#this thing has one job and it is terrible at it

[mostlysignssomeportents]

The far right grows through “disaster fantasies”

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/11/25/mall-ninja-prophecy/#mano-a-mano">https://pluralistic.net/2024/11/25/mall-ninja-prophecy/#mano-a-mano

The core of the prepper fantasy: "What if the world ended in the precise way that made me the most important person?" The ultra-rich fantasize about emerging from luxury bunkers with an army of mercs and thumbdrives full of bitcoin to a world in ruins that they restructure using their "leadership skills."

The ethnographer Rich Miller spent his career embedding with preppers, eventually writing the canonical book of the fantasies that power their obsessions, Dancing at Armageddon: Survivalism and Chaos in Modern Times:

https://www.press.uchicago.edu/ucp/books/book/chicago/D/bo3637295.html

Miller recounts how the disasters that preppers prepare for are the disasters that will call upon their skills, like the water chemist who's devoted his life to preparing to help his community recover from a terrorist attack on its water supply; and who, when pressed, has no theory as to why any terrorist would stage such an attack:

https://pluralistic.net/2020/03/22/preppers-are-larpers/#preppers-unprepared

Prepping is what happens when you are consumed by the fantasy of a terrible omnicrisis that you can solve, personally. It's an individualistic fantasy, and that makes it inherently neoliberal. Neoliberalism's mind-zap is to convince us all that our only role in society is as an individual ("There is no such thing as society" – M. Thatcher). If we have a workplace problem, we must bargain with our bosses, and if we lose, our choices are to quit or eat shit. Under no circumstances should we solve labor disputes through a union, especially not one that wins strong legal protections for workers and then holds the government's feet to the fire.

Same with bad corporate conduct: getting ripped off? Caveat emptor! Vote with your wallet and take your business elsewhere. Elections are slow and politics are boring. But "vote with your wallet" turns retail therapy into a form of civics.

This individualistic approach to problem solving does useful work for powerful people, because it keeps the rest of us thoroughly powerless. Voting with your wallet is casting a ballot in a rigged election that's always won by the people with the thickest wallets, and statistically, that's never you. That's why the right is so obsessed with removing barriers to election spending: the wealthy can't win a one-person/one-vote election (to be in the 1% is to be outnumbered 99:1), but unlimited campaign spending lets the wealthy vote in real elections using their wallets, not just just ballots.

You can't recycle your way out of the climate emergency. Practically speaking, you can't even recycle. All those plastics you lovingly washed and sorted ended up in a landfill or floating in the ocean. Plastics recycling is a hoax perpetrated by the petrochemical industry, who knew all along that their products would never be recycled. These despoilers convinced us to view the systemic rot of corporate ecocide as an individual matter, chiding us about "littering" and exhorting us to sort our garbage:

https://pluralistic.net/2020/09/14/they-knew/#doing-it-again

We are bombarded by real problems that require urgent solutions that can only be resolved through collective action, which we are told is impossible. This is an objectively frightening state of affairs, and it makes people go nuts.

At the start of this century, in the weeks before 9/11, a message-board poster calling himself Gecko45 went Web 1.0 viral by earnestly bullshitting about his job as a mall security guard, doing battle with heavily armed gangs, human traffickers, and ravening monsters. Gecko45's posts were unhinged: he started out seeking advice for doubling up on body-armor to protect him while he deployed his smoke bombs and his partner assembled a high-powered rifle. Though Gecko45 was apparently sincere, he drew tongue-in-cheek replies from the other posters on GlockTalk, who soon dubbed him the "Mall Ninja":

https://lonelymachines.org/mall-ninjas/

The Mall Ninja professed to patrolling a suburban shopping mall while armed with 15 firearms as he carried out his duties as "Sergeant of a three-man Rapid Tactical Force at one of America’s largest indoor retail shopping areas." His qualifications? Mastery "of three martial arts including ninjitsu, which means I can wear the special boots to climb walls."

The Mall Ninja's fantasy of a single brave individual, defending the sleepy populace from violent, armed mobs is instantly recognizable as an ancestor to today's right wing fantasy of America's cities as "no-go zones" filled with "open air drug markets," patrolled by MS-13 and antifa super-soldiers. And while the Mall Ninja drew derision – even from the kinds of people who hang out on a message board called "GlockTalk" – today, his brand of fantasy wins elections.

On Jacobin, Olly Haynes interviews the political writer Richard Seymour about this phenomenon:

https://jacobin.com/2024/11/disaster-nationalism-fantasies-far-right/

Seymour's latest book is Disaster Nationalism:The Downfall of Liberal Civilization, an exploration of the strange obsessions of the right with imaginary disasters in the midst of real ones:

https://www.versobooks.com/en-gb/products/3147-disaster-nationalism

You know these imaginary disasters: "FEMA death camps, 'great replacement theory,' the 'Great Reset,' fifteen-minute cities, 5G towers being beacons of mind control, and microchips installed in people through vaccines." As Seymour writes, these conspiracy fantasies are proliferated by authoritarian regimes and their supporters, especially as real disasters rage around them.

For example, during the Oregon wildfires, people who were threatened by blazing forests that hit 800'C refused to evacuate because they'd been convinced that the fires were set by antifa arsonists in a bid to "wipe out white conservative Christians." They barricaded themselves in their fire-threatened homes, brandishing guns and prepping for the antifa mob.

Seymour says that this "disaster nationalism" "processes disaster in a way that is actually quite enlivening." Confronted with the helplessness of a real disaster that can only be solved through the collective action you've been told is both impossible and a Communist plot, you retreat to an individualistic disaster fantasy that you can play an outsized role in. Every crisis – the climate emergency, poverty, a toxic environment – is replaced by "bad people" and you can go get them.

For authoritarian politicians, a world of bad people at the gates who can only be stopped by "the good guys" makes for great politics. It impels proto-fascist movements to electoral victories, all over the world: in the US, of course, but Seymour also analyzes this as the phenomenon behind the electoral victories of authoritarian ethno-nationalists in India, Israel, Brazil, and all over the world.

I find Seymour's analysis bracing and clarifying. It explains the right's tendency to obsess over the imaginary at the expense of the real. Think of conservatives' obsession with imaginary and hypothetical children, from Qanon's child trafficking conspiracies to the forced birth movement's fixation on "the unborn."

It's not just that these kids don't exist – it's that the right is either indifferent or actively hostile to real children. Qanon peaked at the same time as Trump's "kids in cages" family separation policy, which saw thousands of kids separated from their parents, many forever, as a deliberate policy.

The forced birth movement spent decades fighting to overturn Roe in the name of saving "the unborn" – even as its leaders were also overturning the Child Tax Credit, the most successful child poverty alleviation measure in American history. Actual children were left to sink into food insecurity and precarity, to be enlisted to work overnight shifts in meat-packing plants, to fall into homelessness – even as the movement celebrated the "culture of life" that would rescue hypothetical children.

Lifting kids out of poverty and building a world where parents can afford to raise as many children as they care to have is a collective endeavor. Firebombing abortion clinics or storming into a pizza parlor with an assault rifle is an individual rescue fantasy that escapes into the world.

