#this show is not doing a lot to win me over

[torahtot]

you can always tell when someone doesn't have maga men in their life and god it makes me angry.. "if you're nice and compassionate you can be the one woman that makes them realize women aren't mean!" my mom bent over backwards for my dad for 25 fucking years he has plenty of other women kissing his ass and it never changed anything. do you really think that before being radicalized they never knew a single kind woman? they were never friends with a nice girl? alt-right men's problem with women isn't just that they've experienced too many mean women and they need to be shown that women can be nice, it's that they think women are inferior and don't deserve rights and don't understand anything so you can do what you want with them. and it takes a lot more than being nice to show someone that you aren't inferior. this isn't a case of being nice even when it's hard for the sake of deradicalization, it's about spending every fucking interaction with someone trying to get them to see you as a human being with value and a functioning intellect while they just laugh and show you that's never going to happen.

i cannot stress this enough: random women are not just going out and Being Mean to men. ur average guy interacts with plenty of women throughout his life- close women amongst their friends and family, casual interactions etc. most people don't start out being shunned by women, they start out being treated as NORMAL. & when they show their disrespect in normal society, it isn't tolerated, but when they go to alt-right spaces (which they're pushed towards online) they're told they're allowed to be as horrible as they want with no consequences because they're entitled to everything. it isn't "women aren't welcoming and the alt-right is so friendly so i'll become alt-right," it's "women don't let me disrespect them and the alt-right tells me fuck them, do whatever you want, you're entitled to it all" and why would you choose the group where you have to be a normal accountable person when there's a group that will reward you for being a shithead who gives no fucks?

the alt-right can afford to be more friendly and welcoming because they can allow bigotry. this can't work the same way for progressive spaces because we can be as kind & welcoming as possible but at the end of the day we have lines where we have to say "this behavior/speech isn't allowed in this space," and for certain people, that just can't win against a space where you can be as nasty as you want. these posts always end with a disclaimer saying "of course being kind doesnt mean you need to tolerate their bigotries" but what they don't realize and what drives me crazy is that women not tolerating bigotry IS the "women are mean" that radicalized them in the first place. they perceive you pushing back on any bigotry or bullshit as you being a meanie and treating them like they're ontologically evil. the 'kindness' they need to be deradicalized is you letting them walk all over you.

idk what the answer is to deradicalizing them and im sure relationships are part of it but you can be as kind as you want and all it will do is destroy you ime. i cant stand to see people (who have never even successfully deradicalized any man by being nice btw they always speak in hypotheticals and not from experience) double down on telling women to do things that will see no results and only hurt them, especially when any woman who has tried can tell you exactly how it went

[tavolgisvist]

on @javelinbk tag '#anyone get the sense they didn't like clay/ali?'

The Beatles were happy to meet a champion boxer and get their pictures in the papers, but the group let it be known they wanted to meet Liston and not, as John Lennon said, “that loudmouth who’s going to lose.”

(Andy Greene for The Rolling Stone, June 4, 2016)

Here is another one from the Feb 16, 1984 issue of Rolling Stone magazine. This story comes from the promoter of the Sonny Listen/Cassius Clay heavyweight championship fight, Harold Conrad. This fight was a huge deal and was going to take place on February 25, 1964 in Miami Beach, Florida. The fight was getting just as much publicity as the Beatles during February of 1964. So Harold Conrad thought it would be a great for publicity to combine the two. Newspapermen from all over the world were streaming into Miami Beach to cover the fight scene, but several were examining this Beatles phenomenon. That's when it occurred to me that the chemistry of the Beatles and young Cassius--they were close to the same age--would make the perfect mixture. I could see page-one pictures all over the world. I had to put them together. To get to the Beatles, you had to go through Brian Epstein. I finally tracked him down in the Deauville lobby the day before the Sullivan show. I explained I wanted to invite the boys to Clay's workout. He was facing me squarely, but his eyes were looking far away. He was on a magic carpet, flying 10,000 feet over Bombay. Then he mumbled, "Can't do it, security" and shuffled off. I scratched the project then and there. I had enough problems with the fight denying rumors that Clay was about to become Muslim. The day of the Sullivan Show, it took a couple of cops to get us past the hotel entrance. I was with Liston and his wife, Jerry. He was going to take a bow on the show. After a couple of early acts, the Beatles were introduced and halfway through their number, Liston poked me with his elbow. "Is these bums what this fuss is all about? My dog plays better drums than that kid with the big nose." Liston and his wife took off after the show, but I went backstage to see Sullivan. I asked hm if there was any chance I could meet the boys. He said, "Sure, I'm going up to their suite now." The Beatles were sitting around with some British friends, and Sullivan thanked them for a great show. "And this is Harold Conrad," he said. "He's here doing the Liston-Clay fight." I could see this ignited a spark. McCartney said, "I think Clay's going to win." His partners agreed. I asked them if they'd like to watch Clay workout. "Can we?" they responded, almost in chorus. I told them that they would be picked up at 11:30 the next day, but to keep it quiet. I also explained Epstein's refusal and John Lennon said, "don't worry about Brian; we'll handle him." The eventual summit meeting a the gym left nothing much for posterity except the pictures. Clay upstaged the British kids all the way. He even choreographed the picture of the them lying down on the ring and him hovering over them. But I had to score one for the Beatles. Clay said, "You guys got to be making a lot of money. you ain't as dumb as you look." John Lennon came right back with, "But you are."

source

Another classic dad joke from John…

Q: We'd like to hear what you thought about Mr Clay? John: Very tall, very tall Ringo: Oh, he's a big lad Paul: He's a great laugh, you know, more than anything Ringo: He's got a big mouth George: He's going to get Sonny Liston in three, that's what he said Paul: That's what he said Ringo: That's what he said Paul: I don't think he will though Q: I hear you were creeping up to Harry Carpenter in the training camp, Paul, and whispering things to him Paul: Yeah, well, you see, the other thing was, he asked me who was going to win, and you know, I would have told him out that I thought Liston was going to win John: But you're a coward! Paul: I'm a coward! And it was in Clay's camp, you see and there's all these big fellas sitting around, so I said 'Liston'... I had to whisper, you know John: Liston, do you want to know a secret? Paul & George: ... want to know a secret? [laughter] Ringo: We're plugging, you know, we're still trying to sell!

