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streetlamp-amber · 4 months ago

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never ending night

bruce wayne x femwife!reader

word count: 1.7k | divider by @saradika | requests are open!

CW: pregnancy, pure fluff NOTES: hello hi i’m ailís and i’ve been meaning to start a blog where i can post some one shots that i’ve been thinking of as a way to motivate myself to finally write down my ideas so this is it. i’ll be double posting my stuff on ao3 (which you can find in my bio) and will eventually make a masterlist as well as a navigation post with a list of fandoms/characters i write for. also, english isn’t my first language.

It was close to three in the morning when Bruce finally joined you in bed after a long night of patrolling and fighting bottom of the barrel criminals all night. He showered in the bathroom on the first floor of the manor to avoid making too much noise and waking you up, but when he finally walked in your shared bedroom, you were already awake, sitting up against the headboard.

“Darling, what are you doing still up?” Bruce asked you as he reached his side of the bed.

The room was dark par for the moonlight filtering through the gap between the curtains, meaning your husband had yet to notice the state you were in.

“Dick had a nightmare,” you answered, voice barely above a whisper due to how tired you were. “It took me two hours to get him to fall back asleep and when I finally came back here, this little one started kickboxing me and keeping me awake for another hour,” you continued rubbing your round belly in hopes of soothing your baby to finally catch some sleep.

“I’m sorry I wasn't here to help,” Bruce apologised, planting a kiss on your temple as he held you close to his body.

“It’s alright, Gotham needs you,” you dismissed, not at all angry.

“Still, you’re six months pregnant. You’re growing our child inside your body, you need all the rest you can get,” he softly argued. “I would've come home earlier but all the amateur criminals came out tonight.”

“Bruce, it’s fine,” you brought your hand up to his cheek and he leaned his head into your touch. “You’ve already been cutting your patrols shorter since we found out about the baby. As long as you keep coming back home to us, alive, then I’m not mad.”

Not knowing what to say – his gratefulness for having someone so accepting of his duty as Batman was almost overwhelming, even after all those years – Bruce kissed your palm while staring at you with the same look full of love that he has been sporting since the first time he met you six years ago.

“How’d I get so lucky to fall in love with the most understanding and selfless person I know?” He asked while grabbing your hand on his cheek, wrapping his fingers around yours and squeezing them gently.

“Now that’s a lie,” you rebutted, a loving smile on your lips, lowering your joined hands on the bed. “You’re more selfless than I am. You’re the most selfless man in the world.”

“Let’s not start this never ending argument again,” Bruce chuckled, now his turn to hold your face as he brought you in for a kiss.

You happily sighed against his lips, the feeling of home that overtook you every time you tasted them was a nice welcome in this interminable night. But the kiss was cut short as you felt your baby kick again and you let your head fall back as you groaned.

“She’s still kicking?” Bruce asked you, he couldn't see the movements under your skin due to the darkness of the room and your hand on your belly.

“We don't know it's a she,” you reminded him instead of answering. You had both decided to wait until the birth to know the gender.

“And I’m telling you, I know it's a girl,” your husband repeated for what could be the hundredth time.

You also secretly hoped it was a girl, but Dick really wanted a little brother. Bruce and you were still in the process of warming him up to the idea of a little sister and it was slowly starting to work.

“As long as she doesn't come in my room,” your eight year old son had said last week, with his arms crossed over his chest and a pout on his lips.

“I doubt she’ll be doing that for the first few years, chum,” Bruce reassured him, fighting off a slightly amused grin.

“And the baby will have its own room with its own toys,” you added.

“Will I still be able to play with the baby?” Dick asked after a moment, uncrossing his arms and a hopeful look filling up his blue eyes.

“Of course you will, bubs,” you said, your fingers threading through his black hair that fell over his forehead.

“But only with her toys at first, some of yours are not suited for a baby,” Bruce pointed out, ever the overprotective father.

Bruce had lowered himself down under the blanket so he could be laying head levelled with your belly, his hand now replacing yours over the bump.

“Hey trouble,” he whispered to your child and the baby kicked again, making him smile lovingly at the movement he felt under his hand. “You shouldn't be awake this late at night, you know.”

“You're one to talk,” you commented, tone almost reprimanding.

“She doesn't know that,” Bruce looked up at you as he defended himself before his gaze fell back on your belly. “Mommy is really tired,” he continued talking to your baby, his hand now rubbing soothingly over your round stomach, “and she needs her rest to do all the work so you can come out all healthy and beautiful. Well, you're definitely gonna be the most beautiful baby if you end up looking like your mother, but that's not the point.”

You smiled at the cheesy comment and your fingers found their place in Bruce’s hair, brushing through it and nails occasionally scratching his scalp.

“Your brother Dick can't wait for you to come around,” he carried on. “Said he will teach you all sorts of acrobatic tricks once you know how to walk. And he asked Alfred if he could help paint the nursery when we finally decide on a colour.”

“And I keep telling you we should do soft green,” you argued.

“I’m not changing my mind from primrose pink,” he told you with a sly grin.

“The room won’t be pink, even if it’s a girl. And that’s final,” you firmly said. Your husband will not be winning this one argument, no sir.

Bruce sighed, rolling his eyes before focusing back on your belly. “I hope you’re not as stubborn as your mother,” he whispered to the baby, as if he was having a private conversation with them and that you weren’t there. “Don’t get me wrong, it’s one of the many reasons why I fell in love with her, but I won’t be able to say no to you even when I have to, so it would save me a lot of reprimanding from Mommy if you’re not as tenacious as her.”

You smiled to yourself as you continued listening to your husband talk to your unborn child as you threaded your fingers through his hair, enjoying the softness it had after a shower. Bruce usually gelled his hair to appear more professional when he was working in the day, and then it would get all mixed up with his sweat under his cowl when he was working as Batman. When he would come back to you after the day was over, you would refuse to touch his hair until he had showered, the texture of the gel and sweat too gross on your fingers for you to ignore.

As Bruce continued talking to your baby, his voice started lulling the two of you to sleep. The baby hadn’t kicked in over almost ten minutes now, and the peace you had waited for so long to arrive made you aware of how heavy your eyelids were. You slowly lowered yourself down the bed, getting in a comfortable position with Bruce’s help where you could finally lay your head on your pillow and it didn’t take long for sleep to catch up on you.

At the sound of your soft, barely audible snores, Bruce turned his head away from your bump to find you asleep with your free hand raised next to your head on your pillow, the other one still tangled in his hair.

He planted a soft kiss on the exposed skin of your belly, eyes closed as he took a moment to absorb the fact that a baby that was half you and half him would be joining your world in a little more than three months. Bruce wasn't known to cry, the only time you ever saw him cry was as you walked down the aisle at your wedding, but tonight, a lonesome tear rolled down his cheek and fell on your stomach, where your child was growing, because Bruce never believed he would ever get to experience again the amount of love he hadn't felt since he was eight years old.

