#this man is annoying. this isn't the same character

[helenekuragina]

while trying to make any of the characters in great comet more nuanced is kind of a lost cause due to how out of context it is, the sanitization of pierre truly does kill me because pierre is many things but he is never supposed to just be an explicitly Good Man. and in the case of great comet it truly does feel less like an oversight and more like a conscious decision to make pierre seem less complicated and therefore easier to position as a good, kind, main character when that's just... not who he is. i understand why that's the way that a Musical would decide to position him, but it doesn't make it any less frustrating as a war and peace fan

the specific way that the duel is added kind of baffles me because i do think it benefits from the added context in theory but rather than just providing context it instead warps it and i end up questioning what purpose it really serves? throwing in a random event from literally 5 years earlier in the novel's timeline without adding any of the fallout is such a questionable decision and truly just leads to such a warped perception of hélène and pierre's relationship

by having pierre be certain of hélène's infidelity before the duel with dolokhov, it completely writes over the purpose of the duel in the first place. in the novel, this is the moment where pierre begins hating hélène, where he decides he has to leave and therefore sets off on the beginning of his spiritual journey. it's also notable that the affair is never actually explicitly said to be happening, either. pierre hears a Rumor and he reacts violently to both dolokhov and to her, threatening to kill her and throwing a marble slab at her before leaving petersburg. meanwhile, the musical takes place 5 years later where he has (reluctantly) reunited with her and he's currently [insert the lyrics of 'pierre' here], etc etc. he's resigned to his loveless marriage already, so the duel cannot have anywhere near the emotional impact nor purpose that it did in the novel. so what is its purpose in the great comet???

the easiest answer is that in contextualizes why hélène is so well-suited to be the one to "seduce" natasha and ease her worries about not being loyal to andrei, but even then that was never the way that hélène seduced natasha. she seduced her with her beauty and influence because those were things that natasha admired and wanted. so it's not exactly necessary there. the other explanation is to position her as a more clear antagonist for pierre, but this also just pushes him further into that "bumbling and kind guy who things kinda just happen to" role that isn't entirely inaccurate but isn't really accurate either

you can't have his violence towards her after the duel because the duel in the context of the musical doesn't have the same emotional impact from the novel that led to that outburst but without it and without the context of it being his reaction to a rumor (meanwhile it's blatant and shown directly in the musical, giving him "reason" to hate her), it just positions pierre as a victim rather than a violent participant, which he was. when he speaks to her during the 'find anatole' scene in the novel, she is Afraid of him and she's afraid of him Because he has actually physically threatened her before. taking that kind of weight away from their characters is frankly boring and annoying, especially in terms of the conclusions it leads great comet fans to draw

[vainillasaalt]

We will never be thankful enough for iwtv 2022 and how the writers adapted the source material.

Like, after reading the book I completely understand why Rice decided to change protagonists, and most of the changes so far have been for the better, but what really sticks out to me is how much of an improvement Louis as a character got, becoming much more interesting + Anderson really brought a lot of charm and depth to him with his acting.

[bayetea]

I don't like the judo flip in moa as much as the next guy but in my eyes it's largely the result of rick not taking female violence half as seriously as male violence (a result of viewing women as weaker and inferior to men such that their acts of violence don't need to be taken as seriously) and not so much anything about annabeth herself. like I do genuinely feel that annabeth is a complex heroine and definitely one of the better ones in the realm of ya action-adventure fiction produced in the past 25 years but she is still a girl being written by a man and all I'm saying is that her writing clearly reflects that sometimes (more in tags)

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[mostofthingsmostofthetime]

Just finished the show a few days ago, so that's why I'm only just posting this now.

[an-unloving-god]

It's always crazy when I go "this character isn't emotional" and someone either takes it as "They can't feel emotions, therefore asshole" or "They're extremely emotional in certain situations"

Like no man, they feel emotions just not the big ones, they don't understand why they would get furious at a situation they can just walk away from, they can't feel elated because they don't feel joy to that extent but they still feel joy

[cherrymoonvol6]

.

[spin-in-time]

If you prefer the newer seasons of ninjago over the older seasons (pilot-s5/s7) we are fundamentally different people

[impactrueno]

it helps me to remember when i get sad about how annoyed lydia gets in s4 is that she’s fourteen at that point so she is ACTIVELY going through puberty. and we’re all kind of annoyed with the world at that point, even the people we love.

that's very true. she's also known him for years at that point, and he can be uhh a lot. he can't get away with displaying his huge flaws as often as he used to, lydia doesn't allow it, and when he DOES get away with it, the episode ends with lydia disappointed and even outright mad at him. Midnight Scum in particular is so hard to watch, you can see her losing respect for him as the episode progresses and...then it ends. episode over. beetlejuice is horrible, what did we expect?

but yeah season 4 is. whoof man.

sure, you can chalk up part of it to teenage hormones making her more irritable, but i really do think she's just like, at her limit sometimes. i can't blame her, i too want to strangle him a lot of the time and i'm not even the one putting up with his shit, babysitting him or having to deal with the consequences of HIS actions.

this isn't Critter Sitters anymore, she is simply not having it and she won't make a cute little excuse for him "oh he makes me laugh and eats bugs hee hee"

season 4 lydia reacting at his jokes like 😒🙄

she's probably heard that one a thousand times by now. beetlejuice is a static character; he doesn't change, he doesn't go through character development, he doesn't learn his lesson (outright refuses to) but lydia DOES change. and she will continue to change as she grows older. and i KNOW this is a sad theory but i can't help but think that, as she grows and moves forward, she's just...gonna leave him behind.

it'll be hard for her not to. not only is she starting to make her own life and will continue to get busier and busier and not having time to hang out with her ghoulish best friend...she's also maturing. something beetlejuice has never done, and seemingly never will. and as she grows more mature, those puns and pranks and hijinks will become less funny, and his lying, clinginess and refusal to grow will become more evident. season 4 has lydia expecting better of him and being let down, constantly. if it's exasperating for us imagine how it must be for her.

at what point does it become too much? how often has lydia sat and thought about this kind of thing? considering how intelligent and sensible she is for her age, probably more than a few times. this dead guy inadvertently saved this depressed little girl by becoming friends with her and giving her the confidence to be herself and make her own friends. does she know that though? beetlejuice does, he saw it when they showed him the reality in which lydia never meets him. but lydia has no idea (and he will never tell her) so sometimes i wonder if she's missing that key aspect of why he's so important in her life. it's possible she might've come to the same conclusion herself; but even then, these things can be hard to remember when you're having to, once more, clean up after him and the messes he gets them into because his chaotic impulses are always stronger than him. you can tell she's very tired of this. and she will become even more so as time passes.

best friends forever though.

...

...right?

[euniexenoblade]

I think it's crazy how so many transfems have similar stories about tme people ignoring their distaste for Rocky Horror and I think it's wild how so many of us have trauma related to that movie caused by the people we saw as friends.

I think it's interesting that anytime transfems try to criticize the movie for transmisogynistic tropes, loads of tme people become combative, insulting, rude, they do not want us to critically analyze it, they do not want us to talk about it. I think it's equally interesting that if we then try to discuss the transphobia of Richard O'Brien, the creator, we are met with equal amounts of disdain. He has said trans women are not women, he has defended JK Rowling, but people will plug their ears about it. "He's nonbinary he can't be transphobic!" Or, transfems will just talk about the trauma of the movie, trauma related to the movie, there are so many joke posts about trans women getting forced to watch it by their tme "friends" and those are responded to with disdain and vitriol.

I have tried to rewatch the movie multiple times in the last decade, each time puts my brain back in that place where a cis woman friend who constantly talked about wanting me to be one of these characters for Halloween, betrayed my trust and put me in massive amounts of danger. When I watch it my brain goes back to the time I logged into Facebook to have some transphobe I don't know calling me FrankNFurter.

And it makes me wildly uncomfortable. These events in my life have just put a different sheen on the movie that makes it look so gross. And knowing I'm not the only one who feels this way about it so relieving, this movie held up as important LGBT cinema feels dehumanizing for me, and there's so many others that feel the same. But anytime we talk about it we are met with such contempt.

This isn't like, a coherent thing, it's just a personal rant. It feels so weird how tme people at large seem to walk over transfems over a movie. Which yeah yeah transmisogyny is a thing, but transfems not liking a movie seems so inconsequential. Why must we deal with the trauma of our so called friends not respecting our comfort, just to turn around years later and be ridiculed for having that trauma? It's just a fucking movie. And it has literally all the "man in dress bad" tropes we criticize other movies for. Why defend this movie to the death? It's just so annoying.

[tinylilvalery]

"your fave isn't a good person" pls stop watching succession if u think anyone on the show is a good person. no one will ever tell u shiv is a great person. but neither is tom or greg

Babe I know😭😭😭 that's why I said it. You tried so hard to be condescending and superior but instead came off as someone who's loud and has no reading comprehension.

Everyone is shit on Succession, so getting into arguments or making posts that are morally superior and condescending to other fans because "they're a bad meanie and my fav is good" is dumb as shit when they're all abhorrent 1% assholes without ethics who we'd all hate irl.

And yes I've seen PLENTY of people make out that Sh*v is a great person that deserves the best. Sh*v and R*man stans are the biggest perpetrators of trying to spread hate for other characters (such as Connor, Kendall, Tom, and Greg) and shame + talk down on their fans despite the fact that the show is fictional and we're here cos we enjoy the characters and plot, not because we think they're angels who have done so much good.

"no one said that!!" Is literally the funniest cop out that people love to say online cos 1. Yes people do in fact say that, that's obviously why I comment on it and 2. It goes to show how unaware you are or willfully ignorant you are.

[mrs-weasley-reid]

TEN'S A GOOD NUMBER

Aaron Hotchner x psychiatrist!reader

Sypnosis: After Aaron's traumatizing encounter with Peter Lewis, he's sent to you, but who knew a profiler is the worst patient you'll ever have? Warning: enemies to lovers— ish(?) angst. a dash of fluff. light mentions of death and trauma. a few curses. went ballistic— it's lengthy, so pace yourself. A/N: loosely follows Mr. Scratch timeline for three seasons.

Monday, May 4, 8:34 AM

Aaron Hotchner sits across from you.

He studies you in every detail like he's about to take an exam, and you're the topic.

The weight of your scribbles—light, almost featherlike. Ink leaves a soft trail of words, a map of your thoughts, your perception of him.

The speed of your hand. Swift and elegant. Each movement portrays a scene in a movie. As if they're telling a quiet story, your story he is yet to unravel.

The way you deprive him of eye contact.

What are you hiding?

Why can't you look him in the eye?

The occasional nod to remind him that you're listening—not like anything's coming out from his end.

In conclusion, just about everything you do, really.

To Aaron, you're a cheat sheet. His way back to the field, to work—the part of his life that cannot be halted despite the need for a break.

"Your hand is heavier," Aaron vaguely goads.

You silently stare at him, waiting for the rest of his thoughts to spill out of his mouth.

"Usually, you write like you're afraid to puncture the paper, but just right now, your strikes are deeper. Your grip on your pen is also tighter. Am I annoying you?"

Creative.

You think to yourself as he rakes his eyes down the canvas of your face, blank and land of nothing but mirroring eyes.

Although you prefer Aaron's comment about your new lipstick and how it makes your skin glow—something about your prospect of finding a lover—fifteen minutes into your session. You didn't peg him as a man who knows his lipstick shades, but you stand corrected as he says coral with the utmost confidence for a man who wears his tie like a choker.

