#this post is a form of processing

[astrangeavenue]

drew some totally normal sadnesses

blank bg and individuals below the cut

edit: i posted some of my thoughts that went into these designs! if youd like to read you can find it in the reblogs

[shroomerr]

Finally, my design for Mysterion!! this boy gave me so much heartache in the process of making this but its ok its all worth it for him <3

I also couldn't choose between the version with hair or without hair, so here's the one without under the cut (+ my initial drafts for his design):

[a-scary-lack-of-common-sense]

I cannot wait for this Stan to reconnect with his Ford.

I still haven't figured out HOW exactly they'll meet yet, but I do think that Ford would ATTACH himself to Stanley and talk his ears off forever when they eventually get comfortable :] and Stanley would listen because HOLY SHIT, THAT'S HIS BRO HE HASN'T SEEN FOR 40-ISH YEARS, HE MISSED HIS VOICE. Nonstop certified Yapper & Listener relationship <3

Stanley looks dead faced because of his ingrained poker face, but he's thouroughly enjoying it, even if sometimes he has no idea what the fuck Ford is saying. He never interrupts him though, since he knows people usually ignore or interrupt him mid-talk already. So sometimes Stan gets stuck in awkward situations where he has to leave or do stuff, but also doesn't have it in his heart to stop Ford and extract himself out of a (one-sided) conversation.

[giantkillerjack]

[Just writing out my internal monologue to parse my thoughts!]

So I watched this helpful video and now I am considering a totally different approach to publishing my graphic novel script drafts! Maybe a different approach will help me stop feeling the need to nail down every tiny detail in what is supposed to be early, flexible drafts that I can share for feedback and for EVERYONE LOOK AT MY LITTLE GUYS

Ahem.

I've already done the kind of story beats that they're talking about here - I made some a long time ago to show the overall arc of the saga.

But maybe I can do some more storybeat art to show individual scenes as well!! And instead of posting an extremely detailed script for every scene, I could just share and give context for each storybeat art!

Maybe doing that would make it easier to consume the early version of the story I have been posting on AO3!

OR maybe I should stop publishing the script drafts altogether, so that I don't feel the need to polish so much this early on....

Anyway, I definitely want to continue working on developing a healthier relationship between pacing and my desire to publish quickly. I am always giving myself unnecessary urgency that doesn't make me faster but does make me anxious and guilty!

I do genuinely need to get faster at writing/illustrating/publishing, but shame does nothing for me but hurt. It's just a deeply ingrained reflex that I have to keep working on!

It's all complicated and nuance-y and shit, but i have made progress all around and I am starting treatment with an ADHD specialist.

So hopefully, I will continue to get slowly healthier and also be able to work on my honing my craft and getting closer to telling AS MANY PEOPLE AS POSSIBLE ABOUT MY BOYS. 🔥🔥🔥🔥🔥 (I am so grateful for all the helpful educational videos that talented people like this one share online!)

*Ponyo meme voice* Jack loves... storytelling! Jack loves... art! Jack loves...

Adderall.

[starry-bi-sky]

Out of Context Stuff for a Danyal Al Ghul au i haven't posted - Pit Beast Danyal

Damian, 13: Look, Danyal, -- I am so sorry for everything that happened between us in the League, I hope you can forgive me.

Danny, 10 (allegedly): (has been secretly plotting to murder Damian this whole time, is still gonna do it obvs, but is going to make it significantly less painful now)

Danny: I-- of course, older brother. :]

--------

Bruce: what do you have there, Damian?

Damian:

Danny: (a hulking 10ft pit beast standing beside him, growling idly with ram horns gouging out his eyes and a second set of horns jutting into the air, spines down his back, and a long, spiked tail with an animalistic, skull-like face)

Damian, who smuggled him in (they've made amends): a smoothie, father

----------

Damian: this is my little brother Danyal, i murdered him when he was five. He festered in rage for the last half-a decade, took over a League mountain base in Switzerland, murdered everyone inside and then tried to murder me when I went to investigate with Drake.

Danny: hello!

Damian: we're cool now

----------

Damian: thoughts on resurrection

Danny, (a full ghost): i will succeed in murdering you if you try it

Damian: we'll put a pin in it then

----------

Danny (still instilled with League values): why don't we just murder him??

Damian, on patrol (Danny followed him): we don't murder people, Danyal

Danyal:,,,,are you sick, Dami?? Have you been possessed? Why not!?

