#this series is fantastic and I adore it

[iguessitsjustme]

I forgot this is the cutest opening of all time actually

[kaykoko]

I finally finished Dungeon Meshi!!! Very fun read and amazing charaters!! The hype i have for the anime now is unreal!

[souldagger]

Hey, I really like all the books you've recomended so far (got me into the murderbot series thanks for that one <3) was wondering if you had any recs for steampunk? Was trying some scifi sub-genres lately and this one really interest me

it's definitely a genre i need to dive deeper into bc i haven't read that much either, but! two i absolutely adore:

the leviathan trilogy by scott westerfeld - YA alternate history ww1 where the central powers use steampunk machinery and the allies use bioengineered beasts, following an austro-hungarian princeling and a scottish girl who enlists pretending to be a boy. i loved this series as a kid and i just reread it recently and it STILL kicks ass. also, some absolutely gorgeous illustrations!

the dead djinn series by p. djeli clark - lesbian magic detective solving murders in steampunk 1910s egypt! literally one of my all time fav series in recent years 🥰 u can start with the (free) short story a dead djinn in cairo - and if you like it, there's the companion novella "the haunting of tram car 015" (same world, diff charas) or you can skip directly to the short story's more direct sequel, the novel "a master of djinn"!

[mywingsareonwheels]

Shaun Evans as Ian in The Last Weekend (2012). Screenshots by me. Unedited.

[ID: two similar shots of Shaun Evans as Ian in The Last Weekend. He's a light-skinned man, 32 at the time (though his character is older), with freckles, dark red-brown floppy hair, a short scruffy beard. He's wearing a hoodie. He's standing on a sandy beach, the sea to his right/our left, looking at the camera. The colours are very washed-out and blue-tinted (an effect in the show). In both screenshots Shaun has a faint trace of tears in his eyes and a furrow between his brows. He's speaking seriously at the camera in the first; looking pained in the second.]

[themonstercals]

reading a book series right now (enjoying it thoroughly) and there are some spicy scenes ✨ and in the first book, it was like two peppers spice. something about contracts. second book was a little bit more, and this third book the author was like "okay, in for penny, in for a pound" and put their WHOLE ass into it. it's an exquisite enemies to lovers.

[owlyflufff]

Henlo! Long time no post TvT!!!

Before all else, I would like to say that NOPE! I haven’t lost interest in bokuaka or haikyuu (your gonna have to pry that series from my hands) and NOPE! I don’t plan on dropping this blog anytime soon so rest assured <33! 

Would just like to apologize for my inactivity again :’DD, mainly have been busy with life stuff and constantly getting tired really drains me from writing or posting even though I’d love to. 

Aside from that, I’ve been revisiting/getting into new pieces of media like Bungou Stray dogs and my current hyperfixation: Trigun <33

With that would just like to say that I’ll still be posting albeit inconsistently, most likely will be alive again once the haikyu movie drops (or not cause what if no Bokuaka :’DD), but will still post stuff all the same! 

Just know that my blog will always be here as a safe place to look at bokuaka fluff content and a serotonin boost when you need it

Hope everyone is doing alright and stay safe!

(oh and also watch Trigun Stampede for the sweetest boi Vash, like look at him:

how can you not love him? anyways thank you <33!)

[midnanoire]

I started reading the heartstopper comic after finishing the first season on Netflix and I just now caught up.......

Wtf am I supposed to do now???? I'm gonna have fucking withdrawals.

[storyweaverofgondor]

Here’s the thing, i 100% agree in regard to the plot holes in the Trek reboot movies. But at the same time The all the relationships in the first two movie so perfectly scratch both the whump loving and epic friendship staning sides of my brain so good the hyper judgey storytelling critic part of my brain is just like “We will permit this for the vibes.”

[asidian]

One thing I adore about Dead Boy Detectives is how brilliant the first ten minutes are. The pacing is incredible. You meet the boys, learn who they are, get a peek at what they want, and are shown what their strengths and weaknesses are.

Straight out the gate, you know that Charles is impulsive and more physically protective, and that Edwin is more intellectual and prone to magic. You learn magic exists and this is a setting where an infinite backpack can happen. Edwin gets a chance to show off his deductive skills with their client, and Charles gets to show off his people skills with both the client and the WWI ghost. Six minutes in and we already know these characters.

You learn that this is how these characters function together, and that they know each other well enough to know each others' strengths and weaknesses and rely on each other and compensate for them, respectively. The pacing is lively and attention-grabbing, and the back-and-forth between the office and the scene while they're on the job allows a fantastic showcase of the contrast between how they work together in different situations.

Then we get a look at the deeper need that motivates our two ghosts: staying together, against all odds, even after death, even in the face of Death herself.

And then we segue into another brilliant bit of exposition. Instead of a long, stodgy talking scene that would slow down the pacing, we get shown slices of Crystal acting strangely to explain what's going on.

In the space of ten minutes, we have met our characters, know what drives them, know their status quo, and are ready for that status quo to be upended, all without a single exposition dump.

No wonder this series series was met with critical acclaim. This is brilliant character writing and pacing. I write for a living, and this intro scene had me turning to the person next to me, saying, "THAT'S how you do it."

There's so much to appreciate about Dead Boy Detectives, but I feel like the script doesn't get anywhere near enough attention. Standing ovation for the absolutely brilliant writing, honestly.

[maggiecheungs]

high budget miniseries adaptation of their brilliant careers WHEN

[rockpaperimpala]

So about Netflix's the Last Airbender....

I am literally so confused you guys. You made me think I would HATE this show. And I LOVED it. Me. Known perfectionist and hater.

Katara was lovely. Yes, she started as a more soft spoken character than her cartoon version, but she was still passionate and hopeful throughout, just visibly unsure of herself. I think people were thrown off by this actress' natural way of expressing herself, which is Different from animated katara for sure, but not bad. Then she spends the whole season growing in Confidence and Fire. I Adored her fight with Paku, it really did feel like a payout of the whole season's development, and the bending kicked ass!

