#this post is more of a general ramble on my own way of existing and my own decisions i've made
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katsigian · 1 year ago
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There are some things that I truly love and appreciate that I found within fandom spaces. I found some amazing friends that I hold dear to me (you know who you are and if you think I don't mean you, I most certainly do). I found my best friend, I found my life partner. For a while, I found a community that I felt safe within. There's nothing like bonding over OCs with friends - sharing headcanons and ideas, sharing your art and VP. I am truly grateful that I have my people I can do that with and I am so grateful for my wonderful mutuals. I'm excited to share things with all of you and I'm excited to see all of your ideas and creations
But, at the same time, fandom can be a slippery slope and being too involved with it means that you're putting yourself at risk of being a target for when things go bad. Not always, but it does happen, and good people end up being hurt for no good reason. And because of my experience with that, I've made the decision that I'm not going to tie myself down to one fandom anymore. I am now effectively both fandom-less and multifandom
Meaning that I will take part wherever I feel comfortable to, but I won't let myself be tied down and hurt again. I have all of my mutuals that I'm going to happily share from and I'll share fandom related things, but there will be a certain level of detachment from the bigger fandom as a whole. I just want to exist in such a way that allows me to interact with the people who also are here just to create and share things and to enjoy other's creations. That's all I really want - to exist and to create and to talk about all of my silly little guys with my mutuals and friends that make me happy. In any fandom, for/about any piece of media and about any characters, both canon and OC
What does this mean? It basically means that I'll be careful about how I interact and who I interact with. I'm not interested in being a part of discourse or drama within any fandom and if it happens that someone wants to pull me in, I'll be removing myself. The only time that I will pick a side is when something is blatantly harmful to people - bigoted behavior, racism, terfs, hate-speech, bullying, etc. I will not interact with it and will be blocking people taking part. Otherwise, I like to operate on a live and let live basis - the way I see it is we're all interacting on the same playground and sometimes we'll share the same swingset, other times not. And if you're on the swings when I'm not, I won't go push you off of them, etc etc
I'll keep everything on my blog clearly tagged so others can filter what they'd rather not see, in the same way that I filter out what I don't want to see. If I don't share something or if I don't follow someone, it's never mean-spirited, targeted, or personal. If I see something I don't like or don't agree with, I'll simply scroll past (live and let live). I hope I'm given the same treatment and understanding. I just want to exist and create, I've had my fill of being dragged into things when I didn't want to be and I'm done with that
Again, none of this is mean spirited, and I'm not targeting apecifically anything or anyone. I just needed to explain what's been on my mind for a while now and my decisions going forward with this blog <3
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arolesbianism · 24 days ago
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I am thinking very very hard abt the toy world guys and oh baby I love dropping in disturbing lore bits that are just sorta dripped into the actual plot and otherwise are not explained <3
#rat rambles#oc posting#I rly want to build this world in a way where the worldbuilding does exist and it does effect things but you still dont get to know abt it#and I especially rly want to hit this balance with the new choice lore Im cooking rn because its that sort of thing I think is more fucked#up the more that is left to be implied or completely untold#Im still figuring out what I want that balance to be though especially since I ultimately don't Need to tell basically anything#so its more so a matter of how much Im willing to risk putting on display for the sake of implying less relevant stuff#because its fun for me to know that the ripple of this event was far larger than any of the cast will ever know but idk if I want the#hypothetical reader to have that experience too or not and if so to what extent#because ofc I dont want to make it too obvious what this ripple looks like and what it may have impacted#and there is smth fucked up in its own right if I Did just fully keep all that to myself#and this does matter because I am toying around with the idea of committing a bit harder to this story and making it a thing one day#nothing is guaranteed but I do really Really like the story Ive been building here and I think it'd be fun to make it real someday#not anytime soon but one day maybe#maybe I could use it as my next step after spiraling upwards? we'll see.#speaking of spiraling upwards I'm planning on rescripting some stuff and continuing to work on the script soon#I am starting to have a clearer vision of what I want to do for the first chunk of the story#Im also deciding wether I keep the original prologue or not but Ill keep procrastinating on that one for a bit I think#the current prologue is intentionally kind of irrelevant to the rest of the plot but Im starting to doubt myself on if it's a good choice#Ill probably end up reworking it at least a little bit though if only to better establish the main plot by a bit#because its Technically kind of relevant the pov just isnt paying attention to the relevant parts#so maybe I can have her pay a smidge more attention for like a page or two and then call it good#anyways this does mean I will have to give the toy story a real name unfortunately :/#sighhhh. I hate naming stories soooo much.#maybe I can just pop open a random word generator and see what calls out to me
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yandere-romanticaa · 3 months ago
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˚˖𓍢ִ໋🍒✧˚.🎀༘⋆ 𝐛𝐨𝐝𝐲 𝐞𝐥𝐞𝐜𝐭𝐫𝐢𝐜.
❝ heaven is my baby, suicide's her father, opulence is the end. ❞ - lana del rey.
various! yandere! honkai star rail men on how they claim you ~
🎀 I just wanted to make a little post which features my favorite male HSR characters lolz. Also, there's zero reason why I picked the song for the title other than the fact that it is for the ✨ aesthetic ✨!
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❥ 𝐉𝐈𝐍𝐆 𝐘𝐔𝐀𝐍 !
What better way than to leave a mark on his beloved than by his mere presence alone? Jing Yuan is a simple man in his core, even if his tactical nature or even mischievous side can get carried away at times, The General is all too aware of his influence on the Lofu.
The sun could stop shining, the sky could fall and darkness could envelop the whole galaxy but not even that could erase the impact that Jing Yuan has left on you.
Wandering eyes follow you everywhere you go, quaint whispers have become a daily occurrence for you as the entirety of the Lofu knows who you lover is. Some praise and envy your position as The General is known to be handsome, kind and strong. They secretly spit at you and curse your very existence, nasty jealousy rotting them to their core as you march on like a solider to war, aimless and uncertain.
There is also of course the opposite end of the spectrum - adoring fans who just gush about your so called relationship with the dashing general. Hours are wasted scrolling away on your phone as you browse through the endless sea of lovey dovey articles, pictures taken you weren't even aware of that existed, and a plethora of other things you could even bother to remember.
All he needed to do was to just give you a nice golden collar to seal the deal. At least that would be the more obvious way of him trying to brand you as his own sweetheart.
He had his own little secret though. A velvet box was kept hidden away in his desk, ready to be opened on a special occasion.
Depending on how you got on with the general in the future, the little thing in the box was either going to make you the happiest person in the world or, he really would finally shackle you with gold.
❥ 𝐒𝐔𝐍𝐃𝐀𝐘 !
Sunday, ever the gentleman, would try to remain subtle about his feelings towards you in public. There are just some things that you do not do, nor share with the outside world.
This is a rule he always tells you to follow.
Still, all he needs to do is to speak. Honeyed words fall from his lips like candy, always so sweet, so addictive, so passionate. Even a man like Sunday, who is known for keeping his cool, cannot hide his infatuation with you. He rambles and rambles, sometimes even losing himself in his thoughts as he sings his praises for you, like the lovesick fool that he is.
Sunday likes to think that he is being cool, suave, but he is literally anything but.
Sometimes, he gets a little too carried away. Sometimes, his darker desires get the better of him, which can set you off a little. He's always so sweet and apologetic whenever he upsets you...
Please, he says through gritted teeth.
Don't mind my ramblings. They don't mean anything. Truly, they do not.
Disregard those pleas entirely as they are nothing but hollow. All one needs to do is to look into his crazed eyes, and that is where you will find out just how true everything he's saying really is.
❥ 𝐉𝐈𝐀𝐎𝐐𝐈𝐔 !
This sly fox has such a hard time keeping his hands to himself... In all honesty, can you even blame him? Whenever he sneaks up on you, Jiaoqiu cannot help but to place his hands literally anywhere on your soft body and he is not shy about showing his true feelings.
Bearing his pearly white fangs, Jiaoqiu likes to bite from time to time.
The desire to do so is further enhanced with every sweet noise you make. Now now, don't cover your mouth, be nice! Every squeal, sigh, groan, even scream are so precious to him... Don't deny him the pleasure of not being able to listen to you.
It's very cruel of you, he says with a pout.
In the cover of night, he likes to trace the markings he left on you with his tongue, maybe even adding even more marks in the process. If you bleed a little, it's all fine and dandy.
You always taste sweet to him.
And the thought of other people being able to see the red bruises which bloom into hideous purple in green bruises on your neck... My goodness, he thinks to himself.
He could just devour you whole.
