#this story and these characters mean so much to me

[lenaswritingandstuff]

Dating the Slytherin boys (+ Harry) - HEADCANONS

Requested: No

Characters: Mattheo Riddle, Tom Riddle, Theodore Nott, Draco Malfoy, Blaise Zabini, Regulus Black, Harry Potter (+ y/n)

Warnings: NSFW mentions, English is not my first language

A/N: I'm not sure I like this but here we go. However I have to say I like Regulus' one so I might turn his version into a one shot one day (when uni won't be killing me slowly). This will include also the pre-dating/flirting stage as well. Enjoy! ^^

Tag list: @helendeath @im-jesus

Tag list for this story: @anawritez-posts @pumpkinchee @alwayslatetothefandoms

Mattheo Riddle:

His feelings for you probably confused him at first 

If he falls first, he either won’t let you know or will do everything to get your attention (‘Hey, y/n, come sit here, the seat is free!”, “y/n, do you mind helping me with homework for Snape? I can’t bloody do it”, “How about we go to Hogsmeade, just you and me?”, “you look beautiful, y/n”)

Your love for him always calms him with he gets anxious or when he’s upset, especially after his father comes back

Will tell you things he never told anyone

Would rather spend time with you than with his friends

Is terrified something will happen to you because of his father 

VERY jealous, but trusts you

Despite easily getting angry, he can’t get mad at you. Even during arguments 

LOVES sleeping in your arms or when you just hold him

He's crazy about your body

Loves showering with you, and we both know how it often ends

HOT, passionate sex

Will randomly eat you out without expecting anything in return (doesn't mind if you return the favor, though)

100% calls you "baby" or "love" all the time

Doesn’t care about what anyone thinks of him as long as you love him

Your love makes him feel lighter and stronger

You're his whole world

Feels bad when he hears someone criticize you for dating him 

Always makes sure you don’t overwork yourself, and makes sure you get enough sleep, water and food, and comforts you when you're anxious

Holds your hands when he's anxious or stressed

Will listen to anything you have to say 

Crazy about your perfume

Theodore Nott:

Struggles to express his love or feelings in general, at least in the beginning 

Has never done serious relationships before, and it may cause some trouble in your relationship, as you end up believing he doesn’t care about you

It causes many fights, and the last one will be the first time he says ‘I love you’

Always goes to you for comfort 

Loves sleeping with you in his arms/on his laps, or cuddling, and with time he can’t sleep without you

Loves watching you sleep 

Loves having you on his lap

Always gets you great gifts (even randomly)

“Well, it thought it was pretty, and…it reminded me of you.”

Will fight any guy who is rude to you or acts like a creep 

Very jealous (trusts you, doesn’t trust others)

Doesn’t mind PDA at all, will gladly hold your hand or kiss you in public

Always have a hand on your waist of around your shoulders 

Very supportive in everything you do, even when he doesn’t understand it/isn’t interested in it

Isn’t very good with comforting people (mostly because he's not used to it), but will hold you and listen to you as long as you need, can even give you advice/reassurance 

Every compliment/'I love you' you say melts his heart and means much more to him than he shows, same goes for anything you do for him

Loves doing fun things, even if it’s just throwing snowballs at each other during winter (which ends in loving kisses, just savouring the joy of being together)  

Love getting in a pool with you and playing "childish" games

Any form of intimacy means A LOT to him 

He's used to hooks up and "fucking" but it takes him a bit of time to have sex with you (despite being crazy about you and your body) because you mean everything to him and with you it's really making love instead of just "fucking"

The first time is loving and slow yet passionnate (eye contact, hands holding, desperate kisses from him), and it gets a bit rougher and passionate the next times (but aftercare, which he isn't used to, is always on point and keeps getting better)

Is secretly very insecure, and is terrified you will leave him (especially for another “better” guy) 

Craves your touch and your love but won’t admit it

His boggart is probably you being dead alongside his mother

Will tell you sweets things in Italian

Very clingy in private - and also in public with time

With you he learns to be happier and discovers a happier side of himself he didn't know he had

Loves you much more than he actually shows at first 

Will often say you're all he has (and means it)

But with time, you have no reason to doubt his love and he’s the perfect boyfriend

Blaise Zabini:

Probably will court you like the gentleman he is

He doesn’t trust people easily and might be a little distant (while always polite and kind) in the early stages of your relationship 

But with time he becomes very warm and smiles a lot

Always kisses the top of your hand or your forehead 

Doesn’t do much PDA except for holding hands and kisses on your forehead

However in private he’ll cuddle you and hold you

Dates in parks or restaurants  

Will always defend you against others 

One of his love languages is acts of service

Lorenzo Berkshire:

You either were friends before dating or he fell in love with you at first sight, there is no in between

Takes you on fun dates (arcade, funfair, theme parks) 

Can be shy at the beginning, which will make it a bit hard for him to talk about he feels about you

Movie nights where you two eats lots of snacks and sweets while cuddling 

Always smiles when you enter a room

So supportive 

Loves when you're on his lap

He has no problem with PDA

Quickly willing to meet your family if you agree

He’s a great listener and mostly gives good advices 

Loves taking naps with you 

Always makes you sure you get enough sleep, water and food

Won’t let you get yourself into dangerous situations

Loves to go anywhere with you, no matter the activity 

Many pet names

If you're Muggleborn or grew up among Muggles, will totally ask you questions about the muggle world

Passionnate sex, will get rough if he hasn't seen you in a long time or if it's angry sex after he got jealous

His aftercare is the best, and he's always thankful you trust him enough to have that form of intimacy with him

Draco Malfoy:

Won’t flirt at first with you but keeps wanting your attention

Tries to seduce you with expensive gifts, and is a bit taken aback when you say he doesn’t work

Continues to get you gifts, but will make sure they match your interests/tastes, and keeps expensive gifts for your birthdays and Christmas (even though he’d like to get them all year for you) 

At first he doesn't show any weakness in your presence

With you he’ll learn patience and to focus of more positive things, and also to stand up to his father

Takes you on dates every chance he gets

Will ditch his friends to spend time with you

So proud to be dating you, it might even make him more arrogant

Gets grumpy when jealous but after a kiss on the cheek he’s back to his normal self 

Will invite you to his home and write you nearly everyday during holidays

Surprisingly has no problem with PDA

Loves when you come to see him play during Quidditch matches

Tom Riddle:

Oh boy

It started with him admiring/watching you from afar, for he reason he can’t understand

SUPER confused by what he feels for you and why

Will probably try to get closer to you through homework or through books if he sees you read one

Will know everything about you, and will secretly follow you, saving you if you’re in danger with you never knowing who it was

Crazy about your perfume, so much so that it makes him steal one of your clothes

After a while, he’ll spend most of his time with you without ever admitting he likes it

Will probably let you his feelings for you after he cast a spell on a guy for being a creep with you 

Won’t let another man touch you

Will ask Mattheo for advice to be better or to make you fall in love with him

Will do your homework without hesitation, even if he pretends that he hates it 

No PDA except for holding hands or your hand under his arm, but will make sure to stay close to you at all times 

Is a surprisingly good listener 

VERY jealous, but surprisingly isn’t mad or suspicious at you

“Did you enjoy having his attention? Do you wish for me to show you how my attention is better?” 

He doesn't stress over homework or stuff like that, so he finds it ridiculous when you do (learns with time to be more understanding)

Will let flowers in your room with a note on it

Pretends to not care about the gifts you get him for his birthday or Christmas but it actually means so much to him as no one ever got him any gifts before 

Nothing the others say about him gets to him, but he gets angry when he hears someone say that you deserve better than him

Is secretly insecure about his background and the fact that he’s poor, and thinks you deserve better 

As Voldemort: Might be torn between continuing his goals for power and spending a simple with you; is aware you’ll leave him if he gets on a darker path 

As Voldemort’s son: would do everything to protect you from his father, and if he’s forced to get the Dark Mark, he will makes sure you don���t know 

Possessive kisses 

Would hurt anyone who does you wrong

Borrows money from Draco to take you on dates or to get you gifts, as he feels like you deserve the nicest things, even though you keep telling him his mere presence is enough

May feel a little bit guilty that he can’t properly show you his love like “normal” boyfriends do 

Won’t admit it but considers you the only good thing in his life, and if he ever lost you he’d get on a dark path

Won’t cuddle at first, but if you wake up first you’ll find him sleeping close to you, with at least one of his hands touching you

Always notices when you don’t eat, sleep or drink enough

Not only you’re the first (and only) person he feels romantic love for

He has a bit of sexual experience before, but with you it's completely different - once you guys have sex for the first time, he becomes obsessed with your body and how it makes him feel

Loves fingering you

"You like it, dove?"

Even if you guys don’t work out, he won’t ever be with somebody else 

Would ask your parents for you hand in marriage, but honestly it's just out of politeness, the only answer that matters to him is yours

Regulus Black:

Like Blaise, he was raised the old fashioned way

Acts coldly towards everyone except you, his tone and eyes gets warmer and kinder when talking/looking at you, and you’re the only person he’ll smile at

You were his best (and only) friend and he has been in love with you for years

He hides his feelings very well, but one day you start dating someone else (thinking Regulus doesn’t share your feelings) but he can’t bear it and confesses his feelings

Always defends you

He’ll take you on restaurants or picnics dates, always bringing flowers

Mostly fine with PDA (holding hands, hands on your waist)

Thinks he’s very lucky to have you

Probably already starts thinking of marrying you during your last year at Hogwarts 

A bit jealous, but can’t stand it when Sirius tries to talk to you

Will gladly do your homework with/for you

Loves it when you sleep in each other’s arms, loves feeling you close

Loves it when you call him “Reggie” 

Will literally do everything you ask him to

You’re everything to him

Can’t stay away from you for long

Will get worried if you’re five minutes late

Always calls you “sweetheart” or “love”/”my love” 

Slow, romantic sex most of the time but sometimes he needs to be rougher

Thanks to you he’ll feel lighter and he will become kinder

You’ll even make him change his views on blood purity and stand up to his parents, and with time he gets closer to Sirius thanks to that (and you) 

If that doesn’t change and he still joins Voldemort, he’ll leave you a letter before going to the cavern, saying how much he loves you and how much you mean to him

Harry Potter:

Don’t expect any pet names from him, but he might create a nickname with your name (like he calls Ginny ‘Gin’ in the Cursed Child) 

His love languages are fierce protectiveness, loyalty and a patience he didn’t knew he had

Has no problem with PDA because he doesn’t care about what other people think  

Loves cuddles

Rarely gets mad at you, and feels guilty when he does

Mostly gets mad at you when you hurt yourself (for example during Quidditch) but it's also because he was scared for you

Hot kisses in private

Will be jealous if he sees you with another guy 

He’s passionate in a lot of things he does, and it includes you and everything you do

Will fiercely defend you again anyone, can even throw hands

Gets FURIOUS when Umbridge hurts you during detention, and will cuddle you for hours and do everything he can to make the pain disappear

Knows people are mean to you during fifth year because you're dating him and he hates it

During that year the only peace he feels is when he's holding you or when you sleep in his arms (it's also the only time he doesn't get nightmares)

Very supportive 

Loves getting you gifts 

You make him feel SO happy, he’ll just keep smiling for no reason 

Gets more and more clingy with time

Always write to you during the holidays (you always invite him to come to your house)

I'm not sure about sex while you guys are at Higwarts but he 100% feels lust for you, there will definitely be hot making sessions when you guys are alone in a dark corner of the castle and it often ends up with you against the wall with your legs around his waist while he kisses your neck and caresses your legs

However sometimes he just can't stop himself and will eat you out (even maybe finger you at the same time), and will be proud when you come

Any act of service you do for him means a lot

You're always worried about him when he's at the Dursleys but he reassures you that he's fine

Comes to you in the middle of the night if he has a nightmare and generally comes to you for comfort or to rant 

Needs you more than ever after Voldemort comes back and after Sirius’ death 

Misses you like crazy during his quest for Horcruxes, and he can’t bear the thought of something happening to you 

Might struggle to show it, but he knows and is thankful of how patient and comprehensive you are with him, and that makes him want to be the best boyfriend he can be

Terrified Voldemort might hurt/kill you

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[raven-at-the-writing-desk]

🎃 Twst Halloween PSA 🎃

*pulls up the Serious Talk Chair*

Alright, so.

In the wake of the new Halloween PV posted on the TWST JP social media accounts, there’s been an explosion of hype. However, something else you may have seen circulating is people saying, "I already knew about this weeks ago!" and/or claims of having knowledge of leaked characters and costumes. Some have even directly linked to videos or images of these leaks (including fully animated character sprites) in threads discussing the next Halloween event. I myself have been sent these videos and images multiple times, unprompted, over the last few days.

To make a long story short:

You should NOT be speaking about or sharing these leaks in a public setting.

By doing so, you are running the risk of spoiling people who may not want to know these things in advance. They never gave their consent to see that, and this consent shouldn’t be assumed. I’m extremely disappointed that my own experience has been this way. I wanted the chance to react live as the information was being released. Others may feel the same as me. Additionally, openly talking about leaks is may make things more difficult for us fans in the long run.

The only reason these leaks were let out so early is because TWST started uploading assets into the game much sooner than they would actually be implemented. This has allowed dataminers in the fandom to go in and look around to see what goodies might be in store for the future. However, if fans are going to just run around blurting out what all the secrets are, it may discourage the devs from continuing to do this in the future. It will make it that much more difficult for fans to extract high quality card images ASAP. It means assets may be kept under tighter lock and key to prevent this from happening again.

Don't believe me? Something similar happened with the Japanese TWST website. The team used to upload news about the next month's schedule early, but locked behind a random string of numbers. Fans brute-forced those numbers and always managed to find the schedule sooner than it was intended to be out. The number of posts made on the website has now dropped drastically and schedules are no longer released on there. While there's no proof that these events are related, there is a real concern among some dataminers that the very same could happen regarding in-game assets.

I realize that leaks are common nowadays, but please let us at least respect other fans' rights to experience the game in their own way while also minimizing the risk of consequences for the fandom. If you must discuss these leaks at all, do it in PRIVATE. You are allowed to be excited about what's coming, but please keep it to yourselves or to your own circles where it may be a more appropriate topic.

Do not ask or talk about the leaks in my inbox, DMs, or comments. Do not link me to or share any leaks. Wait until the information has been released on official TWST social media handles, THEN I would be more than happy to talk about the news with everyone. Those who disregard this request moving forward will have their message deleted and then be blocked.

Thank you—and with that, let’s return to our regularly scheduled show!

[linkspooky]

SUKUNA, YOU ARE ME

Now that we're in the last few chapters of Jujutsu Kaisen it's time to do a deep dive into Yuji and Sukuna's relationship. Is what Yuji showing Sukuna here truly empathy? Does Sukuna's death and Yuji's attempt to reach out mean Sukuna was human all along? We'll discuss that, the parallels between this and Mahito, and what Sukuna's exit means for both himself and Yuji as characters underneath the cut.

I AM YOU

While this post is about the connection between Yuji and Sukuna, I'm going to say the majority of this post will be about Yuji. I stated this in a previous post, I don't believe Yuji's showing Sukuna empathy here. While his offer to let Sukuna live inside of him may be genuine, it doesn't come from a place of genuine understanding. Sukuna himself isn't written as a character to be understood or empathized with.