The Beatles talking to David Coleman of Grandstand about meeting Cassius Clay (Muhammad Ali) on their first visit to America. 22nd February 1964

[tomorrowxtogether]

TAEHYUN: “I wish happiness for the people who made me feel happy”

TOMORROW X TOGETHER The Star Chapter: SANCTUARY comeback interview

2024.11.14

TAEHYUN never speaks in a roundabout way. The idol doesn’t mince words, and there’s something tender about that.

You spent some alone time at the Hangang River a little while back. What do you do when you go there? TAEHYUN: I buy my choice of drink, a caramel macchiato, and go in search of serenity while I sip it to get the taste of sweetness on my tongue and take in the peaceful scenery with my eyes. It doesn’t really inspire me so much as it just sort of feels restorative. I just feel good when I do that.

You’re probably so busy that you only get little bits of time here and there, but what would you want to do if you could carve some free time out of your busy schedule? TAEHYUN: I’d have some of that serenity I just mentioned, and work out, too. I’d probably just do the same things I do in tiny bursts now but be more relaxed about it. Right now I exercise when I have little breaks, like when I’m done for the day.

It seems like working out’s pretty much a part of your routine. TAEHYUN: It’s so routine for me now that sometimes I don’t even know why I’m doing it. It’s like how gym rats work out with no end goal. (laughs) It’s helpful for my posture since I start hunching over if I haven’t worked out in a while, and anyway, if I go straight home after work, I feel like I haven’t done enough. (laughs) I like how it keeps me ready to go and makes me feel productive.

You even keep it up when you’re on tour, running to stay in shape or working on your abs for “Tinnitus (Wanna be a rock).” TAEHYUN: We did around 30 shows and I showed off my abs every time. (laughs) I showed them once on tour in Seoul and then I thought people might feel left out if I skipped it anywhere else. I started getting more into food somewhere down the road so they’re slowly disappearing, but I’m trying to keep them around one way or another. (laughs) It hasn’t been easy. I make myself run until I’m out of breath when we’re on tour because it challenges me in the exact same way as performing. I don’t know if it really helps since I’ve never not done it and therefore don’t have data on it, but I believe it does.

Boxing, on the other hand, seems like something you’ve kept up a long time not for keeping in shape but just for fun. TAEHYUN: Boxing isn’t something where you can slow down when you get tired. If your opponent ups their pace, you have to, too—but you’re just as much an obstacle to them. If you’re not fighting for a title or to make it into a competition, then there’s no risk of getting hurt, so it’s a great way to break a sweat and get in some cardio. You hear sports like these called chess played with the body. Even if you’re not as good as your opponent in some ways, you’ve still got a shot at winning. What makes it so enticing is how you have to hone your skills in order to be powerful.

What does it mean to you to be powerful? TAEHYUN: It means a lot of different things. There’s some boxers who are strong for their weight class, and some who can shut out the crowd when they’re on their opponent’s home turf and win. I think it’s partially mental like that. There’s people who make a plan and work toward their goal, avoiding any obstacles standing in their way—people who don’t fall apart.

It feels like that’s your approach to your work in some regards. TAEHYUN: I’d say so too. Those are the kinds of people who get up in front of tons of people at the pro level. We’re similar in that we get up onstage and show everybody what we’ve got after working at it for a while.

How do you find touring after working at it for a while? It’s been about two years since you resumed in-person touring. TAEHYUN: It feels really overwhelming at first. When you find out how many shows there are, where you’re going, and get the set list, it’s seriously … (laughs) I mean, obviously there’s fun parts, but you’re running in an unflattering way to get through the walkways underneath, and sometimes you just feel like, Let’s get it done, or, Time to go change—I will survive. Then there’s parts where time flies, especially when you first get a mic in your hand. It’s all about jumping around and having fun together. Going around and getting hyped with the audience happens spontaneously. That’s when it gets exciting.

I found what you said about your first online fanlive event on weverse LIVE really memorable: “When the camera’s not on me, there’s nowhere to see me. It was crushing.” TAEHYUN: That was a really weird period, since now there was no way for people to know what I was up to when the camera wasn’t on me. But there’s always somebody looking right at me when we do shows in person. In those cases, I have to be capturing the mood of the songs at all times, and I can’t tuck my clothes in right away if I need to or rub my eye if something gets in there. There’s a lot more I have to pay attention to, but they’re all minor things. I’m always going to feel grateful as long as people are watching me.

You also put a lot of effort in for the tour in regard to your vocals, right? You seem to keep challenging yourself and experimenting in your own unique way. TAEHYUN: Yeah, totally. (laughs) I make minute adjustments, like, How can I make this easier? How can I increase my chances of success? How can I minimize damage to my throat? I try to feel how my body changes every time I do. Even for the sound, I’m in direct communication with them to try and get things right during rehearsals. When you’re recording vocals, you can do it over and over to get it right, but you’ve got people watching you at a concert, so you have to be confident you can keep your vocals steady 10 out of 10 times. I asked our producer Slow Rabbit once if we could bring the key down so it wouldn’t be so hard to sing so hard live (laughs) but eventually it worked out anyway. There’s nothing you can’t do if you just practice. If I can’t do it, it means I didn’t try hard enough. Anything is possible.

You sing several ad libs in The Star Chapter: SANCTUARY that give a real sense of your vocal style. Do you feel like you’ve developed your own style while recording vocals now? TAEHYUN: Recording feels more familiar to me now, and the producer and I can practically read each other’s thoughts now, so it's a completely stress-free experience. But there’s one thing that’s always on my mind. I love so many different genres. I love knowing their histories, singing them, and listening to them. But choosing what suits me is a huge challenge. I’m confident I could handle anything they throw at me to 70 or 80% quality, but there’s nothing I feel confident I could do at 100%. I don’t really know if I’m doing a good job of finding my own style, but knowing people can pick out your voice is something that makes any singer happy and appreciative. It’s a really good sign.

I personally felt like only you could pull of the “Forty One Winks” intro. TAEHYUN: We recorded that in Japan during the tour, and before the parts were assigned, I heard the song and asked the producer if I could do the first verse. I said I’d crush it. (laughs) So he said okay and I got to do it, and on the first day of recording, I immediately nailed it. I felt confident about that part: This is how it should go.

