Winter)

Taylor on vocals for “Brother Johnny”, a tribute to Johnny Winter album, this was one of the last things he did musically. He SLAYED that shit. He sounds so good. Rock and fucking roll.

11. Louise (Taylor Hawkins and the Coattail Riders)

I have no idea how he played that drumbeat and sang this song at the same time. Mind boggling. This song is so unique and so catchy, I don’t get why it wasn’t a hit. The rhythm section is my favorite part of the whole thing, Taylor and Chris Chaney locked in together SO well. It’s no wonder they played together from the Alanis days all the way up to him putting the ‘C’ in NHC.

12. Fearless (NHC)

This is a Pink Floyd cover…But it’s an amazing one! It’s groovy and trippy and they’re so locked in together, they were made to play music with each other. NHC unfortunately has a very small discography, otherwise I probably wouldn’t have selected a cover…but maybe I would’ve anyway, this one is just so good!

13. You’re No Good at Life No More (Taylor Hawkins and the Coattail Riders)

Taylor and Dave Grohl split the vocals on this one and it’s such a wild ride. You can really hear his Queen influence throughout this album… so much so that he manifested Roger Taylor’s appearance on the last track! D&T’s voices together are magic as you hear on “Rope” by Foo Fighters and their cover of “Come Together”, I always wish they sang together more often.

14. Perfect Day

Only a minute long, this beautiful song is just Taylor and his guitar. A sweet reminder he wrote for Mrs. Hawkins that his love is always with her no matter where he goes. I’m sure she treasures this one. There’s so much love in it.

[seasurfacefullofclouds1]

Out of curiosity I read the Rob Sheffield 2015 1d Rolling Stones and, holy shit, how can people think the media/management wasn't setting up Harry's solo career and larrybaiting to do so. 

It's mostly an asinine Harry lovefest, but there's some very specific Louis/Larry call outs. The fact that he compares H and L to Stevie Knicks and Lindsey Buckingham, and all the emotional responses they have to each other while singing; also he says he could watch H and L do laundry (a domestic/intimate task). Niall gets one shout out for guitar playing, Liam is a footnote, Zayn (who isn't there anymore) gets shaded. He recounts the famous 1d/Ronnie Wood video. People site this as Louis being so wonderful and letting Harry take his place next to RW but honestly it looks more like Louis did his stage walk - which he still does - and Harry swooped in and stole his spot/the spotlight. Sheffield even mentions a dad wearing a Larry shirt without elaborating on the context. 

And anyone who thinks Sheffield/RS had some insider band knowledge should read his tribute to Liam. He refers to Liam as the "kid brother" of 1d. Anyone with a modicum of knowledge of the band knows that Liam was, from the beginning, the most ruthlessly ambitious/professional dad of the group, never the sweet kid brother.

I fear the Larries will be insufferable once Harry and/or Louis return from their (unrelated) breaks. Us Weekly put out a nonsense article today about how the 1d members are reevaluating their bond since Liam's death. Considering how insane they got over H and L being in the same stadium at the Euros and again at the funeral (gross), we're in for a bunch of delusional content in the near future. 

Rolling Stone’s covers of Harry Styles are a really telling way of tracking his marketing, actually.

For HS1, they got Cameron Crowe to do Harry’s write up, ersatz old school rock journalist, director of nostalgic groupie flick Almost Famous, the original journalist of the big touring bands of the 70’s and 80’s that Harry wanted to copy. The first single Harry released was a nudge to Prince’s Signs of the Times (Prince’s album after he broke up his band), and the critics compared Harry to Pink Floyd, Rolling Stones, Bowie, even Townes Van Zandt.

But the image didn’t appeal to the 1D fandom. The album sales disappointed Sony.

Next up, Rob Sheffield, veteran of purple prose at Rolling Stone, for Fine Line. Harry wasn’t that interested in old timey rock anymore. Off came the clothes for the Rolling Stone cover, first single is a music video featuring a boy girl orgy. Harry was still singing about being above everyone else, but who’s listening to the lyrics when he’s all oiled up?

Sheffield wrote a post script to the 2015 Larrybait, by the way.

When the band stopped, did he take those friendships with him? “Yeah, I think so,” he says. “Definitely. Because above all else, we’re the people who went through that. We’re always going to have that, even if we’re not the closest. And the fact is, just because you’re in a band with someone doesn’t mean you have to be best friends. That’s not always how it works. Just because Fleetwood Mac fight, that doesn’t mean they’re not amazing. I think even in the disagreements, there’s always a mutual respect for each other.

