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mirai227 · 3 years ago

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How to go from beginner to intermediate in a language!

Hi! I recently reached an intermediate level in French, and I am on my way to reaching an intermediate level in Spanish too, so I thought I would try to offer some tips and ideas about how you could reach an intermediate level in your target language as well.

What does an intermediate level feel like?

So from what I can gather, the beginner level (about A1/A2 on the CEFR scale for languages) is where you can communicate on a very basic level, and can only really understand beginner learners' content. Native material is kind of a no go (except maybe for children’s content). You can understand about 30% of what natives say at natural speed, and can struggle through some basic articles with key vocabulary, as long as you are already familiar with the subject and the key vocabulary. You can express yourself in quite a limited way, and can speak about familiar subjects, while being able to provide some simple explanations why. This self-assessment grid can tell you more about what you can and can’t do at these levels.

At the intermediate level (about B1/B2), native material is slowly but surely becoming more easy for you to understand. For me, it usually means that I can understand enough words and phrases when native speakers speak to piece together what they are discussing, though I can’t really provide specifics. You can understand about 50/60% of what natives are saying about a relatively wide range of everyday subjects (though specialised language for complex adult discussions on things like science and philosophy is usually too difficult at this stage). You can express yourself quite well on a wide range of subjects, though in an often clumsy and simplistic manner. At this level, you should be able to survive in a country where the language is spoken, and operate fairly well in a professional setting (if the language required is not too complex). You will definitely make a lot of mistakes, but not too many, so you should be understood by natives. This self-assessment grid can tell you more about what you can and can’t do at these levels.

What should your goals generally be here?

Greatly expand your vocabulary.

Improve your grammar to a passable conversational level (watch this video clip to understand what I mean).

Get comfortable speaking with native speakers.

Make sure that most of your study time is spent consuming or using your target language. Minimise contact with the languages you already know, except maybe for grammar.

Spend a minimum of around 1-2 hours a day on your target language.

How should you reach intermediate level?

Use a textbook for around that level. For me, I used the higher tier textbooks for GCSEs, which is about the level that I wanted to reach. I went through the whole textbook, learnt all the vocabulary that I came across, and did all the practice questions that I could find. This helped me immensely. Textbooks are usually organised to provide the base of what you need to reach an intermediate level. However, they should not be used alone.

Find a native speaker to talk to! Seriously, this helped me so so much. Before, I was not comfortable speaking to natives in French at all, but I started to speak with a friend of mine twice a week, and I was absolutely stunned by how much more smooth and confident my speaking became. I looked up words that I needed to know while I was speaking with her, and this really helped me fill in the gaps of my knowledge. I also learnt a lot of the nuances in French and and discovered some really cool and useful phrases. Try making a habit of speaking either with someone, or by yourself every day. If you don’t know something, then google translate is your friend! That way you can learn really cool set phrases. You can usually find someone to talk to on discord servers if you join some language learning ones, though be very careful about revealing any personal details or your face. Arrange a fixed time a few times a week and stick to it!

Study every day. Seriously, I really dropped the ball with my Spanish and because of this, my progress has been really slow. I could be at the intermediate level in Spanish already, but because I’ve been so slow, I’m not. Figure out what time of day you are most productive at (for me this is the early morning) and set a fixed time for studying your target language. It’s okay to experiment a little, and for it to take some time to figure out your schedule. With languages, at this stage, it is very easy to forget things, so going a long time without studying (longer than a month) is really going to hinder your progress. Still, you should always be your first priority, so if things are too busy for your studies at the moment, then it is fine to put your studies on hold for a while, or even stop them altogether. Just make peace with the fact that your progress will be a little slower than you might like.

Do lots of practice questions for grammar. It is all well and good to hear about the rules and write notes down, but if you cannot use it in practice, then frankly, you do not know the rule. Find a grammar workbook, like this one, or this one, and work through it. You can use HiNative to find corrections if you do not know the answer. Then, try making sure that you actually use it in your writing or speaking. Experiment, and learn from the corrections that people make.

Keep a journal in the language, and post it on websites like Journaly. Write about subjects that you already know about, and make sure that you use as many grammar rules that you know as you can. Try to elaborate on your reasons and opinions on things. It will be difficult at first, and you will make absolutely loads of mistakes, but as time goes on, you will gradually start to improve. Look up words that you don’t know, and write them down so that you can learn them later.

Try listening to intermediate content. Yes, it will be difficult, and you won’t be able to understand much, but as time goes on, you will slowly become more accustomed to the vocabulary you need to reach that level. Make sure whatever podcast you are listening to has a transcript, and highlight and learn the new vocabulary that you have discovered using Anki, or any flashcard app. Listen whenever you have time to kill, like on the train or when you are doing the dishwasher - it’ll really help!

Text natives on apps like Tandem or HelloTalk. It’ll get you used to forming the written language more quickly, and will let you practice more conversational phrases.

Make sure that you have the basics of grammar down, like all the essential tenses and basic particles, before moving onto harder things. Find a list of grammar, or a textbook that specifically covers intermediate level, and do lots of practice questions on each one.

Watch some native content on YouTube on subjects that you are familiar with and really like. Again, this will be difficult, but helpful! Make sure the videos have subtitles in the target language so that you can follow what it is about. Do NOT use english subtitles. It is vital that you get used to understanding the language without the crutch of the languages you already know. Look up the words that you do not know, and learn them using whatever vocabulary learning method that you like.

Read children’s (like, young children) stories and books to practice reading. It will be surprisingly difficult, because the grammar used in children’s books is usually for around a certain degree of fluency. Learn the vocabulary you don’t know, and try to practice when you can.

Learner’s material and articles are usually quite good for reading as well, as they are frequently quite challenging. You can find some in your textbook, or online if you google “[language] intermediate reading exercises”. You can probably also find reading comprehension books online if you try hard enough.

Learn vocabulary in context instead of memorising lists of vocabulary. Find the vocabulary you don’t know in all the content you are consuming, or look up words that you want to use yourself, and write them down with example sentences. Then, learn them using flashcard apps or websites like memrise, quizlet and anki.

For your pronunciation, shadow native speakers. Listen to how they say words, and imitate them. Personally, I use Easy Languages videos for this, along with random YouTube videos with subtitles in the target language. If a certain sound is difficult for you, then be proactive! Look up YouTube videos and articles on how to pronounce the word, and keep on practicing until you eventually get it.

Engaging with people on social media can be a fun easy way of practicing your TL. You can read or listen to posts and leave comments.

That’s it! That’s all the advice I can possibly think of. I hope you found this post helpful!

Here are some articles that I have found useful in the past:

How You Can Become Fluent in a Language - In Just One Year By Ramsay Lewis

9 points about language learning and how I’m learning 20+ of them By @ravenclawhard

Language learning tips for beginner & intermediate learners 🌍 By Lindie Botes/ @rinkodesu

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sambinnie · 3 years ago

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Winter Solstice, and we run to the river with whispered greetings, a cluster, making greater effort always for the riverbank's high days and holidays. Home for a bath, midwinter candles, apple porridge, and Britten’s Ceremony of Carols, of which I was reminded by a transporting episode of Soul Music which captures well the weirdness and magic of the pieces. Thin indeed the veil between this world and others right now, knitted with tradition and ritual; I find myself seeing my father often, in the old, stooped men in our neighbourhood, and while I don’t grieve his absence — unhappy, unhappy presence that he became — I feel sad that he doesn’t get to be alive any more. For all the horrors this world may contain, he has also escaped every one of its pleasures.

It soon became clear that I had chosen the worst book we’ve read this year for our December bookclub, but it has been cancelled out by the memory of the excellent Lolly Willowes from the month prior; I think Sylvia Townsend Warner’s brief, odd, beautiful little work may be my own book of the year. Lolly's flavour of ageing pragmatism and insistent solitude has made me think of it every day since, and recently a friend and I discovered in hushed but warmed tones how tired we each were of hearing the voices of twenty-somethings, like Lolly. Idealistic and fresh-eyed at best, mostly they seem crazy-paved with cynicism, marketed to since birth, with no concept of ‘selling out’ and only of being a strong personal brand, sure of everything, experienced of nothing; or maybe it's the social media paradox: if one's opinion seems worth broadcasting, statistically it probably isn't. Memes, quips, irony: none of it is a diet to live on. (God, what a tiresome old hypocrite I’ve become.) And of course that’s a sweeping generalisation, of course there will be barrels of humble, hungry-to-learn, helpful and open-minded twenty year olds just like we weren’t, but when one starts to feel old — not old old, but lingering now in the doorway of old and peeping in with hope and dread — perhaps one pleasure at this brief transitory moment is recognising that these young voices haven’t yet become refreshing and rejuvenating, but are currently simply not what the doctor has ordered. Would my younger counterpart despair now at my growing love of long country walks, old churches and high church C of E pomp, drying fruit, raw broccoli, slippers, bird-spotting, gardening, naps? I suppose the greater point is whether I would care about her reaction. (I would not.)

After finishing the terrible book, I started The Dark is Rising again, and was beyond delighted as I sat beneath a dog in the twilight of Midwinter’s Eve, to discover that this classic children’s novel opens at that very moment, decades before. Is the Rider Welsh? I’m sure later his accent is more Danish, but for some reason he has Michael Sheen’s face in my mind this time around.

Right. The Yule log (black cherry for the Solstice, to distinguish it from the Christmas Day Yule log) needs to be finished, and the Solstice wreath lies in green pieces on the kitchen table, holly and fir, bramble and dried oak, waiting to be wired together by helpful housemates. There’s plenty on the radio at this time of year, but for humans being inspiring in various ways, might I recommend this episode of Criminal, this episode of Seth Rogen’s podcast, this episode of Hidden Brain, this episode of 60 Songs that Explain the 90s (or maybe festively this excellent one?), this episode of This is Love, this episode of The Untold, and/or any of these excellent Adam Buxton episodes. Listen to the wonderful Orla Gartland, watch this great and devastating bit by Cecily Strong, give any spare cash that might have gone on a Christmas night out to other clowns here or here. The days are getting longer now! Light returns. I hope you have some hope to light your way in these bananas times.

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melisa-may-taylor72 · 4 years ago

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QUEEN BEFORE QUEEN

THE 1960s RECORDINGS

➖➖➖➖➖➖➖➖➖

PART 1:

BRIAN MAY, 1984 & THE LEFT HANDED MARRIAGE

JOHN S. STUART AND ANDY DAVIS DIG DEEP TO UNCOVER THE PREVIOUSLY UNDOCUMENTED AUDIO LEGACY OF ONE OF THE WORLD’S MOST CHERISHED BANDS.

This month the beginning and end of Queen come together like the cosy ending of a contrived Hollywood drama. While fans wait with bated breath for the band’s final album, “Made In Heaven" — completed by Brian May, John Deacon and Roger Taylor with the aid of Freddie Mercury’s last demos — author Mark Hodkinson launches a new book in which, in greater detail than has ever been attempted before, delves into the pre-fame histories of Queen’s musical antecedents.

With previously unpublished photographs of Roger Taylor's the Reaction, John Deacon’s the Opposítion and even more impressively, Freddie Mercury’s Sour Milk Sea, ‘Queen The Early Years’ is a treat fans have waited too long to read. Coincidentally, six months ago, we commissioned Queen historian, John S. Stuart, to research the definitive article on the band’s pre-fame recordings, and as you’ll see, the results complement Hodkinson’s broader picture with hitherto undocumented details of Queen's 60s recordings.

We've touched on Larry Lurex and Smile before, of course, but the vinyl output of those two acts barely scratches the surface, so to speak: literally hours and hours of privately- recorded material of Freddie, Brian, John and Roger survive to this day — as evidenced by the recent discovery of the Reaction’s ‘In The Midnight Hour’ acetate ( see RC 191). So, while the rest of the world comes to terms with the fact that Queen’s recording career is effectively at an end, we unravel the untold history of four individuals' first tentative steps in front of the microphone, beginning with the 1960′s exploits of Brian May. Next month, we’ll embrace Smile, and John, Roger and Freddie's hidden amateur recordings; but first, 1984 and the Left Handed Marriage.

1984

Around late August, or early September 1963, as the Beatles celebrated the birth of Beatlemania with sessions for their “With The Beatles” LP at EMI’s Abbey Road Studios in North London, another rock legend was developing just around the geographical corner. In a semi-detached house in Feltham, Middlesex, electronics engineer Harold May began an 18-month task, helping his sixteen-year-...[ ]

[ ]...old son, Brian, to construct the world's most famous home-made guitar, the ‘Red Special'. In the mean time, Brian would have to be content with thrashing away at the small Spanish acoustic his parents had bought him for his seventh birthday. (Brian evidently mislaid this childhood guitar shortly afterwards; and didn't see it again until 1991, when at a ‘reunion’ of former members of 1984, his schoolfriend and first musical collaborator, Dave Dilloway, returned it to him. Brian was so thrilled, that he featured the guitar in the video for Queen’s “Headlong" single).

