“why do we slumber?” - post honkai star rail 2.2 story analysis
HELLO HI HI HI!! my name is aster, and i normally don’t make analysis posts, actually, but penacony’s 2.2 story was so interesting to me that i had to make a post, in particular about order vs. harmony and what we can take away from this message. this is a short analysis but if i ever have anything to add i’ll reblog it!
i’m an artist in many forms, and the music motifs in particular stood out to me during the boss fight, so that’s what i’ll be focusing on, as being an artist in these trying times can be very strenuous 😭 likes and reblogs always appreciated!
please take this whole analysis with ten cups of salt, i ended up skipping a lot of the dialogue in this quest b/c i spaced out really badly, so if i interpreted anything wrong, lmk please!
without further ado, let’s begin!
(spoilers for hsr 2.2 trailblaze quests below the cut)
i. Harmony vs. Order (wait, what’s the difference?)
just to make it clear, i wanted to talk about the differences between Xipe and Ena. i don’t remember if they talked about this in the quest! so i’m going to yap!
Harmony by definition is notes arranged to sound nice in chords. When applied as a path, the “notes” are people, and the “sound” is humanity creating connections and peace between one another. The harmonious interactions between people, if you will.
Order achieves mainly the same thing, and is why it was eventually assimilated into Harmony, but the biggest difference in my eyes is how the “harmony” is achieved. With Harmony, it’s organic connections. People getting along of their own will and agency. This is kind of reflected in how Robin previously did outreach to other planets, almost like a religious missionary - serving others and spreading the word of her own accord.
The harmony achieved by order, however, feels more constricted. When you interact with the NPCs who are already in the order’s dreamscape, their state is always “Satisfied”, but they’re robotic and soulless, almost. The “Harmonious Choir” boss wields a baton, the tool conductors use to command music ensembles. Herta describes Ena as “a control freak.” The Order is all managed by one entity, and in Penacony’s case, Sunday. But even so, Sunday and Robin were raised by the Order. It’s a cycle.
And even though both essentially achieve the same thing, one of them feels much more righteous and moral in our anime protagonist eyes, and spoiler alert: it’s not the Order. Why?
ii. Sunday’s Philosophy (and how it pertains to artists)
Sunday’s whole reasoning as to why he wants to trap the universe in a dream is b/c he believes it’s less painful than the real world. Robin and the trailblaze believe people should have the choice to live in reality. Their conflict is still an extension of Order vs. Harmony. Free will vs. One safe option. The bird in the cage.
Set the bird free, where it will inevitably die, or nurture it in a confined cage? If you’re like me, when I got asked this question during the gameshow, I was very very very conflicted. I asked March, Himeko, and Firefly for their opinions and still didn’t have a complete answer. I ended up picking “Set the bird free” because, well, Trailblazer is essentially an anime protagonist, and that’s what my idealist heart wanted to pick, but….
I still pondered that question for a long time after.
“Why does life slumber?” is the question that we are asked throughout the quest, but it is only at the end of the fight that we have an answer:
Sunday: Why does life slumber?
(Trailblazer): Because... someday...
(Trailblazer): We will wake from our dreams!
And aside from protagonist reasons, I’ve come up with an interpretation of this response that makes sense, at least in my mind. It’s still important to indulge in our fantasies and dream, but eventually we have to wake up and make the choice to get out of bed, make the choice to continue forward, and that holds more value than hiding from our problems in the Dreamscape. And this is also an extension of Order vs. Harmony, and the reason why Xipe triumphed over Ena.
but taking it from an artist’s perspective:
As someone who creates art, it’s always our goal to make art as perfect as possible. We want our works to be as good as they can be, perfect like the Dreamscape. Obviously, that’s not possible, and it’s always discouraging to not create at the caliber you want. But art is meant to be imperfect, and I’ll talk about that in the next segment.
iii. Penacony’s First and Last Disharmony
When Robin brings her song and the Astral Express into the boss fight, Welt says this: “Penacony’s first, and last, disharmony.” (fun fact, this was the quote that basically prompted this whole analysis! thanks welt!!) Robin’s voice is absolutely beautiful, so why is it referred to as “disharmony”?!?!?!?!?
First, the goals of the Trailblazers (and everyone else on their side, whom i’m collectively calling trailblazers) is to destroy the Dreamscape and let everyone return to reality. This means that everyone who was blissfully ignoring their problems suddenly has to awake from their dreams and face their issues head-on instead of ignoring them, disrupting the “harmony” Sunday created.
Music will always be imperfect in the hands of humans, and it’s exactly why music is able to connect with people, because everyone can see parts of themselves and their humanity in the music. It’s something powerful that so many people can connect with, just like how Robin has so many fans across the universe, and just like the Harmony itself.