Aaron does it all the time. Every five minutes, he says one thing he's noticed about you and then proceeds to zip his mouth, denying you details about him like you're some hired criminal paid to torture the King's hidden fortune out of him.

And as per your entertainment, you'd do something out of your character to throw him off. If you can laugh at his gullibility, you would.

His goal is to intimidate you. Pressure you. Make you tick like every other serial killer he's encountered. Because he'd really rather be across an unsub than you. Aaron would rather be the one to ask questions and not you. In his eyes, you're no better than a small-town detective ignorantly interrogating a serial killer for a cheap gas station robbery, unaware of the skeletons in his closet.

At this moment, Aaron ponders why he agreed to meet with you once a week only to sit in almost absolute silence for about an hour, then go about his day like he hadn't just wasted minutes of his—and your—life.

It's always the same.

He arrives, flaunts his profiling skills for an accumulated total of twelve minutes, and then sits across you like a rock for the remaining forty minutes.

Aaron could've talked more, but...

He despises you.

Well, not you, per se. He despises the profession, and you just happen to choose it as your career. Nonetheless, Aaron generalizes and includes you on his list.

He finds it unnecessary and a waste of one's valuable time. Presenting a series of well-thought-out facts that he's sure Spencer Reid will enjoy. A list of reasons why talking to a psychiatrist isn't as helpful as people perceive it to be.

Aaron spits the words 'family' and 'friends' for the sake of ease and comfort as if he doesn't flinch at the words 'your father' and his face hasn't been frozen into a permanent stern. Because why talk to someone who doesn't know you when there are people who know you best? He lies through his teeth. He lies to himself.

Then, there's you.

You don't know him enough to trust his lies.

"Profiling me won't get you cleared," you state out of the blue. "This is our seventh session, and you haven't said anything." You add, finally lifting your gaze.

Aaron feels taken aback. He'd never encountered a shrink with such pride at their job—they managed to infuriate him. You infuriate him.

Now that you've granted him the wish—your eyes meeting his—it's having an effect on him instead. One that he wishes he didn't feel creep under his skin, stimulating the anxiety he's worked hard to ignore.

Still, Aaron squares his shoulder, "Nothing is wrong with me," He claims like he's not feeling the pit of his stomach churn with every word. "I'm only here for the formalities." He says.

"Ahh," You deadpan, pulling your eyes down on your clipboard. Hushed scribbles echo in the room. "Is that what you told, Dr. Briar? Or Dr. McCormick? Stiles doesn't seem to remember you at all—"

"They deemed me fit to go back to work, which you don't seem to realize." Aaron cuts you off. He doesn't notice the slight lilt of his voice. How a vein peeked on his forehead as he furrows his brows.

You have an effect on him, and Aaron's in strong denial.

"How?" You lean a bit, propping against your lap. It's the first time he's ever let himself tear out of his 'I don't break' shell. You consider it a crumb of a breakthrough and a laughable stain on your pride.

Challenging his stability—you raise your brows—makes him tick.

A faux frown draws on your face—patronizing, "Did you play a staring contest, and they lost against you?" You notice the little twitch of his eye masked as a blink.

It's a little unprofessional to provoke your patient, but you do, anyway.

This one's been particularly adamant about manipulating you into permitting him back to work like you were born yesterday. You think it hilarious how smug he's been for the past six sessions. It is as if you didn't spend almost half of your life devoted to the study of behavior. Like you hadn't figured out his plans from the get-go.

Profilers. They catch a criminal out of idea of sorts, and they think they can read everyone. It makes you want to laugh while pointing at him.

Aaron stares at you with his usual stoic expression, intimidating eyes filled with unforeseen horrors, and a straight mouth that's no use in your four walls.

He decides then that he hates you with a passion.

You feel a vibration on your wrist, "Would you look at that? Your time's up, Hotchner." You withdraw, straightening your back as you scribble yet another word Aaron is curious to know.

If he only knew you're not really writing anything new about the nature of his mental state or anything legible at all, you imagine Aaron exploding like a stack of case files blown by harsh wind.

But can he blame you when he's given you nothing to write?

"Agent Hotchner," He corrects with gritted teeth. Aaron's jaw clenches as he pierces his gaze through you. His hands intertwined with each other as if he's preventing himself from clawing at you.

You smile at him, "In this room, you're just Aaron Hotchner. A patient. A case." You know the specific word will piss him off, much less the motherly tone you paired it with.

A tactic. Unlike him, you don't need a team of agents to get a rise out of a culprit. The bare idea of you, a stranger who has access to his life on a piece of paper, is enough a stimuli to get an individual aiming at your neck.

"So, between you and me, I think you should start talking if you ever want to fly to wherever city your team wanders in. The longer you take, the less progress we make, and the less progress you make, the more possible that the bureau will assign a new psychiatrist for you." You say nonchalantly, letting his anger lead him right into your trap.

The words float like small fire specks of dust, both dazzling and dangerous to the eyes. Getting assigned to a new psychiatrist is like getting an easy case directly handed to Aaron. However, it also means he'll have to restart his psych evaluation process, and he knows firsthand how time-consuming that is.

"But, then again, who knows? Maybe the next fella will let you slide like the others did. Or you'll have to attend a series of sessions again for a lengthy psych evaluation. I've got friends too, you know? They might do me a favor and make your life more… difficult." You're bluffing. In no way, shape, or form will you jeopardize his health, even if Aaron's the most stubborn patient you have ever met in your lifetime.

His nose flares as he stands up. You know that he's done and murdered you in his mind at the way he's glaring at you with invisible daggers, but you play it well and act blameless.

Aaron marches out of your office with blazing hatred. You watch as he dulls every vicinity he's stepped into like death taking a stroll. A part of you is apologetic to his colleagues. They'll be having one hell of a day.

Retreating back inside your office, you plop on your chair behind your desk as a heavy sigh escapes your lips.

You stare at Aaron Hotchner's patient chart.

"What am I going to do with you?" You ask rhetorically in the air.

Aaron Hotchner is—for you at least—a special case. A case so intricate you had to be careful how you'd tread the water, wary of its fragile ripples.

When Aaron's chart landed on your desk, you immediately knew that he'd be toilsome. He'd make it his goal to skip the talk and jump back onto another case. The same routine he did with his old therapists and psychologist, anyone that was able to write a note and say he's fine when he's really not—never have been for a long time.

You already had enough patients on your plate, but you just couldn't say no to your favorite Italian patient; you only had one. You're the best bureau-mandated psychiatrist. His words, not yours.

Then, again, you never fail to mentally brag about how easily you read Aaron just from his chart, his image, and the first step he took to get inside your office. You read him like an open toddler's book, a piece of cake.

During the first session, you learn how badly Aaron's last case had affected him. The intonation of his voice. The way he'd shake his hand, your hand. His scorn. His fiddling fingers.

It's amazing how he's managed to divert his anger towards you instead of the man who traumatized him.

Melodic ringing snaps you out of your trance.

Aaron Hotchner might just get what he wants.

Sunday, May 10, 11:51 PM

A sniffle tickles your nose as you lay flat on the carpet floor of your apartment.

Your face stings from tear stains, and you muse how horrid you must look after your makeup runs dry. Your chunky heels were still on. In a minute or two, you expect one of your feet to cramp.

The day has been hostile towards you.

The mind, which used to be an oasis of positive thoughts, has gone draught. Sleep begins to blur your vision, and you don't hesitate to let it take over.

Until a bombarding knock jolts you up.

"I'm here! I'm here! Calm down!" You shout as you swing the door open. A familiar man stands in front of you with a dour face. Your eyebrows narrow tightly, "Mr. Hotchner—"

"What did you write?!" Aaron badgers as he storms inside your apartment like he owns the place. He pivots on the balls of his feet once he's reached your living room, glowering at you with scalding fury. "I was relieved to know that you released me from your care and looked forward to my clearance. So, tell me why a random therapist called me this morning to confirm an appointment I didn't even know I had. What did you write on my report that I have to go through this again for the second time? Is dealing with your sick games not enough? I'm fine. I know I'm fine. I'm straight in the head to go back in the field. I aced the psych evaluation questions. Your sessions are the problem. You're the problem." His ears, face, and neck are burning red. If he's a cartoon character, you imagine he'd be steaming with smoke by now.

Quite surprised; you're standing speechless. You're watching Aaron like he's a crazy old hag yapping about the Revolutionary War and how she hates not having the power to shoot every redcoat for the sake of rage.

You head towards your sofa, taking a seat.

Aaron examines you in confusion, furrowing his brows.

After a moment, you look at him expectantly. "Don't be shy, Mr. Hotchner. By any means—" you nod towards the armchair across you, glancing back and forth between him and the empty space "—continue with your thoughts. You already started. Might as well let it all out."

He only clenches his hands inside his pockets as he bores holes into your head.

What a sad little man.

You scoff in your mind.

You lean against the back of the sofa, tilting your head to meet dagger-like brown eyes aiming at you. "No? Suit yourself, then." You shrug, feeling the soft cushions under your palms.

"Let me remind you that I'm a federal agent, and I can make your life a living hell if I want to." He threatens, glaring at you as if the twitch of his eye is enough to make you combust into thin air.

But all you see is a child on a tantrum, deprived of getting what he wants.

"Answer my question. What. Did. You. Write?" He growls.

Silence coats the two of you.

His heavy breathing fills the deafening air. Your nonchalance fuels his hatred more than ever and the sentiment is beginning to emit from both ends. It takes a lot out of you to think of multiple ways to sprinkle some salty sense onto him without stinging his wounds.

One thing you learned well enough in time is how good Aaron is when pushing someone's buttons. A perk of his prosecutor days and seasoned by his bureau career.

He's just troubled.

He's just in denial of his own pain.

You chant the words in your head—uncertain of its purpose. Detachment ironically detaches from your senses like old velcro.

"You're not the first agent in my office, Mr. Hotchner. And frankly, you should be thanking me for taking you in. Unlike your old therapists, I actually read through your chart and took the time to understand you to the best of my ability. I cared—" Shocked as he is, your eyes subtly widen.

Before you can continue Aaron speaks over you, "I do not care about your pity. What I wanted was for you to do your damn job and clear me back to work. But that's just little to no pay for a shrink, isn't it? You need messed up people to stay messed up so they can continue knocking on your door." A clear hint of a demeaning smirk flashes across his face.

The sheer irreverence makes you dizzy. The calm snaps, banishing kindness and composure out the window. And rage knocks on your door.

"That's the problem. You don't care. You don't care about yourself." Your tone is sharp—stern.

You knew. You knew from the moment his file thudded on your wooden desk. The moment SSA David Rossi charmed his way to get your favor. You know that Aaron Hotchner does what he believes is right. Not because the unit chief title has gotten in his head. No. Not the slightest. But because he only cares about his values and people.

And you're neither.

It's not you to hold grudges. So, you had it down and set before you accepted Rossi's request. You had it tattooed in your mind that no matter how sharp-tongued and insensitive the man before you might be, he's still just a man under the weight of the world's greatest horrors.

You cannot break. You're not allowed to break.

Pieces of you shatter at the realization that some patients under your care inevitably slip away from your fingers. How your promised oath to do no harm did nothing—not enough to stop the monsters that haunt the world. Not enough to stop you, Aaron's psychiatrist, from dumping your own frustration onto him the same way he's currently doing to you.

But you're not Aaron's psychiatrist today. You're not anything today. You're not on the clock. And no one except Aaron—to your demise—will ever witness such an ugly sight. If ever he shuts up about his dilemma, that is.

