#this post is about Alex Claremont-Diaz?

[porcupine-girl]

Trope that will never get old either in fanfic or original: The bisexual urge to obsess over minute details of a person of your gender’s appearance, paired with the bisexual complete and utter lack of self-awareness that this is attraction you’re feeling,

[yrsonpurpose]

"How is a man to get anything done knowing Alex Claremont-Diaz is out there on the loose? I am driven to distraction."

[daikunart]

𝐀𝐂𝐃 𝐢𝐧 𝐓𝐞𝐱𝐚𝐬 | 𝐑𝐖𝐑𝐁

[dani-dabbles]

From “I can’t stand him”

To “I can’t lose him”

[space--potat0]

Because absolutely no one asked - some thoughts and favourite moments from The Trailer

Henry's face in the paper - looks like he's just said "oh my fucking Christ" i.e. the first time Alex hears him swear!

HENRY CALLED HIM SWEETHEART (sarcastic). LOOK HOW PROUD OF HIMSELF HE IS. meanwhile Alex is just looking at him like 'this better not awaken anything in me'

Is that Shaan in the background??

Henry's camera smile vs his genuine smile mY HEART

Is this Henry's face after seeing Alex kiss Nora at midnight? My poor baby he looks so sad

'it was at this moment he realised he fucked up'

And finally more happy!Henry because my anxious neurotic sweetheart deserves only soft kind things

[rockingtheorange]

Do you ever think about how important and significant Alex's action to give his key to Henry was?

Alex had brought the key with him everywhere throughout his life since he got it.

Then, the first moment he's quietly alone with Henry, Alex gets to explain what it means to him: it's the key to his family's house in Austin.

But it means much more to him: it's from the times when his family was still all together (book), it's his childhood, his time growing up in Texas, it's his mixed blood, and the quiet life he left behind to follow his mother in something bigger than him.

That key is his comfort and reminder of what he was and the memories he will treasure forever.

Alex doesn't tell all of this to Henry, but Mr. HRH Prince Dickhead knows there's more about it underneath, just like how he had always known Alex wasn't just a peasant boy.

Alex brings his keychain everywhere and Henry is always there to admire it.

The key to Henry means something completely different: it's the reminder of his unusual life, the fact that he can't have such normal things as possessing a simple key, it represents all the things he can only admire from afar but he'll never be able to posses.

And then Alex breaks the wall that Henry thought would suffocate him forever, that seemed impossible to destroy.

Alex starts to remove the key when he's in the most intimate moments with Henry. He decides to leave the thoughts and worries related to his family for another time. He decides to be fully Henry's, even during just brief rendezvous.

And Henry takes everything he can, as far as he can. Till the moment, he's sure will come, when the magic breaks and the key will return to be something to admire and desire from afar, but never possess.

But Alex isn't just a peasant boy.

He hands over his childhood, his memories and his whole being to Henry, with just a simple gesture. Alex says "Henry, I'm yours." by giving him the object of his desires, by breaking the illusion that Henry can't be a normal boy, simply owning the key of someone's heart.

And Henry is reluctant to accept it, cause he knows (just like he had always known that Alex wasn't just a peasant boy) that the key means so much to him. But Henry accepts, cause he wants to believe that the wall between them can break, Alex made him believe it. And he grips and holds onto that hope like his life depends on it, cause it does.

Alex is the only key to his freedom.

[chelleisamazing]

Claremont-Diaz siblings!

