#this post is specifically about max and rachel’s dynamic
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izzymissii · 2 days ago
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I'm right down the middle fr
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yknow like.
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Have you noticed the thing in fanfics of children's lit where the writer gives the protagonist new parent figures? The parent figures say things like "no child should have had to do x!". PF's don't prevent protagonist from doing heroism but might ground them for it after. Under their care, the protagonist is likely to get a job, often at the business of the PF. Seems less common for the Animorph (more in ATLA and Harry Potter), but if you have seen this, what's going on? Why do writers do this?
Why do writers do this?
Welcome to the fandom renaissance, Nonny!  My best stab as to what’s going on here is that we’re seeing fewer and fewer shipping wars due to a whole range of forces from “the average age of fandom is increasing” to “there’s an ongoing post-monogamy societal shift.”   BUT that there’s still a desire to see relationship-building fic go in the gaps where (for instance) Pro-Jacob Anti-Edward fic used to go.  So instead of writing about Edward and Bella’s romance, people are writing about Edward and Carlisle’s mentorship, or Leah and Rosalie’s friendship.
What’s going on?
Again, a stab in the dark: it’s a really fun story premise, one that can get away from the way ships are sometimes fraught with baggage.  Found Family is intensely cathartic, in the sense that it takes characters who are miserable and/or lonely in canon and allows them to build loving relationships with each other.  It also (IMHO) reflects that trend among Millennial Whippersnappers to move away from nuclear definitions of “family” and toward embracing everything from polyamory to sexless romance to adult adoption.
Not only that, but it’s awesome in that it lets writers play so much with foils.  Stranger Things obviously does this Up to Eleven (pun intended): Steve’s an arrogant jerk when he’s interacting with Nancy but a dorky sweetheart around Dustin, Hopper’s at his worst around Joyce but at his best around El, Billy’s evil to Max but might be redeemable around his mom, etcetera.  This premise gives fan writers the chance to get wildly different characters into a room together — what if the Tonks family adopted Neville Longbottom? — and start playing out the fun potential.
Why Avatar and Harry Potter (but not Animorphs)?
In a word: FOILS.  Both AtLA and Harry Potter are series filled with good, bad, and ugly mentors, and both series have contrasts between the good and the bad.  For AtLA, it’s no accident that Zuko finally reuniting with his father in S3E1 is intercut with the scene of Katara finally reuniting with her father.  Katara’s fam airs their grievances, talks things out, yells, cries, apologizes, forgives, hugs, and affirms their ongoing love.  Zuko’s fam deals with having 500 times as much baggage by... Zuko kowtowing silently on the floor while Ozai talks about everything but their problems with each other.  After that sequence, the desire to get Zuko into a room with Hakoda for some proper fathering is practically overwhelming, and many brilliant fan writers have obliged us by doing exactly that.
For Harry Potter, there’s no scene that’s as in-your-face with the contrast between healthy vs. unhealthy disagreement with one’s father, but there are still plenty of mentor foils.  Sirius and Petunia are probably the clearest examples.  Sirius is a raging mess who (on the surface) has nothing to offer Harry: he’s an ex-con with a drinking problem and untreated mental health issues who spends much of the series homeless.  Petunia has her shit together and (on the surface) is the perfect guardian for Harry: she’s a wealthy full-time parent who lives in a large suburban house, and is both his closest surviving relative and his legal guardian.  But of course all Harry needs from a parent is love and support, and Sirius offers that in spades while Petunia has none to spare.  Again, the desire to rip Harry away from the Dursleys and ship him off to go be a Black is overwhelming, and many beautiful works of fan fiction have done exactly that.
Animorphs... doesn’t have mentor characters.  Like, none.  Elfangor dies, Toby does her own thing, Erek can’t be trusted, neither Ax nor Jake wants to mentor, and all adults are possible controllers.  Eva’s the closest we get, but by the time she’s free, everyone (especially Eva) recognizes that the Animorphs are already more experienced than her.  We don’t even see a dynamic like the Teen Titans show where the villains mentor the heroes — Jake and Marco might occasionally parallel Visser Three and Visser One, but they don’t learn from the vissers the way that Robin does from Slade or Raven does from Trigon.  The kids just... find their own way.  So while people have written fic where Elfangor or Eva or Mertil or Tom mentors the team, there’s not this in-your-face missed opportunity for the kids to get the parenting they deserve in Animorphs the way there is with Harry Potter and Avatar.
Have you noticed the thing?