"I did my job exactly as I should." You declare, licking the bottom of your lips. Damned the Hippocratic Oath. You wonder if the healing gods will forgive you.

You really shouldn't say the words that are about to leave your mouth, but you've been taking whatever hostility he's got for the last two months; the capacity has reached its limit. A little bit of harshness wouldn't hurt, would it?

"When are you going to admit that the reason you can't sleep at night is not because of all the serial killers you claim I prevent you from catching?" You finally stand. You are a few inches shorter, yet you have never felt taller than you do right now.

You grit your teeth as you move closer to Aaron, almost a breath away, tiptoeing. "When will you admit that the mighty SSA Aaron Hotchner, unit chief, doesn't blink, not once, because he's afraid he'd become the very thing he promised to put away." You raise your brows, challenging him.

Aaron's face morphs into bewilderment and perturbation. His brows are sewn shut. His jawline pops out as he grinds his teeth.

Resentment. Fury. Vexation. Chagrin.

All Aaron felt was anger.

Antagonized.

A walking tower of pure acrimony, finger-pointing towards the innocent.

"Don't you dare compare me to those— I'm anything but." He towers over you, losing his words through the stream of lividity flooding all over his senses.

"Do you really believe that?"

Aaron studies your face. It's different. It's raw and maimed. A squeeze of guilt whispers, but he shoves it quickly.

"What did you write?" He asks once more, earning a scoff out of you.

You step back, staring straight into his glare. Crossed arms tight against your chest. Brows rest over your deadpan eyes.

"While SSA Aaron Hotchner is proficient at his skills and rather placid in physically and mentally challenging situations, I strongly recommend further evaluation in psychotherapy as his emotional capacity is at its limits. The stress accumulated from the job itself has given him little to no time to allow himself the indulgence to properly process certain impacts of the stimulus he encounters on the job. Will update after further observation. Is what I wrote… so far."

You pause.

"Aaron Hotchner is an insufferable, pompous idiot who's afraid of nothing but himself. He is incapable of stepping off his pedestal and refuses to cooperate while complaining about the consequences he himself caused. He has been through enormous trauma. It will be torture to try and help him cope properly. I do not want him in my care as he is a danger to his own progress, and I don't want any part of it. Is what I wanted to write."

Silence.

For him to reflect.

For you to breathe.

Aaron's frozen before you. A pale statue bleached under the moon's harsh reality. Words that used to be superficial insecurities float in the wind of truth, forming into a cage he's sentenced for life.

Your fuse still runs—a long time coming from two months of his deliberate disrespect. The silence annoys you, so you break it. "Excuse my hostility. No one's invaded my privacy and barged into my household at such an unreasonable hour before." The impassive smile on your lips can haunt anyone.

Maybe you've gone too far.

Maybe it's evil to say such blunt things to someone fragile.

But Aaron started the countdown. He lit the fuse. Now, you're exploding right before his eyes, reaping what he sowed. And he's forced to eat up all the debris.

His eyes twitch, scanning your face for any sign of bluff, any sign of fallacy. Any sign that he successfully pissed you off and your words were nothing but overwhelmed impulse.

"I—" he closes his mouth, then agape. Any sign. Aaron will take anything besides the forthright expression on your face. He inhales, "I'm sorry." The sound dies before it can roll off his tongue.

It's like watching a bully shrink into the tiniest man who's ever lived.

Okay, maybe you were a little bit brutal.

You gulp as guilt creeps along your veins, wishing that someone out there would just do you both a favor and snipe you out before the embarrassment settles.

Drawing in a gentle breath, you take another step back from Aaron with a delicate voice, "You're not starting a new evaluation, but you're not done either. I transferred you under someone else's care because of personal reasons. My life doesn't revolve around you, Mr. Hotchner. So, if you have nothing else to say, go home." Your eyes drift to the vast selection of objects in your living room to diffuse the growing pity you can't help but harbor.

Only then does Aaron discern his impulsivity. Internally arguing with himself as he allows himself to look at you. One thing he's never done since the moment he met you with screwed brows and unwavering bias. His gaze instantly softens like a thick fog around him finally dissipates. Like he's achieved a clearer vision.

The first thing he notices is the state of your face. The dry mascara that drew faded stripes down your cheeks. Your puffy eyes are now faint pink, but he recalls them being red when he arrived.

Then Aaron brings his attention to your black dress. It's a simple formal, mesh midi dress, but he admits how it elegantly fits you. But he doesn't say it aloud because there's only one reason why you'd wear such an article of depressing clothing.

As if your words and his own realizations aren't enough, he gets a glimpse of the clock on your wall that reads 12:03 AM.

His blood suddenly stops flowing—skin clammy and pale. Aaron's lightheaded from guilt and penitence.

Without another word, you lead him towards the door, swinging it open. The past 24 hours already drained you, and Aaron just about made it fifty times worse. All you wanted was to get a shuteye.

Aaron swallows the shame and makes his way out. Before he leaves, though, he turns to face you once more. Genuine curiosity pinches his brows.

"Why didn't you just clear me out like the others did if I was such a difficult case?" The word tastes bitter in his mouth. What used to be a desired flavor turned rotten on his palette.

He asks with utter softness, leaving you skeptical to respond.

"Same reason why you kept attending my sessions even though you clearly hated it." You slightly close the door, only leaving enough space for the two of you to see each other.

He looks at you like the answer's all over your face but written in some foreign language he's not familiar with. Aaron barely opens his mouth when you answer the question in his mind.

"You needed a place where you can just be."

The door shuts.

Friday, June 19, 11:02 PM

"I didn't know where to go."

You pore at Aaron Hotchner with nothing but a flimsy robe to prevent his imagination from going rampant—and dirty.

It's eleven in the evening. It's been one month since you last saw him. It's been a month since he barged into your apartment like an entitled brat. It's been a month since you let your emotions take over. It's been a month since the two of you revealed parts of yourselves either of you don't dare think of.

A month and no contact.

You didn't wonder; just hoped and prayed that Aaron finally finds it in him to let go of the emotional turmoil that's torturing the soul out of his body.

Sighing, you step aside and let him in, closing the door behind you like it's normal to stop by one's ex-psychiatrist's apartment in the middle of the night without prior notice and, most importantly, without meter to run the minutes he's inconveniencing you.

Aaron walks in, and the heavy humidity of arousal immediately hits him.

Oh.

Well...

If he had something to say, Aaron kept his mouth shut. He is at fault for driving straight to your place like he's your bestest friend. So, he doesn't mention it, ignoring the fact that you're barely clothed.

Besides, after your last interaction with him, Aaron's certain he didn't have any prerogative in how you'd like to spend your Friday evening.

"Take a seat. I'll be with you in a minute." Your steps are light behind him—feet nimbly grazing the wooden floor.

He turns to face you but quickly averts his gaze to avoid the glistening sight of your thighs. "Thank you..." He does his best to sound normal, choking in between syllables.

Aaron begins to regret his decision. Though, not enough to leave your place.

You disappear in the corner of the hallway. Allowing Aaron to finally release the breath he didn't know he was holding.

With you out of sight, his mind deliberately wanders...

What were you doing?

Aaron shakes his head vigorously like a worm under a storm of salt. The thought is undiscovered—untouched territory, forbidden to be exact. Should he form such thoughts, he'll do it somewhere else or rather about someone else.

Just as he caters to the sudden dizziness caused by his action, a man, half-dressed, walks past him, cursing under his breath and buttoning his shirt. Aaron's eyes widen a little, keeping his stoic face.

Oh, that's what you were doing.

Ick—as Aaron would like to call your visitor—had brown and curly, unruly hair. He was tall and definitely had a face, which, Aaron assumes, is nothing like the one he envisioned you're attracted to.

Somehow not a pleasant discovery compared to what he attempted to imagine—you, alone.

Ick looks at Aaron with a scoff echoing out of his throat, "Oh, what a surprise! She's a slut." He states smugly.

"Or she just wants someone better." The words spill out without hesitation, fired on sight. Aaron doesn't know where the boldness came from as he leans against the seat with a cocky smirk on his face. Definitely no more perplexed than the uncertainty of anger boiling inside of him. He glares at the man either way.

The man scoffs again before leaving with a couple more insults that Aaron thinks he's lucky to whisper, or your visitor would've left your apartment in an ambulance.

Ick slams the door, shaking the vase on the accent chest by the entrance.

Where did that come from?

He's questionably not as big of a hater as he was before, but Aaron can't determine the motivation that made him act the way he just did with a person who has business with you, which he should have no interest in.

Moments later, you come back, fully clothed, in an oversized hoodie and a pair of wide-leg linen pants. Comfy and a 180 contrast on how you dress at work, plus the garments you had on minutes ago.

You make a beeline to your kitchen, "Water or scotch?" You holler out, opening cabinets with a creek on their hinges.

The question is rhetorical. You place a glass with brown liquid glinting under the warm ambient light on the coffee table in front of Aaron, then plop on the armchair across from him, catering your own glass.

He stares between you and the glass while you kiss yours, never breaking your gaze. You hum in delight, making a popping sound with your lips.

Aaron opens his mouth and then closes it, falling into a cycle like a fish underwater. How should he explain himself? How does one explain why they're bothering their ex-psychiatrist past working hours? After making a scene a month ago? He swallows the thick void in his throat.

"Don't talk, just drink. Sit here for an hour. Then, go home." You say, opening up a book that's been sitting on the table since he arrived.

Aaron feels a surge of relief. He reaches for the drink and lets the smoky taste trail down his throat without hesitation. He wouldn't have guessed you as a fan of scotch—or anything not clear or fruity. This is the first he's seen you without some sort of filter he can't read through, and the observation prints you under a new light.

The silence comforts him. The occasional scrape of paper against paper with each flip of a page provides him reassurance. The company he finds within your presence gives him solace.

You let him be. Asked no questions, reading in peace like he was just any other friend who needed company.

He does as you said. Indulging in the hour of tranquility and stillness. His nerves tame. And he forgets why he went to you in the first place.

Why did he go to you?

Of all people. Of all the friends he brags about. The family he cherishes. His feet dragged—drove him to you.

The onerous unit chief chose to wander to your front door, sipping scotch as he enjoyed the silence and absence of others' guilting worry and constant craving to make him feel better when all he wanted was peace and letting the ache pass in gradual acceptance.

By the end of the hour, you call him a cab with the instructions for him to pick up his car the next day.

Aaron slept effortlessly that night.

Saturday, October 24, 9:24 PM

Aaron expected some sort of rejection or for you to slam the door close, or worse, ignore him as soon as you see his face through the peephole.

One can only tolerate a couple of unannounced visits from an insufferable ex-patient, right? He's surprised you haven't called the cops on him.

He skims your face for any sign of irritation or annoyance as soon as you reveal yourself behind your door, standing next to it to give him way. Aaron saw nothing but impatience.

You knit your brows, slightly tilting your head at his frozen build outside the frame of your door. "Well? Are you stuck or something? Get in, Hotchner—" You turn before you can even finish talking, disappearing down the small entryway.

He turns deaf for a moment. Your voice rings in his ears as if a bomb had just popped the only working drum he had left.

Hotchner.

Agent.

Mister—

Just Hotchner.

One simple change, and the light above your head suddenly looks brighter.

Like he's found something good. Something he can say he knows. Something he can trust(?)

"Don't forget to take your shoes off and shut the door!" You holler from the living room—unfazed.

Aaron flinches, snapping out of his trance. He wonders where you'd gone to, furrowing his brows, and yet enters your apartment with the permission you'd given him. He closes the door, pivoting on the soles of his dress shoes as he tentatively takes them off per your instructions.

