#this time it was you're an oddball but you turned out very well despite your father

[friend-through-teenage-nights]

Me at the slightest possibility that someone is feeling even slightly negatively towards me (no evidence needed from their side).

[clean-bands-dirty-stories]

The Best Things ~ J.V. (Part 1)

A/n: I'm so sorry but I DESPERATELY needed to get this off my chest before I exploded because I have absolutely NO self control.

I made a playlist

Word Count: 5000+

MASTERLIST

Come in sets of two...

Y/n was an oddball.

At least that's what his parents said- a lot.

"You're such an oddball."

It seemed that they meant it endearingly, but the words stuck with Y/n much more than they probably should have. And maybe that was less because of his parents or even his brother and more because of the media and the other kids that treated him very differently than they usually treated other people.

It probably didn't help that he was a Wayne.

Bruce Wayne was an absolute golden boy. He was responsible, driven, intelligent. He was a staple for Boys Going Somewhere. A face to an idea that everyone absolutely adored. It was known very well that Bruce was going to be the successor to Wayne Enterprises- even though Y/n was two years older. Bruce was good to the core, with a wide smile but a certain professionalism that most adults didn't ever master.He was level headed and figured things out very easily. His parents were incredibly proud of him and held him very dearly, and it showed.

Y/n wasn't anything like him. He preferred staying up late and watching the stars or the sun set and then rise again, compared to understanding anything about business. He was somewhat of an artist. He had notebooks full of drawings and his room was covered with thumbtacked paintings he'd put on his wall with pride, even though most of them were what he was known for: people, animals, or objects that he'd fixated on long enough to paint them... except that they were often multiple things in one painting, and they were all mashed together in a rather alarming sight. He walked around with paint in his hair and on his clothes, his eyes bright and shining and his energy completely uncontained. He had no sense of self control or when to be quiet or calm. Most often he wasn't even found at home, as he went to school and then hung out with friends he'd made on the streets.

It was instantly incredibly obvious the drastic difference between the two boys, and people had been bidding on which one would succeed and which one would flop the very first second Bruce had been born. Every bet was on Bruce making it.

Despite everything, Y/n and Bruce got along very well. Y/n was rather emotional and got upset very quickly when he was ignored, which worked quite nicely with Bruce's curiosity. Y/n could go on for hours about the same thing and Bruce would listen. Bruce could ask questions about one painting for just as long and Y/n would eagerly answer each one, going into as much detail as possible. Y/n pulled Bruce out of his comfort zone and gave him a little fun outside of the expectations that were constantly pressing down on him. Likewise, Bruce took up the mantle and allowed Y/n the complete freedom to be himself and be appreciated for it.

Even the boys' parents had a pretty steady relationship with Y/n. They found him to be a little much, but with Bruce leaving them reassured that their company would be in a pair of capable hands, they were perfectly fine with letting Y/n go absolutely wild. As log as he was safe and everything he did was legal. They might live in Gotham, but the Waynes were good people and that wasn't changing anytime soon.

Overall, they were a very happy family.

Everything changed the night Thomas and Martha Wayne were shot dead on a way home from a movie they'd taken Bruce to.

It had been a night out like any other. Y/n stayed home as usual- it was the only time he could turn his music all the way up and completely lose himself in whatever he wanted to. The others didn't mind. It let Y/n blow off steam and made him much calmer for a while; in addition, they had a night out together and got to bond with Bruce. Sometimes they'd take just Y/n, and sometimes Y/n and Bruce would go out together without their parents, but most of the time it was Thomas and Martha and Bruce, and each Wayne was okay with that.

Y/n was staring at a half painted canvas, eyes wide and fingers trailing the path of his lips. He was loving the loudness and the thumping of the beat under his feet. Like it was in his blood. He smiled, raising the paintbrush.

The door busted open. "Y/N!"

Y/n spun around, startled. In the sharp movement, he knocked over a tiny bowl full of paint. Alfred reached over, turning the music off. "Your parents were shot and killed. Bruce is home early." Red paint dripped down the easel and over Y/n's shoes as the words tried to sink in but failed.It was like looking at something see through or invisible. Like feeling the breeze and wishing to catch it, but never able to close your fingers around empty air. Y/n just couldn't comprehend what Alfred was saying. Sensing his shock, Alfred moved closer. His voice was softer when he repeated, "Y/n. Bruce needs you. He won't admit it, but I can't help him lone.He won;t even admit he needs help. He might open up to you."

"No," Y/n choked out. Martha Wayne was far too kind and gentle. She was warmth and safety incarnate. Something so good and bright wasn't allowed to fade. Like yellow paint,or the sun. She always came back in the morning Always. And Thomas Wayne was... unbreakable. Unshakable. Impossible to even faze, let alone kill. He was unbeatable. Nothing could kill him. He'd live forever. Or, at the very least, go out at his own time when he was completely sure he was ready to. "No."

"Yes," Alfred insisted, shaking Y/n's shoulders violently. Y/n flinched. "Please-"

Without another word, Y/n pushed away from Alfred and sped to Bruce's room. He didn't even knock. Bruce was sitting on his bed, his eyes haunted and his lips resting in a soft frown. His hands were in his lap as he perched on the edge of the bed like he was planning to run any second, but he also seemed cemented in place as if he couldn't go anywhere even if he wanted to. He was scary still, and as his eyes slowly moved from the floor to meet Y/n's gaze, the older Wayne shivered at the darkness in his gaze. "Bruce?"

Bruce nodded stiffly in forced greeting. "Y/n."

Y/n bit his lip. Bruce's gaze fell to Y/n's feet and widened, his hands tightening on his knees. Y/n looked down to see the red paint still on his shoe, beginning to dry, and immediately felt sick. "So-" he cut off, his throat burning like he'd swallowed acid."So they're really-"

"Yeah," Bruce interrupted.

"You were there."

"Yeah."