You’ve also been writing lyrics for a while now. How’d it go with this new album? TAEHYUN: I have a lot I want to write whenever I think of something that would be really fun for TOMORROW X TOGETHER to sing. The idea behind “Danger” is sort of cliché, but we hadn’t done something like that before so that actually made it fun. What was unusual this time was that we were out of the country so I couldn’t take my preferred approach of opening up a bunch of windows on the monitor in the studio and writing on my phone. It was a new experience for me to not settle down in one place and write. I wrote “Danger” on a plane, “Resist (Not Gonna Run Away)” in a car. I have a tendency to drag things out when I’m in the studio sometimes, but when I’m on the go, I end up writing faster sometimes because I feel like I have to get it all down before arriving—like the ETA’s now the deadline. (laughs)

The lead single “Over The Moon” has a more straightforward message than previous songs. How did you capture your interpretation of the song? You strike me as someone who really needs to understand what they’re singing. TAEHYUN: It’s way more straightforward, but there’s still one line I’d like to hear MOA’s interpretations of: “Let’s make an ancient future.” I need their help because I’m curious how listeners feel about it. (laughs) I guess “Over The Moon” is first and foremost about feeling good. Visually, the sense of freedom is important. I also hope anyone who sees it feels like we’re steady and talented—so much that it’s like, Huh? They’re so eye-catching—I can’t stop thinking about them! If people feel like, These guys are so uplifting—who are they?, at the end of our performance, I’d say it’s a big success. We have to bring out the subtle allure to achieve that. The vocals need to be so good they sound fluid and flexible, and the choreo flawless.

Doesn’t trying to have that kind of allure make it that much harder? TAEHYUN: It’s way harder. (laughs) We reduced the amount of group dancing and filled that time with individual choreo instead, which took a lot of work. All group choreo takes is good stamina and a lot of rehearsal time—this approach takes exploration and gut feeling into what makes it look cool. I think we’ve reached that point in our career now. It’s something people who perform 30 shows at a time can do. (laughs)

You’ve always been the type to practice as hard as you can and just as confidently say so. Is that the case for this album, too? TAEHYUN: Yes.

You sound very sure of yourself! (laughs) TAEHYUN: I put in everything I’ve got within the time available. That’s something I feel I should do. It’s just one of those obvious things. I feel a huge weight off focusing like that. Doing my best means putting my heart and soul into it until I feel that nothing will change no matter what might happen. That’s what doing my best means, I think.

That’s something only someone who has poured everything they have into their work can say. What’s there waiting at the end of all that hard work? TAEHYUN: I chose this path because I love being onstage and love singing, and now I’ve achieved that, but there are times when it becomes necessary to have goals. I want to set loftier goals—I want to do and reach for lots of things under the name TOMORROW X TOGETHER—the five of us and MOA together. There’s a lot I need to uphold for the fans, like sharing feelings and promises. We didn’t pinky promise, but still. (laughs) I want to keep going with our group for a long time, and in order for that to happen, people need to keep checking us out, which gives me a sense of certainty. Having some goals and achieving them lets us feel like we’re really doing a good job and heading in the right direction.

You’ve been with the other members for eight years now, which is over a third of your life. TAEHYUN: That’s true. And I’ve known YEONJUN for nine years. Now, even when we’re working out how to move, we don’t need to say much—like, “Two? Three?” That’s how we ask whether to stand at the second or third marker on the stage. We’ve reached a point where we can talk entirely in nouns.

I could sense how close you are in episode 144 of TO DO X TXT, “Abandoned Stars,” when the older members were being protective of you even though they were equally scared. (laughs) TAEHYUN: I felt there was still kindness in the world in that moment. (laughs) SOOBIN saying, “He can’t do it alone,” and YEONJUN said, “Don’t send him in by himself.” (laughs) We know each other so well that we don’t hide anything. Working with people who you get along with that well is an absolute blessing. It’s a good thing, too, since we spend more time with each other than our own families. It wasn’t easy to get there, though. (laughs) I don’t mean to be blunt, but we first came together to work together, meaning there were conflicts, and it took some time to figure out what didn’t work. Sometimes I even felt it’d be easier to go alone, but now doing it alone is challenging.

You even brought YEONJUN a lunch you made for him when he went to do a pre-recording to promote “GGUM.” TAEHYUN: I know one thing for sure: I think I’m extremely attentive toward the other members, and I’m always monitoring their performances. Maybe if it were one of the other members, I would’ve expressed how much I care in a different way, but for YEONJUN, I thought it would be best if I went there in person. He finds that kind of thing touching. (laughs) I was worried because he loves to eat and yet he probably couldn’t eat properly and would just be eating fast food from the store. I just happened to be free, so I dropped by, gave it to him, and came back to get some sleep. (laughs) Only love can make that possible.

You’re really good about showing the people around you how much you care. TAEHYUN: I’m actually not close with that many people. There’s people I care for, or see all the time, or do stuff with, and I feel like, even if I put in the time and effort, it still requires a lot of opening up and communication. That’s what the people in my life mean to me. With the group, I feel like it has to be that way to end up with better results and build trust. That means that sometimes when we’re talking together, we’re not just saying nice things. If all you’re looking to do is keep things roughly as they are, you could get away with saying nice things exclusively, but sometimes you just have to say or hear unpleasant things.

That could honestly be hard to handle, but it’s love that keeps you going, isn’t it? TAEHYUN: It’s important how I express things, but I think it’s also important what the other members think of me. If they’re working with the knowledge that I’m saying those things out of love, they wouldn’t think it’s absurd. It’d just be nagging otherwise. (laughs) It takes a lot of effort from everyone involved.

But you have nothing but love when it comes to MOA. I randomly saw how one time while YEONJUN was doing pre-recording, you talked about how  MOA’s wait times need to be shortened. TAEHYUN: I hope our fans can have the best fan experience possible. I felt like it’d be better if we came back out a little sooner in the space between songs to talk. Spending a little extra time on fixing ourselves up doesn’t really make us look that much better, I mean. (laughs) I told our staff, “We should hurry out there,” and I guess they listened. (laughs)

You also left a comment on weverse saying, “Wishing other people happiness is one of the ways I’ve found happiness myself.” I’m guessing you had an experience that led you to feel that way. TAEHYUN: When I meet fans, sometimes they say things like, “You saved my life.” Honestly, all I could do was do my best with singing, put out some albums, and get up onstage. I think maybe the reason they say it that way is because getting to know TOMORROW X TOGETHER and seeing us brings out positive feelings for them. I thought that wishing happiness for the same people who made me feel happy and wishing the best for them would send more positive vibes back their way again. I think that moment really hit me.