If you’ve ever played an instrument and you’ve taken lessons, your teacher will likely make you listen to the piece you’re playing. the more advanced the piece (concertos, etc) the more recordings there will probably be. Even when just comparing 2 performances, there are already so many differences, but they’re both the same piece, and both recordings are probably really good. Different interpretations, but both contribute to the piece you play.
Especially as we live in a time of AI where computers are creating more and more “art” it’s important to know that humanity will always reign supreme over soulless works. Because AI art might look pretty and might sound passable, but it will never carry the soul and meaning of human work, and that is the most important thing. Because when people create music, they put parts of themselves into it.
TL;DR: Art is imperfect and human and that’s what makes it so valuable, and that’s why Harmony will always triumph.
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while the city sleeps
ive been thinking about delilah a lot lately (shocking, i know) so when my friends were discussing what their ocs’ companion quests would be like, i decided to write one for her!! for story purposes, the player character here is a male sole survivor named nate. this quest must be completed before delilah can be recruited
2.7k-ish words
you can read this as a make-your-own adventure/quest or just as a story :3
To begin this quest, Nate must enter the Third Rail bar in Goodneighbor between 10pm – 4am. Delilah will be behind the bar, tending to the drifters seated there. When Nate initiates dialogue with Delilah, she will ask if he’d like anything to drink. He answers however he chooses, then asks if she’s heard any gossip or has any work for him, since bartenders have a reputation for knowing these things. Lilah does, of course, and will send him to run a few errands for various Goodneighbor residents. Once he has successfully completely a few of these errands and shown that he can be trusted, Lilah will give him a job that is personal to her.
Her husband, a man named Marowski, had been acting strangely. He’d been keeping things from her, going out at night or coming home late, and just generally acting seedy. Then, a few days before, he hadn’t returned home at all. She requests Nate’s help to uncover whatever shady business is taking place in Goodneighbor and find Marowski. If Nate agrees, Delilah will stress that she is very worried about Morowski and just wants him to stay out of trouble. “Please,” she will beg quietly, “bring him home safe.”
Nate must then question the residents of Goodneighbor, noir detective style. If he leads the conversation by asking about Marowski or his whereabouts, the residents will clam up and give no further information. If he leads by asking about shady business in Goodneighbor, the residents will give a response such as, “Ha! Which one?” Nate can continue asking about shady operations in the town until the residents mention “Marowski’s chem operation,” but they will once again clam up if Nate continues to pursue this line of questioning. One resident will direct Nate to Irma at the Memory Den, who will direct him to Daisy at Daisy’s Discounts, who will direct him to Fred Allen at the Hotel Rexford. For a price (and a guarantee that Delilah will not learn who gave Nate this information), Fred will inform him that Marowski was not only involved in Goodneighbor’s largest underground chem operation, he was in charge of it. The kingpin. Hell, he owned half of Goodneighbor, including the Rexford itself. However, Fred will also inform Nate that Marowski has not been seen in a few days and the door to his office is locked from the inside. Fred will point Nate toward the office and, if Nate successfully picks the lock, he will find Marowski’s body on the floor.
When Nate returns to Delilah, he must choose to tell her one of four things. From 1-4, each option is a more difficult speech check:
The truth: he uncovered the chem operation that Marowski was leading. The pressure of the organization became too much, and Nate found him dead in his office.
He uncovered the chem operation, and Marowski was involved. He was a grunt chem peddler, and he is dead. (yellow)
He uncovered the chem operation, but it seemed separate from Marowski’s disappearance. Perhaps he just ran away?
He did not find anything, but he wishes her well in trying to find her husband. Perhaps he just ran away?
Delilah is very perceptive. Unbeknownst to Nate, each option carries negative affinity weight. Even if he passes the speech check(s), he will lose affinity proportionate to each option’s amount of untruth. 1, as it is the truth, will not affect affinity. If he fails the speech check, the lost affinity will double.
If Nate passes the speech check for 3 or 4, Delilah will accept this answer and thank him for trying. She will then become unrecruitable.
If Nate passes the speech check for 2 or tells the truth, she will thank him thoroughly before giving him the next piece of the quest. If he fails any speech check, she will frown and scoff at him, inform him that she does not believe him, then give him the next piece of the quest.
Delilah will beg Nate to find out what happened to Marowski. If she was not told that he is dead, she will ask Nate to find him. If she is told about his death, she will ask Nate to find out who killed him. She will be crying when she asks this, and Nate can accept or decline. If he accepts, Delilah will give him an unmarked, unplayable holotape that she believes may help. She will tell Nate that Marowski kept it in his sock drawer, and she found it when she was looking for clues as to where he might have gone.