Mall Ninja politics are winning.

[dancinglikebutterflywings]

7:10 AM | Timestamp

Pairing: Dad!Jung Wooyoung x Mum!Reader Synopsis: Wooyoung's favourite girls surprise him for his birthday. Requested by: No one Warnings: I love writing girl!dad Wooyoung so much. Pregnancy. Word Count: 875

A/N: this ended up being longer than a timestamp so enjoy. This took longer to post because my laptop was playing up.

Wooyoung Masterlist | ATEEZ Masterlist | Taglist Sign-Up

"What's all this?" Y/N’s husband’s sleepy voice comes from behind her as she puts on the final touches of setting the table for breakfast. 

Turning around, she sees Wooyoung gazing at her with wide, curious eyes, their six-year-old daughter beaming with excitement in his arms. Y/N gives her daughter a playful frown. The little girl had been eager to wake her father for his birthday surprise but she can’t fault her for it. Hae-young had no idea about the plan until Y/N had woken her up this morning, asking if she wanted to help surprise Daddy. There was no way Y/N would have spilled the beans to Hae-young before today. The little girl definitely inherited Wooyoung's yapping tendencies, making her terrible at keeping secrets. If she knew about what Y/N was planning earlier, the surprise would have been ruined.  

"What do we say to Appa?" Y/N prompts Hae-young.  

"Happy Birthday, Appa!" she exclaims joyfully, throwing her arms up in excitement, nearly making Wooyoung lose his hold on her. 

Wooyoung's sleepy grin grows as he finally registers what's happening, his eyes moving from the beautifully decorated table with flowers, balloons, seaweed soup, a couple of gift bags, and a small homemade cake to the excited face of his daughter. "Did you do all this for me?" 

"Eomma did, but I helped!" she proudly declares. 

Y/N watches as Hae-young beams with pride. The sight of their daughter’s enthusiasm fills her with warmth, and she can’t help but smile back at them both. Wooyoung, still half-asleep but now fully engaged, his eyes sparkling with affection, praises his little girl for a job well done before pressing a kiss to her cheek and leaning forward to press a kiss on Y/N's check also. 

Hae-young's laughter rings through the room like music, and Y/N feels her heart swell at the sight of her family. 

"Come on, Appa! You have to open my gift first!" Hae-young tells him, wriggling her way out of her dad's hold before taking his hand, tugging him towards the table. 

As soon as Wooyoung settles into his seat, Hae-young climbs onto his lap, reaching across the table for the larger black gift bag filled with all the things she picked out for him. 

"What did you get for me?" he asks taking the bag, opening it and reaches inside. The first thing he pulls out a black toy stuffed cat, this one different to his Aniteez sitting in her room. This one has big, sparkling green eyes and a tiny pink bow around its neck. Wooyoung chuckles, holding it up for Hae-young to see. "A black cat? You know your Appa very well." 

Hae-young giggles, clearly delighted with her choice of stuffed animal. "There's more, Appa."  

"Is there?" he replies, reaching back into the bag and pulling out three smaller gifts. One is a new bottle of black nail polish that Hae-young insisted on getting after seeing Wooyoung's nails painted for the latest comeback. Another is a box featuring his favorite cologne, and the last looks like a jewellery box. He opens it to reveal a small, intricately designed keychain with a photo of her inside it. Wooyoung smiles recognizing the image. It was of Hae-young, beaming with joy, her hair tousled by the wind, standing on her grandparent’s front doorstep. 

"Wow, Hae-young, I love it so much, I’m going to put it on my keys before I leave for work, so I can show all your uncles!" he exclaims, his voice filled with genuine admiration. “they’re going to be so jealous!” 

“Do you think so?” she asks hopeful. 

“I know so,” he assures her. “Now, do you know what eomma got me?” 

She takes a moment to think about it but shakes her head, no.  

"Why don’t you go eat while I open eomma's gift, okay?" he suggests, shifting in his seat. She obediently moves to sit in the chair next to him.  

Y/N picks up the small black gift bag and hands it to him. "It’s not much, but I hope you like it," she says, her voice tinged with nervousness. He looks at her with a hint of concern, takes the bag, and opens it. As he pulls out a box larger than the one containing the keychain, his eyes widen in surprise. Looking at her, a mix of excitement and hope fills his gaze.  

"Is this for real?" he asks, glancing between the sonogram photo and the positive pregnancy test, then back at her. 

"Yes," Y/N replies, her eyes glistening with unshed tears. 

 In a burst of excitement, Wooyoung quickly stands from his chair, almost knocking it backwards, and wraps her in his arms, pressing his lips to hers. "I love you so much," he says in between kisses. "Best birthday ever," he adds when he pulls away enough to wipe her tears that had fallen, not realizing he has tears in his own eyes. 

"Appa? Eomma? Is something wrong?" they hear Hae-young ask, her innocent curiosity breaking through the moment. 

Wooyoung quickly wipes away the tears that had begun to form in his eyes, kneeling down to Hae-young's level. He glances at his wife before looking back at her. "Nothing’s wrong, sweetheart. Appa's just having the best birthday he's ever had." 

@staytiny2000 - @treehouse-mouse - @katzline - @alexxavicry - @jedi-dreea

@rainydayteacups - @green-agent - @tinyelfperson - @yeonjunnie – @hollxe1

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@skittyneos - @pinkpunkdynamite - @keshivibes - @bookswillfindyouaway - @katsukis1wife

@jjoongstar - @arki-sha - @forever-atiny - @lixisoul99 - @do-you-remember-summer-127 -

@catzachvsvt - @ateez-atiny380 - @reayahnadeem24

[blueikeproductions]

Y’know thinking it over, I think one of the reasons TFONE failed, after looking at other comments, is it ultimately did nothing new. The marketing didn’t help, but I’ve noticed a lot of people be irritated at the modern 13 Prime concept and the more modern political bent (no longer Cold War inspired, but instead some mild identity politics and heavier ideological differences that modern audiences have notably struggled with) persisting, and this movie does little to change that.

The Bayformers films, love ‘em or hate ‘em, ultimately tried new things: The Allspark, reinventing the Prime mythology for its canon, Sentinel Prime as the best villain the series had, a group of ancient Autobot Knights that Optimus was apparently part of alongside the Dinobots, and so forth.

What did TFONE actually offer that was new?

Well.

Not much.

It was a complete retreading of the Aligned backstory we’ve been given for the past decade or so: Optimus and Megatron were former friends that overthrew a corrupt system that Megatron kept rebelling against, starting the Great War.

The same story that Prime did, that Cyberverse did, that IDW did, that Netflix WFC did, sure a few things were reshuffled but it’s the same, slagging story. TFONE even recycled Sentinel Prime as the main antagonist again, his motives not that dissimilar from his Spock adjacent counterpart.

People complain about the Great War being over done, but that’s clearly not stopping people eagerly tuning into Skybound’s version of it as of typing. General audiences, like it or not, vastly prefer the war between the Autobots and Decepticons, they don’t care about Grunkle Vegeta Megatron, his younger years as D-16 and his tumultuous friendship with Orion Pax.