Personally, I love this trend.  I’m not much of a shipper — I’m not fond of “will they or won’t they” romantic premises, and actively dislike “they will because they’re soulmates” premises.  My favorite Ship Dynamics are all platonic.  Like, my faves include (but are not limited to):
Grubby Semi-Feral Mentee and Aloof Socially-Incompetent Mentor Bond with Alarming Speed Over Niche Magical Interest (see: Briar and Rosethorn in Circle of Magic, Boy 412 and Marcia in Septimus Heap, Jason and Bruce in Batman, Wart and Merlin in The Once and Future King)
Well-Intentioned Loving Parent Irretrievably Fucks Up Child, Copes with Fallout (see: John and Dean in Supernatural, Adam and Cal in East of Eden, Soichiro and Light in Death Note, Elaine and T.J. in Political Animals)
I’ve Only Known This Person With Extremely Specific Shared Trauma for 10 Minutes But If Anything Happened to Them I Would Kill Everyone (see: Toph and Zuko in AtLA, Luke and Annabeth in Demigod Diaries, Ax and Tobias in Animorphs, Spike and Angel in Angel, Parker and Eliot in Leverage, Johanna and Finnick in Catching Fire)
Saving the World Sucks But At Least My Ultra-Competent Siblings Are Suffering With Me (see: Edmund and Lucy in Chronicles of Narnia, Sam and Dean in Supernatural, the Hargreeveses in Umbrella Academy, the Crains in Haunting of Hill House)
Just Because I Tried to Kill You That One Time Doesn’t Mean I Won’t Help You Hide a Body, JFC We’re Still Family and I Don’t Know What You Take Me For (see: the Robins in Batman, Septimus and Simon in Septimus Heap, Kyle and Ian in The Host)
We Were the Weird Cousins At All the Family Reunions and We’ve Only Gotten Weirder Since (see: Kate and George in Story Time, Jake and Rachel in Animorphs, Po and Bitterblue in Graceling Realm)
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thoushallnotfall · 4 years ago
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So would you consider the boys best friends per say or do you think they just stuck around each other because they were all turned as a group?
Oh, wow that’s a good question!
So I feel like I’ve kind of answered this already, but it’s been kind of convoluted and sort of spread out over a few different asks, so I’ll try to condense it down here.
Short answer: Yes, I would consider them “best friends.” But this is me we’re talking about and I am physically incapable of giving a short answer.
Long answer: I think it’s a lot more complicated than “friendship” at this point. I talk about it a lot in this post where I specifically discuss David’s relation to the other boys, but basically the gist is the boys have been through some shit together, to the point that I don’t think that you could really go through all that without bonding on a level that’s deeper than friendship. (it’s like when the heroes in stories go through dramatic events together: it bonds them in a way that they can’t really help but be connected forever) So I personally would consider their relationship almost brotherly? Maybe that kind of bond people have when they go to war together? It’s a very deep connection and it’s hard to describe.
I talk about how they were turned (according to the prequel script) in this post, which goes into greater detail than that previous post did about all the crap they went through, but it also talks about the fact that they were friends before they were turned. They were already living together as humans before they were vampires, they were turned together (unwillingly, by an asshole that wasn’t Max), and they’ve been together for over 80 years...so to me, I think their relationship as friends would have evolved into something much deeper at this point. 
And they were friends; they weren’t just living together to survive because they were orphans. There were a couple scenes in the prequel script that illustrated the fact that David cared about them, and that they cared about him...I mean there weren’t a lot but it was a rough draft of a horror/comedy prequel script so I’ll cut it some slack it wasn’t trying to be Stand By Me or anything.
Also, honestly? I think they just genuinely like being around each other. They have a very good dynamic. It’s a weird thing for me to reference in one of my asks, but I did a headcanon list for the boys learning to play instruments, because I realized they have the perfect personalities for a four-piece rock band, and that perfectly describes why they get along so well. They have the perfect set of personalities to compliment each other in the same way most bands do. They get along so well because they match each other; they’re a good fit together. Each one brings some different part of his personality that helps manage a different aspect of another’s personality.
That’s my take on it anyway; I have no idea if that last part made and sense to anyone else but me. 😂 But basically what I’m saying is yes: I think the boys are friends, but I think it goes a level deeper than that.