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sizzleissues · 9 months ago
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Its May.
Okay so this is in the same AU I had last year its just changed and evolved while also being the exact same. Except now I have 15,000 words of it written, like 7,000 words of planning and lore and hours upon hours of research that I will be pointedly ignoring. Will be posting more stuff this month about the AU and my hopes and dreams for it
Also slight art improvement check? I’ll put their original mermaid designs below the cut.
It’s Marinette as a mermaid and … its not Adrien or Chat Noir but a third worse thing (Catwalker but in the purest manifestation of it being a curse and not who he wants to be) I will be making designs for mer!Ladybug, and mer!Adrien as its own thing later on.
Okay if you want to indulge me look below the cut
Old mermaid designs first. I am going to be talking about my design thoughts, thoughts and ramblings about this AU and what I’ve been up to. You have been warned
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As you can see, some things have changed but neither design I hated, I just wanted to go further with it.
My brain is quite specific about mermaids and how I want them to generally look. I wanted to distinguish biological merfolk from transformed humans by having them being anatomically different. So Adrien has a vertical tail instead which is also way faster underwater. His transformation is quite distressing for him and very chaotic. Of course when he accepts it he’s not so raggedy.
Marinette similarly avoids her life as a mermaid by becoming human and I wanted her mermaid design to hint toward her fascination with humans. She wears a top she fashioned from human fabric she found in a sunken merchant vessel. In general all other merfolk either forgo clothes or wear things fashioned from materials available to them. There’s deep fear of humans and human things so even though human clothes are available to them (off dead bodies but…. Whatever) they choose to difference themselves as much as possible. The same taboos don’t exist for them and their bodies are already adapted from the temperature of their environment. Adrien has stray bits of netting and seaweed on him because he’s not exactly the best at controlling his speed and often crash’s through fishing nets and patches of seaweed resulting in stuff being caught on him.
A lot of their designs are still being worked but I’ve definitely pushed them the right direction!
On to the AU. You might have seem me cryptically talk about something I’m writing the past few weeks. This is because it’s been in my brain since last May and been on and off writing it since then. I decided I’d talk about it once May came back around but and then when I finished writing it, start posting sneak peaks and more spoilery art until it was fully edited and I felt confident in it to post with an aim for it to finish posting once May rolled around again. Oh god.
It’s set in the late 1700s in a fictional version of France that’s actually fragmented over a bunch of islands. I have done more fashion research than I ever thought I’d do and in the end we will still be taking creative license but know I do know what they actually wore! I ALSO did a butt tonne of research about sailing ships and turns out they are super complicated and now I know too much and yet too little still about them. It should be super fun and action packed if I can manage. Have some really good scenes already in my head I know you’ll love. We’re already three ships battle deep and I’ve only written four chapters. (It chills out for a bit after that)
This is entirely self-indulgent by the way. I’m writing this for me, you guys are just a bonus. I literally don’t care as long as it satiates my rabid need for the fic that only lives in my brain at the moment. Saying that, I do want to put my best foot forward.
The next thing I will be posting for this is their human forms and more blabblerings about that. For I am insane and all.
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moonferry · 7 months ago
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yk when u want a specific type of content but it like doesn't exist so u have to make it urself..
anyway have some bachelors x masc farmer ideas/headcanons/rambles. idk i just say words. long post so strap in, folks! honestly these could be considered gn if u squint bc i don't really use masc pronouns in the writing, however there are mentions of masc labels (boyfriend, husband)
mentions of internalized homophobia + depression
i may do bachelorettes x fem farmer next so stay tuned :3
harvey:
- wears his boyfriend's/husband's shirts. literally no exceptions. if you wore it, he is going to wear it too. you left a shirt at his place? oh. it's his now. and he's going to be smiling the entire time he wears it. this being said, i think he'd totally be like T____T it doesn't smell like you anymore and ask for a different one.
- loves to compliment your appearance or just you in general (in my play through he literally says "you look so handsome. did you shave?" like 3 times a week)
- personally, i see harvey as being bisexual + super open about it. like everyone in town supports him & they're so ecstatic for him when they see he has a boyfriend.
- if you have yet to ask him out, though, and he's realizing his feelings i think it would be very hard for him to hide them. someone could be asking him something and you walk into the clinic? his entire train of thought is GONE. i'm talking they have to wave their hand in front of his face to get his attention back.
- don't even get me STARTED on if you propose. he'd literally walk into the clinic, slam his coffee on the reception desk and be like, "MARU, LOOK." pretty sure he fainted and maru had to fan him back to consciousness.
elliott:
- despite elliott's openness with his own sexuality, i think he was terrified of your rejection. not too terrified obviously because something something inspiration from painful experiences yada yada. if you ended up not being interested in him, he probably would've gotten over it - but don't be surprised if you notice some strange subtext in his writing. he's a romantic writer - if he has feelings, they're going to get written down. sorry folks.
- but * yay * you didn't reject him, so elliott is still inspired. maybe you even become the next love interest in his newest novel? who knows.
- in his 14 heart event, he writes a series of letters to you because he has to leave pelican town for a week. i absolutely loved this idea and i think elliott would do this even if he was in the town. they could be something as mundane as what he did that day/week and he just. put it in the mailbox. you still enjoy reading them, though.
- i think he absolutely loves using "my" like "my man", "my husband" "my beloved" just anything, really. he loves you so much - and he knows he doesn't own you, obviously, he's just so glad he is lucky enough to call you his.
alex:
- i think alex was TERRIFIED of falling in love with you. in his 10 heart event, he mentions telling himself that he shouldn't experience these feelings for another man. every act of kindness you showed him ate away at his heart and it drove him crazy.
- i think he experienced a little internal homophobia before finally realizing that it was okay. it doesn't help that george is so adamant about him finding a girlfriend (and that george has a little homophobic arc 🥲). alex probably internalized these ideas and pushed himself into his gridball/weightlifting obsession to quiet his mind.
- after he finally worked up the courage to tell you how he felt - and was entirely relieved when you felt the same way - it was as if a weight removed itself from his chest. he could finally breathe again. the world seemed different - in a good way. colors were more vivid, sounds were more pleasing to hear, the earth felt solid underneath his feel for once. he wasn't afraid of anything, especially not with you beside him.
- now, he proudly walks around the town with your hand in his, smiling to himself.
- sometimes those thoughts start to seep back in, though. like when he's about to sleep at night and his brain just can't shut up. he starts to hate himself again, and then he feels you press against him or hears you mutter in your sleep and his heart softens.
- also he got george and evelyn shirts that say "i love my gay grandson" they wear them proudly.
shane:
- surprised that anyone took a romantic interest in him, not surprised by the fact that you're a guy.
- i don't think shane has a "preference" for dating someone, he goes based off of vibes + personality rather than gender or appearance. he also doesn't label himself or his sexuality/romantic attraction.
- he's definitely a shirt lender. like you see a nice jacket in his closet and you're like "hey, hun, can i borrow this?" "sure."
- thinks you look amazing in his clothes. probably puts the best ones on hangers (or at the top of the clothing pile) in hopes that you'd choose them.
- even if he doesn't show it outwardly, he's super afraid of losing you. because of his mental illness, he can't help but think that every good thing he has will be taken away from him or that he "doesn't deserve" them. (he does, and you often remind him of this if he gets too into his head).
- i picture him reaching over and placing a hand on your arm in the middle of the night JUST to make sure you were still there and not the universe playing a cruel joke on him.
- can cook, but he's so used to making frozen dinners that he often forgets to.
- if you're taller than him, forehead kisses are a MUST. he will not let you leave the farmhouse until he receives his daily forehead kiss.
- i think he loves being the little spoon. it just makes him feel safer, more grounded in a way. he's been at the point where it feels like nothing is permanent and it can all end in the blink of an eye, so being spooned helps him realize that it isn't all that bad and that it will be okay, given the right time and effort.
- shane definitely falls asleep on his husband's chest like.. once a week.
- because mental illness is a constant battle, i imagine shane still gets "bad days". but don't worry! his loving husband is here to help. shane's depressive episodes usually consist of lying in bed (often for days at a time) and it's extremely hard for him to do anything. but the farmer is used to this - he's definitely read up on mental health books and how to support someone with depression. the farmer never tries to force shane out of bed or tells him that he needs to "get over it". the farmer often checks on him in between their farm duties. i imagine when the farmer is completely finished, they sits down on the edge of the bed and play with shane's hair or rubs their hand up and down his back:
"hey shane, are you okay?"
"i will be."
"i love you, chickadee."
"i know."
"do you want some ice cream?"
"yes, please."
sam:
- by far, the most "affectionate"? in a way.