As he observed you, sleeping soundly with his child coming to life inside you, after you comforted Dick back to sleep, Bruce, for a moment, felt overwhelmed by all the love in his life. When he became Batman, he crossed out the idea of ever having a family (other than Alfred), of settling down with someone he loved and who loved him back.

But somehow, the universe put you on his path, as a miracle or a guardian angel or simply as an anchor to life outside of Batman, he didn't know. You walked into his home, into his life, to remind him that he, Bruce Wayne, was also deserving of love, of family, of happiness. Then Dick came along, rather unexpectedly but still no less welcomed, and Bruce started entertaining the idea of having children with you. He definitely wasn't opposed to it, but it wasn't something he wanted to jump right into, especially with Dick having just entered your lives. You were both young, he in his early thirties and you in your late twenties, you could allow yourselves a couple of years just the three of you (four with Alfred) before expanding the family.

So it was rather shocking when two months after you and Bruce had officially adopted Dick that you found out you were pregnant. It both took you by surprise but after talking through it together, you couldn't be happier. And the two of you haven't stopped being happy about this new little addition ever since.

Bruce rose up from his position next to your belly, your limp hand fell from his head as he did so, and he laid on the bed next to you. He delicately kissed your forehead, then your nose before falling back on his pillow and whispered “I love you” as he curled around your body, his hand resting on your belly as he fell asleep.

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jayparked · 5 days ago

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33 & jake pls 😩

jake’s hands really have their own fandom 🫠

your mouth opens and closes, words failing to get past the bottom of your throat whenever you try to speak.

"oh c'mon, pretty. i know you can do it. just tell me what you want and it's yours." jake chuckles, his fingers trailing up and down your naked skin from your legs up to your shoulders and it's driving you crazy.

he thinks it's that simple but it couldn't be further than the truth. it doesn't help that his digits are on the colder side so every trace of you he touches he leaves behind a trail of goosebumps. your breath hitches in your throat when his pointer finger moves along the front of your esophagus. he's toying with you. and he's getting off by doing so.

"just tell me what you want," he whispers, a mischievous glint in his eyes with a smirk that's to die for.

"iwantyourfingersinme." you say all too fast, but not fast enough that he doesn't hear it or can't put two and two together.

but jake isn't gonna let you off that easily.

"huh? what's that? one more time but look me in the eyes and annunciate your words."

god he just loves being a smart ass in bed.

"i want your fingers in me."

"that's my good girl, wasn't so hard now, was it?" jake gives you a quick peck on your lips before plunging his veiny fingers deep in your cunt, wasting no time scissoring the digits inside you to give you that oh so needed stretch.

"mmm, yeah, fuck, jake how do- how do you do that?" you gasp out, clutching onto him to get some sort of stable ground. his pace is fast and consistent, only faltering to change his hand position. now, instead of scissoring, he has his hand out almost as if he was about to shake someone's hand. instead, he has his ring and middle finger deep inside you, moving his arm in small circles so his pointer finger can glide against your clit. all you can do is hopelessly clench on the two digits, relishing in the the way he curls them inside you ever so slightly, just enough to leave you on the edge of your seat.

"my baby should tell me what she wants more often. i'd do anything you ask me to do," he murmurs with a smile between open mouth kisses to your neck, flattening his tongue on the spot behind your ear that he knows makes your entire body tingle.

suddenly, jake's lustful eyes brighten for just a moment before darkening again. his free hand comes into your view as the other continues to coax your release out of you.

"like my fingers so much? then open." his pointer and middle finger prod at your lips until you comply. he presses his fingertips down on your tongue, impatiently telling you to react. you moan on his digits, hollowing your cheeks as your eyes roll back. swirling your tongue and feeling his veins in your mouth has you so ravenous you're almost scared you'll fully lose your mind.

with jake's fingers deep down your throat and deeper inside your cunt you come faster than you ever have before, begging him to do it again only moments after.

for part of my 1k follower celebration send me a member and a number from this list and i'll write a short drabble about it ♡ masterlist

#idk what happened #you and me are starting the jake hand fandom okay? okay #jayparked 1k drabble event #jake smut #enhypen smut #jake hard hours #jake hard thoughts #jake x you #jake x reader #jake x y/n #enhypen hard thoughts #enhypen hard hours #enhypen x you #enhypen x reader #enhypen x y/n

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dilfartist · 4 months ago

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Just obsessed or love obsessed?

Tw; Kidnapping, sensitive topics, Yandere behavior, Obsessive behavior, marriage mentions, abuse, physical abuse, mentions of Suicide on Yoosung’s part, mentions of death, NSFW on the end of Asmodeus’s part,

Which yanderes are actually in love with their darlings? Which yanderes simply obsess over their darlings?

Fandoms: Naruto, JJK, Demon Slayer, Death Note, JJBA, Chainsaw Man, Baruto, Obey Me, and Mystic Messenger.

Characters; Naruto, Sasuke, Sakura, Mahito, Toji, Geto, Sukuna, Douma, Tengen, Mitsuri, Akaza, Gyutaro, Muzan, Light Yagami, Chilchuck, Laios, Ascended Astarion, Dio, Kira Yoshikage, Jotaro, Josuke, Yoosung, Mammon, Asmodeus, and Denji.

Notes: {Most of these are just ramblings, sorry if they mirror each other in similarity. Not all characters from each show/movie will be on this list, just a few that came to mind.}

Reblogs and Comments are greatly appreciated!

Somewhat proofread

Reader's description; Female/GN

Obsessed

These yanderes have no love for their obsession. Although they want you for romantic purposes, they could never love you. Most of these yanderes treat you like a pet rather than an actual lover.

Mahito

Mahito sees humans as toys. Humans are there for his entertainment. Their tears, their fear, their panic, and their crys are all for his pleasure. Mahito has only managed to love the suffering of human beings.

Mahito harbors no love for his darling. Sure, Mahito favors you compared to other humans and he doesn't outright kill you or torture you, but your relationship is more like a farmer favoring one of the farm animals he’s leading to the slaughter, so he allows it to live a little longer than the others.

If you were to ask him if he loved you since he’s gone out of his way to keep you to himself and demands romantic actions out of you; he’ll respond with a laugh, finding it laughable you’d assume so.

“Love you?” Mahito giggles, “You know, I was manifested by the strong emotions of humans, but love isn’t one of them. But hey, if it makes you feel any better, you're my favorite human!”

Sukuna

Sukuna was born evil, not giving two shits about the human race he once belonged to. Love, in the eyes of Sukuna, is a feeble emotion that only exists to continue giving humans a reason for their pitiful existence and to keep their kin cared for. Those who sing songs of romance irk Sukuna. As if the human race couldn't get more irritating. Though he will admit he enjoys a good lovers quarrel. The negative emotions that cause the birth of curses and the scenes of women and men plucking out the eyeballs of their lover's hidden sweetheart in an act of rage; never fails to give him a wicked laugh.