Silence fell like a piano from a fifth story building. Even when the silence left, the feeling didn't. Both boys were suddenly being crushed under the weight of a ginormous object neither of them could see let alone explain or find the strength to remove. It stayed through the funeral, and onward. It manifested differently for each boy.

Bruce began to dig into his parents' murder, sifting through file after file, night after night. He got little sleep and ate even less often. At least he wasn't hurting himself anymore. That he had done a lot right before Alfred, Y/n, and Jim Gordon had all teamed up to knock him out of it.

Y/n was thrown into the world of business. He was torn away from everything he cared about. His freedom and dreams were stolen ad he was forced to clean up and get into a suit and start taking care of the family company- at least until Bruce was ready. In a few months he lost not only the things he enjoyed and his parents, but also his friends and the easy going way of life. He was beaten down and forced to be calm and collected. He was taught how to not deal with emotions like real men do and handle business that needed to get taken care of. He wasn't a person anymore. He was a tool.

It was unbearable for Bruce. He was losing all of his family in one go and as he tried to fight to make sense of it or keep anything of his old life, people kept trying to knock him down a peg and remind him that he was a child. Even though Y/n, barely 14, was apparently old enough to have the world on his shoulders when he was completely and totally not able to handle it in any way. It was supposed to be Bruce's job.

Finally he managed to prove his capabilities, but not in time to save Y/n. He had been rung out by the press and pushed to the brink and then over by the people at Wayne Enterprises. When he got his free time back, he didn't spend it watching the stars or the sun rise and fall. He didn't spend it painting dogs and lamps. He didn't spend it doodling and ranting to Bruce about all the things he found wonderful about the world. He spent each and every second he had locked in his room, painting.

The colors of each work began to get darker, the themes more twisted. They got better as he fixated on one thing only... unfortunately, that thing was death.

Y/n was spiraling. He didn't take care of himself and sometimes didn't come out of his room for days. Bruce tried to get through to him, but it seemed that something really bad had happened while everyone had expected him to be in charge. The thing was, there were no hints about it and of course no one at the company would fess up about anything. Y/n wouldn't talk about it. Anytime anyone even mentioned Wayne Enterprises, he would pull away and become unresponsive.

Then the Maniax began wreaking havoc.

Y/n's focus suddenly changed. He wasn't fascinated per say by the horrible things going wrong, but more the people that were committing the heinous acts. One day Bruce finally got him to talk about it, and all Y/n had to say was, "I mean, who does that? Who goes around just killing people like it doesn't mean anything? For no reason? Look at the redhead- he shoots one of his own guys for no reason- Look, right there. What kind of mental state would someone have to be in to be so flippant about taking a life?"

The obsession with the Maniax was soon followed by an obsession of killers in general. He was found constantly reading history books about some of the world's worst killers. Then, about Gotham's worst killers specifically.

That was why Bruce went to him when he began to get involved with that same redhead that had set Y/n down this path in the very beginning. "What do you think drives him? I mean, why do what he does?" Bruce asked his brother one day. It had been quite a while since they'd sat down and talked like this. When Bruce would ask questions about something Y/n fixated on and Y/n answered with pure eagerness. This had been the first time the information had been useful or had a realistic application, and it was upsetting.

"Probably some mental disorders. Perhaps some childhood trauma. He's probably immensely desensitized..." He paused. "Jerome Velaska is actually quite odd. He's probably just psychotic, with some serious abandonment issues and a sort of god complex. He wants to be seen and known and craves endless adoration and attention. He'll do anything to get what he wants, and doesn't have the patience or tolerance for anything else. That's why he acts out- it's like he has the mind of a child. He didn't get his way and now he's going to pitch a fit and chuck his toys. His toys being people and the fit being murder."

Bruce swallowed. "That's demented."

"Hm?" Y/n hummed. He blinked then forced himself to nod. He had zoned out and not blinked to bring himself back to the present. "Yeah. He's totally messed up."

Bruce tried not to ask Y/n about Jerome again after that. There had been a strange light in his eyes. A dangerous interest that made Bruce... nervous.

Everything came to a climatic bang when Alfred took the two brothers out to a charity banquet held in honor of a children's hospital. He'd only managed to get Y/n out because he'd been more energetic recently. More in a good mood. A little more like himself. In favor of seeing Y/n be so much like he used to, neither Alfred nor Bruce questioned it.

Boy did they wish they had though.

The night was seeming to pan out rather dull until the Magician came out. Y/n loved Magicians. He always had. He found their skill to pull off even the most obvious tricks was rather impressive. So when the Magician on stage asked for a volunteer and Bruce was chosen, Y/n was a little disheartened.

Bruce, however, seemed that he would rather do anything else. He had been nagging to leave anyway. Y/n stepped forward. "I can go up for you if you want," he offered.

The woman smiled and on stage, the Magician announced, "Ah yes! Just as well, just as well. Please, join us." The woman held out her hand for Y/n and he took it immediately.

Gotham hadn't seen Y/n in a very long time. People tittered and clapped and Y/n felt nervous. He hadn't been in front of a crowd since-

No, he wouldn't think about that. Tonight it was just some good fun and he'd be okay with that. Wasn't he allowed to have fun every once in a while?

The Magician greeted Y/n then opened a box, motioning for him to get in. He did, with a bounce in his step and excitement in his eyes. The box lid closed over top Y/n and the slats were put in place. It was the classic "sawed in half" trick. Y/n was immediately put off though. It would ruin the magic if an audience member did the trick. The assistant always did this trick, because it required a lot of trick of the eye to work. This way, he'd just get cut in-

Y/n's eyes went wide. The Magician above him smiled deviously.

"Does this handsome gentleman have a name?" Suddenly Y/n's body went cold. He knew that voice. Had heard it again and again and again on tv. He had seen that exact smile accompanying it. He was torn between the horror of the very real possibility of death at any second, and awe at finally meeting the man he'd been unable to get out of his head for the last significant amount of time. Since the whole bus full of high schoolers had almost been set on fire and that soon-to-be familiar face was all over the screen during the news broadcast about it. That face that had been and would be on every news broadcast for quite sometime. The Magician hummed, raising his eyebrows, and Y/n swallowed.