- sammy loves pda im sorry. if you two are walking along, he has to be touching you in some way - whether it's holding your hand. your arm looped through his own, your hand in his hoodie pocket, etc. he just needs physical contact. i also think he'd look at you with big, wet eyes and wait until you kiss him.
- he takes you to band practice !!! seb and abby don't really mind, and you even offer some input on how they should approach their next song.
- absolute golden retriever boyfriend. can and will curl up on your lap and cuddle against you (even if he's ridiculously tall and lanky).
- if and when you attend all his shows/concerts, he definitely pulls you on stage once the set it over and kisses you publicly - sebastian and abigail just roll their eyes (this happens every single time. they're used to it).
- probably has your name written on his guitar.
- i think kent and jodi would be some of the most supportive people ever - they're just happy their son found someone to be with, regardless of gender.
- i think kent would probably sit you down and give you "the talk" about *grumble grumble* if you break my son's heart *grumble grumble*. not that you would, obviously, you adore sam. but kent's words do put the fear of god in you - this is the man who sends you bombs in the mail as a "friendly gesture"
- don't let that fool you, though, kent will be an absolute waterfall if you and sam get married. i also think he'd be more of a "ask for his blessing" before proposing kind of guy, but he'd give it willingly.
- sam loves it when you run a hand through his hair (if he had a tail, it would be wagging).
- sam puppyboy au? thinking thoughts...
sebastian:
- i think the only one surprised that seb has a boyfriend is seb himself. he always pictured himself a "loner for life" and DEFINITELY didn't expect to fall in love with this weird farm boy.
- he probably spends more time at the farm house/wherever you two hang out than his own home. but who could blame him?
- he was so confused about his feelings that he ended up talking to maru for help (crazy, right?) the two of them built a pillow fort near maru's telescope and spent hours talking. it was quiet nice. this helped him realize two things: 1) maybe his sister wasn't all that bad and 2) he was DEFINITELY in love with another man. he didn't know which was more confusing.
- i think sebastian likely confessed first in a sort of "nonchalant" way. i think the conversation went like this:
farmer,teasing: "oooh, you wanna kiss me sooo bad it makes you look stupid."
seb: "yeah, i do."
neither of you were prepared for that. i think he would ease the tension by just. ignoring what he just said.
- i think he smiles like a frog . a sort of :} if you will. like bulbasaur.
- speaking of bulbasaur, that is definitely his favorite pokémon. oh and froakie. he just like the little frog dudes. would love you forever if you won him a plushie from the claw machine.
- it's no secret that seb often thinks no one would notice if he left, but getting closer to you made him realize that.. someone would. and maybe that's enough.
- if he stays up late working on a project, just walk over to his desk and wrap him into a back hug. bonus points if you voice is gravelly from sleep. "let's go to bed, sebby." he'd melt. like full on puddle on the ground.
- because sebastian is like 5'6 you'd think he enjoys being the small spoon. WRONG!!! he is a big spoon exclusively. you don't mind, though.
- he would die if you played with his hands while cuddling. please give this boy some physical affection. he deserves it.
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meo-eiru · 4 months ago
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Hihihiii :3 Hope you're having a great day author!
This is my first direct interaction in this website generally speaking, so what better way to start than rambling my head off about the twink slutty baby? YES. Lavi. That cute whore that's been on my mine for a good while now...I want to kiss him, want him to cuddle me so bad grrrr I want to rim his pretty ass and use it as my only life source for the rest of my mortal existence. I want to follow every single one of his instructions on how to please him while he guides me with that shit eating smug grin '>:3'. I totally see him as a power bottom, riding my strap effortlessly while he pins me down telling me how much of a pathetic virgin I am and how fortunate I am to even be touching him, how lucky I am that he's willing to teach me how to make him feel good, how he'd laugh once I'm exhausted and he keeps nonchalantly bouncing still with his endless incubi stamina...MMMM...But also, I want to hit his ribs each time he throws an annoying tauntrum, or make him whimper each time he breaks something expensive, I want to sneak into his phone and watch just all the dozens of porn he has in his gallery along with his search history, I need to make him cry so hard until we're both doubting who's the real pervert here...I NEED to peg him. I NEED to spank his cute jiggling ass until it's red and sore. I need to make him deepthroath my strap and perhaps give me head. I NEED to grope his cute small chest and nurse on his rosy nipples while he tries to make a teasing remark only to be interrupted by his own lewd moans. I NEED to watch how all that lube and cum slowly leaks out of his puffy hole with profane sounds while spreading his supple asscheeks further apart as he whines and mewls begging for more. I NEED to cuddle him from behind while I finger his thight whorish asshole, I NEEEED to give him some genuine, gentle love-making while kissing his pretty face and cooing sweet nothings into his ears while he grabs onto my neck thightly saying shamelessly how good it feels.
I want to give him goodnight kisses on the forehead, cheeks, nose, eyes, tummy and finally his soft lips. I want to feel him clinging onto me with his limbs (and tail of course) while we sleep, even better if he craddles my head on his chest. I might even forgive his murders if he promises to be a good boy with a pretty pout even though he'd probably be crossing his fingers behind his back. I want to do each other's hair and nails. I want him to listen to the music I listen to (Rabbit Hole by DECO27 would be SO him). I want to see his deadpaned and disdainful face when I tell him all my bad jokes. I want to go out with him at those aesthetic cafés and buy him everything he wants even if I won't be able to buy anything else for a while. I want us to get matching couple cheesy things. I want us to do lovey dovey stuff together and maybe a kiss that doesn't end up looking out of a hentai. A wholesome one. I want him to live on my lap. I want him to try make him wear decente clothes from time to time. I want to see his reaction once my mortal life comes to an end. (If he cries and gets depressed he'll look so pretty but if he laughs he'll also look so pretty). I want to show him off to my friends even if I know he's probably the type that types 'uwu', ':3' or 'nya~' either satirically or not. I would bear the cringe for him. I want to send him memes and reels and, overall, just hear his laugh because I'm sure it would be gorgeous just like him. <3
He literally lives rent free in my mind this is a call for help. I crave for more Lavi content.
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I'm not horny. You are.
Anyway, thanks for the constant posting! I love how you write your characters and draw/paint! You're one of my favorite artists. Eat well and have a good day/night. :)
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Oh my dear GOD this was a ROLLER COASTER
I don't even know where to start. Alright so first of all, this is so deliciously written omg??? You made me put Lavi on a plate and eat him I bet he'd taste like cake. The contrast between the wholesome parts and the extremely unholy parts were crazy I felt like I was in a car that randomly speeds up and down
Rabbit hole is indeed very Lavi, the animation fits him so well as well. If I knew how to make them I'd definitely draw a Lavi version. And yes he's definitely the type who'd type "uwu" and ">:3" unironically
THE DRAWINGS ARE SO CUTE AS WELL!! HE LOOKS SO ADORABLE LOOK AT HIS CUTE LITTLE FACE AND CUTE BUTT
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necrotic-nephilim · 5 months ago
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@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.
so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.
a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.
and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.
so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.
beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.
because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.
and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.
and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.
and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.
people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.
it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.
#necrotic festerings#batfamily#batfamily meta#dc comics#fandom meta#fan studies#fanon vs canon#i deleted paragraphs of this to try to make it shorter. it failed btw.#anyway i got into comics when i was like 12 with the dark knight returns#and if i hadn't been into this medium for a decade i don't think i would be able to get into it as an adult so i get it#bc i'm trying to get into marvel comics and fuck ME am i confused as fuck.#do marvel comics have like. an equivalent to crisis events?#is the ultimates like their version of the new-52? i do NOT know#it's so hard and daunting so trust me i get it#if you never wanna pick up a comic god i respect you you're so right this is fucking miserable#i want to live and let live in fandom but *god* i'm struggling here#i used to bend to the will of fanon fun fact#i wrote my share of tim and jason fics playing into fanon tropes. god i hate them *now* but they did fucking numbers.#and i used to care more about getting attention in fandom than being accurate#i've matured now. it's why i write on anonymous so much to remind myself this should be for me.#anyway i could do a character study on every batfam member as fanon vs canon#ESPECIALLY tim and jason. i know so much about them trust me.#jason todd fans annoyed me so much i once sat and read almost every fucking jason comic. i didn't even like him.#but i tell you what i know that man and he will never leave my top five characters on league of comics.#this is so long. is anyone going to read all of this.#if you do you're a fucking trooper i'm saluting you.#this isn't even all of my thoughts i had to condense myself.#bc i also have thoughts about how this means some characters no longer get to exist outside of the batfam#because they only exist as a member of the unit#ergo we have very little current content of helena bertinelli or onyx adams or duke thomas
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a-substantial-trash-pile · 8 months ago
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hey guess what. it's finally time for my Stardew Valley Loredump. i’m about to ramble about my farmer and yo-yo/yoba and shane in a probably long-ass, disjointed post because i have a problem ok. not expecting anyone to read it all of course—just want to finally write these brainstorming shenanigans down. the loredump will be below the cut below the image 👇 (WARNING: IT'S LONG):
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SAMUEL IZAWA:
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*samuel is 28 years old, pan, japanese okinawan (no im not self projecting hahaha), and goes by he/they. main thing is that they’re from “our world” where stardew valley is a video game, but he died and ended up in the stardew universe. because i think isekai tropes are fun and silly. as the player, samuel can do things others in the stardew world can’t do, such as: 
summon the in-game HUD that’s only visible to him, so he can see health/energy levels and inventory and all that.