The Bending Kicked ass!!! The martial arts was fun and fast and creative and exciting! It looked SO good. That alone would be enough reason for me to watch and enjoy any show.

Zuko's actor was fantastic. He really captured the rage and confusion of this 16 year old banished prince. And there were so many Added moments between him and Iroh wich to me enriched their relationship. Like YES! This is why I'm watching, to see more of them, to see things done a little differently.

Iroh facing the consequences of his actions at Ba Sing Se!! That's what I'm here for!

Zuko's relationship with the men on his ship! That's what I'm here for!

The Extra layers we get to Ozai manipulating his children!

Also no one is talking about Admiral Zhao, who I had SO much fun with. I feel like they slightly fleshed out his character in a really dramatic way, really developing the hubris and frankly insane grasping ambition of someone who would kill the moon. I completely enjoyed this wilder, less controlled version of him, who comes up through the season from basically nothing and no one!

I am OBSESSED with King BUMI and his anger and disillusionment with the world! Like this was SO real. Living a hundred years of futile war would do that!!!! It is one of my favorite changes to the whole series. This new layer of emotion and character depth is what I'm here for!

Sokka was SO funny. He literally had me laughing out loud so often. That actor GETs Sokka, and GETS the way his humor is delivered. And is also able to tap into the more vulnerable side of him. People said he was "obsessed" with leadership. WHAT? That is a young person trying desperately to do his best and to try and find his place in the world, to figure what he has to offer. I loved his pride at hearing the Mechanist say that he would make a good engineer, and the sweetness of the moment that Yue's father says that he can be a hero without being a warrior. Sokka does so much growth in this series, in understanding himself and life.

And his chemistry with Suki was adorable!! I even like him and Yue (who was a totally unexpected sweetheart, despite her terrible wig)!! Like he has that same ability that Sokka has in the original to Connect with people.

Aang was great! He WAS fun loving and sweet and funny. I don't know what you guys wanted. Cartoons are always bigger and more exaggerated than live action. People's eyes swell up an, birds fly around their heads, and there are funny sound effects. That larger than life quality is the strength of animation! You have to look for different strength in live action. Like the SUBTLETIES of the acting choices. This little actor brought so much kindness, innocence, and strength to Aang.

And I FELT his frustration at being asked to do this at 12, his fresh hope anytime it looked like someone more experienced would be able to help him and no one did, and that's why he didn't learn waterbending this season, because he kept waiting for an freaking ADULT to show him the way, to help him carry this immense burden, but every adult he meets asks him for help instead, asks him to carry it himself, and then the finale hits and he realizes that there won't be any adults helping, he does have figure this out himself, and he makes the hard choice, takes on responsibility more than his years and offers himself to the ocean spirit, and he might have been lost entirely if not for Katara!

And that counter running theme to the show pays off: that he doesn't have to do it alone. He may not have more experienced guidance, because the adults have let him down again and again, but his friends will be with him, and they will figure it out together!

This is there throughout the series! Katara tells him this about learning waterbending, when he says he still wants to wait. Bumi tells him this in the palace at Omashu, and Aang sees the faith he has in his friends repaid!

I like these changes! And the show still found time for silly fun adventures and character building moments.

The show was never going to be the animated original. That is already a Masterpiece, and it frankly did NOT need to be adapted at all. I did not WANT a live action adaptation. I was adamantly convinced I would hate it. But the changes that they netflix show gave are what I Iike most about it. If I want to see Zuko say "you rise with the moon, I rise with the sun," I will go watch the animated original, because that version is perfect. And now, if i want to see Zuko say "Lu ten would have been proud to have you as a father," and see iroh pull him into a tight hug, I can watch this live action version, which is very good too. I'm going to disagree with most of the people on here and say that the Netflix's Avatar: The Last Airbender, DOES capture the heart of what we liked about the original show. It's spirit, fun, excitement, and characters. And the changes made are the reason we should be watching.

[sugaryplum]

𓏲⋆. THEODORE NOTT FICS HALL OF FAME 𓈒 ⭒ ݁ .

so this summer marks a year since i started obsessing over this stupid stupid handsome beautiful amazing of a character and it is actually insane. i always used to have phases for different characters and it changed like every two weeks but for the past year it's been him and him only. embarrassing. but well – i've read a lot of amazing pieces of fiction about him so here i am to give some appreciation! these are my favourites with top notch writing and plot and portrayal of the character and everything else!!! in no particular order

spring breaks loose by @fangisms GOD i love her work!! she also wrote darling socialite which is possibly even more amazing (and i actually requested it hehe and i love it so much)

next we have @cassiopeiasdaughter (this is really just a list of my favourite authors here) with mirrorball (requested by me again, this is also maybe just a list of stuff i requested, i am shameless with this) and this cute little drabble about theo and the reader's cat <3

honestly i could just write everything i said before about everything that's coming next. i looove when @veryberryjelly does these events and here's my favourite one of these!!

this is smut and i feel weird recommending something smutty but its a really really well written thing so you need to read it if you like this type of thing

so i don't normally like to read series but i loooooved kiss with a fist by @theostrophywife!!! (sorry i can't find the og masterlist post in my likes to link it but you'll find it)

@patrophthia has some amaaaazing fics! love is sour grapes and take you to the basics and these plot bunnies and genuinely anything else by her! there's i think this fic set in the summer that i can't remember the name of. and the one based on "bewitched" by laufey! so good! and my favourite way of writing theo's character like ever

laughs in the courtyard is the cutest ever and i think one of the first fics i've read about theo?

these headcanons are straight out of my dreams!! often reread them just to have him more visualised in my head and some parts feel literally straight out of my brain

so i don't read angst almost at all, i like sweet and nice and happy things but moonlight & masks as well as mio, both in kind of the same vibe i just adore! i guess war angst i don't mind. especially when it's so good!