The only thing new TFONE technically did was better establish Optimus and Megatron as being good friends originally. Aligned and the other series did a terrible job with this, with it ping pinging between Megatron already being power hungry and insane, he just hid it better, to him and Optimus being written as a couple who had a bad break up but can’t get over each other. TFONE still leans towards the later, not helping current situations but at least you do legitimately feel bad this time the friendship fell apart. The friendship was actually believable, that was the strength, but alas most people don’t really like the idea of Prime and Megs being friends.

It’s why I still feel the upcoming Age of Primes toy line will struggle, because once again, the 13 Primes are not a well known aspect of the lore, and modern shows haven’t done a great job at fleshing out Solus or Quintus, and stuff often falls back on Alpha Trion, a character from the old cartoon that people simply are more familiar with.

We desperately need to flesh these characters out better, we need to go back to a Vector Prime befriends the modern kids and Autobots plot for each Prime to make sense of them going forward. That’s the only way new fans will get to know them better and actually care.

As for TFONE, with current problems at Hasbro and Paramount, it’s not looking likely this story continues, but whether it inspires cartoons and comics after EarthSpark anyway we don’t know. Clearly the plan was to use TFONE as a springboard for future content, but it simply didn’t make money to justify it. If Hasbro is satisfied with it doing well on Paramount+, then maybe it evens out, but I legitimately believe the core problem has been trying to make the Aligned canon stick to most modern media when it clearly isn’t. I think we need a new approach, keep the Primes if you want, but don’t slavishly have it be the EXACT same story with them in each movie, comic or cartoon. TFONE DID modify the Prime backstory so that’s a good step, but whether they take that for future cartoons we don’t know.

[a1ecmcdowell]

ㅤㅤㅤㅤㅤㅤㅤㅤjust like the movies.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤor, 90s!jensen & starlet!reader.

ㅤㅤㅤㅤTEEN PEOPLE exclusive!

a never-before-seen inside look on america's favorite celebrity couple, starlet & jensen, only found here!

★ ˚⋆

it is, at this point, redundant to introduce the hollywood bombshell that is starlet, the new & upcoming actress taking over the scene. first met in days of our lives as a returning side character, starlet has since moved on to star in the likes of scream, terrifying the world with her breakout role of sidney prescott, and has since gone on to reprise that role, alongside her days of our lives character, many times.

on the other side of the dynamic duo, jensen ackles also got his notable start on days of our lives, working alongside starlet and, as he's stated before in multiple prior interviews, where he first met her.

"utterly captivating," he'd called her to an mtv interviewer, "there's no one else who can do the things that she does, and so effortlessly."

a romance should have been expected to follow after such high praises, though the way that it dominated the world was not so expected. their adorable acts of shameless pda & the blatant enamor that radiates from them when they are in a room together captured the hearts of millions.

today, we sit down with the both of them, and unpack just how they came to be.

★ ˚⋆

sat next to each other on two director's chairs is starlet and ackles, whispering to each other in soft voices, his palm atop hers on its back, the tip of his finger tracing shapes on her palm. he murmurs something, and her head falls back in a bright laugh.

jensen ackles (eric brady of days of our lives): oh! hey. didn't even hear you comin' in.

brittany johnson (interviewer for teen people): no, don't apologize! i'm just taking notes... capturing everything...

jensen: ah, gotta get all the details for the report, i see.

brittany, laughing softly: oh, yes. just doing my job. and how are you, starlet?

starlet (casey kennedy of days of our lives): spectacular, how are you?

brittany: can't complain at all when i get to spend my day with the both of you.

starlet, smiling warmly: oh, none of that. we're just people.

brittany: two of the most beloved of our decade, yes! did you anticipate such a positive response to your first public sighting together?

jensen: honestly wasn't even something that crossed my mind. i just wanted to take my girl to dinner.

starlet: it was so lovely, too. remember the hanging lights on the outside patio? and the candle in the center of our table?

jensen: is it a good time to tell you that i arranged that?

starlet: what? no!

jensen, laughing to himself: i did! called ahead and made sure we could have the patio to ourselves.

starlet: well, i guess we're both learning things today about my relationship, aren't we... oh, i'm sorry, i never asked your name.

brittany: brittany johnson. and that's alright, love, you were preoccupied! i'd never blame you for the honeymoon phase daze.

jensen: is that a real thing?

brittany: no, but i'm going to copyright it. it has a ring to it, doesn't it?

jensen: it does, yeah.

jensen's fingers lock into starlet's, raising her hand to his mouth to plant a chaste kiss on the skin.

starlet: sorry, this was probably a terrible idea, letting us do an interview together. we're not really good at anything but the... well, the honeymoon phase daze.

brittany: here, let me see if i can help keep the both of you on track, shall i? what were your initial thoughts when you first saw each other?

jensen: can i swear?

starlet: jens!

jensen, cackling: it's just a question!

brittany: i can censor it, don't worry. speak freely.

jensen: honestly, and i'm not exaggerating, she always thinks i'm lying about it, but my very first thought when she walked into the reading room was holy f**k.

starlet: no, it wasn't. he wasn't even looking at me, he was looking at his script—

jensen: s'called being sneaky, baby, i was lookin' over the edge.

starlet scoffs, her lips curling into a smile, betraying the feigned irritation.

brittany: starlet?

starlet: i was definitely intimidated. i don't remember my exact reactions, but we locked eyes at one point while reading our lines, and it felt—

jensen: just like a movie scene.

starlet: yeah. i honestly thought that when people said the world stops, it was just a cliche, but...

brittany: but it wasn't, not with you too.

starlet, warmly: exactly.

jensen: she wouldn't go out to dinner with me immediately. just so you're aware. this little lovelorn act she's portraying? wasn't immediate and was not as swoonworthy as you're lookin' at me like it is.

starlet: hey! i was being cautious—

jensen: hard to get. she was being hard to get.

brittany: you asked her out to dinner that very day?

jensen: that very day. i thought, "hell, if i don't swoop in, someone else will." so i swooped.

starlet: and missed the landing.

jensen, mock offendedly: because you were playing all coy!

starlet: since when is being cauti—

jensen: hard to get.

the two's words begin to overlap in an unintelligible argument, jumbled with laughter and tugging on their locked hands.

jensen: anyways. yeah, she rejected me at first. big ol' fat blow to the ego.

brittany: what eventually made her say yes? or, really, i should be asking you that, starlet.

jensen: yeah, baby, go on. i'm curious too.

starlet: it... well, it sounds really superficial. but we had this scene together, and our characters practically mirror the story of us, in a way, because— i don't know, something clicked. the director called cut after eric was about to kiss casey goodnight, and he leaned in, and...

...