Look at the words Yuji said. "You are me." He's not saying he's like Sukuna, he's saying Sukuna is like him. He is projecting himself onto Sukuna. Everyone in the story does, even Kashimo and Gojo who both considers themselves the strongest of their time and who naturally should have been able to understand the isolation of being someone as incomprehensibly strong as Sukuna were just projecting their own personal experiences on them in the end.

Of course we could dig a little deeper on the topic.

How much can one person truly understand another? It doesn't have to be a curser, or a borderline incomprehensible deity like Sukuna. How much do you understand your own best friend?

Gojo mentions that he felt loved by everyone, but also that he was so beyond their understanding that they may as well have been plants in comparison to him.

Of course, Shoko herself says that Shoko was always right there next to Gojo trying to offer him support and Gojo just chose to keep her at an arm's length. Gojo also believed that only someone as equally as powerful as him like Sukuna could understand him. Only to find that Sukuna didn't care about Gojo's feelings of isolation at all, nor was he troubled by love in the least.

Gojo makes himself out to be someone so superior to other human beings that he's beyond their comprehension, but that's Sukuna. Gojo did feel understood once, by Geto in his youth. The thing was that Gojo assumed that Geto could understand him because they were both euqal in power level. However, years after the fact when Gojo has long surpassed Geto, their friendship remains exactly the same.

The one that Gojo pictures patting him on the back is adult Geto, not teenage Geto. The one who Gojo truly would have been satisfied by in the end was Geto, not Sukuna.

So maybe what makes Sukuna so impossible to understand by others is that same reason why Shoko can't be close to Geto. Sukuna can't be understood by others because he doesn't care to be understood by them.

Perhaps, understanding isn't the end all be all of human connection. Gojo accepted Geto, and he didn't accept Shoko. Maybe Shoko would have been able to understand Gojo if Gojo ever tried to be emotionally open with her the ever way he was with Geto then he might have felt understood.

Then there's Ryomen Sukuna who rejects love and every notion of humanity along with it.

Therefore empathy means nothing to Sukuna. Yuji's empathy in particular. No, Yuji's attempt to save Sukuna is more about himself than Sukuna. It's a reflection of a change of Yuji's state of mind that he's willing to accept living with a curse like Sukuna. That he'd even try to understand Sukuna. Curses that Yuji previously dismissed as not even being worth understanding.

The first time Yuji said these words was when Yuji tried to make an offer to Sukuna to let him take control of his body in order to heal Junpei, in order to be laughed at by Sukuna. It was the last time Yuji ever asked anything of Sukuna.

Remember, in the very beginning of the manga Sukuna seemed like a standard inner demon character like the nine tails, or hollow ichigo. Yuji even thinks he can use Sukuna to switch out to help fight for him like against the special grade cursed spirit. However, we and the audience quickly learns that not only is Sukuna not just some evil half of Yuji, or a convenient power up, he's an actively malevolent entity with a will that will do anything to escape.

When Yuji realizes that Mahito and Sukuna are both curses, he starts to see Sukuna as an enemy trapped within him. Something he's reminded of again and again, especially after the Shibuya Massacre. From that moment Sukuna and Mahito become like villainous foils to Yuji, the dark to his light, the enemy for him to kill.

Yuji defines Mahito and Sukuna as his opposites and his enemies By killing them, he also gives himself a role. It's Sukuna and Mahito's actions in taunting is the first time Yuji uses the language "kill" when dealing with curses.

Mahito compared himself to Yuji and by saying as a curse he mindlessly kills humans. The same way that Yuji as a sorcerer, mindlessly kills curses. They are on the opposite side of the same cycle with no end in sight.

Yuji decides to embrace this violent cycle because it at least gives him a role to play. If curses are the shadow of humanity, if they're a reflection of humanity then what exactly is you saying here?

Yuji says he is Mahito, and then immediately that he's going to kill Mahito. It's not a statement of self acceptance, or accepting your shadow, but rather a statement of self destruction. Even though Mahito is a chaotic evil curse who enjoys killing humans, Yuji's decision to throw away his humanity just for the sake of killing him isn't a healthy way.

When Mahito said "You are me" he was attempting to drag Yuji down to his level. Yuji then willfully descends to Mahito's level as long as it gives him the strength to kill Mahito. It's character regression on his part. Yuji once said he didn't want to kill because then the value of life might become vague to him.

In a way it did, because Yuji began to devalue his own life. Yuji wasn't able to see any meaning in his life besides a "role' that someone else assigned him. Not only was he willing to throw it away at the drop of a hat, but he also didn't feel like he had permission to live.

Unlike Yuta who actively sought affirmation from others, Yuji rejected that affirmation and tried to push everyone including people like Megumi and Choso away. They were right next to him, but Yuji became unable to accept their love and support.

Yuji is a strange paradox because he presents himself as an all-loving hero who just wants to save as many people as possible, but then you read his dialogue and he's like "I'm just a cog in the machine, I will continue to kill curses until one day I die. Then I'll just be replaced by another cog. There's no meaning at all to this sequence. Life is an endless nightmare."

I'm exaggerating, but underneath Yuji's sweet nature and goofing around, there's this very bleak attitude that his life means nothing except for the labor that he produces, and one day he'll be tossed aside and that's fine because it's what he deserves.

If Yuta seeks self-affirmation, then Yuji is seeking self-destruction. His self-loathing leads him to practically lay his head down on the chopping block and offer his neck up for execution by Higuruma's domain during the fight with Higuruma, even when Higuruma himself points out that Yuji isn't the one at fault because he wans't in control of his own body. Yuji will still take the blame, anything to punish himself further.

So, the words Yuji uses in his triumph against Mahito also signify the destruction of his own ego. That is what Yuji does when he adapts his cog mentality, he denies his own sense of self.

What Yuji experiences is basically a prolonged ego-death.

Ego death is a "complete loss of subjective self-identity".[1] The term is used in various intertwined contexts, with related meanings. The 19th-century philosopher and psychologist William James uses the synonymous term "self-surrender" and Jungian psychology uses the synonymous term psychic death, referring to a fundamental transformation of the psyche.

I brung up Ego-Death in the Jungian context, but in Yuji's case, resigning himself to being a cog is also an act of self-surrender. Yuji basically moves away from all of his previous ideals. He only sees himself as a tool to kill curses. Saving others, or helping guide others to a natural death, those things get put on the back burner as a tool doesn't need ideals.

He's abandoned all kinds of idealism and higher reasoning. In fact that is what Mahito wanted him to do, to abandon the higher reasoning that belongs to human beings and act on instinct like a curse. Mahito successfully pushed Yuji to abandon human reason and become an unthinking cog.

Jung defines the Ego-Death as the stripping away of everything else to revert to your natural self. According to Ventegodt and Merrick, the Jungian term "psychic death" is a synonym for "ego death":

In order to radically improve global quality of life, it seems necessary to have a fundamental transformation of the psyche. Such a shift in personality has been labeled an "ego death" in Buddhism or a psychic death by Jung, because it implies a shift back to the existential position of the natural self, i.e., living the true purpose of life. 

Megumi also experiences an ego-death over the course of the manga that mirrors Yuji's own when Sukuna takes over his body, soaks his soul to bring Megumi near evil, and then kills Tsumiki. At this point both Yuji and Megumi both lose what were their reasons for fighting. The so-called "dignity obtained by human reason" is lost. After having those reasons stripped away from them and experiencing their ego-deaths both of them surrender control. Megumi becomes helpless and stops trying to fight Sukuna. While Yuji may not seem like he's given up on anything since he keeps trucking along, he too has given up on thinking for himself. Yuji has essentially given up as much as Megumi has, there's just less plot consequences for it.

Either way they are both brought to their lowest point by ego-death, in order to bring them to their lowest point, and make them experience a rebirth of sorts.

The persona in Jung is the face you show the outside world. it's one part of personality, with the other being the shadow. The shadow is the repressed part of peresonality. Just like curses are made up of repressed human emotions that leak out from our collective subconscious. Curses serve as the shadow of humanity collectively, especially Mahito who is made up of everything humans hate and fear about other humans. The physical embodiment of human cruelty.

However, a person can't live without their shadow. There's no such thing as a human without flaws after all, and you don't become a better person just by ignoring your own flaws. The kinds of people who are unaware of their own flaws tend to unconsciously repeat the same mistakes again and again and again.

Yuji despises curses as inhuman monsters that he can slaughter like they're enemies in a video game, but they're like... made of human vices. They are the product of humanity's emotions. Yuji's habit of only looking at the good makes him unaware of both his own shadow, his own shortcomings, and also the darker shades of grey in the world around him.

Megumi and Yuji both are characters who, need to be dragged down to the darkest point of the shadow and forced to confront their own flaws in order to learn about themselves. It's not a coincidence thaT Yuji who puts humanity on such a pedestal is a human and curse hybrid. That his older brother who's shown to be a source of overflowing unconditional love is also a human / curse hybrid, and who Yuji nearly killed because he blindly, obediently decided to kill curses. That Yuji killed two of his other curse / human hybrid brothers in spite of noticing they were different from other curses and had a family bond with each other.

It's not a coincidence that Yuji who puts humanity on such a pedestal devoured the corpses of all of his other brothers the same way that Sukuna ate his own twin in the womb to gain the power to defeat Sukuna.

Yuiji lacks a lot of self-awareness. That's why I've always said he doesn't quite live up to the "all-loving hero" he sees himself as. Savior is just a role that Yuji has adopted in order to give himself a purpose in life, but he falls short of that. The reason that he falls short is ironically that Yuji tries so hard to be superhuman, that he can't forgive himself for having basic human flaws.

It's why "Being a child is not a sin" is such a meaningful line coming from Nanami. In Yuji's eyes being a child is a sin. He constantly blames himself for not being able to hold the weight of the world on his shoulders, for not being able to save everyone by himself even though he's only been a jujutsu sorcerer for a few months.

It's why Yuji gets excited for a moment when Kusakabe mentions that Yuji is developing very fast by sorcerer standards, because he wants to be someone monstrously talented like Higuruma or Gojo - and why he immediately looks so disappointed when Kusakabe says it's not because Yuji is talented it's just because of Sukuna.

Yuji feels an overwhelming amount of responsibility and wants to be a special person who is strong enough to actually carry all that responsibility on his shoulders. That's why I say Yuji isn't a true all-loving hero, because it's more about Yuji's own feelings than the act of saving others. His guilt complex over Sukuna.

His desires to be someone special and meaningful. Yuji wants to be a good person who saves others because it gives YUJI and purpose and it gives YUJI a sense of fulfillment. If you've read Tokyo Ghoul it's like Kaneki's reason for participating in the Anteiku Raid. Not because he genuinely wanted to save others, but because he "was tired of not being able to do a thing."

(I'm keeping the meme panel because it's funny)-

Yuji wants to be strong and wants to be a savior because Yuji feels insecure in himself and loathes himself for his own weakness. However, this pushes Yuji farther away from his goal of saving others and making connections with other people so he can die surrounded by people BECAUSE people empathize with each other over their weaknesses.

Yuji wants to become someone strong and unbreakable who will never falter, never feel pain, and most of all never lose. He basically wants to become Satoru Gojo, but if Yuji were to ever rise to Gojo's level like that just by getting rid of all of his weaknesses he'd fundamentally lose his ability to connect with people the way Gojo and Sukuna have.

Yuji defines himself in strength, and suffering, and always overcoming, but then what is his heart for? He strives to become someone stronger than Gojo or Sukuna to protect his friends, but if he loses his heart that loves and cherishes those friends in the process then what even is the point?

Yuji walks a dangerous road from the culling games up until the Shinjuku incident, into nearly becoming like Mahito or Sukuna in his attempts to be stronger than them. I don't think he was ever in danger of going on a murder spree, but I do think he was risking becoming someone like Gojo.

Gojo made himself a tool for Jujutsu Society for the greater good and look what happened to him in the end. Not only did he die in the line of duty, his corpse was turned into a puppet to use as a weapon against the enemy. He made himself into a monster even when people like Yuta were begging Gojo not to. Yuji was on a similiar path of cutting off all the people who loved him and just becoming a person exploited in both life and death for the greater good.

So what stopped him?

Megumi.

YOU ARE ME.

A few people said that Yuji's abandoning the cog mentality suddenly happened too fast, or felt unearned but I think if you look at the culling games arc from higiruma's fight onwards as a whole it's actually a natural progression.

It all starts with Higuruma and Yuji's conversation:

Higuruma: "You're innocent. You didn't commit that crime." Yuji: "Even so, it's my fault." Higuruma: "Why?" Yuji: "...I see. Itaodri, there still may be a lot of people who are weak like you."

Yuji is someone who loevs humans, but puts humanity as a whole on a pedestal. He loves humanity but hates human weakness, especially his own weakness. Ironic because Higuruma is also someone who became jaded by having to work in the corrupt justice system and was forced to look at human ugliness day after day after day even though he wanted to be someone who valued people for their weaknesses.

Yuji doesn't learn to empathize with human weakness until Megumi's weaknesses are the one he's forced to confront. He doesn't abandon his notion of roles until he's robbed of his roles by Sukuna when Megumi becomes the possessed one instead of him.

Yuji is fine with being a sacrifice for the greater good, but he is not fine with sacrificing Megumi. By knowing exactly what Megumi is going through and wanting to save Megumi from Sukuna's possession, Yuji is in an odd way forced to empathize with himself. Like, it's a double standard on his part that's being challenged. Yuji blames himself for all the people he hurt as Sukuna, but he'd never blame Megumi for letting Sukuna kill tsumuki while possessing his body.

In his refusal to sacrifice Megumi for the greater good, even when Megumi is begging him to do so he rejects the common Ethos that sorcerer's are expendable cogs who are expected to sacrifice themselves and their comrades in the eternal fight against curses for the sake of public safety.

Yuji carries with him this grandiose notion of saving as many people as possible. However, when the option comes to make a sacrifice that would save hundreds of thousands of people from the merger by fighting to kill Megumi instead of save him from Sukuna's clutches Yuji can't do it. Even though Megumi at that point would be a completely willing sacrifice.

Yuji has to abandon his cog mentality to save Megumi, because an unthinking cog wouldn't put Megumi's life over the lives of everyone in Shibuya. A cog, especially a sorcerer would kill that one kid in order to save thousands of lives. Heck, Kusakabe more conservative sorcerer even brings up that argument that everything would have been avoided if Yuji was executed to begin with.

In order to save Megumi, Yuji must also reclaim his own humanity. There's a reason that Nanami, and Nobara, die right before Yuji adopts his cog mentality. Nanami, the most ethical of the first grade sorcerers who tried to teach Yuji to value his own life because he was a child, and Nobara the only kid in the main trio who was a normal person are both representatives of Yuji's humanity.

After losing both Yuji becomes reckless, he stops valuing his own life. As I said far, far bove, Yuji never listened to the advice Nanami gave him that it wasn't a sin to be a child. Yuji has this entire time thought it was a sin just to be weak, just to need the help of other people, just to not be able to accomplish everything on his own.