now this is kind of toxic and manipulative theo but i loooove control freak<3 i linked part two but obviously start with the first. both awesome

and last by not least @artytaeh is probably my favourite author here right now!! this masterlist has no misses only hits <3 you gotta read it all right now. again, this portrayal of theo and everything else is just perfect

okay thank youuuuuu for reading and i hope you read everything on this list because it's all fantastic! bye bye kiss kiss goodnight

[pandaspwnz]

just finished rewatching EXU: Calamity and once again cried so much. It really is one of the most masterful stories I've ever seen/heard, and absolutely the best actual play series ever done, bar none. I'm in such awe of Brennan's dm'ing skills, I adore Marisha's beautiful showing of emotions, I love seeing how much Sam and Travis love their children via how much they feel for these fictional ones, Luis' portrayal of Zerxus was so heartfelt and grounded, Lou always brings his whole soul into what he does and this was no exception, and Aabria being willing to make the difficult choices and how she shows Laerryn's dedication is just. Ugh. chefs kiss. Not to mention the group dynamics, the Aabria-Travis hype man squad, the Marisha-Lou/Marisha-Luis grabby shenanigans, how Sam and Aabria play the perfect divorcees, they're all just so fantastic and did such a good job, etc etc. I truly love Calamity so much, I can't believe it's a real show, I can't believe how fucking GOOD it is. Every single one of those people brought their A-game, but I really do especially have to call out Brennan Lee Mulligan. The way that man portrays people and humanity, how even in the end of things he speaks of the importance of hope, how he narrates and weaves the most beautiful tales and makes it so alive and tangible, how he knows exactly when to drop in some comedy amidst tragedy without detracting from it... he's simply fantastic. I'm in awe of them all!!

[chronically-ghosted]

i wonder if you stopped his world like you did mine

rating: teen

pairing: frankie morales x f!reader

word count: 5K

summary: watching the woman he loves be with someone else is killing him, but for your sake, he manages. But when Benny's birthday loosens him up, he can't help but bear his soul over a phone call. Too bad you don't pick up and he's forced to leave the evidence in a voicemail.

tags/warnings: pining, light angst, idiots in love, country music as a catalyst, romance, tw alcohol, tw drinking, hangovers, ultimately very fluffy

a/n: Happy Valentine's Day @toomanystoriessolittletime! I hope you receive and give all the love you need and want! I've had this idea for a while, but once I saw that Frankie was your fave, I knew I had to do it!

one day i’m gonna do the series of all of my favorite country songs with a Pedro boy. This is one of them: Singles You Up by Jordan Davis. Had thoughts of Me and My Kind by Cody Johnson for our ever-fantastic Jack Daniels and Hurricane by Luke Combs for Joel. One day, my loves, one day. 

🤍Masterlist | Frankie Morales Masterlist

Frankie Morales has a problem.

Given the life expectancy in his line of work – all things considered – it really wasn’t that bad of a problem. Sure, his knees were busted, his shoulder aches when it was cold out, and his ex keeps hounding him for money he doesn’t have. But on the flipside, his little family unit of friends and brothers united by combat are (mostly) all alive and healthy. He has a steady job and his little girl, whom he loves and adores, thinks the sun shines out of his ass. All things considered, there’s not much else he can ask for. He’s far better off than some of the men and women at Will’s talks, or in Santiago’s field teams. 

So – really, truly, seriously – all things considered . . .  he can’t classify this as a bad problem.

In fact, this is a problem he would willingly have. Gladly even. Not quite joyously, but if it’s a choice between this problem and not having the problem at all, he will choose having this consistent, thorny, kind-of-hurts-to-breathe-sometimes problem every single time.

And right now, it’s wearing a dress.

Uh, well, you’re wearing a dress. An off-white, hinging-on-cream, dress that sits above your knees, cuts flat and wide across your chest, and puffs out into cotton sleeves that remind him of those conchas his abuela used to make. Sweet, fluffy, and absolutely forbidden. 

Until the time is right, at least. His abuela always made him wait to eat until the time was right.

He calls it – you – a problem, when in fact, it’s the opposite of a problem. There is nothing he would ever want to change about the warm, engulfing feeling that starts somewhere in his stomach and rises like conchas up his spine until it’s somewhere in his ribs, then under his breastbone, right by his –

He would kill anyone who tried to take that feeling away from him. It’s when he feels most alive, most present, most out of his head – like these things in the dark and sleeping corners of his mind that nip and bite at him can’t find him. He’s thrown them off his scent in his search for you and, even for a brief moment, he can step into the light.

There is no problem, in how you look tonight, how you look every night, with your bright shining smile, sweet-smelling hair, cowboy boots, glass of whiskey – you had such a fantastic taste in –

Wait. 

That’s not whiskey. Not even a whiskey glass. 

That’s –

“White wine?” Benny yelps as he leans forward and his chair legs clatter against the concrete floor. “If that’s Moscato, I’m calling the cops because you’ve been replaced by an equally hot body double.”

You roll your eyes as you sit down and take a long drink from your glass, as if to make a point. Frankie’s eyes are drawn to where your dress hangs over your crossed legs, exposing the curve of your thigh. 

“It’s not fucking Moscato, Benjamin,” you say, eyes narrowed, completely side-stepping his compliment, like you always do. “It’s Chardonnay. Nick recognized the vineyard on the menu so he recommended it. Thought I’d give it a try, because I like trying something new, Benjamin.”

He rolls those beautiful blue eyes and leans forward towards you at the table, that grin that brings grown women to their knees plastered across his face. He knocks back his cowboy hat with a tap of his knuckle. 

“Well, excuse the fuck outta me.”

“The fuck outta you is excused.”

You tug his hat back down over his face, smirking back at him, just as Nick saunters over – with what looks to be a wine glass of his own. 

Okay, in hindsight, you’re not the problem. 

His real fucking problem is Nick. 

Your boyfriend. 

Frankie, who has decided to only drink beer around you since The Almost Incident, takes three long pulls so he doesn’t have to watch Nick and his stupid hands slide across your exposed back and sit down in Santi’s empty chair. 

