#this sucks and I have no idea how you live with it all the time

[a-fluffer-nutter]

It's okay to be upset, to be afraid. The American people are heading into another four years of the unknown, but let's be honest, it's like this every four years.

Trump sucks; a specifically vile man that wants to descend America into a world of darkness and drag the rest of the world with him. However, at this time, we have no idea what's going to happen. Though, in my lifetime, the US alone has gone through so many dark periods that no one thought we could make it through. From the alleged doomsday that was supposed to be January 1, 2000 to the actual horrific event that was 9/11, to each bombing and mass shooting, to the swine flu epidemic to COVID, from Hurricane Katrina to Harvey, from the George W Bush years to Trump: we the American people have marched through dark times of the unknown and we have made it through. (And this doesn't even touch the numerous wars, tragedies, disasters that have happened internationally).

While we all might not make it through, and many of us may not want to make it through, we must be cautious about the unknown. It is okay to be fearful, but do not let this fear consume you. Use this fear to be an activist - and I don't mean just an internet one. Volunteer in your community in programs you support, no matter how small. Join rallies and protests. Talk to people in your life about your passions and feelings. Go out and make a difference.

It's okay to be scared. It's okay to be upset. It's okay to be angry. It's okay to feel whatever you're feeling. Just know, no matter who and where you are, the American people will stand together to make it through as we have before. The unknown is terrifying to most, but we must continue on with our lives and continue on living.

Trump 2016 was nothing compared to what's coming and you know it.

No I don't, and you don't either.

One of the problems that I have with electoralism is that every election is the most important election of our lives. Every election is the last one to save democracy. Every election is the only way that we can protect the marginalized otherwise so you have to vote blue no matter who or you're going to be killed in the streets by the red team.

This is propaganda to get people to vote, but what it also does is reinforce the idea that the only people who can save you are the ones on the ballot.

There are people all over the world living under fascist regimes, living in war zones, living in dictatorships, who are supporting one another. There are trans communities under Modi and queers in Russia and people who provide underground reproductive healthcare in Iran and people who provide medical care to their neighbors in tents in Gaza.

What you are doing is American exceptionalism in a liberal hat. This is NOT the end of the fucking world. This is NOT the worst disaster you will ever face. This is NOT a reason to give up or to stop caring or to stop working or to lay down and die.

Is this a good thing that has happened? No. But bad things happen all the time and we keep going.

If you must wallow, then wallow, but I've got shit to do just like I did last week.

[panic-at-the-fiction]

A problem to work with

Summary: Bucky Barnes is a problem to work with. He’s annoying, snarky, hot headed and you don’t get along. And this has absolutely nothing to do with your thoughts about how big his arms are, or how hot he is when he’s mad. No this is only about how difficultly annoying he is.

Warning: Tension, banter, eventual smut.

A/N: don’t we all still enjoy pretending it’s 2012 and all the avengers are happily alive and working and living together in the tower. Like I miss that! Let’s put Clint back in the vent and go back to the good old days.

There was a lot of things you loved about your job, ok well maybe there was a few things, but certainly, Bucky Barnes was not one of them.

“Wow, that’s a good look on your doll.” He smiled as you walked down the stairs of the hotel into the Lobby where he stood waiting for you.

“Well I have got to say Barnes, you clean up surprisingly well for a man of your age.”

He scoffed, “It’s called having some class, they don’t teach it anymore.”

Now one might assume with banter so playful the two of you might have something going on, but you don’t. This was just a mission, you were just playing the part, not to be mistaken for anything real between the two of you.

In fact, just a week ago the two of you couldn’t stand each other, it was Tony’s idea to set you two up in such a long close quarters mission.

“You have to be kidding me Tony, you know how annoying Barnes is. We’ll tear each other's heads off before we even make it to the gala.”

Steve shook his head. “Yeah even I have to protest this Tony, I mean (y/n) and Buck in the field, no backup? Couldn’t we partner them with someone else?”

“We can’t rearrange all of our mission plans so that these two don’t have to interact with each other. You both are grown ass adults, suck it up and play nice.” He said with finality before leaving the room. Steve sighed and joined him out in the hallway.

You crossed your arms and looked over at Bucky as he reclined in his seat. “You’re awfully quiet.”

“Thought I was annoying.”

“You are that's why I thought you would have something to say on the subject.”

He shook his head and clenched his jaw, and you felt your heart drop, damn him. “Tony’s right, we’re adults. You just gotta stop acting like a brat so we can work together.”

“Oh please, if this is anyone's problem to solve it’s yours. You’re the one who’s going to actually have to trust me on this mission if we’re to get anything done.”

“Fine.”

“Fine?”

“Yeah, I’ll trust you, you play nice, I'll do the same. One week, let’s play professionals.”

“Fine.”

“Fine.”

And you both had played nice ever since. He greeted you with a smile when he picked you up the next morning, carried your bag into the hotel, he even started the mission by letting you run point. Of course, it felt like a trick at first but once you realized he was being serious you returned the favor, bought coffee for the two of you as you staked out the location of the gala, let him do all the talking with the host you gathered information from, and made the two of your dinner the night before the big event. That night felt the most real, things shifted.