Lust. Lust is what Sukuna feels for you. Love is nowhere in sight. Any act of love you find yourself partaking in with Sukuna isn't because Sukuna desires loving contact, but because you loathe the thought of acting this way with him. He relishes in the resentment you feel towards him. Kisses, hugs, cute nicknames, and lingering touches in favor of disturbing you. Sukuna is obsessed with you due to your enjoyable reactions. Such a scared little thing, he thinks. In a world of humans Sukuna views as insects, you are Sukuna's shivering prized chihuahua.

If you were convinced Sukuna was in love with you and asked about it, he'd laugh in your face.

"Maggots, such as the human race, invented love to maintain relevancy and keep their young alive. What else are they good for if they can only birth a few babes before their bodies break. They might as well drop dead once production is no longer available. Unfortunately for all living creatures, they continue their life spans." Sukana speaks with distaste. He leans his cheek against his fist, gazing down at you from his throne. "I find the emotion despicable. Although.." Sukana begins, lips curling into a cruel smirk, "I could think differently if it came to you, my dear pet." You don't miss the flash of amusement in his ruby eyes at the sight of your grimace.

Douma

Douma will never love anyone. Douma is stated to have no emotions but that isn’t necessarily true. Douma can feel emotions for himself, it’s others he cannot feel emotions for. Douma may have claimed to feel love towards Shinobu but Douma wanted to feel something, or at least convince himself he felt something before the end of his life. Truly Douma could never love his darling even if he tried.

Contrary to popular belief Douma does treat his darling like he loves them...50% of the time. The other half of the time he acts on his sadistic nature.

He is one of the yanderes that will kill his darling with no hesitation if he needs to. Douma will hesitate if his obsession is strong enough to dissuade him. If his darling ever dies or somehow escapes then he’ll forget about them. In his eyes, you’re replaceable since you never were loved in the first place.

“You know, (Name), I think I’m actually in love with you!” Douma would smile down at you as you sat in his lap. “Can’t you hear it! My heart flutters at the sight of you!” he’d pushed your head to his chest, “Such an exquisite feeling.” he cooed at you, hugging you closer. You scowl knowing every word from his lips is a lie. You wonder which one of you he’s trying to convince.

Ascended Astarion

Astarion before the ascension would genuinely love his Darling. And if he didn’t he wouldn’t even be with his Darling. However, if his darling allowed him to go through his accession, all his love would vanish from his body. Once a vampire spawn becomes a true vampire, they become a shell of the person they used to be.

Astarion is no longer the person you once knew. In fact, he resembles his former master in ways. His spawns, his mean attitude, his view of other people as less. It’s a sicking sight, truly. He no longer treats you as an equal. You’re a pet to him, even if he says you are his consort.

You both know Astarion doesn’t love you anymore. Yet neither of you have said a thing about it. Astarion finds it rather amusing you think he could love someone as pathic as you. His old weaker self did and he won’t repeat any actions from the past. And still, he refuses to allow you to leave his side. His darling will be reassured but they know the love of their life is no longer around.

“I love you, my dear pet. That’s what you want to hear, isn’t it?” he’d chuckle darkly at you, his tone full of mockery. You wish his words were the truth, but they’re not.

Dio Brando

Even in normal circumstances, Dio wouldn’t be able to love. During his normal life, Dio only loved the pleasure he sought in hurting others. He forced himself to act like he loved Jonathan and George Joestar, but in reality, he was only using them for his advantage. Once he turned into a creature of the night, the was no way he’d be able to love. All of his humanity, including his human emotions had been erased.

Dio’s darling is merely for his entertainment; he does not yearn for a real connection. You’re simply a pet. He’ll care for your health so you won’t die, he’ll feed you well so you won’t starve, and he’ll even buy you nice things to keep you in line. Other than those few things, he could care less about you. He enjoys keeping you around because of your reactions. You’re just so human! It disgusts him and excites him at the same time.

“Poor dear,” Dio sang cruelly as he held you in his lap. “Shivering in my lap like a lamb awaiting for the slaughter.” he’d chuckle darkly after.

Kira Yoshikage

Yoshikage never loves any of his darlings. He takes without a second thought, caring not for the person that fuels his obsession. Yoshikage may take the time to learn about his victim but after some time your fate will be the same as any other darling. Depending on which stage of Yoshikage you get that is.

You could encounter a quick death if you met Yoshikage at the start of Dimond is unbreakable. He’d be interested then when he finds the right time to kill his darling and take their hand. If you come across Kira in the middle of Dimond is unbreakable then your death will come after a while. It depends if he likes your personality since during this stage he begins to prefer knowing a woman’s personality when taking their hand. If he meets you by the end of Dimond is unbreakable then you have the most probability of living. He’d be so concerned about keeping his identity a secret he might keep you around longer and settle with befriending you instead of outright killing you.

Kira really has no love for his darling. The only care he has for his darling is keeping their hands beautiful to fuel his obsession. Kira is less obsessed with his darling and more obsessed with their hands.

“Darling you must keep yourself clean,” he’d chid, pulling out a pack of wipes to desperately clean the dirt from underneath your beautiful fingernails.

Love-Obsessed

Both their feelings and obsession grow together as they come to know you. They love and are obsessed with you. These yanderes see their darling as actual partners and do love them, unlike the obsessed yanderes.

Naruto Uzumaki

Naruto loves you with all of his being. Growing up as a boy with no family and for a short while in his childhood no friends, he yearns for a real connection. He wants to love and be loved. So when you come into the picture, he swears no harm will come to you. Even if the leaf village is at stake.

Naruto does everything he can to please you because he believes you deserve everything good that comes to you. His generosity isn’t meant to be taken as a way to manipulate you, unlike some characters. Naruto strives to keep you happy. He’ll do everything he thinks will do right by you.

Naruto sees his darling as his partner in crime. His one and only. He refuses to look at anyone else. He’ll keep you safe even if it means keeping you locked away.

“I love you more than anything, you know,” Naruto whispers to you as he snuggles up to you. “I’ll never let anything happen to you, believe it.”

Denji

Denji’s been through a lot. No one has been there to love Denji for who he really is. Everyone loves Chainsaw Man...then there's him. All of a sudden you come into his life. Dissimilar Makima or any woman in his life, you care for him. You’re genuinely kind without expecting him to do something for you. His feelings grow for you due to your kind nature.

Being Chainsaw man comes with its cons. He’s always in danger and his loved ones are always in harm's way because of him. He grows paranoid. What would become of you once it was revealed he cares for you?! He manages to pull some strings and finds a place for the both of you to live together. Sure you can’t leave but at least your are safe! Plus, Denji is a great guy who gives you everything you want.

Denji doesn’t force you to care or love him, he implies wanting your tenderness but never forces you. He loves you. He goes as far as fighting every demon in your name.