...

starlet: it's really cliche, i know that's how it must sound, but it really felt like magic, standing in front of him, looking into his eyes and feeling the emotions he poured into himself while he was acting, and knowing that they were at least somewhat true, considering he'd asked me out a week or so prior. i thought, "god, why did i say no? what kind of idiot was i?"

jensen: very cute that your moment of clarity came from me kissing you. that's all i wanted to say— don't look at me like that. carry on.

starlet: that's it, you loser. unless you want me to continue stroking your ego.

jensen: there's a few other things you—

brittany clears her throat, her palms patting against the notepad rested on her thighs.

brittany, flushed: alright, well... i think that wraps it up for us! it was incredible to get to hang out with the both of you. do you... have any final comments? anything you want to tell the people?

jensen: yeah. go watch my pretty baby in scream 2. and thank you, brittany, for putting up with her, i know she gets a little ditzy and talkative—

starlet swats jensen's bicep, laughing along with him.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤEND TRANSCRIPT.

notes, nobody look too close at the transparent ok its shoddy at BEST but i was having a meltdown over 90s jensen earlier n couldnt relax until i did this ok feedback appreciated sm unless its mean HAHAHA bc i honestly dont know . . . if i like this HJTKLGDFSH style heavy inspired by daisy jones & the six my beloved

tags, @jasvtsc @figthoughts @deanswidow @depressionbarbie2023

[thousandyearphantombunker]

Unlike Namaari King Magnifico deserved redemption. He might have been narcissistic and a bit of a control freak but he also felt like he was burnt out and underappreciated/misunderstood (imagine hearing "why can't you grant my wish please help me!' and being unable to explain yourself without breaking that person's heart- the frustration irritation and guilt from those reactions would kill me) and people want to help him for selfish reasons. Imagine meeting someone you think could lighten your load of work and become a friend or confidant only for them to tell you they're helping solely for selfish reasons. That's crushing. and he's not wrong that granting everyone's wish is a bad idea- why waste a wish on becoming a talented pianist if you could just practice on your own and get good? Why ask for a wish to become a doctor when you could just study and become one on your own? Are the people here that lazy? What moral questions would you have to face if someone asks for their child's disability to be cured or for them to have their lover return their affections or if they ask to be eternally happy or get rid of bad but needed realities like death? What ills could those wishes cause (this is giving me flashbacks to the 'board of governors' song from Jekyll and Hyde - very important good questions that got ignored by the protagonist but atleast Jekyll faced actual consequences for being a dumb ass and not answering them) And then there are wishes that are outright dangerous- ill intent unto others.

King Magnifico isn't evil he was under stupid amounts of pressure from his duties to his kingdom, his duties as a wizard who had to contend with these questions and all the work he had to do- on top of all that he has trauma specifically related to this stuff. He's got a thankless shitty job but still pushes through until he can't anymore. He was being selfless until the stupid plot picked up and he had his PTSD triggered and out of fear (which the audience sympathized with for obvious reasons) and after the whole book thing he was possessed and didn't have control over his actions. He deserved some consequences for picking up the book but nothing as harsh as the mirror imprisonment. He deserved to have people point out his fears were valid and that granting everyone's wish isn't a good idea and in some cases it's not even his responsibility. Sometimes you have to make your wish come true on your own and ask yourself the heavy questions- he deserved to be portrayed as sympathetic- He's like genie from Aladdin shackled down by his powers and that he was handling that work load alone with zero thanks and all the frustration of people depending on him more! He wasn't planning to do bad the whole movie! The worst thing he did was open an evil book when the pressure finally got to him

the movie should have let him be right in some aspects "okay maybe granting everyone's wish is bad, and maybe we should appreciate your work more but the only way for us to stop relying on you is if you let us grant our wishes on our own, even if you think it'll hurt" and having Asha, her friends and his wife take on more responsibilities. Maybe he has to share half of his magic with them and it weakens him and he's no longer the sole ruler and basically having him have to confront being a control freak. Having to trust others with his power and chill out. Him and Asha having to let others be disappointed angry and ungrateful and not let it bother them but also having to check themselves and their sense of superiority and Magnifico again would have to check if he was being too harsh etc.

King Magnifico wasn't evil. He's was right that granting everyone's wish is bad and dumb. he was in the right. The story should have shown that he was in the right without making him the good guy and had Asha be an actual character with an arc but instead of actually writing that story Disney decided to make him pure evil out of nowhere so you wouldn't think about how terrible the moral was (which would still earn my ire but I digress) but the thing is Magnifico became evil cause he was possessed- so while not totally innocent it instead emphasized the bigger problem with the movie

He genuinely is selfless and because of his trauma believes what he's doing is right- that can work for a villain but you have to be a real good writer to make it work- you have to make his actions more irrational and selfish and cruel inorder for people to recognize him as a villain (as a rule of thumb if your villain isn't doing something irrationally cruel and is fully in the right then you probably fucked up. If your writing a well intentioned extremist- you either have to make their methods insane or their motive- selfless but irrational or something- something has to be wrong with their mindset or rationale and something definitely has to be wrong with their actions) but clearly the writers can't pull that shit off. They made him completely rational and sympathetic on top of it all

And again he was possessed.

He did nothing wrong prior to that.

Not every villain has to be redeemed and have a son story attached. But for fucks sake if anyone deserves better it's him. The problem isn't that every villain is redeemed the problem is that the villains who get redeemed/get to be sympathetic anti heros don't deserve it and the baddies who do deserve better get treated like garbo

I just watched Wish (2023) and it made me realize something kind of sad about Disney’s treatment of villains.

So Disney has a long history of villainy from the OG Evil Queen who is willing to murder a girl just for being pretty to the misguided like Auto thinking he’s protecting humanity in Wall-E. They are mean, jealous, prideful, vain, and many relish in just being the worst of the worst. However every now and then we get a glimpse of more complexity. Zootopia’s Bellwether dealing with years of racism and mistreatment, Gantu trying to stop what he thinks is a monster in Lilo and Stitch, Up’s Muntz being a heroic explorer before paranoia consumed him, etc. The thing that makes me sad about these villains is that not one of them has ever had a chance at redemption or change in Disney’s eyes and nowhere is that sadder to me than their latest villain, King Magnifico.

(Spoilers below)

King Magnifico is the magical founder of a utopian society that accepts people of all races, religions, and backgrounds. Who created this wonderful place after what is heavily implied to be a violent invasion destroyed his homeland when he was but a child. This past trauma led him to study magic and become a powerful sorcerer so that nothing could hurt him or the people he cared about ever again. His magic is a protection that he extends to all who choose to live in the city. The city is vibrant with a colorful community full of artisans, musicians, and dancers. He takes no taxes from them, but does take their one true wish upon joining this society.

When given these wishes it is understood that he will ensure their safety and possibly grant them one day. Something important to note about the physical manifestations of the wishes is that they give off a warm and comforting aura as they represent some of the purest parts of a person’s soul. Magnifico has been surrounding himself with this magical comfort for a very very long time by himself and I don’t think it’s unfair to say he has become addicted to their presence. The wishes are giving him a magical comfort through the kind souls within them, a feeling he could’ve probably also gotten if he had spent more time with his people.