Thank you so much for the question! As always I love answering these!  ❤️❤️
-Rachel
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lis-allwounds · 6 years ago
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New Year 2019 updates
Quick reminder that while All Wounds is on hiatus, it’s not dead! I put a lot of work into re-tooling the initial demo last spring because I knew the final product was going to be a WAYS off. I ended up feeling so emotionally exhausted from the story and so inspired by my new project, @arcadian-rhythms​ (which also does feature LiS characters, specifically Max, Chloe, and Rachel) that after months and hours and hours of coding/formatting the visual novel this spring/summer, I decided to take a break from All Wounds. My new goal is to have it done by the time Life is Strange 2 is complete. The base coding is actually finished -- you could theoretically read the entire story in visual novel form through to the end. This in and of itself has taken dozens of hours, believe it or not. The next big step is to start properly implementing choice-based elements into the story, which I have done some of for earlier segments like chapters 3-5. (ex. Max and Chloe arriving at Max’s home with her parents involves a number of different variations based on how the reader chooses for Max to ‘come out’ to her folks). And while there ARE plenty of musical options to cover BGM needs and I could probably come up with backgrounds on my own for most of the project...the matter of character sprites is a still a big lacking component. At this point, the majority of required sprites, mainly from the post time-skip section, which would entail a LOT of work from a singular artist (much less my original vision of commissioning different artists for each alternate reality, especially the Other timeline), and I’m in no position to be able to afford that kind of artwork. Not when I am still unemployed and my fiancee and I are STILL struggling to figure out how to live together across country lines. I did end up taking some donations received last year or earlier and put them toward specific pieces of art and sprites for the chapters leading up to the story’s time-skip (which I can probably still get away with), and a few folks have been supporting us on Patreon, which doesn’t look like much BUT has immensely helped us in our current state. We even have been doing some Let’s Play vids here and there, including Life is Strange 2, which we plan to continue covering (living together would turn this from a bit of an inconvenience to something we could do basically whenever) Jenny and I do both want to work on All Wounds together, but...when we’re struggling just to get by, separately, we’ve had to put other things ahead of it, on top of the emotional stress recent developments in the Life is Strange brand have given us. So until Jenny and I can afford the time to work on it, All Wounds can’t physically get completed for some time yet. When we’re in a more stable financial position, I can more reasonably set time aside to continue work on the visual novel. I have not given up on it, just please understand that I am...one person. And the majority of this project (which is massive in terms of the medium) has been handled by just that one person. Inbetween a dayjob, then inbetween trying to find a NEW dayjob, and other projects, etc. If you’d like to support us so we can build our desired future together, you can donate to our fundraiser to pay for visa application fees - or you can share it around!
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tl;dr The visual novel is still alive, but currently sleeping, until life situations open up the opportunity to finish it.
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In the meantime, please stay tuned for the debut of Season 1 of Arcadian Rhythms, a 100,000+ word chunk of fiction I’ve been working on over the past year, set to start rolling out in weekly episodes in early 2019. You can read the pilot here if you wish and follow that project at @arcadian-rhythms​ as well as try out a mini visual novel sample I created set within its universe. I also want to take a moment to specifically promote a finished, free to play visual novel by @brianna-lei​ that fans of this project will probably find a lot to love about!
BUTTERFLY SOUP
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From the creator’s page: A visual novel about gay asian girls playing baseball and falling in love. Features: -harold they're lesbians* -3-4 hours long -memes *except not really, one of them is bi
The primary romance shares a lot in common with Max and Chloe’s relationship dynamic (only without like 95% of the traumatic events!) and all four of the protagonists are just wonderful. I STRONGLY recommend you check it out, it’s built using the same program as All Wounds and is a very uplifting, funny, charming story. So! Happy new year! Sorry for the wait on things. It may not look like it, but I’ve spent even more time in 2018 working on writing/programming than any year prior, it’s just been stuff that isn’t finished or ready for the public. Thanks a lot for everyone’s support, I hope you all have a good start to 2019.
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evotter · 6 years ago
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jan, march, sept + one of your choice, love. have a great day, u icon
thank u kyra i adore u
january: what was the first fic you posted this year?
the first fic i posted this year TECHNICALLY was the epilogue of a different path. the first standalone was chewbacca (aka my introduction to the jily world once again and i have such a soft spot for it)
march: do you listen to music whilst writing? 
yes! pretty much always; if it’s not music, it’s a TV show.
september: share a comment or review which still warms your heart?
quite literally anything you’ve left on any of my fics BUT there are a few that i hold dear to my heart. i’ll post them under the cut cause they are LONG :’)
ancient: the first fic you ever posted online?
hahahaaaaaaa. it was my own version of rick riordan’s the son of neptune before the actual book was published. it was on ff.net, and the first chapter got 7 reviews, and i felt so good about myself after that lmfao. who knew i’d still be writing 8 years later?
ask me questions!