"Y/n," he said. There was no point now. He was trapped and at this man's mercy. What could he do? Cry for help? The most anyone would do is laugh it off, even if he could manage to get the lump out of his throat and get any coherent message across. Plus, something far more demanding kept him silent.

An extremely dangerous sense of curiosity.

If he was going to die tonight anyway, he might as well take his last moments to see what Jerome Valeska was like up close.

"Y/n," the not-magician repeated, musing over the name. "Well, Y/n, this won't hurt a bit." He clanged the two large saws together and Y/n felt breathless. What was he doing?! This was absolute madness! "Is there a doctor in the house?" The crowd laughed. The crowd LAUGHED. Of course they laughed. They always laughed. No one cared about Y/n Wayne.

Suddenly Alfred's voice sounded out, rather panicked. Y/n looked over, surprised. Of all people, Y/n didn't think it would have been Alfred who would have intervened. Alfred had been much too wrapped up in taking care of Bruce. Such as everyone was. Despite that, it was him to stumbled out, "Just- wait- excuse--" He held up a hand, everything going quiet and still as he tripped forward. "Just wait, wait, wait one second."

Jerome didn't wait.

The saw came down.

To his own shock, Y/n was fine.

The assistant rolled away his lower half and then returned it just in time for Jerome to lean close and whisper, "Give em a wave." Y/n looked directly into his eyes and his smile wavered. They were a pretty color. Brown, littered with slight blues and green that came alive under the stage lighting.

"I know who you are." The words wouldn't have been heard by anyone else other than Jerome- even if it wasn't for the clapping. Jerome froze, but Y/n didn't wait. He stood, waved to the audience to show he was alright, and then allowed the assistant to take him back to his place next to Bruce and Alfred.

When Jerome spoke gain, his words seemed to be a little different. Y/n placed the emotion when he turned back around again and saw Jerome's eyes glued intently to Y/n. He wasn't blinking. "Some say Y/n here has a split personality." The audience laughed at the pun and then his voice lightened again as he moved onto his next trick. As he called up the mayor an the set up began, the assistant's mask fell off.

Y/n gasped. He knew that face too. Unmistakable. Barbara Keene. Of course. How did Y/n not see that far sooner?

"I should warn you," Jerome teased lightly. "No one is getting out of here tonight alive." The audience laughed and Y/n thought he would feel terror at the words. What was stopping him now? He could whisper to Bruce or Alfred. To that nice lady from before-

It was then that Y/n realized Lee Thompkins was gone.

Jerome flung a knife straight into the Mayor's gut and Bruce stepped forward, gasping in time with the crowd. Y/n was torn. Why was he torn?! This was simple! Stop this! Right? Surely he could do something.

And yet... he found he didn't want to. God what the hell was wrong with him?

The Mayor fell and people began panicking. The gun shot started and Y/n moved without thinking, slipping behind a curtain and out of sight. He began to move through the curtains until he was far enough fromAlfred not to be stopped, then he was ducking to make sure he didn't get shot- and he waited.

He saw Jerome and Barbara tie up Lee and then make a call. He spoke loudly- it wasn't hard to make out at least one side of the conversation. His demands didn't make sense. They didn't line up at all with his character. Why...?

His maniacal laughter suddenly cut off as he turned to face his newly terrified audience. The moment was interrupted, though, by a new voice. "Enough!" Y/n stepped out from hiding to get a better view, only to see a man he didn't know. That was a new experience on this night where Y/n seemed to be able to put a name to ever face in this room that mattered. "It's time for you to pack up your little sideshow and leave," the man continued. Jerome was still grinning. That didn't make sense either. Why didn't he seemed bummed that his fun was getting interrupted, or a little tentative around the new player he hadn't planned his game around? How had this guy even gotten in, with all the guards outside? It felt off. Y/n could sense it immediately. Even the man spoke like he was... reading lines.

And Jerome responded in the exact same way. Like he was in a show. Like he was acting.

The movements of the two men and the way they formed words seemed so out of place. Even the shot of the gun Barbara used... none of it seemed natural.

Without thinking, Y/n stepped forward. The small noise his steps made immediately caught Jerome's attention. His eyes light up, his smile relaxing to a much more natural place. This was Jerome. The change was impossible to miss for Y/n, who had been carefully studying him so long.

"You," Jerome called, pointing directly at Y/n for the first time tonight. This felt even more thrilling than when Bruce had been picked. Now there was no charade or manipulation. It was just Jerome and Y/n. "Come here." He held up a gun, obviously ready to threaten someone's life to get Y/n to obey, but he was already moving before the words could leave Jerome's mouth. "What a nice boy." Y/n should have been at least pretending to be phased, but he was far too caught up in analyzing Jerome that he didn't think about how his step was confident and unfaltering, taking him to Jerome without any hesitation. He didn't think about the expression on his face, but how it made Jerome specifically respond. By simply having an emotion other than fear, Y/n had caught Jerome's attention and was reveling in it. Jerome could see that too, and it seemed to entertain him even more.

"You just gonna stare at me all day?" Y/n whispered softly, trying not to let his lips twitch into a smirk. Was he... flirting? It felt like he was suddenly outside of his body, watching this train wreck happen, unsure of who was in control or why he was doing anything he was.

Jerome seemed to be absolutely loving it. "Stand here with me." His voice was soft as silk, near purring. Y/n moved to where he motioned and stayed silent. The problem with his new placement: everyone could see his reactions now, not just Jerome. It was time to start acting at the very least.

Turns out he didn't much need to.

Jerome was easily terrifying as he was charismatic.