It doesn’t look like he ever really got the chance to commune with his people properly because somehow the society kicked off on his wish granting abilities. People had to give him their wishes if they wanted them granted and eventually the ones that he couldn’t grant in good conscience or out of fear started adding up so he began locking them away. Keeping them safe so no harm came to the people. The rare occasions that anyone else interacts with these wishes is during wish granting ceremonies that the people are borderline rabid for. With good reason, it is their souls they’re thirsting for after all even if they don’t really know it.

However, Magnifico clearly doesn’t see it that way. He sees it as he’s given these people a wonderful safe haven from the horrors of the outside world where they can be whoever they want to be, do what they want to do, make what they want to make, and still all they see in him is a tool to fastpass to something else they want even more than the peace he’s given them.

This is clearly shown early on, before any of his evil behavior starts to take root, in relation to his assistants. We get a expo dump after the first song telling us that Asha wants to become one of his assistant to increase the odds of her grandfather’s wish being granted as there is a correlation between past assistants and having wishes granted. Something important here is that there have clearly been many assistants, suggesting that it’s a revolving door position without really explaining why. Who would want to keep finding assistants over and over again, when really you should find someone who could do the job long term right? Well we get to find out the likely reason when Asha steps up for the role.

When Asha comes to interview for his assistant position he sees she is nervous, he tries to calm her down, and he even manages to relate to her through fond memories of her kindly father who he clearly knew. After seeing her true resolve to do good he decides to trust her with something few people in the entire kingdom get to see, the vault of wishes. To which Asha doesn’t even hesitate to ask, after politely being told not to prior, if he’ll grant her grandfather’s wish.

Magnifico is blatantly stricken by her request, sadly remarking that most people at least wait a few months before doing so a.k.a pretend to be interested in helping him rather than trying to use him to grant a wish. This is likely why the assistant job is a revolving door. Magnifico tries to find someone who he thinks will truly and selflessly fulfill the role only to discover time and again that people are just using it to get direct access to him to ask for a wish. Then he can’t trust their true intentions anymore and moves them along.

After Asha makes her request he does take the time to look at her grandfather’s wish but dismisses it as too dangerous because it is the vague desire to inspire the next generation. Clearly we as the audience know that her grandfather means to inspire them to do good, but we have to remember Magnifico has seen the worst of society. He has seen the darkest wishes and desires of mankind and survived them. He brushes Asha off telling her she’s too young to understand, which is honestly true. She’s lived her entire life cloistered in peace and comfort thanks to him and the rules he has made. She has never had to know war, strife, or hardship thanks to him, yet she doubts his decision without understanding the trauma that guides it. This is what I believe pushes Magnifico into his villain arc, something that I don’t think we’ve ever really witnessed in a Disney movie.

Usually a villain already is the villain by the time the film rolls around, even the twist villains. Lotso had already been deliberately sentencing other toys to torture. Prince Hans was already planning to murder his way to a throne. Evelyn was already plotting her revenge. Magnifico wasn’t though. He was the hero. He had saved his wife and a whole city’s worth of people from whatever drove them from the mainlands. He wasn’t physically abusing/mistreating people like Gaston even if he was vainly basking in their adoration.

When Asha pushes him on the wishes he pulls back from her, identifying her in his mind as a threat and treats her as one. He dismisses her and tells her that her family’s wishes will never be granted by him, but he will still keep them safe as he has been doing. Essentially meaning nothing will change for her from what it has been. You know a happy loving existence of complete acceptance and wholesome family life or as Asha interprets it, a fate worse than death.

His interaction with Asha triggers him, as she’s pushed at the flaws in his reasoning for holding onto the wishes. The flaws are true, but his mind is clouded by fear of a lack of control, likely stemming from the horrors he witnessed in his childhood when he had no control. He also likely has a bit of an addiction to the warm fuzzies that the wishes give on top of his fears. While he’s ruminating on that some massive wave of magic blows through the kingdom and messes with the thing he’s already stressed beyond reason about, the wishes.

Magnifico frantically searches for any answer, even considering a dangerous tome of forbidden magic that he knows is trouble before his wife manages to talk him down.

The fact that he could even be talked down rather than ignoring her outright shows that Magnifico does have good in him. He’s just reacting out of a genuine panic. His panic is only worsened by huge mob continuing to beg him for wishes in exchange for doing what should be the selfless act of defending their kingdom from what is essentially perceived as an attack. Not having any faith left in his people he turns back to the evil book to give him the key to stopping this perceived attack.

Just to be clear King Magnifico goes to the big bad evil book not to gain more power for funsies, but to try to find a way to stop a perceived threat. Everything he does from this point on, such as threatening his wife, can no longer be fairly tied to him, because as the movie repeatedly tells us he is under the EVIL book’s influence. His wife even looks through the same book to try and see if there is a way to break the sway she knows it has over him, but says she can’t because the EVIL book said no.

Yada yada yada and Magnifico is sealed inside a magic mirror and smugly told to rot in the dungeon by his previously loving wife.

Seriously?! What the heck?! This guy was the perfect candidate for rehabilitation. He wasn’t flawless, but he wasn’t a murderous psycho like most of the other Disney villains. Disney loves to preach kindness, acceptance, and good will with their heroes, but never does it allow the message of change.

I was shocked going back through the catalogue and slowly realizing none of their villains, regardless of how tragic their origins are, are ever truly allowed a second chance. The hero may offer it, but the baddy never is truly expected to change or reform. Which is honestly super messed up to me. People make mistakes. Some can be small/insignificant, but some are big and do hurt people sometimes. That doesn’t mean they can’t change for the better.

Now I’m not saying every villain is redeemable or good, it’s just a bit surprising that for all the messages of kindness and acceptance we haven’t really gotten forgiveness in 100 years. Seeing the “bad guy’s punishment” just deeply bothered me this time. Probably because so much of the bad that Magnifico does is clearly a trauma response and as a punishment for not acting appropriately to said response he gets sentenced to eternity is magical cell.

[postcardsfromheapside]

I need to be salty for a hot second about people who are upset about aspects of Lucanis' romance.

I'll put everything else under the break for spoilers, but in general, I am so disappointed in a large portion of this fanbase who apparently thought "disaster" meant "romantasy," but also it's in keeping with how a lot of people seem unable to put things in context.

One of the complaints I keep seeing run past is that the scene where you commit to a relationship with Lucanis seems pefunctory, or out of the blue, there's nothing really romantic about it, it's too similar to the platonic route, etc, etc, ETC.

I romanced Emmrich, but I've seen other people's versions of romancing Lucanis. I'm just going to kind of word vomit here, and hope I can come up with something cohesive.

As someone who id's with Lucanis for "generational abuse" and "dumpster fire disaster bi" and "using socially acceptable drugs as coping mechanisms in place of addressing your problems" reasons, it's been really fucking annoying watching the almost deliberate misinterpretation of his character even after Mary Kirby dropped several explanations on social media. It's like a large part of the fanbase saw all that and turned into the "yes yes, very sad...anyway!" meme and went right on fetishizing him...then got mad when he didn't turn into the seductive Dom with wings they were hoping for.