OKAY so i have 3 top favorites:
from a different path:
okay so i had seen this in someone else’s bookmarks the other day, thought it was an interesting concept—especially since i too love slytherin!percy and strongly subscribe to ofswordsandpens’ headcanons about it—but didn’t give it another thought until i was listening to a video about the cursed child and went: wait, there’s a percabeth hogwarts au that i saw somewhere. and immediately i hunted this down and i’m just in awe? i tore through it. belatedly, i realized that i made a mistake: i didn’t write down my thoughts as i was reading, which is definitely a disservice to you. however, here are a generalized list of things that i loved.
first of all, with hogwarts au’s, there are three main aspects that i look for: plot, characterization, and quality of writing. normally, fics of this size lack one or more of these key factors, but i was astonished to find that the plot is tremendously tight and intriguing (my lip bled from biting it so much because i’ve been stressed to the max), you write these characters with such distinct voices i can easily picture them saying everything—except, of course, now in a little british accent—and your writing flows so well, it feels almost like i’m reading an actual harry potter book, just with percy and co. you also do a masterful job of weaving together aspects of the pjo universe with the established canon of hp.
and there are so many specific things that i love. primarily, the way you write the relationships in this story; not just concerning percabeth (though i will get to that in a minute), but also with each of the interactions between all of the characters. i applaud you for how you handled luke/annabeth and rachel/percy, and the friendship among them all is just incredibly well done. i especially love how well you wrote connor and zoë and just, a lot of characters that i don’t often think about when i think of pjo. grover and percy’s friendship especially is heartbreaking, i just. he’s so protective because he loves his friends and holy fuck i also love how you wrote grover in this. but i just adored how you wrote annabeth/percy—the love between them, both platonic in its early stages and the romantic all throughout, was doubly apparent. i ached when they kissed each other’s cheeks, and i inwardly cheered when she kissed him in the locker room. there was just such a natural progression, to me, of their relationship. and man did i dig it. i’m excited (and maybe a little scared) to see where you take their relationship in the future.
boy, this is getting long. sorry. but some more just little quick things: loved the b99 reference, with both of their competitive natures playing out in a similar way to jake and amy’s. i kind of want to go back and see if i can find any other references that i missed because i was just too engaged in the story to catch them. also, zoë’s death killed me all over again, thanks for that. i like how you’re working the kronos plot in, and i can’t wait to see how the Final Battle plays out. what else? oh! professor hestia? beautiful. eventual maybe professor percy? outstanding. percy kissing the top of annabeth’s head? breathtaking. rachel being a quidditch commentator? earth shattering. (truly i cackled when i saw that.) mrs. o’leary being a cat? incredible. how you incorporated percy’s water powers? stunning.
ooh, this exchange was beautiful and had me cackling it was so in-character:
“None of us are dying.” Connor clarifies. “Not you, not me, not Annie, not the rest of us.”
“I might have to dispute that.” Annabeth says, from Percy’s other side. “Call me ‘Annie��� one more time, Stoll, and I’ll kill you myself.”
Connor only grins at her. “Sorry, love. No more ‘Annie’. Can I call you Beth?”
“No.”
“Anna?”
“No.”
okay, so i just finished chapter nine and i am blown away. sorry for how long this comment was, but a fic of this magnitude truly warrants it. i can’t wait to see what happens next.
i leave you with just two words: “holy shit.”
from a different path: 
god, oh my god, am i the only dumb bitch who didn’t get what the prophecy was??
anyway, i stumbled on this fic last year, patiently waiting for its completion, and now that i’ve rediscovered it, i’m so glad i finished it all in one go! i couldn’t imagine the tension of waiting for the next chapter, especially since the tension is so well-crafted!! i hardly noticed the tonal shift even as the story got darker and darker as it led up to the war, and in that way i was reminded of how extremely similar it felt to reading the hp books for the first time! you nailed percy very well i might say, and the awkward-yet-caring relationship he has with his dad. i daresay you gave connor and zoe more characterization than rick riordan himself, and the percabeth you wrote is perfect to the nth degree. i appreciate that you didnt bother with all the love triangle and unrequited feelings nonsense as well.
but i have to say, even as i cried at sally and paul’s wedding, or at dionysus’ quiet mourning for castor, what really struck with me most was the way you handled silena. for that, i have no words. that was a job extremely well done. thank you so much for blessing us with this fic.
from chewbacca (a comment from u!): 
A girl in a bright yellow hooded raincoat stumbles into the cafe on one of the slowest nights James has ever seen. Her coat is dripping all over the floor he’d just cleaned (but it’s fine) and when he leans over the counter he sees that her boots match the coat.
First of all!!! Thats the best opening line in the world and nobody can convince me otherwise. I want to become a publisher just so that if you ever write a book, I’d be able to publish it. ( like omg, what an honor??? )
She looks like sunshine, standing there with the amount of yellow in her wardrobe. Briefly, James wonders if that’s her favorite color. It’s got to be.
Im going to quote this whole fic but I really love these lines? Like, you have this distinct style of writiting that I aim to acheive and you’re literally such a rolemodel!!! These are my favorite kind of fics to read. Funny story but I was going through a ‘no thanks Jily’ mood (  a horror, i know !! ) but your fics are just,,,,exceptions? You could write about trash and I’d love it and ask for you to sign me up.