Every time Y/n thought he had caught on to Jerome schtick, he did something that threw Y/n off completely again. It was all fun and games, playing at murder but then pulling out some joke shot that didn't really make any sense. Did he actually want to keep all of us hostage? Wasn't it enough to have a few? Bruce, me and Alfred because Bruce was Gotham's golden boy, and he wouldn't let anything happen to me or Alfred. Lee Thompkins because she was his bargaining chip. The four of us would be plenty enough of a bargaining chip, maybe a handful more just in case. Why spare everyone, if he really did like killing so much?

There was something to Jerome that really intrigued Y/n. He wondered what the maniac was really thinking. What really drove him to act this way. To take control of a whole room full of Gotham's richest of the most well meaning... only to ask for ridiculous, nonsensical demands and not kill a single one of us.

Again Y/n got that sense, like something else major was actually happening here.

Y/n was zoning out. Missing things. He couldn't focus on the act going. The show that had more layers than what was originally apparent. He missed the whole throw down with Barbara and Lee as well, but caught the gist: Barbara was apparently in love with JimGordon and fancied that they'd end up together. Lee was apparently getting in the way of that. Blah, blah, blah. Girl drama and psychopaths and romance and delusion. Barbara almost killed Lee. Jerome stopped her. So on and so forth.

Then, Jerome attention was on Y/n again all of a sudden, even though he'd been carefully ignoring the boy he'd called up on stage until that point. He grinned at Y/n, the knife he'd taken fromBarbara manifesting in Jerome's hand. The redhead used it more like a finger than a weapon. He ran the dull side of the back of the blade under Y/n's chin, the flipped it so the blade was pressed gently to Y/n's skin. "My favorite volunteer," he said slowly, stepping far too close for what should have been comfortable. "You know, I've seen you on TV."

"And I, you." He hadn't meant to respond, but it had slipped out before he could stop it.

Jerome's head tilted as he popped his chin in pride. "Well, of course. I was meant to be on the big screen. I made my own way. It was my choice to end up where everyone could see me." He took a deep breath in. "You, however... what a scandal." Suddenly Y/n couldn't breath. Jerome roared in giddy, insane laughter. "There he is!" He turned to the audience, motioning to the slight shake of Y/n's body and the sickly pale tint to his skin. "There's that fear! That fear or hate or disgust or whatever it is you all feel for me... except for you." He looked back at Y/n. "We're so similar, Y/n," he sighed. "I'm an orphan too, you know. I don't fear death either."

"You killed your parents," Y/n managed to get out through gritted teeth.

Jerome tilted his head back and forth. "Details, details." The knife was at Y/n's throat again. "You're no fun anymore, you know. Everyone stops being fun at some point. I will give you one thing: you lasted longer than most." The knife pressed further into Y/n's throat and he sucked in a sharp breath as it broke skin, a single drop of blood making a vibrant path down his pale skin.

Gun shots. Suddenly Jerome spun, pressing Y/n's back to his chest, moving the blade so Y/n's was a hostage instead of the focused on target. There was a bit of chaos in the crowd, and Y/n's eyes widened to see Alfred and Jim Gordon of all people mowing through Jerome's lackies. Jim turned his barrel toward Y/n and Jerome. "Let him go!" He shouted. Jerome's giggle rang right next to Y/n's ear. Whatever weird spell from before that had Y/n controlled and calm and still broke and he flinched back away from the blade. Unfortunately, that only brought him closer to Jerome. After a second Jim defeatedly announced, "I don't have a clean shot. Jerome shifted, obviously eager in his moment of victory.

"Stay calm, Y/n," Alfred eased. Bruce was shuffling, knowing it wouldn't help to rush in but having to use every bit of his self control to stop himself from doing just that. He couldn't lose Y/n too. His brother was part of the quickly dwindling family he still had left.

Jerome's breath sounded in Y/n's ear as he gritted his teeth, switching from plying a game to planning an escape. Of course he wanted to get out of here alive. "It seems like we've got ourselves in a bit of a pickle. "What do you say Sweetheart?" Jerome mumbled in his ear. He was twitching, rocking a little from foot to foot. "Why don't we boost our ratings, hm?" The knife moved from one side of Y/n's throat to the other, drawing the smallest line of blood. Y/n gasped, his body shaking in suddenly very real fear. He wondered if this is how his parents had felt, or if they'd died too fast to really be afraid of dying at all. "Smile." Jerome began his wild, broken chittering of a laugh again.

This was familiar. Jerome had been waiting all night to kill someone, and for whatever reason he hadn't. Unfortunately, that meant he was definitely not going to hesitate to now. Y/n closed his eyes, and echoing, "NO!" Coming from his younger brother before he was sure he was about to be enveloped by darkness.

"I said, enough." Jerome let go of Y/n in surprise and both boys turned, unsure where to move from here. Not knowing how to switch gears. There stood the man from earlier. Theo Galavant. Theo grabbed Jerome by the color and drove a knife into the side of his neck. Y/n made a weird, half-choking, half-squeaking sound as the blade made impact into flesh, the audience gasping behind him.

Y/n couldn't move. He fell backwards, tripping over his own feet and barely catching himself as he made his way off the stage and to the ground. Theo must have thought he was further, but he heard it. He heard what the man said next. "I know, I know, I know," he cooed as Jerome choked, dying. Y/n blinked, trying to clear his head. So many thoughts were swimming through it and his chest had begun to tighten and twist. He couldn't breathe. He could still hear though. "This isn't what we rehearsed. I'm so sorry Jerome. You have real talent! But no, you see, the plot thickens. Enter: the hero."

Something horrible settled into Y/n's stomach as Jerome spoke again, his voice weak and raspy. "You... said... I was... gonna be..." He died before the sentence could finish, and Y/n was running. Ramming into Bruce, the boys holding each other tightly as Alfred enveloped them both with his arms.

"It's over," Alfred reassured. "You're safe now, Y/n, it's okay."

The words sounded sincere and full of relief, but Y/n couldn't shake that things were far from over. In fact, he was sure they'd only just begun.