By 1964, Brian and Dave Dilloway were already recording amateur duets together, and by linking up their two reel-to-reel tape docks, they discovered that they could lay down guitars on one machine, and perhaps bass, percussion and sometimes vocals on the other. Although the technique was crude, and despite the occasional disaster, the effect was often surprisingly good. One of the earliest tapes from these primitive recording sessions survives to this day, and features Brian belting out Bo Diddley’s eponymous R&B standard, "Bo Diddley".

“This is a mono quarter-inch, reel-to-reel I found buried among various other oddments from the era”, recalls Dave Dilloway. “It certanly dates from before the formation of 1984. It was recorded in Brian’s back room in Feltham, with Brian on lead vocals and guitar, and myself on bass and drums. The track is basic, but Brian’s vocals are clear and recognisable. The guitar playing is fairly basic as well, but competent, without any real solos as such”.

“ This is the only tape in my collection of those double-track recordings. I’m unsure whether Brian himself has retained the tapes we made at the time, but I believe he usually ended up with the finished versions, so he may still heve them somewhere.”

The duo also recorded four-track instrumental cover versions of several Shadows tunes — “Apache”, “FBI”, "Wonderful Land” and "The Rise And Fall Of Fingel Blunt” — as well as “Rambunkshush”, which they learned from the Shadows’ American counterparts, The Ventures. Also on the same tape is their reading of Chet Atkins' “Windy And Warm".

Yet another reel reveals an attempt at Cliff Richard’s "Bachelor Boy", on which Brian, once again, takes the lead vocal. Dave Dilloway's theory is probably correctt; May is known to have a meticulously catalogued personal collection of Queen (and pre-Queen) recordings and memorabilia, which almost certanlly contains unfathomable reels of similar early material.

In the autumn of 1964, Brian and Dave formed a rapidly-evolving band, through which many schoolmates passed, but which eventually settled with a line-up of bassist John 'Jag' Garnham, drummer Richard Thompson, and harmonica-playing vocalist Tim Staffell. After rejecting names such as the Mind Boggles and Bob Chappy & the Beetles, the quintet named themselves after George Orwell’s futuristic novel ‘1984’. Their look was far from sci-fi, however, and they happily adopted the classic, clean-cut beat- group look of the day: jackets, or in Brian's case a cardigan, and narrow trousers; and beat boots. Tim Staffell even acquired that year’s fashion accessory, a pork-pie hat.

The band rehearsed regularly at Chase Bridge Primary School Hall in Twickenham (located next to the rugby ground), and on the 28th October 1964, gave their first public performance at the nearby St. Mary’s Church Hall. It is believed that either one of the rehearsals, or the gig itself, was recorded, but unfortunately, no tape of this debut, performance has survived the years. Although 1984 recorded almost all of their live concerts for their own critical appraisal, to save on the expense of new tape they often wiped over old reels once they’d listened to them. Nevertheless, evidence of Brian May playing live does survive from this period, and the earliest example dates from an unknown gig (Shepperton Rowing Club is the favoured consensus), recorded in late 1965. This wasn’t a 1984 performance, but rather an ad-hoc trio comprising Brian May on bass and vocals, Pete ‘Woolly’ Hammerton (a school friend of Brian’s) on guitar and vocals, and 1984's Richard Thompson on drums. The tape reveals the trio turning in versions of Martha & the Vandellas’ “Dancing In The Street", the Beatles' “Eight Days A Week”, “I’m Taking Her Home” — a song by the group Woolly later joined, the Others — and a brave attempt at the Who’s "My Generation".

The Others comprised older boys from Hampton School, who in October 1964 had issued a single of their abrasive reading of Bo Diddley’s “Oh Yeah", backed by “I’m Taking Her Home", on Fontana (TF 501). “That was good!" claims singer, Tim Staffell. “I’ve still got that record buried somewhere deep in my mind — I remember the singer, Paul Stewart's voice and the quality of the guitar sound. The Others were a pretty significant influence. Maybe not in terms of the music, more in the sense that they were already doing it, which proved it was possible."

As evidenced by the photograph included in this feature, the Others clearly had attitude, something which 1984, or Tim Staffell at least, could only aspire to “If I had tried to push 1984 in any direction," reveals Tim, “then that would have been it. Without hearing any of these tapes of our band — and I didn't even know they existed! — l’d say we probably sounded a lot safer than the Others. Mind you, they were different to us. Their guitar style was very much inspired by American R&B, whereas Brian’s never was. Brian was a unique guitar player: he was able to extemporise a much more original way than most guitar players could. I hope he’ll forgive me for saying so, but I never perceived him as having the dangerous image which was necessary at the time — the cardigan says it all!.

LIGHTWEIGHT

“In retrospect, 1984 was lightweight, a bit fluffy” concedes Tim. “It was impossible not to be naively ambitious — that was part and parcel of it — and the primary motivation to do it was what we saw in the media as the end results of success. But I guess we were realistic about it — we were at school, after all. Also there was a good deal of pressure in the 60s from our parents, and the conservative generation, to conform."

Although a version of “I’m Taking Her Home” by 1984 was captured live on the Shepperton tape, and Brian occasionally guested with the Others on stage, it's worth stating once and for all that — despite the persistent rumours — he definitely doesn’t feature on "Oh Yeah". In fact, Pete ‘Woolly' Hammerton doesn't even play on the record — he only joined the band formally later on.

In the autumn of 1965, leaving Hampton Grammar with no fewer than four 'A' Levels and ten ‘O’ levels, Brian enrolled at Imperial College in Kensington, London, to read physics and infra-red astronomy. Before breaking up for the Christmas holidays that year, he played the first in a series of gigs with 1984 at the college, a tradition he continued later with Smile, and in their formative days with Queen. Although the exact date of the event has long since been forgotten, a very poor- quality tape still exists of 1984‘s college debut. The set was a typical one, comprising the group’s broad blend of pop, R&B and soul covers, and included the following songs: “Cool Jerk" (originally by the Capitols), ‘Respect" (Otis Redding), "My Girl" (the Temptations), “Shake" (Sam Cooke), “Stepping Stone" (the Monkees), “You Keep Me Hanging On" (the Supremes), “Whatcha Gonna Do Ahout it" ( Small Faces), “Substitute” (the Who), “How Can It Be” (the B-side of the Birds’ final single, “No Good Without You Baby”), “Dancing In The Street", “Dream" (Everly Brothers) and the Small Faces’ "Sha La La La Lee".

“Our repertoire was a little too eclectic to have developed into any particular style” reckons Tim Staffell. “But the Small Faces were quite influential. When we were at school, the songs were dredged from all sorts of areas. I’d always liked rhythm’n’blues. Brian’s input would have been Beatles-orientated, Dave’s as well. Richard Thompson would have been more into R&B, and Jag didn't really have an agenda as far as songs were concerned. Because of the nature of the material we covered, our approach to the gigs was almost schoollboy cabaret. 1984 was not a dangerous, moody rock band! Which may have something to do with the way Queen evolved."

1984 oponed 1966 with a couple of gigs at the Thames Rowing CIub in Putney; and once again, a tape recorder was set up to document the group’s progress. Two reels from January that year exist: the first is dated the 15th, and features “Im A Loser” (the Beatles), “I Wish You Would" ( the Yardbirds), “I Feel Fine" (the Beatles), “Little Egypt" (the Coasters), "Lucille” (Little Richard), “Too Much Monkey Business" (Chuck Berry), "I Got My Mojo Working” (Muddy Waters), "WalkingThe Dog” ( Rufus Thomas) and “Heart Full Of Soul" (the Yardbirds).

The second, dated two weeks later (29th January), demonstrates the great variety and confidence of a band which consistently renewed its repertoire. The show began with Jimmy Reed’s “Bright Lights, Big City", moving into the Cookies' “Chains" (popularised by the Beatles), “Walking The Dog", “Lucille", “Our Little Rendezvous" (Chuck Berry), “Jack O’ Diamonds" (Blind Lemon... (cont)

(cont) Jefferson, popularised by Lonnie Donegan), “I’ve Got My Mojo Working”, “Little Egypt" and Bo Diddley’s “I’m A Man”. The band’s finale was a versión of Sonny Boy Williamson’s "Bye Bye Bird".

For an amateur band with little real pretension towards stardom, or even a serious attempt at securing a recording contract, a staggering amount of live 1984 material has been preserved on tape. Dave Dilloway, for instance, is the guardian of a seven-inch reel-to-reel, which he says reveals either a very long performance or a compilation of various unknown dates.

Either way, the tape is divided into five distinct sections, which might make tedious reading, but is an invaluable reference: 1) “Route 66", (unknown instrumental), “I’m Taking Her Home", “Too Much Monkey Business’, “Yesterday" (featuring Brian May on lead vocals), “Walking The Dog", and “ Lucille"; 2) “Little Rendezvous", "Keep On Running”, “I Feel Fine”, “Walking The Dog”, “Jack O’ Diamonds", “High Heeled Sneakers", “I Want To Hold Your Hand", “I Got My Mojo Working*, and “I Should Have Known Better”; 3) “Little Rendezvous", “Jump Back Baby Jump Back", “I Feel Fine”, “Bye Bye Bird", “Little Egypt", “Crazy House". “Lucille”, “Oh Yeah”, “Heatwave”, “Too Much Monkey Business", “I Should Have Known Better", and “I Got My Mojo Working"; 4) “My Generation", “Little Egypt", “Dancing In The Street", “Whatcha Gonna Do About It", “I’m A Man", “Heatwave", “Lucille", and “Bye Bye Bird"; and 5) “Heart Full Of Soul", “Too Much Monkey Business”, “Something’s Got A Hold On Me", “Keep On Running", “My Generation", "Tired Of Waiting", “Bright Lights. Big City" and “Happy Hendrick’s Polka".

“These are all domestic quality, single microphone recordings of early-era 1984", reveals Dave Dilloway. “It's mostly bluesy material, with some soul and Beatles songs. While the quality is basic, the sound is intelligible, although there isn’t a large amount of identifiable Brian guitarwork. That came later in the band's history, when we included covers of Crearn and Hendrix. Brian's solo vocals on 'Yesterday' (on the first segment) are quite clear, however."

For much of 1966, the band carried on in a similar vein — Brian's and the others' college work permitting, of course. For Brian May and his unsigned, Twickenham-based covers band, the highlight of the following year, 1967, was undoubtedly the gig he secured via through his contacts at the college — supporting Jimi Hendrix at Imperial. The date was 13th May, the day after the release of Hendrix's debut, “Are You Experienced". Brian May idolised Hendrix to such an extent that he'd been nicknamed “Brimi" — a combination of the two guitarists' names—so although 1984 had seen him perform before, it goes without saying they were thrilled when backstage, they actually bumped into the ascending star as they filed past his dressing-room. It’s a familar story, but it's one worth repeating: Jimi enquired memorably, “Which way’s the stage, man?*.

BLOSSOMED

1984's act had certainly blossomed by this point. Their attire was now obligatory Swinging London — or Swinging Middlesex — fare: frilly shirts, Regency jackets, striped hipsters secured with a white belt, and hairtyles extending inexorably over the ears, and indeed the eyes. “Somewhere along the line, there was an external influence there", says Tim Staffell. “There was someone calling the shots. I don’t think all that was self-motivated. It’s something I’ve never been comfortable with, which explains why I split away from it early on — certainly from Smile onwards — because it was going that way; as indeed it ended up with Queen. It's fair enough, but that sort of flamboyance is just not me. I look fairly uncomfortable in the picture of the band from that period. My idea of a rock musician is one with hair down his back, a dirty pair of Levi's on, looking at the floor, thoroughly unconcerned with the visual and external trappings, playing the most extraordinary virtuoso guitar. That was my attitude."

Back in February 1967, Brian’s local paper, the ‘Middlesex Chronicle’ caught up with the band, and captured Tim Staffell in an equally decisive mood; although here, he was more enthusiastic about the latest trend. "Psychodelic music is certainly here to stay”~he claimed. "It makes more of music than mere sound, it makes it a whole and complete art form." Dave Dilloway, who also handled the group's light show, added: “We use everything in our act, including things like shaving foam, and plastic bricks we throw around”.

The ‘Chronicle’ was obviously impressed, and its reporter had this to say about a performance by what it called “one of the most foward-looking groups today". “Standards, like ‘Heatwave' receive a very original treatment, mostly due to the sounds that Brian coaxes out of his guitar. Jazz chords and electronic sounds add feeling and nuance to numbers that are often churned out wholesale. Using two bass drums for a fuller sound, Richard's drumming, combined with the full bass riffs of Dave and the steady (rhythm guitar) work of John, provides a firm basis for experiments in sound — an opportunity which is not wasted."

“To be quite honest with you, there’s more substance in the literary content there, than in the musical," laughs Tim Staffell. "If someone genuinely thought that, then I'm surprised! Brian might have used a fuzz-box. but generally, it was au naturel. I remember in the Smile days, somebody wrote about ‘humming chords of wonder’, referring to my bass playing. The reality of it was that sometimes I did try and play chords on the bass guitar, which might have come out as a deep-throated roar, but actually sounded like a load of crap!"