[hgejfmw-hgejhsf]

bad metaphors about maps

______________________________________________________________

A <agcd@eclare45.com> - 9/25/20 3:21 AM

to Henry

h,

i have had whiskey. bear with me.

there's this thing you do. this thing. it drives me crazy. i think about it all the time.

there's a corner of your mouth, and a place that it goes. pinched and worried like you're afraid you're forgetting something. i used to hate it. used to think it was your little tic of disapproval.

but i've kissed your mouth, that corner, that place it goes, so many times now. i've memorized it. topography on the map of you, a world i'm still charting. i know it. i added it to the key. here: inches to miles. i can multiply it out, read your latitude and longitude. recite your coordinates like la rosaria.

this thing, your mouth, its place. it's what you do when you're trying not to give yourself away. not in the way that you do all the time, those empty, greedy grabs for you. i mean the truth of you. the weird, perfect shape of your heart. the one on the outside of your chest.

on the map of you, my fingers can always find the green hills, wales. cool waters and a shore of white chalk. the ancient part of you carved out of stone in a prayerful circle, sacrosanct. your spine's a ridge i'd die climbing.

if i could spread it out on my desk, i'd find the corner of your mouth where it pinches with my fingers, and i'd smooth it away and you'd be marked with the names of saints like all the old maps. i get the nomenclature now - saints' names belong to miracles.

give yourself away sometimes, sweetheart. there's so much of you.

fucking yrs,

a

p.s. wilfred owen to siegfried sassoon - 1917:

And you have fixed my Life - however short. You did not light me: I was always a mad comet; but you have fixed me. I spun round you a satellite for a month, but shall swing out soon, a dark star in the orbit where you will blaze.

[yourroyalhardness]

[fayannah]

saw a blue texas on cnn and though "what in the alex cameron diaz red white and royal blue is this?!" and then they said it was unlikely

stay strong soldiers

[meepcries]

You're smiling? You're the First Son of the US, having a scandelous sexy-time relationship with the Prince of England and you're smiling?!

[meraki-yao]

RWRB Book Thoughts: Ellen and Oscar

Re-reading RWRB and thinking about Oscar and Ellen. The thing is book Ellen and Oscar's relationship scares me because it's like the worst-case scenario of my own parents (they're a lot better now but covid was hell) So I understand it.

Ellen and Oscar are soulmates. As in they are both intelligent, stubborn and headstrong. They are very similar people. Unfortunately this is a case where it's like forcefully pushing two North ends of a magnet together: Ellen in particular wants and needs a complimentary relationship instead of collaborative relationship, which is why Leo works for her: Leo is meek compared to Oscar. He really just listens and generally agrees with Ellen. His appearances are limited in the book but when he does show up he doesn't really have his own opinion. Ellen wants/needs someone who won't speak up against her.

Honestly? I, kinda feel sad for Oscar. He said it himself, "We're both too fucking proud. But God, that woman. Your mother is, without question, the love of my life. I'll never love anyone else like that." It's sad to know that he never stopped loving Ellen while vice versa isn't true, and to know that she's it for Oscar.

When it comes to parenting I honestly think Oscar is the better parent. It was really shitty of him to leave without telling Alex and June and that evidently really hurt Alex til this day, but when it comes to the other parent things? I was re-reading/listening to Chapter Four today when he goes to DC for Christmas, and both Alex and June are so much more comfortable with him. Part of that is probably because he doesn't carry the inherent pressure of being the fucking president, but part of it is that he really cares about his kids as they are. Ellen downplays June's passion for journalism and pressures her into a political job that she didn't want at all, while Oscar "raved about June's latest blog post for The Atlantic". Ellen immediately started piling up all the political consequences of firstprince literally minutes after Alex plucked up the courage to come out to her while Oscar gave him relationship advice. This isn't to say Ellen isn't a good mother, she is flawed, as Oscar is, as all parents are. But if we're looking at non-crisis moments, Oscar's actions are more comfortable for his children.

There's a reason June initially wanted to go to California and be close to her dad. Yesterday I talked a little about how I hated how Ellen and Alex treated June at the earlier chapters of the book. Well in the rest of the book it's implied that she has a much closer relationship with Oscar, jumping into his arms when he arrives at the White House, him picking her up and spinning her when they arrive at the lakehouse.

Either way, Ellen and Oscar clash becasue they're too alike, and my opinion is that Ellen tends to fan the flames more, see Christmas dinner where Oscar suggests campaigning with them to help and she immediately shoots it down with "you can't be serious". Anyways, the children suffer the most. And uh, speaking from experience here, that shit never goes away. My parents are still together and are a lot better compared to the past, but I flinch at any sound of argument/angry yelling because of all of their fighting.