“I like you...like a lot.” Denji starts off slowly. He’s at your side, crouching to your level. His eyes show vulnerability, “...you don’t have to like me back but I won’t allow anyone to hurt you. I wish things could be different...I really do.”

Yoosung Kim

Yoosung falls in love with his darling very quickly. Originally, Yoosung fell in love with the Mc in eleven days. Instead of his obsession and love growing together, Yoosung falls in love first then his obsession begins to grow. Though Yoosung is in love with his darling he still compares them to Rika despite his darling and Rika not sharing many qualities. He loves his darling for their kindness but also because they share the comfort Rika gave him.

Yoosung doesn't care if he puts his darling in harm's way despite claiming the opposite. Yoosung loves his darling enough to be in harms way along with him. In a way it’s like a romantic double suicide

“You’ll only talk to me, right?” he’d ask. Despite this question being sent through text you could hear the question asked in Yoosung’s voice. “I love you so much, do you really think some guy like Zen could compare?”

Mitsuri kanroji

Mitsuri is heavily encouraged by love in her daily life, so of course she’d be in love with her darling. Her darling completely takes over her mind, invading every thought she has. She doesn’t see her behavior as weird or obsessive. After all, isn’t it ideal for a lover to be utterly in love and devoted to their special someone?

Her obsession and love for you grow at the same pace. She’s so in love with her darling, every action she takes is in the name of her darling. She constantly reminds her darling of her love and devotion, not caring if her darling doesn’t reciprocate.

Her obsession is fueled by the constant rejection she’s faced in her life. She’s clingy, clingy to the point you feel suffocated. She needs her darling's reassurance and will be unsettled by her darling giving anyone else praise she deems too much.

“You’re so amazing!” she’d coo at you, latched onto your right arm, batting her lashes. “I’m so glad you’re mine, (Name).” she’d hum, pushing her face into your sleeve.

Sakura Haruno

She is a very dedicated person. Despite the lack of love she received from Sasuke, she stood by his side the entire time no matter what. When she loves, she loves hard. This also applies when she begins to obsess over her darling. Even if you don’t share her feelings she will never move on. Sakura is a very persistent person, and if she truly desires something then she’ll achieve it.

Her obsessiveness comes later on when she really gets to know you. Once the obsession starts, there’s no way of getting rid of her. Her love overpowers her obsession, which is worse.

If you thought Sakura being at your hip most of the time was annoying, then your hell is with Yandere Sakura. Sakura will never leave you alone. However, you have a savor named Tsunade. Sakura listens to Tsunade with out a doubt. However, Tsunade doesn’t really care for your situation. Sakura can be annoying but she doesn’t bring harm to you. So...not her circus, not her monkeys.

“Gosh,” she’d sigh dreamily as she lay against your chest, “I’m the luckiest girl in the village, aren’t I?”

Josuke Higashikata

The king of romance himself! Josuke loves his darling dearly. Even going as far as to think twice before hurting his darling if they dare insult his hairstyle. Unlike all the others on this list, Josuke would be in love with you first before the obsession would even begin.

Josuke never lets his darling forget his love and dedication towards them. He reminds them he loves them every chance he gets.

Josuke is more normal thanks to his genuine love for his darling. However, that won’t stop him from acting on his obsession. If his darling ever found out about his obsession and attempted to leave, he’d hesitate to

“Oh, these?” Josuke would look down at the bouquet in his hands. He’d rub the back of his neck with a grin, “Just wanted to get something for the lovely girl I call my girlfriend!”

Laois Touden

You are as important as Falin is to him. His mind is full of thoughts of you. Although Laois is obsessed with you, he treats you right. He never oversteps boundaries, always makes sure not to hurt or overwhelm you, and always listens to you and your needs. If it weren’t for his unhealthy obsession, Laios would be the best boyfriend.

Laios obsesses over his darling the same way he obsesses over monsters. Laios carries a notebook full of facts about you. What monster food do you prefer? Easy! You love boiled mimics! After all, Laious put it down in his note book and Laious is dedicated to being correct about his darling.

His love goes as far as locking away his darling; If necessary that is. He’d rather explore the word with his darling. He won’t repeat allowing someone so dear to him to be hurt again. Laios nearly lost his sister and he’ll be damned if you were ever harmed.

“I don’t think I say it enough,” Laios comments completely out of the blue. You and him sit at the breakfast table, still in your midnight clothes. Laios looks at you sweetly, his chin against his palm. “I love you.”

Obsessed to Love- obsessed

These yanderes start just obsessed with their darlings with either no feelings or ignoring their growing feelings. As time goes on, they begin to fall in love with their darling.

Toji Fushiguro

Toji finds it hard to love after his late wife’s passing. So when you come into his life he’s as distant as he can be. Toji’s rude and nasty to you. Not because he dislikes you- well, not fully anyway- but because Toji can sense his attraction towards you. It scares him; it Angers him even. Toji’s had his fair share of one-night stands, feeling nothing after them besides passing sentiments of guilt because of his late wife. However, you’re different. For some reason, the fuzzy feelings he felt with his late wife have come back when he’s around you. He loathes these feelings. In a way, Toji finds this as a betrayal, and he blames you.

However, as time progresses, Toji learns to allow you in. He can’t obsess over his late wife forever. At first, he’s simply obsessed with you. Always around you, you’re constantly on his mind, keeping a tracking device on you, the usual. Then it happens. You show him genuine kindness and show you care for his well-being and it’s like a switch flipped. Toji realizes he’s in love. And instead of getting angry or distancing himself, he accepts it. Unfortunately for you, Toji’s left broken by his ex-wife’s death and you’re the new love of his life.

You’re immediately kidnapped and taken away to live with him. The one person he loved died, he will not have that happen again. Toji knows he needs a stable life to keep you around and he refuses to use another woman for her money since he finds it disrespectful to you. Toji’s gambling habits cease nearly quickly. He works for the both of you to have a stable life because he love you enough to try. Toji never outright tells you he loves you, but you can tell in the ways he acts around you.

“I’ve gotta say, you’re the biggest pain in my ass.” Toji would grumble. You both lay on the couch together, him on the bottom while you lay ontop of him with a blanket wrapped around you. His hands fiddled with your hair, one of his quiet ways to show his love.

Akaza

At first, he felt like he was betraying his first love, Koyuki. Akaza distances himself because of the guilt that consumes him. He feels so weak, which pisses him off. And he can’t help but find himself getting angry at his darling as well since you caused this weak feeling to initiate. If it weren’t for his guilt at the onset Akaza would be categorized in the love-obsessed category. Once he learns to move on and realize his feelings will not be leaving any time, then he’d be loving towards his darling.