[ladyloveandjustice]

Someone's been in the Revolutionary Girl Utena rabbit hole for a bit 👀

I don't even know what it's about, I just see it and get happy

Mind telling me a bit on what it's about? I might watch it myself if it sounds like my thing, bc you seem to have great taste in anime and games

I do have good taste thank you! *flips hair* lol just kidding,

Revolutionary Girl Utena is a surreal and wild queer feminist deconstruction of fairy tale romance and shoujo tropes and it has a lot to say about systems of power, cycles of abuse, the ways people cling to an ideal of innocent childhood which may have never existed anyway, the concept of purity, fear of change and loss, and whether becoming an adult inevitably means being corrupted in some way. Lots and lots of gender, lots of queer characters struggling with compulsory heterosexuality... but over all, it's a deeply meaningful story about the human condition and growing up in an imperfect world.

But also people turn into cows sometimes, there are elephants of surfboards at one point, and one character has a very emotive pet monkey in a tie. at least we think it's a monkey. It can be very silly, is what I'm saying.

The basic plot is that a girl named Utena lost her parents at a very age, but a prince came and comforted her, giving her a ring and telling her to never lose her strength and nobility. Rather than taking that as an engagement offer and aiming to be his princess though, Utena actually admires him so much that she decides to become a prince who saves girls in trouble too. She's determined to find the prince who changed her life though, and her search leads her to a very fancy and phallic looking Ohtori Academy.

Then, when this shitty popular guy makes her friend cry, Utena challenges a guy to a duel to make him pay (as you do). ONLY to find out that the student council of her school are all secretly dueling each other to be engaged to "the Rose Bride", a girl who is supposed to give whoever's engaged to her the power to revolutionize the world. As part of the student council, the shitty popular guy assumes Utena wants to "win" the Rose Bride too.

So next thing Utena knows, she's been dragged into a duel to "win" the "Rose Bride" (who is actually just Utena's classmate, Anthy). Utena thinks that fighting to possess a girl like she's an object is pretty screwed up, but on the other hand, she IS devoted to saving girls, and that shitty popular guy IS treating Anthy pretty badly....

Could be that she'll end up engaged to Anthy, whether she likes it or not....

It covers a lot of dark topics, from misogyny to abuse (sexual abuse included) to child predators to incest (never framed as healthy or okay though, in one case it initially comes off as a joke thing for a character, like the typical anime comedic brother/sister complex, but throughout this characters arc it becomes clear that no, it's really not, and it is not good for the character in question). It's not a graphic show by any means, it handles its subject matter tastefully imo, and the way it explores these things is very effective. It takes a while to build up to where it's going, but the journey is worth it.

If you're interested at all in queer anime or like...queer western cartoons even because odd are they'll have a Utena reference-- it's a must see because it was massively influential. It was made more than 20 years ago and really holds up still.

I also did a review series about it here a while back that people found handy!

[fxckn-sxck-fr]

omg hi if ur inbox is open can u give us a short blurb/your thoughts on or some kind of headcanon list for yan tim drake (romantic) bc ur interpretation of him is so yum🤤 i like how you rlly focus on more darker aspects of his character which i dont see a lot of ppl doing unfortunately bc the way he’s a complete FREAK LMFAO🫣���

𝐒𝐎𝐌𝐄 𝐘𝐀𝐍𝐃𝐄𝐑𝐄 𝐓𝐈𝐌 𝐃𝐑𝐀𝐊𝐄 𝐓𝐇𝐎𝐔𝐆𝐇𝐓𝐒…

!!! GN reader, mentally ill Tim, psychotic Tim, just Tim, he’s a problem, manic/depressive episodes, violent tendencies, suicidal tendencies, stalking, kidnapping, obsessive behaviors, gross ways to show affection, slight insinuation of pervy Tim, blood, mutilation, harm to reader mentioned, self-harm, severed body parts, drugging, gaslighting.

YAAAAYYYYYYYYY, TIM DRAKE TIME!!!! This is so long overdue. I’ve been meaning to write for him, but… it just hasn’t happened yet. I hope the ideas will start flowing after I get some of this off my chest. I’ve been harboring so many miscellaneous Tim thoughts for a while.

(Y’all. The CW on this just kept getting longer and longer. My bad.)

First thing’s first, Tim is a fucking mess. There’s no way to know for sure which version of him you’re gonna get each day. Maybe he’s going through a manic episode, coming up with batshit crazy schemes and going on about things that don’t make sense. Maybe he’ll then swing into a depressive fit, where he can’t even bring himself to get up from the floor. Maybe he wakes up completely fine after an hour long nap, regretting whatever initial brash decisions he made. Maybe he quickly turns violent at the sound of knocking at his door. Maybe he wants to claw his own arteries out after trying to maintain a normal social interaction.

The possibilities are endless! Which makes him extremely dangerous.

If you’ve caught the eye of Tim Drake… yikes. Good luck. There’s a chance you don’t even know who he is before he inevitably kidnaps you (completely on a whim, no less). Maybe you’re a total stranger he saw on the street once, captivating him and causing him to spiral into a twisted obsession. While I’ll defend Tim against the fandom allegations until my lungs give out, I’ll admit: they’re on to something when it comes to stalker Tim. Bro definitely has pictures of you covering every square inch of his walls. And, yes, it’s to the point where they overlap each other.

Kidnapping can take anywhere between 3 days and 3 years. During that time, he may try to weasel his way into your life in an attempt to win you over... though we all know how well that would go. As I’ve mentioned before, he may be attractive, but he’s such an off-putting person. Just being around him is enough to give you the creeps. And it doesn’t help he’s completely unaware of how weird some behaviors are. Tim... honey… you can’t shamelessly stare at people with a startling grin like that. I know you’re thinking about how much you want to lick your darling-to-be’s neck, but it’s weird.

Whether he attempts to interact with you or not, one thing’s for sure: he’s stealing your shit. Clothes, toothbrushes, half-eaten food, straws, whatever he can get his hands on. Don’t ask what he does with it. You don’t wanna know. Tim is a neeeaaaasty freak, to the point where even he thinks to himself, “what the fuck is wrong with me” after he calms down from a fit.

Oh, speaking of guilt, Tim is filled with that shit. He may swing from various stages of instability, but there are moments where he’s perfectly fine. And those are the moments where he has to grapple with the consequences of his own actions. Those can range from slightly scaring someone to causing irreversible damage. There have been many times where he snapped out of some episode with blood dribbling down hands and chunks of skin under his fingernails. Who did he hurt? Could be someone else, could be himself, could be you. Who knows!!