And there's this one paragraph in the book: "Even before Alex's parents split, they both had a habit of calling him by the other's last name when he exhibited a particular trait. They still do. When he runs his mouth off to the press, his mom called him into her office and says ' get your shit together Diaz.' When his hard-headedness gets him stuck, his dad texts him, 'Let it go, Claremont'" and God that's so shitty? To know, to be reminded that one parent hates the part of you that is from the other parent. Even if that's not what Ellen and Oscar's intention is, that's what it feels like, and it's really, fucking, shitty.

I wonder how would book Alex feel if he know that there was an alternative universe out there where his family was functional. I wonder how would he feel if he knew that movie Alex doesn't have his loving sister, but has loving, gentle parents who have a healthy, functional relationship.

My guess, is that he would say that he'd choose his life and his sister no matter what, and he means it because he does love June, but deep down a part of him would be jealous of movie Alex for having a smaller but healthier and happier family.

[quicksilvergirl28]

*playing aggressive connect four* Alex: [triumphantly slams his hands down on the table] The game is MINE, Henry! Henry: Your fly is open Alex

[lily-s-world]

Shout out to the Instagram user that noticed Alex and Henry using matching pattern ties. A+ for the wardrobe department.

[dani-dabbles]

I need to talk about this because the way they are sitting with the space between makes me think they start this whole meeting trying to be sensitive to the situation, limiting the PDA and being extra careful to follow Royal decorum, as they plead their case before the king.

I just keep imagining them sitting there and having their love for each other belittled, minimized and criticized. And just hearing awful assumptions and jabs at their morality, etc.

Until Henry finally caves and bridges the gap by grabbing Alex’s hand. Because Henry is used to this sort of treatment and lack of acceptance, but Alex is not. And I feel like you can see just how hard Alex is taking it with his adverted, downcast stare.

And the way they are holding on to each other so tightly makes me want to cry.

(Is it August 11th yet???)

[henry-fox-biggest-stan]

Out of curiosity: why do you think Philip hates Alex specifically? (cakegate aside) Do you think he'd just be okay with Henry dating some upper-class English guy?

Why I think he hates Alex

He has no been kind to him once in the book. Also Alex ruined his wedding cake. Not a great first impression.

I don’t think there’s more to it tbh. Alex hasn’t been kind to him either, and Philip sees Alex being so “open” with the public, having fun with it, his public persona completely different to their (Philip, Bea, and Henry’s) public persona, and just being the compete opposite to what monarchy considers proper, so he doesn’t like him, let alone want him dating Henry.

Answering your second question,

I think it’s not based on Alex not being an upper-class English guy, but more based on how Alex is as a person, as in his personality. And also the fact than he’s the son of the president of the states.

“I don’t care if you’re gay,” Philip says, dropping that big fat if like Henry hasn’t already specifically told him. “I care that you’ve made this choice, with him”—he cuts his eyes sharply to Alex as if he finally exists in the same room as this conversation—“someone with a fucking target on his back, to be so stupid and naive and selfish as to think it wouldn’t completely fuck us all.”

Alex is, since the start of the book, very different to Henry. Interests and family aside, Alex kind of enjoys being in the public eye. At least at the start of the book. He likes being in front of a crowd, make them scream. Is true than Alex is probably the most private one out of the White House trio, but just because he doesn’t share his private life to the public, it doesn’t mean he doesn’t get along with them. One of the first scenes of him we have is him talking about how he and Nora like creating rumours and being in magazines and all.

I have a point I swear, just wait.

Monarchy (Philip, Henry, Bea), is the complete opposite to this. They stay out of directly interacting with the public, they don’t have fun with it like Alex does. Not because is a personal choice (which that too) but because they can’t, because they have a reputation to uphold. And isn’t everything about monarchy based on reputation?

