Throughout the years, Danny and Ra's get into fights. Unfortunately for Ra's, Danny's a biter. Unfortunately for Danny, biting immortals are never a good idea. Especially when your own DNA is beyond messed up
Imagine the look on Ra's face when they guy he likes fighting shows up with a baby in hand and says, "congratulations, you're a father"
Repeat it two more times because Danny just doesn't learn
Ohohoho, now this is quite fun. And this could be completely new children, or, this could be the three Al Ghul children. Which if it is? Is hilarious. And hey, Dusan even has Danny's white hair and green eyes!
But seriously I love this. Logically, Danny should learn to not bite, in fact? He knows how to fight, and can do so without biting. He's just also a petty little shit who will go feral when fighting this one asshole [insert relationship here].
Even more hilarious if Danny shows up throughout time too. And it's not like they exactly explain to anyone on the outside of their [insert relationship here], which definitely leads to so many misunderstandings and rumors.
Love the idea if this is even a semi-normal ghost thing. Just, usually the mixing of ecto is done on purpose, and not usually having to be worried about happening via blood. But Danny? Is a halfa, meaning that he is half human.
And if he bit anyone else, it would probably have no effect, except for the fact that the human mouth carries quite a bit of bacteria and en ecto-contaminated one more so. So for anyone else, biting is an actual good option, but Ras? Also ecto-contaminated via Lazarus Pit.
Which is a different type of ectoplasm, like comparing saltwater to freshwater, but is still ectoplasm. If anyone else bit anyone else, it wouldn't happen. But no, Danny just has to have the habit of biting his immortal sparring asshole of a rival-buddy.
And said buddy better be fine with co-parenting otherwise he's taking child support.
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Ok here's a little (not really) analysis/theory post about Hades 2, because I'm obsessed. Its consumed all my thoughts. And I need to talk about a theme I think will (hopefully) be addressed as the game progresses.
Here's some examples of dialogue that starts to touch on this conflict between mortals and the gods. What exactly do mortals deserve? We also have literal Icarus "flew too close to the sun" here too (and probably Pandora). Chronos was able to sway many to his side with a promise of a golden age without the gods, which is presented by the narrative as a foolish venture. And not saying it isn't, or that Chronos is the secret good guy here, but I believe Chronos is taking advantage of a very real hurt that exists for mortals.
This line from Nemesis really stood out to me, because it implies that while mortals have a concept of evil, the gods don't. Which sounds ridiculous but the more you think about it makes total sense. The gods in Hades (and just greek myth in general), are kind of the worst. They are petty and selfish, they literally attack you if their boon isn't picked first, and most vitally in this context, often utterly disregard mortals.
For example, one of the things that drove me a little crazy in Hades 1, was how chill everyone was with Demeter's never ending winter. Demeter was killing possibly millions upon millions of mortals and everyone else just sort of let it happen. Maybe complained a bit because it was annoying to them, but just stood by. And that's just one example. Mortal's have a very valid reason to hate the gods.
And considering we have more areas of the surface to explore that aren't out yet, I have a feeling Melinoë is going to be meeting some of these discontent mortals. And my hope is they are going to be nuanced characters, that will challenge Melinoë not just in a fight, but her very ideals.
Because Melinoë is very deferential to the gods, waaaaaay more that Zag ever was. Unlike Zag, who was more like a bro to them and was willing to suck up to them for personal gain, Melinoë seems to genuinely mean all the respect she gives them. She praises them, defends them when they are insulted, and just generally very polite to them.
In a smaller scale, she describes Hypnos as having a wisdom about him and can somehow sense her intensions while asleep. Which as Nem implies, the version in Melinoë's head doesn't exactly line up with reality (though sidebar, I am a believer in Chekov's Hypnos and that he's going to somehow save the day and put Chronos in a never ending sleep or something, but that's beside the point haha).
Melinoë's reverence to the gods makes total sense of course. She was denied her family and a happy childhood, and because of that has glorified them all in her head. The Olympians are sending her vital aid on her holy mission for vengeance and to save her family, even as their own home is being attacked, how honorable of them!
And I think part of Melinoë's arc is that perfect picture of them breaking into pieces. Yes, they are the better of the two options between them and Chronos, but that doesn't mean they aren't also kind of the worst. That mortals deserve better than frivolous gods that can decide on a whim their fates for better or worse (love u Moros but I'm still fucked up over you and your sisters giving mortals horrible doom endings when you were bored. At least he feels bad now but still. Perfect example of gods even when not intending to having horrific consequences for mortals). And maybe like how Zag healed relations with his family, Melinoë can start repairing relations between the Gods and Mortals.