He emerges back in your peripheral while you stare at the screen on your laptop, blue-filtered glasses back on. Your fingers hammer on the keys, soft sighs slipping past your lips every once in a while.

You glance at Aaron when his figure stays at the corner of your eye, cupping a coffee mug between your hands. "There's fresh coffee if you'd like. Are you hungry? I don't usually eat dinner, so I have nothing ready to eat, but I can whip something up." You blow over the surface of caffeine, and steam wafts on the tip of your nose.

"No—" He shakes his head, scoffing in confusion, "I'm sorry—"

"Apology accepted," You muffle into the mug.

Aaron's brows connect tighter, and his forehead creases. He looks at you like he's under an illusion, a hypnotic dream he can't quite distinguish.

"Hold on," He hoists his hand up as if to pause a scene in the movie. "I'm very confused. What is going on? Why are you being… casual and nice?"

"You say it like I'm incapable of human decency." Your back makes contact with the cushion of your sofa, pulling your legs close to your chest while one hand holds the handle of your mug. You roll your eyes when Aaron only stares at you, "Are you uncomfortable? Do you want to leave?"

Aaron shakes his head.

"Problem solved, then?" Confusion is still fresh on his blank face. You mentally smack your forehead. "There are patients who lack temporal sense, but turning them away when they clearly need immediate tending to would be a form of negligence on my part. So, feel at home." You theatrically stretch your arms, offering every corner of your space as his own.

"But I'm not your patient anymore. I've been back on duty for weeks." Aaron informs. Although he finds a place for his go bag on your floor.

If you didn't know any better, you'd assume he's about to stay for a sleepover—coming to your apartment late at night.

You wrinkle your nose, "Okay?" You look around as if someone else is in the room with you two. "Is that why you went here? You wanted to brag?"

Three months.

Aaron's been back to his usual routine for the past three months. And it's been four since he drank scotch on the very couch you're comfortably in.

A chuckle.

The sound tickles your ears, filling you with unexpected pride.

"No," Aaron shakes his head as the chuckle resonates through his chest. "I… I don't really know why I came here, if I'm being honest." He swallows air.

You nod, setting your laptop back on your lap. "Like I said, you're free to feel at home. Scotch is in the third cupboard. Coffee's in the pot. I've got some stuff to take care of, so help yourself." Your eyes are already fixed on the screen, hands jumping from one key to the other.

With your permission, Aaron ventures into your kitchen. Neat. Clean. Cozy. He somehow imagines you cooking as a hobby.

He settles for coffee. Asking you from the kitchen island if you'd like a refill—which you took without a thought, hoisting your cup up—and taking out a couple of his files to get a head start on his paperwork. He wasn't allowed to bring them outside the bureau's building, but it didn't matter at the moment.

Your apartment becomes a haven.

Aaron, for the first time in years, feels comfortable to slouch. He had no collection of when and how, but turns out he'd changed into a quarter-zip and one of his pajamas tucked in his go bag through the hours.

The two of you silently took care of your own thing until 1 AM strikes, and a yawn pulls you back into the earth.

You turn your head towards the kitchen to find Aaron scribbling over your kitchen island. He's sipping coffee—a fresh batch he made not long ago.

Stretching, you make your way past him. After placing the mug into the sink, you lean against it, crossing your arms as you stare at him. "Ten."

"What's that?" Aaron halts on his seat, lifting his head to look at you.

"I'm granting you ten visits," You announce.

"And that means?.."

Your face deadpans, and he does well at stifling a smile. "You can come here whenever you want—need, but only for ten free visits. It doesn't matter if it's late, too early, or unreasonable. I'm allowing you to knock on my door whenever you need. Any more than that, you have to attend my sessions in my office, where I get paid."

"What's the catch?" Aaron entwines his eyebrows, straightening his back as he props on the edge of the counter.

"No catch. Just one condition," You shift your weight on your other leg, "Don't come empty-handed. Food, drink, things, a person, anything. Bring something." Your brows hang on your forehead, anticipating any type of response.

Aaron weighs his choices. Calculated every possible outcome and benefit. He meets your eyes again. Index and thumb rubbing the growing stubble on his chin.

"Ten's a good number," He says as he nods.

Wednesday, March 2, 7:31 PM

Eleven months pass by in the blink of an eye.

It's the seventh time Aaron showed up without warning, and by this point in whatever acquaintance you two had, you aren't fazed or surprised anymore.

The fourth time he knocked on your door, he was carrying a hefty price of whiskey. An odd reason for a psychiatrist and a former patient to bond with, but you had no qualms about sipping neat whiskey that night.

At first, he stayed for an hour. Then, an hour turned into three. One time, a case hit too deep, and three became seven, but that only happened once—all you remember was a Wednesday night.

"Are you okay?"

Gentle sighs escape shivering lips. Tears pooling deep inside sockets.

One sharp sniff breaks it all.

You sob under Aaron's worried eyes as your grip on the knob almost snaps it off the door.

His brows twists and he reflexively yanks you by the back of your head into his chest, bringing you out of your apartment and into the complex's hallway.

"What happened?" He carefully inquires while he rests his chin atop your head.

You're a mess in his arms. Uncontrollable whimpers muffled in his soaked chest.

Aaron suggested that you two step inside for more privacy and heat, but he didn't complain when you two stayed frozen in the end of winter evening.

When it stops. The suffocating ache. You lightly push yourself off him, wiping the leftover tears off your cheeks—half of it already dampened his shirt.

Fifty-three minutes and seventeen seconds.

You cried to the point of dehydration.

"Sorry," you mutter, eyes down. "We should go inside if we don't want to catch hypothermia." You sniffle.

"Oh, we don't want that," Aaron attempts to joke, closely observing whether you'd react to it.

You didn't.

He closes the door behind him, following your figure as you practically drag yourself to your unofficial designated spot on the sofa.

"I know I'm the last person you'd want to hear this from, but would you like to talk about it?" He bites his inner cheek.

Nothing.

You only mold yourself into a ball.

Aaron hesitates whether to stay or leave you alone. It's true that you said he's welcome anytime, but you're definitely in no condition to entertain his own problems when you can't even look him in the eye the way you would, no matter how insufferable he is.

But he can't just leave you by yourself either. Nothing is stopping him, but he's not cold-blooded enough.

"It's not easy," Aaron fractures out of his trance at the sound of your small voice. You look at him with a tight-lipped smile. "This job, I mean."

You inhale a sharp breath, tucking your lower lip between your teeth. "I can be hopeful, positive, supportive… Everything to prove that a better life is possible, but at the end of the day, it's not my choice." You wryly chuckle. "It's the patient's. It's your decision to want to feel better. To want to change. To want to live—" You choke, and the tears flow once more.

"It's not about me, but I can't help feeling like a failure." Sobs spill off your lips, gasping for air. "I was supposed to make everything better. I was supposed to heal everyone and save everyone from whatever monster was hurting them. She said she's never felt so much better. She said it's the first time she felt so peaceful for years, Hotchner. She said she was looking forward to our next session. But she just… I didn't—" You gulp—struggling. "I didn't catch it. I didn't catch her lie. And hours later, I get a call from her mother telling me she— she died." Your hands shakily clasp your mouth to push the sobs back, but you fail.

Aaron doesn't know what to say.

But he knows what to feel.

He knows it well.

The guilt. The shame of never living up to your own promise. The pain of losing someone you swore to keep safe.

Then, it hits him like a wrecking ball.

How difficult of a patient was he before?

Has he ever made you cry before?

It's a stretch that you'd ever shed a tear over his stubbornness, but Aaron hopes you never did.

Because he's never seen anyone care so much despite getting all the hate. Despite taking all the blame. You stood your ground and became other people's foundation. You became their comfort.

You became the only thing that gave him serenity.

With the little time he's known you—a total of 43 genuine friendly hours—Aaron can testify in heaven that they had mistakenly dropped you into the earth. And he's never felt blessed to have someone like you. Never felt lucky enough to find someone with who he could feel broken as much as he could but never needed to save face.

So, he's heartbroken for you. And guilty that more than half of the time you'd known him, he made your passion a miserable experience.

And also guilty of developing feelings for you.

Saturday, August 13, 4:16 PM

"I'm not playing favorites, but your tech analyst definitely deserves better than being cooped up in the bureau's building." You say, plopping on the sofa with a soft bounce and a squeak from the coil spring.

Aaron hands you a glass of bourbon while sipping his own. Eyes fixated on the board on your coffee table. "I have no other choice. It's the only way to keep her safe. Unless you're willing to adopt her, I don't want to hear it." He chuckles, connecting his brows at the sight of your winning streak.

You two are playing Scrabble. It was Monopoly twenty minutes ago, but along the lines, you learned how butt-hurt a six-foot and two-inch man can get. Not an enlightening experience. It would have been two stars if you had to rate it.

So, you switched to Scrabble.

And Aaron is losing again.

Boy, were you so entertained.

He just came back from a fairly short case from Los Angeles. The case is not heavy or mentally draining—according to Aaron, but Jack's at a two-day sleepover, and Aaron has no idea how to spend the rest of his day—turning down Derek Morgan's and David Rossi's invitation to grab a drink at O'Keefe's with you in mind.

Aaron leans on the back of his seat. You don't know when your reclining armchair became his designated seat, but you noticed how lax he is in it and didn't question it further.

Months and months of relaxing stillness in your home—only ever full of bizarre surprises and irresistible joy whenever Aaron knocks at your door. With no means of communication or ever seeing each other at either workplace, Aaron's visits are welcomed but never fully anticipated. Thrilling.

Spelling the word 'loser' on the board with triple points, you bite the tissue inside your lower lip. "Maybe you can play Scrabble with her. Who knows, maybe you'll get lucky and win." You grin smugly at him.

Aaron gapes at you with a mixture of disbelief and merriment. He looks down on the flat entertainment, then back to you as he blinks. "You're cheating." He declares, pointing an accusatory finger at you.

A hearty laugh Aaron's never heard before roars out of you, and it's melodic to his ears. The meringue light spills through the forgotten open blinds of your window, painting your face with a dreamy filter. Aaron feels dizzy at the sight.

Your smile is contagious, and out of nowhere, his heart starts to pick up as if he'd caught whatever illness your radiant lips had by only staring at it. The loose hair over your forehead frames your face differently—different good. Like you'd been glowing, and the watts in your core mysteriously increased, so you're as bright as the sun and as warm as its light.

"You're just a sore loser. Suck it up, Hotchner." You shake with mirth, casually running dainty fingers along the curve of your ear.

"Aaron," He blurts too fast, too soon—too late to take back.

With a nonchalant shrug, you rephrase, "Suck. It. Up. Aaron." Much more emphasis and friskiness.

You tease him more about his lack of greatness in board games compared to his undeniable talent in every case the BAU encountered. But Aaron's already dazed by your lips calling his name.

Without either of you realizing it, 4 PM became AM.

Talk about abusing one's privileges. Aaron's moderately good at that. You conclude he's simply a strutting opportunist.

After the longest winning streak you've ever had in your life, you and Aaron decided to take a much-needed break and fell into silent reading—or, in your case, grooming your schedule for the next five months.

Midnight strikes along the grumble of Aaron's stomach. You two were too quiet. It echoed all over your apartment. Both of you fell into an obstreperous fit of laughter for another hour, stopping for a minute in between only to laugh some more as soon as you met each other's eyes.

Now, it's four in the morning. You're busy munching on Chinese takeout from a 24-hour restaurant Aaron called in. He claims he has handsome privilege courtesy of the owner, which you mockingly laughed at, to his dismay.