Midway through the show, Harry’s demeanor suddenly changes. He gets uncharacteristically solemn and quiet, sitting down by himself and focusing intently on the stage. It’s the first time all night he’s taken a seat. He’s in a different zone than he was in a few minutes ago. But he’s seen many Fleetwood Mac shows, and he knows where they are in the set. It’s time for “Landslide.” He sits with his chin in hand, his eyes zeroing in on Stevie Nicks. As usual, she introduces her most famous song with the story of how she wrote it when she was just a lass of 27.

As Stevie starts to sing “Landslide” — “I’ve been afraid of changing, because I built my life around youuuu” — Anne walks over to where Harry sits. She crouches down behind him, reaches her arms around him tightly. Neither of them says a word. They listen together and hold each other close to the very end of the song. Everybody in Wembley is singing along with Stevie, but these two are in a world of their own.

Larries won’t understand the reference and in any case, they live in a fantasyland of their own.

I do feel very sad for Liam, who believed that musical talent rather than marketing would engage the fandom, who counted on nonexistent fandom loyalty in the face of industry’s propaganda.

1D fandom lives a parasocial life, but propaganda only goes one way. Some of 1D’s most beloved and popular “fandom figures” are apologists for capitalism, and capitalism is about to have a wild year.

[mouldymp3rotations]

Hello, fellow curious minds and weird music enthusiasts ! I am Crow, I reside @corneille-moisie, I'm autistic, and I'm going to be your host, here :)

-> I'm using this blog to yaddle about music I enjoy and share mp3s for free, as an homage to mp3 rotation blogs from the early 2000's. Such blogs allowed me to discover the majority of the music I still listen today, so I figured that I could keep the tradition going :)

-> Blog updates the 10th of each month with at least 5 songs every time~

Répertoire :

1023-002 Vampire (Aikaryu, Aural Vampire, Gackt, Kaya, Luci'fer Luscious Violenoue)

1123-003 Sakurai Atsushi (Buck-Tick x5 + 1 from his solo career)

1223-004 Birthday Month 10 Favourite Songs Part I (Dalida, Dir en grey, Evanescence, Gothika, Hora, Klaus Nomi, Lili Fatale, Queen, Schwarz Stein, The Birthday Massacre)

0124-001 Electro Goth Gender Units (Blam Honey, GPKism, Schwarz Stein, Seileen, Velvet Eden)

0224-005 Valentine's Hornies (Fatima, Kaya, Kuroyume, Pierrot, Vidoll)

0324-006 Female-Fronted Japanese Electro (Aural Vampire, Bespa Kumamero, KiLHi+ICE, Suppurate System, BAAL)

0424-007 Hora + Kaya = ♥ (another cell x2, Hora x2, Kaya)

0524-009 20 Years Of Visual Kei, Part I (1/7) (Dir en grey, Moon Kana, Malice Mizer, Miyavi, Moi dix Mois)

0624-010 20 Years Of Visual Kei, Part II (2/7) (Deathgaze, Dir en grey, Gazette, Mucc, Soroban)

0724-015 20 Years Of Visual Kei, Part III (3/7) (Glay, hide, L'arc~en~Ciel, Penicillin, Plastic Tree)

0824-011 20 Years Of Visual Kei, Part IV (4/7) (Aikaryu, Hizaki, Lareine, Malice Mizer, Schwarz Stein)

0924-013 20 Years Of Visual Kei, Part V (5/7) (Dué le quartz, Inugami Circus Dan, Orgel, Pierrot, Psycho le Cému)

1024-012 20 Years Of Visual Kei, Part VI (6/7) (An Café, Ayabie, D, Doremidan, Nightmare)

1124-014 20 Years Of Visual Kei, Part VII (7/7) (D'espairsRay, Eliphas Levi, Eve of Destiny, fiction, Madeth Gray'll + bonus)

1224-016 Birthday Month 10 Favourite Songs Part II (BLOOD, Blutengel, Chanton L'amour, D'espairsRay, Dalida, HIM, L'Âme Immortelle, Nightwish, Pierre Lapointe, Rentrer En Soi)

0125-017 My 2024 Year In Music Recapitulation (Ad Infinitum, Aural Vampire, Blackbriar, Collide, Dalida, Exit Eden, Hora, Nakamori Akina, Schwarz Stein, t.A.T.u.)