“We did use to tickle about with a few lights, suggests Dave Dilloway, “but being a local band, money was tight and there wasn’t a fortune to spend on the band." As to 1984's psychodelic sound, Dave adds: “Brian did use a bit of fuzz, yes, and Pink Floyd influences and a bit of screaming guitar. He’d actually built a fuzz box into his guitar, which was fairly unique for the day, but typical Brian. If you look carefully at recent pictures of his “Red Special” you can see the fuzz switch taped over."

In September 1967, no doubt boosted by their praise — sincere or not — in the local press, the continuing evidence of their performance tapes and their recent Hendrix support slot, 1984 entered the local beats of a battle-of-the-bands competition at the Top...[ ]

...[ ] Rank Club in Croydon, just south of London. Effectively a promotion for Scotch tape, entrance to the contest could only be secured via a demo recorded on a Scotch reel. 1984’s effort duly arrived in the form of a two-track master, featuring covers of Marvin Gaye's “Ain’t That Peculiar?" and the Everly Brothers’ “Crying ln The Rain" (on stage, both tracks were usually enhanced by characteristic Brian May guitar solos, but conservatism prevailed, and they were absent in this instance). A copy of this recording still survives, carefully guarded by the custodian of the 1984 archive. “This tape is a quarter-inch, mono reel-to-reel," recalIs Dave Dilloway. “Tim took lead vocals on 'Ain't That Peculiar?’, and Tim and Brian duetted on ’Crying ln The Rain’. Brian's vocal style and tone can be clearly discerned, if one knows his voice. The songs were recorded in single takes, using a single microphone fed directly to the recorder. There was no mix facility so it has a ‘live' feel, a very good clean sound”.

The mix was achieved using the old fashioned technique of microphone position and relative volume levels of the amplified Instruments. “As far as I am aware, only the one (master) copy of this tape exists.”

As has been well-documented, after two sets at the competition (one of which saw Brian, Dave, John Garnham and drummer Richard Thompson acting as the back-up band for a singer called Lisa Perez), 1984 won the contest, and walked away with a reel of blank tape (Scotch, of course) and an album each on the CBS label. (Tim took the top prize, Simon & Garfunkel’s “Sounds Of Silence", Brian had to make do with a Barbra Streisand LP, and Dave Dilloway became the proud owner of an album by Irish bandleader Tommy Makem!). More importantly, their demo tape was forwarded to the CBS A&R department for the national showdown, although, clearly, they didn’t win.

True to form, 1984's performance that evening was committed to tape — for an unpublished review by ‘Melody’ Maker, no less — but was probably erased shortly afterwards. The twenty-minute set consisted of the Everlys’ "So Sad", Hendrix’s “Stone Free”, Buddy Knox’s “She’s Gone" and Eddie Floyd's “Knock On Wood". After the gig, the band were invited by a visiting promotor to participate in the all-night gala event which has since gone down as one of the key gigs of the London underground scene: Christmas On Earth Continued, at London's Olympia Theatre, on December 23rd 1967. 1984 was the lowest profile act at this decidedly high-profile event, and after Jimi Hendrix, Traffic, Pink Floyd, the Herd, and Tyrannosaurus Rex had all taken to the stage, they only got to perform their humble set of covers at 5 o’clock in the morning. When Brian finally plugged in his ‘Red Special’, 1984 played a thirty-minute set to a very small, and less than enthusiastic, audience.

Also from 1967, and of far more interest, is 1984′s professionally-recorded Thames Television demo tape. During his first-year of study at Twickenham Technical College, Dave Dilloway had made friends with a number of technicians, or trainee technicians, at the Teddington-based ITV company which served the London area. The station had recently invested in new recording equipment, and rather than hire professional musicians at the usual union rate, in a set up similar to the first Queen sessions at the De Lane Lea studios, 1984 were let loose in the studio to record at their leisure. Dave Dilloway's carefully preserved tape still plays perfectly, and includes the following songs: "Hold On I’m Corning", “Knock On Wood“, “NSU", *How Can It Be”, two early run-throughs of the original May/ Staffell composition “Step On Me” (which eventually became the B- side to Smile's “Earth"), “Purple Haze", “Our Love Is Driftin* ”, and medleys of “Remember”/”Sweet Wine" and “Get Out My Life Woman”/ ”Satisfaction". The session ended with a run-through of "My Girl”.

AMALGAM

"What an extraordinary amalgam!" declares Tim Staffell today. “There’s Tamla, Cream, Hendrix, Lee Dorsey . . ‘Our Love Is Driftin' we’d have heard by Paul Butterfield. I’d forgotten there was such a large soul component in 1984!".

Dave Dilloway has the technical details: “This tape is the most recent, best and most representative of 1984 that I'm aware of. It is mono, but since it was made on good quality TV studio equipment and was carried out along the lines of a proper studio recording, with separately-mixed microphones for each source, it is remarkably good quality for its age. The material, except for ‘Step On Me', is aII cover versions, but as it dates from the late 1984 era, Brian’s playing is more prominent and effective, with his own style starting to show through. All the performances are competent — particularly Tim’s vocals and Brian's guitar; although the mix is a little heavy on John's rhythm guitar for some reason, probably the ‘ear’ of the recording engineer at the time. All tracks were laid down in one take, i.e., no overdubbing at all, so the sound is predominantly simple, as per our live versions."

And that was 1984′s swansong. In the spring of 1968, shortly afler the Thames recording, mainly due to the pressures of infrequent meetings and university studies — coupled with increasing musical differences — 1984 scaled down their operations drastically. Brian May left the band, and Tim Staffell took over on lead guitar for a while. A little later, Tim himself quit, leaving Dave Dilloway, John Garnham and Richard Thompson to rebuild the group, which soldiered on into the 70′s, content merely to play for fun. They all conceded that 1984 had been a good, solid, and popular local band, but that it didn’t have the necessary spark or originality to transform into a great one.

The Left Handed Marriage

ln the summer of 1965, in another corner of Hampton Grammar School, Brian May’s old friend Bill Richards (who had been a fleeting, early member of 1984 before it acquired its futuristic name), and his colleagues Jenny Hill (née Rusbridge), Henry Deval and Terry Goulds, formed a folk-rock band called the Left-Handed Marriage, named after an archaic form of marrying beneath oneself. By January 1967, the quartet had progressed to the point where they had issued their own privately-pressed album, “On The Right Side Of The Left Handed Marriage", which ran to just fifty copies (and, incidentally, has since acquired cult status among collectors, with a £600 price tag to match).

Although naturally familiar with the album, Brian May as yet had not been involved with the band. That changed in March 1967, after Bill signed a twelve-month contract with EMI's music publishing company Ardmore & Beechwood — a deal secured through the efforts of Brian Henderson, a former member of Edinburgh beat outfit the Mark Five, and more recently, the bassist in Patrick Campbell- Lyons' 60′s psychodelic band, Nirvana. Bill approached Brian to help him create a “fuller" sound for the Left Handed Marriage, with a request to provide guitar and backing vocals on some recording sessions.

On the understanding that the project wouldn’t interfere with his commitment to 1984, Brian agreed. On 4th April 1967, he joined Jenny, Henry, Terry and Bill in AMC Sound, an amateur studio in Manor Road, Twickenham, to record four songs: “Give Me Time” (later changed to “I Need Time"), "She Was Once My Friend", “Sugar Lump Girl” and “Yours Sincerely” (which was basically “Give Me Time" backwards, with new lyrics pinched from the Russian author Pushkin).

The songs were all cleanly-recorded, melodic atempts at 1967 pop (despite the Left Handed Marriage's later classification, there's little actual folk music in evidence). “She Was Once My Friend" is the pick of the bunch, thanks to its Kinks-like structure — complete with Bill Richard's/ Ray Davies-soundalike vocal and, albeit way down in the mix, flashes of that distinctive Brian May 'Red Special’ guitar sound. Acetates of the AMC EP were cut, and the idea had been to release the songs as a commercial EP. Instead, the set merely became the Left Handed Marriage’s first demo for their publishers, although it did lead to the offer to record at a more professional session — at EMI’s prestigious Abbey Road studios.

The Abbey Road session took place on 28th June 1967, when Left Handed Marriage were joined by Brian and 1984′s Dave Dilloway, who was drafted in to play bass. Two further tracks were cut: the reworked “I Need Time",...[ ]

...[ ] and a new song called “Appointment". At this stage, there was more talk of issuing a record, this time a single, and a release date of August was even discussed. This never materialised either, and again 7″ acetates are all that remain.

Although Ardmore & Beechwood were pleased with the results, they still thought the Left Handed Marriage could improve their sound even further, and on 31st July 1967, they booked the band into another studio, this time Regent Sound in central London. As Dave Dilloway was not available, another friend, John Frankel, was called upon to play bass and piano. The eight-track Regent Sound machine was something of a technological marvel, and the session was flawlessly recorded, resulting in new versions of “I Need Time”, “She Was Once My Friend" (which also remixed and edited for the abandoned single), and "Appointment".

Despite the studio quality of the tape, Ardmore & Beechwood failed to place the songs with a record label, and like so many groups before and since, the Left Handed Marriage quietly disappeared from view. It was left to frontman Bill Richards belatedly to issue the fruits of this last session, when in February 1993, he tagged the three Regent Sound recordings — the final mix of “I Need Time”, the abridged version of “She Was Once A Friend Of Mine” and the final mix of “Appointment” — onto the end of “Crazy Chain”, a CD recorded by the reformed Left Handed Marriage, which itself was prompted by collector's interest in the group’s original 1967 LP, “The Right Hand Side Of...” . Most of the master tapes for the LHM recordings featuring Brian May have Iong since disappeared along with the Regent Sound studio, and (with the exception of "She Was Once My Friend") the Richards/May collaborations on the CD were digitally remastered from acetates.

RECORD COLLECTOR Nº 195, NOVEMBER 1995

➡NEXT: ROGER TAYLOR’S REACTION

@natromanxoff, @mephisto92, @moviestorian, @39-brian, @an-abyss-called-life, @his-majesty-king-mercury, @x5vale @onegoldenglance @i-live-for-queen, @brian-39-may, @toomuchlove-willkillyou, @brimaymay, @sail-away-sweet-sister, @briianmaay, @inui-mycroft @brianmayislongaway, @balticlover, @astrophysicist-guitar-god, @miez-lakatz, @brianmayoucease, @jesus-in-a-life-boat, @drummerqueenrmt, @iminlovewithrogscar @roger-taylors-car, @crosmopolitan @silapril, @sherrifanciesfriskyfreddie @tenderbri, @brianmydear, @thosequeenboys, @millionairewaltz-carpediem, @painandpleasure86, @bribrifrenchfry, @xlucylennonx, @a-night-at-the-abbey-road, @inthedayswhenlandswerefew, @madformeddowstaylor, @drowseoftaylor @queenrogertaylorfan, @let-roger-get-a-lunch, @queen-for-life, @rethought, @mymakeupmaybeflaking, @old-but-still-a-child, @let-roger-get-a-lunch, @warriorteam1924, @funnydressesweirdhairanddance, @painkiller80, @thefanhuman13, @yourtieddownmother, @hgmercury39, @brimi-stardust, @thefairyfellermercury, @retroromantics, @sailawaysweetbrimi, @sophiaintheskywithdiamonds, @deacytits@rhysjoejoshtomfarisblog, @holybrianmaywritingbear, @lydiannode, @39-yellow-daffodils , @ure-gonna-loveme-when-u-seeme, @kaykaybeachgirl, @foxmonkey, @saik-ava, @deakysgurl, @redspecialandclogsandcurls, @briansrainbowsocks, @delilahmay39, @ohmybribri, @bless-the-queen, @infunitehearbeat, @sketchiesscketches, @everythingaboutfreddie, @doitforthevine67, @recordsoftheseventies, @tenementfunsterwithpurpleshoes, @drummah-in-a-rocknroll-band, @beatlegirl1968, @maylorsqueen, @shearrehartatacc, @gralto, @alittlepeoplemagic, @rainbowsockbrian, @frejudy, @drivenbybri, @yourlocalmusicalprostitute, @omb-xx, @sassymaylor, @somekindofroger, @starlightmay, @rhysjoejoshtomfarisblog, @freddiemercuryismylife, @sunshine112, @chrysochromulina @glitteryloveravenue, @deakyislife51, @0-primejive-0, @just-a-skinny-lad, @drivenbybrianmay

#Queen Before Queen #Pre-Queen Series #Brian May #Tim Staffell #1984 #The Left Handed Marriage #🎤🎵🎸👑⭐

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saturatedcoffee · 3 years ago

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How Archive Sunday turned 5,000 TikTok followers into $1 million in revenue… in one year

Nothing has made me feel the big 3–0 looming on my horizon more than being a millennial on TikTok. Like more than the 100 million people who downloaded the app at the start of quarantine, it was something I used to pass the time. It was what all the kids were doing, and I was in strong denial about the fact that I was no longer one of them with my skinny jeans and side part―which TikTok has shown me are signs that I am now, certifiably, Old.

What I expected was videos of lip-syncing and dancing―like the app’s precursor, Musical.ly. But what I found was a collection of content creators making videos about my very specific and very niche interests and using that as a marketing tool for their small businesses.