-

[lady-snavely]

Sands of Time: Part Three

Blossomed Feelings

Pairing: Kuroo Tetsuro x Fem!OC

Warnings: mentions of death, swearing, mutual pining, all the fluff

A/N: as always, reblogs are super appreciated!

Like every other day when they came in, she was on her break. Today, she was perched in a window in the children's area with her legs drawn up loosely. There was a book in her hand, presumably the same one from a couple of days ago. Hidden safely beneath the tent of her knees was a steaming mug.

Jade's ears perked, her attention momentarily divided when she heard Bokuto, obnoxious as ever, greet her coworkers across the building. She was sure he included an exaggerated wave as well. Her advanced hearing, one of the few bonuses of being Fae, even allowed her to hear Daichi silence Bokuto with a low warning.

"There's a big enough table over there that's free." He was telling the group. She knew exactly which table he was referring to as she'd made sure it was clear before she went on break twenty minutes ago.

With a sigh, she closed her book and stood gingerly so as not to disturb her drink. The study group was her queue that her break was over soon. Still, finishing the chapter sounded real nice.

Nonetheless Jade found herself smiling as she glided through the aisles that were as familiar to her now as her own apartment. Her thoughts were with the oddball company of heroes and heroines from her book. Even preoccupied she nodded politely at the group of boys taking their places at the table.

"Fancy seeing you here again."

"Good afternoon to you too, Kuroo," she replied without stopping. "You all know where to find me if you need help with anything."

Yaku snickered and jabbed his elbow into Kuroo's ribs. "She didn't even bother to look at you."

"Her break's about over," Akaashi defended. "Iwaizumi messaged me a few moments ago, he and Oikawa won't be joining us tonight."

"Good, they can keep that stomach bug away from us then," Daichi grumbled.

"Please, they're probably having their own fun." Kuroo wiggled his eyebrows suggestively.

"I wouldn't put it past them," Akaashi murmured. He turned to Bokuto and gave him a warning glare. "Make sure you actually work on your Maths today. You nearly failed your last test."

For well over an hour Kuroo was able to focus on his studying despite his loudmouth of a friend sitting across from him. Bokuto came along more for the social aspect than anything else. Not that any of them really cared the way Akaashi did, study group was the only chance they had during the week to get together anyway.

With a small groan Kuroo stood. He needed a break to stretch his legs. He wandered the shelves aimlessly, stopping on occasion to read a synopsis or two before continuing on. He really didn't have much free time at the moment, what with midterms starting to ramp up. Still, Kuroo made a mental note of books to read once the workload began to die down.

"-depends on what you're interested in, honestly." He overheard Jade saying. "Let's start off with something simple to help narrow it down. Are you looking for a stand alone story or a series?"

Kuroo, for reasons unknown even to himself, hid two aisles over and listened in on the exchange. Since starting at the nearby university last year he'd learned quickly that Jade was good at her job. Great even. Any time he'd needed help with research or simply pointed in the right direction, she'd been prompt with answers. Sometimes she even went above the call to suggest further material that always seemed to have more information than he'd ever need.

Still it amazed him that in a matter of a few questions Jade was excitedly showing the younger guest a section that would entertain her. "I'm a little older than the intended audience but this series here in incredible. But if you're interested in something a little more magickal - and I don't mean witches and wizards - then I suggest this series just here."

With a faint smile Kuroo turned from the duo to head back to his studying. "Fuck," he hissed when he ran into and nearly knocked over Yaku. "Creepy little shit. What are you doing?"

Yaku glared up at his taller friend with a wicked grin. "If I'm creepy what do you call what you were just doing?" He countered. A quick peek around Kuroo gave Yaku the answer he needed. "Admiring the view?"

Kuroo looked over his shoulder and saw the girl from before already devouring the suggested book. Jade was nowhere to be seen. "She's a bit young for me, don't you think?"

Yaku rolled his eyes. Sometimes he really wondered if Kuroo was, in fact, a total moron. Kuroo's infatuation with the Human girl had become more and more evident over the last year. There were some not so obvious clues, like how he just happened to run into her when he was wandering around, or how he had started zoning out in classes. Then there was the blindingly obvious: watching her like creep from the other aisle while she helped other guests, for example. "Come back to the table," he finally sighed. "I need help with the Biology assignment."

"My time to shine," Kuroo smirked.

"Don't go getting an ego."

"I would never."

Both girls were seemingly non the wiser to what had transpired only two aisles away.

Daichi, Akaashi and Yaku continued to study dutifully while Bokuto successfully managed to distract Kuroo. Jade had only one other guest after the younger girl had left with two new books in hand.

Even with that one person closing time seemed to come a little too soon for Jade. They always did on days the study group came in. She enjoyed listening to their friendly banter and teasing, they were good company and often pulled her into their conversations on slower nights.

Tonight was no different than any other night the group came in. It was closing time and they were still there, sitting at the same table they'd procured from the moment they walked in hours before. However, studying had been thrown out the window some time ago she recalled as she made her way over. Currently they were chatting, all but Bokuto and Yaku, who had fallen asleep.

Propping a hand on the back of Akaashi's chair she sighed, forcing disappointment into her words. "Time for me to lock up guys."

"Is it that time already?" Daichi glanced at his phone before sighing himself and rubbing at his eyes. "Sorry to be a bother again, Jade."

"I tell you every time: you aren't a bother, Daichi," Jade shrugged. "Libraries have always been around for a reason. Apparently a good location for a power nap is one of them." She roused Yaku gently, giving him a warm smile when he blinked up at her. "Closing time sleepy head."

"We'll get out of your hair as soon as we wake Bokuto," Akaashi assured her.

"Take your time, I've got some cleaning to finish up anyway."

Jade turned away but not before catching the mischievous grin on Kuroo's face. Just as she expected, the indistinguishable thud of a dropped stack of books met her ears. "Wake up!"