speaking of inventory, it’s essentially a pocket dimension samuel can shove stuff in. the inventory doesn’t really care about size/weight/etc as long as it’s something the system considers an “item.” so like samuel can put a whole ass four poster bed in there but he can’t do that to a person or a whole house. samuel just needs to touch the item to make it disappear into his inventory. he can then summon it back out when he needs it. the game’s inventory limit system remains the same. samuel gets 12 slots on their own, but if they have a bag on them it increases to 36.
can access the player menu you can normally access in game. so like profile, skills, collections, relationships, etc are all there. no options or quit tab though. having the relationship tab is a nightmare for samuel, who has major insecurities about what people think of him. that tab is a quantifiable measure on how much people like him. it a real brain demon for him to know it exists and is right there for him to access anytime. 
can see the “stats” of food and healing items. hp/energy recovery amounts, buffs, etc. 
*funny thing is that samuel has never played SDV himself and only has knowledge based on what he’s heard and seen online secondhand. ironically he was planning on playing the game for the first time before the whole dying thing ruined it. they can’t even remember how they died, but it doesn’t bother them as much as they think it should. they didn’t leave much behind in that life.
*anyway, i’m talking a lot of game terms here, but don’t get it twisted. while samuel has all these game systems going on, the SDV world is very much a real one that doesn’t normally work by that logic. by that i mean time flows normally like in our world and there isn’t just 4 months in a year. things exist outside the valley. there’s a whole planet of places and people. 
*luckily samuel has help in navigating this new world in the form of yo-yo the junimo, who is the first living thing samuel sees when he first wakes up in that joja cubicle. yo-yo helps explain a lot of things and guide samuel around in its own abrasive way. he’s also there to be like, “hey i gave you a second chance at life so you kinda owe me actually. sign this contract.” and samuel, who is a pushover and also confused, is just like, “ok.” (yo-yo sounds like danny devito btw. because i think it’s funny.) 
*i call the contract a “magical girl contract” because that’s essentially what it is. samuel gets access to extra powers/abilities on top the stuff he can already do as a player. in return he fights monsters n shit for yo-yo and generally does things for them that they can’t do easily on their own. the extra benefits include: 
higher pain tolerance. which isn’t always a good thing. especially when you tend to not be great with self-preservation like samuel is. 
can heal most injuries by just eating/drinking stuff to regain hp.
yo-yo can teleport the both of them around as needed, but it’s tiring and it drains a lot of magic. distance matters too.
yo-yo can spawn items but it drains magic as well. the more valuable/rare the item, the more draining it is. spawning items is already a magic-intensive thing in the first place. also yo-yo isn’t creating the item out of nothing. they’re actually randomly taking it from wherever it already exists in the world. for example, say yo-yo “spawns” a jar of pickles. somebody in the world is going to open their fridge and discover their jar of pickles is missing or maybe a grocery store will have a sudden empty spot on its shelf. yo-yo doesn’t have control of where the items are taken from (or so they claim).
samuel and yo-yo’s magic pools became connected so they can both do more than they could do on their own before. this is one of the reasons why yo-yo wanted a contract with samuel, who has a larger magic pool than normal due to being from another world. but it’s possible for one side to use up all the magic for the both of them. 
*samuel’s personality can be summed up as Awkward People-Pleasing Tired Sad Garbage Dork. either he’s dressed like a grandparent in sweaters and turtlenecks or he’s wearing a button up shirt with the collar undone and jeans. they usually have their neck covered in public to hide the mark of yoba embedded there. he has a “resting bitch face” as some may call, but that’s just because his brain is busy over-analyzing 193828 different things. he loves being outside in the grass and dirt, looking at bugs n shit. he’s also a nerd who likes to play video games and ramble about the lore in them (he likes RPGs the most, but if the game’s got a good story and cool world, he’s into it). they like to do things with their hands like model building/painting. in their new stardew life, they get into woodcarving after willy teaches them the basics (he carves shane a little chicken). 
*samuel does NOT know how to say “no.” absolute pushover. their self-worth is based on how much they’re liked by others, which isn’t healthy obviously. he has a fear that the only way he can be liked is by being useful. he’s scared that he is inherently a bad and selfish person, because he can’t say for sure if he’s helping others purely out of kindness or because it just makes him feel better about existing. deep down there’s anger/frustration that’s accumulated over the years, anger towards himself and also others because he’s always doing things for other people—going above and beyond—but it never feels like enough. at the same time though, they hate it when these thoughts come up because they believe that you shouldn’t go into helping somebody expecting that you’ll get something out of it. he hates how much of a hypocrite he is. he hates how he bases so much of his self-worth on the opinions of others, but feels helpless to it. they usually just push these emotions down because samuel feels guilty about them. how can they be a good person if they’re thinking like this? how can they deserve to exist with this mindset? however they get a chance to let out the anger/bitterness/frustration through fighting monsters. kind of disassociating in a way. this also isn’t a good thing because his demeanor is much colder and scarier during combat. having someone who’s felt powerless for so long suddenly gain power is a dangerous thing.
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*this mindset when monster fighting shatters when samuel meets krobus and realizes that monsters aren’t just the simple enemy NPCs their brain had been automatically categorizing them as. guilt galore. he gets real depressed about that for a while but yo-yo, krobus, and shane are there to help him. 
*SPEAKING OF SHANE… it’s crush at first sight for samuel because hot damn is shane their type. i mean just look at him. mamma mia. haha anyyyway, they first meet at the stardrop saloon. samuel’s waiting at the bar for his to-go order near where shane is drinking. shane’s looking sad, so samuel gives in and decides they’ll start a convo to maybe distract him from whatever’s bothering him. samuel employs the “crack a dumb joke to hide the fact that i’m nervous because i’m talking to a hot person and then use that opening to introduce myself” strat. shane, being an asshole, is like, “oh so you’re the new farmer. here’s a tip: don’t bother me.” samuel takes 999 damage and their brain immediately goes “THIS IS MY FAULT I FUCKED UP like who wants to be talked to by a stranger when they’re sad goddammit why am i so bad at this?!!” it’s overall not a great first impression. after that, samuel tries to avoid shane out of embarrassment, but circumstances keep making them run into each other. for instance, samuel works a lot with marnie with her being a mentor figure to him in animal husbandry, so he and shane have a lot of opportunity to interact through that (plus marnie is secretly trying to get them closer to each other). through these meetings and shenanigans, samuel and shane get to know each other better until one day they’re friends. then good friends. then best friends. then kiss friends. then marry friends. :)
YOBA (A.K.A. YO-YO): 
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*yo-yo is ????? years old and goes by any pronouns but most of the time it's it/they.
*yo-yo is actually THE yoba, but they’re not the completely benevolent creator-of-all-things humans have made them out to be. maybe they were in the past, but now they’re selfish and rude and swear a lot. but they do still care, even if they don’t admit it (tsundere-ass). yoba is currently stuck in the form of a little junimo and is substantially weakened because it gave too much of itself away to the world in the past and got burned for it. because the world kept taking and taking. and now there’s war and pollution and shit and yoba/yo-yo is maybe just a teensy tiny bit angry and bitter now. but it’s ok because now they got this human from another reality to help them reclaim the pieces of itself. and maybe along the way relearn how to love the world again.  
*oh also yoba didn’t create the whole planet like the creation story claims. they’re technically an alien that came across a young planet full of life and decided to stay and help it develop. 
*main reason yo-yo made a contract with samuel is because it needs help finding/reclaiming the pieces of itself. pieces can usually be found in strong monsters empowered by the piece. this isn’t always the case though. sometimes it’s in an ancient artifact. sometimes it’s in a specific place like a temple. sometimes it’s in a person. 