"I'm still terrified." He blurts.

The case must've been very difficult, then. He lied yesterday. However, at this point in your friendship, you expect him to do so, even if it's obvious.

You'd long given up on coaxing Aaron to talk about the case that brought him to your office. Or any other cases that got him knocking on your door at the most unreasonable hour. You thought that the best you could offer him was the comfort that no matter how beaten up he looked, you'd ask no questions and let him sort his boggled mind until he was ready to talk about it.

Looks like tonight's the moment. It only took more than a year, so it is not a big deal—to either of you, at least.

He looks at you when you remain quiet, silently asking for your permission. You nod, and he continues, "What Peter Lewis did to me was terrorizing. I always wonder whether I'm making the right decision or sending my agents straight to their deaths. I second guess. I'm scared that a part of him is still in my head, driving me to make a fatal mistake." Aaron starts playing with his food, poking an orange chicken with his chopsticks.

The memory brings a tangy taste to his tongue, and Aaron can't help but cringe. It's the first time he's ever talked about Peter Lewis. Granted, Aaron spoke about the event numerous times but never about how it made him feel. Never how it broke him.

Is it weird to say you're a little proud of Aaron?

Of course, you don't tell him that. Not out loud. You know he knows you're proud of him. And that's enough said.

With a few audible chews—caused by a carrot bit stuck between your teeth—that somehow doesn't piss Aaron off, you swallow the food and draw your lips into a thin line. You place the chopsticks on the side, wiping the rim of your mouth.

You know he's watching you. Anticipatingly waiting for a response for anything other than the silence he's accustomed to.

"Breathe," You gently instruct, clear enough for him to hear but not too loud for Aaron to jump in shock.

And he does.

His shoulder blades rise and fall into a soft rhythm. Aaron was holding his breath, and you knew. Of course, you knew.

"Do you know the purpose of defense mechanisms?" You quiz him, earning a nod from Aaron, and yet no following answer. "You were already mad at me even before we met. And for what? Nothing concrete, I'm sure."

Aaron was about to object, but you raised your hand to stop him, "I'm not trying to attack you. All I'm saying is that rather than being in denial, you displaced your frustration on someone else less threatening—me."

Silence.

"I'm sorry—"

"I'm not done, shush!" You close your fist to mute him, cutting him off.

Aaron subtly rolls his eyes. He started doing so on his fifth visit when Aaron brought Jack and a few video games.

He told you that Jack's heard about your interest in a couple of games and wanted to play with you, but you know damn well Aaron bought the game for himself. Nonetheless, you entertained them by teaming up with Jack and obliterating Aaron. He vowed never to play against you ever again, at least not to your face.

"I would never know the pain and suffering that you went through. And somehow, even with that fact, a part of your life was in the palm of my hand. You had no control, but I did. So, instead of understanding the why, you hated the wrong who. And it's okay."

You take a sip from your straw, and a bubbly sensation fills you. Your tongue glides over your lips as you lean against the counter. "In short, for a man who's been through a lot, you know how to cope." A shrug ends your sentence, grabbing another bite of chow mein on your plate.

"Yeah, right," Aaron scoffs. The sincerity in your voice sparks something in him. It's giddy and tempting. But he can't possibly show the smile that's itching to spread his lips.

But his nonchalance may have triggered something in you because Aaron doesn't expect your next move. His neck felt like a snapped glow stick after you manually turned his head to face you—grabbing him by the space between his neck and chin. Aaron widens his eyes in the process.

"Listen here, you stubborn poopy head." You start, forehead creasing.

Aaron badly wanted to poke fun at your poor, intimidating skills, but he realized you didn't need any pointers just by the glare in your eyes.

"Peter Lewis got to your head, but that doesn't mean you were weak to let him. Yes, you fought through the influence of the drug heroically. Yes, you saved your agents and, most importantly, yourself. But it's still okay to be scared. It's okay that you feel broken. Who says broken things aren't great?"

It might be the sleep deprivation that's hitting Aaron, but he's very much enjoying your little fuse. How your words meant nothing like how you sound.

"That silver watch of yours—" you glance at his wrist "—has been broken for years, but I bet if you pawn it, it'll be more valuable than me. Antiques are expensive because they have unique histories. They survived beaten up, scratched, damaged, but still as beautiful as ever."

You're rambling, explaining more than you need to. Felt obligated to drill in his mind that despite the bad things, Aaron remains good. You're uncertain—clueless—as to why you felt the need to prove his praiseworthy, almost as if you're trying to convince yourself rather than him.

"From my observation, you're a sharper profiler despite all the things you went through. A part of you suffered and died in that house and many houses before. Of course, you'll be broken. You're a human being, Aaron. Act like one for Pete's sake!"

"I don't know whether you're being nice or mean." He chuckles with a mischievous grin, marveling at the way your eyes narrow as you look at him.

"I liked you better when you didn't talk." You tut, rolling your eyes.

For a moment, your senses heighten, and the simple brush of his hand against the skin over your wrist, as he takes your hold off him, sends billions of electricity throughout your body.

Aaron smiles—genuinely. "Thank you," He says softly, clearing his throat. His hand is still tight around your wrist. "You simply could've slammed the door the first time I knocked, but you always let me in. I appreciate you tolerating me."

You laugh, retracting your hands off his skin before you melt in his grasp. "I did not let you in the first time. You barged in like I'm some fugitive." You fix your posture on the stool beneath you, looking away.

His chuckle wakes the butterflies in your stomach, and you shove them right back down by stuffing your mouth with food.

Your eyes catch a glimpse of the time, "Y-you better go home and change before your son wonders why his father smells like Chinese food for Sunday brunch. Jack's a big fan of good 'ole syrupy pancakes, there's a good one by the bureau's building. Better hurry up and pick him up." It's amazing how much you almost choked and stuttered as you spoke, hoping that Aaron wouldn't question the way your demeanor changed.

Aaron takes one last bite before towering next to you, "Let me clean up. It's the least I can do for imposing half of your weekend." He insists, swiping the styrofoam off your hands.

"Glad you got manners," You nod approvingly, earning another chuckle from him, making sure you gave him enough space to move around without brushing any part of your body, or you wouldn't know what the brewing feeling in your chest would make you do.

You mindlessly peer at Aaron's broad shoulders and dark hair that looks so soft you wonder if it'll melt with your touch. You blink, catching yourself mid-swoon.

After a few minutes, Aaron bids you goodbye and you wish him well, asking to relay a short message to Jack.

"I think you're only nice to me because of Jack," He jokes, pivoting on the heel of his shoes to get one last glimpse of you.

You give him a tight smile, raising your brows as you shrug.

One visit left.

Thursday, May 5, 12:51 PM

The news said Mr. Scratch escaped prison. Peter Lewis is out and about, no doubt, planning serious harm against Aaron. You turn the TV off. The image shrinks into a small diamond spark 'til it leaves a dark screen.

Ninety-eight beats per minute are your normal, but you surmise it's about a hundred and twelve at the moment as your mind anxiously ruminates your not-so-favorite-unofficial patient's well-being.

You glance at your phone, debating whether to give him a call, but even if you gain the guts to do so, you don't have his number. Who knew that refusing personal contacts would backfire? Aaron can knock anytime, you said. It doesn't matter whether he texts or calls before, you said.

Now, you have no means of contacting him, and you refuse to resort to his ways—going through his file like he went through yours.

It's a shitty feeling.

You keep your fingers as far away from your mouth as possible, afraid you'll bite your nails to its quick. If Aaron was with you, he'd say something annoyingly witty about how your anxiety's too easy to read, and you'd be bantering back a remark about his tells that not many notice but sure slightly pisses him off that you know him like the back of your hand.

Eyes dart in the direction of your entryway, waiting for any distinctive sound only Aaron makes whenever he closes the door like a teenager coming home past curfew.

"This is driving me crazy!" You ruffle your own hair, rubbing your face in frustration.

Tempted to wait outside your door for Aaron to arrive, in need of a company. A once-in-a-lifetime bone-crushing hug, given by yours truly. Or open up the 1997 Old Forester bourbon on top of your shelf that Aaron's been eyeing for a year.

You need to know if he's okay. You need to see that he's okay. Physically, mentally, and emotionally okay.

No one ever knocked.

Friday, November 18, 2:33 PM

"Aren't you curious?"

You look at Rossi, "About?" Your eyebrows pinch together. You backtrack the entire session in your mind, trying to remember if there is anything you are supposed to be curious about.

There's none.

Rossi turns to face you, a hand emerging out of his pocket. "You're not curious where he's been? I've known him for years, and I've never been more curious about his whereabouts 'til now." The hand waves around as each syllable flows, and slices the air every emphasis he makes like a conductor of his emotions.

He usually talks with his hand whenever he's emotionally troubled, attempting to make a point to himself, justifying that his feelings are reasonable.

David Rossi has been your patient for years; you can write any and everything about him into a best-selling book.

"You said it yourself, Dave," You shrugged with your arms. "You've known him for years. He and I saw each other a couple of times during our physician-patient interaction. Any interaction we had after is just the two of us drowning in silence."

Aaron never knocked that day.

He hasn't redeemed his last visit for the past five months. While it isn't the longest time he's never stopped by, you're bitter about it.

You couldn't sleep for a week after Peter Lewis escaped prison. You were afraid that Aaron's name would flash across any type of screen or mark a headline on every article and newspaper. You had to take anxiety medication to stop your body from trembling whenever the thought of him crossed your mind.

It was hell.

The utter hopelessness and lack of courage teared you apart. The strangeness. The nonexistence. You don't reckon a conversation with Aaron that involves you and him. Only you or him or whatever depressing topic comes up. You're not even sure if you had actual conversations. Always wallowing in silence while sipping either scotch or coffee.

But you two had a deal. No catch. Not even feelings. Developing one for Aaron did not cross your mind when you granted him the power to bother you at any running time.

All of it is to say you wish you had known Aaron's last visit was, in fact, the last.

Rossi squints, "You're telling me the quietness you shared didn't matter? That his company didn't benefit you the same way it did for him?" He stands tall, pleased with his words.

It did.

Of course, it did.

And you loved every second of it.

Even if you realize it too late.

But you won't say that to Rossi. Or to anyone ever.

A sigh drops your shoulders. You give him a blank stare, letting his question hover for a moment. "What do you want me to say?" You continue packing up your things on your desk, breaking eye contact.

If you knew David Rossi like the back of your hand, David Rossi knew you like every family of the victims he managed to save.

Worried.

Heartbroken.

Hurt.

Aaron never told Rossi about any interactions with you after he was released from your care. It's information Rossi's only ever heard a confirmation from you. But he knew it from the moment Aaron came to work after his first session with you and couldn't seem to get the specific idea of you out of his head.

"We're doing everything we can to catch Peter Lewis. Aaron will be back, I promise."

Pause.

You fight your every single sense to remain composed. Hearing Aaron's name instantly made you crumble. The sound of it hitting your chest with such force you had to bite the tissue behind your closed lip. You badly wanted—needed to cry and throw a tantrum.

The inner ends of your brows lift up as you nod, "Good for you... and for him. I'll see you in two weeks, Dave." You dismiss, walking around your desk to push him out of your office.

"Wait, wait! Just listen!" You retract your hands off his back and let him face you. "He's okay. He and Jack are safe somewhere I, unfortunately, don't know." He tries to meet your gaze—successful. "But! But that's a good thing. Not knowing where he is while in protective custody is good. Safe. I just thought you'd want to know."