 “Say it again, but convincingly this time.”
ooof this dialogue??? let me breathe
This is the longest he’s stood still since he started working. It’s actually a miracle.
and the funniest person award goes to YOU. also, the most talented and cutest but thats neither here nor there.
james taking care of fleamont, switching off the lights gives me just a nice and realistic vibe? its so simple but i love how you added it.
honestly at this point, ive been sucked again by the fanfic. it feels less like a fic and more like a masterpiece that belongs in a museum but anyway.
“James is supposed to be helping.
James is on his phone.”
ugh i love ur mind. im rereading and its so nice and lovely. even if its like 1am and im exhausted, this fic is sustaining me.
“Do it off the clock, would you?”
PEAK HUMOR
have i mentioned how much i love that scene with euphemia? she seems like such a lovely mom. i love ur euphemia the most. and ahh, both of them just rushing to the hospital ? another 100% good scene.
“Euphemia smiles too, but looks at Fleamont rather than at her son. “Yes,” she says. “It really does.””
fic? or shakspeare? HMMM
A girl in a bright yellow hooded raincoat stumbles into the cafe on one of the slowest nights James has ever seen // “Get fucked.”
the fic!! has made a circle!!! i love how it begins and ends along the same lines. I really want to know how??? are you so talented im in love.
i just really love this fic, okay? i love how james is just the kindest, lily is allowed to have feelings, its just so soft and warm. and it makes someone feel loved, want love anyway.
the dynamic between the characters are just so real and great and im astounded, in short.
your sirius is everything. so many fics potray him as a dick??? which is first of all #rude and also, not at all true. you made me love these characters even more so i sincerely hope you never stop writing.
you’re such a beautiful writer and the way you string words together is just poetic and gorgeous and all the other good adjectives you can think of. i read your spiderman x reader too and i was a goner for you. EVERYTHING YOU WRITE IS SO GOOD. i read it so long ago but i can vividly remember peter whipping the mask off and she just going wtf stop on the window ledge. what im trying to say is that you leave this lasting impression on people that make them remember random scenes and words / prose long after they’ve read it which is a remarkable feat, i believe.
and im so sorry im not on tumblr rn bc i cannot keep recing this fic but i have told my friends about your writing and they loved it too. you’ve got like a million fans. when i do get back from my hiatus, im going to keep recing your fics and people will cry because their universe will shift thanks to the newfound joy of your presence in their life.
lastly, im more of a dog person and that, more than anything, should tell you how much i love this fic. i love u. and basee on your writing, i want to hug you, be your best friend and make you cookies bc again
WOW
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fyrapartnersearch · 6 years ago
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rEEE writers inbound
hey there! i’m rhys. i am 22, live in the ct, and love ooc chatter! my ooc is pretty lax, but i promise my writing is a helluva lot more formal. i write in third person, past/present tense, and paragraph form. im not a rapid-fire writer, and won’t be able to constantly get replies in every day (i can get responses in anywhere between every couple of days to a week or two). however, i will ALWAYS put tlc into all of my posts and characters! i write anywhere between 300-900 words. it’s definitely alright if you don’t feel up to that amount at any given point, but i do appreciate keeping it somewhere in this range. im very wordy, and can spew out a novel if im excited enough lmao
  my limits are pretty general; i will not do beastiality, pedophilia, vore, or scat. i can indulge in a variety of kinks, but if it’s a little much for any average person, i’m less likely to write it out (i.e extreme ddlg or adult babies, furries, extreme pet play, etc.) but i can be persuaded to lightly touch on certain kinks as long as they’re not 10000% filth lmao i cannot, and will not, do seme/uke or top/bottom dynamics. absolutely not. queer relationships shouldn’t be defined by whose taking the D. i dont want to interact with squeamish little femboys, or awful macho men with downright rapey tendencies. versatility is key, and power struggles are what i live for! i will, however, indulge in BDSM dynamics with certain plots— although, domination isn’t always about penetration, you know?
  give me characters with aspirations, hopes and dreams, and crushing past experiences that flesh them out into who they are. no one is perfect, and we all have things that rear their ugly heads in the dark. problematic characters, male or female or anything in between, are everything. i love lgbtq+ characters, as i am part of the community myself, and will almost always be more inclined in writing queer characters. not to say i won’t write for strictly straight pairings, m/f, but usually i am iffy when approached with it if i am just meeting you.
  i write for all genders, ethnicity, and orientations! you can find a few writings examples of mine here. i am pretty welcoming of most things. smut, of course. some kink a little out there that you want to suggest? let's do it, dude. i am super OOC friendly and i am pretty much a garbled mess when i get to know you!  i’m a social person— i feel like a burden if you’re not into chatting with me, so please, if you’re not looking to be both a writing partner as well as a friend, i might not be the gal for you. i am open to crooked relationships, ones that don't function right, dark/morally corrupt characters, unconditional love, etc. my interests fluctuate! i am down, 24/7, guys! i only roleplay over email, but will ooc chat over discord or hangouts! here's a list of fandoms and pairings below that i am looking to write for atm. i do have many more, but these are just the ones off the top of my head!