Other uploads :

-> near complete Schwarz Stein discography

-> Issay gave life to Flowers - a tribute to Der Zibet-

-> nomico - miracle honey

-> Parade II -Respective Tracks of Buck-Tick-

-> Bespa Kumamero's 3 albums

[bitter69uk]

“Listening to Nico is always an unforgettable experience: turbulent, enigmatic, haunting, nihilistic and timeless. Now it seems that time is finally catching up with Nico in that more and more people are coming to appreciate her profoundly disturbing and visionary recordings. With The End she is at her best, forcing you to totally rethink what a rock album should sound like.”

/ From Andrew Batt’s liner notes to the 2012 CD reissue of The End /

Released on this day fifty years ago (11 November 1974): The End, the fourth studio album by heroin-ravaged German chanteuse, Moon Goddess and the countercultural Marlene Dietrich, Nico (Christa Paffgen, 1938 – 1988). The final (and bleakest) part of Nico’s essential trilogy of records encompassing The Marble Index (1968) and Desertshore (1970), its “terrorist songs” of violence and resistance were inspired by the activities of Germany's Baader-Meinhof Group. Hence the brutal imagery of warriors, gladiators, prisoners, hunters and knives in “It Has Not Taken Long” (“It has not taken long / To feast our naked eye upon / The open blade / The hungry beast / Have found her calling, calling / Help me, please”), “Secret Side” (“Without a guide, without a hand / Unwed virgins in the land  / Tied up on the sand …”) and Innocent and Vain (“I am a savage violator”). The End also represents a tribute to Nico’s “soul brother” and former lover Jim Morrison (it was her first album since his death): the title track is her interpretation of the Doors song and “You Forget to Answer” (one of the best things Nico ever did) is her eerie eulogy to him. Melody Maker maligned The End at the time as “recommended only to those who get satisfaction out of knowing that somebody else is more incoherent and screwed up than they are.” Pictured: Nico in London by Simon Bedford, 1974 from an abandoned photo-shoot for The End’s front cover.

[miklh]

An example of how reinvent who you are: Bruno Mars from "Locked Out of Heaven" to "Leave the Door Open"

Welcome back ! so I talked about Sia last time and I think it's time for me to introduce you my favorite artist named Bruno Mars (I know I'm mainstream but let me convince you !) Peter Gene Hernandez was born in Honolulu, Hawaii grew up in a musical family, his nickname "Bruno" comes from the wrestler Bruno Sammartino (he apparently looked like him as a toddler) and "Mars" because it reflected his ambitions and was told by several women that "he was out of this world". He moved to L.A, was in a band named School Boys and struggled in having a place in music industry so he started writing because of getting frustrated. He was a track writer for popular songs including Right Round by Flo Rida and was the co-writer with K'naan to produce "Waving Flag" the Coca-Cola's theme song of the 2010's FiFA world cup ! He started to get credit by introducing himself as the 2010's hit song "Nothin' on You" with the rapper B.o.B and became a pop performer. Not to mention the fact that he collaborated with many artists such as Lil Wayne, Cardi B, Lady Gaga or producers such as Mark Ronson with "Uptown Funk"(who is the G.O.A.T. of the 2010's producers by the way, I'm really not lying ! If you don't know him he probably produced 80% of your 2010's playlist). He took inspiration from Michael Jackson, James Brown (of whom he did a tribute), Prince, Amy Winehouse, Stevie Wonder ...   "It's not a secret. We wear the inspiration on our sleeves. What is the point if us, as musicians, can't learn from the guys that've come before us? What did they do?" In 2021, he teamed up with Anderson .Paak to create Silk Sonic: a R&B, Jazzy album with this iconic song "Leave the Door Open" which won the award of best record R&B song. In a nutshell, Bruno Mars did mainly pop music mixed up with different inspirations and artists and even produced an R&B album to prove his point as reinventing him as an artist. It's not like what you see in movies, where you walk into a record company and you're given all these great songs to sing. You have to write the song the world is going to want to hear and play it over and over again. I learned that the hard way here in L.A." Bruno Mars, After starting songwriting in L.A.