*samuel doesn’t have to deal with having an existential crisis about yo-yo, since he’s from our world where yoba doesn’t even exist as a god. yo-yo claims to be the one responsible for bringing samuel over into the stardew universe, but there are holes in their story. where did yoba even find the power to do such a thing when they’re in such a weakened state? mysterious. 
*the first time yoba reveals itself to shane is kind of chaotic. it’s in the middle of the night when yo-yo suddenly appears in shane��s room, grabs his face with its little stick arms and yells, “WAKE UP!!! YOUR BOYFRIEND IS IN MORTAL PERIL!!!” shane is like, “WHAT THE F–”     it was an act of desperation on yo-yo’s part, because samuel was in trouble and shane was the only one it could think of going to for help. essentially samuel meets something Bad in the deep mines, something that takes him out of commission and puts him in a trance state while draining his lifeforce. y’know, the classic kind of trance state where you need to figure out how to get the person back–how to snap them out of it. yo-yo tried and failed, so that’s where shane comes in. it’s the classic “love-interest-breaks-main-character-out-of-mind-control-with-sheer-power-of-love” trope. except shane does punch samuel during it. lovingly. in the face. hey it works ok.     after the chaos is over and everyone’s safe and gathered together, samuel and yo-yo explain everything to shane (well more like samuel explains everything while yo-yo wishes outloud that they had their memory erasing powers back). shane, who is canonically an atheist, learns that this talking pottymouthed jerkass apple is actually THE yoba and is just like, “yeah. this might as well happen.” and then he remains atheist because what else are you going to do when you learn that god is a talking pottymouthed jerkass apple who calls you a bitch and is also responsible for your partner having to go do dangerous shit. he and yo-yo have a rocky relationship at first to say the least. but once they both realize how much the other cares about samuel, things get a little better. 
*yeah, yoba may be a bitch and they may be angry and they may be bitter, but they really do care, even if they try to convince themselves otherwise. even though so much got taken from it, it still cares about humans and dwarves and shadow people and everything else on the planet. and when it eventually comes down to it, yoba will step up to protect what it loves, even if it means losing everything again. 
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SHANE FINCH: 
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*this post was technically supposed to just be about my farmer and yo-yo’s lore and stuff, but i gotta give some personal headcanons i have about shane… like for instance his last name is “finch.” because i thought the bird theme was cute. he’s 29 years old, bi, and half asian, half white (in our world that asian half is korean). i’m not being specific because i don’t know if korea even exists in the stardew world, since all we know in the game is that there’s a “ferngill republic” and a “gotoro empire.” i was thinking of just headcanoning that stardew’s planet is essentially the same as earth. so like most of the same countries/nations exist except the history diverged a bit along the way, leading to the ferngill republic and gotoro empire. OK SORRY for the tangent—back on topic.
*so shane is a trans man who started transitioning back in high school. he had two best friends who were very supportive and really helped him on his journey to figure himself out. those two friends were like family to him. it was good that he had this support because his parents were always pretty shitty and shane transitioning just made them act even shittier. the only good family member of shane’s is marnie, who was supportive, but she lived far away, was busy, AND wasn’t on good terms with her sister (shane’s mom), so shane didn’t get to see her much. 
*the moment shane became a legal adult, he got away from his parents, finding a place with his two best friends and moving in together. oh and his friends’ names were rosa and heath. should’ve probably mentioned that earlier oops.     shane, rosa, and heath go to the same college together, suffer student loans, graduate, etc. haven’t thought of what shane would get a degree in yet—most likely something “generic” because he’s unsure of what he wants to do himself (i feel u bby). 
*ok so rosa and heath were dating since high school, but they were so comfortable with shane and vice versa that things never got that awkward living together. however when rosa and heath got married (“yoba, FINALLY,” shane would say), shane felt like it was time to find his own place, much to the devastation of his bffs. the apartment ended up close to where rosa and heath lived of course—the couple made sure of it (“stop backseating my apartment hunting!” “MAKE US”). 
*rosa and heath get pregnant and have a healthy baby girl that they name jasmine. i headcanon jas as black (from heath’s side) and portuguese (rosa’s side). everyone is thrilled about the baby. shane was immediately offered godfather role and he happily accepted. jas was the cutest baby ever and he adored her. he babysat jas all the time. 
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*jas was 4 years old when rosa and heath tragically passed away in a car accident. they were coming home from a business dinner when they lost control of their car on some black ice and slid into oncoming traffic. shane was babysitting jas when he got the call. in the span of one cold winter night, shane and jas’s world shattered. 
*rosa and heath didn’t have any reliable relatives either. those relatives only came to take the money and belongings. shane was the only one jas had, so he adopted her. he tried his best to pick up the pieces. he really did. he lasted for a year trying to raise a kid on his own with the salary of a dead-end job, but he knew the situation wasn’t good with the money and how much his mental health was spiraling. he knew he and jas were in dire need of more support (“jas deserves better than this”). so he turned to the one person he had left to rely on: his aunty marnie. and that’s how shane and jas ended up in pelican town.
*shane’s joja jacket was actually originally rosa’s. rosa worked as an accountant for joja and would get free promotional items all the time from the company. the jacket was one of the only things she actually ended up using because “it’s pretty comfy for being joja bs.” she would wear it all the time, much to her more fashion-conscious husband’s chagrin (yet he would patch up any holes she’d get in it anyway). after rosa died, shane kept her jacket. there were a lot of memories in it. 
~~~
ok that’s it for now. if anyone actually read all that, thank you for even wasting your time to process my ramblings. i’m sorry it’s so fucking long like jfc.
*who is mr. qi?
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starlight-drive-in · 1 month ago
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I'm in my feelings about THE Emmrich decision and the fact that over half of players chose it?! Disorganized sappy rambling below.
I had seen a spoiler after starting the game the Emmrich could become a lich before I had the quest in game (and before I had really gotten a feel for his character) so I wasn't surprised when he told me about the possibility and I wasn't necessarily opposed to it at first. It sounded - at surface level - pretty cool and like a solution to his fear of dying.
I was considering romancing him at this point and thought a romance with a lich sounded interesting enough, my Rook was a Mourn Watcher, so it made sense to me that this wouldn't bother her all that much. (At this point I didn't know it was a choice between that and Manfred)
But the more I thought about and the general trend of immortality corrupting a person, and thought how tragic it would be for Emmrich lose his joy for life, his childlike wonder, his kindness, or even how immortally would impact his capacity for love the more i strayed away from "letting" him do it.
Now include the fact that Manfred shows all that new potential right before he gets ripped away? How excited Emmrich was to hear Manfred talk? How he kneels down to Manfred's height to encourage new words from him right there in Hezenkoss's basement. It really clicked for me then that Manfred isn't just a friend or a assistant to Emmrich, no. That is his son.
As soon as Manfred is crushed, he immediately takes him to the lich lords, I think he knows they aren't going to let him have his cake and eat it too but he takes him straight there regardless. He doesn't teeter on the decision the way he's been teetering on the decision of Lichdom.
It's only when he considers "should" that he falters. He says something to the effect of, "What kind of Watcher would I be if I can't accept death?" In that moment it felt to me that he wasn't choosing between Manfred and Lichdom he was choosing between what he wanted and what he thinks he should do, who he thinks he should be and his duty to the Watchers. I wanted so badly to be able to say something like "Forget about the Watchers, what do YOU want?"
Post decision, Emmrich doesn't seem to have regrets about not becoming a lich? Sure he wonders what could have been but we don't hear about companions overhearing him mourning his lose of immortality, and Manfred seems to give him a new lease on life immediately. In the scene after we revive Manfred, Emmrich's literally so proud and happy? Plus he pretty much says "no regrets". I can understand that maybe people think Lich Emmrich is more inline with what he "should be" and that's the way to go, or maybe people just think lich's are cooler and skeletal sons... who knows. The stats just really surprised me given that you make that decision after the heartwarming scene of Manfred's first words.
After hearing some of the post-lich banters (that ripped my heart out), I want to know how many people re-loaded that decision, especially if they romanced him. But I also understand that TragedyTM has its own appeal.
I watched the romanced version of the lich scene and the scene itself has it's appeal (and a waaaaay earlier love confession than human Human Emmrich but it makes sense) but as for the rest of his existence, I prefer the happy family ending. What can I say?
I have waaaay more thoughts on this and the angst potential of the lich path but that's another post entirely.
If you read all this, you are amazing and I hope you have a wonderful day, or your day gets better if its going poorly.
P.S. if you chose Lichdom, absolutely no hate, you do you. I'm just a sap.