_________
  Borderlands
Handsome Jack/Rhys
Handsome Jack/Rhys/Nisha
  Life is Strange
Max Caulfield/Chloe Price
Max Caulfield/Kate Marsh/Victoria Chase
Nathan Prescott/Warren Graham
Rachel Amber/Chloe Price
Frank Bowers/Damon Merrick
  DC
Dick Grayson/Jason Todd
Dick Grayson/Slade Wilson
Dick Grayson/Wally West
Harley Quinn/Pamela Isley
  Batman: Telltale Series
Bruce Wayne/John Doe
Bruce Wayne/Selina Kyle
Bruce Wayne/Harvey Dent/Selina Kyle
  Marvel
Stephen Strange/Tony Stark
Bucky Barnes/Sam Wilson
Thor/Bruce Banner
Peter Parker/Harry Osborn
Peter Parker/Wade Wilson
Wade Wilson/Vanessa Carlysle
Gwen Stacy/Peter Parker/Harry Osborn
Peter Parker/Wade Wilson/Vanessa Carlysle
  Uncharted
Nathan Drake/Samuel Drake
Nathan Drake/Harry Flynn
Chloe Frazer/Nadine Ross
  TTGOT
Asher Forrester/Gwyn Whitehill
Rodrik Forrester/Arthur Glenmore
Mira Forrester/Margaery Tyrell
Gryff Whitehill/Elaena Glenmore
Gared Tuttle/Finn
Gared Tuttle/Josera Snow
  The Walking Dead
Rick Grimes/Negan
  TWDG
Javier Garcia/David Garcia
Clementine/Gabriel Garcia
Clementine/Louis
Clementine/Violet
Marlon/Louis
Javier Garcia/Paul “Jesus” Rovia
  Far Cry (3-5)
Jason Brody/Vaas Montenegro
Jason Brody/Bambi “Buck” Hughes
Ajay Ghale/Pagan Min
Ajay Ghale/Sabal
Ajay Ghale/Sabal/Amita
Rook/Joseph Seed
Rook/John Seed
Rook/Faith Seed
  Punisher
Frank Castle/David Lieberman
Frank Castle/Billy Russo
  Mass Effect: Andromeda
Scott Ryder/Reyes Vidal
Scott Ryder/Gil Brodie
Scott Ryder/Peebee
Sara Ryder/Peebee
Sara Ryder/Vetra Nyx
  Kill Your Darlings
Lucien Carr/Allen Ginsberg
  ____________
Onto original plots!
——————
  Office romances/BDSM/Friends with benefits-turned-lovers
okay, so, i had this type of roleplay with someone a while back. maybe more than two or three years back that i fell out of contact with and i could never really get it out of my head because it was probably one of the best character-building stories i’ve ever taken part of. :’) i don’t remember their name, but i do hope they’ll contact me again if they ever see this. while some of this may seem specific, none of it is concrete and i promise i am very easy to get along with and very accomodating! the plot i remember had three different relationships— completely different people, with different lives and different worlds, with only one common thing between them being that they work in the same building. we can do all three, or we can do a few, or even  one! i dont mind.
  **pairing A; M/F preferred (lol i know broke my own rule, but i adore femdoms! extra: please come with an open mind. this is not a 50 shades AU, and i do not want it to be.) this one is between a CEO and an intern in their senior year of college. The CEO is a femdom, and freshly out of divorce, takes a liking to the clumsy intern who’d spilled coffee on her more than once. The intern has never been in a relationship with an older woman, let alone one running a multi-million dollar company, but hey, isn’t that the dream for some broke twenty-something down on his luck? She introduces him to BDSM, and while he’s hesitant, the idea is as exciting as it is frightening. He accepts her offer— while it’s difficult at times, he begins to learn more about her. Her ex-spouse, her young child, and her unwillingness to develop a sincere relationship with him. She’s had subs before, and while she tells him he isn’t disposable, he begins to feel it was the truth. He grows to have feelings for her, and while she isn’t too keen on admitting it, the feeling is mutual. I’d love to explore their dynamic in and out of sex, and the conflict between the intern and her ex-spouse. I love age gaps, and think it would be awesome to see them develop over time to find common ground to establish a personal relationship and trying to even out their power imbalances. I don’t mind playing either the CEO or the intern, but I am leaning more towards the CEO. :V**
  **pairing B; M/M preferred (this one is waaay more gritty and more dub-con than anything so please beware!) this one is between two higher-ups who have been butting heads for years— and occasionally, sexual tension neither have acted on. A is a snarky, openly gay man, and probably what some would consider shallow and noncommittal. B is a brooding, closeted ‘by the book’ type well into his thirties, and refuses to engage in anything sexual with men despite his obvious attraction; B has younger siblings he takes care of as well as his mother, and being the oldest son and only provider, hasn’t done a thing for himself in twenty years. A lives completely alone, complete with a bachelor pad and, the influx of flings that went nowhere past sex, and has risen to the top with his own sheer will. they have conflicting motives, and while both of them have an intense hatred for each other, they’ve never engaged in physical altercations in fear of losing their jobs. one day, A jabs a little below the belt, and finally, B starts swinging. this fight turns into something way more heavy in the