Let’s actually get into his suicidal tendencies a bit. His arms and legs are covered in scratches and cuts. Now, this could be explained by his vigilante life, but it gets harder to justify when you get to the bite marks at angles that only make sense if they were self-inflicted. Oh, and also the carvings of your name. He does that a lot. It’s like you’re with him everywhere he goes!! And kind of on the same note, he wants you to have him with you as well!! This could come in the form of strips of skin, vials of blood, toes, an eye, an ear, a spleen… just whatever he’s willing to cut off or out of himself in the moment.

His suicidal tendencies are also connected to those moments of guilt I mentioned before. After calming down and realizing what he’s done, he may harm himself as some sort of penance; especially if he’s done something to you. Depending on how far he spirals from his guilt, he may actually enact “an eye for an eye” (perhaps in the most literal sense) to help make up for what he’s done. Who knows, maybe he’ll replace missing pieces of you with his own. Will it work? No idea. Maybe a skin graph or two, but let’s hope you don’t have to find things out in the more extreme cases.

I think it’s important to keep in mind that Tim Drake is just generally fucked-up. “Normal” Tim doesn’t mean “completely well-adjusted” Tim, it just means he’s not acting on some manic or brash decision. Normal Tim would be fine with chaining or drugging you if he’s justified it to himself. As long as he’s not causing active physical harm to you, he probably won’t see anything wrong with whatever he’s doing in the long run. It’s for your own good, okay? Don’t worry, he’s gone through the possibilities and failsafes. Nothing bad will happen to you!

Unfortunately, manic Tim does not go through the possibilities and failsafes. Well, he kind of does, but the logic is far from realistic and runs in total circles. Whereas drugging you has a rational (fucked up, but still rational) reason behind it — to keep you immobile — filling your ear canal with cement takes some mental gymnastics. Manic Tim doesn’t want you to listen to anyone else. Solution? You can’t hear through concrete, right? At that point, you’re at the mercy of his mood swing RNG. Let’s hope he calms down enough to take a step back and really think about this. Hmm… filling someone’s ears with cement… probably not healthy. Wow. Silly Tim! He let himself get carried away, didn’t he? Whoops! There are more logical ways to keep you from listening to anyone else.

That’s where manipulation comes in. I mean, come on. Y’all know who his mentor is, right? Stable Tim is wicked good at manipulation. Huh? He’s acting weird? Well, he didn’t want to say anything, but he was actually thinking the same thing about you. Yeah, you’ve been kind of off lately… is there something wrong? You sure? You know he’s there for you, right? Okay, just making sure. A gaslighting king when he’s in the right headspace for it. Too bad his psychotic aura gives him away; he’d probably be really good at keeping up appearances if he just got medicated or something.

So… yeah. Just some Tim thoughts. What a charmer, amiright? I don’t think this one’s salvageable. No amount of therapy could ever fix whatever Tim’s got going on. Just throw the whole damn guy away. Start over. Your only hope of escaping him is the chance of someone on the outside realizing what’s up. Here’s to hoping Tim gets institutionalized before he does something really bad!!

[sf1enjoyer]

꧁Truth and apologies꧂

Part 3 of the LN4 series:New Start

Warning: implied sexual themes

Word count:1288

Summary: After accidentally colliding into Lando and ignoring him for a few weeks you were at a post race party just drinking your nowhere to be found partying mood away until Lando walked up to you.

@fishyfishersticks

Part 1, Part 2, Part 4

Over the 2024 season, he grew bold. Too bold for his sake but also matured a lot in such a short time. He was no longer that pleased with something less than a win after his first victory in Miami, and you guys slowly started having little fights because you tried talking some sense into him and telling him that he doesn't always need to win, but he was too blinded by this fight for the championship when he saw that he had a chance to win the title.

Things were okay until one catastrophic race. You were fighting for the first place and you were behind him. You were having a shitty weekend and one wrong move ruined peverything, for both you and Lando. You collided sending both McLaren cars into the wall and he came out furious.

"Lando are you oka-" you tried talking when he interrupted you

"Y/N what the fuck is your problem?"

"Excuse me?"

"God.. you're such a pain in the ass. I'm fighting for a championship and you pull stunts like that!"

"The hell are you on? You turned towards me as much as I did into you!"

"It's your fault you got that close. If you can't overtake someone,keep your position."

Your jaw dropped at Lando's harsh words. You were furious at him because it wasn't only your fault.And what enraged you more was the fact that he didn't have the guts to admit that he was in the wrong too.

"Cry me a fucking river. You're an asshole."

You and Lando didn't speak again that race and refused to give any answers to the question that involved one another.

The following race which was hungary Lando won and you got p2. Sure you congratulates each other but the words were cold and the podium celebration was really awkward. You avoided him just as much as he avoided you.

You weren't going to apologize when you knew he was wrong. You're not saying sorry just to fix something you didn't ruin. Even though your heart told you to but you were too stubborn for that.

Later that night a bunch of F1 drivers organiser and went out to a club,with you being one of them. You got dressed up in a dress,not too

short but showing the right amount of skin for a party. To be honest you were there more for the drinks because you weren't really in the mood to party and you were told that Lando wouldn't be there so you saw it as an opportunity to have a bit of fun to forget about your whole argument which was still heated.

You sat at the bar ,ordered a bunch of shots to down your tiredness and frustration. You heard a familiar voice from your left and when you looked, it was Lando ordering a whiskey. Thequestion is why the hell was he here? You were told he rathered go to sleep with how tired he was. At least that's what Carlos told you.

You downed your last shot and scrunched your nose slightly ,when he spoke up.

"Can't handle your alcohol, Y/N?"

"Weren't you supposed to be sleeping like the whiny baby you are?"

"I was going to do that but getting a drink sounded better at the moment."

You rolled your eyes and sighed

"Oh how lovely,now can you go bother someone else?"

"No." He answered firmly as he took a sip of

his drink

"And why the hell not?"

"Because we need to talk Y/N"

Oh wow he wantes to talk to you after a week of ignoring you and blaming you for his crash.

"What an honor."

He sat there in silence for a bit and finished his drink in the meantime

"I'm serious Y/N"

You order two more shots and pass one to him.

"Go ahead,i guess..."

He sighed

"Look i wanted to say I'm sorry for lashing out on you like that. I was pissed that you crashed into me and i took it too far."

You downed your last shot and shot him a glare

"Yeah go ahead and blame me. Definitely i turned into you on purpose.. Thanks for the apology."

You stand up and go outside of the club with Lando quickly following you and calling after you

"Y/N wait! For fuck's sake... That's not what I meant. Why are you so difficult,Jesus!"