After Yuji starts reconciling with his own humanity though, he regains his connections to both Nanami and Nobara. Nanami comes back symbolically in the form of Higuruma, someone Yuji tries to encourage to live instead of taking the same suicidal path that Yuji was bent on. Whereas, Nobara herself actually comes back from the dead in time to land the final blow, the same way she reminded Yuji of her presence and that she wasn't alone in the Mahito fight.

Yuji also regains these connections when he's processed the grief for both people. He remembers Nanami and what Nanami left him in a more positive light. In my interpretation the line "I am a sorcerer" refers to Yuji developing a more healthy version of being a sorcerer. That instead of Yuji seeing sorcerers as slaves who have to sacrifice themselves for the greater good like Geto did, Yuji can see the camraderie between sorcerers who fight and put their lives on the line together.

Either way, I think the moment Yuji truly reconciled with the grief of death is sadly enough with Choso's death. If you want proof that Yuji's revelation wasn't rushed, that he didn't skip from point a to point b, then it's right here.

Choso apologizes to Yuji for leaving him ahead of time, and Yuji tells him not to, because Choso was always by his side when he was at his lowest point and that brief time they had together was enough for him.

Yuji's relationships so far have been defined by his fear of losing people. He wants to have a natural death, he wants the other people around him to have good deaths, he doesn't want people to die too early. By focusing on the fear of losing people, he hasn't yet been able to enjoy the time that they were around. However, in this moment he realizes how much Choso meant to him, even if their relationship was brief, and even if it came to an end. Yuji learned you can still love someone even if you inevitably lose them.

This is when Yuji finally accepts mortality and fragility as a part of life.

This is also what Sukuna can't accept. That life is fragile. That life is weak. That life comes to an end. Sukuna's entire goal is to maximize pleasure and live as long as possible, and therefore he's rejected all of the unpleasant parts of reality. Sukuna doesn't want to live in the real world like a human being, he wants to exist only in the world of Jujutsu where he's a god.

This is what Yuji represents to Sukuna, The human vulnerability, and mundanity that he threw away, by literally cannabilizing his own twin and throwing away part of his soul. The part of his soul that Sukuna threw away was taken by Kenjaku, and used as a science experiment to create Yuji. Technically, Sukuna is Yuji's uncle but symbolically Yuji is the twin that Sukuna cast aside. Especially since in this world cursed energy treats identical twins like they are the same person.

Yuji for the longest time tried to do what Sukuna did. Tried to throw his own humanity away so he could be as strong as Sukuna. He literally even ate the corpses of his own brothers.

Yuji and Sukuna are symbolically twins, but Yuji learns to embrace the things that Sukuna threw away. Sukuna threw away his own soul's twin in order to grow strong. He became all powerful in the jujutsu world because he ate his twin and gained an extra pair of arms and a mouth. He's like if Maki chose to kill Mai instead of Mai sacrificing herself for Maki's sake.

Yuji chose companionship with others over power. Sukuna doesn't need others people to satisfy him, and Yuji begs Megumi to come back from the dead because his life would be lonely without him. Yuji doesn't have some noble reason for going this far for Megumi's sake. He's not saving Megumi for the greater good, but because his connection to Megumi is important to him. Because he doesn't want to go through life without Megumi.

Yuji loathes weakness like Sukuna. Yuji desires to be someone special like Sukuna. Yuji has a grandiose sense of self importance like Sukuna. Yuji desires power like Sukuna. Yuji looks down on weak people like Sukuna does, he just condescendingly wants to save them instead of Sukuna who just wants to stomp on them like ants.

Yuji is also literally Sukuna. He was created by an offshoot of his soul. The same way that Sukuna was born with a body perfect for Jujutsu, Yuji was born stronger than anyone his age, and develops at an extreme rate as a sorcerer BECAUSE he was Kenjaku's science project to make the perfect vessel for Sukuna.

They are totally twinsies in so many ways, the only difference in the end is that Yuji learns to value human connection. In Sukuna's book there is no meaning to life, except for the pleasures he pursues as an individual. Therefore Sukuna is the only real person that matters or even exists. The narrator says as much he alone is the honored one, all that exists is his pleasures and displeasures.

In Buberian terms Sukuna only experiences existence and I and It relationships.

Buber's main proposition is that we may address existence in two ways:

The attitude of the "I" towards an "It", towards an object that is separate in itself, which we either use or experience.

The attitude of the "I" towards "Thou", in a relationship in which the other is not separated by discrete bounds.

Sukuna is the "i" and everyone else is an "it." Sukuna is the only real person who exists, and everyone else is just an object for their amusement.

Whereas, Yuji experiences "I" and "Thou" relationships. Yuji learns to see other people as different from himself. Yuji appreciates people as separate entities. While Sukuna gets amusement from his life by treating other people like toys, for Yuji the value in his life comes from the people who have entered into his life in some form. He appreciates the relationships he's formed with people and the memories they've left behind, no matter how brief the time they spent together was.

This is why Yuji's words reach Megumi, because he respects that Megumi feels differently than he does. He doesn't tell Megumi to just suck it up and keep fighting because that's what Yuji would do. He understands that he's a different person than Megumi, and he can't say he understands the grief and pain Megumi is going through right now.

That's Yuji's big revelation, in just a few short months as a sorcerer he's met so many people who left an impact on him. Some of those relationships came to an end early, but that painful ending doesn't negate what they meant to him.

The few months he spent with Choso have value even if it's not the same as the one hudnred and fifty years Choso spent with the rest of his brothers, because Choso supported Yuji when he was at his lowest point. Yuji finally sees that what gave his life meaning was the memories he made with other people while they were alive together. Not the way that they died.

So Yuji is finally willing to let himself exist outside of a role.

That's what he's offering to Sukuna as well. Maybe not empathy or understanding, because if Yuji had truly learned empathy maybe Sukuna might have accepted his offer. No, Yuji is simply willing to offer Sukuna the chance to live alongside him.

Sukuna rejects bonds of all kinds and Yuji is now embracing them. Yuji no longer seeks to annihilate curses because they're a fundamental part of life. Yuji wants to live on with his curses and burdens. He's also willing to give Sukuna a chance to keep living too.

Even Yuji points out that both of them are totally twinsies. Sukuna was born as a curse because he devoured his twin brother in the womb. Yuji was born as a curse because he was created to be Sukuna's vessel. The only way that Yuji is the way that he is is because he was raised as a normal child by his grandfather. If Yuji hadn't then he would have turned out entirely different. It's the same way that Choso became human because of his love for his brothers, even though he was born as a curse human hybrid and tossed aside by Kenjaku as a failed experience.

Yuji acknowledges both his capacity to have turned out like Sukuna if not for his grandfather's sake. This time when he says You are me, he's not saying it to threaten and destroy the person he sees as his shadow. This time Yuji is trying to reconcile with his shadow. He's looking at the person who represents the absolute worst of humanity, and the things he hates about himself and is still willing to give them the chance to keep on living together with him.

When Yuji says "I am you, so I'll kill you" to Mahito, that signals his first step on the road to self destruction.

When Yuji says, "I am you, so I'll save you" to Sukuna, that signals his first step on the road to self-acceptance.

It's Yuji allowing himself for the first time to just exist as a normal person not as the hero of some epic story. He even gave Sukuna that chance too, to just continue living alongisde him, but sukuna rejected it to keep on living as a curse until the end.

So, while Yuji saying "You are me" to Sukuna isn't true empathy, it is Yuji learning to accept himself and his flaws. . Because if Yuji is willing to forgive someone like Sukuna, then perhaps he might just learn to forgive himself.

[tame-the-lion-writes]

favorite CoD headcanons/prompts

konig

I love pathetic König drabble. I love when people write him as a massive pathetic wet cat of a man. He’s a loser and a simp, but he’s sweet, but he’s socially incompetent and what a moood. Yes, he’s frighteningly competent on the field, but he practically lives in war and doesn’t know how to connect with people outside of that life. So enter this pretty little thing and he’s all stumbling over himself—a massive creature who just wants to hold someone so tiny

And speaking of tiny!— the headcanon that he’s a cat/bunny person! That he’s supposed to be this battering ram brute but he’s also learned to be gentle when it really counts, and he scoops up adorable animals whenever they’re in sight

Also the idea that König is particularly weak to bakers. Baking means home, and so does the smell of whatever you’ve put in the oven. It’s the ✨domesticity✨ and he’s practically floating in midair like a character in an old cartoon. In short, big man following after smol baker. Perfection.

Price

Bear!Price! Literally and figuratively! He’s so round and warm and he’s got the kindest eyes, and he will wrestle his cubs soldiers into place! I don’t want him to have a six pack. He’s got strong arms, hair all over, and a belly. That’s all he needs

Dark(er)!Price, too. And I don’t mean that in like a possessive, obsessive smut sort of way. I think a lot of fluffier fanfic surrounding Price has him characterized as super soft (which I still love—don’t get me wrong). Still, while he’s very much the dad of the group and openly loving/caring towards certain people, he’s still a morally gray character because (even in his own words) he HAS to be. This man is a captain and he gets 👏 things 👏 done 👏 AKA making tough choices and justification over idealism

Ghost

Fics where Ghost gets married before Price. Cause everyone thinks Price would find a wife first, but I think Price would like the slow roll whereas Ghost would finally, finally find someone and latch on. Because yeah, he’s definitely afraid of losing you—he’s lost a lot of things in this world, and the 141 and war seem to be the only continuity, BUT!— once that wall is broken down and he allows himself to have something, he’s making sure he won’t ever let go. Because that love is his, his, his. In the purest, most selfless way possible

Ghost being characterized not as pretty, but someone who was pretty. I forget who wrote the blurb about it, but I just love the idea that he used to be conventionally attractive, and now his face is carved in, scarred, etc. He’s got burn marks littered up and down his skin, and it’s angry and red, and all the parts that weren’t burn were somehow torn apart anyway. He’s a man with too many stories to tell, and it shows but we love him anyway

[sarahreesbrennan]

Quick Evil Note

To all my wicked darlings, I have now received rather a lot of messages asking me about the influences of Long Live Evil. And I wish to get messages about LLE and truly appreciate the ones I do get! And I wish to answer them. But answers about influences are tricky.

The book has been out in the US for a little over two weeks, and it’s going so well so far, I couldn’t be more delighted and appreciative about its reception.

But also I’ve been informed (not asked) that two of my characters are obviously somehow both Harry Potter and Draco Malfoy of Harry Potter, and Wei Wuxian and Lan Wangji of Grandmaster of Demonic Cultivation. (Very puzzling as I don’t think these pairings - and one isn’t a pair - have much in common with each other or with mine. Vague hostility against a vaguely academic backdrop for a bit? For the record… in the book everyone is an adult and I don’t even have any academic backdrops to be vaguely hostile in front of…) This hasn’t happened to me in a long time, because I haven’t had an original novel out in a long time due to illness, and it is upsetting to always be discussed differently than writers who didn’t openly link their real names to their fan identity.

I have very different feelings and new appreciation for fandom than I once had. It’s been amazing to see and meet people who have stuck with me for decades. People are generally way more open and affectionate to and within fandom than they once were. Love matters to me a good deal more than hate. But getting death threats in your early 20s for excitedly telling your Internet friends you were going to publish a book does mark the psyche, and so does having your characters dismissed as other people’s characters.

And we can say there is nothing wrong with fanfiction or writing fanfiction and there isn’t! Fanfiction is great and can be genius. Terry Pratchett wrote Jane Austen fanfiction, and didn’t (and shouldn’t) have people saying Captain Wentworth = Captain Vimes. Still, when a TV show is discussed as ‘like fanfiction’ or when Diana Gabaldon said she didn’t like fanfiction and many said ‘YOU write fanfiction’ it isn’t intended in any kind spirit, even when it’s fannish folk saying it. And it’s just generally odd to have everyone call your apple a tomato, and has had professional consequences for me in the past.

However! All the asks I’ve received have been very kind, and I do want to answer them. I do want to talk about my influences because they are manifold and because I actually think it’s important to always talk about influences. I don’t believe stories exist in isolation - we tell tales in a rich tradition, and also a story doesn’t come alive to me all the way until it’s heard or read.

Long Live Evil is a love letter to fandom: it’s chock full of references to many many stories I’ve loved, to fairytales, myths and legend and Internet memes and epic fantasy and meta. My acknowledgements are endless partly for this reason. I do owe a great debt to many portal fantasies and archetypes and musicals and jokes about genre and plays through the ages, though I do think of my characters as themselves and nobody else.

I was frankly tempted to go ‘Yes I stole EVERYTHING! Bwhahaha!’ But while I am thoroughly enjoying and finding great freedom in my villain era, I do want to talk sincerely to you all as well, especially when asked sincerely interested questions.

But I’m a little scared to do so and have people say ‘AHA! Now we know what it’s fanfiction of’ (it’s happened before) or ignore me and go ‘we know the truth!’ (it’s happened before) and to feel like I’ve injured my book. Long Live Evil means more to me than any other and I really want to get talking about it right, and make sure it has the best reception I can give it.

So. Questions on all Evil topics very very welcome but answers to influence questions may come slowly. Bear with me. I am working on this!

[fallenclan]

First of all: WOLFBITE OMG!!!!! I CALLED IT (i didn’t i was SHOCKED.)

Also: are there any other clangens you’ve been interacting with/reading? I’d love to get some reccs!

YES i love to look at other clangen blogs... here are a few of my favorites!! I'm going to tag them but if you're on this list and you'd like to not be tagged just let me know :)

@gooseclan - Shares a border with Fallenclan!!! i love their art sm its so silly <3 and I am Afraid for Bristlestar rn I'm not gonna lie

@cricketclan - Also shares a border with Fallenclan!! So insanely jealous of their art its unreal good

@boulderclangen - I just found them the other day!! Just starting out but their art is BEAUTIFUL and I'm really really excited so see where the story is going!!

@black-buttercup-clangen - I just did a bit of art for them a week or so ago, so you might know of them already, but GO LOOK!!! Fantastic art (the DEDICATION for all those backgrounds, my god) and I'm so intrigued by the story, especially whatever's going on with Burntfade. Looking At Him.

@circus-clangen - The CHARACTER DESIGN by god..... absolutely stunning. and holy hell what a concept??? i love their comics sm

@the-inky-waters - GOD i love their art... such wonderful colors and expressions. I'm so curious to see the story unravel...

@lionpawsdiary - Lionpaw and Spikedawn mean so much to me you have no idea. theyre so silly. grumpy old cat this weird little gal <3

@splinterclan The EXPRESSIONS the ART STYLE the CHARACTER DESIGNS..... Pansybloom my sweet girl i love you

@hushedclan DRYSTAR I LOVE YOU DRYSTAR.......... another blog with the most incredible art style holy shit

not an extensive list!! just a handful of the more recent ones I've followed, go check them all out!!!

[kckt88]

A Heartbeat Between Us V

Summary:

Y.N moves in with Aemond, however he has trouble dealing with his jealousy as Y.N grows closer to Aegon.

Warning(s): Angst, Drama, Fluff, Swearing, Jealousy, Insecurity, Miscommunication, Kissing, Semi Public Sex, P in V, Oral Sex (M Recieving).