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i recently remembered DickTim Week 2024 is happening very soon and i looked at the prompts again to see if i could get anything out for it and. the Hades & Persephone AU prompt for day 1 has got me really thinking so here's a vague concept i plan to write.
i've been pretty burnt out on modern Hades & Persephone retellings because of how they always seem to fall into the same generic "innocent wide-eyed girl runs from her evil mean mother into the arms of a dark mysterious man because actually she went willingly and chose to marry him" which has gotten repetitive for my tastes. (for clarity i don't care if this retelling is your cup of tea personally, so long as you're not actively trying to rewrite the original myth and claim untrue things about it, if this is your favorite flavor i sincerely hope you enjoy the buffet i just have little interest in it since it feels overdone for me and exhausted of it's supposed commentary atp)
but? but. biblically accurate Hades & Persephone AU has me all kinds of interested. because wait listen so hear me out right. Hades!Dick and Persephone!Tim, obviously. i feel it'd be more loosely inspired by with themes and imagery (though playing with death and nature powers could be interesting, i haven't decided) rather than explicitly making them gods and all. but. something dark and fucked up where Dick and Bruce are especially estranged. maybe to do with Jason's return, maybe to do with them just clashing and having their usual explosive arguments. and Bruce knows the peace needs to be kept, if he and Dick are at odds then everyone starts to pick sides and things just fracture so he needs a peace offering.
and the peace offering is Tim.
Bruce (the stand-in for Zeus) offers up Tim. agrees to have Tim move to Bludhaven and be Dick's... whatever Dick wants him to be. knowing that with the implication comes the likelihood of Dick grooming Tim. and Tim has no real say and is hesitant to put up a real fight. he doesn't want this, he knows what this is going to imply Dick will do to him, but he also knows if he says no things have the possibility to just... fall apart. so he's the unwilling bride, dragged off to the metaphorical underworld (Bludhaven) with Dick, away from his family, his friends, the life he built.
and on the flip side, i think weirdly enough, your best pick for the Demeter stand-in is *Jason*. just, hear me out on that. not necessarily on the side of it being motherly, but on Jason being just estranged enough from the Batfamily to be the one willing to call it out for being bad and wrong and raising bloody hell to get Tim back. maybe it's because Jason wants Tim for himself, maybe it's truly out of a concern for Tim to have autonomy, i'm toying with the idea of it primarily being Tim's POV and him genuinely not knowing which of these is true. (and the truth possibly ends up being a complicated middle ground) and because i like Helena, i think you can use her as the Hekate stand in, the one who strikes a tentative alliance with Jason and tries to go find Tim and bring him back. Tim stuck with Dick, getting groomed and hyperaware of it, possibly even getting fucked the whole time as well, knowing he can't go back without causing massive issues for Dick and Bruce because well, Bruce did promise him to Dick. so he has to adjust his whole life, try to figure out being a vigilante in this new city with Dick breathing down his neck the whole time.
and then much like the ending of the myth, a sort of compromise is struck that's a shaky deal for everyone involved. Tim is put on an essential timeshare, going back and forth between Gotham, where he has friends and family and a support system, then getting dragged right back to Bludhaven with Dick in this brutal cycle that he slowly gets used to and stockholm'd into even liking it. Dick isn't so bad, once he gets used to the quirks of their unbalanced 'relationship'. the sex is even something he can adjust to as well. not quite a happy ending but one that sits in this realistic grey area that becomes Tim's life.
i will write this, eventually, but i don't know if i'll get to it before DickTim Week ends so by posting the idea i'm essentially putting it out into the world so the peer pressure holds me accountable. i just. really like the potential of making Hades/Persephone AUs as fucked up as they can be simply by adhering to the source material and making it a raw story of being stolen away and forced to like this new home you didn't ask for.
also a less fleshed-out aspect of this idea i have ties into Persephone becoming the Queen of the Underworld when she's taken and how the transition from Kore to Persephone could be reflected in Tim. how he makes the best of the worst situation and becomes something far more dangerous and dark when he's in Bludhaven, possibly takes on a new vigilante name/identity and leans into the worst quirks of his personality he tries to tamper because there's no point in not going full tilt Obsessively Weird if he has no choice anyway and it being one small way he takes back his autonomy, and that inevitably making Dick *more* into him, because he gets to see Tim finally just. let loose.
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The Villain's Housekeeper
(part 1) (part 2) (part 3) (part 4) (part 5) (part 6) (part 7) (part 8) (part 9) (part 10) (part 11)
tw: implied torture
“[Hero], I– I’m so sorry…”
The hero doesn’t even look at the villain. Their head is bent, staring distantly at a crack in the concrete floor. “It’s okay.”