company parking lot. what happens between them in the long run is something desperate, needy, and longing for real affection. it began as a mindless need for sex, angry and mean and formal, with B being especially unwilling to ‘give up’ his masculinity and ever be on the receiving end in fear of losing the control he needs to keep this up. i’d love to see them begin to see each other in a different light, and changing each other for the better. i’d also love to see A showing B that sex doesn’t have to be meaningless, and that he doesn’t need to fear letting A be in control. And B showing A that commitment isn’t as terrifying as it may be, with them gradually going from rivals, to friends with benefits, and eventually lovers. i, again, don’t mind writing for either! **
  **pairing C; F/F preferred. (aaa this pairing is way more fluffy and sweet, with hurt/comfort as a stable of their dynamic.) this one is between two small-office employees in the company. A is fairly tame at work in order to support her sibling(s), of which she has adopted from her father’s custody years ago. she is fairly confident with her sexuality, and while not being the type to frequent clubs, is dragged along by a few friends and there, meets B. B is a young woman who just recently got out of a relationship with an abusive ex fiance— B has only ever been with that man, and was never confident in exploring her sexuality due to a religious upbringing and parents who were dead set on traditional values. she’s never strayed from her ex, and while he wasn’t faithful or remotely good to her in return, she was heartbroken with their split. months after, he returns to the city and B’s close friends decide to take her out on a girls’ night to make her feel better— B coincidently sees her ex, and feeling childish and unattractive, heads off to the bar to get a drink. she’s nowhere near a drinker, and just before she does drown her sorrows, is hit on by A. while initially shocked, B is flustered and finds herself immediately attracted to A. they have a one-night stand, and while B believes that A would just leave in the morning, A instead lays with her until she wakes up, and leaves her number. B is too anxious to text her. they bump into each other at the elevator that Monday. they agree to be just friends, until B knows what she wants. A is willing to wait. B might have a crush, and A is intent on building B up to love herself and her body. i would overall prefer to write for A, but if you’re dead set, no prob!**
  Serial killer/1960’s/Small town sheriff
no preferred pairing! would love, love, love to see something between a serial killer and a small town sheriff in the mid-to-late sixties. we could make up a new little town, or find one to our liking! A is the sheriff who had been born and raised in this town with a good home life, loving parents, and a steady moral compass, albeit trapped in a loveless marriage. they know everyone, and every nook and cranny of the place like the back of their hand. this is the type of place where people don’t have to lock their doors at night, or constantly watch their kids when they’re out in the yard playing. that is, until people start going missing and horrifyingly mutilated bodies began to pop up around town. B is a well-liked baker in town; known to be genuinely friendly and kind, B has a very corrupt past. both of their parents were heinously abusive, and as a child, B developed sociopathic tendencies. B was inherently spiteful of the town and the people in it, for leaving them to rot in hell for eighteen years, and for never reaching out. B formed a god complex, his intentions to ‘purify the corrupt’. they keep tabs on almost everyone in town, and the victims they do take are put in the soundproof basement of his home to be ‘baptized’; tortured, beaten, and mutilated beyond recognition. A and B are friendly with each other as A comes to the bakery every morning, with B’s motives completely unbeknownst. one night, A, frustrated and pissed from the dead ends of the case of the decade, decides to head to the bar and relax. B is the one face A didn’t mind seeing that night, and one thing lead to another, with A and B in a dark alley getting each other off— i definitely see this as B grooming A to be a complicit pet, and when A gets closer and closer to figuring out who the killer is, he forms a deep connection with B. B develops a possessiveness over A, along with that sense of ownership he’d established between them. B manipulates A, coerces him into a false sense of security, and eventually— A finds out, and while B initially thinks to kill A, A is corrupted by B and forms some kind of stockholm syndrome for B. it’s up to A on whether or not they turn B in, or cover the killer’s tracks. B, despite his very sick and repulsive nature, develops a true infatuation for A, as close to love as they were ever going to get, and A is desperate enough to please B that they’ll do anything to not disappoint them.