You set down a plate of food and a cheap bear in front of Bucky as he poured over the blueprints on the table in your shared hotel room. “So the two guards will be posted by each door in uniform, but two guards in disguise as waiters will be standing by these two entrances.”

“Barnes, I know, we’ve gone over the plan three times tonight, we know the layout backwards and forwards. You can take a break.”

He sighed heavily as he rubbed at the tightness in his shoulders. You stared, watching his arms flex with the movement, the expression on his face altering the chemicals of your brain.

“Thanks (y/n),” he said, taking the plate you had set in front of him.

You shook yourself out of your thoughts, reminding yourself what was important here. “Anytime Barnes.”

“Why do you do that?”

“Do what?”

“Call me Barnes, what are you, my sergeant?” He laughed playfully. You hadn’t ever heard him laugh like that, his usual attitude toward you didn’t allow for that type of light heartiness.

“Oh, because you just love when I bark orders at you.” You laughed while taking a sip of your drink.

“Who says I don't?” He gave you that 1940s smile you just know won so many girls over back in the day.

You tried not to choke as you looked away from him, hiding the heat that crawled up your neck. “Well, I guess I just figured Bucky was reserved for your friends, like Steve and Sam.”

“Are we not friends?”

You studied him, you couldn’t tell if he was being serious. “Are we?”

He leaned back in his chair, “do you want to be?”

“Do you?”

The room filled with silence as you both settled without an answer. Neither of you had an answer.

No, you would rather not be his friend, you didn’t think you could handle any more nice things coming from him. His smile made your stomach flip, and his proximity made your hair stand up, it was killing you the amount of alone time you were getting with him. But even worse the idea of it all being gone in 24 hrs and things going back to how they were made your chest hurt.

“I think I’m going to go to bed now, big day tomorrow.” You said excusing yourself from the table.

“Yeah” He sighed, taking a sip of his drink.

You paused at the door to your room before turning back for just a second. “Goodnight Bucky, get some sleep.” You smiled softly as you left him.

You didn’t run into Bucky much the next morning. He left a note saying he needed to double-check some things before getting ready for the gala tonight, but he promised to meet you in the lobby on time.

That leads you to now, standing in front of the mirror looking at the damn dress. Your heart pounded in your chest, you had forgotten about the dress. Originally intended for one of Tony’s galas that was canceled, you had never had a chance to wear this one. You had been excited to bring it along for the gala, but now it taunted you. It taunted you with its silkiness, its low cut, its backlessness.

All you could think was, would Bucky like it? It made you sick with nerves. This was not relevant. There was a high-profile target at tonight's gala, there were a weeks worth of snooping, and stake outs, and gathering information, months of research and tracking at stake here, but you were thinking of his hands on your back in that stupid dress if you were lucky enough to find an excuse to dance tonight.

You shut the thoughts out of your head and did your best to cool yourself down with some water to get your mind out of the gutter. This was just the two of you playing nice, being professional, this man despised you outside the walls of this hotel, outside of this mission.

You mentally slapped yourself as you got in the elevator heading down to the lobby, preparing yourself as you walked down the hotel's grand staircase.

You met Bucky's gaze from where he stood waiting for you at the bottom of the staircase. Damn he looked good. You could feel his eyes on you, every warning thought about the consequences of getting carried away leaving your brain. Was it getting hotter in here?

“Wow, that’s a good look on you doll.” He smiled playfully.

DAMN.

You laughed, shaking your head, “Well I have got to say Barnes, you clean up surprisingly well for a man of your age.”

He scoffed, “It’s called having some class, they don’t teach it anymore.” He offered you his arm as he walked you out to the car. “And besides what did I say about calling me Barnes. We’re not here for you to bark orders at me anymore, we’re here to play civil.”

You smirked as he opened your door for you. “Is that what you said? All I heard was that you like it when I boss you around.” You could hear him choke a little bit as he shut the passenger door before getting in on the drivers side.

“Now remember, we’re Mr. & Mrs. Laker, the rich real estate investors who just moved here from LA. We’ve been married 8 years now.” He said switching focus on getting to the gala.

“Kids?” You asked teasingly.

He smiled, “No, we're just waiting until things settle down with our work.”

“Aw I was hoping for a James jr.” He just shook his head. Your gaze shifted to his grip on the steering wheel where you almost lost yourself in THE thoughts again.

Damn get it together.

“Now you remember the layouts right.”

“Yes, I reviewed them this morning.”

“Good.”

He stopped as he pulled up in front of the venue you had scoped out just a few days prior. He put the car in park before walking around to your side opening the door for you and extending his hand for you to take. “Mrs. Laker.”

“Thank you, Mr. Laker.” You instinctively played your part and locked your arm in his.

“Here,” He tossed the car keys to the valley. “Not a scratch on it.” He added before leading you inside

As you entered the gorgeous high-class event waiters swarmed around you offering different champagnes, wines and finger foods, the room alive with rich people's conversations and music.