"Bro!" Bokuto whined. Jade's nose wrinkled at the shout. No matter how much she heard it she would never get used to that term.

"Time to go, Bokuto," Kuroo said without a hint of apology in his voice.

Kuroo waited by the checkout counter for Jade to come out of the back office. Over the past year it had become a sort of habit for him to wait for her while she clocked out and locked the building up for the night. In more than one hundred attempts she had yet to agree to, at the very least, allowing him to walk her to the bus stop. Maybe tonight would be different? There was only one way to know for sure.

"Ready to go, Kuroo?"

"Only if you are!" He replied. A triumphant smile adorned his face when a soft chuckle met his ears. Kuroo clasped his hands, fingers knit together tightly before asking, "Would you like some company on your way home tonight?"

It came as no surprise to Kuroo that she didn't reply right away. She emerged from the back office with the satisfied smile that came from finally being off the clock. "Thank you, but I'll be okay on my own tonight."

Kuroo cocked his head to the side for a moment before nodding. "One of these days you'll say yes."

"You're so sure of yourself, Kuroo." She snickered and ducked her head to hunt for her keys in her bag. "I appreciate the offer as always."

They left the building in comfortable silence. Jade tugged at the building doors, testing the locks before heaving a content sigh. "I saw you looking at some books early," she mentioned casually when they reached the sidewalk. "I can put them on hold for you. If you want, that is."

"Not with midterms in a couple weeks." Kuroo shook his head but smiled down at Jade. "That's very kind of you though."

Jade smirked. "I try my best."

Kuroo fought the urge to wrap his arm around her shoulders. He didn't know it, but she caught the twitch in his fingers. "Get home safe, okay Jade?"

"Don't worry, you'll see me all safe and in one piece on Friday, Kuroo." Jade's smile, highlighted by nearby street lights, brought an unwelcomed heat crawling up his neck.

"Right, well, good night, Jade." He retreated into the shadows quickly before she could see the blush spreading up across his cheeks.

"May sleep find you easily tonight, Kuroo." Jade dipped her head slightly before she herself hurried off in the direction of her bus stop.

Kuroo stared after her until she was out of sight before he sighed and began his journey home. When he stepped into his dorm room he wasn't surprised to see Kenma poking feverishly at the buttons of his video game. They had intrigued him from the moment he'd laid eyes on them.

Kenma's elf ears were poking through his hair, the only sign that he was no longer holding his Humanoid form. Kuroo received a murmured greeting from his long time friend as he removed his shoes.

"You missed out," he told Kenma.

"Unlikely."

Kuroo chuckled at that as he made his way into their shared room to change. As he did, he shifted with a sigh of satisfaction. It was only in their shared dorm room or when they were home visiting their folks that he and Kenma could safely shift back to their Fae forms.

"The Solstice Festival is coming up," Kuroo reminded his friend.

"Oh." Came the reply. Kenma's attention was barely pulled from his video game. Kuroo said no more on the subject, knowing full well that when the time came Kenma would leave the Human entertainment behind and return home for the Festival.

~*~*~*~*~*~*~

Jade's heart was racing and not only because she was running. Had it been a trick of the light or had he been blushing just before she left? She supposed either were possible, even with the street lights the lighting wasn't favorable, and she was nearly a foot shorter than him so the angle was weird too. She tried not to dwell on it too much.

She didn't want to get too close to him this time around. She brushed off his advances, his attempts at getting closer, as best as she could but her job didn't allow for blatant ignoring of guests, so it was difficult. But she didn't want her heart broken. Not again.

Tears glistened in her eyes as she stood beneath the light of the bus stop. She dried them before they could fall; before they could be seen. In all her years on Earth, why was it a Human that had to come along and capture her heart?

When the bus arrived it only had a handful of occupants. Given the time of night this was to be expected and allowed Jade her pick of the crop as far as where to sit for her journey home. She hugged her knees tight to her chest when she sat, her temple leaning against the cool glass of the window at her side. Normally she would read, but she knew if she opened her book the pages would remain unturned, for try as she might, her mind raced with memories of the past. Of the wild laugh that sent the butterflies in her stomach soaring. That almost there smile that had found her time and time again over the centuries.

As much as she wanted to, Jade suppressed the desire to shift back into her Fae form as soon as her door was locked behind her. Showers were much easier without the wings getting in the way. So it wasn't until she stepped from her bathroom half an hour later that she released the invisible thread of thought that kept her Humanoid form in place.

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[gracie-p8-officialblog]

Spilling Tea On Phantom of the Opera 2004

DISCLAIMER: I just want to say from the start that it is not my intention to offendanyone, you're entitled to your opinions and I'm allowed to have mine...

Ok, so, I just watched this movie a few days ago on my laptop and it was pretty much my first time sitting through the movie. I watched a few clips of the movie on YouTube but... Then, I decided to watch the whole movie. And this was my reaction.

Don't get me wrong! There WERE parts I liked but... That was just half of the movie... But overall... Um... It was meh. Ahem. Down to business!

My opinion on Gerard Butler as the Phantom? Um, wow. And not in a good way. I feel like this was a case of a talented performer being grossly miscast as the Phantom. I think this Tumblr post best describes on what I thought of his singing.

"He's supposed to have the voice of an angel, but it sounds like he's been gargling vinegar" ~Quoted by @faded-florals

Don't get me wrong. His voice is quite good for an untrained singer but... The Phantom is one of the biggest musical theatre roles of all time! It's right up there with Jean Valjean. It's really not a role that could go a competent singer, someone who's never sang professionally before but could be good once they've been trained up a bit. The role demands a truly great singer... And he wasn't right for the part.

His voice felt too strainy, growly and rock-ish for the Phantom. I didn't like how Joel Schumacher bought into the whole "sexy Phantom" thing and cast a hunky heart-throb, who was nowhere near disfigured enough. It's meant to be a gothic thriller novel with a small romantic subplot, not a B-grade vampire romance movie!