You commit to Lucanis after (what I consider) a very intense scene inside his "mind prison." He's struggling so much internally that Spite wrests control of his body from him in front of witnesses and begs Rook to help them. Lucanis would never ask Rook to do so on his own, he's terrible at asking for the help he truly needs. Spite drags Rook into the Fade Ossuary and demands they free Lucanis from his self-imposed prison. And whether you're a friend or would-be lover, Rook slowly talks Lucanis out of a host of self doubts regarding his family and friends. Can he trust himself not to hurt other people, now that he's saddled with this affliction? Has he disappointed the people he cares about most? Do these new people he's coming to care about actually trust and care about him? The rooms are filled with fragmented thoughts that peter out into regrets. You're literally seeing Lucanis' fractured and complicated emotions.

One of them tore a hole straight through me: "You'd have to kill me...And Spite would die."

You'd have to kill him to get rid of the demon. And he'd regret the death of the demon that's protected him and given him strength, through a brutal year of betrayal and torment. I don't know if y'all remember the scenes in the Ossuary of the failed experiments and the corpses you had to pass to get to his jar of blood. It wasn't fun.

When you break out of the mind prison after helping him bond with Spite, it's intimate and momentous, even on a platonic route. You've seen desperate and lonely parts of him he'd never willingly show anyone.

As you're convincing Lucanis that it's okay to leave his mind-prison, you tell him you understand that it's easier to deal with problems like the Ossuary and Zara than healing and living with Spite, potentially hurting people he cares about. But he wants to. It's Rook's job to help him see a path out, a way for him to make the struggle easier so he can begin to heal himself.

I need to stress: you aren't "fixing" him. You're acting as his lighthouse, regardless of whether you're a friend or a lover. Sometimes people need help. He's still going to have to do the work to get there.

As a friend, it was extremely rewarding to come back to the kitchen and see him doing exactly as I'd hoped: moving on with the business of *living*. He made a nice dinner for everyone he's come to care for, and a special dessert for Neve. Cooking is where Lucanis finds creativity, and comfort, and connection with his friends and family. He isn't very good with words, but he will note everything you consume, and try to make you feel loved by expressing it that way.

Which is why I think it's important you don't dismiss the commitment on the romantic route. He remembers YOUR favorite drink and makes YOU a special dessert if you're romancing him. Lucanis isn't going to get poetic. You've already made him feel raw. You've seen the ugly, embarassing parts of him. What is he supposed to say? Usually it takes Spite reaching through his body to actually be direct. Instead, Lucanis reaches for food, his favorite medium, to try and apologize for inadvertently showing you those things, to thank you for helping him despite seeing what he considers the most shameful parts of him. Your commitment is letting him know that you value him, that he has nothing to be ashamed of, that you understand what he's trying to express with his struggling communication skills, which appear to get better as your relationship progresses from there.

It's weird that some of y'all don't feel that this is heartfelt and important, because you'd rather him act out some sensuous fantasy trope. It's also weird that some of you haven't figured out that many scenes in RPG's can be similar on platonic and romantic routes with tweaks to shade context.

(Also just in case this comes up: cooking is not his "love language" - that whole concept was invented by a misogynistic weirdo and we should remove it from our ideas of communication)

Anyway, this guy is my Rook's bestie and I'll go down swinging for him, you should appreciate the fuck out of him and stop acting like his writer didn't craft a perfectly funny little weirdo who is bad at showing people his tender parts and terrible at interpersonal relationships.

[novankenn]

Prelude to... A movie on Saturday

A snippet from "a Mafia" & "From Assassin to Sales Clerk" AUs

Pyrrha was once again in the mall being dragged along by Jaune. The man she was supposed to kill, but because of her traitor of a heart and turncoat of a brain, she couldn't pull the literal trigger on the job. Of course the dense, oblivious, sweet, cutie. Pyrrha shook her head to try and replace those words... only for sweet to become loveable, and cute to morph into adorable.

So because of her inability to override her heart and brain, her mark who somehow had spotted her trailing him, decided she must be his... bodyguard. Pyrrha didn't know what was worse. Not being able to finish the job herself, or having to PREVENT other hitters from completing the contract! In was insane, and giving her a migraine.

"Jaune!" Pyrrha yelped when he grabbed her by the wrist, and started to drag her towards his chosen destination. "Hold on!"

"Come on Pyr!" Jaune spoke through his adorable goofy smile. Hearing her nickname, and seeing that smile, made Pyrrha "Goddess of Death" Nikos, blush like a school girl.

The blush, and associated happy feelings instantly died upon stepping over the threshold to Pumpkin Pete's Novelty Store. Gods Pyrrha hated this store. It was tacky, gaudy, and over priced! Like seriously $200 lien for a hoodie just because it had a trademarked rabbit head logo on it? But Jaune loved the store, and as his... bodyguard she was required to stick by his side, even in this hell.

But that wasn't the full reason she hated stepping inside this neon coloured purgatory. No that other reason was currently staffing the till of the store.

"Hi, Jaune! Pyrrha!" Blake called from her spot next to the till, in an overly cheery tone.

"Blake! Did they come in?" Jaune asked, like a over energetic puppy.

"Yep. The whole set is on the shelf, next to the Cereal Display." Blake helpfully informed Jaune, who released his grip on Pyrrha and rushed off towards the indicated destination.

"Blake." Pyrrha greeted the cashier coldly. Now why would Pyrrha be such a... bitch to some one working in customer service? Well because Blake Belladonna was also an assassin. One who had TRIED to claim the payout on Jaune.

"Pyrrha, you can relax. I signed off as not interested on Jaune's contract. You and him are safe in here." Blake informed her rival hitwoman for like the twentieth time.

"I still don't trust you."

"And that is an issue." Blake retorted. "How can you be in a relationship when you can't even trust someone in the same profession... wait that is a terrible example. I can perfectly see why you would have trust issue there."

"Whoa! Limited Edition Chainsaw-hand Pete!" Jaune shouted in excitement from his side of the store.

"How many of those freakish Sche-Pop things are there?" Pyrrha asked with a defeated sigh.

"Two dozen." Blake responded. "Anyway, you need to be more trustful. How are you going to move forward with Jaune if you can't trust and be honest?"

"Honest and truthful?" Pyrrha snorted, "Tell me Blake, in your infinate wisdom how this would go. Ahem. Jaune I'm actually a hitwoman who is supposed to kill you for a Schnee amount of money."

"Yeah, maybe not that honest."

"Anyway, have you been that honest with... Yang?"

"How do you know about her?" Blake hissed, her hand reaching for the kukri sheathed under the counter top.

"Jaune and her are friends through her sister Ruby, and you should understand... blonds talk. Especially to other blonds."

"Shit!"

"So have you taken your own advice?" Pyrrha asked with a smirk. "Opened that Pandora's box of truth, to you blond?"

"I'm trying!" Blake hissed, "It's hard, you know. I even bought out her contract four years ago, so no one could pick it up!"

"Whoa. That is commitment. When's the wedding?"

"Hush you!" Blake answered. "You're no better, you know that! Blushing and squirming like a school girl every time Jaune even looks at you!"