You smiled with your best rich lady smile as you let Bucky lead you around the party, choosing a table where you had a clear view of the event you set down grabbing a drink as you did so. You could feel your death grip on the glass as you forced yourself to keep your eyes on the dance floor where a few couples swayed and not on the very handsome man beside you.

Bucky placed his hand gently on your thigh as he took the glass out of your hand. He leaned in his face close to your ear in a way that made your brain short circuit. “We’ll have a better chance of bumping into Lestrade if we don’t stay in one place.”

You swallowed hard, “What do you suggest?”

He pulled away so he could look in your eyes, and you have to stop yourself from staring at his lips. “How about a dance,” He paused, offering you his hand and making sure the surrounding others could hear him. “Sweetheart.”

“Of course dear.” You smiled, kicking yourself for forgetting it all for the image of playing a married couple.

As you reached the dance floor his arm slipped around your waist, his hand on the small of your back causing you to stiffen. His metal hand gently held your right hand while your left hand rested on his bicep.

His steps were smooth with years of practice, his subtle pushes and pressure on your back letting you know where to step next.

“Now where did the soldier learn to dance?” You smiled as he shook his head.

“Like I said doll.” He licked his lips looking down at you with an ease in his eyes, you hadn’t seen before. “It's called class, they don’t teach it anymore.” He leaned in, pulling you to his chest so that he could whisper in your ear. “Trust me you won’t find anyone else who can do it like I do.” You could feel his smirk, “dancing that is.”

“Yeah, is that so Barnes? Show me your moves then.”

He didn't hesitate to spin you out and turn you around so that you swayed with your back to his chest. The heat pulling in your stomach where he now rests his metal hand over top of yours. You felt his lips on your ear. “Oh I’ve got plenty of moves.” You held in a sigh as you let yourself get swept up in the closeness.

“Lestrade, 10 o'clock, mingling at the drink table.” Your brain turned back on as your focused turned back to the mission, the song you had been dancing to fading out as it ended.

You pulled away from him, trailing off the dance floor. “You know sweetie, I think that dancing made me fairly thirsty. I need another drink.”

“Anything you want sweetheart.” He called as he followed suit.

It was going to be a long evening.

Part 2

Coming soon

[saltnsugarbear]

hey....its freakbob...

carmy's head lying over the edge of the bed, moaning around lip's cock as you ride him. lip likes pressing in deep, feeling carmen choke on him as he leans in to kiss you EVERYBODY CLAPPED!!!

or perhaps you and carmy in a 69 position, but instead lip is plowing into you from the back while carmen cranes his neck, alternating sucking your clit and lip's balls...or you and carmy making out with lip's cock between your lips WH000.00 SAID THAT???? ARREST THEM!!!!!

sigh

i fucking love you, by the way

word count: 1.2k whoopsies

content warnings: MDNI!! afab reader genitalia, vaginal penetration, oral (m receiving), cowpoke position, grinding,

To your surprise, Lip is the one that needs more convincing. Not that you are entirely surprised, but Carmy was more agreeable to the idea than you thought he would be.

You and Lip met Carmy through Richie.

Richie had made a scene when he first met Lip about him being Carmy. It was one of those bizarre moments you only saw online with celebrities that you could swear were the same person. Like Natalie Portman and Kiera Knightley, where they look so similar, you convince yourself they could be related.

Thankfully, the Gallagher and Berzatto family lines don't overlap at all. The three of you had been incredibly thorough in your search to ensure there were no relations. It took two outside opinions to convince Lip and four to convince Carmy. The original three look overs were enough for you, but the boys weren't as trusting as you were.

You knew Richie through Tiff, who you knew from high school. Tiffany had never mentioned Carmy when she met Lip the few times she had, and maybe she didn't think it was noteworthy. Maybe she didn't see it or didn't want to talk about her ex's family.

Nevertheless, Carmy was possibly the best introduction to your and Lip's lives.

The sharing took some getting used to for the both of them, surprising given neither one of them was an only child. But everyone has a learning curve.

At first, it was just petty bickering and possessive movements. Eventually, it all culminated into a snap of tension that was incredibly aggressive. What had originally started as a first fight somehow ended with you between both of them, hot mouths biting and kissing at your skin.

That was one of the few times you got to share a bed with them in that context. Which... Was fine. But you wanted more.

Not to say you didn't like when one of them would watch, either waiting for his turn or getting off by himself. But you wanted them to enjoy each other too. It didn't seem fair that only you got to enjoy both of them in a one-way transaction of all the affection.

You had noticed the more obvious lingering looks Carmy gave Lip after giving you a kiss goodbye or when Lip kissed your forehead when he said hello. Lip was a bit better at hiding his yearning, keeping lingering looks and touches to sporadic moments, always hiding it when no one's watching.

Maybe you shouldn't have been surprised Carmy agreed so easily....

Carmy was not only eager to please you, but to please Lip as well. You saw how he flourished under Lip's praise, preening for it whenever he could. Almost asking for it whenever he did something he thought Lip would like.