  Post apocalypse/decades later/immunity
no pairing preferred! the plot I had in mind is loosely based off of a video game called "The Last of Us", which i am sure most of you have a general knowledge of! (definitely check it out if you don’t :O it’s a great game!!) the prompt i was shooting for goes something like this; in a post-apocalyptic world where a pandemic has killed off most living species, character A is a lone wolf with little to do with other people that don't benefit him, except for a select few. A is especially rough around the edges, as he's lived through some sick shit and lived to tell the tale. A had once been part of a group dedicated to finding a cure, but things went south, and a lot of people died. A had a close bond with the leader of said group, and coincidentally they were the only survivors. their past together, having been deeply demented and twisted, caused them to fall out. said leader has rebuilt a new group in the ten years since the last time they'd seen A. character B is the only known immune person alive, and has dedicated their life to being a resource to finding a cure. A and his (current) contact/partner in crime have something taken from them, and are determined to get it back. they do some searching, and are confronted with this group-- they have what they need, but are only willing to give it to them for a favor in return. no one can outrun their past forever. so, this plot isn't concrete. things can be changed, we can do whatever we want, and i am happy to comply to any revisions or suggestions! i'd really enjoy taking on A, if that's alright!
  TREASURE HUNTERS/ANCIENT CURSES/LOVE-HATE DYNAMICS/MODERN
treasure hunters!!!! yES!! think Uncharted or Tomb Raider. an architect/treasure hunter is being funded an expedition to find a lost treasure and they are forced to bring along a reporter in order to receive the funds. the reporter and architect certainly dont get along in the beginning— they bicker, and clash on most fronts. the expedition wasnt meant to be dangerous. what was initially thought to be a simple job turned into something treacherous; bandits, a team of hired hitmen and their leader looking to take the treasure for themselves, and some rather supernatural elements that they both couldnt quite put a finger on. the treasure hunter and the reporter have to work together to get out of this alive, and get to the artifact before someone else does. (the “treasure” is definitely up for debate!! we can chose a real life lost treasure, or just make one up!! it can be anywhere around the world, and everything is at our disposal).
  DEMON/INHERITANCE/HUNTERS/MODERN
character A has an awful time living in the city— alone, and without mom's guidance, completely lost. one day they receive a call about a deceased relative, one they'd never heard of, one that apparently left their estate and everything in it in their will to A. with nothing but the clothes on their back, A took a shot in the dark and drove out to this presumed "estate" come early summer, only to find that it's a mansion in a tiny little town with an eerie vibe and populated by the typical small town churchgoers and farm folk. living in this town was a hell of a challenge; everyone was nice, too nice, and people started to go missing. character B is an exceptionally charismatic, charming person and the only mechanic/handyman in town. A and B become friends, partially, when A needs to fix up the piping in their estate. A stumbles upon the attic one day, and for once, they start to get why this whole town reeked to the roots in weird shit-- their deceased relative was tracking something here in this town, having to do with all of the MIA townsfolk. DR has a board of possible suspects, and at the center? B. A shrugs it off as their relative having been paranoid, but the longer A stays in this town, the more apparent it becomes that DR wasnt crazy. B is, in fact, not the murderer, instead a supernatural being (open for debate! im on the fence with demons, vampires, etc.) on a mission to track down the monster, same as DR. i am so down for internal struggles, sweet gestures, and overall, two people just trying to make it work! i could also see A being hella paranoid that B is the monster, and maybe tries to throw cloves of garlic at them only to realize thats not exactly how this monster hunter business works lmao
  DEPRESSED WRITER/YOUNG MUSE/between 1920’s-1960’s/sex, drugs, & the american dream
m/m preferred! A is a severely depressed middle-aged man believing his life has been wasted. his wife left him with their child at her hip, his career was in a rut, and he had nothing left to live for. opting for suicide, he goes out one evening to purchase a bottle of gin to down with a handful of prescription sleeping pills when he returned to his apartment. instead of going directly home, he’s swept in by the music in an underground club for queers. there he meets B; all encompassing, angel faced, and the only person A didn’t know how to look away from. B is a former US Navy Seal, aspiring musician, and avid indulger of the human body— A stays a little too long, owlish and red, and after the show, B approaches him with a cattish smile. they spark a friendship, and A is thrown down the rabbit hole when B introduces him to his social circle, filled to the brim with drag queens, junkies, queers, and the overall unusual— he integrates into this community, his contemplation of suicide only a distant memory, and begins to find himself extremely attracted to B. he lights a fire in A, something dangerous and unquenchable, and A finds himself drawn in by the unpredictability. A embarks with B on a journey of self exploration, passion, and inevitable love in a world that scorned the oddities of human attraction and anyone who dared to be free.
  thanks for your time! if you've read through, please contact me at [email protected] on email or rhys#3615 on discord and mention kiwi somewhere in your initial message. n_n
  Rhys xoxo
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maxthesillyy · 1 month ago
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yknow like.
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