Nate must return to the Rexford and examine the body. He will find that Marowski was shot in the head, and that there is a 10mm on the floor of his office near his right hand. If Nate successfully hacks the terminal on Marowski’s desk, he will find terminal entries with logs of his chem operations, lists of his active runners and Triggermen, and a journal. If he reads the journal entry, he will find five entries locked behind a password. The entries can be unlocked by loading the unmarked holotape into the terminal.
The sixth, most recent entry is a suicide note. The pressure of the chem operation, alongside the ring’s copious amounts of debt that will never be repaid by their customers, was too much for Marowski to juggle. Suicide was the only way he could keep Delilah safe. He wanted to keep her away from his debt and out of the dark corners of his chem operation. The note ends with an apology and an expression of love to Delilah. This discovery prompts Nate to return to Delilah (optional) with this answer if he is satisfied with it.
The other entries, however, contain more information for Nate to uncover if he so chooses. The fifth entry is corrupt and will not open. The fourth details how Marowski’s tentative deal with Bobby No-Nose to get them out of debt had gone awry, and he had been fending off her goons for the week-or-so before his death. He stressed that it was of utmost importance that he stay away from the Third Rail to keep them away from Delilah, who did not deserve to be put in danger because of his bad decisions. The third covers Marowski’s excitement about Delilah. He had been in love with her since he set eyes on her in the Third Rail, and now, she’d fallen in love with him, too. They had just moved in together at the Rexford, which was going to make it harder to keep her out of the line of fire, but it was worth it.
The second entry is corrupt and will not open. The first entry logs Marowski’s concern about his dwindling Triggermen numbers. He started noticing that he would send his men out on runs to acquire or deliver chems, but they would not return. His pool of runners was getting shallower and shallower, yet he had not noticed more people fiending for his chems. Everyone in Goodneighbor seemed perfectly drugged up and satisfied, which struck him as strange – who were they getting their fix from if not from his men? This was not good for his numbers.
After reading these entries, Nate will have three quest goals:
(Optional) Return to Delilah
(Optional) Speak to Bobby No-Nose
Find out what happened to Marowski
Return to Delilah
If Nate returns to Delilah and informs her that Marowski did, in fact, kill himself and present her with his suicide note, she will become inconsolable. “I didn’t want to believe you,” she will cry, “but you’re right.” She will tell Nate all of the red flags/shady things Marowski did that now makes her believe that he was involved with the drug ring. She will thank Nate for his help, give him 500 caps, and send him on his way. Delilah will then become unrecruitable.
Speak to Bobby No-Nose
Nate may continue to investigate based on Marowski’s entry re: fending off Bobby’s goons after a deal gone wrong. When he speaks to her about it, she will tell him about Marowski’s debt he owed to her and his evasiveness in paying it back. They made a deal about it once, but it went awry when one of Bobby’s men got too bold. Marowski continued to refuse to pay until his death. Still, Bobby maintains her and her men’s innocence. Yes, they were heckling him, but for his money; the dead don’t pay debts. If Nate asks Bobby where he can find another lead, she will flippantly tell him that if he wants information on Marowski, he should speak to Marowski’s men instead of hers.
Nate must then interrogate three Triggermen about their boss. The first will say that he knows nothing and inform Nate that he should stop sticking his nose where it doesn’t belong. The second will be “shocked” that Marowski is dead and ask Nate what happened, as if he wasn’t there to get information in the first place. The third will accuse Hancock, the mayor of Goodneighbor.
When Nate questions Hancock about Marowski, Hancock gets gruff and defensive. It’s clear that the mayor did not have a high opinion of the man, likely because Marowski’s power over the Goodneighbor residents threatened his own. He will be avoidant about answering Nate’s questions unless Nate mentions that he’s doing a favor for Delilah, in which case Hancock will be forthcoming with any information Nate needs to “help that poor thing.” With a sly smile, Hancock will tell Nate to “check with the Rexford’s front desk when Clair ain’t around,” whatever that means. The information is discoverable with or without this clue.
After speaking with Hancock, Nate will have four quest goals:
(Optional) Return to Delilah [will trigger same interaction as above]
(Optional) Investigate the Hotel Rexford
(Optional) Accuse the suspect
Find out what happened to Marowski
Investigate the Hotel Rexford
Regardless of what time of day Nate returns to the Rexford, Clair will be stationed at the front desk. Nate must ask her about Marowski, and she will not leave the front desk until he does. She is avoidant and tells Nate that she knows little about Marowski at all – only that he owns the hotel and pays her to run its operations. After this conversation, Nate can return to the Rexford between the hours of 10pm – 4am to find the front desk unmanned. He must hack into the terminal at the desk, where he will discover that every entry on Marowski’s terminal was not an entry but rather an email. The contents of Clair’s terminal are identical to those of Marowski’s, aside from logging her own replies. It also successfully saved copies of Marowski’s fifth and second “journal entries” – which had been private communications rather than journal entries all along – that had been corrupted on his own terminal.