You nod, "Certainly a good information, Dave. But not really necessary." Your tongue subtly swipes the bottom of your lips. "Aa—Agent Hotchner was a patient. Anything outside of that is not my business." Liar.

Rossi tucks his mouth into a thin line, nodding. "See you in two weeks, kid."

Tuesday, March 27, 6:12 PM

It's a nice Spring.

Your hair dances like the breeze is music as you trudge back to your apartment against the rush hour sidewalk traffic.

A year and a half.

You moved to a different place since then.

Moved on— from something that never existed, but really, your old complex just ran out of business.

You couldn't possibly move on, even if you wanted to.

"Good evening, Mrs. Willows," You smile at the old lady as she steps on the base of the stairs.

Mrs. Willows was old, close to ninety. And she's the best landlady you've ever met.

She smiles back, "Oh, just in time!" She waddles towards you, scraping the soles of her flats against the creaky floorboards.

"Did you need anything, Mrs—"

The old lady doesn't let you finish when she yanks you back up the stairs. Confusion fills you, but if you are being honest, you're more amazed by her speed. You didn't know it was possible for her to have that much energy.

"There's this handsome boy knocking at your door earlier. So, I let him in."

You dig your feet on one of the steps, halting her. "Mrs. Willows, you let a stranger in my house?" Your brows knit.

She looks at you, "Well, I figured it's one of your patients." She shrugs.

"I wasn't expecting any home visit today." You announce, peeking at the top of the stairs. "And I would've been home if there was…"

You excuse yourself, cautiously walking towards your door. The floor plan is different from your old apartment. But everything still felt the same.

The anxiety of a random stranger going through your place left you rushing to the living room. You don't exactly let any random patient inside your home. It's usually the profilers that seem to have a liking to you that lucked the privilege to visit your home at any given time.

"I'm sorry, but you're gonna have to set an appointment at the clinic—" you abruptly stop, blinking.

Aaron Hotchner.

He's sat on the armchair, only lifting his gaze after he'd closed the book you were reading before you decided to step out to run some errands.

He is wearing a navy blue quarter zip sweater and a white shirt, peeking from under. It's paired with loose-fitting gray casual pants. Like his closet had an upset stomach and threw up all over him.

The bags under his eyes are almost invisible. It used to be a tint of greenish purple. A proof of his late nights and stressful days. He's caught up with sleep for a while now.

His hair, a little longer than you're accustomed to, somehow made him look young and boyish. Probably why Mrs. Willows referred to him as a boy.

It's quite an image. Not one you'd expect to see upon opening your front door, but you mentally admit liking it.

He looks refreshing and well-rested.

"I heard you started your own practice?" He didn't mean to form it as a question, tongue-tied by nervousness. He flashes an awkward, subtle smile, dipping his hands into his pockets.

Your lashes flutter like butterflies gliding through the soft wind of Spring, except you're struggling to go against the breeze, winded by the city pollution.

"H-have you eaten?" You ask, snapping out of your trance as you head to the kitchen. Great. A question for a question. You're as nervous as he is, and you don't feel the need to hide it, though you aren't inclined to admit it.

He chuckles, and it still makes you melt after a year of trying to remember how it sounds, "That's your first question? Not 'What are you doing here?' or 'How did you find me?'" He follows you to the kitchen, it's a lot smaller than the one at your old place but you had a dinner table now, which still feels like an upgrade.

You turn and face him, leaning against the counter, "I'll just charge the entire team on their next visit. But I have a feeling David's the culprit." You blurt, earning raised brows from Aaron. "Oh? They didn't tell you? Your team unofficially designated me as their psychiatrist. I guess they also kept an important information from you." You twist on your feet to focus on the produce you carefully picked in hopes someone would join you for dinner.

But you didn't expect Aaron to be that person.

"Are you mad at me?"

"No!" You almost stumble as you spin back to face him. "I'm in no position to be mad. If a patient doesn't need my services, then I have no say." You lick the lower of your lip, biting it as soon as your tongue glides past. Heat pooling in the back of your eyes.

Aaron steps closer, "I didn't mean to—"

"I told you I'm not mad."

"You're really going to lie to an FBI profiler?"

"Former," You correct him, sniffing as you fight the tears from rolling down your cheeks. Your head's tilted up, almost facing the ceiling. Anger and frustration hammer into your chest.

He rolls his eyes, trying to catch yours. "Former, right." He parrots with a little more sarcasm. "I'm sorry I didn't tell you anything... I needed to make sure Jack's safe." He softly speaks, making sure you understand every syllable.

It's your turn to roll your eyes, blinking and letting a tear fall in the process. "You don't have to apologize for protecting your son. I'm not evil, Hotchner. I'll do the same thing for my family. I'm completely indifferent about your disappearance, and i-it's allergy season. I'm fine." You wipe the tear stain off your face.

"I missed hearing you say my name like it's a foul word." Aaron smiles so brightly you thought you were dead and some divine was just using his image to guide you across.

"Seriously? That's what you took from it?" You shake your head, turning your back to him once more. "I feel bad for Jack now that you're a full-time father."

Aaron laughs, and by definition. "Oh, he's had enough of me." His eyebrows jump on his forehead, drifting his eyes aside as if he's replaying every instance Jack's complained to him.

You laugh, too. A full hearty laugh that seems to source from the casualty between the two of you despite the irritation you felt.

It's still the same. The ease. The effortless flow and connection despite anxious nerves. It felt like talking to an old friend you've known longer than you are alive.

You nibble on your lips, "So? You're off protective custody, or do I have to call you Brad?" You quiz airily, back still facing him to hide any form of amusement that's forming on your facial features.

"Brad?" He scoffs, crossing his arms and knitting his brows. He sounds about offended as if you'd disrespected his entire bloodline.

"Yeah, you look like a Brad to me." You remember a story from the women in the BAU. One that they happily shared one evening at Rossi's before they all begged to be added to your list of patients once you start your private practice.

Aaron lets out another scoff. "No, I'm just Aaron. Aaron to everyone. Aaron to you." He grumbles something under his breath that you don't hear, but a clear indication of his disapproval regarding the name.

You stifle a giggle, "Well, just Aaron. Consider yourself lucky that I got a free slot. I would've been with a patient by now." You state.

"Am I really just a patient to you?" Aaron inquires from behind you. He attentively observes for any subtle movement or expression in your voice. There's a longing look in his eyes that you aren't aware of. A frown drops his lips as he adds, "I at least thought we were friends."

"Mm," You hum a chuckle, "More like my stalker. But sure, we'll go with yours... friends—"

He spins you by the waist, and you're not sure if your initial thought of dreaming is ending anytime soon as your body tenses under his hold.

A small yelp squeaks out of you, hands flying behind you on the counter as if to hold yourself up from your wobbly feet. And you're certain both of you can hear the loud pulse on your carotid.

"Hotchner, what the hell?!" You chastise, pulling back, but to no avail. Caged and pinned by his strength, and you're too baffled to react accordingly.

"I'd like to redeem my tenth visit." Aaron smiles from ear to ear. You never thought it possible for a stern-faced man to ever grin this wide. To ever be this bright and bubbly.

Aaron keeps the two of you that way for a few minutes. His face is a few inches from yours. You can hear him calculating in his head.

Only the busy street outside and one of your neighbor's loud TV fills the silence.

"Your pupils are dilated." Aaron grins mischievously. He further scans your face, the same way he did when he used to be your patient, reading you like it's his job to know every micro-movement and expression you make.

Your eyes widen, "Stop—" Your voice barely comes out, breath hitching halfway through your throat. "—profiling me." The space between you and his body feels suffocatingly good. It's making you dizzy.

"Usually, you're composed, but you can barely look me in the eyes." His hands remain on your hips, and every twitch of it makes you stiff like a statue. "Am I making you nervous?" He quips wittily.

Like a switch, your heart rate steadies, and his image becomes clear.

It's Aaron Hotchner.

Just Aaron, he said.

Warmth surges through your veins. You stare at the grin on his face.

Your head tilts, and you blink excruciatingly slow. "Are you trying to ask me out, Hotchner?" You mirror the trail of his eyes like a map.

Aaron beams like he'd won the lottery. Sending you impulsive thoughts such as kissing the smile off his face.

It's tempting and nauseating.

And if he doesn't stop, you just might.

"Ten."

Your eyebrows merge in confusion, "What?"

"Ten dates," He breathes as he looks you in the eye. "Let me take you out on ten dates. Then you can decide if I'm just one of your many stubborn patients or if I can be more. Let me make it up to you in ten dates. Please." He implores, hopeful, or rather knowing that you'd say yes.

And he'd be right.

All you want at that moment is to say yes.

But teasing him won't hurt, at least not you.

"And what's in it for me?" You try your best not to smile as you taunt him.

Aaron rolls his eyes, but his grin tugs the corner of his lips up. "You get unlimited access to me?"

"Wow, that's... very compelling." And you burst out laughing, folding on your stomach as you lean against his chest. You inhale, "Sorry, I expected better negotiation. Uh, any catch?" You say between chuckles.

He shakes his head, "Just one condition," He's chuckling now, too. Not immune from your contagious giggles. "I spend most of my days with you. Even if it's just sitting in silence. I want it to be with you." He lets go of one of your hips and tucks a strand behind your ear.

The giggles die down a bit, gazing at him with reverie. You nod after a few seconds, squeezing his arms. You lift yourself, tiptoeing, closing the gap.

You leave a quick, soft peck on his lips, smiling as you get back on your feet.

Aaron smiles, and you're as ecstatic as he is.

Another nod fills your chest with utter joy as you breathe in euphoria.

"Ten's a good number."

[heavenlymorals]

Details that I've noticed about Arthur Morgan-

-He, for the most part, despises male touch, especially if it's overly affectionate. He gets tense anytime a man hugs him and wants it to be over as quick as possible (Jamie, Mickey) and he looks visibly offended when Professor Bell touches him. He even sometimes gets annoyed when Dutch touches him on his shoulder, someone who he considers a father figure.

-On the flip side, he does not mind female touch at all. He even initiates it sometimes (Tilly, the girl at Beaver Hollow). Now one could argue that they were high stress situations, but if Tilly was a dude, he would've just set her free, make a snide remark, give her a gun, and then he'd expect her to help him with the fighting. He is completely cool with the nun giving him a hug and doesn't get offended when Mary Beth touches his hand in their therapy session.

- He seems to be pretty well read. He knows Shakespeare, with Romeo and Juliet, and Icarus. He makes other literary references. This is probably due to Dutch. Dutch is clearly very well read and cultured. However, Arthur seems more interested in practical works like guides then philosophy and stories, given that the only book he has on his tent desk is a plant guide.

- He's great at remembering faces and less so on remembering names.

- He does have an amazing propensity to remember physical features, like how he is able to create amazing portraits of the people he meets without consistent reference. It's incredible and works back to the whole great at remembering faces thing. Same goes for animals.

- He is very curious. He is always touching things, looking at things, critiquing things, and trying to understand how they work.

- He generally refuses to be emotionally open with men and does it only with women- this could be due to the idea of the Cult of Domesticity. I've made a post about it before. Compare him speaking with the nun to Reverend Swanson. Compare him speaking to John about Dutch leaving him to him speaking to Sadie about Dutch leaving him.

- He is very connected or is fond of artistic people. He and Mary Beth talk about their journals. He is fond of Albert Mason's photography and helps him out. He is interested in Charles Chataney's artistic work, even if he doesn't like it or connect with it.