You snapped at him your tone slightly raising

"I'm the one who's difficult? I'm sorry I'm realistic and that your whiny ass couldn't admit that the crash was our fault,not just mine because apparently that hurts your new bought fragile ego. I'm so tired of your shit!"

He took your hand when you walked away and his featured seemed softer. He finally had that glint of regret in his eyes that you haven't seen in so long.

"Y/N you're right. Look i know I'm not the best with words and that i acted like and asshole but i really mean my apology. The crash wasn't just you,it was me as well and I'm sorry that this fight for the championship made me act like I'm better than you and that i have the right to treat you like that.."

You were still pissed so you pulled away again and sent another rude remark his way

He grabbed your hand firmly and pulled you close to him,one hand snaking behind to hold you by the waist so you wouldn't leave again

"Y/N just listen. We can't keep going like this. I hate being mad at you,I hate not talking to you.We're teammates but more importantly, we're friends...and things won't work out if we start a rivalty so just please forgive me."

You look up at him and you see his sincere gaze eating you, making you feel guilty

"Please.."He repeated his words. He was practically begging you to forgive him.

You just looked at him and in that moment it came down on you. One hand on your wrist,the other on your waist and his face so close made you want to kiss him and run a hand through his stupidly perfect curls and oh boy you being slightly drunk didn't make things easier for you.

You felt like it was just the two of you. You just gave in and let your body take the decisions for you so you just pressed your lips softly against his and placed a hand on his cheek

To your surpise he didn't pull back immediately and when he did he had his typical smug smile

"I'll just take it as a sign that you forgive me."

With those words being said he kissed you again but this time more fierce but also soft, moving both hands to hold your waist. You automatically wrapped your arms around his neck and slid a hand into his curls from the back of his head. You didn't expect him to reciprocate this but it was fucking amazing.

You felt those two hands creep lower and then squeezing you gently. It took you slightly by surprise but you did enjoy it.

He slowly pushed you against the wall and he kissed your neck, his lips trailing along your jawline until he found your mouth again. He kisses you hungrily, his tongue exploring your mouth in a passionate but sweet way the music and the neon lights of the club and the music fading in the background.

When you pulled back a little ,you desperately reached for your phone to call an uber and you needed it now. You needed to get back to the hotel with Lando as soon as possible.

[vigilskeep]

you've talked a bit about sol's relationship with lucanis, bellara, and davrin, but what are sol's thoughts on the other companions?

neve looked at sol and saw a cute slightly over-energetic puppy that somebody else owns and that it’s always fun to hang out with and make run after sticks. briefly, mind you, before going home and leaving it someone else’s problem. whereas sol was eager to melt neve’s ice walls and win her approval with sheer persistence. all of that went away for a while when sol chose treviso. it was hard to recover from that because sol had no regret for their choice, nor did they believe neve would have any regrets if she had been in the position to choose minrathous, and that was a wedge of silence between them. both aware, both not cruel enough to say everything out loud. it took a while to defrost, with bellara anxiously hovering inbetween them. ultimately they have a strong bond and sol probably respects neve more than anybody else on the team, but as friends, neve is more lucanis and bellara’s than she is sol’s, if that makes sense? sol finally showing up for minrathous and them fighting for it side by side in the end was everything to me

i was never quite sure where they stood with harding until the end, i think it requires further thought. sol wasn’t all that close with harding before the game, when they had varric inbetween. mostly they thought it was funny to play up the antivan crow and scandalise the comparatively more normal straight-laced member of the party. they have a lot of respect for her skillset because they’re accustomed to working with rogues, whereas interpersonally they didn’t know how much they relied on and valued her warmth and stabilising influence until they lost it. they didn’t really understand her all that much, i don’t think? which is funny when lucanis is over here like immediately clocking exactly what childhood trauma led to all her behaviours, but then lucanis is so much more empathetic than sol is

taash is kind of the little sibling sol never had. sol, stretching their arm all the way up to put it around taash’s shoulders: “ah yes, my honorary crow young padawan in the ways of being non-binary and setting things on fire”. sol is a mostly harmlessly terrible influence on them, always telling them to be more rebellious and to feel things fully. taash probably got the worst of the ending, and sol won’t forgive themself for that

emmrich is an endlessly entertaining curiosity who comes from an entirely different world to sol. they’re not that close, but they fascinate each other and always want to hear each other’s stories. something about the work of the necropolis emotionally touches sol—who always expected to die young, unnaturally, and unremembered, and whose profession is giving that same fate to others—in a way little else does. (even if they find the necropolis itself slightly infuriating to do quests in. professor, you’re just too nice to these spirits and it gives them far too much nerve.) i imagine emmrich saying they could be interred in the necropolis if they wished and sol definitely not crying, there’s just something in their eye, they have to go

[rosenclaws]

Since you're taking requests again, mayhaps some Charlie content 🙏 Dealers' choice when it comes to the prompt. I'm just starved for content of my favorite loser.

“Don’t pretend like you’re not happy to see me like this.”

“You are more than you think of yourself. You’re everything to me.”

wc: 660

600 follower drabble masterlist

a/n: I went with my favorite (angst sorry charlie!!)

This was really the last thing you expected to deal with at three in the morning on a random Tuesday. Seeing your ex boyfriend show up at your doorstep with a black eye and a bloody lip.

"Charlie." You sigh as you stand at the door. He's leaning against your door frame. He tries to smile but winces when he irritates his eye.

Silently you step to the side and let him in. He collapses on your couch as you go and find your first aid kit. You haven't had to use it since, well since you two broke up. You don't bother asking what happened this time. You already know what happened. He owed someone money and he got beat up for it.

"Hey baby." Charlie smiles tiredly as he sits himself up. You gently climb onto the couch next to him. You don't answer him as you gently dab at his face. It's deja vu as you think back to the times you've had to do this before.

"Shit." He hisses as you apply alcohol to his eye. "Sorry." You whisper. Charlie smiles, hearing your voice again was music to his ears. He can feel the disappointment radiating off of you. He wants to apologize but the truth is he isn't sorry. He missed you so bad. He needed to see you. After you finish patching him up you get him some water.

"What are you doing to yourself?" You ask sadly.

He feels a irritation grow as you look at him. Those same damn eyes that make him crumble. He can't stand them, they stare right past into his soul, into the deepest most insecure part of him.

"I'm fine." He slams the glass down onto the table. This was a mistake.

"Fine? Is that what you call showing up at my doorstep with a busted face?" You press as he gets up. He walked out on you before but you won't let him again, at least not without an explanation this time.