[dejwrld]

dearest choso lover,

i need lore about how rockstar!choso manifested into life in your mind, because i cannot stop thinking about him and his almost nude album cover, that and i have an hc that he sneakily adds his grunting/moans into some of his songs in which everyone is literally oblivious to because its so well blended in 🥰 (shit im having a brainrot)

sincerely, me who added 'so' in my url in tribute to choso

choso gaggers not beating the obsessed with choso allegations when he connected to our tumblr usernames some how!!

but wait, bestie—you’re so right. mind you the nude photo as his album cover art was for his debut album and it nearly caused him getting dropped from his label due to how strict we know japan takes celebs image—but choso actually blew up in the western countries and worldwide, so his label decided to keep him. which led to him being on the most successful artists from the label. the woman he sent the nudes from and actually leaked them/sold them to a gossip website was nearly sued by choso’s label, but choso didn’t sue her cause hello he knows his dick big and it actually helped him in the long run.

heavy on him using his grunts/moans on his own tracks. rumor has it on a scrapped song he recorded after he and popstar!reader got together, he have one adlibs of reader moans. yes, sis knows about it but choso scrapped the song cause no one deserves to hear reader moans but him 🥰

[amalgamate-exe]

The second McCafferty song that represents Dallas Winston is Bottom, The 7th track off of the 2014 Beach Boy Album while the actual storyline of the song is about an unrequited love and is an an unofficial tribute song to another band of the same genre called "The Front Bottoms" there were two segments in the song that stuck out to me.The first lines that stuck out to me are the lines “I love the way your skin feels on my collar bones I know I stole that line” Along with being a general troublemaker Dallas is also known for going to the drive-in theater with the intent of flirting with girls there, we learn this early on in chapter one where he says "Speaking' of movies…I'm walkin' over to the Nightly Double tomorrow night. Anybody want to come and hunt some action?" (Hinton 13) after being declined by Sodapop Curtis and Two-Bit Mathews because they had other plans and Dallas makes his way around the gang until landing on Ponyboy and Johnny to go with him, though it is implied that Dallas will go to the Drive-in regardless if the guys are going with him. This line relates to Dallas because he is going to the Drive-in to flirt with what we can assume is malicious intent, we can also tell that he is super unoriginal with how he is trying to pick up cherry in the movie by saying “Are you a real Redhead… Are you real?” Not only can we interpret this line of the song as Dallas being at the drive-in attempting to make a cheeky remark but also blaming a failed pick-up line on the fact that he stole it from someone else most presumably to save face. (2/3)

[statementlou]

Have the people whining about Louis’s festival set ever listened to one of Liam Gallagher’s festival sets? He includes an even higher proportion of Oasis songs than Louis does 1D, and no one whines about him forsaking his solo music or being an Oasis tribute act.

a better question, have these people ever paid attention to ANY other artist, ever, because their ideas of how things work and what Louis should do are WEIRD AS HELL... but yeah absolutely true, not that it's actually that hard to get a higher proportion than 3 out of 13 which is actually not the huge number they make it out to be, but anyway besides that Liam Gallagher (and most artists who play songs from their old bands ie almost every solo artist ever who have been in bands) just basically straight covers them as is, unlike Louis who is playing completely reworked versions of the old songs that make them both even more his own than they are anyway and also a seamless part of his current set/ sound ➡factcheck! I googled up a couple random LG setlists from his last solo album tour and the results were 1) of 22 songs 12 were Oasis songs (including the first three) and 2) 18 songs total, of which 10 Oasis songs and one cover. Actually the most interesting thing about that was discovering that his fans do a version of the post show outro song tracking we do with Louis only it's what he plays right before he comes out each night... hm! Anyway most solo artists play less than Liam G but I would guess a similar number to Louis, and that's for regular shows not even fests for which it makes sense to up that

[shadowbrightshine]

I made a new version of Cool as I think I Am.

So I've been thinking through a tribute/ my own au thing for a while for Tim, and one of the things takes the fact that he was babysat by Grace for so long as a time he suffered a lot of religious trauma because her views on Christianity and God are very warped. I had a plan for him to be a Prophet of Wiggly, and in it he's lost one of his legs. I spent about an hour listening to the song and matching up the new version with the old one.

start the song at 1:30 in the track, matches up with "then again I'm deranged" on the album and goes from there, but I'm really really proud of it. @marvelmaniac715 this is part of that Tim prophet fic I had in mind. Gosh I hope people like this I'm really proud of it. Especially how I made the new lyrics fit over "I'm not a loser".

Then again, It’s all strange

(so totally strange)

Wiggly’s got me confused

(so so confused)

She's the righteous and straight

(The righteous and straight)

But can that really be true?

(oh is it true?)

Is she as smart as she thinks she is

(Smart as she thinks is)

Right as she thinks she is

Oh-woah-oh-woah-oh oh 

But what if Grace was wrong?

(what if she was wrong)

It's only in her head!