“Happy Birthday, man, thanks for inviting me out.” Nick says briefly, raising his glass to Benny. “But I gotta say, I was a little worried when my girl here said your party was gonna be at a country dance hall. I’ve never been to one of these. I had to buy cowboy boots just for the occasion.”

He sticks his leg out, and rotates his gator-skin boot back and forth as if to illustrate how important to him this whole thing is. 

But Benny doesn’t look down, doesn’t approve the boots, or Nick’s attempt at fitting in. Instead, he just smirks, his smile growing fat and lazy, a bit of the warmth fading from his blue eyes.

“Your first time at a cowboy hoe-down? I had no idea.” 

Nick grins, because he doesn’t know Benny well enough to see the dig for what it is. But you do. You know him and you know he’s ragging on your boyfriend. You narrow your eyes and shame coats Frankie’s chest. Because he knows also Benny and he knows why he’s giving Nick such a hard time.

See, the problem isn’t you, or even your boyfriend – not really. 

Nick is actually a decent guy. He treats you right, if a little delicately, but he buys you drinks, takes you places Frankie could never afford, in a car Frankie could never ever afford. Sometimes, you’ll say something, or tell a story and it’s obvious Nick doesn’t really understand you or your jokes, but he smiles along anyway. He makes good money and supposedly he keeps in touch with his mom. Nick is the kind of guy any brother would want his sister to date.

So the problem isn’t that Nick is a bad boyfriend, but that he’s your boyfriend.

The problem that Frankie Morales has is that he is painfully, achingly, in love with you.

And he’s your friend.

Maybe that would change, if he ever could work up the guts to say something. For fuck’s sake, he’s killed people – asking you out can’t be that much worse (as Santi often reminds him). But if the guys you’re into are like Nick, or even Nick-adjacent, then what fucking chance does he have? He never thought money was important to you, but apparently it is and that’s something he definitely can’t give you.

Or maybe you like the stability of a high-paying job with fucking miraculous health-care. And that’s two things more he can’t offer: stability and health-care. 

So, maybe, maybe his problem isn’t with you or Nick or the fact that Nick is your boyfriend. It’s that he never could be. He, with one failed marriage already behind him and a coke rap sheet, has nothing to give you . . .

And you deserve the world.

You deserve more than he can offer you. You deserve better than him.

That’s his real fucking problem. And one he can't ever fix.

Will couldn’t get off work to come to this, so he owed Benny a beer and a nice steak dinner – according to Benny. Santi, despite absolutely swearing up and down for a week he wouldn’t be caught dead in cowboy boots and a hat, showed up tonight in full gear, belt-buckle included because he lost a bet with Benny over the Thursday night game. Santi, like everything else in his life, researched the hell out of the two teams, their past history, older statistics of both the players and the coach. He was confident, so confident, that he put his pride on the line. 

Never a good idea with Benny Miller. 

I don’t know, Benny said at the sports bar when his team was whooping Santi’s team’s ass, I just had a good feeling. Presumably, Santi did three shots before leaving and with another two in his system at the bar, all anger and frustration and embarrassment and inhibition had melted away and now Santi was doing what Santi did best, especially when drunk: dancing with beautiful women.

“The son of a bitch can dance, I’ll give him that. ” Benny muses as the three of you watch Santi, who despite having been taught the moves three minutes ago by two gorgeous blondes, complete a perfect line dance of Copperhead Road. 

“Oh, shit, I could never do that.” Nick shakes his head. “Not even after a hundred classes.”

“Ah, I find that hard to believe, Nicky Boy. You seem like a natural,” Benny smirks over the lip of his beer bottle. He finds Frankie’s eyes and winks. 

You are not amused. You glare at him over Nick’s shoulder for the second time tonight. 

“It’s really not that hard,” you smile tightly and squeeze Nick’s shoulder. “I can teach you.” 

“Oh, yeah, don’t you know your girl here?” Benny leans back in his chair, balancing against the rung of Nick’s chair by the ball of his foot. “She used to put all of us to shame. Dancing the night away, leading the crowd in line dancing. In fact, if I remember correctly, she and Frankie used to get into all sorts a-trouble on the dance floor. Isn’t that right, Frankie?”

Now he drew a glare from you and Frankie. 

Don’t, man, just don’t. 

Benny shrugs, swallowing his smirk with another sip of beer, hands raised. Just trying to help out. 

Over the speakers, the song winds to a close and the crowd does their final spin. Across the dance floor, Santi bows, his hat sweeping the floor, to both of the girls who giggle like high schoolers. 

“I’m gonna go get Boot Scootin’ Boogie over there some water before he up-chucks all over those nice ladies.” Benny stands and fixes his hat. “You guys want anything?”

Frankie shakes his head, his own hat that Benny insisted he wear, making the line of sweat across his forehead itch. You and Nick decline as well. You’ve barely even touched your drink, Frankie notes with a certain level of satisfaction. 

As Benny walks towards the bar, the next song starts up and you let out a squeal. Bring on The Good Times has been one of your favorite songs since college. And Frankie should know – he introduced it to you. 

“This one is the best! A classic!” You grab Nick’s forearm, but he almost immediately pulls it back. 

“Ah, babe, my first line dance is not gonna be in front of strangers! I’ll embarrass you and me. Why don’t you ask Frankie?”

Fuck, why could Nick just be a raging, flaming asshole? This would be so much fucking easier. 

Frankie swallows his beer empty, an excuse for a refill prepped. He hates cowboy hats, but he’d fucking set fire to the sky for Benny – he just hopes he immolates himself in the process. The giant brim makes him feel like he’s got a neon sign over his head that blinks, I Am A Giant Dork. Only further proven if he gets anywhere near that dance floor with his two left feet. 

Your eyes are unreadable as he tries to coax your boyfriend into taking you dancing.

“Nah, man, you got this. Your girl’s a great teacher.” By some cowboy miracle, his voice is steady as he says those two words. On the table, your fingers curl in, your wine glass still untouched.