- Since a lot of camp members respond to Arthur's antagonizations with something like "not again" or "I knew I'd be next", it's safe to assume Arthur will go off on people from time to time, regardless if you play high or low honor.

- Does not have a fixed temperament. In some missions, he is more energetic and in others, he is more downtrodden. Very realistic and I fucking love it.

- Has direct eye content at all times- will look anyone in the eye and does not give a fuck. NPCs will look away from him if he stares at them.

- Gets mad when men don't behave like men, especially when it concerns women. He gets pissed at John for not stepping up and being a man to his family. He gets annoyed and even pissed off when asking why Beau couldn't have helped Penelope Braithwaite as she is his woman.

- Given how the camp falls to shit whenever Arthur isn't donating, we can safely conclude that Arthur is the most valuable member of that camp, bar maybe Hosea and Dutch.

- He is very reminiscent of the Dark Romantic, which is really interesting as a lot of times, it can be looked at as the middle ground between Romantacism and Realism, two ideologies that were very popular in the 19th century. I will make a full analysis regarding this later.

- Introverted, but not shy at all. In fact, he's very charismatic and is just as good as dealing with people as Dutch and Hosea (The Riverboat Mission) This 'dumb, mumbling' cowboy thing he's dumbed down to in the fandom is an insult to his character.

- He probably acted like a father figure to Jamie Gillis when he was still with Mary, given the fact that he taught him how to ride a horse. Will probably also make a full post about this later.

- Some people say that Arthur is around 5'10-11. Others say He's 6'0-3. Whatever his height actually is, he's still way taller than the average man during this time period, who was around 5'6. Now imagine that with muscles and armed to the teeth- fucking terrifying.

- Very sentimental. He keeps a photo of his supposedly no good Pa and wears his hat. He keeps a photo of his mother who he doesn't really remember at all. He keeps a photo of his dog, a horseshoe that probably belonged to a dead and beloved horse. He keeps a flower from his mother. Keeps a photo of Mary as well. If he had a photo of Isaac, he'd probably keep that too.

-Arthur died at 36 years old from Tuberculosis if you play high honor. The real gunslinger and outlaw Doc Holliday died at the same exact age and the same exact way.

- Genuinely doesn't give a fuck about movements, social issues, and cultural issues, but does care about individual people.

- I love him

- So fucking much

- 😃

[theorist-fox]

The concept of Bad Man Simon Riley who's aware he's a Bad Man™️ is one I hold very dear to me.

Masterlist 🦊

Simon Riley is, fully and completely, what people envision as a bad man. He's a convoluted character who carries a lot of baggage, and that same weight has crushed him into the beast he is today.

His reflection is his constant reminder of the bad things he's done and endured. And when you have such a blatant, ever-present memento of how dark you really are, it's hard to forget.

He doesn't bother putting up a facade. Won't help the lady cross the street, nor will he take a bullet for someone else. No one has ever done that for him, so it's only natural to give the world a taste of its own medicine. He doesn't even try; it just happens.

It takes him nothing to leave Soap behind in Las Almas and find shelter in an abandoned church. Sure, he'll cover for him—if the lad is fast enough, that is. Saving Alejandro afterwards is a mere ploy to make this blasted mission end sooner—true, no one fights alone, but he'd like to get out of there as soon as possible, thank you very much.

Barely brushes the concept of Price's injury when he faints due to the inhalation of some Sarin gas of sorts. Can only think that if he'd died, he would have to take the captain's place in leading the operation. A fucking bummer alright—but cap's fine, thankfully, right? One less thing to worry about now.

Won't try to start relationships, because what good can he bring when he can't even drop a kind word for himself? He's awful, inside and out, and he's aware.

What happens, then, when he's suddenly loved?

What happens, then, when you're sliding under his skin, pretending you don't see the rot and the grime?

The question of "why" is pinned to the front of his brain like an annoying leech that plagues him day and night.

On the couch, you're absolutely unbothered by his dark presence next to you. You're just munching on popcorn and watching some film he doesn't even remember the name of.

"Y'should go," he says out of the blue.

You barely spare him a glance. "Film's not over yet."

No, that isn't what he meant, but he has an inkling that you've gathered that already.

"Ain't good for ya," he insists. "Ain't good for anyone, but that's a whole 'nother story."

You side-eye him from your end of the couch. "Self-deprecating at dinner time? Could you move it up the schedule a little, like—breakfast or somethin'."

He doesn't understand. Won't get through his skull. Share a home with him, and for what? What's he giving you that you're coveting so hard, enough to find it easy to snark back at a beast like him—poking the bear while wearing flimsy cotton shorts and a band t-shirt?

"Y'don't understand," he grits out. "I ain't a good man, love."

"Oh, I know." You say, popping a handful of popcorns in your mouth. "And?"

It irks him. Wants to bite off your head, but, surprisingly, he still has morals, and he wouldn't even dare touch you with ill intent.

"Don't act stupid, now." He warns.

"Ain't acting stupid." You reply as if there is some obvious thing he isn't getting. "You've done bad things, and bad things were done to you. That it?"

He hums as a frown paints his face.

"Should I love you less?" You go on, "Or not love you at all?"

"The latter."

"Wrong." You add as soon as he responds. "Wrong, because that's what you believe, not the truth."

He cocks a brow at your apparent arrogance. A nod in your direction, "What's the truth, then?"

You place the bucket of popcorn on the coffee table. "Truth is that you're human, Simon."

Now that's a word he wouldn't associate with himself.

Monster. Beast. Bear. Wraith, or demon. Ghost.

"As a person, good and bad can coexist—there is no such thing as night and day." You go on, seemingly unaware of the turmoil you've unleashed on his poor heart.

Keep saying the word person around him this often, and he'll start believing he is one.

So, you have seen the rotten flesh and the mud coating his insides. You have buried your hands in his viscera and coated your skin with his blood and the one he's spilled.

You know, and yet you're here. You're here because you've also seen something else, something he's not aware is there.

Same thing that made his heart lurch when Price wasn't waking up. Same thing that made him hide, prone in the bell tower of a Mexican church, making sure Soap would get back in one piece.

Same thing that has him gaze at you now, with eyes that sting with clear, fresh water. No rotting liquid, no oozing pus, or sickening blood.

You shrug, "Maybe your sun is a little eclipsed, but there's that. I can still see it, y'know?"

You outstretch your leg. Press the tips of your toes against his thigh. The world is suddenly in technicolor, and his chest warms like a rekindled flame.

You wink. "And it's bright as hell, too."

[wlwmedarda]

I'm honestly just looking to rant and this might be long depending on how fast I get irritated the more I type so if this isn't coherent or well written I apologize in advance. Since it looks like Ambessa will take on a more antagonistic role in arcane season two, I would like to unpack the fandom's antiblackness that you guys are either blind to or aware and too pussy to call it out as my gut is telling me it's gonna increase and if no one is gonna start the difficult conversation then I sure as hell will.

Sevika:

Mel:

Starting off strong with the definition of "you guys want complex female characters but can't even handle her". Mel Medarda is in quite the predicament seeing how she's morally grey, a black woman, AND "gets in the way" of a mlm ship so she was kinda screwed from the start. A cunning politician disowned for her pacifism who acts as a sort of bridge to Noxus' slow introduction, and is THE ONLY CHARACTER IN THE SEASON 1 MAIN CAST SPECIFICALLY CREATED FOR THE SHOW. She's treated like satan incarnate or a Jezebel (highly suggest looking into that if you don't know what that is), GOOD character analysis is rare, and when she is talked about positively, it's so often chalked up to appearances that I'd rather yall not talk about her at all. Oh you love Mel? Then can we talk about her relationship with her mother? Unpack her dynamic with Jayce? Maybe more fanworks centered around her? I've seen yall's fake asses dropping the shittiest fucking takes about her only to turn around and gush over how pretty she is, and yall think you're slick about it and you're not. I would say I prefer the ones who are loud and proud about their hatred but that'd be a lie, they're two cheeks on the same ass; annoying and couldn't give a decent break down of her character if a gun was pointed at they head even she's perfect to dissect. I could talk about her more but we'd be here all day and so many black women even from outside the fanbase have already talked about yall so there's no need for me to add on 🤷🏾‍♀️🤷🏾‍♀️🤷🏾‍♀️🤷🏾‍♀️.

Quick question, have you guys ever tried to talk about her in a non sexual way? Yes, Sevika is undeniably sexy and you could argue that true stans of hers talk about her outside of horny time, but a good half of the fandom is a different story. In a similar case to Mel's, deep dives into her character are rare to find which is crazy when she acts as Zaun's own "kingmaker". She's loyal to her city and the cause, never to a specific person and will not hesitate to betray you. She could be your right hand man one day, and the next she might find a better kingpin to follow and stab you in the back like it all meant nothing. "Were you tempted?" "Not for a worm like him". Simple and subtle and probably my favorite Sevika scene; she comes to realize Silco is no longer the best leader for Zaun, but he's as good as it gets for now and so she sticks by him. I remember a YouTube comment breaking down how she's essentially the quintessential Zaun: a brute warrior molded by her environment, who defied Vander's peaceful ways and embraced Silco's cruelty. Her mindset and goal is interesting and you'd think it'd result in some fascinating meta or exploration of her upbringing when we got a hint that she potentially has some daddy issues right? Obviously, but what do we get instead? White sapphics treating her like nothing more than a sexual object. How delightful!

Ekko:

This might partially be Riot's fault because — and I hate to sound like a league lore nerd — Ekko is quite underdeveloped compared to the richer origins of his former pre arcane self, but I'm gonna hold off on that till the season finale to see how they handle him. Anyways, at this point the fandom clearly sees him as Jinx's trophy husband. When you talk about him, she is brought into the convo 90% of the time. That's exactly why I prefer black timebomb shippers over the nonblack ones because I trust they actually love Ekko as a character on his own. Even though I have my complaints regarding how's been written so far, I still know he's too good to be reduced to Jinx's loverboy. He fights and cares for his city, the only character that you can confidently say is pure of heart, and is the revolutionary leader Zaun really needs. He's just as smart as Jinx too, he is literally going to create TIME TRAVEL. Why does no one wanna talk about that? Can we be excited for his character development and arc not just for the timebomb scenes you'll get out of it?

Ambessa:

Can't even deny this woman is awful but her presence on screen enthralled me after a couple of rewatches and I also love bad mothers in media so I've settled on a love/hate relationship. Yes, she's definitely gonna have some influence on Caitlyn, which makes sense since she has now lost her mother; she's vulnerable and as we have seen, naive. She's practically free real estate for Ambessa. My recent worry though has been how the fandom seems to be willing to put all of Caitlyn's actions on her as if Cait isn't a grown ass woman who can make her own decisions. Of course being grown doesn't mean you're immune to manipulation, but I've seen some Silco and Jinx comparisons and it is NOT the same. Mind you we haven't even seen the first three episodes; we don't know how far Ambessa's manipulation is going to go and we can't really tell what the dynamic is gonna be like based off of clips and trailers that are likely shown out of context on purpose to throw people off. I'll never defend her actions, hell I'll join in on the lashings, but my black ass is also not gonna sit here and let yall talk about her weirdly or pin all of this on her.