(only in her head)

What if God was not that person but

different from what she said?

Stronger than I think I am

Am I better than she says I am?

Oh-woah-oh-woah-oh oh

If I could ask God 

I would beg him to tell me how to recover!

Am I hellbound if I embrace

This new self if I re-

-Ject Her power!!

God can this be who I am?

Cuz I think that it’s who I am.

Oh-woah-oh-woah-oh oh

(After the song ends)

…Can I still believe and have hope? 

Oh God I hope so. Because Grace is wrong. What she says doesn’t match my Bible. Please let her be wrong… Oh Lord above, please still accept me into heaven, I need to see Mom again one day. Forgive me for all the things that you think are wrong, not what Grace thinks is wrong. 

[posttexasstressdisorder]

Sunday, 12-08-24, 2pm Pacific

'Afternoon all, Mr. Baggins back with our Afternoon Stack of Classic Wax. This afternoon we pay tribute to the man who stood for everything my generation fought for, because today marks the 44th anniversary of his being gunned down by a CIA psyop'd christian nationalist. Yes, I still miss and revere John Lennon. I'm starting this off with my favorite of John's tracks off Magical Mystery Tour, issued as a single before the album. "Let me take you down..."

John was the first of The Beatles to begin putting out solo material, and he was quite early and prolific. Released in 1969, here is the first official record made by a soon-to-be-Ex-Beatle, made in a Canadian hotel room with a host of celebs and hangers-on (including Petula Clark and Joni Mitchell!), issued in the last months of 1969, this became the protest song of our generation:

John had his demons, toying with heroin in the last days of The Beatles; here is his second single, his song about withdrawal. It was the first of the singles for the "A" side to be labeled "PLAY LOUD" and Yoko's "B" side labeled "PLAY SOFT".

By the time the decade changed, John had issued his Plastic Ono Band album, and keeping with the tradition of issuing singles that were not on any albums, in February 1970, he gave us one of his most indelible hits, also labeled "PLAY LOUD": Instant Karma!

By the beginning of '71, everyone had listened to the Plastic Ono Band album, with it's rawness and power hitting everyone in the face...no hyper-produced sound. No studio fuckery. Just raw, stripped-down, emotive beyond belief, rock and roll. The main takeaway was that John had gone through Art Janov's "Primal Scream" therapy, and had begun dealing with his demons for real. The biggest demon? His mother. She didn't want him, she didn't raise him. But he loved her. This next single, which was issued in the last days of 1970 and became a hit in '71, was one of the things that came out of the Primal Scream therapy sessions.

When this next single blasted out of the radio for the very first time, I got goosebumps. It activated something deep in my soul that has never gone dormant since. This became yet another potent protest anthem of my generation, and it is still as powerful today as it was nearly 54 years ago, when I first heard it.

By this time, John was recording what would be his biggest album of the '70s, which gave us yet another "Anthem of The People", the title cut, "Imagine". his gentle ode to world peace, Issued on a mysterious "white apple" label, never seen before or since, that matched the label on the album, which was issued September 9, 1971.

And John and Yoko gave us a Xmas song at the end of '71 which is still the only Xmas song I can stomach. It also was another "Anthem for the People", easy to sing en-masse at protests: "Happy Xmas (war is over)". It was issued on GREEN see-through vinyl! I remember actually crying when I first heard it come out of the radio all those years ago...the tears just came. That's how you know a record is MAGIC!

And while John has been vilified for his earlier treatment of his ex-wife Cynthia, he had been dealing with his demons and changing. He put out this next single, which would be his only single in 1972, as an anthem for women's rights. It was controversial for having the "n" word in the title. I remember he and Yoko going on Dick Cavett's show to promo it, performing it live. That interview and performance are still out there on youtube, recommended viewing!

Then came 1973, and John and Yoko began having problems, which John enshrined in his next album with the title cut, "Mind Games". It was his first single for '73, and became a ubiquitous top ten hit.

That's, sadly, all the space we have for this Afternoon Stack of Classic Wax! I will probably have a second installment for the rest of John's hits, and some of my favorite "John songs" from The Beatles. It's difficult for me to articulate just what John meant to me, I've tried with my pinned post, which is a long read, but might give y'all some idea of how much John influenced me, and my sub-generation.

This is Mr. Baggins signing off for now, I'll return at 7pm Pacific with a set of music to soothe your achin' nerves and help ease us all into a good night.

Until then, be kind, babies, be kind.

Baggins out.