(There is raucous laughing through the comms)

----------

Danny, five, pre-death: Dami! :D

Danny, dead, vengeful: Older brother (:

Danny, post-forgiveness: Dami! :]

-------

For some actual context: Danny is fully dead in this au, its a result of the classic DPxDC Demon Twins "death duel" trope but instead of Danny getting revived, he stays fully dead. Danny was five, Damian was seven. His ghost lingered though, and due to the proximity of the pits his ghost steadily absorbed the ambient energy it was letting off. The pits are not corrupted ectoplasm in this au, it's just liquid ecto.

Which means Danny's corruption from an angry and hurt little ghost boy to an unrecognizable monster is from his own doing. It's a result of him stewing in his hurt and anger for years, it physically warped him. He's very powerful. Danny can travel between League Bases but chose a small, out-of-the-way base in the Swiss mountains to fester in and then just. Never Left.

His influence steeped into the very foundations of the building, allowing him to transform and warp the rooms and hallways for his own bidding, Meaning he could turn it into a seemingly unending labyrinth if he so wished to, and block the entrance.

Eventually, blinded (both metaphorically and physically) by his own rage, Danny grew powerful enough to appear physically in the living realm and attacked everyone in the base, slaughtering them all and leaving the base abandoned. He attacks anyone who dares enter -- whether that be other league members, or the unfortunate hiker who stumbled across the base. His conscious is steeped into every nook and cranny of the building, there is nowhere you can hide where he can't find. Nobody leaves without his explicit say so. Nobody ever does.

Him appearing as ten years old before Damian in the skits above is his own physical doing. First it was to prevent Damian from being suspicious of him. Damian initially thought Danny was revived with the pits, he was too busy with his own training afterwards to notice that Danny never showed up again, and when he did notice, he assumed it was because Danny was too ashamed of his loss to face him. He'd always forget to ask about him.

Then it becomes a personal choice to appear as ten. It's how old he would've been had he been alive.

danny forgiving Damian is kinda for an offshoot branch of the main au. Whereas the main au takes the form of a ps4 first person horror game where Damian and Tim are investigating the Base for Plot Reasons. There's no sign of the rumored "monster" living inside until the end, where Danny, who was found inside the Base and has been happily "helping" them look around, manages to persuade Damian into splitting off from Tim in order to "show him something."

This something turns out to be Danny revealing that he never really forgave Damian for that fight, and he reveals through a horrifying transformation, that he was the monster the whole time. Which the game subtly hints at throughout as Danny's strange behavior becomes harder to ignore.

First from his insistence to only refer to Damian as "older brother" (when before the duel he always called him Damian or Dami), to him right off the bat denying the existence of a monster when questioned. ("There's no monster here, older brother. It's just me.") To other various things, like his knowledge of the outside world not matching up to modern times or things going on with the league outside of the base, or what happened to the other league members.

This whole idea was inspired by the song "Scylla" from Epic the Musical, with Danyal being the voice of Scylla as well as Odysseus, while Damian stands as Eurylochus. The instrumentals after Scylla says "hello" is him turning into the pit beast, and Scylla's "drown in your sorrow and fears" part is danny, as the pit beast, snarling at Damian while he attacks him.

There's a Good Ending, a Bad Ending, and a True Ending. The Bad Ending results in Damian being killed by Danny, it happens when Damian decides not to question or suspect Danny and treats him kindly. The Bad Ending is a cutscene, where Danny kills Damian quick and painlessly.

Meanwhile the Good Ending is Damian killing Danny. This is a boss fight, and it happens when Damian treats Danny coldly and suspiciously the whole time. Danny as a result, decides to make Damian's death painful as he had planned to, which is why it's a boss fight because it only causes him to double down on his anger.

The True Ending is Damian escapes with Tim. It happens when you treat Danny warmly up until the last minute, where when Danny proposes to Damian that he wants to show him something, Damian goes to talk to Tim and finally, reluctantly agrees that something is off with Danny, and that he'll be careful going in. It starts off with the boss fight until a third through, where it then changes to a cutscene where Tim manages to get the door open and Damian escapes out. It's then a chase scene down a never-ending hallway as the building actively works to keep you trapped inside. But you eventually make it to the exit so long as you avoid all the projectiles and doors.