AEMOND x Y.N

Word Count: 5576

A.N - I used Zac Gabriel as the face claim for Daeron.

A.N - Most of the story is already written, as I start a new job on Saturday :-)

Disclaimer: I do not own any of the House of The Dragon or Fire & Blood characters nor do I claim to own them. I do not own any of the images used.

Comments, likes, and reblogs are very much appreciated, do not copy/post to other sights without my permission.

Tag List - @jasminecosmic99 @kaelatargaryen @yesterdayfeelings-blog @immyowndefender @0eessirk8 @killua2dot0 @msassenach @xcharlottemikaelsonx @moonnicole @toodlesxcuddles @mamawiggers1980 @minttea07 @nommingonfood

Aemond was almost regretting his suggestion of going baby shopping the moment he stepped foot into the nursery store.

Rows and rows of items surrounded him, none of which he recognized apart from the basics: a cot, a pram and a changing table.

But what was all this other stuff? As he stood there, utterly bewildered, he picked up an odd-looking contraption with tubes and some kind of cup attached. His brow furrowed in confusion as he turned it over in his hands.

"What the hell is this?" he muttered, more to himself than to anyone in particular.

Y.N. appeared beside him and gave him an amused smile. “That’s a breast pump,” she explained, gently taking it from him.

Aemond blinked. "Are you going to-breastfeed?"

Y.N. nodded. “I’ll give it a try. I read in one of those baby books that I can eventually express milk so you can help with feeds if you want.”

He gave a quick nod, relief washing over him. That, at least, made sense. He would be involved in every aspect of their baby's life, even the late-night feedings.

They continued walking through the aisles, moving past shelves lined with more creams, lotions, and baby products than Aemond had ever seen in his life.

“Babies have really sensitive skin,” Y.N. explained, picking up a tub of lotion and reading the label. “We’ll have to be careful with what we buy for them.”

Aemond was still trying to make sense of the endless products when Y.N. casually mentioned, “I’m thinking I’ll have to put the cot in my room, at least for now. My flat doesn’t have a spare room, so I’ll probably look for a bigger place when the baby gets a bit older-”

Without thinking, Aemond blurted out, “-You could come live with me.”

Y.N. stopped, turning to him in surprise.

He shifted awkwardly, realizing how fast he’d said it, but he pressed on. “-I have the room, and I could help more with the baby. I don’t want to miss out on anything-and it just makes sense, doesn’t it? I mean, we’re having a child together, and I-I want you to feel supported. I want to be there for everything.”

Aemond started rambling, listing reason after reason, but Y.N. interrupted him with a soft smile, placing her hand on his arm.

"I'd like that," she said quietly, "-as long as I can contribute toward the bills. I won’t let you pay for everything."

A wave of relief and happiness washed over him, and he agreed, already picturing them as a family in his penthouse. His focus shifted when he spotted something on a nearby shelf.

A cot mobile, but not just any mobile—this one had tiny, intricately designed dragons hanging from it. He wound it up, and a soft, gentle lullaby began playing as the dragons turned lazily in the air.

Aemond smiled, his eyes lighting up. “I’ve always liked dragons,” he said, nostalgia filling his voice.

Y.N. smiled, too, remembering how his notebooks in school had been covered in his dragon sketches. “I remember.”

“This one,” Aemond said decisively, picking up the boxed version of the mobile. “This is the one I want for our baby.”

Y.N. nodded, touched by his excitement. It was clear how much this meant to him.

As he cradled the box in his hands, she smiled at him, already imagining their baby lying beneath the mobile, lulled to sleep by the soft music and the gentle movement of the dragons.

"Do you know what kind of pram you want?" Aemond asked, trying to sound knowledgeable but still feeling a little out of his depth.

Y.N. chuckled, taking his hand. “I’ve seen a few possibilities. Come on, I’ll show you.”

Aemond had practically marshalled his siblings into helping with Y.N.'s move, each of them assigned specific tasks.

The moving process was well underway, and he was determined that Y.N. wouldn’t lift a finger—especially not anything heavier than a pillow.

So, while Aegon, Daeron, and Aemond handled the heavy lifting, Y.N. and Helaena sat on the floor of her now almost-empty bedroom, packing the last of her things into boxes.

“Honestly, Aemond, I can carry other things,” Y.N. protested as she folded some clothes into a box.

“Absolutely not,” Aemond replied from across the room.

Helaena snickered, helping Y.N. close a box. “He’s being protective. Just let him.”

Y.N. shook her head fondly, turning back to Helaena. “Men.”

Meanwhile, Aegon, ever the opportunist, had loudly volunteered to help with the bedroom packing.

“I’ll handle the personal items!” he announced with a smirk, only to be met with a swift slap on the back of the head from Aemond.

“Go help move the boxes that are already packed and sealed” Aemond ordered, sending Aegon out of the room with a scowl.

Y.N. had already arranged for most of her furniture to go into storage, having decided that she didn’t need much in the way of bulky items.

There was only one exception: her grandfather's beloved armchair. The old, worn chair didn’t match Aemond’s sleek black-and-white decor at all, but Y.N. had insisted on bringing it with her.

Aemond had stood his ground, but when she tied him up in bed and kept edging him during sex, bringing him to the brink of his orgasm as she rode him only to stop, and after four times of being denied the chance to come he caved in, only for him to end up a begging moaning mess as Y.N overstimulated him.

Now, as Daeron worked through her collection of books and DVDs, he raised an eyebrow at what he found.

“She’s got a lot of horror here,” he remarked, flipping through a few titles. “She seriously likes this stuff?”

Aemond, overhearing, glanced over. “It’s her favourite genre. She’s obsessed with creature features and disaster movies, too.”

“Creature features?” Daeron asked, confused.

“You know, movies with killer sharks or giant, man-eating animals,” Aemond replied nonchalantly.

Daeron laughed, shaking his head. “She’s has weird taste-” he teased, only for his eyes to widen when he pulled out a book from a box. “Oh, hello. What’s this? Fifty Shades of—"

Before Daeron could finish, Aemond snatched the book from his hands. “Fifty Shades of Shite, that’s what,” Aemond grumbled. “Now stop messing around and pack.”

Daeron mock saluted him. “Yes, sir.”

Aemond then made his way to check on Aegon, who had unsurprisingly gotten distracted. His elder brother was rifling through a stack of old letters, his face a picture of mischief.

“What the hell are you doing?” Aemond snapped.

“Found some letters-” Aegon replied, waving one around. “-From Jace”

Aemond frowned deeply, but there was a gnawing sense of curiosity that led him to take a glance over Aegon’s shoulder.

Sure enough, Jace’s love-sick declarations and desperate apologies were scrawled across the pages.

Aemond’s scowl deepened, but despite the irritation boiling inside him, he said, “Just put them back. It’s not our business.”

Aegon, with a dramatic sigh, pretended to comply, but when Aemond wasn’t looking, he tossed the letters into the bin.

“So long, Jace, you fucking idiot,” Aegon muttered under his breath.

When Aemond went back to the bedroom, he found Y.N. and Helaena laughing together, nearly finished with the last of the packing. Y.N. was holding up a small box of condoms, grinning.

“Well,” she chuckled, “I guess we won’t be needing these anymore.”

Before Aemond could respond, Aegon’s voice echoed from the hallway. “Hey, I could use them! Saves me buying more.”

Y.N., completely unbothered, shrugged and tossed the box in his direction. “-I didn’t know you was seeing anyone.”

Aegon caught the box and smirked. “Not currently. But I do have my eye on someone,” he replied smugly. “Just a matter of time before she’s mine.”

Y.N. raised an eyebrow but didn’t press, going back to emptying her drawers.

Meanwhile, Aemond shot his brother a warning glare as Aegon winked suggestively at him, making his blood boil.

“Touch her, and I’ll kill you,” Aemond whispered to Aegon, to which his brother only grinned wider.

Y.N, oblivious to the tension between the brothers, finished packing her things and stood up, hands on her hips.

“Well, I think that’s everything. Let’s get the last boxes out, and then we can head over to the penthouse.”

As Y.N. looked around the penthouse, trying to get her bearings amidst the chaos of moving, she realized something was off.

"Aemond, where are all my things?" she asked, her voice tentative.

Aemond glanced up from the hallway, rubbing the back of his neck awkwardly. “They’re in the other spare room,” he said casually, not catching the subtle shift in her expression.

Y.N.’s face fell. “Oh, s-so-I won’t be sharing your room?” she asked, her voice tight with a hint of disappointment.

Aemond, now noticing the change in her mood, looked confused. "I just assumed that you’d want your own space," he replied cautiously. "You know, somewhere you could have to yourself if you ever needed it."

Y.N. forced a smile, though her chest tightened. "N-No, it’s fine, I-I understand," she said quietly before slipping away down the hall and shutting herself into the spare room.

The click of the door felt like a punch to Aemond’s gut.

Aegon, who had been lounging on the couch, shot his brother a look of disbelief. “Well, aren’t you a fucking moron,” he muttered, shaking his head.

Daeron, standing nearby, chimed in with a frown. “You’re in love with her, she’s pregnant with your kid, and you ask her to move in, only to stick her in the spare room? What were you thinking?”

Helaena crossed her arms, giving Aemond a pointed look. “You need to fix this, and fast.” She shoved him gently towards the door.

Aemond swallowed, his stomach churning with guilt as he approached the spare room.

He knocked softly, and after a long moment, he heard her voice call from inside. “Come in.”

Aemond slipped inside, shutting the door gently behind him. Y.N. was sitting on the bed, surrounded by boxes, her eyes red as if she’d been fighting back tears. His heart sank, and he immediately knelt down in front of her, resting his hands on her knees.

“I’m so sorry,” Aemond said earnestly. “I should have talked to you first. I shouldn’t have just assumed anything.”

Y.N. gave him a small smile, but her eyes betrayed her hurt. “It’s okay. I understand.”

Aemond shook his head. “No, it’s not. I-I’ve never really lived with anyone before, not like this-” he confessed, his voice soft. “-As an adult, it’s all new to me. With Alys-she would only stay over every so often, but we never lived together. I don’t really know what I’m doing.”

Y.N.’s gaze softened as he spoke, her hand moving to cup his face gently. “I get that, Aemond. But it still hurt.”

He closed his eye, leaning into her touch. “I just wanted to make sure you were happy,” he murmured. “Of course, I want you in my bed every night, but I thought you might want a space to call your own. Where you can work on your art or-get away from me when I inevitably annoy you.” He smirked slightly at his own words, but his eyes were full of sincerity.

Y.N. smiled at that, her thumb brushing over his scared cheek. “Can I?” she asked hesitantly, motioning towards his eyepatch.

Aemond nodded, and she carefully slid the patch from his face, revealing his sapphire eye. Y.N. smiled softly, gazing at him. “There. Now I can see you,” she whispered.

The tenderness in her voice, the warmth of her touch—it was more than Aemond could take. He surged forward, capturing her mouth in a passionate kiss.

His hands slid up her thighs to her waist, pushing her back gently until she was lying on the bed, her body sinking into the soft mattress.

The boxes around them were pushed aside, some tumbling onto the floor with a thud, but neither of them cared.

“I want you,” Aemond groaned into her mouth, his voice low and rough with desire.

Y.N. gasped, her breath shaky. “Your brothers and your sister-are here.”

Aemond smirked, his lips brushing against her neck. “We’d better be quiet then,” he teased, his fingers already working to pull her clothes off, his need for her growing with every passing second.

He peeled off his own shirt and lowered his trousers and boxers just enough to free his already hard cock.

Y.N audibly gasped when she felt Aemond’s fingers rubbing her folds.

“O-Oh Aemond” exclaimed Y.N as he slipped a finger inside her, his movements slow and deliberate.

“Always so warm-so wet for me” muttered Aemond as he added another finger, making sure to use his thumb, sweeping it against her pearl.

“I don’t want to wait-please-Aemond take me” whispered Y.N, as she wrapped her legs around Aemond’s waist, holding him as close as she could.

Aemond took his cock in hand, running the head along her warm wet folds, before he pressed inside her, inching forward slowly.

“So beautiful, swollen with my child” whispered Aemond.

“P-Please Aemond” whimpered Vaeda.

Aemond began to move with a slow, deep grinding. His movements deliberate and calculated.

“Gods be good,” panted Y.N.

“Fuck. You were made for me. You were made to fit my cock in this sweet cunt of yours.” breathed Aemond as he increased the pace of this thrusts.

“A-Aemond. Please.” exclaimed Y.N as she brought her hands up to his shoulders, clinging to him as his thrusts shift her up and down the bed.

Aemond makes a strangled sort of sound and lowers himself onto Y.N even more, kissing her passionately.

His hips rolling against hers, his cock thrusting in and out.

Y.N kissed him back, threading her fingers through his long silky hair, her nails scraping against his scalp, just the way he likes it.

“Mine” muttered Aemond.

Y.N could feel herself clenching around him as his cock keeps hitting the same spot inside her.

“Ooo Aemond-f-faster. P-please”

Aemond lets out a loud groan as he begins to move faster pounding into her, the sound of their skin slapping together echoing around the room.

“Aemond-Aemond-”

“You’re so fucking perfect-come-come for me” growls Aemond.

“Y-Yes., Aemond” moaned Y.N squirming, the heat shooting across her abdomen as her pleasure peaks, and she explodes, her cunt tightening around Aemond.

Aemond lets out a long low groan, his movements becoming erratic. His cock throbbing as he spills inside her.

Aegon, Daeron, and Helaena were sprawled out on the sofa in Aemond’s penthouse, waiting for any sign of their brother.

Daeron leaned back, arms crossed over his chest, a curious expression on his face. “Do you think he’s apologized yet?”

Aegon snickered, shaking his head with amusement. “If the sound of the headboard banging against the wall wasn’t enough of an indication, then our brother’s groaning sure was,” he said with a laugh, wiggling his eyebrows suggestively.

Just then, the bedroom door creaked open, and Aemond stepped out, looking a little dishevelled.

He was shirtless, wearing only his jeans, his long silver hair was a tousled mess, and his cheeks tinged pink with exertion. Aegon immediately started snickering again, earning a scowl from Aemond.

Helaena raised an eyebrow, stifling a laugh of her own. “Is Y.N. going to join us?” she asked innocently, though the amused glint in her eye didn’t go unnoticed.

Aemond rubbed the back of his neck. “She’s, uh-sleeping,” he replied, trying to sound casual.

Daeron’s eyes widened dramatically. “Sleeping? What did you do to her?”

Aegon let out a loud cackle. “Oh, I think we all heard what he did to her,” he said with a teasing grin, leaning back on the couch as if thoroughly entertained by the whole situation.

Aemond shot him a glare. “Shut up, Aegon.”

Still grinning, Aegon shrugged. “Hey, no judgment. Just, you know-it was loud.”

Aemond sighed, pinching the bridge of his nose in frustration. “It’s probably best if you all leave” he said, attempting to regain his composure. “Thanks for your help today, but I think we’ll have to rearrange game night-”

Helaena smiled as she stood up, gathering her things. “You’re welcome, Aemond”.

“Fine, but you’re buying the beer next game night.” Aegon quipped with a smirk as he got to his feet.

Aemond rolled his eye but nodded. “Fine, I’ll buy the beer.”