Immediately, His darling is kidnapped. Akaza has learned from his past to always be near his loved ones; his darling wouldn’t suffer the same fate because of his carelessness. He’d keep them in a nice house deep in the forest. Akaza remembers every part of the forest just in case you attempted to run away. The house would be nice and furnished and his darling could request items to be placed into the house. It’s more of a house for his darling than a shared house.

Very loving towards his darling. If it weren’t for the circumstances, Akaza and his darling's relationship would be seen as the ideal romantic relationship. Akaza didn’t want his darling to be taken away, he’d much rather have his darling willingly. However, his trauma and immortality dissuade him.

“You’re so beautiful...” Akaza would murmur to you. You watched in the mirror as the demon brought your hairbrush back to your hair, gently going through the strands. “So beautiful, my love.” he’d press a small kiss on your shoulder blade.

Jotaro Kujo

Jotaro already has too many problems to worry about romance. Jotaro’s obsession disturbed him. He has other priorities such as saving the world from enemy stand users, yet he often finds himself thinking about you rather than the problem at hand. It becomes a problem for him. There’s even a point where he becomes annoyed by your name alone. However, as time goes on he learns to accept his feelings of obsession. Then he’ll have to accept the romantic feelings that soon follow after he accepts his obsession.

A while back, I wrote Jotaro as a yandere that would hold you captive and overall be very intimidating towards his darling. Now that I look at his character, he’s more likely to act regularly with his darling. Jotaro will come off the same as any man who has a healthy relationship with their significant other. The only reason he’d become intimidating towards his darling is because they’re trying to leave him. No matter how obsessed jotaro finds himself, he ultimately won’t force his darling by his side. Jotaro recognizes the danger he puts his darling in when they date, he realizes how selfish he is just being near you. Jotaro genuinely loves his darling, so although he does try to intimidate his darling into staying with him, he would allow you to leave if that’s what you truly wanted.

Jotaro is the type of Yandere to allow you to leave but have you on his mind ever since. There are memorabilia of yours around his house. Pictures hang upon his walls that he hasn’t bothered to take down. There’s even a framed picture of you right next to his bed.

Tengen Uzui + Wives

The Uzuis would be off put by their darling at first. Despite it traditionally being on the man’s part to decide if he wants to marry another wife, Tengen puts his wife's decisions above his. Tengen isn’t the type to simply marry someone because of a little crush or obsession. One, he needs to feel strong feelings towards someone before he considers putting a ring on it. Two, Tengen respects his wives too much to decide marriage on his own. Tengen would introduce the topic and his darling to his wives slowly, giving them a little time to decide whether to feed his obsession or not. Ultimately, Tengen gets their blessings.

Their obsessions don’t blossom until marriage. Ideally, their darling is not as strong as them. They become very protective of them, especially Tengen if this is after he retires. Time passes and they all grow to love their darling, they’re obsession turns into a love obsession. Each one of them won’t keep their hands off their darling. They are in general very touchy with each other, but with their darling, it’s times 100.

At least one of them has to accompany you. Not only to keep you safe but to make sure you never think of leaving them. They don’t mind kidnapping their darling if they need to.

“Don’t splash around so much,” Tengen complained to his other wives. They all sat in the bathtub, cleaning each other. You sat firmly in Tengen’s lap. “Stop hogging cleaning them, Suma!” Makio barks at Suma. “I am not! Lord Tengen! Makio is trying to say I’m hogging the sponge, but I’m not!” Suma whines. They were taking turns washing your body, whilst Hinatsuru washed your hair. Tengen presses a small kiss on the back of your head.

Asmodeus

When Asmodeus first met his darling he only saw them as someone he could seduce for a moment of pleasure. It isn’t until he makes a pact with his darling that his obsession begins. Sure, Solomon also has a pact with Asmodeus and he’s not obsessed with him. You’re different. You help him with problems and spend time with him. And such a cutie you are you do it no questions asked. The obsession sets in when he manages to sleep with you. It was like your body was crafted for him. It’s addicting really. Your taste, your touch, your sweet voice! He’s even considered never touching another again.

He’ll stick around you more which leads to a connection between you...or maybe just in Asmodeus’s eyes. Love, an emotion he’s only been able to share with his brothers, will develop in the time shared with you. You’ve surprised him again! Asmodueus will grow into a possessive person. Not even his brothers will have the fortune of spending time with you. Asmodeus becomes harsh with his brothers, like a cat hissing at other cats for being too close to their owner. Lucifer has to step in ever so often because Asmodeus is close to ripping out one of another demon’s eyes with his claws because they got too friendly with you.

Don’t think you can just leave him either; That isn’t an option whether it be due to your exchange coming to an end or you not wanting a relationship anymore. It just won’t happen. If you have to go back to the human world, that just won’t slide with Asmodeus. He’ll find a way to be with you. If Lucifer doesn't appeal to any of Asmodeus’s requests to keep you in Devil Dom, then he has no problem going with you. Nor does he have a problem possessing random people to see you every day. Now, ending the relationship with Asmodeus will lead to a moment of pain. A moment of pain because there is no way you’d be apart for more than a couple of months. His brothers won’t force you to be in Asmodeus’s arms nor will they stop talking to you until you give in to dating Amsodeus again, they care for you as much as they care for their brother. Nonetheless, you will have earfuls of them trying to convince you to be with Asmodeus again. Not to mention every demon in Devil Dom has been in your DMs on Devilgram. All of his adoring fans call you every name under the sun. No matter how tough your skin is their words will get to you. They even began to spread hate against humans which got the attention of both Lucifer and Diavalo. Now you’re having a conference with them, where you simply decide to go back to him. It’s better for everyone.

“Don’t you feel so much better~” Asmodeus coos to you, his fingers deep inside your cunt. “No one can make you feel as good as I can!” Asmodeus presses a trail of kisses down your neck, “No one could love you as much as i do.”

Mammon

When you first met, Mammon only saw you as an annoying human. Another task on his list that his brother put on him. Then he began to get to know you and that view quickly faded. Unlike other yanderes, Mammon fell in love quickly compared to the others. Suddenly, Mammon was proud to be your first man. So proud in fact that many reconsider his sin being greed.

Though greed is definitely his sin. He’s so greedy he won’t allow his family to take your time away from him. Mammon nearly snarls like a rabid dog at the thought of anyone stealing you away from him. If it’s his brothers then he won't have as much of a problem, he’ll complain but won’t harm them. Let another demon try the same and he won’t care if he breaks a few bones. Not even caring for Lucifer’s chiding.

His love is apparent. It’s overwhelmingly sweet, overshadowing his tough-guy act. You won’t even mind his obsession because his love delays any concerns that arise because of his actions.

“I’m your first man, so I should be your most important priority,” Mammon huffs clinging to your waist tightly. You scheduled a lunch with his brothers due to Mammon taking up your time, now you think you should cancel it. Mammon shows no sign of letting go any time soon and it’s getting harder to breath.