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sbk-prompt-week · 1 month ago
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☁️Welcome to skyblock kingdom’s prompt week event! This will be running from January 19th to January 25th, 2025. Modded by @in-the-multiverse
☁️Use #sbkpromptweek to participate
☁️Below the cut are FAQ (please read through them) and a little ramble about each prompt to spark ideas or inspiration (optional to read). Have fun creating! :D
What is a prompt week?
It’s a scheduled fandom event dedicated to characters, ships, or fandoms in general— usually with a list of prompts or themes to inspire and encourage fanworks. They’re announced in advance and fanworks are posted on the corresponding days of the week. In this case, it’s for the sbk fandom as a whole! This blog will be archiving all creations submitted as long as they follow the guidelines
Is this limited to fanart and fanfiction?
Nope. You’re more than welcome to make moodboards, stimboards, song playlists, edits, cosplay and the likes! Additionally, there’s no art requirements or minimum/maximum word count. Anything ai generated is disallowed.
What type of content is allowed?
If it’s within a creator’s boundaries, it’s allowed (this information can be found in #member-info on the SBK Community discord). Tag accordingly for shipping or content warnings if your works contain them. Make use of the tumblr blacklist for topics you don’t want to see. If you don’t like something, don’t engage. Be respectful. And please be patient to those who haven’t stated what they are/aren’t ok with.
Can I post something late?
Absolutely! This isn’t an event with a hard set deadline.
Do I have to make something for every day?
Nah, you can make as little or as much as you’d like, at whatever pace you’re comfortable with.
I have a fanwork I’m already creating, can I submit it to this event?
If it fits within the prompts provided, yep!
Can I combine prompts?
Sure, just mention which ones you’re combining when you post.
Why isn’t my post reblogged?
If I miss something a week after the event is over, please reach out in an ask and I’ll archive it here. Late entries may take more time to be reblogged as I’ll be monitoring the tag less frequently.
☁️☁️☁️☁️☁️☁️☁️☁️👑☁️☁️☁️☁️☁️☁️☁️☁️
Bond
Have a pair or group of people you enjoy seeing together, or would like to depict together? This goes for friendships, romantic pairings, queer platonic relationships, familial bonds, etc. Is it unconditional love? Complicated? Yearning? Or perhaps something more abstract?
In a different world
AUs, crossovers, homelands that weren’t 99% void, we imagine them in a different setting! Maybe you’d like to add a fic or fanart to an AU that already exists, or maybe you’d like to come up with one of your own. Want to explore how the sbkers would react to being in a different mcyt series? Or meet other characters? Whatever your imagination compels you to create, go for it!
Fashion
Casual modern clothing? Royal outfits? Goth? Punk? Catmaid? Cottagecore? Let’s stylize those cubitos! Or maybe you’d like to spin this prompt another way. Does it extend into world building? Is it kingdom specific? The possibilities are up to you!
Horror vs. Fantasy
Wanna put a blorbo through the horrors? Are they the horrors? Or would you rather create something more whimsical? Depict fantasies of certain characters? Wanna do both? The canvas and/or keyboard is all yours.
Retrospect
What happened this season that you’d like to revisit? A fond memory, favourite bit, nostalgic beginnings, something that’s been spinning around in your brain since it happened. Or perhaps you’d like to retell a moment from a different perspective: through another character’s eyes, another narrative lens, etc.
Meme redraw / Crackfic
We get silly with it! Have a reaction image or funny stock photo you’d like to redraw the sbkers in? Maybe a show screenshot or random internet image? Or how ‘bout throwing these guys in scenarios where you don’t have to worry about getting Serious writing it? We’re cringe and free >:3
Free Day
You’re more than welcome to come up with your own prompt. Whatever you feel drawn to, whatever gets your gears going, have fun creating it!
☁️☁️☁️☁️☁️☁️☁️☁️👑☁️☁️☁️☁️☁️☁️☁️☁️
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toskarin · 4 months ago
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hey rin, a friend of mine enjoys composing music digitally and has a lot of respect for you as someone with more experience with that sort of thing. he has a hard time convincing the people around him to listen to the things he makes, in both the "finding an audience" way and "getting the people around him to give him their opinion on something he's working on way," and he wanted me to ask you if you could speak on your own experiences with those problems and how you've dealt with them. less related, he was also curious about your inspirations for the music that you make. i know this is a lot to cover, so if it would be easier for you to speak with him directly then please let me know
so I'll open by saying that, as far as people who can give good advice on this go, I'm probably not one of those. a lot of what I do only works because of some specific problems with my brain that are oddly adaptive to this sort of thing
that being said, this is a bit of the "tough love" kind of advice for surviving as an artist, so I'll make a second reblog for the second half of the question
this is either advice that will work or a ramble that will lead your friend to making his life unbearable, so look before you leap
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The Easy Section, or "You've Gotta Be a Bit of a Tradie"
let's go over the business stuff quickly before I start rambling at length about the boring stuff
learn to love the work itself. "find a job you enjoy and you'll never work a day in your life" is garbage, but creative work really is the one area where you should double down on this. kick back and bump your own album on release day, thinking about how every second of it is something that didn't exist before you put it together. this is what's gonna keep you above water when the wind is dead
get on bandcamp. there is nowhere better for small musicians right now. bandcamp is basically the last remaining website with an effective suggestion algorithm that caters to people who want to actively engage with music and buy it
consider getting on instagram. in the majority of places you're likely to live if you're reading this, the local music scene is on instagram. probably don't use your personal instagram for this
consider getting on soundcloud. you won't make sales through soundcloud, because it's a streaming-focused site (more on that in a moment) with a focus on passive listening, but it's pretty decent for networking, especially with digital music production. soundcloud is linkedin for deadbeats
stay off spotify. streaming generally isn't worth the trouble these days unless you're playing concerts or are otherwise already established. if you aren't uttering the words "you can find me on..." more than once a month, it's probably not worth pursuing a spotify presence to end that sentence with
self-promote. if you have platforms, use them. find the subreddit for your genre and post yourself on the self-promo day. consider posting some bandcamp album codes when you do this, not just so you can get word of mouth, but because someone having an album in their collection means you effectively have a permanent zero-cost advertisement for your music which will only show itself to people who are verifiably looking at something similar. companies pay dizzying sums for ads that couldn't dream of being this targetted. this is a big reason why bandcamp is THE place to be for small musicians
cross-promote and collab. work with your friends. if you don't have musician friends, go make some and then help each other out. "independent" music is a misnomer
blind yourself to the metrics. do not look at engagement metrics. pay them no mind at all. don't look at them unless you're trying to see how effective a specific, deliberate course of action was and already know what you want to find
remember that strangers are unknowable. people do things for arbitrary reasons. if you don't have someone giving you written feedback, don't make any assumptions at all about why they did something. skipped tracks and minimum-price pwyws mean nothing at all
present your stuff in a way that gives it context. why should someone care about your stuff? give them a reason. carve out an hour to really work on a nice album cover, go the extra mile and include track-by-track narrative with your dungeon synth album, or just describe what you're expecting people to buy. I firmly believe that NOMAD/VIRTUE was successful in large part because of its presentation
gimmick. gimmick gimmick gimmick. discount codes are more fun than automatic discounts, free album codes are more fun than free albums, contests are more fun than giveaways, so on so forth. lacking any physical goodies to bundle in, you should still endeavour to give people Something To Do that makes them feel like they're really engaging with your music
zero expectations, zero overhead. do not rely on the whims of complete strangers to justify whether or not you end up in the red. if you ever find yourself saying something like "I can afford to pay for a session musician because I'll just make it back" you can't afford to pay for a session musician. you're probably never getting bailed out if you eat a loss, so try not to put yourself in a situation where you can eat a loss to begin with
someone else's expectations, someone else's overhead. if someone else is paying you to make this music for a soundtrack or something, if (and ONLY if) you have the money in your hand and know you have it, you're no longer gambling. at this point, you can start to look at expenses as investment
now onto the less fun stuff. here's where I ramble for like an hour at you.
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if there's one thing I've really had hammered in over my decade-odd as a somewhat commercial artist (in all the disciplines I've worked with, which is most of them), it's that you have to be a bit of a bitch about it sometimes
that nagging fear in the back of your head that you're annoying? it's stopping you from doing what you need to do: annoy people
with that being said, this next section is kind of...