I found a lot of small businesses on TikTok to satiate my quarantine-induced shopaholic tendencies. Like custom joycons for my Nintendo Switch, Japanese anime stickers for my laptop, and cute gear for my battlestation (otherwise known as my home office). What I didn’t realize was that I wasn’t alone-the pandemic had kickstarted an explosion of growth for small businesses on apps and websites like TikTok.

And one of those businesses is right here in Salt Lake City-in fact, right across the street from my very own apartment.

Just because there’s a pandemic doesn’t mean you can’t do business

When I was downloading TikTok at the start of the pandemic, Sasha Sloan was starting her business. “I was just kind of stuck at home in quarantine,” she says. “I was still in school, but I couldn’t go to campus. I couldn’t get a job. And like everybody else, I was just on TikTok all the time.”

What started as a way to make some money and kill some time in quarantine quickly became an overnight sensation.

Her business was simple: buying old Star Wars T-shirts from the thrift store, bleach dying them, and reselling them on Etsy. Coming from a family who had made their living off of recycled fashion, like her siblings’ company Uptown Cheapskate or her mother’s company Kid to Kid, it was an easy model to follow, but one she did all on her own.

With only 5,000 TikTok followers and 50 bleach-dyed Star Wars T-shirts, Sloan put up a video showcasing her product and went to bed. When she woke up the next day, her entire Etsy collection had sold out. “That was the first moment that I was like, hold on, do we have something special here? And then I did it again.”

For the first two months, that’s how it went. Waking up at 6:00 AM, buying shirts, bleaching them, photographing them, and then listing them. “I couldn’t do it fast enough,” she says.

Sloan launched her business, Archive Sunday, with bleach-dyed T-shirts on TikTok on July 7th, 2020. By August, she’d launched her second product: collage walls. One hundred days in, the business hit $100,000 in sales. By the five-month mark, Sloan’s account reached one million followers. Now the business is projected to make a million dollars in sales in 2021.

Pictured: Sasha Sloan with the Archive Sunday collage kit, Athena. Photo provided by Archive Sunday.

A new social media for a new way of marketing

What makes Sloan’s business unique is that it goes beyond traditional methods because the products she sells draw on existing fanbases, like Star Wars and Harry Potter. In fact, I discovered her months ago because she posted a video from my own favorite fandom, Sailor Moon.

“The [TikTok] algorithm sorted me very quickly into fandom. Star Wars, Harry Potter, all that kind of stuff. And I was just watching and seeing how easy it is to go viral,” says Sloan. She’s right. It is easy to go viral on TikTok, especially if you know what you’re doing.

The algorithm sorts users into social circles that share interests — or liked hashtags. When a video is uploaded, the algorithm shows it to a small subset of people. And when they like that video, it shares it with users who may have similar interests. And if they like it, it creates a positive feedback loop that, if it happens enough times, causes the video to go viral. Unlike platforms like Twitter or Facebook, you don’t have to be following the video creator to find their content.

And though it sounds lucky, Sloan says her success was about more than luck, “Everything that’s happened on TikTok is not by accident. I am very strategic, very calculating in what I post,” she explains. “That’s something that I think is the most common and frustrating misconception to me is that I am a blonde girl. I’m a pageant girl. I know how to do my makeup. And I will get the critique that everything I have only came to me because of the way I look. And I just hate it, because I don’t think people realize I’ve been working in the social media world and studying algorithms since I was about 18.”

Pictured: Sasha Sloan in her signature collection, The Burrow, inspired by Harry Potter. Photo provided by Archive Sunday.

Sloan has worked in social media since she ran the verified social accounts for her family’s businesses as a teenager. Recently, she even ran social media for John Huntsman’s campaign for governor as part of her capstone internship, managing million-dollar ad spends. And in her experience, she can confirm that marketing on TikTok is very different from Instagram, Facebook, or Pinterest.

“[TikTok] has created this liberation in social media where, number one, you can make whatever you want because you’re speaking to an audience that really gets you and has your same interests. And number two, it is a meritocracy. On Instagram, celebrities are often the most-followed and your followers decide how much [your content] gets liked. Whereas on TikTok, the algorithm does not care if you have a million followers or if you have ten. The only question is, is this a good piece of content?”

Creative advertising for a creative generation

TikTok is changing the game―and it’s changing the way we sell products. It’s not about paid advertising, because you can scroll right past the ads. You can’t target an ad to Gen Z the same way you can target a Boomer on Facebook. And according to Wallaroo Media, 60 percent of TikTok users belong to Gen Z, who’ve spent their whole lives on social media and are able to tell what’s an ad and what’s actual content. So if you want a TikTok user to watch your ad, you have to make it content they want to watch.

So Sloan has skipped the commercial. “I’ve never spent a dollar on marketing,” she says. “We just make these creative projects and people want to support them. They want to support the outfits. They want to look like our characters. And so we’re almost using fictional characters as influencers in a way.”

The creative projects and fictional characters she’s talking about tie back into her Noble House of Black series, which is a fan-created, live-action series of TikTok videos about three sisters from Harry Potter: Bellatrix, Andromeda, and Narcissa Black (played by Sloan herself). The series tells the story of these sisters in a visual form of fan fiction, wearing Archive Sunday’s clothes and using their accessories which, if fans like enough, they can follow through Sloan’s TikTok profile to the Archive Sunday store.

Pictured: Sasha Sloan as Narcissa Black in the Tiktok Harry Potter fan series The Noble House of Black. Photo provided by Archive Sunday.

What makes the series so engaging is that they’re featuring characters the very large and very vocal Harry Potter fandom is already familiar with. But while these characters exist in the Harry Potter franchise, much of their story is left untold. Which leaves it to the interpretation of fanon — a collection of concepts and ideas that are used in most fan fiction, but don’t really exist in the real story’s canon. And that’s where the Noble House of Black steps in to fill in the story.

“We are representing the aesthetic of fandom, which is not exactly the same thing as representing the original piece of art or work,” explains Sloan, who is very careful to circumnavigate her business around copyright issues. “We’re not copying and pasting the original piece of art. We’re using that art as a launching pad and an expansionary work to create something [new].”

A new kind of business for a new kind of nerd

The business of fandom, and namely fan fiction, is growing. Comic conventions like Salt Lake’s FanX grow bigger every year. The most well-recognized fan fiction website, Archive of our Own (AO3), even celebrated their 7 millionth fan fiction upload in 2020. Fan culture is a booming and underserved market, which has exploded even further with the stay-at-home orders of the 2020 pandemic. And Archive Sunday is capitalizing on it.

The untapped market of grown fans, particularly young women, is what Sloan attributes to her success. “I wanted to create a brand for that girl who is a millennial or a Gen Z or who loves their fandom stuff, is confident, put together, and is still a cool, popular, fun person that you’d want to hang out with.” For the girl that shops at Target, who wants the $200 merch from Disneyland but can only afford the sale at Hot Topic. For the fan who wants to rep their Hogwarts house while also being office-appropriate.

Pictured: The Black sisters from the Tiktok Harry Potter fan series, The Noble House of Black, with the actresses wearing signature Archive Sunday clothing pieces. Photo provided by Archive Sunday.

And Sloan is using her platform not only for marketing but as a tool for empowerment. “Generally in society, women are made fun of for their interests,” she says. “And I think that a lot of young women, in particular, need and desire the ability to look up to other women that have the same interest and are completely confident and passionate about it.”

And as a grown fan myself, I wholeheartedly agree with her. According to a census survey of 10,005 AO3 users, 80 percent of fan fiction readers and creators identified as female, with less than five percent identifying as male. But how many of these women hide behind online aliases and compartmentalize their fandoms from their real lives?

The answer to that question remains unseen, but Sloan is taking the steps to embrace her nerdiness as the girl who reads too much―and turning that into not only a business, but a positive role model for young women.

“When people message me to tell me why they follow me, it’s usually young women who [say], ‘I’m getting bullied in school and everyone thinks that I’m weird. I like all this stuff. I’m so passionate about my books and things. And I don’t really see any representation for that.”

So she’s filling the gap. Embracing her inner geek and using that to connect with other fans, she’s been able to build a business practically overnight. There’s a market here that’s ripe for the picking and desperate for content. Like Sloan, you don’t need to spend a dime on marketing. You just need to be a little creative and jump in the game while it’s still hot.

...

Originally published at https://www.utahbusiness.com on April 27, 2021. Follow me on Medium!

#harry potter #tiktok #ao3 #fanfic #house of black #narcissa #bellatrix #andromeda #sirus black #black sisters #small business #utah #my writing #journalist #article

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one-abuse-survivor · 3 years ago

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hi there! I have found out about this blog for 3-4 days and ever since i couldn’t stop thinking about it because it may be the best place for me to vent, sorry if i don’t specify the tw ahead, i don’t properly know how to classify which type of abusive parents i have so, it’s indeed a long ride and, before it gets too long, here i go:

lately, I have been feeling like I am nothing but a broken child although I'm almost 20 years old(and I feel like a 90 years old granny sometimes) because of how deprived I was to live and experience my teenage years to the fullest due to an overwhelmingly strict household that constantly prohibited me from doing things or told me all my life I wasn’t capable, won’t make it, I'm too weak and now that I'm an adult, I feel like I'm like a decade behind my peers since all I have is crappy mental health and addiction to social media. besides that, I feel extremely insecure about quite every single adult responsibility since I hardly can accomplish anything, and I'm permanently frightened that my parents were right, I am nothing but useless. seriously, I wish I was fearless and just went there and get things done but I'm stuffed with fear and self-consciousness since I don’t even remember if my family in general ever had a glimpse of faith in me. at 14, I thought it all would pass and I would figure out my life far away from them while enjoying my youth but now I still feel the same if not worse because the time is passing too fast and I threw my “golden years” away. no friends, no job, no nothing. anyways, thank you very much for making a room for people to vent and it saddens me to say that because I won’t wish it on my worst enemy but I hope someone can resonate with it so I can feel less lonely.

stay safe, thank you.

Hi! I'm glad you found this blog. Don't worry about being unable to specify the tw, it's completely optional ❤️

If you'd like a label for your abuse, I would say your parents constantly calling you useless and weak and telling you you'd never make it in life, as well as being controlling to the point you couldn't experience your teens like your peers, is emotional abuse. And I'm really sorry you had to go through this, nonnie :(

I can relate to this in a way, although I feel like I've luckily grown out of the feeling that I've "thrown away" my best years and now I'm finally able to feel like the best is yet to come. If it helps you at all to hear this, I'm 23, I moved in with my (non-abusive) dad this year, and I've never had a job either. It's pretty normal where I live if you're a uni student, but I still feel terrible about it from time to time.

Western societies tend to put youth on a pedestal, and this can be very damaging to everyone, but especially to people who spend their teens and/or early twenties struggling with undiagnosed disabilities, trauma, or mental illness, and also to marginalised youth. But even people who don't particularly struggle with any of these things often feel like they "threw away" their teenage years because they didn't look like "supposed to"—ie, they didn't look like they should according to mass media stories, where characters live their best adventures during those years, or find "true love" or success in those years, and then settle down in their early or mid-twenties and never have something exciting happen to them again.

I know at least one person my age who has expressed very similar feelings to yours. I've heard them say things like: "my life is over. I'm almost in my mid-twenties and all I've done is lose all my childhood friends and be mentally ill. There's nothing in life for me anymore." And I'm sure many, many people sadly feel this way too. So you're definitely not alone, sadly 😔

What I usually tell myself is that all those stories about characters having their golden years from ages 15-20 are just that—stories. Fiction. In real life, being a teenager sucks. High school is usually nothing more than a fever dream full of drama and stress that you forget a few months after you graduate and would never go back to. Your 20s are... weird, because it's the first time no one is telling you what path to follow and you suddenly find yourself racing against your peers to reach this imaginary goal called "success" that doesn't really mean anything. And even though I haven't reached those ages yet, I know for a fact life keeps bringing things your way in your 30s, 40s... All the way up to your 90s and 100s.

You can make incredibly close friends at 50 who are by your side for the rest of your life. You can fall in love at 30, at 60, at 80, or never in your life. You can find a new career path or hobby at 45 and change your life completely. Some queer people come out of the closet at 60. Some people in their 30s and 40s don't have a stable job and just work wherever they can. You can move to a new country and adopt your first pet at 65, and you can get married for the first time at 70. And, if you ask people of any of these ages what the best years of their lives were, I'm sure the vast majority of them would NOT say the 15-20 age range was their favourite. Because at 15-20 you barely have control over your life. You're still dependent on your parents for most of that time, almost always still studying, and still trying to figure out who you are and what you want in life.

I know it's really hard to believe, but it's normal to not keep your school friends in your 20s. It's normal to not have a job yet. I've met people in uni who had never kissed anyone and were fine with it. I'm 23 and I've never tried alcohol, and I'm fine with that, because it's just not something I'm interested in. My dad met his current wife when he was in his late 50s and this is the happiest relationship he's had in his life. Life doesn't end at 25. New things, good and bad and unexpected and life-changing, will come your way for as long as you're here, because we never stop growing, changing, learning, discovering ourselves, meeting people, and finding new things that bring us joy. We never stop having first times in life. Most importantly, there is no point in life where you can safely say "okay, the rest of my life is going to look exactly like it does right now."