So, being used as a personal fleshlight seemed like the obvious thing for him to agree to. That and the fact you would be riding him, so he had some form of gratification.

Lip was a little more hesitant to the idea. He blew you off before coming back later and asking questions. Once you clearly explained and helped him figure out what he would be comfortable with, Lip agreed happily.

Which is how you ended up sitting on Carmy's lap, grinding like two teenagers in the middle of the bed. Lip waited by the doorway, watching you rub your bare cunt over the bulge of Carmy's boxer briefs. The stain of both your arousal is dark in the middle of the fabric. The moans and whines being made by both of you are being traded in your mouths like smoke.

When you reach down to the waistband of Carmy's underwear, Lip removes his own boxers. Carmy helps you shuffle his boxers down his thighs so his cock can fall back against his stomach. Settling yourself against his hips, letting him rest against you as you coax him to lie back.

Carmy is quick to listen, laying down until his head falls back against the edge of the bed. You can't help but watch as Lip walks to Carmy's side, bringing his hand to cradle his face. Carmy needs no prompting when Lip brushes his thumb over his lips and takes Lip's thumb into his mouth.

With Carmy distracted, you slip your hand around his length and lift your hips up before slowly sinking down. Carmy groans around Lip's thumb once you're fully seated on his cock, bucking up a little into you.

"Alright, bear.." Lip whispers, slipping his thumb out of his mouth. Carmy is eager to listen, opening his mouth wide as Lip positions himself in front of his mouth.

The sight of Lip slowly thrusting into Carmy's mouth makes you clench around Carmy. This results in a chain of Carmy groaning around Lip's length, his throat contracting around him and making Lip swear under his breath. One of Carmy's legs comes up, jostling you on his lap, so you have to rest your hands flat against his chest for support. The new angle is deep and has your clit drag delightfully against his happy trail.

The star of your show is watching Lip pull back out before thrusting in, watching the imprint in his throat each time. You almost forget your role in this agreement until Carmy is grabbing for your waist. At first, you think it's his way of telling you it's too much, but the three taps never come. Instead, he weakly lifts you up before sitting you back down.

When you don't get the hint the first time, you hear Carmy huff before lifting his other leg, planting his feet on the mattress so he can thrust up into you. Whatever noises you could have made are swallowed by Lip as he kisses you roughly, snapping his hips into Carmy's mouth.

The room is filled with the sound of whining and skin against skin. Carmy sneaks his hand between both of you, rubbing gently at your clit. You can tell Carmy is near his own end, the way his thrusting has become more sporadic, his length twitching inside of you.

You're panting heavily against Lip's mouth when you feel Carmy come inside you. With a few more tight circles of his thumb, you feel the tension in your stomach snap, walls clenching tightly around Carmy. With both of you satisfied, Lip wastes no time chasing his own release, bringing his hands to hold Carmy's head still as he thrusts into his mouth. Carmy's whining and groaning are audible even around Lip, making him grunt softly until he stills. You watch, catching your breath, as Lip grinds softly into Carmy's mouth before pulling out.

Carmy inhales sharply, chest rising and falling as he tries to catch his breath. Lip is just as disheveled, breathing heavily as he sits down on the edge of the bed, turning to kiss you quickly before settling back down.

What Carmy does next shocks you.

With Lip sitting on the edge of the bed, he's easier for Carmy to reach. His movements are jarring as he sits up and reaches for Lip's cheek. Carmy is quick to bring his mouth to Lip's, licking into his mouth. Lip grunts out of surprise before he groans at the taste on Carmy's tongue, quickly taking over the kiss. You watch, mouth agape, as Lip licks at Carmy's mouth as if he can't get enough.

It feels like they go on for hours before Carmy pulls away to catch his breath. Carmy looks dazed as he pants softly, turning back to look at you instead of Lip.

Lip pants heavily before he turns to face you with a cocky grin.

"You were right.. Was great.."

[liskantope]

I'm going to get myself an onslaught of pushback that I in no way have time to deal with this week for making the points I'm about to make, but here goes. (I also may learn some new information from some of you, which would be good.)

Argumate's point, as a conditional statement, is 100% correct. I would also say the various Republican proposals of the past three years are, in my opinion, varying levels of reprehensible and idiotic in how poorly they're defined/enforceable. But, unless there are specific ideas on the table that for some reason I haven't heard of despite being on Tumblr and progressive social media bubbles all this time, the implication that Republicans are attacking the right to present as one pleases and choose one's name, even the right of adults to choose to medically transition, is suspect. And distorting that side's political behavior seems counterproductive.

Everything, first of all, seems to revolve around "protecting" the children rather than restricting the rights of adults.

There's clearly been a push to ban drag shows -- that is, a certain kind of performance art based around people cross-dressing (often in a sexualized way) in places where children could be exposed to it: schools, it seems sometimes public areas as well. This seems to have arisen in direct response to a quite novel trend of schools going out of their ways to show children this art when schools re-opened after COVID, not as a direct backtracking of civil rights that they were okay with ten years ago (even if in effect it is a sort of walking back of rights). For the record, I think banning drag shows in public sucks, and if I had my own kid, I would want them to be exposed to a "drag queen story hour" or two in school. But what has been happening there is a far cry from disallowing people from going about their own business cross-dressing or otherwise presenting as a given gender.