Remember when I mentioned that Danny only lets people leave when he wants them to? That's where the treating Danny kindly throughout the game comes into play. It causes him to second guess himself and, eventually, reawaken and strengthen the love and admiration he had for Damian prior to his murder. It's why in the Bad Ending he kills Damian quickly -- because by then, he loves him enough that he doesn't want him to suffer, but is still so consumed by his rage and need for vengeance that he kills him anyways. That quiet part is what allows Damian (and Tim) to find the exit, because some part of Danny still loves Damian enough that he wants him to live.

The True Ending ends with a cutscene of Damian and Tim tumbling out into the snow/grass outside of the base. Damian looks up back to the entrance to see Danny standing there. But rather than a ten year old boy, there's a little five year old Danyal Al Ghul instead. He stares at Damian emotionlessly, blood seeping from his chest, staining his clothes, and little, bloody sword in his hands and tearstains on his cheeks, before he turns away and disappears back into the building.

[corviiids]

i found a bad post i made months ago in the privacy of my own home and now i need to air it out in public because it's getting mildewy and moths are eating it

[julijbee]

girlbossing too close to the sun.

[abirddogmoment]

It drives me crazy how people will label independent thinking dogs as slow or stubborn. It's a different flavour of intelligence, not less.

[multi-lefaiye]

kinda idle curiosity thought.

queer artists/writers/oc creators: do you incorporate queerphobia into your original works and stories?

(to be clear: this is a *no judgment zone*. i'm asking about your personal preferences with your own work. also i can't stop non-queer folks from responding but i would genuinely love some other queer folks' perspectives here.)

[fllagellant]

Do You Know What Dry Socket Is?

Informational post about something a lot of people might be unaware of.

So, let’s say you loose a tooth. You fell and knock it out, maybe you pulled it at home for whatever reason. All that is important in this scenario is that you’ve lost a tooth outside of a dentist visit, so there is no field professional there to walk you through the healing process.

Now, how do you recover from this? Saltwater rinse, wad of cotton to help slow the bleeding, painkillers, eating soft foods. It stands to reason that, like any other recovery period that involves the mouth and teeth, you’d also need a straw. Makes sense, easier to get liquid into your mouth and you’ll have more control over where in your mouth it goes. Makes sense, right?

You are about to give yourself dry socket.

The main difference between most other well known recovery periods from a jaw / mouth injury, is that the act of sucking on a straw can dislodge the blood clot from your gums.

The reason is, for a few days, your blood clot is actually smaller than the hole left behind by the missing tooth. Gums do heal quicker than most other tissue on your body , so the opening will close to be smaller than the blood clot itself. But there is a period of time, the first few days of healing, that the blood clot is at a serious risk of coming loose or being dissolved away . This risk does not truly go away until healing is over , but the likelyhood slowly goes down.

This blood clot being removed will reveal the traumatized and damaged nerve + the jaw bone to the open . Unsurprisingly, this is extraordinary pain, that nothing can soothe. Any fluid gets into the wound ? Food particles ? You inhale / exhale too hard ? That nerve is going to Ache. Not to mention , you’ re at an even higher infection risk now .

And the things that can cause dry socket are so innocuous , that unless you know about the possibility , you may do these actions without thinking.

1) Straws ( and Sucking )

The pressure from drinking through a straw is enough to pull the blood clot from your gums . This pressure can be caused by anything that requires sucking , this includes smoking as well . Anything that requires a strong pull into your mouth to eat / ingest is exerting the same pull on your loose blood clot . If you suck on a straw now , you can feel the kind of pressure vacuum you make in your mouth . That pressure does not care about what it might cause to dislodge .

2) Spitting Out Blood

At least , for the first 24 hours . After 24 hours ( specifically , after your gums stop consistently bleeding ) and you start doing saltwater rinses , you’ re free to spit . But regardless , forceful spitting can do the exact same damage as drinking from a straw . It’ s the pressure and force you cause . When you do saltwater rinses , don’ t really swish. Tilt your head side to side and slowly push the water around . For the first 24 hours , you are encouraged to swallow blood instead of spitting , to avoid the risk of spitting out the start of a blood clot and prolonging the bleeding cycle . Keep in mind the nausea this can cause .

3) Alcohol and Hot Food/Liquid

Paring these together since they cause similar issues . Alcohol can melt a blood clot , and abundance of heat can increase blood flow too the clot . Both of these will cause the clot to dissolve or come loose , but cold food/drink is more recommended . Yes , cold can cause an ache if it manages to come into direct contact with the healing area , but it will not affect the blood clot as seriously as hot food/drink will . Room temperature is also okay for consumption.