As for Emmy Rossum as Miss Christine Daae... it's true, her voice is good. She should know though, should she wish to excel, she has MUCH still to learn (Heeeeehee. Sorry. Couldn't resist.)

Emmy's Christine had little-to-no character growth and personality but I don't think it reflects her as an actress, but reflects more on the director and casting director because of how young she was (but more on that later)

Not only that, her Christine was SIGNIFICANTLY dumbed down and oversexualized. I mean, the entire point of the story is that Christine grows strong enough to overcome the trauma of an abusive relationship and make sure that her abuser never hurts anyone ever again but still shows the Phantom compassion and sympathy. I mean, her story arc is her becoming strong-willed enough to overcome the Phantom's pull/spell/enchantment/hypnosis or whatever you percieve it as on her! And don't get me started on her costumes because of the SEVERE lack of modesty.

The chemistry was a little flat because she was underage and her two male love interests were both in their 30s (which totally isn't HER fault, of course, but the directors could easily have cast someone else older)

Her voice, too, strikes me as being much too young and undeveloped. She has a very pretty, sweet-sounding quality to her singing but she doesn't sound rich and operatic enough to be a convincing Christine. Rebecca Caine and Amy Manford do the best job of singing the way I think Christine ought to sound- a maturing opera voice! Though POTO is NOT an opera (you wouldn't believe how many people actually think it is...), it does revolve around opera, and Christine is an opera singer, not a pop star.

And now onto... Everyone's favourite vicomte!!!!!!

C'mon people, put your bottles down. It is a truth universally acknowledged (or at least in the wee Raoul Defense Squad Circle) that Raoul is one of the greatest and most underrated boyfriends to ever exist in musical theatre and it's almost impossible to hate him because of how relatable he is.

Ladies, puh-leeze. He's much more relatable than you admit and face it, we all have a little bit of Raoul in us. Failure to see things staring us in the face, saying or doing the wrong thing at the wrong time, having a 'see it to believe it' attitude when we have little-to-no evidence on something... yeah, don't pretend you don't see a trend. Raoul is relatable whether we want him to be or not.

My thoughts on Patrick Wilson as Raoul, he was one of the few redeeming qualities of this not so great movie. Yeah, the swordfight and Tarzan leaps were a little too much but can you blame him?! And though I feel like that foppish wig made him look more like a magic elf prince than a vicomte, he couldn't control that!

His Raoul was so gentle and caring! Yeah, his acting was a bit stiff but at least his voice wasn't a chore to listen to, it has this warm, tender, comforting quality to it which suits Raoul. I really loved the way he sang "Don't throw away your life for my sake" and "I fought so hard to free you" in the Final Lair (😭😭😭) It feels like Raoul is genuinely apologising to Christine.

I know, I know... The Hadley Fraser fans are approaching with menacing expressions as we speak but let me clarify. I still think Hadley is amazing but... His Raoul kinda felt a little too shouty for me and his Raoul was closer to the LND-canon than POTO-canon (not his fault though).

Miranda Richardson (aka. Rita Skeeter) as Madame Giry is kind of weird. I mean, I know Madame Giry's supposed to be a little Strange and Mysterious. But this Mme. wasn't really Strange or Mysterious at all, or even slightly Spooky at all. She was just kind of an oddball. Popping up in random places to give warnings about the Phantom and looking at people as if she were questioning their life choices or something. As for her daughter... well, Jennifer Ellison's Meg was so-so. She's got a sweet-sounding voice and that added scene where she looked for Christine in the lair was a nice touch... But... Her Meg was kinda forgettable and uninteresting. Meg is supposed to prance around shrieking that the Phantom of the Opera is here, not whisper it in a blase manner that you half expect to be followed up with, "by the way, what's for lunch?" Not to mention, she rivaled Christine as far as low-necked costumes went.

Minnie Driver as Carlotta was spot on! Yes, I know she didn't sing the score but her acting was alright. She was very over-the-top and self-centered, which is great for Carlotta, but I felt her portrayal was a little too childish to be accurate. Carlotta is a successful middle-aged diva who's willing to scream and storm when she doesn't get her way, but she isn't a two-year-old pouting and throwing tantrums. (Yes, there's a difference.)

Ciaran Hinds and Simon Callow played Firmin and Andre, respectively. Their managers kinda felt like twits and nothing more. Also, Firmin's masquerade costume was ridiculous. The stupid kind, not the funny kind. ...Well, okay, it was a little funny.

I'm not going to touch on every song here, but I will say that "Hannibal" was beyond awful (if you thought the costumes in the stage version were a bit risque, you should see the movie ones- no, actually you shouldn't) and that "Think of Me," while very nice, was not particularly memorable. Christine's dress, however (despite its less-than-ideal neckline) was GORGEOUS, even though it looks completely out of place in a musical that supposedly takes place in ancient Alexandria.

"Little Lotte" kinda lost its charm by being spoken instead of sung. And Gerard Butler's voice in "The Mirror" was too rough and raspy for my ears and made me cringe in sympathetic shame. The title song was like a cheesy, campy B-grade horror movie tbh, trying way too hard to be spooky and chilling ("ooh, look, Phantom's Lair! It's DARK and SCARY down here!") and succeeding only in being cringeworthy. Not that I've actually ever seen a bad horror movie- or any horror movie at all, for that matter. Unless you count this one.

Christine's costume, too, annoyed me no end. She was basically wearing a corset and drawers under the dressing gown. *facepalm* The dressing gown is supposed to go OVER your COSTUME to keep it CLEAN, peeps. It's not a BATHROBE. And the amount of eye makeup she had on would terrify a raccoon. Yikes.

Though I liked the random horse because of its nod to the Leroux novel.

"Music of the Night" was so blah-slash-touchy-feely that it made me summarily uncomfortable.