The Rough Section, or "You've Gotta Be a Little Hard-headed"
at the end of the day, you'll often find that you are your only advocate, and that means you kinda have to get your foot slammed in a few doors if that means holding them open. this also unfortunately means that you've gotta convince yourself you're pretty good. you don't have to think you're great, but confidence is a trade skill
the last opinion people see before the first time consciously engaging with your work (which here means "the thing that primes them for how they feel about it") is yours
which brings us to the first uncomfy rule
absolutely no cutting yourself down before anyone else even gets a swing
you can be modest if you want (you don't have to), but you absolutely cannot prime people to see the flaws in your work. if 50% of people are discerning enough to notice a flaw, why make that number 100%? what do you gain from that?
if something isn't as finished as you'd have liked it to be, but you've pushed it out the door anyway (which you will sometimes have to do), you absolutely cannot prime people to consider it unfinished
if the thing is still being worked on, there's nothing wrong with being forthcoming about that, but the fastest way to make someone think of something as "inferior product" when they otherwise would never have reached that conclusion is by telling them it is
and that, of course, leads us into a bit of an inversion of the previous rule
absolutely do not take the majority of your validation from strangers
doing this is bad for a million reasons, but I see the worst of this in visual arts, where artists double down on what gets them the most engagements and lay themselves at the mercy of complete strangers who have no actual investment in them
of course, it's normal to desire validation and approval from people you respect, but if you put yourself in a position where it's possible to enter a negative feedback loop that crystallises into you no longer making art from the default response of neutral apathy from strangers, it's not a matter of when: it's going to happen to you one day
so what's the move here? spend 8 years making music you don't release like you're in a compressed time chamber? probably not. I did it that way, but I didn't get much out of it, so you probably won't either
the actual answer is that you've gotta network. you need an inner circle. you need people with shared interests so that you can gas each other's stuff up
just like everyone else, you need your friends
you need to have friends who care about you, about what you're doing, and you need to care about them and what they're doing
this is because, while self-confidence is important...
the majority of your external validation as an artist should come from your friends and peers, not strangers
it's important to have artist friends, because then you can encourage each other in ways that are personally meaningful, but having your friends behind you, whether or not they're musicians, is so incredibly important
if you're motivated exclusively by success, however you're choosing to measure that, what you're actually doing is forming a nightmarish parasocial relationship with the concept of a crowd. not even a real crowd! a fictional group that materialises when you've created "the conditions for success"
there is no such thing as a truly independent artist. if your understanding of artistic success requires competition against others, you're going to lose that competition and then explode (unfortunately common)
finding your audience as an artist (and mind you, art is a social field) is very much a process of networking, but it feels gross to say it that way, so I'll just leave that at "if you want to be known by others, you need to be willing to know others"
anyway, this doesn't really terminate in a complete sentiment. I was just transcribing a train of though
if I were to boil this down to a shorter, snappier answer that I could read comfortably read out, it'd be...
TL;DR
the process of finding an audience is so much less about actually finding one than it is about learning to create happily whether or not you have an audience. developing an audience is the largely incidental byproduct of long-term creative efforts coupled with self-advocacy and interpersonal networking
if you want to be found by a scene, you have to participate in a scene, and if you want to participate in a scene, you need to be in the scene. so on so forth
as stupid as it might sound when I put it into words, the truth is that you can't build any kind of audience in isolation. someone has to find you somehow, and it's a lot easier to be found if you're actually somewhere that people might look
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hopalongfairywren · 1 month ago
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HElllo hi i heard you were willing to ramble about egg lore? (<- knows nothing about egg lore but somehow ended up writing a fic about the egg and i need to pay for my sins)
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Oh boy. Where do we fucking BEGIN! (This answer will be late and probably go on so many side tangents) Alright, so I'm just gonna recap the "smaller" events leading up to and surrounding the early part of the egg lore first. The Egg arc was so long I could probably make several long posts JUST for recapping the general events that happened in roughly chronological order as well as important tidbits to the egg lore. That's assuming either the ADHD spurred motivation fuel I'm running on while writing this doesn't dry up, or that I get the kind of motivation to write more posts this long from other asks like this. I'll also try to do more seperate posts on the more lore analysis-y side of the egg arc. So like how the egg's story was impacted on a more meta scale by the way the dsmp's story over all was being played out at the time by its' creators, the implications of its existance in both dsmp fanon and canon... IF I'm motivated to that is.
The Egg arc began when c!Badboyhalo found the "egg" in his statue room, which he was digging out to make way from the Dreamon Hunters (totally different lore plot, but that's for another niche dsmpblr blog) He soon showed it to c!Sam and c!Dream, and for context those two had been terraforming a part of the SMP close by the Badlands and therefore the statue room in order for Sam to complete the giant mega prison Dream had hired him to construct.
Bad was immediately drawn to the "egg" (which was called that because of it's shape and not because at that point it was confirmed the thing was an egg), where as both Dream and Sam were immediately weirded out by Bad's sudden affinity for it and the own bad vibes it gave off to both of them. Shortly after leaving the statue room, they spotted red vines growing by first by Hutt's Pizza - and then shortly after at Bad and Skeppy's mansion. This was extra concerning because they reasoned no player could have spread those growths up there on the surface, to those two different locations, in the time they were all down in the cave. This creeped Dream out enough he tried to manually remove the growth at the pizza place. This caused Bad to become agressive and he attacked Dream for 'hurting it', reasoning that the vines were beautiful. And it spread even more rapidly after that, with red vines being spotted growing around Jschlatt's grave, even on the Power Tower in L'manberg. Bad became even more attached to the egg and it's various offshoots, even nicknaming the egg "baby".
At this point most people on the server who interacted with the egg were, understandably were uncomfortable with the rapid spread of the vines and Bad's weird devotion to it. (Execptions to that being c!Puffy, c!Ponk and c!Antfrost who agreed with him) Bad and Ant eventually both started hearing voices from the egg, commanding them to spread the vines even further, while Puffy also started exhibiting the extreme fawning and obsession over the egg at that point. (She nicknamed it Eggy) Bad and Ant actively started spreading the vines; at c!Punz's tower and Sam's base. They also started urging other people to follow them back to where the Egg's main structure was, presumably in order to persuade more people over to becoming obsessed with said Egg. Sam tried putting a stop to this by trying to move the egg's structure physically, but he was stopped by Bad and Ant. The conflict was broken up when Punz came over, and remarked that he found the egg strange but "ultimately harmless." (Punz later elaborated that he was actually neutral on the egg and leaning towards viewing it as a potential threat, but to avoid direct conflict just wanted to see how everything would unfold. He also refused a proposal from Sam to fight Bad and Ant should the need arise.) Ponk was yet another case of someone initially opposing the egg but coming to view it favoriably. He had seemingly mixed opinions for a while, admiring the beauty of the vines but also being creeped out by the degree of devotion Bad, Ant and Puffy were showing to the egg over all. Ponk Eventually went to visit the Egg's main room and actually touched it. Like Bad and Ant, he reported hearing the egg make audible noises. Unlike Sam and Ant, he did not apperantly hear distinct words but rather "growling". Overtime, Ponk started referring to the egg as beautiful as well. Also he too began pushing for Sam to "join the egg" Leaving off here, with the next post (if it happens) being on the canonical timeline of events leading to most of the egg's followers disinfecting at that point, until probably the establishment of the proper eggpire. And then the red banquet of course gets it's own special post.
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armandposting · 5 months ago
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I'm gonna ramble for a while about this actually so here's a cut lol
actually this is why I struggle with fics where (usually daniel) just like. explains to armand that Venice was bad, usually rudely, and that Works somehow. I get the urge. but I think it's misunderstanding the role of this period of armands life to act like this is how to address his trauma from it. he thinks of Venice as one of the best periods of his life because it was. not only were all his material needs taken care of, which was not true in his original home, when he was enslaved, pr with the children of darkness, but he's also able to be himself in ways he wasn't in any of those other settings. he certainly was his own person at home at kiev but he also had a lot of religious and familial pressures pushing him different ways. and while enslaved and with the cult he had basically no autonomy at all. in Venice he's being abused but he also has enough space to be coming into himself in a lot of ways. marius doesn't inflict unwavering obedience. there are consequences for acting out, but amadeo can and does anyway. (I'm NOT claiming this means marius was better at parenting him than his actual parents lmao. in the books his parents love him and I have no doubt that he would have been able to act out and figure himself out at home too as he got older. but he never got to find that out and his memories of that time are fucked anyway, so that possibility is not really going to factor very strongly in his self image.) and the cult is what completely kills armand's ability to think and act independently for hundreds of years.
so my point is, acting like he can't see that what happened to him in Venice is bad is like... missing the point, from armand's point of view. even if he was to recognize what marius was doing as abuse, that's not going to negate all of the other good parts about that time. and it's not going to negate that, even though he only existed for a few years, amadeo is the most developed in his personhood that armand is ever allowed to be until post-paris when he's finally independent again. thinking about andrei/arun, amadeo, and armand as splintered bits of personality, which I generally do, amadeo's influence is ESSENTIAL to that mix. andrei/arun exists in a fog, almost impossible to access, and even if he didnt, he was never more than a child. armand is tortured, indoctrinated, traumatized, and eventually, free of the structures that did all that, doesn't really know who he is. amadeo knew who he was and what he wanted. amadeo, while a teenager, was just starting manhood and saw himself as a fully developed man. he had friends and family and loved ones and a relative amount of freedom and safety. he was comfortable fighting for what he wanted and fighting back when he was upset. armand NEEDS some part of him who feels that way in order to get back to that place as an independent person. so of course he's never going to view Venice as unequivocally bad. because it wasn't! from his own perspective, it's not like he's viewing that time through THAT unrealistic a lens. it's really just that the rest of his life has either been That Bad or he doesn't remember it.