"How else should I react?" Pyrrha asked. "His contract has a no-buy-out clause! I'm sleeping in his bedroom for Gods sake!"

"Same or separate beds?" Blake asked instantly serious.

"Separate."

"Shit!"

"Blake, where you thinking lewd thoughts about me and my sweet Jaune-Jaune?"

"No, and do you hear yourself?"

"EEP!" Pyrrha squeaked as she finally recalled what she just said, and said out loud. "Argh! I'm a mess! What am I supposed to do! This should never have happened!"

"Preach it sister." Blake replied. "Yang wants to take me to the movies, Saturday, and I bet you an hour's wages she'll invite Jaune who will bring you along."

"A movie!" Pyrrha's heart was slamming against her ribs. "What the hell do we do at a movie?"

"Hold hands? Make out?"

"We are killers Blake! We are ill equipped to do such normal things!" Pyrrha growled in desperation while unintentionally grabbing Blake by her hands. "What are we supposed to do? how am I supposed to act normal?"

"Don't ask me!" Blake replied. " The only normal thing I know is how to work a retail job!"

"Right." Pyrrha released Blake's hands. "I hope you don't take this the wrong way, but WHY are you still working here?"

"Deery." Blake replied without hesitation. "She's scary."

"Oh, yeah... I remember her." Pyrrha visibly shivered.

"Hey!"

"No."

"Rude. You don't even know what I was going to say!"

"You were going to suggest I speak to one of Jaune's sisters." Pyrrha scowled. "Not happening. Ever."

"So then we go to this movie, flub it, Get outed as murderous psychos, and lose the loves of our lives?" Blake asked.

"Fine. I'll ask Saphron." Pyrrha capitulated. "Happy?"

"You were right Blake!" Jaune commented in his overly cheerfully friendly voice. "They had ALL twenty-four PLUS the four special editions!" Jaune pushed a shopping cart to the counter. A cart filled with boxed figures.

"Jaune. Don't you have like all of these at home already?" Pyrrha asked, leaning back from the freaky things.

"No. That was series one. These are series two. So they're different."

"How?"

"Poses. Accessories." Jaune cheerfully replied.

"I'll just ring these all though, for you." Blake commented.

"Oh, Blake?"

"Yes, Jaune?"

"Yang said something about movies Saturday." Pyrrha froze. "So I thought I'd check with you to see if you'd mind it Pyr and I tagged along?"

"Don't mind at all. The more the merrier." Blake replied, in her practiced cheery customer service voice.

[buckets-of-dirt]

What is the point of a very specialized "watch" that costs the same amount as an actual smart watch (which have apps that theoretically do the same thing) but has fewer functions and isn't even very good at the one thing it's supposed to do?

[idolomantises]

I’ve seen people make excuses for the writing by mentioning it’s all just set up for spin offs and sequels but… I don’t want that? Why on earth would I want to wait 3 years for a show to say “oh by the way these characters will get proper conclusions in the spin offs”.

Just tl:dr I’m over this series and don’t plan on watching any of the sequels or spin offs. Maybe if they introduce a hot robot character I’ll check it out.

There’s not even a promise that every single character that has an inconclusive ending (which is all of them btw) will have spin offs and sequel shows. I’m pretty sure they’re likely going to just use a completely different cast since League has a lot of characters.

I’ve seen arguments that the season is bad because it has very few episodes and wasn’t spaced out, and while I do agree the pacing is terrible I also… don’t even think this show could have been salvaged if they gave it a full 4 seasons. Because either way, it was going to end with a lot of characters being badly written, sideline and having arcs unfinished so it can be explored in sequels and spin offs (if that even happen).

One thing I liked about arcane is that it avoided a lot of really bad tropes that I’ve seen modern queer media weirdly struggle with. Arcane avoided the pitfalls written female characters, female characters used to push male relationships and very clearly abusive couples that are dismissed just because they’re gay.

Then season 2 happens and Mel becomes a disposable black woman trope, Sky only existed for male angst, Maddie is literally there for shock value and adds nothing to the narrative, Vi just… turned into that and Caitvi is toxic yuri in a way that’s very unfun and frustrating. These two are seriously so incompatible for each other, but they make out and have sex a lot so I’m sure this destructive relationship with warring idealogies will be fine. Please queer shows for the love of god stop assuming gay characters kissing and fucking makes up for their lack of communication and horrible behavior to each other.

Honestly I’m really disappointed that all these things happened to Sky, Mel and Maddie because watching fans tear apart female characters for 4 years just for existing and getting in the way of ships only for them to be exactly that and for fans to cheer about their suffering pisses me off so bad like girl… what the hell happened did the writers have amnesia. How do you write this show right after season one and fuck up this bad.

Maybe we should stop making videos about how tv shows write female/queer characters well until they’re actually done because this is getting ridiculous.

And yes I want to come back to the issue with how black characters were treated because I do find it pretty gross for Mel and Ekko to be absent for most of the show but then come back to basically save the day so fans don’t complain about how they were obviously sidelined for the sake of other characters. I dont really care for Ekko/Jinx but I did enjoy their time together in the AU.

And another annoyance is that this show did such an incredible job at introducing moral greyness to the show but then got scared to really commit to giving these characters any consequences. And I don’t mean like death or going to jail, but I mean holding grudges. I think Jinx is a very interesting and tragic character but she’s also… a terrorist? She caused the death of their friends and father? Like she’s a grown woman making these decisions. Having characters run around and risk their lives to save her felt a bit frustrating because yeah circumstances lead to this but half of these circumstances are also her fault. I really wish the entire season was about Vi choosing whether or not she was ready to forgive Jinx instead of basically accepting her back because Vander is back.

And VANDER…. Actually I won’t say anything because the more I mention him the more it pisses me off.

I have more thoughts but I gotta draw some comics so I’ll just leave at that. Disappointing season that I think is a lot worse than fans insist it is. It’s not one or two issues, it’s just compounding problems that won’t improve.

Thoughts on Arcane season 2

I didn’t like this season

It’s not bad, but I found it incredibly rushed, cramped and deeply unsatisfying

While season 1 had several protagonists it was also pretty obvious that Vi and Jinx were the emotional core of the entire show so why on earth was their dynamic barely explored here

Vi went from being my favorite character to a character I found deeply frustrating and annoying. What the hell is her personality of getting her sister back and fucking the hot lesbian. She has no consistency whatsoever and it’s something I don’t think the show realizes how batshit the constant flip flopping in. What do you mean you sister tells you she’s going to kill herself and then you start fucking your messy situationship

I don’t really care for Jayvik but I found Jayce’s confession very sweet.

Mel my beautiful queen they’re gonna call you a Mary Sue

What the fuck was with all that Witch shit and Ambessa’s death was incredibly unsatisfying

Victor fans who kept begging the team to not make him a hot buff robot so he can still be a skinny twink pisses me off so bad because now we have an inferior twink robot design. I know fans probably didn’t influence this but I also need to complain about their lack of taste like what do you mean you didn’t want to see a hot buff robot man.

Ekko feels like an incredibly unimportant character and I’m pretty sure fans only like him because of what he can do for Jinx. A part of me wished he actually did hold a grudge just to see how fans reacted.