Alex, Nora, and June, also have reputations, but theirs are handmade, you could say, while Philip, Henry, and Bea’s and premade, they had no choice on them, they are just something they have to do, something the have to look like.

Alex, Nora and June chose their own reputations, they decided how they wanted people to see them. They had control over that.

All three of them—himself, June, and Nora—have their roles.

Nora is the cool brainy one, the one who makes inappropriate jokes on Twitter about whatever sci-fi show everyone’s watching, a bar trivia team ringer.

He looks at June—ahead of him now, caramel highlights in her swinging ponytail catching the midday sun—and he knows her place too. The intrepid Washington Post columnist, the fashion trendsetter everyone wants to have at their wine-and-cheese night.

But Alex is the golden boy. The heartthrob, the handsome rogue with a heart of gold. The guy who moves through life effortlessly, who makes everyone laugh. Highest approval ratings of the entire First Family. The whole point of him is that his appeal is as universal as possible.

For example Alex is not his public personal (aside from heart of gold). That’s something he created. The whole point of him is than his appeal is as universal as possible.

Stopping myself here because if I don’t I’ll go on yet another rant about Alex (I love my boy so much).

But basically in the book there’s a deep contrast between Alex’s family and Henry’s family, one is warm the other is cold. Alex has, and has always had, a choice. Sure, being on the public eye was not something he chose, it just happened because his mother wanted to be president, but he could choose everything else. His public persona, his decisions, who to date and who to not date. They didn’t even stop him from dating Henry. Just told him than he has to know what he wanted, to choose. But they didn’t stop him.

Henry is the opposite. He can’t choose how to present himself, how the world sees him. He can’t even wear ties with patterns.

Patterns are considered a “statement.” Royals aren’t supposed to make statements with what we wear.

They aren’t supposed to make statements.

The Royal Family are, as a rule, expected to stay out of politics, and refrain from giving their personal opinion on certain topics, so as to remain impartial.

Dating Alex, son of a political leader, is a statement. Is saying “I support this and I do not support that”.

And, Alex wants to be involved in politics, he talks about how he wants to make a change, how he genuinely cares, and the fastest way to make a change is making it while being on positions of power, somewhere people can hear you.

Alex’s whole reason for wanting to go into politics, when he knows so many past presidential sons and daughters have run away screaming the minute they turned eighteen, is he genuinely cares about people.

He has a very visible political position. People know what he supports and what he doesn’t, what he wants to do and what he doesn’t. And since he likes being on positions of power, because that gives him the possibly to make a change (even if at the end the change he did was unrelated to politics but about who he was as a person), he doesn’t get out of it. He continues being on it, he doesn’t mind attention on him, as long as they see what he wants them to see.

Philip sees Alex always on the public eye for one reason or another, a photo shoot, a new rumour, etc, and sees how his public persona is different to theirs, “wilder”, not so formal.

And, conservatives hate Alex. He is everything they stand against, even before knowing he was bi. He’s a grandchild of immigrants, he’s mixed race, he’s brown, he’s outspoken about his views (which are opposite to theirs), he’s the son of the first president who’s a woman, and who is also a democrat, he comes from a mixed race family, etc etc. Monarchy is supposed to be neutral. Alex is the opposite from neutral.

Philip’s main problem with Henry being gay is than he wanted to come out. Henry’s gay? Ok but he can’t come out. And that’s not based on homophobia (no matter if it sounds like it), is deeper, Henry coming out would challenge everything. First, he wouldn’t be neutral anymore. Monarchy is built upon manipulation upon privilege upon capitalism, etc. Henry coming out would threaten everything, all the rules, all the stuff would have to change, people would be asking why he didn’t come out before, and if Henry said the truth, their reputation would be dammed. And many many people would stop liking them. Some would not like them for being homophobic, other wouldn’t like them because Henry is gay. People from both sides would be against them. Their reputation (as mentioned as repeatedly through the book as repeatedly as I’m mentioning it now) is something that must be perfect. They can’t make statements, they’re perfect, formal, they’ll continue the bloodline, etc. If Henry is gay and people know, it no longer affects him, but all of them.