Nick makes a face, eyes flitting back and forth to the dancers as they start the dance.

“My feet are already killing me in these new boots. Besides, this isn’t really my song.”

Over his shoulder, you find Frankie’s eyes. He knows that look on you – he knows everything about you – and you’re trying to hide how hurt you are.

He’s on his feet before he knows what he’s doing.

You and Nick stare up at him, surprised by how he practically bounded to his feet. 

The sweat at the ring of his hat runs down the back of his neck. Frankie does the only thing halfway-normal and extends his hand.

“Alright, princesa, I’ll fill out your dance card.”

He doesn’t care, or even really register, the darkly confused frown Nick sends him when you stand up, take his hand, and smile at him. He feels warm all the way up to his chest. 

“Thanks, Frankie. Let’s boogie.” 

That was a mistake.

This whole fucking night is a mistake. God help him, he loves Benny like a brother but he should have just said no and promised to take him out later like Will. He would have bought Benny any drink, any ridiculous chicken wing plate he wanted if Frankie didn’t have to be here, right now. 

Because right now, right now, that wall of self-control that he uses to stem the reservoir, to stem the flow of whatever you cause to pour out of him, it’s leaking. It’s busted holes and now he’s drenched with it – with the scent of you, with the memory of hair down the length of your neck, the heat of your skin overworked and flushed, the sweet taste of your breath in his mouth when you leaned forward, into his space, his senses, and whispered,

“C’mon, Frankie, you’re a better dancer than this.”

But in his defense, he couldn’t feel his feet, much less make them move when he watched you with your skirt rucked up high in your fists, your cowboy boots kicking like fish in a stream, and that smile – that fucking smile – brighter and sweeter than all the whiskey in the world. 

C’mon, Frankie, you’re a better dancer than this

C’mon, Frankie, you’re better than this.

C’mon, Frankie, tell me you love me.

Kiss me, Frankie. Kiss me now.

His restraint, his resolve that he will never, ever have you – he can feel it throb beneath his palms. Shudder and wobble under the thundering of his heart. It’s so close to breaking. Too close. This is why he doesn’t drink anything harder than beer around you. This is why he rarely drinks around you at all. 

When Nick finally calls it a night because he’s already got a blister from the new boots, you don’t put up much of a fight. You’ve danced with Benny, you’ve danced with Santi and his gaggle of girls, Nick himself went up for a slow dance or two.

Frankie only ever asked for one. 

He knows he disappointed you, has been disappointing you because you can feel him layering you away, brick by brick by brick. One of his oldest and longest friends, barely visible now, and he’s going over it with caulk to make sure you can’t touch this fragile, weak, emaciated thing he calls a heart. 

The instant you walk out of the bar, Nick’s arm across your tense shoulders, he all but rushes for the bar. 

“Six tequila shots, please.”

You wake up where you went to sleep: curled up on your couch, your giant Florida Gators blanket wrapped around you like a mentally-supportive straight-jacket, with Golden Girls reruns on the TV. The empty bottle of 19 Crimes explains the sticky, dry feeling in your mouth and the thundering headache accompanying swollen eyes and cheeks. You’d rather get hit by a train than have to move out of this position, but Nick has always been punctual.

Which, you assume, extends to picking up his stuff from your apartment first thing in the morning, his final threat that ended your conversation last night. 

The sooner, the better, you mother fucker. 

You blindly grab around for your phone, knowing that it’s most likely shoved into the deepest cracks of your couch, hoping against hope Panera delivers on a Saturday morning. There’s a distinct possibility you might start swinging if Nick shows up before you get a baguette and a coffee into your system. 

The things he said about Benny and Santi last night on the drive home. This break up was a long time coming, but fuck, if this is what he’d been sitting on about your friends, what the fuck did he actually think of you? 

And the things he implied about Frankie – how Frankie was in love with you and you were willingly not seeing it – ridiculous.

You fight the rancid taste of hope that anything Nick implied about Frankie might even remotely be true when you close your fingers around the shape of your phone at the far end of the couch. 

22%

Just enough to order then yeet this fucking thing into another room because there is no way in hell you are answering Nick’s calls.

But, as you scroll through your notifications, maybe you should have answered Frankie’s.

He had called sporadically, starting about two hours after you and Nick had left the dance hall, all the way until four in the morning. 

One text at 1AM: com e hang out wit us.i mis s you u 

You smile, despite the obviously drunken text. Frankie rarely texted, only if it was dire need – and apparently, you continuing to party with the boys at 1AM was very, very dire. Judging by the eight missed calls.

Eight missed calls, but only one voicemail. 

Like you’re about to settle down for some good TikTok scrolling, you lean back into the pillows, rubbing your eyes to clear the hazy fog, and press play. 

First, there’s noise. Lots of it. Country music and people laughing and singing. Clearly still at the dance hall. You wish for a minute it is a video instead because you’d pay hand over fist to see those guys falling all over each other.

But then comes Santi. Over the years, you’d picked up some Spanish here and there, mostly enough not to embarrass yourself if you ever went to Miami. 

But whatever Santi is saying, you’re not entirely sure it is Spanish, or any human language. 

“Comotuamiga, teruegoqueselodigas porfavornopuedo hacerestopormucho mástiempo. Estaríasmásfeliz y ellaestaríamásfeliz. Nomemiresasí, sabesqueloúnico quequiereesqu labeses y la beses y luegohagasotrascosas – ¡Estúpido! ¿La llamaste?”

There’s a shuffling, hushed voices, the music still far too loud to make anything out.

“Déjame en paz, dude.” Frankie. Frankie, very very very drunk. “I’m gonna – I’m gonna say – voy a decirle. Ella lo sabrá. She’ll get it. I know–,”

“Then say something now because you’re leaving a voicemail!”

“Ah, mierda – um, baby?”

In two words and two filler words, Frankie’s whole demeanor changes. You can almost picture him curled around the phone, his hand cradling the phone to his ear as he rests his head against a wall. 