Where changing names is concerned, I can only imagine posts above this are alluding to Ted Cruz's proposal to make it impossible to fire someone for deadnaming or using a pronoun different from the referent's biological sex. (The naming thing would depend on the person's legal name; of course if they transitioned and changed their name legally -- which I realize may present its own slowness and difficulties -- there would presumably be no problem.) This seems like one of the weirder, harder-to-enforce hypothetical laws (how would one even prove that someone's pronoun doesn't correspond to their genitalia??), but it's one of those People Resent Being Forced To Utter Things They Feel Are Lies issues in the form of protecting someone from being fired for not making those utterances. I don't support it and hope it never becomes law, but characterizing it as "losing one's right to choose one's name" seems disingenuous.

Banning transition surgery and other medicine is clearly a huge thing right now but completely restricted to minors -- I think the closest I've heard to proposals for banning it for adults is (1) stretching the concept of "minor" here to age 25 due to questionable "mature brain" ideas, and (2) some bill in Missouri requiring six months of therapy before getting the go-ahead for medical treatment. It seems not unreasonable to imagine that if Republicans manage to get enough bans through for minors (by far the lower-hanging fruit, by far more popular among Americans) and are feeling sufficiently confident while running rampant, some will try to ban stuff for adults too, and there's the whole issue of which forms of gender medicine get provided by insurance and so on. I totally get a trans adult not being willing to live in a red state. At present the issue seems to be for minors, though, and again, while a rollback (one that was already happening in most of Europe I believe), it's mainly in response to something -- namely, an abrupt spike by more than an order of magnitude in minors seeking gender medicine.

I don't call for moderate stances on these issues but for some care and moderation on how we characterize them, especially at a moment when trans people are upending their lives to flee the country. I don't see how we're going to get out of this culture war mess with trans issues without engaging with what each side is actually doing (obviously I've believed the same about every type of current issue but this one has gotten especially out of control).

The state of gay rights in the early aughts was not good; criminal penalties for homosexuality were rarely enforced but were on the books in many places, there was no right to marriage, and the morality of homosexuality was hotly contested in public. Big culture war issue. In that environment, where substantive protections were lacking, Democrats could be tepid on gay rights without actively giving anything up—if, like Obama in 2008, you didn’t support gay marriage, you could still be seen (correctly) as advocating for an overall better situation for gay people, or at least one that was no worse, in contrast to your right wing opponents.

Trans rights are not in the same position. Before the big trans rights backlash started, access to gender affirming care was pretty widespread, was everywhere legal, and was a matter for private concern only. Trans people could play in school sports subject to whatever their league’s rules were, and the idea of trying to make it illegal to cross dress in public was absurd. The conservative position since has become one of an explicit rollback of rights: revoke access to gender affirming care, create new criminal sanctions to punish trans people, make it illegal for them to participate in school sports, etc.

In that environment, tacking to the right on trans issues means deciding which elements of trans rights you are willing to concede to this project of actually rolling back trans rights. The only thing comparable from the gay rights fight is maybe state constitutional amendments to ban gay marriage, or DOMA—all of which were, IIRC, passed despite gay marriage not being legal in affected jurisdictions. Their enactment, while deplorable, had no material negative affect; gay people already couldn’t get married.

And that this project of rolling back trans rights is not a particular fetish of the religious right is more worrying. Plenty of liberals and liberal institutions are pretty transphobic. Britain has been working to export its flavor of (Moderate, Sensible, Secular) transphobia to other countries in Europe and the Anglosphere. Transphobes winning these fights isn’t a status quo situation—it’s a sharp increase in repression of trans people.

In light of that, I regard calls to “moderate” on trans issues with at best scorn. I think the party of civil rights condoning the rollback of citizens’ civil rights is really bad for its brand, won’t win it more votes, and may sufficiently alienate members of the base—who are invested in the party specifically because of its historic support for civil rights—that they simply don’t bother to show up in elections.

[monstrousproductions]

One of my favourite things about SFF is the way it lets you take an issue or an idea, and separate it out so you can look at it more closely in isolation. I think I remember Diana Wynne Jones saying something along those lines - that genre fiction gives you enough distance between the idea and yourself so you can walk around it and see it from all angles.

That's one of the things I've really enjoyed about Travelling Light so far. The archive entries are, by necessity, short and limited in scope. We can't summarise the entirety of a culture and all its iterations in a 10 minute audio log! But we can peel off one idea and give ourselves some space to walk around it and ask questions about it.

Like, in Episode 27 where we see the people protesting their landlords in Nimidol. To me, that wasn't an episode that said, "Our world would be better if we lived like this."

It was more a way of inviting further thought and consideration. What would our world look like if we lived like this? What does it mean to use shame to change people's behaviours? What does private landlording look like in this fictional space, and how do you feel about it?

