#this took me over 30 minutes sanity down BUT WE š
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give me a complex rundown of samuels personality in your mind when i say complex i mean complex like 3 paragraphs
shiiiit okay here we go fasten your seatbelts (guys idk if iāll be able to stretch this shit out into three paragraphs but I DID get the best score on my essay about bottled water for a standardized test sooā¦,) also im going to be stealing a lot of stuff from genius annotations and other things beware
ALRIGHT HERE WE GO so how i see him personally is just this annoying, stuck up guy who is the #1 george III glazer (/j) + he views himself as above the revolutionists and sees them as these vulgar barbarians who are trying to lead people to āthe dark sideā (donāt let them lead you astray) BUUUT although he acts all righteous, hamilton pushes him off of that high horse of his (and almost his boxā¦,literally) with his AWESOME EPIC WITTY writing and argumentative skills showing that seabury wasnāt even all that in the first place (and NOT ELOQUENT!!!! cmon man you canāt be acting all high and mighty and then epically lose a debate to someone young enough to be your son HUMBLE YOURSELF BEFORE THAT 19 YEAR OLD DOES IT FOR YOUšš) another thing ive noticed is that whenever hamilton speaks thereās little to no instruments in the background maybe showing that he doesnāt even need music for support of his arguments and to completely obliterate samuel (just listen to the instrumental trustā¦ā¦.idk where im going with this alright itās 12:10 as im typing this part)
okay some other things i want to add are little details about this whole shabang like how seaburyās accent seems almost forced, as if heās trying to create similarities between him and the beloved figure of his majesty (/sar š) and the fact that seabury went by the name A.W. farmer in his papers about the revolution which IN THE MUSICAL could maybe be another example of my previous point since one of the kingās nicknames was āfarmer georgeā (although as far as i know it was used some with political satiristsā¦.SAMUEL FCS DO SOME RESEARCH BEFORE MAKING YOUR KING GEORGESONA OR SMTHššš) secondly i really like the detail that lin had both seabury and the kingās songs both include instruments like the harpsichord + they both use formal vocabulary meanwhile The Revolution People (TM) use more modern slang + instruments in their songs, showing the growing contrasts and conflicts between the loyalists and patriots!!!! so cool we love you LMM anywho also the fact that seabury soon realizes after hamilton starts interrupting him that he wonāt be able to beat hamilton with words so he might as well try to physically get ahead of him (pushing the box in front of him ect ect) and then doing his big āFOR SHAMEā near the end as a last resort, āmodulating the keyā as they call it /j (this one was said by thayne himself) lastly just the fact that you can hear the guys making barking and whining noises after hamilton makes his epic mange jokeā¦.,,like thatās so silly i love that for them
i did it i technically did three paragraphs ARE YOU HAPPY ANON /j
#i really enjoyed doing this thank you mysterious anon iāll dream about you tonight#OHHH my god this is so long if you read all of this i owe you five bucks and a jolly rancher of your choice#guys was i eloquent with this be honest /j#GIRL THE SONG WASNT EVEN TWO MINUTES LONG WHAT ARE YOU TALKING ABOUTTT šššš#if i was obsessed with a character with an actual good amount of stage time yall would be cooked#i need to write all of this shit down in a journal i swearrr#yap yap yap#this took me over 30 minutes sanity down BUT WE š#hamilton#hamilton musical#hamilton the musical#farmer refuted#samuel seabury#alexander hamilton#thayne jasperson#lin manuel miranda#never let me cook yall this is what happens
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