4) Exercise

Light exercise is okay , but anything that ups your heart-rate is upping blood flow to your wound . Nothing strenuous, nothing that pushes endurance , nothing that you know will exhaust you . Even if you heart-rate jumps from something like chasing a cat down because they have something they shouldn’ t have can cause increased blood flow ( trust me , it felt like I was undergoing divine punishment because I stopped my cat from eating a tuff of dog hair . ) The sudden taste of blood is a warning to slow down what you’re doing .

While dry socket can heal on it’s own, the gums will cover the exposed bone regardless of if there’s a clot there or not, this pain is not something anyone deserves to struggle with . Once again , dealing with dry socket is dealing exposed bone and nerve .

Dentists are expensive , and if you cannot afford a dental visit after the loss of a tooth, I only want you to be aware of one of the more serious complications that come with such a thing happening . Everyone deserves to heal in comfort , and I only want people to have the best chance at having a complication free healing process .

[latenightsundayblues]

A fag lighting a fag's fag with his fag. Now ive seen everything

[front-facing-pokemon]

[hailsatanacab]

chapter four!! birthday cake all round 🎂🍰🍰🍰🥳🎉🎈🎊

[lanternlightss]

Yaaay writing requests ^^. Do you think we could get the old mondstadt gang (everyone lives) reacting to venti after ascending do godhood? 👀. I think it'd be interesting >.<

As beings of Anemo, there is little reason for wind wisps to partake in the act of breathing. Why would they, those made of that same air as the one whirling around them, need to? This remains true for Venti, even after they had taken a form alike to Cecil’s own.

If. If only Venti did not take a liking to breathing, pretending—for a moment—that they have lungs to use, the subtle up and down of their chest, at first a conscious choice that you could see being made, moving towards one they do without thought. Something human. Something mortal. It makes them happy, to be able to mimic such abilities, such mundanity.

This is, to say, that he is impressed they have learned how to do it whilst they sleep (their wings twitching intermittently); as he feels the occasional soft breaths (he counts—a full minute of complete stillness, followed by a shuttering, jagged exhale, repeat) being blown across the hand that they rest beside, having used his left arm and waist as a pillow during the night.

He does not mind, not at all. Had sat up to place his right hand atop their head once he was not blinking sleep from his eyes, playing with the strands.

Briefly, he entertains the thought of humming them a lullaby, or perhaps, a tune to celebrate this moment, that they are all here, together, still. He dismisses it the moment he begins to toss the idea around, knowing that those same people included in that ��they are all here, together, still” in the room with him (Amos, in her own makeshift bed beside him—Cecil “borrowed” the one he is using, truth be told, he should be in the room one down—with Valentina besides her sat in a chair, and Felix standing at the entrance) would kick a fit if he even dared to strain his voice further (orders from the healers.) How elated he had been when they told him he could still talk, simply had to be quiet, low.

“…how asleep, are they?”

Aha, speaking of his dear companions.

Cecil inclines his head towards Felix, though his eyes never stray from Venti. “I do not believe they will be waking up, for a long while.” (Thank the winds for that, they deserve it—he had heard that whilst he and Amos’ injuries were being attended to, the rest of them had been running themselves particularly ragged dealing with the everything.)

He hears Felix sigh heavily in response, and the shifting of fabric. Shoulders, presumably, fell? He brings his eyes up to scrutinize—the man looks one awful sway away from collapsing.

“Good, that means we can have this discussion in peace.”

That … particular phrasing does not inspire a good feeling. He forces himself not to show outward unease at the words, instead, curling the hand in Venti’s hair to touch at their forehead, and lightly gripping what he can of the sheets with the other.

“Are you sure we should be having any discussion? Both you and Valentina should get rest, too—you look a dead man walking, Felix.”

And—there, Felix’s relaxed shoulders seem to tense, his jaw clamping and working in a gritted motion subtly. Cecil is waved off, both in tone and by the fluttering of his hand, “I will rest easier after this.”

He chances a glance over, to where Valentina has scooted to the very edge of her seat, clutching at her knees in a white-knuckled grip, with furrowed brows. Amos, meanwhile, is propped against pillows, slightly slouching, her bangs and unbraided strands casting a shadow over her eyes, as she burns her gaze into Felix.

The first to speak of them is Valentina, leaning forwards: “Which discussion have we not already taken care of?”