"Don't pretend like you're not happy to see me like this." He snaps.

"Like you're not happy to know that you were always right about me."

"What are you talking about!? Charlie I was in love with you. Win or lose. You were the love of my life!" You shove his chest out of anger. When will he get it in his thick head that all you ever wanted was him.

"Charlie, you are the love of my life." He lets out a frustrated yell and falls back onto the couch. His face in his hands.

"You are more than you think of yourself. You're everything to me." You sit next to him. Legs touching as you rest your hand over his. His fingers lock with yours as he relishes in the feeling of your touch. It's been so long. He ran because he was angry, jaded, he was spiraling and he'd be dammed if he took you with him.

"I shouldn't be baby, I'm no good for you." You roll your eyes and grab his face. Forcing him to look at you.

"Shut up Charlie." You know what he thinks of himself. He's a loser, he's washed, he can't do anything but make stupid bets and false promises. But you never saw him like that. He was always your Charlie.

"Come on, it's late." You grab his hand and stand up.

"We can talk in the morning." Charlie lets you drag him to your bedroom, almost in awe that you're letting him be here with you.

He crawls in next to you. His arm wrapped tightly around your waist as you bury your face into his chest. He knows he's got a lot of groveling left to do, that you aren't going to forgive him this easy but fuck he missed you. If this is the start of your forgiveness then he'll spend as long as it takes until he makes it right.

[fullmetal-scar-simping]

seeing you mention mangahood purists liking manga/broho bc it's "pure" got me thinking: whenever i see someone shit on 03, they'll say "oh it's too 'dark', scary, depressing" (sorry having to confront/acknowledge imperialism is "dark and scary" lmao) and yet, in the same breath, i've seen several turn around and praise mangahood/broho for its "mature themes" and its handling of "dark topics" and it's like... are the mature themes in the room with us?? this is pure speculation and i'm sure i'm not saying anything new here, but i think a large part of why mangahood purists hate 03 is bc it makes them uncomfortable. 03 does not give the viewer the luxury of turning away from the atrocities amestris commits to liore/ishval; they're forced to confront it head-on throughout the show (see: ed standing among a graveyard of liorians, ishvalans getting targeted no matter where they go, etc) and there's no "the military was controlled by supernatural monsters all along!!!" to conveniently pin the blame on either. it's the military itself that's the problem and needs to be taken down. and mangahood/broho purists just don't like that i think.

The critical eye towards the military absolutely makes them uncomfortable and you're right to say it. In fact, it's 03's focus on the suffering begotten by the military and the relative centering of its racialized victims that spoils the fun for a lot of people.

[Because I have a pathological need to ramble for eternity, here's a readmore:]

Without fail most fans who hold Brotherhood and/or the fma manga up to be this dark, mature, incisive piece of entertainment will then levy the weight and severity of the topics they think mangahood adeptly tackles (lol) as a strike against the first anime adaptation. It's practically rote at this point.

They love dark stuff! Except when it's actually dark. Which is therefore too dark. And fma 2003 commits the sin of being dark in ways that the manga isn't, so it's obviously edgy fanfiction for immature sickos who rage against happiness and friendship. It's immature to like adaptations that depicts difficult topics, and genocide as a topic should be an inspiring romp with quirky pals! 😒

It's very telling too. Because the way homunculi are created and societally and personally (mis)function in this version of the world is a mixture of horror storytelling and allegory (for the most hidden and reviled classes of people). It's dark! Certainly I've seen some people complain about the gore and blood associated with the homunculi, their appearances, and their actions. But that's not the truly petrifying darkness that 03 haters gripe the most about. Sometimes they even celebrate that specific element of the 2003 adaptation! No, it's as you said: the highlighted hideousness of the military and its imperialism is what makes them balk in revulsion.

How dare a show about real topics like genocide and fascism not bury the travesties under a thick layer of positive gusto! It should be dripping in sludgey shonen bravado, perhaps even carry the cutesy-kid friendly veneer akin to an 80s GI Joe cartoon instead. Make soldiers fun again! What's with all of this death and misery? Why are people being shown as rightfully disgusted by and against the State?! How come these characters can't overcome their idiosyncrasies, ideologies, and traumas to win the day?? Wait, our military guys aren't even being lauded for feeling sad and get everything they want as a reward??? Scar is willing to sacrifice himself for liberation and we're not fed some pap that helps us despise him and feel suitably smug and comfortable in our own privileged lives while he condemns our propensity for siding with soldiers? That's not right, Scar's a villain! Soldiers are honest good guys! Hold up, there's RAPE?! In my silly anime about imperialism?!!? UM?!

Time and again I find posts ranting about how the 03 writers "had no idea what to do with Scar, so they waste his entire character". Once I get over the initial offense that this causes me (lol), I'm left sitting here wondering what the fuck they're talking about. Did they even watch this show? How can anyone even so much as think this, when he's a pivotal character? And increasingly I have come to realize it's because he doesn't have that fuck-awful ~redemption arc~ (excuse me while I throw up) that everyone looooooooves in mangahood. It's because he would sooner obliterate every single Amestrian soldier across the land than renounce liberation and buddy up to the pigs. He dies accomplishing his greatest act of love for the survivors of genocide, but since these people turned their brains off as soon as "03 diverged from the manga" (which the show does from episode 01 but don't let that get in the way of their manga-purity) they think the Liore arc is random happenstance, with no rhyme or reason, and Scar is still a """""""villain""""""" AND he dies (character deaths always means you wasted a character btw), so therefore fma 2003 is pointless darkness that spits on Arakawa personally.

Never gonna forget the posts that gripe about Scar being "disrespected" in 03 because he... dies on the ground. Guess we're throwing context and analysis to the wind and just misrepresenting scenes for cheap points. Better to make Scar feel like human garbage because he killed genociders! Now THAT'S respectful!

People don't like it when a character dies for their principles and is lauded by the narrative for it too. All of this is too much for the enlightened mangahood purist! It paints such a dire image of what the colonized have to do to push back against their colonizers! Can't we all just get along (and both-sides the invasion of Ishbal)?

Guess there aren't enough tone-annihilating chibi gags interspersed between every other shot of Ishbalans being rounded up into prison vehicles by Mustang and Riza to assuage viewers that all is well, actually. Concentration camps are total bummers. Aren't the Ishbalans supposed to be living tranquil, idyllic lives in the slums ala mangahood?