In entry #5, Marowski informs Clair that he has found a way to pay off their debts and get them out of the red: logging each time the hotel lodged a patron who was suspected of being a synth, then sending that log to Bunker Hill weekly. To pay off their debts, Marowski was acting as an Institute informant.
In entry #2, Marowski informs Clair that he has solved the mystery of where their Triggermen are disappearing to. The Third Rail seemed to have found itself a new bartender – Delilah, the woman called herself – who was not happy with the way Marowski’s men were treating her. Over a drink at Delilah’s bar, Marowski offered her a deal: if she stopped killing his men, he would cut her in on the deal. She could deal his chems under the table at her bar and keep a portion of the profits if she let up. She countered: she would stop killing her men if, and only if, they stopped treating her like a piece of meat. That was her only requirement. Marowski agreed in earnest, and the pair shook on it. Then, Delilah requested that he make her second in command in his drug trade anyhow. This took Marowski by surprise, but Delilah explained: she knew that Marowski dealt his chems indiscriminately (ie, to children if they simply asked), which is a detail that would derail his entire operation if let slip to Hancock. She knew about his debt, too, and she was convinced she could get him out of it. She would pose no threat to him, either, if he slipped her into the operation under the guise of her being his newest arm candy. She could accompany him everywhere, attached to him at the hip, and no one would be the wiser. For Marowski, this plan was almost all pros and no cons. At the sacrifice of a few caps per sale, he would get out of debt, keep his secret from the mayor, and tote around a beautiful woman like a gold watch. He accepted.
After reading the emails, Nate will have one quest goal:
Accuse the suspect
Nate can formally accuse any one suspect he speaks to over the course of his investigation.
Accusing Delilah
If Nate chooses to return to the Third Rail, Whitechapel Charlie will be tending the bar no matter the time of day. Nate must ask Charlie where Delilah is, then buy a beer before Charlie will give him the answer. He tells Nate that Delilah is at her and Marowski’s suite at the Rexford, surely mourning. When Nate returns to the Rexford, he must pick the locked front door to enter. The lobby – and the entire hotel – is empty aside from one dainty figure sitting cross-legged on the front desk. “Sure took you long enough, sugar,” she will say sweetly, twirling her hair and trapping him in dialogue.
This will positively affect his affinity with Delilah, similar to “Delilah loved that.”
Accusing Bobby No-Nose, Triggermen, or Clair
The suspect will become hostile. Before Nate can pull his gun, the suspect will pull him back into dialogue and act disproportionately afraid. “No, I’m sorry, I swear it wasn’t me,” etc etc. Nate is not given an opportunity to respond. Instead, he is trapped in dialogue with the person now standing behind him: Delilah. The NPC he was accusing will run through the door behind her while she speaks. “I really thought you'd catch on quicker, big guy,” she will tell Nate.
This will put Nate at Delilah’s lowest recruitable affinity.
Accusing Hancock
The mayor will nearly laugh in Nate’s face, and when Nate pulls his gun, Hancock will just shrug. “Do what you gotta do,” he will say, “but I’m telling you, you got the wrong guy. Ain’t that right, sister?” Nate is not given an opportunity to respond. Instead, he is trapped in dialogue with the person now standing behind him: Delilah. Hancock will waltz out the door behind her while she speaks, ghosting his hand up her arm and shoulder as he squeezes past her. “I really thought you'd catch on quicker, big guy,” she will tell Nate.
This will put Nate at a low affinity with Delilah and lower his affinity with Hancock.
Regardless of who Nate accuses, Delilah will then explain her involvement in Marowski’s drug ring. She was killing any Triggermen who tried to get in her pants; the extra caps and chems was just a bonus at first. Once she got a whiff of power, she couldn’t leave it behind. After she worked her way in with Marowski, she eventually became more in charge than he was. He eventually became little more than just the face of the operation. She was perfectly happy with this setup, considering it kept her powerful yet still in the shadows (and allowed her to skim caps and chems as she pleased). Unfortunately, Marowski got involved in shit that was too shady for her (informing for the Institute) and she had to end that quickly and quietly. She wrote the suicide note and killed Marowski in a way that looked like the gunshot was self-inflicted, then inherited the ring. She is the kingpin. She had been the entire time. This whole mission was nothing but a wild goose chase.
If Nate asks why she would send him following such an entangled web when she was pulling the strings the whole time, she will shrug tell him that she wanted to make sure he knew what he was getting into with her.
Delilah is now recruitable.
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