There is no happily ever after in real life. There is no “if you haven't succeeded in life at this age, you never will”. You've got time. You've got your whole adult life ahead of you. And I may not know you, nonnie, but I have faith in you.

I hope some of this helps to hear, even if I'm sure you already know a lot of this rationally. And I really hope you can feel a little bit less lonely. I'm sending the biggest virtual hug your way ❤️

#Ask #Abuse #Abuse tw #Abusive parents #strict parents #Emotional abuse tw #Trauma tw #Alcohol mention

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roselovesa · 3 years ago

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have you seen CHOI HYEJIN ? i heard SHE is a FLORIST at THE GREEN MEADOW. they’re 21 years old and they’ve been living in san verto for one year. they tend to be BENEVOLENT & MAGNANIMOUS, but rumor has it they can also be CAPRICIOUS & FINICKY.

｡* ❪ 📂 𝐂://STATISTICS.

name: choi hyejin

age: twenty - one

sign: pisces sun / libra moon ( click )

sexuality: bisexual

gender: cis woman ( she/her/hers )

occupation: florist , pianist, & composer

alignment: chaotic neutral

｡* ❪ 📂 𝐂://BIOGRAPHY

* note: minho’s little sister !! <33

📍 𝙿𝙰𝚁𝚃 𝙾𝙽𝙴 - 𝚜𝚎𝚘𝚞𝚕, 𝚜𝚘𝚞𝚝𝚑 𝚔𝚘𝚛𝚎𝚊.

born as the youngest child of a nurse & a teacher, hyejin’s childhood was nothing out of the ordinary. her love for music had always been apparent — her mother noticing early on that, whenever her daughter was throwing a hissy fit, all she had to do was play some classical music in order to get her to calm down

hence, it shouldn’t have been a surprise that her father decided to teach her how to play the piano at the age of 6. & by the age of 9 she was labeled a child prodigy. hyejin would often participate in competitions, attend music camps, & play in front of anyone who was willing to listen. her talent was undeniable, truly

in the years to follow she would pick up other instruments here & there ( violin, guitar, french horn ), but nothing seemed to stick as much as piano did. hyejin would also dabble in writing her own music, often with the help of her father

& if there’s one thing hyejin learned it’s that practice makes perfect. by the age of 11 she managed to become an extremely valuable asset for her school’s yearly musicals as she composed about 60% of the songs performed <33

she went viral on social media a few times as well, her youtube channel accumulating about 1.6M views by her 4th upload. she would frequently get interviewed around that time as well, with professionals often commenting on hyejin’s bright future

📍 𝙿𝙰𝚁𝚃 𝚃𝚆𝙾 - 𝚗𝚎𝚠 𝚢𝚘𝚛𝚔 𝚌𝚒𝚝𝚢, 𝚄𝚂𝙰.

her brother getting injured on tv was a catalyst of change. hyejin convinced her parents to let her move to new york in order to take care of him, being well aware her life had considerably dulled the moment he decided to leave a few years prior

the move went smoothly, & with opportunities lining up in front of her, she decided to get a bachelor’s degree in music composition, her accomplishments allowing her to attend one of the most prestige universities in the city

it’s there where she fell in love with a guy who she deemed to be a mentor of sorts ; always pushing her to do better & achieve unattainable perfection. it had been so easy for hyejin to trust him with her work, with him appearing to be the more experienced & wiser of the two. he was a child of a famous musician after all, mastering the arts of sweet talking unassuming girls with a whole lot of empty promises

so when their uni announced a proposal of a student being able to apply for an internship that would skyrocket their careers right into stardom, hyejin was well aware this was an opportunity that couldn’t be missed. her boyfriend mentioned how he wouldn’t apply, seeing his father could offer him a job easily, but mentioned how she should send her work to him so he could look it over & help her out

😬

“ hey babe, i’m sorry to tell you this but the piece you sent me just isn’t that good… i can’t quite put my finger on it, but the composition is just wrong. it’s okay, though, you’re only a freshman & still have a lot to learn, we’ll work on it together. but maybe forget about the internship for now ? i’m sure with some improvement my father will manage to get you an even better job… anyways, love you, talk to you soon ”

crestfallen & humiliated, hyejin accepted the fact that it would be simply too embarrassing to submit the sheets of music she’d written. it was two weeks later that her boyfriend abruptly ghosted her, only for her to find out he’d gotten the internship by applying with the composed music she sent him. he denied any claims of stealing, & when hyejin told her professor about the situation he basically wrote it off as well

📍 𝙿𝙰𝚁𝚃 𝚃𝙷𝚁𝙴𝙴: 𝚜𝚊𝚗 𝚟𝚎𝚛𝚝𝚘, 𝚄𝚂𝙰.

in the next few months it felt like her life had crumbled down around her, hyejin’s future career appearing grim. minho & her decided to move to san verto in order to find peace, a fresh start waiting for them there

she took up multiple side jobs to get her music out there again, while also trying to push past the writer’s block she experienced due to stress. on week days she would give rich kids piano lessons after uni & bloom under the praises their parents would give her skills. on the weekends she would play at a 5 star restaurant, hoping the right people would discover her there

having lost the comfort music once gave her, hyejin decided to take up a job as a florist & keeps herself busy tending to flowers. it isn’t her ideal career plan, but at least she’s moving forward with her life

throughout the years she kept uploading videos of her playing piano on youtube, each video getting about 900k views on average. it allows her to be fairly recognizable on her own accord, although most of her fame comes from being associated with her brother. she’s starting to climb in popularity, though, spending some of her time to focus on crafting a stronger social media presence

｡* ❪ 📂 𝐂://PERSONALITY.

🦋 𝙰𝚂𝚃𝚁𝙾𝙻𝙾𝙶𝚈 - 𝚜𝚞𝚗 𝚒𝚗 𝚙𝚒𝚜𝚌𝚎𝚜, 𝚖𝚘𝚘𝚗 𝚒𝚗 𝚕𝚒𝚋𝚛𝚊

click me !

empathic, romantic, impressionable, & imaginative - hyejin tends to see the world through a rose colored glass ; the harsh realities of life often making her want to indulge in escapism. overall a generous and kind person

can’t handle pressure well, ultimately she’s a perfectionist. hyejin has a specific vision of how she wants her life to play out, & if anything interferes with that she might feel devastated & defeated. however, she’s quick to get back on her feet & continue pursuing what she was working on

obsessed with fairytale romances, used to read countless of young adult novels hoping she’d experience love like that. hyejin easily tends to romanticize & idealize the people she’s fond of, thinking they can do no wrong in her eyes & putting them on a pedestal *coughs* minho :(

despite all of that she has a great intuition, hypersensitive to her environment. she’s often aware of other people’s emotions, meaning when someone or something’s off she usually able to identify such things immediately

would prefer to avoid conflict at all cost as well, she doesn’t enjoy being faced with consequences of her own actions

at first glance she can appear rather stand-offish as well, not really the type to walk up to someone & handle small talk in an eloquent way. she’s shy & an introvert, the type to hide behind her mother whenever someone addressed her when she was younger. hyejin is only able to come out of her shell around people she knows she can trust

channels all of her feelings into her art !!

｡* ❪ 📂 𝐂://WANTED CONNECTIONS.

💌 𝚁𝙾𝙼𝙰𝙽𝚃𝙸𝙲 - 𝚜𝚞𝚐𝚐𝚎𝚜𝚝𝚒𝚘𝚗𝚜 ( open to m/f/nb muses ! )

current flings

will they / won’t they

friends with benefits ( one-sided, purely platonic, etc… )

unrequited love type of thing ( either hyejin or your muse )

fake dating au

exes on bad terms

exes on good terms

enemies to friends ( ? ) to lovers / flings ( ? ) to exes ( ? ) ( we can do this however you see fit ! )

one of them caught feelings ( thinking they had something special ) & suddenly the other ghosted, perhaps leaving behind a bruised ego )

💌 𝙿𝙻𝙰𝚃𝙾𝙽𝙸𝙲 - 𝚜𝚞𝚐𝚐𝚎𝚜𝚝𝚒𝚘𝚗𝚜 ( open to m/f/nb muses ! )

best friend

good influence

bad influence

childhood friends

protective type of friendship ( can go either way ! )

confidants

someone ( preferably an artist ) hyejin looks up to

friends who hang out purely because it’s good for their public image

secret type of friendship where being seen together in public would damage their image, aka them meeting up in private !

were set up on a blind date together, hit it off in a platonic way & became really good friends <33

only hang out because of mutual friends

💌 𝙼𝙸𝚂𝙲𝙴𝙻𝙻𝙰𝙽𝙴𝙾𝚄𝚂 - 𝚜𝚞𝚐𝚐𝚎𝚜𝚝𝚒𝚘𝚗𝚜 ( open to m/f/nb muses ! )

hyejin’s muse aka whenever she sees them she gets inspired to write a song or two <3

blackmailing type of plots

general dislike for each other, they simply do not vibe

someone hyejin teaches how to play piano

rivalry, they see each other as competition

have shared secret where both of them are/were involved in a situation, & promised secrecy to each other

@foolsstarters

#foolsintro #🥺#also if you see any spelling errors .. no you didnt

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greatfay · 4 years ago

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since ur answering asks and shit can u explain what u meant by generational differences in communication

Damn it’s like 2015 tumblr when my inbox used to be WET. So if you’re talking about the controversial opinions post, YES, like I totally understand where people are coming from when they say that generational divides aren’t real (because they aren’t, they’re arbitrary) and distract us from real problems and yes they paint past generations as collectively bigoted when Civil Rights protestors in the 60s (who are in their 70s and 80s now) are mirrors to BLM protestors today, who could be of any age, but the most vocal and famous (at least online, especially irt to the founders, like Patrisse Cullors who is 37.

But how we communicate is sooooo different. I really point to the Internet and Social Media as a major influence in how younger millennials (more Tom Hollands and less Seth Rogans—see even there, I feel like there are two different types of Millennials) and Gen Zrs/Zoomers and even Generation Alpha behave and communicate. We live in a world where we grew up either knowing right out the gate or discovering the hard way that what we say and do has permanence, the kind of permanence that prior generations have never experienced until today. The dumb things kids have been saying since forever can now follow them... forever. We have an inherent understanding of how online spaces work. Compare that to, idk, let’s say you posted on your Facebook (for the first time in 18 months) “All these big and bad grown ass Senators going after actual child Greta Gerwig lol ok, you’re so brave for attacking a CHILD over climate change” and then your aunt, who’s turning “forty-fifteen” in May replies to your post with “So happy to see my passionate niece! Much love from us, hope you’re doing well. Paul is doing great, waiting on his screening results. Tell your mom I said we miss her, we need to get together, we forgive her for last Christmas.”

Like... ok there’s a lot going on there, but your hypothetical aunt is oversharing on a publicly accessible post. And even with the most strict of privacy settings, she’s oversharing where your other Facebook friends (which may include classmates, coworkers, etc.) can see. But she’s saying things that would only be appropriate in a 1-on-1 conversation. This Aunt doesn’t have an understanding of such boundaries, she’s not as technologically literate and hasn’t grown up in a world of Virtual Space, she still gets most of her news from TV, she trusts what a reporter on Channel 4 will read off a script more than what actual video footage of an incident might reveal on Twitter, and she has no clue that she’s been sharing her location data with every post she makes.

There’s such a huge difference. I think it even affects how we experience and express stress and frustration. I think growing up partially in online spaces has made me more accustomed to conflict and consequence-free arguing than someone who never had to worry about that. I’ve been exposed so much to harassment and bullying, triangulating and echo chambers in forums and threads, and vastly opposing point of views at such an early age that it’s had an effect on how I see the world. Compare this to a customer I helped two weeks ago who was looking for a specific type of supplement for children. I found it for her, I handed her exactly what she was looking for, even though her description of the product actually matched several different products; to make sure I’d done my job thoroughly and that she leaves happy and satisfied and doesn’t bother me again, I then show her more products that match her description so that she knows she has options. And she proceeds to freak out, saying “NO, NO, I’M LOOKING FOR [X] AND IT HAS TO BE [XYZ]” and when I say freak out, she looked stressed and PANICKED. And being a retail employee wears you down bit by bit, and add COVID on top of it and little shit like this makes you snap, sometimes. So I have to cut her off like “Why are you screaming and freaking out, jfc you’re holding what you said you wanted. It’s in your hands. I gave you what you wanted, I’m just showing you more things.”

That customer is not an exception, she’s not a unique case. She’s representative of a frightening percentage of her generation, the kids who watched Grease and The Breakfast Club and Ghost in theaters when they were originally released. This is how they communicate and process information. She could not, for some reason, register that her need had been fulfilled, and defaulted to an extreme emotional response when given new and different information.

I’ve yet to deal with someone younger than 35 act the same way, the exceptions being the kids of very wealthy people at my new job who reek of privilege I gag when they walk in—but even they are like *shrugs* “ok whatever” and understanding when there’s something I can’t do for them.