Some might say I'm overthinking this, but I've been here since November 2021 and have sat back and observed for 2 years. You don't have to write deep, philosophical conversations 24/7, I'm sure it's not all in bad faith and I won't act like I don't thirst over Sevika or marvel at Mel's beauty. I'm not saying you have to like these characters and that you're racist if you don't. My frustration comes from the lack of nuanced conversations and hypocritical opinions surrounding black characters in this show. When you try to say something about this, you're hit with excuses; it reminds me of how man obsessed fujoshis act when they're questioned for not giving two fucks about female characters. They're either reduced to one character trait, only admired for their looks, or only discussed when it's about the white character they're connected to. Do NOT under ANY circumstance be black and morally ambiguous, you WILL be held to higher moral standards than everyone's wittle blorbos who can do wrong and are defended from all sides when you dare to take the rose colored stan glasses off and criticize them. What's really ridiculous is you hear the "complex characters" bullshit every two to three business days and some of you have the nerve to boast about this series being diverse while simultaneously ignoring the complexities in the characters of color. This is the main reason I took a step back and with season two around the corner I thought "Hey, maybe it'll be better this time!" and it was a mistake. Good to know yall still have an underlying racism problem you don't wanna address but with some extra classism thrown in. "What will we do once Arcane ends?" hopefully get a job, touch some grass, and reflect. Lord knows yall need it. The faster yall sizzle out the better. I'm done that's all I have to say lol goodnight 👍🏽👍🏽👍🏽👍🏽.

[o-sachi]

You're Just My Type pt. 1 ₊⊹ Blue Lock Chars.

ଳ What kind of person is the blue lock boys' ideal girl in terms of looks and personality?

ଳ characters; michael kaiser, sae itoshi, isagi yoichi, rin itoshi, bachira meguru, chigiri hyoma, nagi seishirou, reo mikage, kunigami rensuke, alexis ness

ଳ requested by; @itenesycc

[🐟]: I tried to include as many as possible. Hopefully this fulfills your request! I might make a part two with everyone else I missed.

‎

ᯓ Michael Kaiser - the domestic & doting type

Kaiser turns into the biggest baby around his s/o. How could he not? She spoils him rotten after all. And she hardly minds because she knows that he's just seeking out the care and affection he missed out in his childhood. In a way, he's healing his inner child. Don't get me wrong; he's not using her as some sort of replacement for a parent figure. But he's trying to feel what it's like to be truly loved.

He absolutely loves it when she cooks for him. His heart throbs like crazy whenever their s/o shows even the slightest bit of concern for him. And don't even get him started about the way she would take care of him before and after his practice. At the end of the day, he makes sure to reciprocate her efforts in his own little ways. Suddenly, he's the kindest, most gentle, and most loving man on Earth. And whenever his salary comes in, she's sure to be at a fancy restaurant that night and receiving the queen treatment she deserves.

I have a feeling that he's into nice looking hair. It doesn't matter if it's long or short as long as it's healthy and has volume to it. He's probably into dyed hair as well. He also finds that beautiful hair pairs up well with a pretty set of eyes. The more expressive they are, the better.

ᯓ Sae Itoshi - the shy & soft-spoken type

Sae might seem like a big b*tch to everyone else, but he's surprisingly nice to women (as long as they're not a crazy fanatic). Well... "nice" is a bold term, so let's just say he's aloof. He's not harsh towards them, but he's not going to smile at them either. But! Deep down he has a soft spot for the cute and shy kind of girl. He just can't find it in him to be cold to that kind of person; It almost feels wrong.

But, yes, he'll never admit that in a million years. However, the changeup is noticeable. It's subtle, but you can tell through how his voice softens ever so slightly when talking to his s/o. She might be cursing herself for failing to maintain eye contact with him or tripping over her sentences. But Sae finds all of this quite endearing. And trust me when I say that he becomes the biggest menace around her—making her flustered at every opportunity he comes across. He can't get enough of it.

In terms of looks, he likes it when a girl has soft features with short hair that frames her rounded face. Her plump cheeks make it more enjoyable for him to poke whenever he teases her. It's also canon that he's into ass... so, yeah. He says it's all about the shape and less about the size.

ᯓ Isagi Yoichi - the funny & carefree type

Isagi had the luxury of growing up in a healthy environment, so I think it's only natural for him to gravitate towards someone the same. If she has a great sense of humor with a relaxed demeanor, then he's pretty much sold. Frankly, he doesn't need anything more. Isagi finds beauty in simplicity. His s/o is someone akin to a hidden gem. She isn't flashy by any means, but she's incredibly sweet so she stands out that way.

He wonders why no one has gone after her before. But, oh well, more of her for him! She never fails to make him laugh even if the jokes are corny. They're the type of couple everyone's annoyed at because they're too sweet and now they feel jealous. Oh, but Isagi fell even harder once she witnessed his different side while playing football. He fully expected her to be repulsed, but she was amused. Apparently it was cool to see him so pumped up like that.

He's not that particular when it comes to looks. As long as she has a gentle expression and she takes care of herself, he'll be happy. When it comes to clothes... well, he has no clue about that so even a simple style impresses him. He's really a low maintenance guy and we love him for that. Canonically into thighs, so he doesn't care if it's plump or muscular—he's content as long as he can squeeze 'em.

ᯓ Rin Itoshi - the perfectionist & intelligent type

When you think of the title "Ice Queen"—whatever comes to mind, that's exactly his type. In other words, I have a STRONG feeling that Rin is essentially going for the female version of himself. He doesn't give a shit if she's worse than him. In fact, that makes it better in his opinion. Someone's gotta put him in place, right? He'll happily let her do that as long as he deems her on par with him. And I don't mean that she has to be a football freak; she just needs to be more or less well-rounded.

Apart from his standards being sky high, he just wants to make sure that his girl is better than his brother's girl. Toxic, I know. But what were you expecting? Regardless, he'll always make sure to let her know that she's the best in his eyes. Totally out of character, but he'll be praising her like crazy if he's truly in love with her. I can definitely see an enemies-to-lovers story happening to this guy.

He's probably into the clean girl aesthetic. He finds the look elegant and sleek. It makes her look like she has her shit together and he digs that. Perhaps he prefers dark medium length hair—so, brown and black hues.

ᯓ Bachira Meguru - the calm & laid-back type

When I say calm and laid-back, I don't necessarily mean someone who's the polar opposite of him. She's still going to be as hyper and energetic as him... just a bit more lowkey. Like if they were to go on an amusement park date and ride a rollercoaster—he'd be screaming his lungs out while she'd enjoy the ride quietly with a big smile plastered on her face. She'd gladly let him drag her to whatever crazy scheme he has planned. Spontaneous, but blends into the background kind of thing.

In a way, she's also responsible for mellowing him a little bit. Even though she's fully supportive of his antics, he'll unconsciously calm down at times to match her energy. He especially loves her because she accepts all of the overwhelming affection that he has to offer. Hugs that squeeze the air out of you? Sure, she'll take it. Kisses peppered relentlessly over her face? Great! Just another day for her.

I have this teensy feeling that Bachira might be into ponytails or pigtails. He thinks it makes any girl look cute regardless of the length of her hair. When it comes to height, he's the dude that does not care if she's taller than him. To be fair, he's pretty damn tall, so that should say something about him. Similar to Isagi, he cares more about personality.

ᯓ Chigiri Hyoma - the sassy & independent type

I'll just say it... but Chigiri likes his girls a bit b*tchy. Not rude, not mean—but just the right amount of sass. She's not a bitch. She's THE bitch. You get me? He just loves how witty and snarky she can be. It makes the relationship more fun knowing that she can keep up with the banter without taking any offense. They definitely have an inside joke—something something about who has better hair...

She thinks she's his biggest supporter, but it's actually the other way around. The way this man will support his girl is like no other. He can't help it when he's dating a girlboss. Chigiri admires that she's headstrong and knows what she wants. Like ask her where she wants to eat and she'll give you a place... and an order.

Long pretty hair. No ifs, no buts. He wants someone that can rival his hair routine. Chigiri would even be the one to tie a pretty pink ribbon in her locks. I see him digging the whole clean girl aesthetic as well. He's into the preppy style—old money or academia fits best.

ᯓ Nagi Seishirou - the patient & reliable type

I'll be real and say that Nagi probably wasn't the best person to be in a relationship with in the early stages. Of course, he needs some time to get used to having a whole other person constantly be around his space, requiring his attention. It's going to be a difficult ordeal, so it's totally valid to get exhausted. But once he realizes how patient and understanding she is, he'll try harder for her.

One day he'll just wake up on a random morning missing her warmth, then his mind will wander to what his life would be like without her. He'd be terrified to the point that he'll do a full 360 and become the most doting he's ever been. Well, he'll nowhere be near overbearing, but he'll at least show that he cares.

He prefers it when she has short hair or if she has longer hair—she would normally have it in an updo. He says long hair makes it itchy when he nuzzles his face into the crook of her neck when cuddling. And speaking of cuddling, Nagi would love it if she was built for warm cuddling. He falls asleep in seconds like a Minecraft character.

ᯓ Reo Mikage - the down-to-earth & responsible type

One of Reo's biggest considerations when it comes to finding love is his partner's perception of money. He's insanely rich, so it's understandable that he wants to find someone who isn't going to date him solely for his bank. He's going to be wary of everyone at first, but he'll fold once he finds someone who's genuinely practical and down-to-earth. Reo will be smitten knowing that she's staying with him because of... him.

With that being said, she needs to be responsible as well. I mean, responsible in the sense that she has her life together. She works hard towards her dreams which matches his goal-oriented persona. If she's financially responsible then, even better. Make those budget spreadsheets in front of him and he'll be impressed. In the end, he spoils her anyway.

Reo's probably into the unique kind of look. She dyed her hair a fun color and wears bold fashion pieces. Minimalist tattoos and piercings are her thing. He'll definitely take pictures of her and post her on his social media—practically bragging about her. He may or may not have paid for most of her tats and piercings because he thinks they're hot.

ᯓ Kunigami Rensuke - the tough & street smart type

Kunigami is a strong-willed person before and after the wildcard. So, of course, he'd be drawn to someone of the same air. His ideal girl is someone who can handle herself in tough situations—someone with a gritty, no-nonsense attitude and a street-smart edge. She knows how to navigate the challenges of life with a cool head and a confident stride. In other words, she can fight her own battles, but appreciates that Kunigami would always be there by her side regardless.

He's attracted to her because she isn't afraid to speak up for herself or for whatever she stands for, even if it means challenging him. They both believe that actions speak louder than words and they constantly express that belief towards each other in their relationship. Together, they're the power couple that everyone aspires to be.

In terms of appearance, he's not too fussy about it. He's more attracted to the fact that she's confident in her body. But he would definitely bark for her if she was a muscle mommy. Her fashion sense is practical yet stylish, reflecting her no-fuss attitude. Kunigami loves that she can effortlessly switch between tough and tender, and he's always in awe of her versatility.

ᯓ Alexis Ness - the creative & clingy type

Ness is into the artsy girls. Doesn't really matter if it's drawing, painting, theater, or writing—as long as she possesses the creative spirit. He believes that the creation of art is magical in and of itself. It's not supernatural by any means, but the fact that she can create something with her own hands that no one else can exactly replicate baffles him. He's the biggest fan of her works—that's for sure. It's practically praise galore when he's around.

He feels the most loved when his girl expresses the desire to be around him whenever she can. Quality time and physical affection are his non-negotiables in a relationship. And unlike most people, he'd find her clinginess endearing rather than annoying. He's going to be so generous with his affection—she better be prepared to take in ALL of it.

He's also very much into girls with tattoos. The regular black ink ones are nice, but the colorful tats are amazing. Bonus points if the tattoo has sentimental value to her. I think he's also similar to Bachira in that he doesn't mind if she's taller than him. She wants to wear heels on date night? By all means, go ahead. He'll compliment her anyway.

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