And many people see queerness and something political. Again, Henry wouldn’t be neutral.

I think than if Henry married a woman (hopefully a beard, someone who knows he’s gay and doesn’t care to cover for him) and had affairs with men, and Philip knew (than he was gay), he wouldn’t mind. He did what he had to do. Henry’s reputation is good, their reputation is good, they’ll continue the bloodline, etc. Because Philip, like Henry, was taught to leave their wants aside, and focus more on monarchy and what’s good for it.

The thing with Philip is, he isn’t evil. And many seem to forget that. He did bad things, and I’m holding him accountable for them, but at the end of the day, he was just brainwashed by Mary, specially after Arthur’s death. He was vulnerable after his father died, his mother wasn’t there mentally, he felt like he had to step up, be the “man of the house”, and he clung to his grandmother (the only adult in his immediate family who was physically and mentally there for him), and Mary took this opportunity to make him into the version of him monarchy wanted him to be (rule follower, defends their reputation no matter what, cares more about monarchy and what people think of them than what he wants to do.), which is just what Mary tried to make Henry to be too.

But he was on about Martha, and land holdings, and the hypothetical heirs they have to start working on, even though Philip hates children, and suddenly it was as if . . . as if everything you said last night came back to me. I thought, God, that’s it, isn’t it? Just following the plan. And it’s not that he’s unhappy. He’s fine. It’s all very deeply fine. A whole lifetime of fine.”

She probably tried with Bea, but Bea saw the manipulation right away and it didn’t work, or she didn’t get to try because with Arthur alive, that man would have never let her do that to his children, and with Arthur gone, Bea was like Catherine, mentally somewhere else. After rehab, she was still mourning, but she had Henry, she didn’t need her like Philip did. Because I think Henry and Bea were closer than Philip and Henry/Bea even before Arthur died, after it and Mary’s manipulation, they just drifted more apart.

If Casey wanted us to believe Philip was bad he would have made him be bad until the end, made him not change. Philip did change. Henry is even trying to make amends with him. Maybe he hasn’t fully forgiven him, which makes absolute sense and just because Philip was a victim it doesn’t he mean he was a victim inside their relationship, than he couldn’t continue the cycle of abuse. But Philip realized the cycle of abuse, realized he was continuing all this time. And tried to stop. That’s growth. Maybe not forgivable, not after everything, but he’s trying.

Philip came to Kensington two weeks ago to apologize to both Henry and Bea for the years since their father’s death, the harsh words, the domineeringness, the intense scrutiny. For basically growing from an uptight people- pleaser into an abusive, self-righteous twat under the pressure of his position and the manipulation of the queen. “He’s fallen out with Gran,” Henry had told Alex over the phone. “That’s the only reason I actually believe anything he says.”

Mary isn’t trying, Mary didn’t decide to support Henry at the end, didn’t try to do better. No one forgives her, and we are not supposed to see than she’s trying to be better, because she isn’t. “Isn’t Mary also a victim of this cycle of abuse, wasn’t she like Philip, brainwashed by her own parents probably (and her parents by their parents and so on), and continued the cycle?” Yes, but she doesn’t actively try to be better, doesn’t realize that, doesn’t even feel bad about it, different to Philip.

Answering again with shorter answers.

Why does Philip hate Alex specifically?

Because Alex is the whole opposite to what they stand for, he’s a walking statement, and he’s so himself, different to monarchy with their perfect flawless formal public personas.

Would Philip be fine with Henry dating some upper-class English guy (before coming out and everything than happened after he did)?

As long as he kept it secret, Henry could date whoever he wanted as long as he didn’t want to make it public, as long as he planned on marrying a woman and following his duty, as long as that someone was responsible, and didn’t have a “target on his back”, and Philip says Alex has.

Again, holding Philip accountable for everything he did, just explaining the reason why he did it.

Does this make sense? Because in my head it does but I don’t know if it does when I write it down