Me: “sorry, we are totally out of that one in your size, but I can order it for you, it’s 2-3 day shipping at no cost to you and we ship it straight to your house”

A rich, white, attractive 22-year-old who’s had access to organic food, a rigorous dermatologist, and financial security since she was born: “mmm... sure, I’ll order it”

A 47-year-old of any socioeconomic background, of any race, in the same situation: “AHHHHHHHHHHH”

I just think it’s crazy how three generations of kids and young adults raised in a world where everything moves so much faster, where knowledge and entertainment and communication can be gathered so much faster, are often so much more polite and patient and understanding. Yesterday I told an older man (mid-50s) whose native tongue is the same as mine, as clearly and succinct as possible, that what he’s looking for is “in aisle 4.” He proceeded to repeat back, “Aisle 7?” four time before I dropped everything to show him what he needed in aisle 4, despite his insistence that he didn’t need me to walk him there. 4 and 7 sound nothing alike in English. There’s just something going on up there 🧠 that’s different.

Oh, other generational divides!!! We have different approaches to labor and working. Totally different! I’m a “young” millennial where I’m almost Gen Z, and I’ve noticed an awful trend among my demographic where people actually brag about working 90 hour work weeks. Or brag about how they skip breaks and live on-call to get the job done for “the hustle” like this “hustle, become a millionaire by 30″ culture that’s dominated these kids, idk where tf that came from. Like why are you proud of being a wage slave, getting taken advantage of by your millionaire/billionaire overlords. Compare this to my mother’s generation (she’s a borderline Genius X’er, she and her best friend were a year too young to watch Grease when it came out and had a random older woman buy tickets for her; she went to Prince concerts, took photos of him, then sold the photos on buttons at school, that’s her culture and teenage experience), where she’s insistent on her rights and entitlements as an employee, and these things she instilled me: “whatchu mean they didn’t schedule a break for you and you’re working 12 hrs today? oh no, you’re off, don’t answer your phone cuz you are NOT available!” There are Gen X’ers who entered the workforce at a time that America was drifting toward this corporate world, with more strictly defined regulations, roles, and understandings of labor rights (and also, let’s talk about how the 80s there was so much more attention on workplace harassment, misogyny and gender divides in wage gaps, etc. etc... not that much has changed, but at least it was talked about!). There are young people today who are taken advantage of because they aren’t as informed or don’t feel as secure and valuable enough to claim what belongs to them.

At the same time, those generations (Gen X and older) have a different viewpoint of hierarchies in the workplace and respect irt our direct supervisors. That’s how you get this blurring of boundaries between Work Life and one’s Personal Life that leads to common tropes in media written by their generations, where oh no! I’m having my boss over for dinner and the roast beef is still defrosting :O is such a “relatable thing” for them... meanwhile us younger generations are like I don’t even like that you know where I live, and if I see your 2017 Honda Civic pass my place one day, we’re going to have a problem. I think older generations have a different relationship with the word “Respect” than we do. Like, my grandma, who’s turning 87 (?) this year, and the other seniors in my area, they have a different concept of honor and an expectation of professional boundaries that I, and my mom and her generation, just don’t see (so then there’s something in common with Gen X’ers and the rest of us.) My dad grew up in a world where talking and acting like George Bailey and knocking on someone’s door with a big smile could get you a job, a job that could pay for college and rent no problem. My mom grew up in a world that demanded more prestige, where cover letters and references could get you into some cushy jobs if you’re persistent and ballsy enough. And I grew up in a world where potential employers literally don’t see your face when you apply unless they lurk on any social media profiles you have publicly available and they hold all the cards, and you need all those CVs and reference letters just to make minimum wage... so I feel like I am powerless in the face of such employers.

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dirtyfilthy · 3 years ago

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The True Story Of Maxwell’s Silver Hammer: on the limits of transparency, or why you should stop feeding your quarters into the dopamine slot machine

Gather round children, and I will tell you a tale. This story is a hundred percent true. It occurred sometime in my late twenties, which would have been in 2008 or thereabouts. I had just taken the biggest acid trip of my life, eight tabs, but of fairly weak acid, I’m guessing around 400 micrograms total or close enough. Still, it gave me exactly the experience I was looking for. We went to the beach, and as a good friend of mine used to say: “got gay with nature”. Everything had been building to this point. First we took one tab. Some weeks later: we doubled down and took two.. After another month had passed, we gobbled up a four strip. Eight tabs only seemed logical at this stage. And man…

It was exactly how you imagine acid is going to be when you’re a kid. Everything was beautiful and melting and there were colours I don’t even have the words for. The trees were full of fractals, the ground was a river flowing beneath my feet. The sky was bright green. The sand dunes: a brilliant purple. It was like that cheesy chroma-keying effect they used to use to represent drugs in old movies from the 60’s. I even nearly went blind staring at the sunset like some hokey old LSD urban legend. Getting gay with nature? This was a little more than merely getting high with one of your straight friends and perhaps sucking each others cocks and then never, ever mentioning it again, this was… I wanted to settle down with nature and build a whole new life together, I wanted to get married, buy a house, maybe even adopt a couple of children. Don’t laugh, this isn’t fucking funny. We were in love!

Anyhow, acid, drugs, beautiful uplifting experience yada-yada. The thing is, on acid you tend to get these… ideas. Crazy, completely off-the-wall, gorgeously bent ideas. And I had just had a real doozy of an acid thought. “Why lie? Why don’t I just be exactly who I am all the time? Why not be completely and utterly transparent with everyone?”. Now this is hardly some kind of grand cosmic revelation. I think that in most individuals this would have cumulated in a simple but genuine effort to be more honest with the people around them, or maybe simply faded with the trip, but in me…

So let me preface this with a couple of things about me that will make the following point make more sense: 1) I tend to take ideas and run with them, generally off a cliff 2) I am very good with computers. To the point where I am a professional hacker these days (as in I break into systems for a living), but back then I was only a hopeful amateur.

So in me, the way this idea came out was I decided I was going to publish my entire browser history, online, in real time. Every site I visited would be available for the whole world to see, should they wish to, seconds after I had clicked the link. I won’t bore you with the technical details, they really aren’t that complicated -- and neither are they honestly that interesting -- but suffice to say I built the thing. I named it on a whim after a Beatles song I happened to be listening to at the time: “Maxwell’s Silver Hammer”. And then it was done. Every link I visited was put in a database and displayed on a web page. It was in the form of a giant, constantly growing list, newest at the top. For general purposes of convenience, I had colour coded everything. So all social media sites would be say, purple. Wikipedia would be blue. News was green etc.

So one great and terrible thing about LSD is it has a way of teaching you things. This generally happens while you are tripping, or maybe afterwards when you re-integrate the experience. In this case, acid had decided Maxwell’s Silver Hammer was the to be the terrible form my teacher took. And boy howdy, it would certainly teach me some lessons

So I told all my friends about it. And they told their friends. And then word began to spread. And so I embarked on this slightly weird experiment in radical personal transparency, bouncing down the road like a complete asshole with nary a care in the world, full of hope in the promise of the dream, but I was to very quickly to discover it’s limits…

The first limit should have been the most obvious one. Porn. At the end of a hard days labour avoiding working, I liked nothing more than masturbating for a solid three or four hours over the choicest and rarest sweet-meats the internet had to offer, before eventually collapsing on my bed from sheer sexual exhaustion. The thing is… porn is a very personal thing. I mean: what really spins your wheels, what you get off to. At the time, I wasn’t ready to admit to my friends that I still really liked women ok but sometimes when the mood struck me I liked to watch some massively hung black dude plow a white guy around half his size while fantasying that it was really m… Anyhow, porn is a deeply personal thing and can show quite a lot about someone. Besides, what if my Mum was watching… or my female friends? Sweet jesus.

Well, if I was going to be consistent, I could either “rock out with my cock out” as we used to say back in primary school, or I could stop watching porn altogether. And that was the first lesson. Perfect transparency means constantly worrying about how you look because everyone can see everything. It means censoring, not just what you say, but who you are. it wasn’t just about porn of course. Maybe I should browse some wikipedia so I can look a bit more intelligent? What would the chick I had a crush on think if she knew I kept on visiting these horrible gore sites day after day? And so on and so forth, forever.

I had thought it would be liberating, to be free of all secrets. In fact, it was the exact opposite. I wasn’t living a radically transparent life, instead I was an actor, just playing at performing one.

The second revelation came in the form of the colour coding. I could see myself reflected in a sea of purple. It was obvious I had become obsessed with social media, particularly facebook. Constantly refreshing my homepage, hoping for that next sweet lick of dopamine, another little like on my post, a little sliver of ice from the great icicle of validation that would only ever melt away in the heat of the morning sun. I used to be a meth addict, and it’s exactly the same, that is: it’s never enough. You’re a fiend for it. It had revealed something deeply narcissistic and petty about myself that I really did not like. Why was I doing this? What did it matter? Did I really have three hundred “friends”? Of course not. I had the usual amount of people I cared enough about in my life to see on a semi-regular basis, a few close, ten or so I saw fairly often, maybe thirty total counting colleagues and co-workers and assorted demi-friends and vague acquaintances. The whole thing was fucking ridiculous.

The third lesson came only after both of these things had been grating at me for quite a while. After this synthesis, suddenly, I became enlightened. There was a lot more freedom to be had by not being famous or observed. Privacy wasn’t just a haven for the liars and the hypocrites. In fact, privacy enabled you to be most truly yourself. Sure, be honest where it matters, but you don’t need to put your every card down on the table all at once. Seems like a basic enough thing to realise, but I really had to get slapped upside the head pretty hard to see it. There is a power in being invisible.

So I took down the site. Deleted my facebook. Watched all the “black tops white“ gay porn my little bisexual heart desired and, ironically, stopped caring so much what other people thought about me. Don’t get me wrong, I still get that little rush of validation when someone I respect likes my shit, but you gotta pick the individuals who’s opinion you’re gonna care about. The vast majority of most people are either dumb as fuck or completely antithetical to my values. Which isn’t to say I exactly begrudge them, but I’d still much rather avoid getting myself in a public fist fight, metaphorical or otherwise, unless I really really need to. I think in most cases, power doesn’t need to be confronted, it can simply be routed around. You don’t go and deliberately blow your weed smoke right up a cop’s nose, instead, just go get high in the disabled toilets like everybody else. I mean: it’s what they’re there for!

I guess that is the real moral of the story.

#lsd #acid #radical transparency

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brightershadows · 4 years ago

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Euphorically Honest-- Euphoria, Teenagers, and the Realities in Hardship

OVERVIEW

Euphoria is brutally honest about the hardships of life. Focusing on the stories of a group of teenagers in modern-day California, it navigates through issues of drug addiction, sexuality, masculinity and femininity, violence, and depression. It can be tragic and liberating. But it is honest. Created by Sam Levinson, a screenwriter for Assassination Nation and The Wizard of Lies, the story reflects on his own experience with drug addiction as a teenager, as well as having a loose basis in an Israeli show of the same name (Stack, 2019). The story follows a group of young people of varying genders, ethnicities, classes, and sexualities, including the drug-addicted narrator Rue, new-to-the-suburbs Jules, Cassie, beautiful but easily manipulated, her kind and easy-going sister Lexi, Kat, who embraces her body type as she gains confidence through sex, Nate, a manipulative and dominating male with control issues, and his girlfriend, Maddy, who battles her self-identity and her reliance on Nate (Levinson, 2019). Euphoria can be seen as overly graphic, or critiqued as too sexual, but its mature nature allows it to unearth the ugly truths about life, living, and loving, and the beauty behind the hardships too.

EPISODE TWO REVIEW

In “Stuntin Like My Daddy,” Nate discovers his father’s sex tape collection at a very young age, videos of his father having sex with several people. This is where Nate’s disdain male sexual anatomy stems from. Nate quickly becomes infatuated with Maddy. Whether disturbing or romantic, he fantasizes about hurting or killing the person who dares harms her. A series of flashbacks from Rue’s summer shows her consuming various drugs and getting high, fighting with her mom, waking up in the hospital, and singing in the car with her mom and sister, highlighting what she has gone through as well as her relationship with her family. On several occasions, Rue relapses. Reluctantly and unable to say no, she takes a dose of fentanyl. Unaware of the consequences, Jules is called to take care of Rue. Their friendship further develops. Kat learns that an explicit video of her has been posted to a porn website. When the video’s view count continues to grow, Kat is intrigued and signs for a web cam streaming account. Obsessed with Maddy, Nate begins stalking Tyler, Maddy’s most recent hookup. Maddy, still wanting to get back together with Nate, tells him that she was blacked out and did not mean to do what she did. This causes Nate to believe that Tyler had raped Maddy. Furious, Nate breaks into Tyler’s apartment and beats him half to death. At the end of the episode, we learn that the guy Jules has been texting is named Tyler but it actually turns out to be Nate.

Nate Jacobs is the typical football jock, yet he exhibits anger, aggression, and sociopathic behavior. Rue Bennett struggles with her own psyche as she suffers from ADHD, bipolar, general anxiety, BPD (borderline personality disorder), and drug addiction. Jules Vaughan is unapologetically herself, although she seems to seek attention, approval, and sexual relationships from men who are undeserving of her. Maddy Perez is the popular cheerleader who knows she is attractive and she goes after what she wants. She stands up to everybody else except Nate. Kat Hernandez may seem like a side character, the fat best friend, at first, but she finds her confidence grows as an individual. Fez/Fezco is Rue’s main drug dealer. Although he supplies her, he also cares for Rue and does want her to get mixed up with a worst crowd.