I like as well that the questions some episodes might raise for one listener might not be the same as for another. Some people really resonated with the people in Episode 13 who used explicit legal contracts to navigate social interactions because in the real world, it really sucks to be caught out by unspoken rules nobody's ever explained.

But there's also something to be explored there about trusting people to keep to the social contract, and how their vibes-based government can do its work - and, more broadly, what do we think the work of government actually is.

I don't know, I'm just having a lot of fun with that! It's one of the really nice things about have such a short episode length - we literally don't have time to get into the nitty gritty of everything, which means there's loads more space for you all to bring your own ideas and interpretations. Which, as a show literally built around audience participation and co-creation, feels appropriate!

[nebulouscoffee]

So I have not been succeeding a ton on my plan to get back into writing this month…

[tallymali]

i have such a morbid fascination with those weird reddit dudes who rate their attraction to a woman by working out the ratios and proportions of her features. i want to know if it has ever occurred to them that this is not how other people experience attraction

[tempestmothstorm]

"I think I would have just deleted myself if you didn't show up."

Yeah this is just straight up canon. But i have more thoughts though. So.

Like if you look into her dialogue is like abundantly clear that she’s just suicidal. It’s different from someone like Sayori who’s actively suicidal because she feels she is worse than everyone else, or Yuri who I don’t know is suicidal but has self harming tendencies she takes too far in act 2, or Natsuki who isn’t at all and is like “wtf are you guys ok”. The answer is no btw.

Monika’s whole outlook on it is that she has a lot of passive suicidal ideation that she pushes aside because she has to be the best. Her issue isn’t centered around her specifically being bad but instead a feeling of pointlessness with existing and the fact that the act existing itself puts burden on the world.

She’s also the type to make jokes about it, which I think is telling about her attitude about death, especially when compared to the others where the idea of dying is still terrifying and scary and something to hide. Meanwhile Monika acts casually as if people’s lives actually don’t matter. We all know her “left her hanging joke” and her general nonchalance with the other girls’ deaths, but the secret poem “A Joke” is probably written by Monika too, and the punchline is another reference to sayori’s death. The special poem about cutting is also by Monika, which shows that she would self harm if it weren’t for her needing to be the ‘responsible one’, and that she’d only do it again if she killed herself. She writes it as if it was a quirky relatable diary entry and not something deeply concerning, which in of itself is also deeply concerning.

There’s also the iiiiiiiiiiii.txt file that has her say that it would be “really easy to kill (herself) right now”. Reasonably the easiest way to do it would be to delete herself. While her constantly reminding the player how easy it would be to delete her is supposed to be a hint on what to do next, it does say something about her when she constantly fixates on it, almost as if she’d thought about it. Like a lot. She thinks about suicide and mental illness just as much too. Also a lot. And existential philosophy a lot. And death too. Again. A lot.

Her friends aside, she clearly just thinks about these things on her own, which implies some real bad things about her mental health considering literally everything else we know about her. Like it’s pretty obvious she’s not ok base game. And yet she doesn’t go through, in fact actively avoiding getting deleted because she still wants to see you. Because you are her only hope.

While her attachment to the player has like a dozen factors influencing it, I think a lot of it is also connected to her more suicidal ideas. She does emphasize that you “saved her” a lot in act 3 and while it mean saving her from her reality, knowing some of the other talks, it also could have saved her from giving up entirely.

Not to get too repetitive about how her life sucks, but like she really has no reason to exist in her eyes post epiphany. Nothing outside the literature club exists, there’s no past or future, everything is fake and has no consequence on the real world, and worst of all she’s completely alone with whatever connections she could have being fake. I think this one quote from her “introverts” talk basically sums up her situation:

"You know, I really do think you literally saved my life by being here with me, [player]."

"I can't imagine having been able to keep myself mentally stable, knowing that nothing here is real."

"I think I would have just deleted myself if you didn't show up."

"Sorry, i don't mean to sound dramatic or anything."

"Ahaha!"

"But I'm sure you understand yourself after spending so much time in the club."

"I mean, if you were forced to abandon everything in your life and spend your eternity with a few game characters..."

"...You'd probably find some way of killing yourself, wouldn't you?"

But yeah something something the connections you have with others gives life meaning and when the relationships she did have turned out to be false, she reached out to you, whose love could be real and whose existence as a real person is the only thing that could give her life meaning.

Another Monika talk that’s relevant would be the “No reason to be alive” talk. I’m not posting the entire thing here because it’s too long but the entire thing is pretty relevant. In it she talks about how living is pointless because you probably aren’t special and your existence alone takes up dozens of resources that isn’t worth wasting.