Felix does not look away from Venti, but a grimace overtakes his face, angling his head in a way to hide himself behind both his hair and the large fur of his cape. He seems rather… uncomfortable, now—his crossed arms pulling further into his chest, one hand flexing. It continues to stay this way, even when gesturing to where Cecil’s wisp cuddles against him, and speaking the words, “What do we do about them?”

Her eyes harden, back straightening in an instant. “What is it that you mean.”

(Cecil is quick, to check on Amos. Her bangs have now completely covered her eyes, and he cannot truly gauge a reaction. He worries the sheets between his fingers.)

That discomfort shines, in the floundering of Felix’s limbs—his arms flinging outwards, his hand waving about as he grasps for words. “The whole point of this was that we did not want a God to rule over us, the way they had! And then, whatever it is of that…. those heavens, has decided we were wrong in that thinking, that they sent us another God to deal with, not a moment’s peace from the previous? Are we to never escape from the divine?”

Valentina stands, her mouth twisted into a tight-lipped frown, both her fists raised to her sides and clenching. She is stopped from going farther by Amos raising an arm in front of her.

A brief spark of irritation whisks throughout Cecil’s chest, and he wishes Felix had chosen a better moment to do this—Amos, as well, is not supposed to talk above a quiet voice, or for long periods of time. “I fear we would have encountered divinity whether we wanted to or not—tell me, why is it that many had told us of a frozen land, yet when the storm vanished, the snow was fading?” Her arm shakes imperceptibly, “Had it not been for … what decision it was, that transpired before we succeeded, we would have come to face the God responsible for declaring the war.”

(That is, to say nothing of their neighboring nation and Boreas’ wolves….)

She turns, and, he notes, that for the first time since Venti’s presence had made itself known (when they had near silently glided into the room, the door creaking shut just so, with Anemo slowly dissipating from their form, and playfully tousled Cecil’s bangs in a light breeze) Amos looks directly at the God, who has huddled closer—they seem to be trying to lay themselves over all of him—whilst the conversation had gone on.

Her eyes seem to soften, staring a few seconds longer, then dropping her attention to the end of the bed. She turns away, her arm falling to her lap, hands lacing together and nails gently clinking against each other.

“Perhaps we should count ourselves fortunate, that of all beings to ascend, it was the Elf.”

Felix scowls and presses his back against the wall, the sound of his cape sliding across it echoing, nearly drowning out the even quieter grumblings of his, “Fortunate is not the word I would use.”

How terrible for him, that for as far as he is from Cecil, his words still ring clear—words that cause that spark of irritation to flare into a burst of small flames, flames that have to be forcefully smothered out. Over the little time that the bard has not been able to walk the grassy lands, has he forgotten? Nothing, not a single noise, escapes from those who always listen, who keep their ears pinned to the striking chords of the winds.

His eyes narrow, bordering on a glare. And this is not quite shaping to be a “discussion”; would it be a proper one, they would actually be going somewhere, and not talking in practically circles.

“Why unfortunate?” Felix’s head snaps to him, and Cecil (pushes the flames) risks skimming his hand to where Venti’s right ear is, holding his palm there (a useless gesture, really, yet he does it anyhow). “You would not start anything if there was no value to be had of it—so, please, what is it you wish to truly say?”

The man opens his mouth, pauses. Cecil continues to stare, lowering his chin, his brows drawing together, upward, and the edges of his mouth threatening to fall.

Boots scuff against the floor, when Felix titters side to side, considering. A breath rushes out of him, harsh. Then, as if it were a leaf fallen onto still waters and sending ripples across the surface, he utters: “If they turn against us—what are we to do?”

Try as he might not to (flames slipping between the gaps of his fingers), Cecil lurches forward, and halts himself rather awkwardly halfway through it hearing Venti make an indescribable noise. He looks to them, seeing them curl inward, their brows knitted, wings dazedly moving to shield their body. A wince pulls at him, as he adjusts back to where he was (almost to, he should say—positioning himself to hide them from Felix’s view, his torso bent over them), and the hand covering their ear runs to their hair, massaging; they start to relax from it, wings spreading, and nestling their face into his waist.

(A splendid sight, yet… a bitter feeling forms, coating his mouth.)

Scratching at where two strands—resembling the ones they had as a wisp—sprout, he presses, a hiss to it, “Turn against us..?”

He holds his hands in the air, by his chest. “I know. I know, I have seen them.”