Chilchuck Tims

There would be no way in hell Chilchuck would allow himself to fall in love or even think of any romantic thoughts of his darling, at first. After his wife left him and took away his children, leaving him alone, he couldn’t bear the thought of another romantic relationship. His obsession starts slowly because he distances himself since he can tell he feels attracted to you.

He hates the fact he often has dreams of you or the fact he remembers your favorite foods. He especially hates it when he gets a foreign fuzzy feeling in his chest when it comes to you. He’s often rude and closed off to his darling. He comes off meaner to his darling than anyone else. It has gotten to the point the others often call him out on his behavior to which he scoffs and turns away.

It isn’t till he learns that not everyone will leave him and he can learn to be a better partner Chilchuck opens himself to being romantic with his darling. He grows to love his darling so dearly. He writes to his daughters about his darling. Even goes as far as mentioning them every chance he has to his companions.

And although he’s finally going through the process of learning to forgive himself for his divorce, he’s still paranoid. If you show any signs of leaving him, he won’t immediately lock you away but he’ll become uncharacteristically clingy. Every hour he’s snuggling closer to you, asking about your day. He even begins to stop complaining about small things you do that annoy him at times. If you are attempting to leave him, good luck. That isn’t happening. Besides Chilchuck’s small size, he’s incredibly smart when it comes to dire situations. Such as you leaving.

“I...I love you.” Chilchuck admits, his face has an expression of the first taste of sour candy. It’s almost as if the words stung the tip of his tongue each time he spoke.

Gyutaro

You’re interesting to him. Whether you’re ugly or pretty, Gyutaro envies you. Those who are attractive get to live happily without the misery of being ugly. It makes him sick. You are treated better than he was that’s for sure. But as he comes to know how kind you are to others, especially the less fortunate, he begins to obsess over you. You’re so beautiful, much more attractive than him anyway. How could he not think of you.

Gyutaro learns more about you by stalking you. He’s always around, going as far as to hide in the dark of your room in the mornings just to get more of you. Gyutaro never thought about marriage as a mortal, he was too caught up in caring for his sister and many girls never even glanced his way when it came to romance. You change his mind. He can imagine you in a beautiful wedding dress as you profess your love to him not even cringing at his ugliness.

He genuinely loves his darling. Gyutaro wishes he could have met his darling when he was a mortal, his life wouldn’t have been so depressing, and he could have even tried to find a better occupation and live a normal life with you. He’s selfish, after all, he’s faced so many hardships, why can’t he take the few things that bring him joy? No one else deserves you. Once you’ve lost your beauty, you’re better off dead than in the hands of others.

“So beautiful...gahahaha!” Gyutaro laughed manically to himself. He sat in the corner watching you closely, his hand covering his wide smile. “No one else could compare!”

Possibly love-obsessed (unsure)

These yanderes could either love their darling and never admit it or not love them at all. It depends on the situation or stage of the relationship.

Suguru Geto

(Only Non-Sorcerer Darling)

Geto believes that he could never love a Non-Sorcerer yet has an obsession with his darling. Geto felt the need to dehumanize the Human race since his change in ideology to cease any doubts he may have about his decisions. There may be a part of him deep down that isn’t fond of the idea of hurting Non-sorcerers but is too far gone to even think about ending what he started. Geto strives to protect the weak. When he was in high school he believed that the weak were Non-Sorcerers until his perspective changed to Sorcerers being the weak ones due to the Non-Sorcerers being in charge and harming the ones keeping them safe from curses. He found the acts of Non-Sorcerers to be unforgivable which is why he went to the extreme of choosing to start a genocide.

There is a part of him that despises his darling. How could some random monkey make him feel this way? It’s perplexing. Sometimes he wants to gouge out your throat and watch as the light fades from your eyes to give him the pleasure of his original ideology: All Non-Sorcerers should be terminated. Yet he cannot bring himself to put the plan into action. Especially when you’ve been such a good pet and listen to his every command. He won’t admit that he craves to be around you. He loves holding you tight as you both drift to sleep, he loves the sweet kisses that he forces out of you, and he loves the way you moan out his name. A filthy monkey shouldn’t have the pleasures of indulging in his greatness, yet he refuses to kill his darling.

Even Geto doesn’t know if he loves his darling. He’s adamant he only sees his darling as his pet, but deep down he might love his darling. Though that would never come to light.

“You’re a good pet. Always listening and obeying my commands.” Geto comments as he reads his daily newspapers. You brush his hair quietly, focusing on the raven strands gently pulled by the bristles of the brush. “Good. Just as all monkeys should.”

Sasuke Uchiha

It isn’t that Sasuke is incapable of loving because he definitely loves the people in his life. However, he is too emotionally immature to truly love his darling. He yearns for their touch and love but he can’t for the life of him reciprocate the affection.

Sasuke has forgotten the feeling of love since It had been ripped away from him at such a young age. He assumes his love for things in his life is just extreme liking them. Sasuke extremely likes tomatoes and Sasuke extremely likes talking walks but the word love never seems to come to mind. If anything he just won't admit it to himself. He can love.

It won’t be until when Baruto begins that Sasuke is finally classified as Love-obsessed. He’s more truthful to others and himself. He can finally admit he’s in love with his darling...to himself. In Baruto, Sasuke is more open to being vulnerable around his loved ones and even tries his best to repair relationships with advice from Kakashi.

“I care about you...” Sasuke would say, not daring to look you in the eyes. “...a lot,” he adds in awkwardly.

Light yagami

Many believe Light to have no love for anyone, for whatever reason. However, this is not the case. Light's love for his family is one of the main reasons he decides to become Kira. Or what he believes to be justice. Light started out wanting to be a cop because his father was a cop and Light wanted to bring justice to the world. Light wants the world filled with good and his family surrounded by good instead of unjustified evil. The reason he’s so cruel to Misa and even uses her to his advantage is that he never shared these feelings in the first place. Misa forced him into a relationship with her and didn’t seem to mind him not wanting it. He’s very different with his darling.

I put him on this list because there are two ways Kira could feel about his darling. One, he’d be obsessed with them but wouldn’t love them. This would happen if they were involved in the Kira case and Light would obsess over them because of it. Two, his darling is a random citizen who shares his feelings and judgment, and Light loves his darling dearly.

Even if Light truly cares for you, he won't admit it because of his focus on the Kira case.

Muzan kibutsuji

For Muzan to care about his Darling, they would have to have certain qualifications. One, they knew of Muzan before he transitioned into the first demon. Two they either could relate to Muzan’s past as a human or they didn’t have any judgment towards Muzan because of his sickly appearance. These are a few situations that would lead to Muzan's obsession. Once Muzan turned he had past wives who killed themselves because of his cruelness. Muzan had no feelings toward them which is why Muzan would be more likely to love or care about his darling if he had known them before his change.