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citricsemotes132 · 15 days ago
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I have to come on here and just. I don’t know man I have to talk. I have to ramble. This is targeted but I’m not saying who it’s targeted at. Either way this is just a general statement anyways.
You can not own an artstyle!!!! It’s rediculious we’re back in 2020 art community drama. No one owns an artstyle. Artstyle’s are flunctuating and everchanging, so no you can’t own an art style. This also goes for color pallets, you can’t fucking own those?? If everyone owned their own artstyles there wouldn’t be any more art styles for people to have, and no one is more special than anyone else to be able to own one specific way of drawing. If someone’s art looks too similar to yours then they probably just have a similar art style. Especially if you reach out to them and they provide proof of their art not being traced or referenced. Get over yourself. You aren’t the only person who exists on this planet with the talent to draw a particular way.
I don’t want this to be a placr where drama starts, I just had to get my statement out there because I’m tired of seeing this shit. This is harsh to say, but you aren’t special. Your art isn’t special, and 90% of your art was derived on references anyways so stop throwing a fit over a few similarities.
Sorry for this random post, if it’s obvious who this is about don’t mention it. DM me about it if you’re curious ig I might tell you. Don’t expect any more drama like this from me, thank you for reading, have a good day <3
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holybasementdweller · 2 months ago
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wanted to add my two cents because shipping discourse is just all over recently. Forgive me rambling a bit here. I have a lot of thoughts on this topic and would like to get them out there in some form.
Stop harassing CC's about their boundaries.
Would you go up to a random person whom you've never met before in your life, who has never met you either, and likely has no idea who you are, purely to ask them if you can draw/write/ship them with one of their co-workers?
No! It's a wildly uncomfortable question to a lot of people, it puts them on the spot, and some CC's may not care as long as they never see it. Now that the concept has been shoved in their face, they're forced to view the idea.
I feel like a large part of the issue is the divide between younger, newer fandom members and older, traditional ones. Primarily the concept that fan content is not intended for CCs, but for fans specifically. Most 'traditional' and older fandom participants follow this view because that's what fandom is. You get to make cool things, and ramble about different head cannons and ideas with your friends and maybe find other fans who become your friends along the way. Maybe you want to throw these characters you really like into this elaborate superhero AU, or draw them in costume, or explore relationship dynamics because it's fun and you get to ramble with fellow fans. It's called a fandom for a reason!
I'd like to clarify here that this post is not meant to target anyone in particular; it's going off a general trend I've noticed.
There's been an influx of people who create fan works or fanart that seems to be aimed more to gain clout or to be noticed by CCs. It's something they wanted to make, but is leaving the realm of "by fans, for fans," in a sense that it seems to have lost more of that "for fans." The work is then shoved at the CC more aggressively than if it was just for friends.
There's a reason that spaces like AO3 and Tumblr exist with such large fan communities- because the communities are meant for fans. It's all well and good when CC's decide to take a peek or participate in said fan spaces of their own volition. They're the ones making the choice to engage. It's NOT all well and good when someone, as a fan, is trying to make that choice FOR them by shoving fanworks at the CC begging for clarification on what is okay with them. You're not going to help anyone in that way. Fan spaces exist separately from the CC spaces for a reason. The CC is a person behind the screen who you don't know. The character or role they play in the series you watch? You might know just about everything there is to know about them!
If a CC has laid out a boundary that they aren't comfortable with X Y Z, then there's a really, really simple solution here. Don't show it to them.
Don't put it in main tags, don't tag them in the post, hell, block the CC so you know they won't be able to view something that makes them uncomfortable.
There's a lot of what comes across as almost puritanical virtue signaling I've seen lately, where people are talking about CC boundaries everywhere and trying to police fanwork. I will again refer you to the point above. The fanwork is not made for the CC. It is made for fans, and if it is something the CC isn't comfortable with, then don't go posting it where they might regularly look at things (such as main fanart/fanwork tags.)
Yes, there are CCs who are over here. Yes, they look through fan works. This app is primarily a fan-oriented space and it has tags that CC's (or anyone else!!) can block to avoid things they are uncomfortable with. Though at this point the few that are over here either were already gay dot com natives or have basically become one.
I may have gone a bit off my original topic but TL;DR:
KEEP FAN WORKS TO FAN SPACES, AND STOP HARASSING THE CC'S PLEASE. LET THEM EXIST IN PEACE.
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catboybiologist · 6 months ago
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Imma make an observation that literally is just an observation for its own sake, but it's gonna def be borderline toxic and self deprecating. I genuinely only want the observation part about it, and I'm really not being hard on myself or the community here, but if that distinguishment is gonna be hard for you just be warned.
Cool? Cool. Unfocused ramble under the cut.
Now that I've face revealed, I'm kinda curious observing from the sidelines the reactions that people aren't saying. Obvs I'm not a popular enough person to be like "WOAGH SISJDJDJ OMG ITS A FACE REVEAL" but I'm more talking about the general psychology of passing itself now that I show my full face vs when I hid it.
With that tiny scrap of markup covering my nose, chin, and mouth, I had people ENDLESSLY telling me that there's NO WAY I don't pass. OBVIOUSLY whatever I was hiding was the absolute PINNACLE of femininity. My ask box was literally fucking filled with those comments to the point it was obnoxious- "why do you hide your face you're so pretty" or something like it, DMed and anoned to me over. And over. And over again.
I've really only shown my face in "perfect angle" pictures now, and even then it's obvious that I don't pass. Likely, my face looks nothing like what most people imagined. I got this from a lot of people I showed my face to in discord as well- you'd be hard pressed to say that I fully pass now. Best you could do is probably "yeah you look femme but def clocky to the right eye", and I get a lot of "pretty but clocky" type "compliments" from people.
Don't get me wrong, this isn't a "woe is me I'll never pass I'm horrific" post. Now this is Tumblr, and the core group of trans people that I love interacting with largely don't care, or even find the clockiness hot. I'm also gaining confidence in the twinkhon vibes myself, while also knowing that I still have a LONG way to go on HRT, and whatever my face looks like now, it'll be way different in the years and months to come. In the end, passing or not, I don't care. And obviously, that's not a binary thing, blah blah, insert all the passing discourse here. That's not what this post is about.
What it IS about is how far the perception of my face drifted from people's actual assessment of it when I face revealed. When I had the clockiest features of my face hidden, there was an intrinsic assumption that they were more femme than they actually were.
I've also gotten slightly less interaction on my selfies in general (aside from the initial face reveal) but that could just be a byproduct of my reduced activity on Tumblr overall from road tripping. I'll have to see what it's like in the future, but I highly suspect that a large number of lower interaction people now view me as less attractive. I'm not saying they're avoiding me in disgust, I'm saying that when their was a gap in their perception, their brains autofilled a more attractive image than actually existed. This doesn't apply to my core group of moots that are high interaction and comment n stuff (love y'all) but the large scores of people who leave simple tags or reblog and like in passing- I think I just got less attractive in people's minds.
What does all of this say? Honestly it's hard to say. This is more observation than anything else. It might be linked to beauty standards, or just a bias of "unga bunga skinny white woman with conventionally attractive body must have conventionally attractive face" which turned out not to be true, or whatever.
Again, just a weird ramble. Bug summary is that people, on average, assumed I passed before I showed my full face, and now, far less do.
Oh yeah, and inb4 "and omg you actually pass though"- this post isn't for you. There's lots of people who see me and think that I don't, including in Tumblr. Passing varies on a person to person basis, and what I'm saying here is that face revealing flicked a switch in many, but not all, people's brains from passing to non-passing.
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