If the emotion of “incredulous” could be humanized, Cecil would be the perfect role, right then. Has he? Has he??

Admittedly, for most of the time he has been awake, he can count on one hand and two extra fingers how much he was fully lucid during it. When the pain constricting in his chest was not clouding his vision, when there was no fog laid over his mind, his surroundings dizzy, his limbs feeling inexplicably heavy. Shoving this all aside, however—during those lucid moments, and finding Venti waiting for him, their entire demeanor brightening at their locking of eyes; he noticed how terror and apprehension threaded through their being.

He does not think they have a capacity to harm—not for those they love, not for those they have a branch of trust to—by the fact that they cannot bring themself to hold his wrist in a firm grip without panicking of potentially “breaking him.”

(Or that they, wind now trapped in a bottle, a shell for them to be tied to, try next to everything to compact themselves to the size they once were. From curling into a ball on the wooden chair, from using their wings to hide themself away, from bowing and crumbling in the cradle of his palms.

How they are bigger and powerful, certainly, yet the world around them still remains so much more than they are.)

Felix slumps. “It would only be as a precaution. We should be prepared—”

There is a clanging of armor, signaling Valentina’s steps inching towards Felix. When she speaks, her voice is stern, tinged slightly by bafflement.

“No, you are aware, just as I, to what they are capable of! They are listening to the people, and doing what they can for them!” Her hand clenches, metal shuddering. “And even… they have been this way, they stopped at nothing to keep my clan safe, out in the frozen barrens. We should have seen a sign by now if they were to change, the winds are simple creatures. There is no reason for this precaution!”

“Are we to lay all our trust in what was? Their knowledge is more! They are not such a simple creature! They know intimately the hopes and dreams of mere humans—what that does. They have become privy to how far mortality can go, to how much a human can take before their life is snuffed from them, and now they have the ability to do something about it.”

He sweeps a hand, jerkily, to the two in bed, during the last words.

Cecil bristles. Their injuries are not to be used for matters like this. No one should have expected that death would not be nipping at their heels during the revolt, that they would not have to grab on to the world of living and dig. A retort readies on his lips, lips pulled back, only to—still.

(Oh. There is no air being blown across.

Oh.)

Valentina side-steps to the other side of Amos’ bed, hackles fully raised, a righteous glare upon her face. “You truly know nothing of the wind, then, if you believe they would willingly go back to those restraining—!”

“Enough.”

They both startle. Cape, whipping. Armor, clanking.

“Enough,” Amos repeats, the words sounding as though they were scraped from her throat. “The both of you… shall we have someone watch over, when you are outside here? You have swung knives.”

In unison, their shoulders hunch. She draws a soft breath, half-watching Valentina stride over to grab the canteen of water from the side table, offering it to her—while Felix seems to attempt to meld into his cape. She takes it into a tight grip, the tips of her fingers trembling, but does not bring it to her lips. Opting to swish the water inside, instead.

“A godhood is delicate,” taps at the canteen, the sound reverberating, “Especially one at … at the very beginning, of their divinity. A sign of change would not be in mortal lifetimes—it drips, one by one, slow.”

She turns to face them, once more. Trailing from where Venti’s wings flutter, the sleeves of their robe half splayed over the bed, to where Cecil is furled around them, a few pieces of hair strands falling over his eyes as he bows further at her stare. Eyes meet, hers, tinged in an old pain and weighted by exhaustion; his, bordering on guarded, cracked with pleading.

Underlying all of that is an understanding.

(You can never quite understand a God’s thinking, will only get to see the glimpses of what layers that sit just underneath the surface, a scratch of it, but love—

A God’s love, their eyes and arms locked around you, is something all encompassing.)

“We should continue to offer them the kindness they gave us.” Another tap, another tink. “Whatever path they follow down, whatever they choose to do, hundreds or thousands of years after this—at the least, they will remember having us by their side. Should they give an inkling, now, however—”

“All these what-ifs,” Cecil murmurs bitterly, withholding a sneer. “Could we, say, let them take their own steps first? They hardly have a proper footing!”

The puff of air that escapes her is almost amused. Her gaze drifts downwards, where the water of the canteen sloshes as it is tipped to her mouth. She sets it gently into her lap, after, a chorus of clinking coming from the repetitive thumping of her fingers.