As Daeron grabbed his jacket, he couldn’t help but mutter under his breath, “Bet Y.N. sleeps well tonight-”

Aemond shot him a final look of warning before quickly ushering all three of them toward the door.

“Out. All of you,” he commanded, though the faint smile on his lips showed he wasn’t truly angry.

As they left the penthouse, Aegon couldn’t resist one last comment, leaning back to shout, “Next time, at least soundproof the walls!”

The door slammed behind them, and Aemond leaned against it, exhaling deeply. Peace and quiet at last.

Aemond couldn't help but think that asking Y.N. to move in with him was one of the best decisions he'd ever made.

Life with her was everything he hadn't realized he'd been missing. They settled into an easy rhythm—taking turns cooking, sharing quiet evenings together, and every night, he found himself tangled in bed with her, relishing the warmth and intimacy that had quickly become second nature to them both.

What Aemond liked most, though, was watching Y.N. work. She had claimed a small corner of the penthouse, transforming it into her personal workspace.

All her materials were meticulously arranged—paints, brushes, restoration tools—and her attention to detail was astonishing. He found himself mesmerized by the faces she made when she was deep in concentration.

But more than anything, what drove him wild was as her pregnancy progressed, she often got quite warm, so she would often wear shorts and a sports bra whilst working from home.

The sight of her growing belly made him ache with desire and he spent his nights with his head between her thighs before he made love to her.

He was bursting with pride when she completed the restoration of a statue for the museum and watching her meticulously package up the finished piece, her smile radiant with accomplishment, was a memory he knew he’d never forget.

When she received an invite to the unveiling and insisted that he join her, he agreed without hesitation.

The night of the unveiling, Y.N. looked breathtaking. Her floor-length dress hugged her in all the right places, accentuating her swollen belly and ample curves. Aemond couldn’t take his eye off her the entire evening.

She was in her element, accepting praise and accolades for her work with grace and humility, glowing in the spotlight she so deserved. His heart swelled with pride every time someone came up to compliment her on the restoration.

Of course, the press had been there, snapping photos and recording every moment. It didn’t take long for the word to spread: Aemond Targaryen has not only moved on from Alys Rivers but is also expecting a child with someone new.

 He had known it was inevitable, but he thanked the gods they’d managed to keep it quiet for as long as they had.

Y.N. had handled the attention well, her smile never faltering, though Aemond could sense her relief when they finally made their way back home that night.

Now, with the unveiling behind them, his thoughts turned to their upcoming 20-week scan. He was counting down the days with barely contained excitement.

Soon, they’d find out the gender of the baby, and Aemond could finally start working on the nursery, something he’d been quietly planning in his mind for weeks.

The thought of preparing a space for their child filled him with a warmth that was both unfamiliar and exhilarating.

Aemond and Y.N. attended the 20-week scan with excitement buzzing between them. As Marie, moved the probe over Y.N.'s belly, the room filled with the rhythmic sound of their baby’s heartbeat.

Aemond held Y.N.'s hand tightly, his eye fixed on the monitor, watching in awe as their child appeared in crisp black and white. Everything looked perfect.

When Marie asked if they wanted to know the baby’s gender, Y.N. hesitated for a moment before saying, "Could you write it down and give it to Aemond?" Marie smiled knowingly and handed Aemond an envelope, now containing the secret of their baby's gender.

With the knowledge safely tucked away in his pocket, Aemond's mind quickly shifted to the nursery.

As soon as they got home, he began putting his plans into action.

He forbade Y.N. from stepping foot inside the room and told her the nursery would be a surprise. Soon after, various pieces of furniture were delivered—a cot, a changing table, and everything else they’d need.

To put everything together, Aemond enlisted the help of Aegon and Daeron, which turned into a comical disaster. As Y.N. sat in the living room, she could hear them bickering and swearing through the closed door.

At least twice, she heard Aemond threaten to kill Aegon, which was quickly followed by laughter and the unmistakable clinking of beer bottles.

The constant back and forth amused her—at least it sounded like they were having a good time.

Once the furniture was set up, she made a meal for them all, something hearty to thank them for their efforts.

 When the brothers emerged from the nursery, sweaty but satisfied, Aegon and Daeron couldn't stop smirking and elbowing each other as they watched Aemond gravitate toward Y.N.

He stood behind her, hands resting on her bump as she dished up the food, his eye soft and full of affection.

"Man, he’s totally whipped," Aegon muttered to Daeron, who snickered in agreement.

They couldn’t understand why Aemond hadn’t told Y.N. he was in love with her yet. Or even why he hadn’t asked her to officially be his girlfriend.

Aegon, never one to keep his thoughts to himself, brought it up. “So, bro,” he began, a mischievous glint in his eye, “what’s the deal? Why haven’t you asked Y.N. to be your girlfriend yet? You’re practically married at this point.”

Aemond’s jaw clenched, and at first, he ignored the question, but Aegon kept poking at him, goading him with teasing comments.

Finally, Aemond snapped, “Because I’m too scared, alright?”

His brothers went quiet, surprised by his outburst. Aemond sighed, running a hand through his hair, feeling the weight of his admission.

“I don’t know if she feels the same way. I don’t want to ruin what we have by saying something stupid.”

Aegon and Daeron exchanged a glance, their teasing expressions softening. Aegon, for once, was thoughtful. “You’ve got nothing to be scared of. Look at how she looks at you. I’m pretty sure she’s crazy about you.”

Daeron nodded. “And you’re going to be parents soon. You should tell her how you feel before it drives you mad.”

Aemond knew they were right, but the fear of rejection gnawed at him. What if telling her the truth upset the balance they’d found? He sighed, casting a glance toward the kitchen where Y.N. was laughing softly to herself, completely unaware of the conversation.

One day, he promised himself. One day soon.

At 30 weeks pregnant, Y.N. had been waiting anxiously to see the nursery Aemond had been working on.

He had kept her out of the room for weeks, insisting that it had to be perfect before she could see it.

But now, standing at the door, Aemond smiled and gently took her hands. “Close your eyes,” he instructed, guiding her carefully into the room.

She squeezed her eyes shut, trusting him completely as he led her forward.

Once they were inside, he took a deep breath. “Okay,” he whispered, “Open-”

Y.N.’s eyes fluttered open, and she gasped. The room was stunning. Cream and soft blue hues covered the walls, and the sunlight from the window illuminated the room in a warm, peaceful glow.

The crib stood proudly, adorned with the dragon mobile, its tiny wings gently swaying in the air. A beautifully crafted changing table was positioned nearby, and resting on it was a knitted blue blanket—Helaena’s handiwork.

“A boy-” Y.N. marvelled, her voice barely above a whisper as she admired every detail. She ran her fingers over the blanket, her heart swelling with love for the baby growing inside her.

Then her eyes caught sight of something—a sheet hanging over a section of the wall above the crib.

“What’s that for?” she asked, curiosity piqued.

Aemond stepped closer, his expression soft but a little nervous. “It’s covering the baby’s name,” he explained, watching her face carefully.

Y.N. looked at him in surprise. “But we haven’t really decided on names yet.”

Aemond smiled sheepishly. “I, uh-I kind of already chose one.”

Her brow furrowed slightly in confusion, but before she could say anything else, Aemond reached up and pulled the sheet away from the wall, revealing the name he had picked.

Y.N. took one look and burst into tears.

Aemond’s eyes widened in panic as he immediately wrapped his arms around her. “I’m sorry,” he murmured, holding her close. “I thought—I’m sorry if I got it wrong. I can change it.”

But Y.N. shook her head, burying her face against his chest as she sobbed. “No,” she managed to say between tears, “I love it. I love it so much.”

A wave of relief washed over Aemond, and he let out a breath he hadn’t realized he’d been holding.

“Thank the gods,” he murmured, a small smile tugging at his lips. Y.N. wrapped her arms around his neck, pulling him into a tight embrace.

She pulled back just enough to look up at him, her eyes still misty but filled with joy.

“Thank you,” she whispered, her gaze drifting back to the wall, where her grandfather’s name was painted in elegant script. “It’s not a traditional Targaryen name though”

Aemond smiled, gently wiping her tears away with his thumb. “So, we break the tradition,” he said softly, his hand resting on her bump. “It’s our choice what to name our son. Besides, we can give him a Targaryen middle name”.

Y.N. placed her hand over his, just as the baby kicked. They both smiled, feeling the life they had created together move beneath their hands.

Aemond chuckled softly. “I think he approves.”

Y.N. laughed, her heart feeling lighter than it had in days. “I think he does.”

Aemond looked around the nursery, a sense of satisfaction and pride in his work. “Now all that’s left is to get the pram and some clothes, and we’ll be good to go.”

Y.N. nodded, her heart full as she took in the room again, but mostly she looked at Aemond, marvelling at how lucky she was to be building a family with him.

Aemond arrived home after an exhausting day, his mind already wandering to Y.N. and the baby.

As he opened the door, his ears picked up on Y.N.'s voice, sounding almost-playful.

"No, Aegon, it's too hard," she said, a teasing edge to her tone.

Aegon groaned. "So? You love it when it’s hard."

Aemond froze, blood boiling in his veins as he heard Y.N. laugh.

"Okay, fine, let's try again, but give me some time to adjust," she responded.

Aemond saw red. Was his brother seriously fucking the mother of his child in his penthouse? Right under his nose? Whilst she was pregnant?

Rage bubbling inside him, Aemond stormed into the living room, heart pounding.

"What the hell is going on here?" he bellowed, fully prepared to murder Aegon with his bare hands.

To his surprise, he found Y.N. sitting cross-legged on the floor with a PlayStation controller in her hand.

Aegon was sprawled on the sofa beside her, also holding a controller, looking completely unbothered by Aemond's entrance.

"We're playing Mortal Kombat, genius," Aegon said with a lazy grin. "What’s got you so worked up?"

Aemond blinked, his fury deflating but still simmering beneath the surface. "What are you doing here, Aegon?" he snapped, irritation lacing his voice.

Aegon shrugged. "Y.N. called me. She was home alone, and wanted some company."

Aemond shot Y.N. a frustrated look. “You could’ve called me. I would’ve come home.”

Y.N. waved him off. “You were busy, Aemond. I didn’t want to bother you.”

Aegon smirked, clearly enjoying the tension between them. “I’ll be heading out anyway,” he said, standing up and stretching. “Got a date with Cerelle Lannister tonight. As much as I’d love to stick around and wind you up further, I’ve got better things to do.”

“Yeah, fuck off” Aemond muttered, earning a chiding look from Y.N.

“Aemond, don’t be rude,” she said, though Aegon laughed it off.

“No worries. I’m used to his mood swings by now.” He leaned over and planted an exaggerated kiss on Y.N.’s head, grinning when Aemond’s face twisted with annoyance.

“Later, you two,” he called over his shoulder, strolling out of the penthouse as if he hadn’t just wound his brother up like a toy.

The door shut with a soft click, leaving Aemond glaring after him.

"I don’t want him alone here with you," Aemond grumbled, still fuming.

Y.N. rolled her eyes and placed the controller down. “Why? It’s just Aegon.”

"You know how my brother is," Aemond said, rubbing the back of his neck. "I don’t trust him.”

“I’m more than capable of handling Aegon," Y.N. shot back, her voice firm.

Aemond sighed. "I never said you weren’t capable. I just—" He paused, realizing how this was coming across. He took a deep breath, steadying himself. "I’m just trying to protect you, Y.N. That's all."

Y.N. crossed her arms, a look of mild irritation on her face. "Well, it sounds like you're doubting me."

Her moods had been unpredictable lately. One moment, she’d be happy and relaxed, the next, she was crying over something as simple as the wrong pasta brand or getting angry when he suggested healthier meals instead of her craving for fast food.

More than once, she had snapped at him to stay away, only to come to him moments later in tears, asking him to hold her or take her to bed.

As Y.N. gazed up at him from her position on the floor, Aemond braced himself, unsure of which mood she might descend into now.

But instead of another emotional outburst, she surprised him. Y.N. shifted to her knees, her eyes glinting with mischief as her fingers reached for his belt buckle.

Aemond’s breath hitched, his pulse quickening. "Y.N.," he warned, his voice low, but she silenced him with a smirk, undoing his trousers.

Next thing he knew, Y.N’s warm, wet mouth was wrapped around his soft cock.

Aemond put his hand on the back of her head as started to suck his cock and caress his balls.

Soon his cock sprang to life, and Aemond was losing his mind at the sight of her pink lips stretched around his hard length.

Y.N’s tongue ran around the tip – tracing the ridges and licking off that drops of pre-cum that had started to leak out.

“Fuck, Y.N!” groaned Aemond as he threaded his fingers through her hair.

Y.N ran the flat of her tongue along Aemond’s length, tracing every hard inch of him.

Aemond’s heart almost stopped when she sucked his stones into her mouth, one at a time.

Her hand moving slowly over the hard length of him.

When Y.N engulfed Aemond’s cock in her mouth, he squeezed his eyes shut.

Y.N was driving him crazy.

Aemond forced himself to open his eyes, he had to watch her sucking his cock. 

“Your taking me so well. Such a good girl” moaned Aemond.

Aemond knew it would push him too far to control, but he did not care. He just had to watch his cock disappear into Y.N’s mouth and see it come back out, shining with her spit.

Her head moving back and forth, her pink lips stretched around him. Oh, it was heaven.

Y.N smiled slightly and began moving faster, also using one of her hands in rhythm with her mouth. 

“It feels so good-” groaned Aemond his hand gripping her hair as he began to fuck her face.

“Hmmm” muttered Y.N as she dug her fingers into the flesh of his arse.

“I’m not going to last-if you carry on” Aemond admitted.

Y.N responded to his statement by relaxing the back of her throat, and swallowing as much of Aemond’s cock as she could, whilst her other hand gently cupped his balls.

“Shit Y.N! I’m going to come. Oh, fuck, I’m coming!” shouted Aemond as he exploded.

She took every last drop, swallowing his seed and licking him clean.

When he recovered, Aemond saw Y.N’s self-satisfied smile.

“Was that to your liking?” asked Y.N.

“Y-Yes” gasped Aemond.

“Now can I have a Burger King?”

Aemond who was still dazed from his orgasm simply nodded. Damn that mouth of hers, he thought, his mind still reeling.

As he ran a hand through his dishevelled hair, he couldn’t help but shake his head with a mixture of admiration and disbelief.

He’d come home angry, jealous, ready to fight. Now, he was standing there, utterly undone, with no memory of why he was even frustrated in the first place.