Although there are people of color in the show, there could always be more representation of race. Rue and her sister, Gia, are mixed, with a Black mom and a white dad. Maddy is Latina as both of her parents are Latino. Kat Hernandez is also of Latin descent but we do not see much of her parents or family. Every other (main) character in this episode is white, this includes Nate, Jules, and Tyler. This show, and episode, is not particularly making any waves or strides with their representation of race. And with the representation of race that they do have, there is no portrayal of racial identity, culture, or heritage. Jules definitely stands out as she is a transgender woman. She is currently taking hormones and her father and closest friends accept her for who she is. Jules goes on to have sexual encounters with older men as well budding romances with boys her age. Nate is a stark contrast to Jules, with him being set in his heteronormative, gender binary ways. Most, if not all of the characters identify with the gender that they present. The males, Nate and Fez identity as male. The females, Rue, Kat, Jules, and Maddy identify as female. The main characters mainly fall into one of the two binary genders. All of the romantic or sexual relationship aspects in episode 2 revolve around a male and a female, such as Nate and Maddy, or Maddy and Tyler, or even Jules and her mysterious texter (a man). To my knowledge, there is no presence of a non-binary or agender character. Jules, a transgender woman, challenges Nate’s notion of the strict gender binary system.

Euphoria definitely relies on stereotypes because the writers of this show intend on having the characters break said stereotypes. Kat is initially insecure and self-conscious. After she has sex for the first time and the video of the act gets leaked, she redefines herself. Her sexuality blossoms throughout this show as she also begins to have casual sex which normalizing women having and enjoying sex. Kat becomes comfortable with herself by wearing clothes that are considered more edgy, outfits that she would have never worn before. Kat’s character breaks the sexuality stereotype because the media hardly ever sees a plus-sized woman be expressed in a sexually positive light, even though it may not have started out that way. Nate’s character is embodiment of the toxic, cis-gendered white masculinity. He describes the perfect girl as dressing more feminine, acting like a “proper lady,” and overall more “girly” as opposed to “tomboy.” Because he is so uncomfortable with the male sexual anatomy, and even disturbed by how comfortable others are, he may have some issues regarding internal homophobia. Nate does not really defy this stereotype, his character is the epitome of this stereotype. Maddy, a cisgender, heterosexual female, understands the delicate nature of the gender constructed society. She has prioritized Nate and his needs sexually by watching porn in order to mimic what the porn actress does so that she can please Nate. Her sexuality is rarely mentioned, it only rises in conjunction with other boys. Jules’ character as a transgender person challenges the conventional gender roles and constructs. Jules is very comfortable with herself and her sexuality and is proud of who she is.The concept of a non-binary gender system perplexes many people. With the current administration, transgender rights are not protected. In fact, transgender people are continued to be discriminated against. The Trump administration has played a major role in “withdrawing regulatory protections for transgender children in schools, fought recognition of transgender people under federal employment laws, banned transgender people from serving in the military, rolled back protections for transgender people in prisons, and threatened to cut off funding to schools that let transgender girls participate in sports” (Thoreson). Although Jules is able to be who she want to be and live the life that she wants, this may not be the case for many transgender people in the real world outside of the show.

Today people are often quick to criminalize or shun drug users and addicts. They are quick to judge and want the most severe punishment to be given. But medical professionals know that addiction is a very serious disease, one that requires “treatment, compassion, and support” (Siegel). Euphoria attempts to destigmatize and humanize addiction. The legal system should not be punishing people who have abused drugs by putting them into a jail cell where they are isolated from society, instead these people need real help through rehab and various treatments. Due to the fact that Rue had several relapses once she completed her rehab program, one may say that these programs do not work; however there is no singular timeline to get better. It may take weeks, months, or years, and the journey is difficult. But society cannot give up. Social and political reforms concerning drug use/abuse and addiction is very much needed.

EPISODE THREE REVIEW

In ' Made You Look,' Nate meets Jules on a gay dating app disguised as Shyguy118. Although Nate doesn't identify as gay, Jules reveals being transexual and quickly falls in love with Shyguy118, oblivious to his true identity as a classmate at the same school. Maddy becomes skeptical of Nate and searches through his phone and, in shock, learns of Nate's involvement with a gay dating app and nude sending with Jules. Jules's heightened obsession over the mysterious Shyguy118 leads Jules to agree to meet Nate for the first time in person near a lake at night. While all of this unfolds, Rue, who is Jules's supportive best friend, at first, entertains Jules's fantasies by helping Jules send pornographic images to Nate. However, tension arises when Rue exposes her worries for her best friend and undeniable attraction for her as more than just friends. Unfortunately, Jules did not reciprocate the kiss they shared. This sent Rue spiraling into a frenzy and falling back into the addictive habit of taking pills and getting high, undoing Rue's 60-day clean streak. Embarrassed, Rue runs straight back to Fezco, her drug dealer, in hopes to illegally obtain more drugs to numb the humiliation she felt. Fortunately, Fezco doesn't give in to Rue and shuts the door on her, leaving Rue to look toward Ali, an omniscient man she met at a therapy gathering for drug users to seek guidance.

Kat, a Tumblr fanfiction queen, masks herself while exploring her curiosity for explicit content and webcam streaming. She exposes herself to lingerie and twerking on her account; she agrees to perform a private camera meet with a man who falls in love with Kat's powerful and sexual dominatrix persona. Originally insecure with her weight, Kat eventually learns to embrace her curves and dives into a new and unusual world of femdom. This episode also introduces Cassie. She displays as a bold, open-minded party girl that isn't phased by frat party endeavors. McKay, Cassie's crush, invites her to his frat-hazing event, and they both fall deeply in love with each other, foreshadowing potential problems to come from concupiscence for one another.

This episode involves various races but is primarily white-dominant. Cassie is blonde and white, represented as audacious and open-minded. Maddy is a cis-gender Latina and, in this episode, victimized by Nate, a white playboy who cheats on Maddy. Rue and her sister are a mix from a black mom and a white dad. Despite various races represented, this episode minimally illustrates heritage background and racial and cultural distinctiveness. There are very minimal cultural representations and race diversity besides the racially represented individuals such as Rue, Maddy, Kat, Ali, and Fezco. Although the film is predominantly white race influenced, there is still a general race narration awareness displayed in the show.

Sexuality representation is a flourishing topic within each episode in Euphoria. Arguably one of the most influential characters in this episode, Rue, a lesbian half black teenager, finds herself falling in love with her openly transgender best friend. This tricky love triangle is demonstrated between Rue caring for Jules while she cares for Nate. Jules is head over heels for her classmate, Nate, who hasn't announced is gay but is chatting with Jules on a gay dating site. Moreover, Nate's girlfriend in this episode, Maddy, is only now beginning to question if Nate is straight like he demands he is.This episode centers around redirecting the audience's view of how a character's sexuality is initially perceived to how each character's sexuality is either nonchanging or questioned and altered due to more self-awareness. For example, Jules, from the beginning, identified as transgender and unchanging while Rue begins to question her sexuality and feelings for her friend after kissing her. Male, female, and non-binary characters speak and act quite differently in Euphoria. Male actors such as Nate, Ali, and Fezco are very much dominant and slightly manipulative in this episode. Nate is a controlling and manipulative character fueled by curiosity and confusion. Ali is a mysterious, omniscient figure who sees past Rue's addiction. Lastly, Fezco shuts Rue out when she almost dies from the drugs he gave her. The females include Maddy, Rue, Jules, Kat, and Cassie. Non-binary characters were not present in this episode; however, Nate being on a gay dating site and taking an interest in Jules knowing her being transgender urges the question of what Nate's sexuality may be.

Cassie, in this episode, played an essential role in breaking gender profiling stereotypes. When Cassie was at the weekend frat-hazing party with McKay, she stood up to the guys at the party and took a shot of water with a live goldfish in it without hesitation, while McKay was hesitant and wanted to reject the challenge. Cassie taking that shot was significant because she didn't abide by her gender role limitations. Instead, she proved that she could equally compete alongside the frat boys at the party.

Illegal drug use for underage teenagers is very much a political issue. The creator of Euphoria, Sam Levinson, opens up about his struggles with addiction growing up. He talks about how his personal history of drug use as a teenager animated Rue's similar struggles in Euphoria. It's essential to recognize that Rue was not using drugs because of peer pressure but because she was struggling with "obsessive-compulsive disorder (OCD), attention deficit disorder (ADD), general anxiety disorder, and even bipolar disorder" (Health, 2020). Many teens go undiagnosed with disorders like these and spend their teenage years fighting addiction and going to rehab centers, sometimes more than once in hopes of ending the addiction. There are other situations where undiagnosed individuals who don't fall victim to drug addiction still live a life of struggle with their mental illness. Euphoria sheds light on addiction and mental health and de-stigmatizes mental illness, a topic that should be further normalized and empathized with.

EPISODE SEVEN REVIEW

“The Trials and Tribulations of Trying to Pee While Depressed” tackles a lot of issues. In many ways, this episode is openly candid about the hardships of life and the modern influences of distraction and avoidance. The candor of this episode is heartbreaking, revelating, and so, so real. The episode before the season finale follows multiple characters, including Jules, a trans woman battling confusion about her relationship with her best friend and her changing life; Cassie, a beautiful blonde teenager facing an unplanned pregnancy; and Rue, a drug addicted teenager battling a major low in her depression (Levinson 2019). This episode follows many differing plots that do not intersect in its time; however, at the root of the 59 minutes is the juxtaposition of two teenagers, the structures of family, and the deconstruction of femininity.

As a whole, this show is unapologetically divergent from the stereotypes of society. It does not hesitate to tackle hard issues, easily addresses controversial issues regarding race, sexuality, and gender, without negating their seriousness. It makes normal the darkness we all battle in our private lives, especially in this episode. In it, characters from all walks of life get a say in the plot. Not only is the narrator and main character a gay Black women in love with her best friend, we also follow the story of Jules, a trans women, and hear from Cassie, a straight cisgender blonde girl who falls victim to the confines of the patriarchy, allowing herself to be sexualized and invalidated as a possession by the men in her life (Johnson, 2014). My only criticisms regarding this episode’s diversity is that there is little male influence or perspective on the storyline, and further, that there is little diversity outside of “black and white.” That is to say, while there are many Black characters given voice to this episode (and, by default many white characters as well), there is little representation of other ethnicities. We do not hear, for example, from the perspective of an Asian-American. That, to some extent, is an area that can be improved as the show continues.

Earlier I mentioned the juxtaposition at the core of this episode, and I want to dive a little deeper into that. Cassie and Rue are, in many regards, polar opposites. Rue is Black, gay, struggles with drug addiction and is a social outcast. Cassie, in comparison, is blonde and blue eyed, gorgeous, and popular. Rue is an older sister; Cassie is the younger in her family. But this juxtaposition highlights the conditions of the patriarchy that define familial dynamics, such as sisterhood and motherhood, both amplifying and deconstructing those norms. For example, at the end of the episode, Rue and Cassie both go to their moms, the caretakers, for help when they reach rock bottom. Those mothers show up, and they do their job: care. However, at the same time, these mothers have taken up the role of being the breadwinner for the family as well, defying the stereotype of reliance on the male for prosperity and survival. Rue’s mom, however, is portrayed as more successful and put-together than Cassie’s mother, whom we see to be an alcoholic and basically a hot mess. This is contrary to racial stereotypes that typically portray the black community as one falling apart and the white suburban mom as picture-perfect. The gender and racial norms that society and time have produced throughout our history in America are blurred as these two realities are expressed in this show (Scott, 1986).

This episode also attacks femininity. Speaking with her friends from the city, Jules, says, “In my head, it’s like if I can conquer men, I can conquer femininity” (Levinson, 2019). This conquering, or, as Jules later says, obliteration of femininity is addressed throughout the episode. Cassie, conforming to societal expectations, allows herself to be objectified and sexualized by all the men in her life, using that perception of beauty to define her over the course of her life. Rue, on the other hand, does not conform to femininity at all, as we see in the way she dresses, and even the persona of the masculine “detective” she took on in a manic state. These three approaches to femininity contrast each other, as each one represents a different sector of diversity: race, sexuality, and gender identity.

Euphoria is inherently political. It brings to light the reasons why the personal is political, especially in the midst of an election cycle where the rights of those who don’t conform to societal norms are under threat. This show creates an avenue for those rights and the real people behind those laws to speak and tell their own stories. Not only that, it represents mental illness and drug abuse, revealing the realities of living with these issues and bringing to light the struggles of the individual and their community through addiction and mental health crises. The show helps create empathy; empathy creates connection. And connection, more than anything else, is something we deeply need right now.

CITATIONS

Euphoria creator Sam Levinson on his controversial show: 'I hope it opens up a dialogue' [Interview by T. Stack]. (2019, June 16). Entertainment Weekly. Retrieved 2020, from https://ew.com/tv/2019/06/16/euphoria-creator-sam-levinson/.