If Muzan’s darling had none of these traits then Muzan would be purely obsessed with his darling. Muzan would need a connection with his darling. There is a slim chance his darling could win over his true affection, but the chance of it happening is nearly impossible.

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siyzuii · 3 months ago

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⨳ 　 ʾ apps/sites 4 shifting 　 . 　 ♡

hi! this will be long but i made a list of apps/sites that might be helpful for your shifting journey. reminder that you don't need these to shift but they can be helpful with manifesting, keeping track of stuff, etc.

enjoy! divider cr

NOT SPONSORED BTW LMAO

﹒ 　 ⊹ 　 🝮 　 OO1: NOTION 　 ✩

description:

basically notion is an app for documents and stuff. i have to say this one's relatively known and it's such a huge life saver and i know that probably everyone knows about it already (as they should) but i'm gonna recommend it once again.

useful for:

scripting

dashboards you can add life goals & stuff here you can look up some templates/ideas and see what i mean LOL

cons:

i personally can not think of any major ones because this app is just that good

you do have to make new accounts for the text ai generating feature but i don't know if anyone would use that

additional notes:

i personally love how customizable it is! like you can make each page have a custom icon & header, add widgets, images, and so much more. it is so so so insanely helpful for scripting i'm telling you. or you can just be basic, that works too. there's also a bunch of script templates online including specific ones (like a better cr, fame dr, fantasy dr, fandom-specific drs, bla bla bla) and it's literally the only thing shifttok is good for imo. i'm a big fan of shifterium's templates but there's other people who make them as well and i'm sure you can find some recommendations!

★ 　 ₊ 　 ➲ 　OO2: CANVA

description:

a website + app where you can design stuff from headers down to presentations, posters, covers, etc..

useful for:

album covers for singer/idol drs

book covers for writer drs or something

fake social media posts but there's better apps out there and i'll list them here as well

and much more!

cons:

a lot of things (most of which i think are the good stuff) are paid but you can find similar replicas if you scroll long enough i guess..?? and there's a free trial but i don't know if that helps

additional notes:

definitely my favorite place to go when i need to design something tbh. there's a bunch of templates you can use and the layout is very easy to navigate through! and it's pretty easy to find free alternatives for the paid stuff you do have in there

₍ⁿ⑅..ⁿ₎ 　 ˇ 　 ⩩ 　 OO3: PARROT 　 ❀ 　

description:

parrot is an app where you can record yourself saying literally anything and play it on a continuous loop

useful for:

affirmations (manifesting??)

cons:

i'm pretty sure it's iOS only

additional notes:

personally i haven't used this app (i don't like my voice so i will not be recording myself saying affirmations thank yew) so i can't give it a rating but from the looks of it and based off of recommendations i've seen it's pretty useful. should be a white icon with a pink circle that has a white parrot in it!

≥≤ 　 ﹕ 　 ⤷ 　 OO4: BEHINDTHENAME 　 ◍

description:

a site where you can generate names & even life stories if you choose it (including height, weight, blood type, birthday, nationality and more i think?? at least it gives those for me). you can choose from different cultures and stuff like fantasy & mythology.

useful for:

finding a name & info for your dr self (which is literally you by the way don't forget that!) and potentially other people you'd like to script in

cons:

it really just helps to make a basic profile of a person so the things you can do with it can be a little limited

additional notes:

i prefer using this site for ocs instead but i think it can definitely help with shifting! oddly enough it also shows like a lifespan & cause of death so.. cool i guess!!!!

✦ 　 ﹕ 　 OO5: SOCIAL MAKER/dummy

description:

social maker & social dummy are both apps where you can replicate almost basically anything from the internet from twitter posts to facebook posts, youtube posts, and more!

useful for:

social media stuff especially useful for fame drs, streamer drs, idol/singer drs and so much more

cons:

both apps were deleted so you have to have had installed them before if you want to get them back

social maker is ios only i think?

additional notes:

yeah both apps are deleted but there's alternatives out there like twinote (for twitter) photonote (for instagram) canva (has fake social media templates as i said lol) and others that you can look for (because i personally only use twinote)

⋆ 　 ᶻᶻ 　　 OO6: HELLOFACE 　 ﹒ 　 ★

description:

basically an app for ai face swapping

useful for:

seeing what your face claim (if you have one) would look like on for example dances, fancams, interviews definitely useful for idol/singer/maybe fame drs

cons:

uses ai (i'm personally not a big fan of ai)

pretty underground so the chances that you might not like it are not low

✭ 　　 ❒︎ 　 OO7: ROOM PLANNER 　 . 　 ♡

description:

basically what the name says. it's a 3d home designer

useful for:

making your dr room/house

visualizing your dr room/house

cons:

has paid stuff

┊ 　 ‧ 　⬭ 　 OO8: COMBYNE

description:

an app where you can combine items you like from a wide selection of stuff to make outfits!

useful for:

making outfits for your dr

visualizing said outfits

additional notes:

there's other things you can do on the app like challenges where you can compete to make the best outfit i think?? looks pretty fun i might try it HAHAHA

yuh so i got a little lazy here at the end & i know this is prolly not very helpful because most of these apps/sites are pretty well known but maybe just maybe.. i helped someone out...

HAPPY SHIFTING!!!!!

#reality shifting #shiftblr #shifting #shifting realities #shifting community #shifters #shifting blog #shifting antis dni #shifting diary #siyzuii

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arvandus · 6 months ago

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FICS FOR GAZA

Hello everyone, I've decided to join the @ficsforgaza fundraiser. I've had a couple people express interest, and I think that every little bit helps. I will be offering WIP donations as well as drabble requests.

Donations are to be submitted to a vetted fundraiser. Do NOT send donations directly to me or to @ficsforgaza. Once you have completed the donation, send me a private screenshot of proof of the donation. Once I receive proof, I will update my WIP and request list and begin writing!

If you have any questions about the donation process, please view the pinned post for @ficsforgaza. If you have questions about the WIPs or requests, please reach out to me.

Total funds raised (after dollar conversions) : $73.29 USD

REQUESTS

$2 donation = 100 words

1k word maximum ($20 donation)

Send me a character/characters and a dialogue prompt, trope, or just an overall idea that's been plaguing your brain lately and I'll write a short drabble/ficlet for you!

Fandoms I will write for: BNHA, Obey Me!, Wind Breaker, JJK, Haikyuu, Blue Lock, Black Butler, AOT, Bleach, Tokyo Revengers, Bungo Stray Dogs

Characters I will write for: Any! Bring it on, I love a challenge.

Will write: x reader (any gender), character ships, OCs, aged-up characters; SFW/NSFW, dark content (noncon/dubcon, yandere, etc). NSFW & dark content requests must provide proof of being 18 or older (request made off anon with age indicator in your tumblr bio). Note: If you want to make a NSFW/dark content request but remain publicly anonymous, send me a private message OR the same request off anon so I can verify. I will respond to your request using only the anon submission once you're verified.