TBC

[kick-a-long]

i find it so desperately sad that goyim generally would be so much less antisemitic if jews started physically fighting back with guns or sticks in every country. calling for the murder of muslims all over the world, if the jewish population was big enough to have large scary groups of crazy fringe fundamentalist synagogues all over the world, a billion strong, that preached murder and hate so goyim could look down on jews like some noble savage in need of assistance and western education and protection. so we could be reformed in obvious patronizing ways because there were so many of us that we had militant violent fringe extremists, like christians and muslims have, mixed in with the normal jews.

if jews didn't have such a reputation for success and intelligence maybe conspiracy theories would stop blaming us for controlling the world. if we felt less in danger maybe we wouldn't be so obsessed with long term survival.

is antisemitism some warped form of envy? maybe. what sucks is that jews are no better or worse than anyone else. some jews are brutes and some are the most wonderful people imaginable, just like any other group. what sucks is we don't all live up to the reputation of tactical geniuses and wizards with mind control magic. all of us jews are just tired and abused humans who have lived with 2000+ years of generational trauma and the endless fall out from a popular jewish book written 3000+ years ago describing the best practices of jewish culture. It has some great stories, histories, life advice, diet recommendations, hygiene, and rules about how to treat others.

is that such a crime?

trying to show a path forward? not demanding anyone else follow those rules but wanting to do our best to follow them anyway? how to live a good life that makes the world better and makes you proud to have been on earth for the time you were there? jews fail to do this all the time, just like everyone else. I fail all the time. why are people so obsessed with that? people say shylock is a stereotyped antisemitic character but,

"I am a Jew. Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions? Fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer as a Christian is? If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge? If we are like you in the rest, we will resemble you in that. If a Jew wrong a Christian, what is his humility? Revenge. If a Christian wrong a Jew, what should his sufferance be by Christian example? Why, revenge! The villainy you teach me I will execute, and it shall go hard but I will better the instruction."

so why do jews always have to be the better man? why do we have to apologize for being angry and sad and hating the people that attack us? that was written by Shakespeare, a christian in the 1600s who often was in debt to jewish money lenders, the only profession left to jews at that time. even he saw the double standard. it makes a good point.

now, i don't want vengeance, i don't want violence, but i feel vengeful. i feel angry that i am unsafe because of play actors and terrorist supporters who want revenge for jews existing but scream bloody murder when jews refuse to dig their own graves, beg forgiveness for ever being born, and lay down in them to be mocked and pissed on and abused in the worst ways imaginable for the entertainment and conquest of it. i want peace with them. they are as human as i am, full of foibles and anger. i want nothing to do with them. i want them to never come near a jew again for the rest of time.

i am sad. all i want is to feel my feelings and advocate for what is the most ethical and practical work around to a world filled with unending suffering while i am still alive. i want them on thier side to live in the world they want and me on my side to live in the world i want. why don't these children of all ages, lost in delusions of fantastical battles and ultimate good and evil, see that? why can't I be a human first as well as a jew first? why do they ask me to pick? why am i not allowed to pick?

it's been almost a year. we're all so tired.

I'm going to a music festival. I'm trying to decide whether to wear a star. why is it dangerous to wear a star around my neck?

[uriekukistan]

thoughts on jjk 270, unfiltered for your reading pleasure

honestly the whole chapter feels like a disservice to megumi. i know i say that all the time, and maybe i'm just too jaded, maybe i'm wearing favorite character goggles idk, but as a whole i think this chapter was just. not good so if i wanna talk about it with regards to the Favorite Character, i will

my first thought seeing megumi at tsumiki's grave was that gege was gonna finally give a proper moment where he could grieve and reach some kind of closure, maybe get some of the overdue development he's earned. like to me there's nothing better than when the emotionally reserved character breaks down, and this would have been the perfect moment. i feel like so much of megumi's character has been built around his relationship to tsumiki, and the past 60 chapters-ish have been building up to this moment where megumi can properly grieve and maybe express some kind of remorse to tsumiki for being a bit of a brat when he was younger, but he never gets that. instead, we get this really stale and emotionless ending for their relationship, and for megumi's character as a whole. like idk, this whole time he's wanted to be able to apologize to tsumiki and make it up to her after everything she did for him, and he never even gets a moment to mourn. i hate that for him.

next. why am i getting more emotionally satisfying endings for side characters that i literally dgaf abt than for main characters like megumi, yuuta, gojo (i'll stand by the fact that i think he should have died, but like show people mourning him damn), nobara, YUUJI?????? idk like wtf is going on here. to me there is no reason to get a more satisfying ending for that middle school friend of yuuji's who was relevant for like two pages before i get a satisfying end for the literal deuteragonist of the story

then there's the whole thing w hana. i'm not even saything this from a shipping standpoint, but it's frustrating to me that megumi gets to reach some kind of peace w hana and have a good conversation with her before he talks to itadori, the person who's been by his side this whole time, the person who appreciates him for who he is and not their idealized version of him, the person who he decided to live for, the person who arguably means the most in his life right now. he doesn't get to exchange a serious heart to heart with him, but he gets to have a shallow surface level interaction with hana? idk i just feel like it reduces his character to something very superficial and i hate to see it.

and maybe i'm just dumb but i don't get like. any of these new plot points that have been introduced, but honestly, i don't care to understand. it seems like gege is in fact trying to set up a second part to jjk and im just so annoyed by that, because we get this rushed ending where nothing reaches proper fruition so he can introduce these new plots? like idk, somehow that pisses me off more than if he just fumbled the ending, but i hold that thought until we know for sure that he's making a second part.

this was supposed to be more general, but i got carried away w my thoughts abt how bad megumi's ending was fumbled. anyway. yeah canon doesn't exist to me past 268 :D

[apoloadonisandnarcissus]

"The Last Temptation": One Megathread to Rule Them All - Clues and Speculation, PART 1

By now everyone in the “Rings of Power” fandom is aware of “The Last Temptation” - Galadriel and Sauron scene in the finale (2x08) - so I’ll save myself the trouble of further explaining it, because we have more interesting things to talk about.

What happens in this scene? What is the season building towards? And what are clues, foreshadowing or red herrings the episodes have given us so far?

It's pretty much confirmed that Sauron will pitch the “be my queen” question to Galadriel, again. I usually don’t pay much attention to the actors’ interviews because they’ll say anything to avoid spoiling the story and spill the beans, but sometimes it’s important for context.

From Episode 7 preview, we know that Galadriel will arrive at Eregion and share a heartfelt moment with Celebrimbor (I'll come back to this scene later on). However, the showrunners have teased that 2x07 is an Elrond-centered episode, and I don’t think Sauron and Galadriel will reunite before the finale (2x08) because that’s one of the climaxes of the season. Anyway, my guess is that Sauron has already left Eregion once Galadriel arrives.

1) Will Galadriel resist or succumb to Sauron’s temptation? 

You cannot face him alone.

To me, this scene with Gil-galad is the most important one, when foreshadowing is concerned. Mainly because our High King of the Noldor got it right last season, so we better pay attention to what he says.  

We foresaw that if Galadriel’s search should have continued, she might have inadvertently kept alive the very evil she sought to defeat. For the same wind that seeks to blow out a fire may also cause its spread.

Gil-galad tells Elrond the true reason why he sent Galadriel back to Valinor (1x01) 

Oh, boy, and how right he was! 

But Gil-galad isn’t the only character who warns Galadriel she can’t face Sauron alone because she might not be able to resist him: 

Similar to Gi-galad, Elrond shares the same concern.

And why would he think that?

In 2x06, it’s Adar who warns Galadriel she might succumb to Sauron as well, because she’s acting quite smug at being able to resist him once before (1x08). 

I resisted.

For a while, perhaps.

His eye bores a hole and the rest of him slithers in.

So far, this season, we have three different characters warning Galadriel that she might succumb to Sauron if she faces him alone at the finale. Unsure if Celebrimbor will tell her the same thing in 2x07, but three characters saying the same thing is far from a red herring, at this point.

2) And so, the main question now is: will Galadriel face Sauron alone, out of her own volition? Or does Sauron chase after her to isolate her from the rest?  

We already know that Galadriel is consumed by the idea of finding Sauron, and to destroy him; but now, she’s motivated not only by her brother’s death at the hands of his werewolves, but due to her belief that everything she experienced with Halbrand (and the connection they had: friendship, romantic, ambiguous) was a lie and part of Sauron’s schemes of deception. 

However, in this scene in particular (2x02), Galadriel is feeling especially vulnerable, and eventually agrees with both Elrond and Gil-Galad, that she can’t face Sauron alone because she’s unaware of what might happen if she lets him in, again (meaning, she might actually succumb to him). 

However, from 2x02 until 2x06, Galadriel grows bolder and more confident, mostly aided by Nenya and the visions and the guidance the ring of power provides her with. Although, I would argue it was never her intention to face Sauron alongside Elrond and the others, and this scene was a moment of weakness (or the red herring itself).

I swear to you, High King. I will not stop until he is destroyed and I have put this right.  

Morfydd Clark herself has said that Galadriel knows she messed up really bad, and is on a desperate mission for redemption. However, last season she was also desperate in finding Sauron and destroy him, and that worked wonders, didn’t it? 

Based on this, I would say Galadriel will seek out Sauron all by herself in the finale. We already saw Galadriel and Adar paralleling each other in their pursuit for Sauron, and how consumed and obsessed both of them are by it. While Adar is sacrificing his “children” to destroy Sauron, Galadriel thrown Elrond under the bus (by telling Adar he’s the one who carries Nenya) just to get a chance of finding Sauron and face him herself. 

Galadriel’s pride is her main flaw of character, and usually what gets her into trouble (in both RoP and the books, with her only letting go of her pride on the Third Age when Frodo offers her the One Ring and she declines). And in this case, her pride will be her downfall. She believes she'll always resist Sauron, because what he offered her last time (power) wasn’t enough to tempt her.   

My guess is that Galadriel will lure Sauron out either by using Morgoth’s iron crown or Nenya, but my money is on the first option (as we saw on the trailers).

3) Elrond’s Choice

Before we get into the rabbit hole that is Sauron’s plan concerning Galadriel, we have to talk about Elrond’s promise in 2x04:

This scene might be a red herring or foreshadowing, but I’m inclined to believe the later. And it can either happen in either 2x07 or in 2x08 (during the “Last Temptation” scene).  

Since 2x07 is an Elrond-centered episode I would argue it would make more sense for this choice to happen in this episode. In the preview, we saw Elrond and Adar having a conversation in the same tent he dined with Galadriel and proposed an alliance to her (that didn’t work out, did it?). Adar knows Elrond carries Nenya, but he has other interests in dealing with the Elves, too. 

He expressed to Galadriel his desire in knowing what comes after Sauron is defeated and the fate of the Orcs, seeking out a truce between Elves and Orcs, which would allow him and his “children” to live in peace in Mordor. I believe he will propose this to Elrond, too. In exchange, Adar might want to use Galadriel to lure Sauron out.

And so, in 2x07 Elrond might have to choose between saving Galadriel or stopping Sauron.

But now you are wondering: if Elrond allows Galadriel to remain Adar’s prisoner and she’s at Eregion in the same episode, this theory doesn’t make any sense? How did she escaped? Well, that’s a question for another time, but another character might set her free (one who would make the show more complex and give Galadriel some character’s growth and development).

4) Galadriel’s Sacrifice  

She sacrificed herself to save us all.

No, you are mistaken, Camnir. She did not do it to save us. She did it to save the ring.

These quotes are from 2x04, when Galadriel faces the Orcs by herself and eventually gets captured by Adar. However, it’s the second time in this episode there is a mention of Galadriel either sacrificing herself, or something.

This can be foreshadowing for several things: 

Celebrimbor’s death (since she says this after Elrond talks about how his father once prophesized Celebrimbor’s life would one day be on his hands); 

Galadriel goes to fight Sauron alone (it can be an extra layer of foreshadowing to this happening); 

Galadriel sacrificing herself to save Middle-earth (meaning she goes/joins Sauron at the end). 

5) Sauron’s plan concerning Galadriel 

Sauron is in Eregion in the middle of his “Rings of Power” masterplan. However, and through his interactions with Mirdania, Galadriel’s Doppelgänger, it’s clear she’s still very much on his mind, and is a part of his plans of domination.

The plan is simple: Sauron wants Galadriel as his queen, still. 

But why? Galadriel is not yet the powerful "elf-witch" she'll become in the future.He can see her potential, sure, but would that be enough to explain his obsession? There is a lot of meta already about the parallels between Morgoth/Silmarils and Sauron/Galadriel, so I won’t get into that here.

How strange. When the light... caught your hair... for amoment, you seemed her perfect likeness. 

Whose likeness? 

Why, Lady Galadriel, of course. 

There is a lot of discourse going on in the “Rings of Power” fandom concerning Sauron’s true feelings for Galadriel: obsession, love or something else because he, being an immortal spirit, is uncapable of “human-like” feelings.  

The answer is easy: both obsession and love are correct. The ones arguing Sauron is not capable of love are wrong. According to the lore, Maiar can fall in love, and one Maia did fall in love with an Elf (and these characters happen to be Elrond’s ancestors). Mairon is capable of love. But he’s a fallen Maia, corrupted by Morgoth, and, so, his love is also corrupted into possessiveness, obsession, jealousy, unsatisfiable lust, emotional turmoil, pain and suffering.  

I would even argue that Sauron fell in love with Galadriel while he was on his somewhat “repentant era”, and it started out as something purer, but it’s twisting into something darker as he goes deeper and deeper into evil, until it turns into hatred, later on.

In 2x06, and in order to manipulate Celebrimbor into finishing the Nine rings of power and prevent him from finding out Eregion is under attack, Sauron conjures a vision of “Everything is well on Eregion”. However, after Celebrimbor leaves, he’s left alone in his own vision (delusions) and his thoughts dwell on Galadriel.  

How do we know this? We have several characters randomly mentioning “it’s a horse! A horse! It’s a horse!”. When I first watch this scene I was a bit taken back. But nothing is random, folks:

And then we have Sauron the Poet:  

All of these clues are meant to show us, the audience, that Galadriel is still on Sauron’s mind. And that he harbors some quite strong feelings for her. And this will come into play in “The Last Temptation” scene, like the director of the finale, Charlotte Brändströmm teased on “X-Ray Vision” podcast: 

I think Sauron even really loves Galadriel and you see that at the very end. 

[writers-potion]

Do yoh happen to have any resources for how to write a stripper character? In my novel idea the stripper character is a secondary character more meant to teach the protag that the world is filled with just as much beauty as there is cruelty and will eventually take in the protag after they escape their creator's clutches at the very end of the novel (Frankenstein inspired)

Writing A “Story B” Lead Character

Hello! First of all, thank you for this beautiful question. I know your question started by asking about how you should craft a stripper character, but I would like to pay more attention to the function that your stripper character is serving – the Story B Lead. 

What is a Story B Lead? Simply put, they are characters that lead the side plot in any story – most typically, the love interest (if you have a romantic side arc, the most typical type of Story B). 

The main job of the Story B Lead is:

Give the readers a break from the main plot. Story B shouldn’t be as serious or daunting as Story A — let your hero have some fun, explore new things, and find love while he figures out how to fight the big bad boss.

Convey the theme of the story. The easiest example is the love interest in superhero stories. When the hero is too focused on the fight, the love interest often provides a new perspective to find the critical clue or make the hero realize there are more important things than chasing power. 

Be a part of the sucko ending. Whether your Story B has a happy or sad ending, the conclusion of all the fun the hero has must supplement the main story’s ending in some way. 

So, let’s construct your stripper character based on the criteria outlined. 

Give her a backstory that will hit the protagonist differently. Think about the relevance of the stripper in your protagonist’s character arc. Is she someone your protagonist can look up to? What was her struggle of living as someone’s creation? Does your protagonist fear that they will become like her? 