I'd like to be able to say something nice about "I remember/Stranger than you dreamt it" but I have none. One thing that bugged me to no end was how Christine is no longer wearing stockings, like dude, that gives some GROSS implications. Anyways, let's skip to Il Muto!

Oh, but first I should say that "Notes" was rather a flop and that "Prima Donna" is unmemorable and indeed should probably be fast-forwarded as there's a rather unsavory bit involving a crew member showing the audience what he thinks of Carlotta's behaviour.

"Il Muto," I must say, was pretty doggone funny. Carlotta's "Your part is silent. Leetle toad," cracked me up into a bunch of giggling little pieces, and the little vignette of the Phantom tinkering with Carlotta's throat spray made her croaking later on a lot more believable.

Now for "All I Ask Of You", SQUEEEEEE!!!!!!!!! I honestly can't understand how anyone could listen to this song and still maintain that Christine and Raoul don't belong together. He represents everything she needs- stability, protection, a guiding hand and affirmed affection. She represents everything he needs, in turn- someone to show affection to and his childhood friend.

One thing I definitely think could have been left out was the scene in which Erik kills Buquet- we totally did not need to see him being chased, terrified, through the rafters and finally strangled. Gross.

And the Phantom and his rose crouching behind that statue... I think this was supposed to be sad, but there was too much snot mixed with tears for it to be sad. It was, again, gross. So was Gerard Butler's pathetic attempt at the "all that the Phantom asked of you" line. And the lack of a chandelier crash in that scene made the song anticlimactic.

And "Masquerade" was so-so but... The Phantom's entrance is anticlimactic somehow, and his Red Death costume (if indeed it's supposed to even BE the Red Death) is unimpressive. I don't like how Raoul just runs off to desert Christine as soon as things start looking ugly (yes, I realize he was going to get his sword, but still... something could have happened to her while he was gone. Duh, did this guy learn anything from "Little Lotte/The Mirror"? Just sayin)

As for Madame Giry's flashback immediately following, I like how it gives us some of the Phantom's backstory, but it seems really abrupt. You don't even realize until she's done that she was talking to Raoul the whole time- it sounds like she's just randomly reminiscing about Stuff, and if you didn't know the story you might be sitting there thinking, "who is this strange woman again?"

Also, Christine leaving wherever-it-is at, like, five in the morning to go to who-knows-where, completely oblivious to the fact that the Phantom is driving her. Whaaaaaaaaa? How'd he know she was planning to go for a graveyard stroll? Was he watching her through the mirror again? THAT'S JUST CREEPY.

"Wishing You Were Somehow Here Again" was rather mediocre and dulled down the fact that it is a Christine Empowerment™ song. Why, exactly, does Christine's father have the biggest monument in the cemetery? If he were a rich and famous violinist as his crypt seems to suggest, why on earth was his daughter struggling along as a chorus girl taking free music lessons?

The swordfight... Well... I had mixed feelings about it. Sword fights are all well and good, but... The swordfight takes away the element of mysterious danger to the Phantom. Okay, fine, Christine getting Raoul to spare the Phantom's life is a nice touch, I guess, but did it strike no one else that his "now let it be war upon you BOTH" makes absolutely NO sense after that? If she just saved his life, why would he suddenly be all, "thanks, but no thanks, I'M GOING TO MURDER YOUUUUUUUUUU"?

And "Twisted Every Way" was after "Wishing" which made ZERO sense. Plus, I didn't like how they cut most of it because in the musical, it gave Christine a spine!

"Point of No Return"? Hooooooo boy....... There are so many things wrong with this number. Let's just a list a few.

*HOW did no one recognise the Phantom through his "disguise"?! At least in the stage play, it made more sense because of how he was wearing a cloak that obscured most of his body.

*Christine's sleeves falling down over and over again were REALLY annoying.

*It was just too touchy-feely for my taste.

*The fact that Emmy Rossum was a teenager during filming made this scene gross because of the way they oversexualized Christine in this scene.

*Gerard Butler's voice in that scene made me cringe and shake my head in sympathetic shame.

*In the stage play, Christine ran from him, showing her own agenda and resistance to his pull! While in the movie, she didn't resist him!

*Now for the one that took the cake... The disfigurement! Or it would be a disfigurement if it actually made him look, y'know, deformed. Instead, as several people have put it, he looks like he got a bad sunburn or something. It's really rather pathetic. It makes him look more like a drama queen than he already is! Yeah.... I really don't like this movie.

On to... Final Lair!!!!!!!! It was a flop. From Raoul's whining and flailing around and his stringy hair flopping about (shallow complaint, I know, but it's so ugly) to Christine's sappy melodramatic "don't make me choooooooose" faces to the Phantom's prancing around with his ropes and maniacal laughter that somehow wasn't really scary at all... yeah, it was a flop. A major, major flop. And though The Kiss wasn't all that bad, all I could think of was, "She's SIXTEEN! SIX! TEEN! THIS IS CREEPY, DISTURBING AND GROSS!"

Which is why it's so difficult for me to admit that, um, I... cried at the end.

I COULDN'T HELP IT GUYS HE WAS ALL ALONE THERE IN HIS LAKE WITH HIS MONKEY AND HIS SMASHED MIRRORS AND HE WAS CRYING AND IT WAS SAD.

And then that rose on the gravestone? That single red rose? And the look on Old Raoul's face (still Patrick Wilson, by the way, under all that makeup) when he saw it and realized he wasn't the only one visiting Christine's grave? Yup, I lost it again there, too. And I really didn't want to. Because I tend to cry over movies I love, y'know? And I didn't love this movie. At all

Yet I still cried at the end. I'm not really sure why. I think perhaps it had something to do with the way the story still "got" me, deep down inside, despite the lousy casting and less-than-perfect singing and ridiculously unnecessary elements that totally didn't need to be there. It's still a tragically beautiful romance, and even a bad film can't kill that.

In conclusion, I think Mary Poppins can best express what I thought of POTO 2004.

In conclusion, I rate it a 2.7/5