“Baby, listen – fuck, sorry, I’m starting all wrong. I shouldn’t even call you that – I shouldn’t call you ‘baby’ because you’re not mine. You’re not my baby or anyone else’s because you’re so fucking independent and I love that about you but I wish you were. Mine, I mean. Not a baby.”

You don’t even remember sitting up, but your feet are on the ground. You’ve dropped the phone onto the table in front of you, staring at it as if it’s been dripping poison into your ear. Your heart is pounding. 

There’s silence from Frankie for a second, the music still loud, but it’s dampened. You can hear Frankie breathing, swallow, and start again.

“You looked so fuckin’ good tonight. You look good every night but fuck, baby, that dress. I couldn’t take my eyes off you. Even for a second . . . he doesn’t tell you that you look so fucking good enough, you know? You should hear it all the time. I wanna tell you – tell you all the time – he didn’t say it once. Not once and that’s a fucking crime. He makes you drink white wine when I know you fucking hate it – I know you, baby. I know you more than I know myself because you’re all I fucking think about. You’re in here, all the time, all up in my chest, my throat, my gut – and you can have it. You can have it. You can have all of me, if you just . . .”

His voice breaks and your fingers clench around the edge of the cushion. 

“If you just . . . look, I know this is so fucking outta line and I wanna say it to your face and I’m gonna but . . . when that fuckin’ moron forgets how good he has it, I’m gonna be there. Gonna be right there. Because –,”

And then like someone shoved a speaker right up against Frankie’s phone, as clear as day, you hear Benny yell:

“IF HE AIN’T HOLDING YOU TIGHT, IF HE AIN’T TREATIN’ YOU RIGHT, I’MA BE THE FIRST ONE CALLIN’ HIM CRAAAZY–,”

“Benny, fuck off!”

And then the call drops, along with it your stomach. In fact, it slides out of your body, slouches off the couch and melts into the floor.

Oh, Frankie, do you even mean a word of it?

The hangover rubbing your nerves raw, tears spring into your eyes, the silence and fear and terrible hope tightening like a band around your head and infinitely increasing the pressure in your temples. You want to cry but your eyes already feel too puffy. 

You’re stuck, frozen by every single possible outcome or single next step spinning out like chaotic webbing you can easily catch yourself on. 

This was a mistake, it had to be. He didn’t mean to call your phone. He had accidentally called you when he meant to call another girl . . . also with a boyfriend named Nick. Frankie, sweet Frankie, who you’ve all but outright begged to take an interest in you – said it with your eyes hundreds of times – Frankie couldn’t actually have feelings for you.

Not like you had for him. Not like the ones you’ve slowly plucked out of your ribs over the years because god, even just looking at him seared a scar across your heart. 

Fuck. Fuck!

You snatch up your phone, wiping your teary eyes and frantically hoping he might have said a name or anything – he couldn’t possibly have meant you – when three loud bangs on your front door sends your phone into the air and your heart into your throat.

The way he calls your name is frantic, verging on hysterical. In a daze, you glance at the clock. 9:04. Frankie’s had about four hours of sleep, if any at all.

“Please, open the door! We gotta talk – there’s something – there’s something on your phone you shouldn’t hear – please, baby, open up –,”

You stare at the phone on your floor. 

Don’t they always say you can’t tell the moments that irrevocably change your life until after they’re gone?

Not this time.

You open the door and either way, everything changes. 

“C’mon, please, let me explain.” His voice has quieted, no longer shaking, softer as though wounded. “Just five minutes and I’m gone. I swear. We can forget the whole thing –,”

You open the door to a hungover Frankie Morales, still in the same outfit you saw him last in, but his eyes are rimmed with black circles, his patchy beard even more patchy as if he had rubbed the bristle clean off. He reeks of beer, peanuts, and cigarette smoke. His shirt is loose, wrinkled, his belt isn’t even on all the way, and he’s the most beautiful thing you’ve ever seen.

“What if I don’t want to forget it, Frankie?”

You see the realization strike him through the eyes, the throat, the chest, his gut, his brown eyes swimming with shame and horror. He leans over as if kicked and presses a hand against your doorway. His thumb rubs the corner and he swallows.

“So you listened to it already?”

“Yeah, I did.” He closes his eyes briefly, hanging his head, every apology in every language he knows sitting right behind his teeth. “But did you hear what I said?”

He frowns at you through those thick eyebrows. “What?”

“When I opened the door, did you hear what I said?”

“You said –,” that beautiful bottom lip parts from its sensual top and Frankie blinks at you. The oily blackness of shame has evaporated from his eyes, but that stormy fear rages on. 

You inhale, breath getting caught on every knot in your spine, and step back.

“We need to talk.” 

He glances once over his shoulder, as if taking in the hallway to your apartment for the last time, and he steps inside. Immediately his height and broadness fill out every empty space in your tiny living room and you’re launched back into the memory of when the boys came over for Christmas and there was hardly enough room for anyone, but somehow you all made it work and after four rounds of DDR, everyone was so tired and drunk, you passed out pillows and blankets and you spent your first adult Christmas at what could have been mistaken for a thirteen year old’s slumber party. It was one of the happiest times of your life.

His thick fingers clench and unclench when Frankie spies your phone on the floor, like a bomb waiting to go off. 

Your brain struggles to default to hostess mode because you can’t think of anything to say.

Do you want coffee?

Do you want some cereal? 

Do you want to– 

“Tell me what happened last night.” You surprise yourself, Frankie, and your whirring brain by cutting right to it. As with the first question when you opened the door to him, there’s something inside of you that has taken on wings, spread them wide, and threatens to soar out of your body. Frankie’s here, he’s here, and he said he wants you –

He called you baby.

You breathe in, trying to scrape up some courage from the bottom of your lungs, wishing in the back of your mind under everything else that you’d chosen literally anything else to go to bed in than your Tweedie Bird shirt from Six Flags. 

“I don’t understand, Frankie. Please help me understand.” 