Season 1 was all about setting up emotional complexities and how nobody was truly evil and the show made it seem like there was no way for anyone to fully recovery from this but everyone is holding hands and singing kumbaya’s so alright nevermind then

This show was honestly a little too in love with Jinx. I did not enjoy her writing in acts 1 and 2.

The jokes were really bad this season

The songs oh my god the SONGS. I didn’t mind them in season 1 but in season 2 it started to remind me of love is blind and anyone who has watched that show would know what a massive insult that is.

Caitvi lesbian sex scene and I couldn’t even enjoy it because the writing was pissing me off

Caitlyn should’ve continued her little fascist arc.

Mel’s arc this season felt like weird fanfiction.

A bunch of random side characters die off unceremoniously after the show gave them so much unnecessary screen time

I hated Isha sorry. I’ve never seen a character more clearly made to die.

Jinx death means nothing to me because I know she isn’t dead so why even do all that lol

I will never call this show sexist but it has done a massive disservice to its female characters.

[steampunkedemon]

idk but saying tyler being a manipulative serial killer means he can’t be with wednesday is genuinely so funny to me like baby this is the addams family we’re talking about. being a manipulative serial killer should put him at the top of the viable choices for wednesday list.

[moeblob]

having a stressful time at work but i think it's very important to point out the other day i was asking a guy for help and he's like aight gotcha and then we go to this freezer room and he, from somewhere beyond a mound of boxes, just goes "you like anime right?"

sir this is the FIRST TIME we have spoken how did you clock that.

(he claims i had the vibes of someone who liked it then i was like oh like the woman in the deli wearing a jujutsu- and before i can finish the series name he says "no not her, she just liked the shirt. she's never watched anime". . . oh. i see. you have already had this debate with her then. okay.)

EDIT UPDATE:

So I got clocked AGAIN as a weeb by a coworker because I saw part of her outfit and was like "oh, Attack on Titan?" and while I then said I've never watched it she said that's fair then "do you know anything about vtubers?" and I just. Are you kidding me. I mean yeah but like. Why is your safe question with me "do you know about vtubers".

WHAT AURA DO I BRING TO A GROCERY STORE TO BE CALLED OUT LIKE THIS?

[rey-jake-therapist]

The rings stopped working after the One ring was destroyed before Sauron had cast a spell so the rings were connected to the Ring. There's nothing that indicates that the rings heal also because of him, only that whatever power they have, he may amplify this power when he takes part in their making, though I'm not even sure if that. He also establishes a connection between him and the Rings. The way I understood it, the Mithril that wasn't enough became enough because Sauron and Celebrimbor tapped into the Unseen World to amplify its healing qualities.

But until the One Ring is forged, the rings aren't connected but not bound to Sauron, that's why he can't control their bearers. When he saw that their bearers enjoyed the use of his rings but remained themselves uncontrollable, he forged the One Ring, and cast a spell using powers from the Unseen World so all the rings that were forged became bound to this ring. The moment he did that, It's only then that the Elven rings' powers indeed became dependant of him, or more precisely of the One Ring's existence. That's why they had to remove their rings, otherwise they would have become slaves of Sauron.

As for the rest, no offense but I think you keep confusing two things that are unrelated. The question of the Valar presents itself when it comes to judge Sauron for his crimes : only the Valar can judge him, not another Maiar, because they're his equal and equal beings can't judge one another. The question of his pre-judgement healing by Nenya or any other way is another one.

You have your headcanons, that's cool but I don't think there's any reason given in the lore to think that Nenya couldn't have healed Sauron's corruption. And anyway at the end it's not even the topic of this discussion. The topic was the absurdity of showing that Nenya could heal Adar's corruption, but not following this scene with a discussion involving Sauron's own corruption.

I saw someone dismiss this idea "because if Sauron had been healed by Nenya the show would stop there". Nobody asked for Sauron to be healed by Nenya lmao that's the kind of reasoning that gives plot driven arcs instead of characters driven arcs : "we can't have x characters doing x thing even if it would be in character for them to, because it's not good for the plot". It was simply out of character from Galadriel to not even have this conversation with Sauron. I believe like it was suggested in another post that for Nenya to heal corruption, the character has to know they're "sick" and want to be healed : they did a terrible job at showing that Adar wanted to be better so it looks like Nenya did all the job for him.

Sauron doesn't think he's "sick" and doesn't want to change, not anymore. He believes what he's doing is right and for the greater good. So we could have had a scene where Galadriel suggests that *he* could be healed like Adar was, and him dismiss the idea. It would have enraged Galadriel, would have made her sound much less stupid than when she said "do you want to heal me?" (Made no sense in that context), and later "heal yourself" (again didn't make sense bc at no point she acknowledged that he was sick). There, problem solved.

Nenya being able of freeing someone from the corruption of morgoth should have a bigger impact in the narrative and caracthers and be a game changer in middle earth and the fact that Galadriel refuses to give it to Sauron that is desperately trying to escape melkor's influence is beyond shortsighted and cruel I blame the writers, mind you Not her but this is huge plot hole (idk what we would call a device being able to fix all the issues of a universe being ignored) and I can't stop thinking about the what if scenario where gal handles sauron the ring

[the---hermit]

Not me adding annotations to a book to make it more accessible for my mom when she will read it

[winepresswrath]

Cannot believe at this late stage of my life I'm becoming a Gabriel fucker. Local mean jock doesn't want to be evil now, he wants to be loved. I'm slightly annoyed they didn't make Beelzebub more unhinged because the "plot" should have been at least half about them fucking up shit on an absolute rampage trying to find Gabriel, a thing everyone assumes they are doing to fry him with hellfire so they can kick off the war in a way that's advantageous to hell, BUT ACTUALLY!!! true love.

[thatbuddie]

you seriously cannot make this up: you have people reblogging fic featuring a racist character as half of the main ship in the morning then trying to give morality lessons in the evening by calling others homophobic over a joke.

THE CALL IS COMING FROM INSIDE THE HOUSE, BABES.

[eleionomarea]

gay/bi mike wheeler discourse is so hilarious from my pov. I'm here sitting on my bench watching you all going at each other's troaths virtually, eating popcorn and knowing that Mike is straight, that the Duffer Brothers are lazy and they wrote Will to be in love with Mike because they wanted to take the safer route : sad gay kid pining over his straight best friend. They didn't add a new character for Will in season four because it wasn't suitable for Will and Mike storyline. If Argyle wouldn't have existed and in his place there would have been the new Will's love interest, what the fuck would Mike have done for eight episodes ? Will's storyline would have been different, he couldn't be Mike's counselor. Will and Mike's storylines in season four are attached not because there is this big plot twist around the corner and by*ler will be endgame, it's because of cheap, lazy writing. They didn't know what to do with both of them. So it's really funny reading this whole online discourse "Mike is clearly gay" "Mike is perfect bi representation" when i am here with a bitter taste in my mouth thinking that in good hands, in hands that really cared about queer identity and queer representation Will Byers would have been treated differently.