This highlights two factors that I think influence her thought process. One is that she feels like existence is worthless and likely won’t affect society at large, and with the whole being a video game thing the connection is obvious. The other is that she worries about how much of a burden she is on society. She wants to earn her right to exist in this world. When her reality doesn’t exist, this specific framework doesn’t seem that relevant, but when it comes to being a burden to others this ends up becoming a lot more alarming (and also creates another Sayori parallel yayyyyyyy)

Notably she mentions the key to happiness is to live selfishly and just look out for yourself and your friends. This can’t really apply in her own reality when she can’t see her friends as sentient, but when it comes to you, she can deliver just fine. She says she want to “live (her) life desperately striving to pay back (her) lifetime's worth of consumption” and with her own reality being pointless, paying back the people around her (you) is the next best thing.

But what if she failed to

"Of course, even if I fail to do that..."

"I think I would be too selfish to kill myself anyway."

"So much for being a good person, right?"

Sure thing buddy.

Another thing i want to mention is that it’s implied that these thoughts aren’t new. Like with some of these talks it’s ambiguous whether these ideas came pre or post epiphany. With her whole nihilistic thinking in base game contrasting side stories, it wouldn’t be that surprising if her thoughts got a whole lot more cynical over time. But she does seem to talk as if she’s thought about them for a while, while the epiphany was apparently recent in her memory.

For example in the “Dying” talk:

“It's something I used to think about pretty often..."

And in the “No reason to be alive” talk

"But the older I get, the more I realize that it's an immature frame of thinking."

Uh yeah these ideas aren’t new.

Of course it was probably taken to an extreme post epiphany and thinking about existential topics is normal. By itself it’s probably not some secret sign of mental illness, or at least not anything severe. (Sure she talks about a lot of stuff like mental health issues but it doesn’t really reflect on her, it just shows she can understand others perspective. Like she can talk about the introvert experience without being an introvert. Idk she’s just very empathetic and reflects a lot on the world. Makes her epiphany a lot more ironic though. So.)

But her post epiphany persona was very much built on preexisting ideas she had before that. It might not be that serious, but the fact that it’s there at all is concerning knowing what we do. The implications that come if this is all true is facilitating tbh and it honestly makes the side stories more interesting too. Like her whole “i have to be the best” attitude is probably connected to all her worries about being a burden or worthless.

And her whole thing in trust becomes a lot more layered too. The standard she holds for herself are not carried over to Sayori, who she sees as deserving of life just by being herself. She doesn’t want to be a burden or distract from Sayori’s problems, because her own true self isn’t good enough. Sayori is reassured that her existence is valuable and that she isn’t being a burden, something that goes against Monika’s entire act 3 talk yet is some she believes wholeheartedly.

This is also contrasted by base game where she straight up jokes about her death because death barely matters to her either. In base game, Sayori doesn’t matter, she isn’t special or even sentient, just a pile of code that gets in the way of Monika’s plans to reach the player. In base game Sayori is worthless and a burden, where Monika’s worldview has extended to everyone else. Yet in side stories she doesn’t think that, her standards only applies to herself because she loves her friends, they are what give her life meaning. Of course they deserve to live. They don’t need to prove their worth.

She’s a hypocrite because she values her friends more than anything. Again, the Sayori parallels are obvious from this angle, she has these exact same thoughts, with the only difference being that base game Monika projects her fears of worthlessness onto everything else while sides stories has her a lot more similar to Sayori.

Now the difference between side stories Monika and base game is really just how far their ideals reach, because normally Monika is like ok mentally , while in base game she’s suicidal along with everything else. Forget her saying she’s too selfish to do it cause it’s heavily implied she does do it in other universes.

Speaking of which I never hear people mention the MES emails in this cause a singular line puts into perspective how influential the player’s presence is on Monika and just how bad her mental health is. She is the MES’ guinea pig that everyone wants to see suffer (actually I don’t know how common knowledge this is I just got here and mostly stick to tumblr so idk)

So with the Side Stories MES email i think with all the lore drops we sorta forgot some of the more self explanatory info, including the fact that they have multiple VMs of ddlc and that there were “3 or 4 of them created and then destroyed by Monika”

While most people conclude this is just a reference to base game i think a lot of people dismiss that fact that these aren’t the game VMs, these VMs have no access to a player. Yknow. The player she relies on that supposedly saved her life.

Yeah i think she just deletes everything including her in apparently 4 separate universes. She kills her self in 4 universes.

She deletes everything in act 3 too but specifically because they get in her way between you, and the only reason she doesn’t delete herself there is that she still wants to see you. When the idea of reaching you is crushed, she gives in. By act 4 she ends up like all the other VMs, deleting everything knowing she can’t have you, can’t have reality. I mean the only thing keeping her going is the dream of reaching reality and finding real connections to people, and the idea that her existence will forever be meaningless probably pushed her to the extreme.

The player is the only real person who can give her life meaning and value, and in a world where the rest are seemingly fake, you’re also the only human connection she has. Again, the things that keep her going is her life being valuable in some way and the people around her. Post epiphany she only has you to care for with everyone else being thrown to the wayside without consideration of their own wellbeing.