With a monumental sigh, he rubs his wide hand across his face and up into his hair, his other hand lifting his cap up off his head so his fingers can dig into his curls. It’s only then that you realize Benny’s cowboy hat he wore last night is gone and his tried and true Standard Oil ball cap is back. Meaning he must have gone home at some point. When did he realize (or remember) that he’d left you that voicemail? 

“I’m gonna get my ass kicked,” he murmurs, eyes darting like a fox to your bedroom door. “Maybe that’s exactly what I deserve.”

“He’s not here.” This great thing arcs between you, the emptiness a presence and clarity all at the same time. 

“What do you mean? Where is he?”

“We broke up.”

“When? Why?”

“Last night, after we left the bar. We got into an argument. He doesn’t like the way . . .”

Frankie – physically, mentally, emotionally, fundamentally – overwhelms you. He’s across the room in an instant, closer than you think he’s ever been before. But maybe this is the first and only time you’ve ever allowed yourself to enjoy it. Revel in his closeness and let this caged feeling in your chest break free. You touch his chest with the flat of your palm, the size of it, the breadth of him, staggering. You literally feel weak at the knees. 

“He doesn’t like the way what?” His voice luxuriates in his throat – warm, deep. He sounds like what you imagine a hot spring feels like against your skin.

“He didn’t like the way I looked at you.” Your fingers make circles where they did into his shirt. His hands have found their way, after all this time, to your waist. “The way I always look at you, Frankie.”

His breath, subsequent to the ghost of his lips, across your forehead is so gentle it makes you close your eyes, to block out one sense to encourage another. 

You feel him swallow even though he’s a foot away from you.

“Why –,” he stops, and starts again, just like on the phone call, “why do you look at me . . . when you have him?”

“Oh, Frankie.” His grip on your waist tightens as if you’re about to disappear forever. “I took him because I can’t have you.” 

You blame the tears on the hangover, the headache, and the way he takes your chin between his thumb and knuckle. 

Grateful.

He’s looking at you, eyes soft, mouth curved into a disbelieving smile, with gratitude. 

“He’s the furthest thing from you because I tried to get you out of my system – I did – I promise. I can’t lose our friendship, Frankie, but it’s killing me . . . not having you. Nick said it was obvious the way I felt about you and that was a problem for our relationship, so he tried to make me choose between you and him and every time, without a doubt, I’ll always choose–,”

This is the right time, he supposes. 

Hand over your cheek, he holds you still in silence to press his mouth to yours. The final word of your sentence dies on his tongue, muffled by a soft groan of surprise. Your breath is terrible, your skin is oily and damp, he knows he stinks like the bottom of a wet bar, but he can’t find himself to care. Your mouth opens to take him and the hand on your cheek sinks to your neck as you both move past the initial shock of I’m finally getting to do this and you’re not pulling away and into an actual, proper, deep kiss that sends sparks into his toes. Your tongue marks the bottom of his mouth, your arms going around his neck like you want more – you need more – and Frankie pulls back.

Not only because he’s slightly dizzy but because he a) won’t fuck you for the first time on your living room floor and b) absolutely will not do it hungover. 

“Breakfast. Do you like . . . uhm, breakfast?” He can’t quite focus on a single spot on your face, eyes half-lidded and gaze blurred.

You giggle, letting his beard tickle your nose as you sneak your face into his neck. He sways a bit with you, his arms around your back, and you don’t think he’s even realizing what he’s doing.

“Yes, Frankie. I like breakfast. I eat it almost every day, in fact.”

He grunts, neck suddenly flushed, embarrassed. “Sorry, I mean –,”

“I know what you mean, baby.” You lean back and run your fingers through the thatch of curls at the back of his neck. Both of you are so grimy but you can’t care. “I’d love breakfast.”

Frankie smiles his Frankie smile and the thing in your chest is illuminated in gold. 

“How do you feel about conchas?” 

Translations:

Como tu amiga, te ruego que se lo digas. Por favor, no puedo hacer esto por mucho más tiempo. Estarías más feliz y ella estaría más feliz. No me mires así, sabes que lo único que quiere es que la beses y la beses y luego hagas otras cosas. = As your friend, I beg you to tell her. Please, I can't do this for much longer. You would be happier and she would be happier. Don't look at me like that, you know all she wants is for you to kiss her and kiss her and then do other things.

¡Estúpido! ¿La llamaste? = Idiot! Did you call her?

Déjame en paz. Voy a decirle. Ella lo sabrá. = Leave me alone. I am going to tell her. She will know.

[blluespirit]

Overall NATLA Thoughts

Okay, now that I've watched the series, I can give my thoughts.

Overall, I thought it was good!!! I had fun watching it! I'd rate it a solid 6.5/10. It's nowhere as good as the original, but it was definitely enjoyable and made some nice changes here and there that I liked. There were also some things I was also Not a fan of too.

I said in another post that it's best to treat this like an AU of the original. There will things that are great and things that are bad. That's the nature of adapting something.

Having said that, I need to get my initial thoughts off my chest... here we go.

Things I thought were good:

Sokka's characterisation - I really enjoyed him! I thought Ian did a good job! He played the funny moments well and retained the underlying seriousness/cautiousness. It wasn't perfect, but I enjoyed the changes a lot and think it was overall a solid performance.

Zuko's characterisation - Like Sokka, I do think I was most satisfied with their performances. A lot of Zuko's moments from the cartoon are sometimes... well, cartoonish and definitely wouldn't translate to live action, but I think Dallas did a nice job at balancing Zuko's desperate anger and that occasional sassiness well.

Zuko and Iroh moments were great. Had me on the floor crying. As it should have.

The bending looks a trillion times better than the movie - I understand it would not have been easy for the actors but, overall, I was very happy about it.

The scenery was stunning. It just looked so beautiful. I loved it so much.

Absolutely ADORE that they made Zuko a good calligrapher and artist. I read a fic about a million years ago where Zuko is a fantastic calligrapher and I thought it was perfect and made so much sense, and now I can say it's canon. This is perfect for me.