That's the other piece of the hate against 03: that it doesn't mercilessly break the melancholic, tragic, violent, and ethical/philosophical tones and quandaries with incessant jokes. The majority of the time, you are meant to stew in it, ask yourself hard questions too, while peeling away some of the mysteries presented and seeing how multiple factors play into the actions and circumstances of these characters. None of these factors absolve anything, they are merely another string in the show's web. Levity is mostly sparing. It does exist! Mostly in the earlier eps, with the odd palette cleanser in the middle of the show. But it's hardly as over the top as your average Brotherhood episode, which is incessantly brimming with jokes, gags, chibi/cartoon style shifts, quips, and buddy-buddy comradery, over and over forever. Are we even beginning to feel the tendril of despair from something that happened in Broho? Nope no worries, here's a goofy-whatever suddenly thrown at the viewer 3 seconds into any emotional state that is less than hopeful and cheery.

are the mature themes in the room with us??

The mature themes are dressed like low rent clowns who forgot their props, but I'm meant to play along like it's a mastercraft of artistic expression.

We could contrast 03's depictions of imperialism vs mangahood's, but I want to highlight a different, prime example of how paperthin Brotherhood's darkness is:

Ed and Al's human transmutation.

This moment in 03 has long lasting effects beyond what it did to the Elric brothers' bodies, with this act having created a tortured and exploited entity who can only envision escaping the pain by obtaining retribution against them. Ed lives in denial for as long as he can, until he's run up against a wall and has to dig up Trisha's grave. He has to kill his creation using a stolen piece of his mother's remains. Is this doppleganger truly his mother? Can she ever forgive him? Does he have the right to take an unlife just because he forced her into being, and abandoned her? He will grapple with that for the rest of his life, while having nearly torn his relationship to Al apart in the process. And for his own sake, he will dehumanize homunculi in order to survive his ever growing pain.

Meanwhile, in mangahood? Well, here's this heavy moment where Ed tells Pinako that he's going to face what he did and dig up the body he transmuted buried under the burned house. Things are tense. The mood is almost suffocating, the sky dark, the sound of dirt being shovelled almost sickening. Ed throws up, Pinako trying to help him persevere. He hits something. There's hair. He holds up these spare strands, looking shaken. This isn't his mother's hair? Oh thank goodness, he never harmed mom. In fact, what he transmuted was an empty fucked-up vessel that Al's soul briefly wiggled around in. Phew! Alright awesome, we're all good and all doubts have been wiped away. Mommy wasn't desecrated after all! Here's Trisha's soul later on being so super proud of her boys. Yippee!

So dark mangahood! What the hell was 03's problem tho? /s

Anti-03 posts can sometimes be fun if you're a jackass like me, because I can't help but feel like a smug dirtbag when someone admits to how hard they cried after watching the show- someone even admitted that's why they hate 03! It hurt too much. So odd to see this framed as a negative. I love the hurt. I love when a story challenges you, doesn't make it go down easy, when it has the guts to admit to the hideousness of what was intended to be taken for granted in other contemporaneous media.

I understand that having such emotional overflow and the weight of sadness can be very difficult for some folks. Sometimes you might not even be in the mood for it. But you would think that a show producing feelings of sorrow was a grand affront according to these more aggrieved critics. It's practically an insult to them! Yet when Brotherhood (somehow) renders people to tears, it's a plus. Guess Broho over-plays its saccharine assurances, so that the tears feel cathartic rather than challenging.

Although I have my opinions on the wealth of coddling stories, toothless entertainment, and all the propaganda barely hidden within so much of it; I don't necessarily look down on some people wanting more gentle or alleviating stories. Positivity is not a grievous need, nor am I immune from generally needing some form of it too. However I do think it ridiculous how desperately people in relatively powerful nations want stories about genocide that make them both feel as though they are baring witness to the darkness of the world (a reassuring pantomime to turn your brain off to), while still so sanitized and airy that it soothes their anxieties and ensures them that they shouldn't have to look in the mirror even once. If people simply liked Brotherhood because they like shonen battles or teenagers being friends or some shit, then at least it would be a more honest appraisal of what Brotherhood adequately offers.

However the repeated assertions that it's a mature story or has any aplomb to its surface-level use of challenging themes is comical. Alongside hailing Brotherhood as an anti-racist, anti-military story, but I've harped on about that hypocrisy more than enough times. We know the drill.

I just can't take this specific criticism against 03 seriously. Not because 03 is beyond critique, or that people can't be indifferent to it or dislike it, but it's a hell of a farce to boo it for the same reasons they claim to adore mangahood. They want a "brave noble soldier who solves everything" story. A fluffy copaganda battle anime with none of the ugliness of militarism from the viewpoint of its victims. That's it.

[team5ds]

the worst part is i can't even say he's wrong. they certainly did figure out how to contribute the city by joining the wrgp. but like. this is one of those things where it literally does not make sense. this is insane levels of logic. "we're not sure how to contribute to the city. we think entering a magic the gathering tournament will help." like. imagine saying that fr when your parents ask what you're going to do after you graduate college. "idk. thought i'd play card games and figure it out, man"

[mostofthingsmostofthetime]

Hey, so I know it's been a long time, but I suddenly felt inspired to make some Annie Cresta Picrews. So here you go & I hope you like her as much as I do.

Pre games

Parade outfit

1st Interview

Training

Games

Victory interview

District 13

Post war

[aroaessidhe]

2024 reads / storygraph

At The Feet Of The Sun

book 2 in a slow paced high fantasy duology*

the right hand of the emperor (who is off searching for an heir) struggles with what to do after passing on his responsibilities and also discovering various pieces of information that are mindblowing to him, personally,

after adventure is thrust upon him, he travels to find His Radiancy and they go on some otherworldly adventures while growing closer and figuring out the nature of their friendship

(*there’s extra novellas & i think another book coming? duology adjacent, currently,)

[bigothteddies]

I think that part of what like. kills me about the whole media literacy and critical thinking aspect of enjoying media these days is that people refuse to like. contextualize that

A. Bad media can still hold significant meaning to people

B. Media made for a demographic you aren’t apart of is not inherently bad media

C. Media made for and consumed by the opposite demographic is not inherently shallow or flawed nor is it above criticism for its media tropes either.

[skitskatdacat63]

2009 Hungarian Grand Prix - Lewis Hamilton(ft. Martin Whitmarsh, Mark Webber & Kimi Räikönnen)

+ Seb & Fernando post-DNF

[keeps-ache]

yay yippee yay :3 🎉

[tamagotchikgs]

last post ended up deleting my tags so im continuing them here