The villain had called the superhero’s bluff. Tried to, at least. They never thought a superhero could be so cruel to one of their own. But the superhero had been more than happy to prove them wrong, to make the villain watch him inflict nothing but agony on the hero until they’d finally spat out exactly what the superhero wanted.
The supervillain probably doesn't stand a chance now. They don’t care.
Even from their own dingy cell the villain can see the blood seeping mockingly through the hero’s shirt. Their palms rub together mindlessly like that’ll erase the crimson nightmare from their hands. They seem like they’re barely conscious, blankly honed into the tiny blemish on the floor like it’s a portal they’re waiting to open.
None of this is okay. The hero’s just saying that. The villain kind of wishes they’d just gone and died in the street like the supervillain had intended. At least that would’ve saved them both from this.
The hero is sitting on the floor, not moving except to scrub at their hands, but the villain is restlessly pacing back and forth. They have so much pent up energy from the last hour—it has to go somewhere.
“We’re gonna get out,” they say into the silence.
“We’re not.”
The villain turns to the hero a little harsher than they meant to. The hero flinches even from several metres away, and the villain’s heart crushes just that little bit more. “We are, [Hero]. We’re gonna get out and [Superhero] is never gonna touch you again.”
The hero makes some noise that is clearly meant to be a scoff but comes out as more of a broken sob. “Big dreams.”
The villain doesn’t bother commenting on that. “No window, no lockpicking.” They glance around for ideas. “No bribery, I’d assume. No help.”
“How long were you here before… we spoke?”
The villain pauses. “In prison? I don’t know, a few days.”
The hero frowns. The villain doesn’t like it. “Have you not tried breaking out before?”
“I didn’t think I had anything to live for before.” The villain carries on glancing around to avoid looking at the way the hero’s face twists like they don’t believe them.
-
“There you are, you little shit,” is the greeting the superhero gives the villain. “Your codes were bullshit, weren’t they?”
He glares at them expectantly. There’s a lump in the villain’s throat that words seem to be stuck behind. “I– I gave you what you wanted.”
“Like hell you did.” The superhero throws an aimless hand over his desk. The villain’s papers are all over the place, various scrawls across their pages in a clear attempt to figure them out. “Your so-called codes didn’t work.”
The villain’s mind is blank. That can’t be right. They gave him the fucking codes. He should be descending on the supervillain this very moment, but instead he’s here, claiming they don’t work—
“Wouldn’t want your special sweetheart to feel the consequences of this, would we?”
The villain’s gaze snaps back to where the superhero’s smirking at them knowingly. They want to smack that look clean off his face. He knows too much, and now he’s using it all against them. The hero is back here, suffering the fate they fell into the villain’s grasp trying to escape, and they’re back here because of them. The villain feels sick at the thought.
“I gave you the fucking codes,” the villain spits. “It’s not my fault if you’re too thick to use them.”
The superhero’s face momentarily twitches in hatred, but it doesn’t last long. “Not to worry,” he says smoothly. He waves a hand for the security guard at the door to step forward. “I’m sure I can get an answer out of you pretty easily, hm?”
For a moment the villain can feel the burn of rope on their wrists, their throat sore, their eyes hot with tears of sickness and horror and guilt.
The security guard touches a hand to their arm, and before they can think about what they’re doing they turn around and punch him in the face.
The superhero’s on his feet immediately but the villain’s already moving. A quick boot to the middle keeps the security guard on the floor, and they meet the superhero at the desk without a thought. He tries to point a pistol at them but they butt it out of his hand, kicking it across the floor for good measure.
The superhero throws a fist at them and connects with their shoulder with the fury of the sun. The villain stumbles and the superhero’s confidence throws him in for a second blow. They dodge back, just, jabbing an elbow into the side of his face. The superhero staggers with an enraged cry and the villain leaps the desk to make for the gun.
It’s in their hand before either of the two can realise what’s happened. “Okay,” the villain says slowly. Their shoulder is throbbing but they have no time to think about it right now. “I’m gonna leave, and you’re not gonna say jackshit when I do.”
The superhero laughs, the sound wet with blood. “You won’t get far without death following you.”
“My paperwork’s still encoded. I’m not too worried.”
And with that they’re out into the corridor, more than happy to spend the superhero’s bullets on anyone stupid enough to come near them.
An alarm whirrs, drooping the halls in flashing red light. They’re lost, unaccustomed to wandering the corridors alone, but it doesn’t matter. They’ll get to where they need to be. They just have to survive first.
“Don’t worry, [Hero],” the villain whispers, like saying it outloud is a promise. “I’m coming.”
(next part)
Taglist:
@runarelle @thiefofthecrowns @morning-star-whump @epiclamer
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