“Of course.” She hands the canteen to Valentina, and the trembling of her limbs seems to have worsened. The blunt ends of her nails press into the palm of her hands, briefly, and she goes to pull the bed’s cover up to her chest, hiding her arms by tucking it over her fists. Then, “I have not seen you receive any medical care, these past days. Have you been shirking?”

Venti’s wings puff, a minute flinch going throughout their body. He pets at their hair, twirling it between the gaps of fingers—he had been checked on the day before his wisp had visited, and watched as they checked Amos’ health, too, quietly asking if the soreness had lessened, after the healer left, and her reply of rolling her shoulders and commenting that it does not feel like she is being crushed.

“Hee, I was hoping you would not catch that…” He nuzzles into their head. Backs a bit away, nary an inch or so, and brings his hand to their jaw, stroking his thumb along their cheeks. Venti tenses, brows scrunching. He continues, mock whispering, “Psst, Miss Amos revealed one of my secrets, can you believe…? Quite mean of her, hmpf! You would be my knight and defend my honor, would you not, Venti? My dearest?”

There is a pause, where he can see them debate with whether they should “awaken” or not. He waits, humming lowly—and is rewarded when two glittering green-blue teal jewels blink up at him.

“Knight..?”

“Yes! I shall gather you a shield, so that we can deflect her peddling—”

“My deepest apologies for not wishing your wounds to infect.”

Cecil leans to stick his tongue at her (she wrinkles her nose in jest), feeling more than seeing Venti sit taller, their hands moving to grasp at his wrist. A perturbed expression greets him when he turns back to them, searching him for anything critical. His heart squeezes, flips, squeezes.

He reaches out to brush his hand against a braid, tracing the poof part that is held together by a band. Hopes that the twinkling in his stare is enough to convey Do not worry, a “go along.” The ruffled feathers of their wings start to smooth out, fluttering about, as they squint at him—message received. “How many missed?”

“Only one session, I promise. My bandages… may need replacing, a little,” ducks his head, bonking against their forehead, and offers up a gentle, crooked smile. “Walk me back?”

They graze their own hand over his, holding it loosely. Nods, and lets go, standing from the chair, using their foot to push it away farther. Cecil shakes off his arm as he yanks the cover down to the end of the bed, throwing his legs over the side, the soles of his feet hitting the floor. Venti holds their hand out for him to take, pulling him up (though, he notes, they keep their fingers intertwined tightly with his.)

“You will be going?” Felix questions, uncrossing his arms.

“Mmm. I believe Amos has had enough of my shenanigans.” He waves his hand, stepping in front of Venti, having them still out of Felix’s view.

“… if you need any he—”

“Fret not, I have the most wonderful guiding wind!” He leans into Venti, as subtly he can, beaming. They are besides the man, now, and he tugs them closer to the doorway. “We should be on our way now, might be able to catch a healer along our journey.”

He waves to Amos and Valentina, receiving waves back (though, on Valentina’s part, seem slightly reluctant to see the both of them go.) They both skirt around the doorway and down the hall, where Cecil exhales, his shoulders sagging.

If they wish to still discuss such a topic, fine, if that is what will bring them ease in this environment. Everyone is on edge and wary, equally they are relieved and excited. He has seen how some shuffle around the new God, confused how to interact with the wisp. But if they wish to do it while the person they discuss is there, unaware, they are welcome to be his guest to explain to Venti why that topic involved which of the best ways to stab them in the back was—especially when there are more important issues that should be focused on! That warrior, in particular….

Urgh.

He squeezes Venti’s hand, placing his head upon their shoulder.

“My darling knight, I love you no matter what.”

…they squeeze his hand, ears flicking, and wings puffing once more.

[aurosoulart]

working on a New Year's dragon! 🐉

[bitchfitch]

I have the general rule that I just, don't let myself give a shit about other people's dumbass opinions but I have one pet peeve that I just. Can Not let go of. and it's posts that go

How to write [Minority Group]!

Step 1: Make sure all your characters are exactly like me the op, or are exactly what I like to see in media.

Aside: Anything else is impossible, unrealistic, bigoted and you'll go to hell forever.

Step 2: They also have to use the exact language I do to describe themselves btw, no matter the time period or setting. See the above aside for further explanation.

Step 3: you should never ever even think about the actual mechanics of what makes a trope problematic in its impact in the real world. J ust memorize this list of things that should be banned in all fiction (for being problematic because I don't like them/someone else I agree with said they should be banned)

Step 4: Nuances in identity don't exist <3