Health, A. (2020). How HBO’s ‘Euphoria’ Depicts Teenage Drug Addiction Accurately. Retrieved 14 November 2020, from https://amhealth.com/2019/09/25/how-hbos-euphoria-depicts-teenage-drug-addiction-accurately/

Johnson, A. G. (2020). Patriarchy, the System: An It, Not a He, a Them, or an Us. In 1046495481 799935172 G. Kirk & 1046495482 799935172 M. Okazawa-Rey (Authors), Gendered Lives: Intersectional Perspectives (Seventh ed., pp. 62-70). New York, New York: Oxford University Press. (The Gender Knot: Unraveling Our Patriarchal Legacy, (2014))

Levinson, S. (Writer). (2019). Euphoria [Television series]. HBO.

Levinson, S. (Writer). (2019, June 23). Stuntin’ Like My Daddy [Television series episode] In Euphoria. HBO.

Levinson, S. (Writer). (2019, July 28). The Trials and Tribulations of Trying to Pee While Depressed [Television series episode]. In Euphoria. HBO.

Scott, J. (1986). Gender: A Useful Category of Historical Analysis. The American Historical Review. doi:10.1086/ahr/91.5.1053

Siegel, Z. (2019, August 06). Euphoria Doesn't Have a Drug Problem. Retrieved November 12, 2020, from https://www.vulture.com/2019/08/euphoria-hbo-drug-addiction-overdose.html

#euphoria #zendaya #GWSS assignment pleasedon'tjudge

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kentthewolf · 4 years ago

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8 Steps: How To Do In 2 Hours, What Most Do In A Week

Regardless if you work from home or commute to an office, many discover it can be a battle to focus, be productive, and finish every one of their assignments.

Since becoming a self-employed marketing specialist (on February 16th, 2020), I've constructed an effective full-time business, launched various side hustles, finished numerous enormous tasks for a few clients without a moment's delay, and worked far less than 40 hours per week while venturing and spending much more time with my family than I ever had before.

Yet, my secret isn't earplugs, espresso, "more self-control," or an enchanted time-management application. (Truth be told, I don't utilize one single efficiency apparatus by any stretch of the imagination.)

In this article, I'll show you the specific, exceptionally intense techniques that caused me to soar my efficiency and get magnificent outcomes without depending on “willpower”.

It's entirely conceivable and regardless of whether you're self-employed or an employee, these tips will help you as well.

1. Stay away from productivity killers

Regularly, individuals attempt to help their efficiency by adding a wide range of assets:

Time management app, calendars, site blockers, productivity books, and so on

Yet, making an inadequate framework more proficient doesn't prompt greater productivity.

Before you add more, start by deducting things that kill your productivity.

It’s not the daily increase but daily decrease. Hack away at the unessential. — Bruce Lee

Rule Number One: Never check your email or messages first thing in the morning.

55% of Americans check their email before they even go to work.

The problem with checking your emails or messages so early is that it puts people in a state of reaction: It fills their head with tasks, stressors, and mini-fires they need to put out before they even had a chance to do all their top priorities.

And since they see their emails before they’re at work, they can’t even do anything about it yet! So, it stays in the back of their mind all morning and they can’t be fully present.

(Later in this article, I’ll show you how to check your email in a more productive way.)

Rule Number Two: Limit all notifications.

Loads of individuals' phones are an interruption factory — with a wide range of alarms, messages, updates, and notification, it resembles having an infant in your pocket.

However, it's unimaginable for you to focus like this.

To start with, people are awful at performing various tasks. Regardless of how hard you attempt it, in the event that you get a notification like clockwork, you can't zero in well on the thing you're doing.

Second, if a notification pulls you away from your work, when you return, you'll burn through a great deal of time as your mind has to readjust to what you were doing, and returns to a similar level of productivity before the interruption. (You lose throughout 23 minutes each time, really.)

Third, checking your notifications resembles a drug:

Each time you check a message, email, alert, and so forth, your cerebrum discharges dopamine, a compound that causes us to feel better.

In the long run, your body gets dependent on these chemicals and you begin wanting it — and the best way to fulfill that hankering is to check Gmail, Instagram, Facebook, and so forth

An exceptionally basic arrangement is simply to set your phone on flight mode or "do not disturb" during explicit times, particularly toward the beginning of the day.

For the individuals who need to take this to the next level, I energetically suggest disabling all unimportant notifications from all applications on your phone.

Rule Number Three: Don't sit in front of the TV, read the news, or check/utilize social media before anything else in the morning.

Productivity is tied in with achieving your most elevated priorities, efficiently and effectively. (Take it from a marketing professional, who’s predominant chunk of work ties back to social media at some point)

Activities for your boss. Building your business. Making a side business. Composing the book you've for the longest time been itching to compose. Preparing for a long-distance race. Getting a degree.

Odds are, be that as it may, your most elevated needs are not Instagram, messages, and viewing SportsCenter.

The issue is, when individuals start the morning by consuming data, they haven't stepped toward their main objectives and they're as of now filling their brain with (generally) pointless, distracting stuff.

None of it will assist them with achieving their greatest errands. Furthermore, more regrettable, things like the news cause individuals to feel more negative, stressed, and pessimistic, further influencing productivity.

Yet, there's a reason behind why such a large amount of this is centered around your mornings…

2. Overcome the most important time of the day

The secret to soaring your efficiency is exceptionally straightforward:

Overcome the initial three hours after you awaken.

This is the point at which you're generally innovative, engaged, ready, gainful, and stimulated.

That is the reason it's essential to secure your mornings and try to benefit from those hours.

Here's how:

To begin with, require a couple of moments at the very beginning of your day to do an amazing morning schedule.

It may appear to be strange to invest energy in the first part of the day not to work, but rather to prepare yourself to work. However, I guarantee those couple of moments will change your productivity.

If I had eight hours to chop down a tree, I’d spend the first six of them sharpening my axe. — Abraham Lincoln

A few plans to "sharpen your axe:"

Meditate. Go for a stroll. Eat healthy. Peruse something motivating. Compose your objectives on a handy-dandy journal. Stretch. And so forth

It doesn't need to be muddled (or long), however plan something to help you feel 100% prepared — mentally, physically, and emotionally — so you're engaged, inspired, focused, and driven.

At that point, when you begin working, you'll have a huge load of momentum to take out the entirety of your assignments.

Second, try not to settle on an excessive number of insignificant choices and, instead, do the same routine consistently.

That is really the mystery of world class level competitors/athletes:

They do the exact same ludicrously, exhausting, boring schedules throughout each and every day.

They eat the same healthy foods. They do the same exercises. They do the same warm-ups.

Once more, mornings are the point at which you are generally beneficial and focused. Try not to squander your psychological energy on minor choices. "What am I going to eat? What am I going to do? What am I going wear? Where am I going to go?"

In all actuality we just have a restricted measure of significant level for mental execution every day.

By doing the same things consistently, you can utilize that elevated level of cognitive energy on the things that matter since all the minor task of your day are on auto-pilot.

Third, accomplish extraordinary work.

After your morning routine, you may have somewhere close to 2–2.5 hours remaining from your initial three hours. That is the point at which you will accomplish your best work.

The remainder of this article will show you how.

3. Why you need to make teeny-tiny assignments

Many individuals think they battle to complete their assignments on account of laziness or an absence of willpower, inspiration, or determination.

In any case, frequently, the explanation is undeniably more straightforward!

For instance, somebody's plan for the day may resemble:

Compose blog article

Build a website

The genuine issue is each task is so overwhelming!

To compose a blog article or construct another site, it could take somewhere in the range of 3 to 30 hours!

Each errand is so huge and inconclusive, there's no foreordained length or approach to quantify its fulfillment — but to complete the entire damn thing. (I speak from experience; can’t you tell my frustration?)

Also, in the event that it winds up requiring 30 hours, it'll remain on your to do list for a few days, if not weeks.

Instead, break them into explicit, noteworthy errands that can be executed in less than 60 minutes.

For instance, rather than "compose a blog entry," it very well may be "compose an outline," "make a draft for the intro," "compose 10 ideas for the title," "compose 200 words," and so forth

These are explicit, significant, and quantifiable.

Much like with sweets, teeny-tiny is better:

With smaller tasks (ex. 20-minute long), you have certainty you can complete them. In any case, if your assignment is to assemble a site (which can require days, weeks, or months), the finish line might as well be in the North Pole.

When you make your errands "teeny-tiny," you'll finish a greater number of assignments in less time than previously. By observing yourself finish more things, you'll pick up momentum and certainty.

When you have a significant plan for the day, it's an ideal opportunity to orchestrate them the correct way…

4. Prioritize like a pro

One of my most extraordinary lessons came from the "80/20 Rule."

Otherwise called the "Pareto Principle," it clarifies that about 80% of your output comes from about 20% of your input.

For productivity, that implies 20% of your work makes 80% of your outcomes.

A few people, however, simply do their daily agenda in any order. So, they may complete a great deal of errands before their day's over, yet get little outcomes (assuming any).

Actuality is, in everybody's plan for the day, there's only a couple of things that have the "greatest value for your money."

So, pick the 3 most significant things — no more than 3 — and put those at the top.

At that point, do those 3 things each in turn and don't do whatever else on your list until you finish those 3 things.

By doing these basic things first, you get the most outcomes every single day.

Once more, you have the most inventiveness, focus, and mental energy in the mornings; so, devote your best time of day on your highest priority tasks.

To figure out your best 3 tasks, try asking yourself:

What three things totally can't stand by until tomorrow?

What are the three things that on the off chance that I finished, but did nothing else, would have the option to get by with?

What are the three things that will have the greatest effect on my life?

Assuming, in any case, you have 5 basic assignments that all should be done today, locate the two things that, in the event that you don't do them, have the slightest repercussions.

At that point prioritize the other three.

(Figuring out how to prioritize will change your productivity, and in addition your life.)

5. Why limiting your time can zap your speed

Have you ever had a whole month to do something minuscule — and that "miniscule thing" winds up requiring the whole month?

There's a law for that.

It's designated "Parkinson's Law": Work expands to fill the time necessary for its completion.

In other words, whatever time you give yourself to finish an errand, it'll take that measure of time — regardless of whether it's 30 minutes, three hours, or three weeks.

Along these lines, to help your efficiency, don't give yourself more time to complete something:

Give yourself less.

Make a forceful time limit and perceive how quick you can do it. Clearly, you need to do a good job, but try to push yourself in terms of speed AND quality.

You'll see that the errands that once took "quite a while" really complete significantly quicker.

More, frequently, you'll really make a superior showing since you're giving your full concentration and focus to hit a pressing time limit.

This is the way you utilize Parkinson's Law for your own benefit.

6. Take interval mental breaks

It gives you stretched intervals to be super-engaged and undistracted while additionally giving you breaks to recuperate and reenergize.

Regardless of whether you're working, composing, or learning, taking regular breaks is essential.

It resembles working out at the gym: You need rest between practices so you can do it again and still have perseverance, strength, and force.

You can do a work duration of 25 minutes — with a brief 5 min break — I for the most part complete 50 minutes with a 10-minute break.

Throughout this break, however, it's essential to really "take a break" and not simply browse email, check social media, or occupy yourself.

Normally, I'll go for a stroll to walk my dog, do yoga stretches or even basic calisthenics to stimulate blood circulation throughout the body; at that point, I reset the clock and go once more.

7. Improve your performance with music

You did your morning schedule. You have your organized daily agenda. You haven't browsed through your emails or messages. You set 50 minutes on your clock and are prepared to tackle the day.

Now what?

Here's a simple tip to help you take your working capacities to the next level:

Tune in to the same music on repeat.

Here's the reason why it’s so effective:

Instead of continually hearing different songs, which urges you to tune in to the words, by tuning in to the same one, you melt into the tune, quit zeroing in on the words, and simply feed off the energy.

My secret sauce is to listen to Binary sounds. Search “Binary Work/Study Music”, it’s far less distracting and gives you more focus to work. (I’m doing it as I compose this article piece!).

8. Conquer the last challenge

The past productivity systems are incredibly amazing and intense.

Yet, here's a severe truth:

Regardless of how well you plan your day or the number of productivity systems you use, in the event that you hate what you’re doing or don't know enough about what you're doing, you won't be productive.

So, on the off chance that you attempt these tips and still battle to complete things, ask yourself:

Do you really want to do them in the first place?

Is there something you're anxious about or afraid of?

In any case, while there are times you need to beat internal opposition — particularly when attempting to transform yourself — some of the time it's an indication of a more profound issue.

Possibly your body, brain, and gut are attempting to reveal to you something.

Talking from personal experience, the last time I opposed accomplishing work, it was on the grounds that I was in an occupation I hated and I wound up quitting (which additionally fixed my depression and allowed me to educate myself more on the thing that mattered most to me).

I can’t tell you for sure, but I do recommend taking some time, digging deep, and seeing where that opposition is coming from. You might just discover a whole new your

I can’t wait to see the greatness you will accomplish.

#productivity #self improvement #efficiency #brain #motivation #inspiration

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