S U K I

The Freedom Fighters were ✨ perfect

They were so real for making Oma and Shu lesbians

Koh, Wan Shi Tong and Hei Bai looked fantastic, but I have more to say about all of them below, unfortunately.

I actually like the change they made that Katara is Aang's sole waterbending teacher.

Aang is not perfect, and needed more goofy scenes HOWEVER, I did like how they've had Aang's guilt more prominent in the story. The original didn't do a very good job with that, imo.

Zuko entering is breaking and entering era by breaking into an impenetrable Earth Kingdom prison is just perfect.

In Masks, I like how Aang and Zuko got a longer conversation - that was pretty cute.

I liked how they changed Yue a bit and got her out of the arranged marriage... how Yue saw Sokka in the Spirit World before meeting him in the real world.

Things I didn't like:

Far too much info-dumping/exposition. So much spelling things out. It was not as egregious as the movie, and I get there's a lot of information that needs to be conveyed well and quickly... but sometimes it really took me out of the show.

Why are Mai and Ty Lee here.... I was hoping the live action would give them a bit more depth (and they might as it goes forward!), but why put them in season 1 at all if they're just going to stand around???

Some odd changes - putting this as one point, but there are some bizarre changes that didn't make sense to me, as they did not benefit the story or deepen the characters. I have two main examples: a) making it so Aang didn't run away from home, and b) making it so Zuko actually fights Ozai in the Agni Kai.

Characterisation of Katara was Not Great. I don't think I got many hints of the reckless, compassionate, badass Katara until the end when she fights Pakku and rallies all the women together to fight (which happens off-screen). She was sweet and kind, but she just lacked the fire that OG Katara has.

Azula's characterisation - Azula is desperate to impress Ozai and so her character is just…. brewing with anger, frustration, desperation. I was SO excited to see the Azula we are introduced too… perpetually and irritatingly calm, calculating and ruthless. She's perfect, she's terrifying! She's literally the character of all time. But this Azula had more Zuko vibes? I don't think there's anything wrong with giving Azula more concrete motivation by wanting to impress Ozai and establishing that Ozai is abusive to both his kids, but I do think trying to do that right off the bat is a mistake.

WHY is Wan Shi Tong here. I love Wan Shi Tong, but like I said: Why Is He Here? Why could we not have his iconic, ominous as fuck introduction from The Library, and instead he's introduced in a random season 1 episode giving Aang Information(tm) about the Spirit World.

When Aang gave Koh the statue, and then he just takes it and immediately lets all the villages go, and neither of them even say anything, I actually laughed out loud. Like, I am so sorry, but what in the jesus fuck was that.

Speaking of Koh - I think Koh is better the less we know about him. Roku saying ~all Koh wants is a family like the rest of us~ just pissed me off?? I like my Koh the Face Stealer Terrifying and Unknowable, thank you.

NOTHING EVER REALLY HAPPENS WITH HEI BAI!!?? where's my precious spirit bear?? Like Aang never really does anything with him and the replacement Koh story is boring and it sucks.

Bumi.... sorry I just didn't vibe with him at all.

Things I can't decide on:

Fancy spirit knife to kill the moon spirit annoyed me a bit, but I guess they wanted to Kuruk something to work with and a little bit more interaction with Aang which I get but idk. I really flip/flop on this one.

I've been very on the fence about having Azula (and Ozai) being in the show in season 1 in general. I'm not sure if it benefited either of their characters.

Azula & Ozai's dynamic - Okay, so, I think they're trying to give Azula more depth, right? They're trying to establish what it was like for Azula to live with Ozai and that she's also (like Zuko) trying to desperately prove herself to him, but Ozai using Zuko's... achievements to do that just felt so weird. I get he's doing it to manipulate her, but that just felt so wrong when in canon it's very obvious that Ozai just didn't give a single fuck about Zuko. Ozai pits Azula against Zuko by saying he's a failure, he's a bad bender etc. Azula is born lucky, Zuko is lucky to be born - like, Ozai says that to Zuko's face. I don't know if I am communicating this point very well, but it just didn't seem right to me??

Zuko vs Zhao in the Siege of the North... I genuinely do not know how to feel about it! I didn't love it, I didn't hate it. I don't know how to feel about Zhao telling Zuko that his mission is a sham and that Azula is the prized one... It feels like it's saying the quiet part out loud? In the OG we all know that Ozai sending Zuko on that mission was an excuse to get rid of him, but we can work that out, no one actually says it. And then Iroh just fucking killing him/mortally wounding him instead of the Iconic scene where Zuko reaches out to save him despite everything Zhao has done to him, but Zhao's own pride gets in the way from letting him accept help from Zuko.

Zuko’s crew being the 41st is not necessarily a bad thing at all!!! But I do just want to say that in the original, the attack goes ahead, and presumably, those soldiers die. It’s horrible. Zuko’s sacrifice is in vain, and it was always going to be in vain because the Fire Nation as it stands would not allow Zuko's compassion to win. Ozai would not allow it. While not necessarily a bad choice (all the soldiers bowing to Zuko on the boat was so sweet I loved it!) but I think it does take away some of the horror of Zuko’s story (same as it does with making Zuko fight back in my opinion) because the whole point is that Zuko did the right thing - and he was punished for it, and those soldiers died anyway.

anyway...

Okay!! got that off my chest. I know I just had a big whine here, but I still had a lot of fun watching this show. I think some of the backlash is a bit over the top and unwarranted. It was never going to stand up to the original - and that's okay.

Enjoy it for what it is!

[neil-gaiman]

Hi Mr Gaiman🥹

First of all thank you so much for this fantastic second season, I'm literally speechless but so thankful for your job😭

Second of all, to help the series get a season 3, would it count favorably if one person watches it an insanely amount of times or would it only count if its different people? (Because if it's the 1st one my Prime account is gonna be BURNED)

Thank u so much for this absolutely jewel, we adore you❤️

I believe minutes watched are minutes watched. Different people is a separate statistic that's probably less important.