Make her attractive, fun, quirky. Story B is where we get to stress a bit less about the main conflict to explore more of the story world. Use your stripper character to show what it means to be a creation – do other strippers alienate her? Physical quirks? Some things only she can do because she was “created”, not “born”?

Give her a thematic statement that summarizes what she stands for. For example, she may say: “Some say that beauty is terror. I say there’s beauty in the most terrible things.” as she drags a crying protagonist onto a packed stage. 

Don’t let her drag your protagonist around. Taking in the protag sounds like a fully closed happy ending, but remember that your protagonist must choose to be with your side characters – not the other way around.

─── ･ ｡ﾟ☆: *.☽ .* . ───

💎If you like my blog, buy me a coffee☕ and find me on instagram! Also, join my Tumblr writing community for some more fun.

💎Before you ask, check out my masterpost part 1 and part 2 

[thewriteadviceforwriters]

Why Writing Is So Lonely | Rin T.

Hello writers, and anyone else who uses Tumblr on a daily basis like me. (Although I’ve been inactive off and on.) It’s me, Rin, and I wanted to talk about something that I think a lot of us struggle with. Or at least anyone, and everyone who considers themselves writers.

The loneliness that can come with the writing life and being a writer. We spend so much of our time alone. It doesn’t matter if you're using your laptop or scribbling in notebooks. Or pacing around in your living room and muttering dialogue to yourself (which I'm completely guilty of.)

Writing is really a solitary passion, and it hasn't just recently been like that. I'm sure Jane Austen and Edgar Allen Poe dealt with similar feelings. And sometimes that isolation can take a real toll that many of us choose to ignore, both on our creativity, our passion, which I assume is writing in this case, and our mental health.

I’ve been writing for about 4 years now, mostly working on my own little passion projects that I plan on publishing and side hustles, not only for my writing project but also my blog (TheWrite AdviceForWriters). I’m currently knee-deep in 4 different novel drafts that I’m absolutely in love with. However, let me tell you. It can get Very lonely a lot of times. There are days when I feel like I’m the only person in the world who cares about these made-up characters and their fictional problems. The characters I create in my mind are so vivid that they seem like the only individuals who actually care about my passion. (They technically are, considering they are basically my passion.)

It’s so easy to start wondering whether anyone will ever want to read the stories I'm pouring my heart into. The self-doubt I get has been a big part of my writing journey, and sometimes it breaks my heart knowing that I may not please everyone who reads my stories. That I possibly could get the worst reviews out there on my book. If it's not perfect for society. For example, I have been reading and receiving news on Alex Aster and the amount of bad reviews she received for her LightLark novel, and she has had a few times where she’s stated she poured her heart into it. And it's not just Aster who deals with these as a published author; there are many others, and it sometimes scares me.

But you know what? I've come to realize that this loneliness is just part of the writer’s journey. And that it truly is going to be the process of every writer’s journey and career. It’s going to be one of the prominent challenges we have to face if we want to do this crazy, wonderful, painful thing we call writing. And I think it's important we talk about it, especially since I'm a blogger who owns a blog specifically for writers. The biggest reason I chose to create this blog was for this reason and the many other challenges of being a writer. 

I definitely will consider this blog post to be a discussion, and if anyone wants to reblog or reply to this blog post and start a conversation, please do so, just so we can support each other and figure out healthy ways to cope.

So, why is writing such a lonely pursit? Well, there are quite a few reasons, especially reasons for each individual writer; however, here are a few key reasons:

The Act Itself is Solitary.

At the end of the day, writing is something we have to do on our own. Sure, we can brainstorm with other writers and friends who write or get feedback from beta readers. Or even develop  and edit your manuscript with a professional book editor. But the actual act of putting words on the page is a solo endeavor. We’re the ones doing the typing, the (physical) writing, and the constant racking of our brains to find the perfect word or phrase to put down on paper or the blank page on a screen.

Even when we’re writing collaboratively, there’s still a certain level of isolation involved. I mean, after all, our individual writing process and creative visions have to align for the collaboration to work.

And let’s be real—aligning those things isn't always easy.

I’ve reached out to book editors, more so of developmental editors, which is an editor who guides the writer/author on the actual plot and outline of the novel itself. And they have mentioned the difficulties of needing to align with the creativity of the topic or novel. It isn't easy at all.

I know that for me, my most productive writing sessions happen when I'm alone. And I know for a fact I'm not alone on that.

Having no distractions when it's just me, my thoughts, and the blinking cursor on the screen with a Spotify playlist playing in the background. And while that can be deeply fulfilling and very productive, I will admit it can be incredibly lonely.

It's an Emotionally Draining Process.

Writing isn't just about stringing words together. It's about pouring our hearts and souls onto the page. Were digging into our deepest emotions, our biggest fear, our wildest dreams, our thoughts, our philosophy, I can go on. And that kind of vulnerability can be utterly exhausting.

When I'm in the process of drafting a new novel or the many current projects I'm working on. I often find myself emotionally drained at the end of the day. I've been living and breathing these characters, feeling their joys and pains as my own. describing the actions, words, and emotions these characters do and feel. And then after that, I have to close my laptop, put my pen and notebook away, and try to reenter the “real world"—a world that doesn’t always understand the weight I've been carrying. 

It can be so isolating, feeling like the only person who understands the emotional journey of your writing. Knowing what it feels like to create characters and their stories and emotions and personalities just as if they were real humans. Our non-writer friends and family members try their best to be supportive, but unless they experience it firsthand, they cannot fully grasp the depth of what we go through. I can tell when I explain my projects to others who aren't writers, it can sometimes feel like they don't care about what I'm saying to them. Or it can also feel like, my stories are just a synopsis for an underrated movie no one’s ever watched.

It's a Profession of Rejection

I think we all know, writing is a tough gig. It's a tough career and job. Even the most successful authors have had to face their fair share of rejection. The rejections can be received from agents, publishers, readers, or critics. (like I mentioned earlier), and that constant stream of “no’s” can really chip away at our confidence and sense of self-worth. And especially if you're an aspiring author and have not yet published your work. Knowing that rejection is a big part of the career of writing is frightening. Really.

I remember when one of my best friends, who is a writer, who is currently in the process of publishing her book, would send query after query only to receive endless rejections. She told me it felt like the entire world was telling her, “Your writing isn't good enough,” and that can be a pretty lonely and demoralizing place to be. It has made me anxious about getting to the querying phase, as I still haven't begun to query yet.

Even when we start to find some success, the fear of rejection never really goes away. Will readers love our next book as much as the last one? Will readers even like my debut novel? Will the critics tear it apart? I know when I first started writing my first novel project. I rewrote the first chapter. 13 times!! And that’s because of all the questions and doubts I had in mind. It’s enough to make any writer want to crawl into a hole and never come out.

And the thing is, as writers, we often don't have the same support system that people in other professions might have. We don't have coworkers to commiserate with or a boss to reassure us; it’s just us. Our doubts and the eerie silence of an empty inbox. For example, Ana Neu, one of my all-time favorite Author-Tuber's, has dealt with similar struggles. She’s mentioned several times how lonely she feels and how her family doesn't fully understand her love and passion for writing. And I completely agree with her. If you want to listen to more of her, please listen to her podcast and watch her videos on YouTube here.

So, now that I went over the key reasons as to why writing is so lonely, I didn't want to end this post on negativity, that’s why I wanted to list the main strategies that have helped me:

Build a Writer’s Community

One of the best ways to combat the isolation of writing is to surround yourself with other writers. That’s why I found social media to be a gift, not just for the other obvious reasons, but because we get to find writers around the world who enjoy the same things we like. Having that sense of community can be a game changer.

When I first started my Tumblr blog, TheWriteAdviceForwers, I was really hoping to create that kind of supportive space for writers. I wanted to create a space where anyone who enjoys writing—not just fiction writers, but anyone who finds writing to be a passion of theirs—can share their dreams and struggles with. It's been amazing to connect with so many incredible people who just “get” the unique challenges we face. Being able to share our achievements and share our compassions. It's been vital for my own mental health as a writer, and I hope that it can also be vital for all of you.

And of course, the community is not about venting or seeking validation from others; its about providing feedback, encouragement, and just being able to make friends. Having that makes the lonely parts of the writing process and journey feel a little less lonely.

Prioritize Self-care

It's so easy to get caught up in the work and neglect our well-being. There have been multiple times where I wouldn't take a break from my writing sessions and simply not eat and drink. I wouldn't give myself time to process everything I wrote, and I immediately after would criticize it.

However, I find that self-care is the most important part of combating the isolation that comes with being a writer. For me, that looks like making sure I get enough sleep. You can't process, learn, and remember anything when you don't have enough sleep. During my personal self-care, when I do 45-to 1-hour writing sessions, I usually take a short nap after. Eating nourishing meals and snacks is important, as is making time for the hobbies and activities that bring me joy. I usually like reading books, spending quality time with my family members, and very feisty (and sometimes scary) cat.

3. Cultivate Gratitude

When loneliness starts to creep in, it can be really helpful to shift our mindset and focus on what we are grateful for; this can be really productive and rewarding. Being a writer is a gift; we get to spend our days doing what we love, bringing our creative visions to life and sharing them with people who love literature. Readers are such a big part of being a writer, and they're huge motivations to me.

So, if you can, just take a moment to appreciate the joys of writing. For example, if you have any writing quirks, I personally have to wear bracelets on both of my wrists in order to produce some type of creativity when I write. I'm not sure why it's just something I noticed. I also really love writing my manuscripts physically. I tend to do this when I'm suffering from writer's block, and for some reason my writing style is a lot better.

And don't forget the many other joys of writing, like drafting, and the excitement of sharing your work with others. Having a new idea come to mind that fits perfectly in your plot. Or even a reader or beta reader sharing a comment on your work and giving you encouragement.

Also, please celebrate your wins; it makes writing all too fun, and it's a great way to integrate writing into the real world.

End Note

I wanted to write this post because I know a lot of us deal with feeling lonely; I’ve been feeling that way for quite some time, and I wanted to share it with Tumblr. I feel like each and every one of you all feel the same way. And that’s why I created my Tumblr community; that's the reason I created this blog, and that's the reason I strive to build this into an entire brand.

I want to bring more awareness to writers, we are the people behind the stories, movies, and media that we consume today, and we barely get any credit for our work. I want to make a brand where others who never thought writing to be their passion could actually for once consider “Is writing for me?”

I feel like it's such an underrated yet overrated passion. Yet it's not acknowledged as much. 

I hope this post can make you understand that writing is 90% lonely and you are not crazy for thinking so. But, we can use the resources we have today, like social media, to change that and make writing better for the present and the future. 

Thank you all for reading. And please, if you are considering joining a community if you haven't already, please join The Write Right Society. We recently met 100 members, and the community is continuing to grow.

[sanflawoah]

Black Myth: Wukong

More brainrot commentary because I'M NOWHERE NEAR DONE WITH GOING INSANE OVER THIS MONKE GAME.

Cursed texts and massive spoilers bellow. Lots of random bits and wee woo wee woo.

First of all, YEEESSS to everything well written big budget media with heavy cultural elements that isn't western centric. Love it 👏, a thousand more like this please.

HONESTLY can't get enough of the character designs. Watching the old tv show in my childhood got me imagining the JTTW characters as these cute human with animal ears. But since the game took a more serious and darker tone they took the character design to 1000. So many memorable characters with distinct style, drip, and combat.

Ok so whose idea was it to make some of the plants sentient and will beat your ass for daring to pick them up. I now have trust issues with ginseng and mushrooms

The toad bosses reminds me of Gamabunta. For a moment they also gave me a war flashback of Jedi Survivor's Oggdo-Bogdo, I want those things vaporised from earth 🔫🔫

Kang-Jin darkening the environment during her second stage, I legit thought it was a problem with my screen, until I found out other players had it too lmao. Also looove her design, silver loong with holographic glow, prettiest loong in the game

Boss musics are so LIT, I've been looping them for weeks

The Scorpionlord. First I saw him I was like HANZO HASASHI :DD??? But instead of hellfire, this time he uses venom. And the fact that the environments have autumn palette, connects me to MK 11 Shirai Ryu fire garden arena lol

an NPC called Starved Abomination. The name really sends me because ngl it's a relatable concept, I too became an abomination whenever I'm starving.

To punish Wukong for his lifetime worth of trash-talking, the game now choose The Destined One as shy and doesn't talk much except for when he screams during fights. All my grievances of expecting him to be chatty and noisy actually works out the more I understand the story. And turns out it was all part of his journey, you are meant to complete him by collecting Wukong's scattered senses. Lil introverted fur-ball of scream I love you so much. Since the NG+++ Wukong stance actually gave him voicelines, I'm guessing the Destined One is going to complete his development in actually becoming Wukong in the DLC.

Everyone and I mean EVERYONE had a beef with Wukong and now we gotta pick up after his mess. My poor Destined One walked into an area completely clueless and suddenly everyone is jumping on him because "REMEMBER THE THING YOU DID TO ME A FEW HUNDRED YEARS AGO??? WELL FUK YOU, NOW DIE."

~

🐱Yin Tiger🐱. First time I met him I was like ohhh who are you, you look so cool and kinda cute tho, look at those big boba eyes, pspspsps.

He's all busy with his hammer and zabuza sword, thinks you're so annoying for bothering his work. Then there's this "challenge" option and suddenly he rose and casually tossed his hammer to the ground, I was like wait I was just joking aYO I WAS JUST JOKING-, then proceeds to delete my HP in 30 seconds. Anyway I love how he appears big and heavy and yet moves so swiftly. Of ALL the tiger bosses in this game, imo he's the coolest and THE SANEST. I still can''t get over the Tiger Vanguard and Mad Tiger trauma, those orange cats are on a whole new level of insanity.

🕷️Fourth Spider Sister🕷️. I'm actually so INVESTED in her mystery, like why are you helping me? Why do you look so sad? Are those tear stains on your cheeks?? Why did the Immortal Crane said that I'm giving you "false hopes"? What were we in the previous life?

"Think about her, won't you? Should you feel like stirring trouble in your next life." WHAT DOES THIS MEAN, TELL ME. SHE SEEMS SO NICE THO, she's just a sad goth girl what did she do?? What did WE do?? And her journal entry is so interesting.

🐉Yellow Loong🐉. LISTEN.... I literally had to pause for a moment when I saw him. Cutscene plays and I was like Oohh it's going to be that type of charismatic character reciting monologue, and then I saw his name and it's THE YELLOW LOONG??? This suave horned man is The Yellow Loong??

Well damn I have to say that's one handsome loong. He's one of those elegant style fighters, my favourite genre, up there with Whiteclad Noble and Erlang Shen.

👁️Erlang Shen⚡. The way I turned up the volume when I heard Andrew Koji's Erlang voice.....It's just so.......pleasant to hear. Something about the way he did his voice, the smug taunts, the gentle almost-whispers, and the gROWLS???