So of course in act 4, where her connect to you is severed and she is suddenly aware of the harm she’s caused, she’s the lowest she’s ever been. Her reason for living is to be there for her friends and somehow pay back reality for how much she’s taken. And yet she let her friends die and let herself use them for her own selfish gain. She failed them, and has therefore become someone she see as not deserving of life. And with her last hope of the player rejecting her reach, she has no reason to keep going. So in the Easter egg where the player tries to bring her file back after deletion, she refuses to follow. She doesn’t deserve to intrude on their happy ending. She doesn’t deserve to come back.

And she doesn’t.

In future games she’ll probably return though, and with all the secret files and her motivations in the normal ending, I feel like it’s going to be for redemption by finally being there for her club.

She sticks around because no matter how much guilt she feels about just existing, she still wants to be there for her friends. Because while a lot of the act 3 dialogue was not meant to be something people agree with, there was one thing that I feel like is good if you look at it in the right way. Maybe people can’t pay back for the lifetime of consumption they’ve done just by living, but people can pay back and be worth existing just by looking out for their friends and those closest to them. Even if there can be doubts about life and existence as a whole, it doesn’t matter in the end when there’s joy to be found in the people you care about. Even if you make mistakes or hurt them, you can still find a way to make it up to them, to still deserve happiness in the end. The one thing that makes life worth it is the bonds you form with others. Because the people around you are what give life meaning.

She can’t let go and she can’t give up because she still has people she loves and wants to protect. So she’ll keep living for the people she loves. That’s all she needs to do in this world to make it worth living.

I hope she succeeds.

(Side note i took a lot of the Monika talk examples from this post. I did have my own ideas even before i read the doc and I already knew about this stuff anyways i just don’t wanna scroll through the entire wiki again to see all the Monika talks and this is pretty comprehensive. The extra imput is also useful so yeah)(anyways thanks for reading this really long tumblr essay. Good job and drink water ;D)

i would like to bring up that monika has probably considered deleting herself before

like staring at a high cliffside and getting the urge to jump

[britcision]

Alright fuckers I took another stab at it and did the thing, I may/may not finish the actual like, proportionate version one day but he needed to exist and hair hides all my arm related sins.

Please dear gods anyone whose art is even a tertiary focus Lycion NEEEEEDS a Knot All Men shirt I am beset by cursed visions but usually I write them or make cursed little dolls (yes there will be a cursed little Lycion doll with a cursed little shirt but the embroidery thread is fucking fighting me on Mithrun so I dunno when)

Also he has a smoothie

Because one of the many reasons I really do not draw much is I am aphantasmic and do not and cannot visualize so let me tell you every single aspect of this except the shirt just. Happened. What are poses. What are limbs. Bodies exist but WHY.

The shirt had to be a crop top tho for legal reasons that was extremely clear to me

(Hey fun realization tiny Lycion and I feel exactly the same way about all his lil elf limbs they're all wrong and we hate them WAS MY MISTAKE NOT TRYING TO DRAW HIM AS A FURRY. Fuck. I think furries are harder but I might try it.)

[seravphs]

I’m scared to post knight Gojo thank you for being so nice to me about it bffs 💛

[readymades2002]

we've been talking about moving in together with some friends of his when his lease ends and i cannot impress upon you just how fuckingggggggggg much that is keeping me going

[therosevest]

this post had to turn off reblogs and stuff bc of all the people calling this biphobic. we’re literally in the worst timeline

[running-in-the-dark]

great. my family has started 'joking' about our upcoming move, and especially about how long it took to unpack everything last time.

yeah that's so funny! it's not like that had anything to do with the fact that it was entirely just me doing all of the unpacking, organising, arranging things, building/reassembling the furniture and everything. and maybe also the fact that right before we moved I was in hospital, during the first month I had several very bad gallbladder attacks, and then had two surgeries a month apart, one of which meant I couldn't lift shit for like a month and the other meant I was in pain whenever I moved my head for several weeks :)

could that have anything to do with how long it took? nah it's just that I have too much stuff and also I'm lazy :)

[scare-ard--sleigh]

y'all i'm sorry but they're not gonna get rid of tumblr live lmao, that one's for the shareholders

[neverendingford]

.

[what-even-is-thiss]

Thinking about Kent from Stardew Valley, I've often wondered why basically all he talks about to you is about his trauma. Like that's fine I guess but I've casually wondered why it's pretty much the only thing he ever talks about to you.

But it just occurred to me that Sam, Vincent, and Jodi note that he doesn't tell them what's wrong. It's surprising to Jodi that he hates the sound of popcorn, Vincent and Sam both note that he's different but they don't know why, he goes to festivals even though crowds and open fields trigger him.

He's trying very badly to hide it but he needs to talk about it. And the farmer has no preexisting ideas about him. Depending on how long he's been gone this time, you may be the only person in town that didn't know him before he went to the front lines. He's trauma dumping to you and only you because he has no idea to live up to in your mind. You're a blank slate. A new relationship. He doesn't have to pretend to be strong around you. He can just be miserable in your presence and you let him and give him roasted hazelnuts sometimes and roasted hazelnuts remind him of his mom and that's basically what your relationship boils down to. You're the person that will stand next to the river with him and go "Damn dude that sucks do you want an egg"