I can't even with the entirety of Erlang's character design in this game, because dAMN BOI what a BEAUTY. I thought the game was going to make his appearance more mature looking, or even scarier, because that's just how it is with game character design formula, especially in games like this. But NOOOOO..... they made him ABSOLUTELY BEAUTIFUL. His face, his voice, HIS MOVESS, the way they designed his martial arts so elegantly. When you perfect dodge everything with him, it really feels like a dance. I have to note that when sometimes you tried heavy attack on him aND HE SIMPLY JUST-.... took one step to the side.... THE ABSOLUTE SLAYYY DISRESPECT💅💅. Welcome back Isshin from Sekiro.

Also I just found out that depending on what transformation you're using, he's going to react differently on each. Particularly interesting one was when you use Azure Dust. Most of the time, when you transform, he's going to transform too and chances are he's going to one-shot you out of the transformation. He doesn't do that with Azure Dust for some reason, instead he got amused because Lmao returning back to your origin?. And this line, "Walking his path is no easy feat, it will test you relentlessly". SOMETHING SOMETHING ABOUT ERLANG HAVING THIS HIDDEN BURDEN THROUGHOUT THE PLOT IS DRIVING ME INSANE, I NEED THE DLC TO EXPLORE HIS CHARACTER MORE I'M BEGGING YOU GAME SCIENCE. You can't leave me hanging with his journal entry please I want him to have some peace and closure.

Powerful quiet character with hidden struggle, the bane of my existence, my beloved.

☂️🐉The Four Heavenly Kings🎸🗡️. MAN I love these guys, their fight feels so rewarding somehow, because after all those struggles with Erlang, they feel more like a reward battle for visual entertainment.

Aside from being relatively easy, they're just so fun to watch. I keep wanting to stall the fight just to see what move sets they could perform because their coordinated attacks are just SO COOL.

South king throwing the sword at us, joined by the West king throwing punches, and then the West king passing the sword back to South king. That brief moment of them passing weapons, they need to do more of that, so sick.

The North king combo with every other kings. The West jumping up using the North's umbrella, summoned the dragon, the South yeeting the sword, and the East buffing up the umbrella thrust attack with his Pipa magic. I'd hate to be a normal human citizen under them during that scene GODDAMN. I'd say the West is the game's favourite king because he's the one with the most screentime. He's the one with distinct glowing eyes and he was the most visible behind Erlang during the opening. The North being the coolest because WTF WAS THAT TYPHOON UMBRELLA WITH THE WEST'S DRAGON ROLLING WITH IT, AND THE MUSIC QUE, ABSOLUT CINEMA. The East probably being the chillest of them all because my man was just serenading the fight yo, I like how his fingers actually moves accurately playing the BGM. I know they're on the heaven's side, but for some reason I want them to be on our side if it's possible in the DLC. If we could get Erlang, then surely we can get them? They're too epic not to have.

🐒THE GREAT SAGE'S BROKEN SHELL🐒

THE MONKEY, THE MYTH, THE LEGEND. SUN. WU. KONG. THE SCREAM I SCRUMPT WHEN THIS MF SHOWED UP ON SCREEN. TEARFUL CHEER AND AND UNIMAGINABLE TERROR. AND WITH THAT BITS OF THE OG TV SHOW THEME MOTIF PLAYING WHEN HE SUMMONED JINGU BANG.

Who would've thought that we're going to fight our former self as a literal your greatest enemy is yourself concept. Like yO IT'S THE G HIMSELF WUKONG but now FUK I HAVE TO FIGHT HIM?? Look, sir, Mr. Great Sage, I know I've been playing around as you and I don't even know what I'm doing, I'M SORRY.

So now we're fighting zombie Wukong. He's literally soulless inside and his voice sounds demonic. YET STILL he radiates that lively asshole energy. You try pillar stance to get away from him, he does the same but his pillar is TALLER than yours. You try to walk off calmly, he does the same but then taunts you for it, eats a peach and then flicks the seed to your head. Kicks you to the sky and transforms his jingu bang into a pillar and plants it to the ground with you under it. He cheats by summoning kintoun and body slammed you. He summoned his clones to kick you in all directions only for the original Wukong to wait on the side yawning, then he kicks your jingu bang back at you like "pick it up bitch", and taunts you with his hand gesture to come at him. Ok now you're raging and you tried to pillar stance heavy attack at him, he's like "shut yo bitch-" and GRABBED YOUR JINGU BANG WITH YOU STILL HOLDING ON TO IT AND STARTS USING YOU AS A FLY SWATTER. Just as you think that these suffering couldn't get any worse, you tried to heal and he IMMOBILISED YOU, SNATCHED YOUR GOURD AND TOOK A SIP, decided that it tastes like shit and threw it back at you. Now THIS is the little shit that I know and love.

The whole time you tried to do a move against him, he returned the favour but better. You think your staff extension is long? Ok he'll extend his staff to a kilometer, and that's STILL him holding back. You can do ring of fire? His is bigger in diameter and burns brighter. The game had to nerf out his lore accurate skills because it's just so atrociously OP.

Ok so you finally defeated him? Just as he got dusted away he still managed to croak a last laugh.

Que good ending animated cutscene with the JTTW plot in reverse serenaded with Celestial Symphony. Happy onions, happy onions tearing up the eyes. Crank the volume up, it's all coming together. That's Ba Jie, that's Sanzang, that's Wujing, that's horse.

MMMMMMM MONKE.

[aboringredmop]

k still don't know how im gonna post the videos (YouTube? unlisted?someone please help) but I can't sleep so I thought it'd write down whatever I remember happening!

(edit: here's the full recording! )

Becky and Joe walked on stage wearing sunglasses and red leather jackets and threw 3 of the trio plushies into the crowd. didn't get one unfortunately but it's really cool some people got free plushies :)

they made this robot child called the Inspiration Child, who's clearly meant to be a nod to ai (can learn from our show and generate it's own content!)

they explained how they met (and had some dodgy animated retelling), and how they started with small projects like commercials and music videos, until they came up with designs of the trio (and a mysterious fourth fella)

they made the designs first, then made the set, then the song and finally wrote the script for creativity. red guy was just a red mop head with legs at first ("alien squid thing") but Joe put the red guy head on for shits and giggles once and Becky thought it was hilarious so they kept it in the show

they were really not expecting it to blow up, and when Sundance called because they wanted to show creativity Becky thought it was a scam caller lol

they talked about the kickstarter and the credit card fraud kid. the mailed him saying "hey maybe dont do that" but the kid didnt know how to undo it cuz he just found a website full of credit card information and went ham, so Becky and Joe had to contact kickstarter because people were pulling out of the funding because they thought the project was overfunded (kickstarter was very difficult to contact)

they also made (lighthearted) fun of nsfw fluffybird art ((no padlock 😔) "using OUR characters to act out their SICK FANTASIES" - Becky) and theorists, especially because most if not all of the webseries is just them fucking around.

Inspiration Child also says something along the lines of "wow what a cool show with a great message of how corrupt the media is. I hate the media!"

Becky and Joe had these rules to make the show as vague as possible (no pop culture references, no names, no swearing and way too much detail put into small things)(the duck guy drag queen absolutely obliterates the no swearing rule lol)

they talk about the pilot, how they focused too much on the story because they felt like they had to due to it being on the big screen now, and how it ended up ruining the atmosphere and such of the pilot. they did show the entire thing sped up but my phone sucks ass so I could not get it to focus correctly. I'll see what I can salvage so you people can dissect frames of your blorbo you're Legally Not Allowed To See (which is also the official reason we don't get the pilot)

also pilot concept art showed that Mean Steve is in fact just called Key

they showed a whole post-it wall full of ideas for the tv show. don't know how much I got on footage, but what stood out most to me were 2 episodes called Money and Christmas. Joe mentioned "clock in a wheelchair" specifically

also really fun fact. Becky made the Lesley suit during covid, and pretty much threatened Baker into writing a human character into the show to wear it. concept art also shows Lesley with a mask made out of the same fabric, don't know if this was part of the original suit tho

they showed Warrens old models (?). he was gonna be a wayy more ugly looking silicone pug-worm thing y'all got lucky with the bald fuck

lily and todney were directly based off of some cancelled show about two porcelain doll children with panda parents. do not for the life of me remember what it was called but Becky and Joe were very enthousiastic about it (UPDATE: Candy and Andy!)

international release of the show soon!

Inspiration Child talks about what he's learned and sings a little song, then generates his own dhmis inspired content of a cult meeting in a forest at night. the dhmis Discord server called this "potential new content" but I doubt it

3 cultists walk on stage, face the screen backs to the crowd, drop their cloaks and boom! drag queens!!!

they were not mentioned on the site or during earlier parts of the show at all so they were a complete surprise. I asked Becky about it later during the night and she said she really wanted them there, so she asked and they were excited to! hope this means more official content with them soon I love them

they dance to There's Three Of Us, then Duck lipsings the shredder song which turns into a techno remix while Red and Yellow dance during the background

then Duck and Yellow make out while Red tries to undress to the instrumentals of the Fucked Up Part of Creativity but can't get out of his suit on time before the song ends

the drag queens, Becky and Joe and the Inspiration Child walk around during the meet and greet later and I got signatures from all of them! except inspiration child he didn't have thumbs

the drag queens were so fucking funny. Duck adopted inspiration child and loudly yelled at everyone to "GET AWAY FROM MY FUCKING CHILD" (their duck voice is sooo good). yellow stood in a corner staring at a wall for like 10 minutes and red was constantly awkwardly hovering just outside the frames of pictures (and also could not see shit lmao)

Becky liked my shirt! (the one with the melting trio heads) said she handdrew it

I'll post the signatures and some more stuff tomorrow because it is. 5 am

edit Heres the signatures! yellow guys is Italian I think? and means hi I love you :)

(the liyskaen is duck trying to spell my name. they got pretty close)

[y0ur-fr1endly-queer]

Bill Williamson.

There’s a lot of mischaracterization about Bill.

From what I’ve seen, it's like they’ve made him another Micah. They characterize him as an extra antagonist, and it upsets me. Did you guys even play the game? And if you did, you clearly didn’t look at camp interactions.

Bill ain’t just some angry fool, he’s a character with a very deep story that's looked past.

And when I say these things I want ya’ll to know I support nothing of what he did in rd1. I don't know what that thing was. I don't support specific interactions that he's had in camp, either.

Bill has done bad things, and there are things I won't forgive him for, but that's just like the other characters. These guys are a gang of outlaws, they are not perfect, and some people try and make it seem that way.

As clearly stated in the game, Bill struggles a lot with alcoholism, he practically drinks himself to death and takes it out on other people. I believe that he never wanted to be this way, but I also believe it numbed him and he put a coating of, "I deserve it." On top of it.

Bill has clearly been through a lot, I’m sure hes suffered from his time in the army and possibly childhood experiences and just life in general. He has feelings, and sometimes he cant control those feelings. That doesn’t make him just angry, or just an asshole. He’s still a person, not some antagonist placeholder in peoples fanfics or role plays.

When Sean died, he was blamed, and if you look at a specific interaction in camp you can see how much that hurt him, I don't remember the lines exactly, but it's actually the most guilty I've ever seen him (Sean’s death crushed me and that interaction made it so much sadder). What I remember is that he explained to Arthur how he didn’t know and didn’t mean it, almost as if he was trying to explain it to himself as well as convince himself. He was crying, I'm pretty sure.

He clearly struggles with his emotions and doesn't like to talk to people about it, about anything. I think when he opened up to Arthur about Sean was the first time in the entire game.

He's so well-written and has so much story underneath what's obvious.

@cupidsbeartrap and I rant about this guy so much.

[buddiebeginz]

Fandom I'm begging you all to wait and see how the season plays out. Everything right now seems to be pointing towards Buddie and sure I could be wrong but I also think it would be the shows downfall if they didn't make Buddie happen this season and I think Tim and abc know that.

This isn't just about catering to fandom whims this is that since right before s7 they've done so much to put focus on Buddie way more than with any season before. Deliberate choices have been made that if they're not leading to Buddie can't not be seen as queerbaiting. And yes a show with queer characters can still queerbait if they're using a popular queer ship to garner attention and views. Though I don't think that's what's happening here.

The only reason I think more didn't happen with Buddie last season is because the season was short and they got renewed for s8 early. You can tell if you watch from eps 1-6 that they were leading somewhere with Buddie (they had them singing a karaoke love song ffs) but changed gears after getting renewed for s8. At the same time Tim still didn't put more development or focus on b/t so it's not that Buddie happening was shelved (as in it's never happening) it was just paused.

Also I see people spiraling about that pic Ryan posted assuming because he's in a robe and because he put "Don Diaz" on it that it's a reference to Don Juan and this means Eddie is going to be hooking up with a bunch of women. I just don't see that happening. Ryan could have easily just been making a joke or trying to mess with fandom or it could mean nothing. It could be a Godfather reference. Or it could be something like Eddie tries to hook up with a random girl and he just can't do it and then that leads to him talking to the priest. Unfortunately we aren't going to know what that pic really means until the episode airs.

I know we've all been burned by the show (and other shows) before and I get being nervous about what could happen this season. But remember that Buck was supposed to come out in s4 (this has been confirmed by Oliver) and Eddie in s5 (this has been confirmed by the the insider) and presumably that's when Buddie would have happened. Buddie has been in the works for years. The main thing stopping it before was Fox and last season it was just too short to have Buck to come out, Eddie come out, and then Buddie to happen. 10 eps was just not enough time to tell such huge important stories for the show and these characters.

I know Tim and others behind the scenes of the show have made decisions we haven't always loved and maybe it's naive of me to still have trust in them after all this time but it's not just that. I see the signs. If I had seen more effort being put into b/t last season and into promoting them as a couple and especially if I saw that happening this season I'd be a lot more skeptical about the likelihood of Buddie ever happening. But I haven't seen any of that.

This season Tim has talked about how b/t are still together but he doesn't talk about the ship like it's this important thing, he talks about it like T*mmy is just like any other person Buck has dated. Meanwhile Eddie is ALWAYS mentioned when b/t are talked about including by Tim. Networks and showrunners know how to handle these kinds of things. If they wanted to minimize the attention Buddie gets they would have done so. We know this because that's exactly what they did in past seasons while they were with Fox, particularly after Tim left. Instead though since last season they've actually been putting more attention on Buddie, Ryan, and Oliver.

Like I said I get being nervous that something we've all hoped for for a long time might not happen. I know that Buddie and Eddie coming out means more to a lot of us than just some fictional characters and a ship. I know a lot of us see ourselves in them and we also see how important and groundbreaking in a way it will be when they finally go canon. I get why the anxiety around this season is heightened probably more so than any other season before it. We've never been as close to Buddie happening as we are now and that's so exciting but also scary.

But this is why I think we need to take every bts and spoiler etc that we get from the show and people involved in it (including the journalists who review it) with a grain of salt. We just aren't going to know what each episode is about until we watch them. Even when the season starts we need to remember to let the story play out. We might see things we won't like with b/t or Eddie in 801 but there will still be 17 more eps to get through where anything could happen.

We are so lucky that 911 is still on the air with most of the original cast still there and not looking to leave. That all the people that matter Tim, Oliver, and Ryan have all spoken out in support of Buddie happening. I've shipped non canon ships before that just were never going to happen, where showrunners and actors literally made fun of the fans for even shipping it. That's not what's happening with 911. Buddie now is being treated like a legitimate possibility we just have to be patient.