Will not write: pedophilia; NSFW minors (even if no adult character is involved); anything involving bodily fluids that aren't saliva, tears, or blood; eggs, oviposition; a/b/o. If you're unsure about your request, you can message me privately and I'll be happy to answer, no judgment. :)

REQUESTS COMPLETED:

The Art of Looking (Haruka Sakura x f!OC)

REQUESTS PENDING:

Picture Perfect (Haruka Sakura x f!OC)

Sponsored WC: 0/7,604

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starryalpacasstuff · 2 months ago

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The Absence of India in Discussions on Queer Asian Media

So, yesterday @lurkingshan tagged me in an ask she got from @impala124 about the absence of India when we're talking about queer Asian media. I was intially just going to reblog it with my thought, but as it kept growing I figured it'd be best to just make my own post. Please read the ask linked above first so this makes sense.

*cracks knuckles* this is going to be the most fun I've had writing a post in ages. (For a little background, I'm a queer Indian, born and raised)

So, this is a very interesting question on a subject I've been rotating in my head for the past several months. There's a lot of different variables that contribute to the noticeable lack of discussion on Indian and South Asian queer media in general, so I'm just going to talk through the ones I've noticed a little randomly.

Talking about Asian media in general, it's well known that the mass popularity of kpop and anime has contributed massively to the increase in popularity of Asian media. If you've been in the Asian media fandom for any amount of time at all, you'll have noticed that media from Korea, Japan, and China gets by far the most attention from international audiences; all East Asian countries. There may be several reasons for this, but in particular, it's no secret that the fetishization of East Asians is a massive proponent in the popularity of media from these countries, while there's no such interest in South Asians. If we shift our focus to queer media specifically, media from these three countries is still extremely popular, with the addition of Thailand and the Philippines to some extent; both South East Asian countries. From what I've seen, there's very little international interest in media from South Asian countries (although, if we're talking about India specifically, I can't exactly say anything. Bollywood has not been good lately). If we talk about queer South Asian media, the scope of interest falls even further. If you'll notice, MyDramaList, one of the most commonly used websites for finding and tracking Asian shows only allows for East and South-East Asian shows. So, that's one reason—there's just not much international interest in Indian media in general. As Shan said in the initial post, it's partially because of a difference in priorities. Korea is notorious for using media to gain global standing, the role of the 'soft power' of Thai bls in the recent bills for equal marriage in Thailand has been widely discussed, the list goes on. Could racism also play a part in the massive gulf of interest in media from East Asian versus South Asian countries? Probably. But I'm not going to get into that too much.

Moving on, there's obviously a massive lack of queer media in India. I think this is greatly exacerbated by the fact that it's very hard to support the people making queer media beyond buying and/or streaming their work. The majority of people engaging with Indian queer media are queer Indians, and a lot of us have to do so in secret because of the society we live in. This means that creators that have to push through several obstacles to publish their work often receive little incentive to continue doing so because of the lack of engagement. Because of the lack of media, international fans are less likely to become interested in queer Indian media, and the cycle continues.

I will say though, contrary to what Shan said, I think Indian media, particularly anything that came out post 2019 might actually be on the easier end of the spectrum when it comes to access. This may simply be bias, so forgive me if I'm wrong here, but from what I've seen, a lot of queer Indian shows are in fact available on streaming sites, and at most you'd need a vpn to access them. I think the two main things that actually hold back queer Indian media from becoming more popular are a lack of noise and it's relatively lower quality.

The main way we find out about new shows in this space is through either word of mouth (well actually, post) or because we follow production houses known for producing media. Because of the sparse nature of both the media and the consumers, there's very few people who learn enough about the media to want to give it a shot. For example, there's a film on netflix called Badhaai Do (hindi for Congratulate Us) that I've been meaning to watch for a while. It centers around a lavender marriage and I've heard a lot of good things about it, so I was slightly surprised to see that most of the people on tumblr I interact with who have been engaging with queer media for far longer than me had never heard of it. There's also a, Indian BL from 2017 called Romil and Jugal that I've written about before here, and I would've never learned of it's existence if not for a friend hearing about it from another friend of hers.

Because there's so little queer indian media, it's natural that the quality leaves much to be desired. The main issue is, because the queer asian media market has become so saturated lately people are becoming a lot more selective with what they watch, and for good reason. This means that queer media from india is simply unable to grow and improve over time, leaving it stagnant. Back in 2016-2018, the overall dearth of queer media from Asia meant that a lot of people were willing to watch shows that were average or even worse. Thailand particularly seems to have benefitted from this, being able to grow and evolve its queer media due to the successes of shows like SOTUS, 2gehter, TharnType and more even recently, KinnPorsche. Queer Indian media will have a much, much harder time with this because of all of the factors I've talked about and more, meaning that it is much harder for queer media to evolve. Honestly, though I haven't been able to watch/read much queer media from India, the stuff I have seen is really quite decent, it's just that it tends to fail in comparison to some of the brilliant stuff we're seeing from other countries. A while a ago, I bought four queer books by Indian authors, and of the three I've read so far, I'd genuinely recommend two, albeit one with quite a few reservations (I'll be writing about them sometime in the future, just haven't found the time yet). While talking about this with @neuroticbookworm, she brought up the excellent point of how Indian media in general has just been of fairly poor quality lately. It seems to me that a lot of it is catered to more conservative audiences, which results in people like me becoming disillusioned with Indian media and simply moving onto things from other countries. It has been a long time since I've watched anything worthwhile come out of Bollywood. So, it becomes even harder for queer Indian shows to be found at all; a majority of their target audience has already forsaken Indian media as a lost cause.

So, those are a bunch of reasons because of which there's not a lot of discussion about queer Indian media in fandom spaces like Tumblr. Something else I'd like to point out is, it's very hard for queer shows in India to gain much traction whatsoever. Live television slots are ruled by the infamous Indian serials, the majority of the audience being people in their late thirties and older, particularly women. And while homophobia is just as prevalent amongst the youth of India as it is amongst older generations, younger people are far more likely to be engaging with queer media, in India at least. This means that it would be near impossible for queer shows to air on live television the way they do in countries like Thailand and Japan. The majority of Indian youth use global streaming services to watch shows, hence the greater concentration of queer shows on service platforms. (Romil and Jugal is something of a dark horse here—I don't believe it was ever aired, but it was produced by a producer who has a few decently popular serials under her belt and is available on an Indian steaming service—another reason I'm determined to research how tf this show ever came into existence) If we talk of movies, the industry is limited by the iron fist of Bollywood, another reason it's very hard for queer movies to be produced and why they're generally found on streaming sites.

There's just not a lot of people who have the balls it would take to make a queer Indian show/movie and push it to the Indian public beyond a streaming service. I mean, we're all seeing what's happening with the Love in The Big City drama right now, and believe me, public backlash in India would be the same, if not much worse. And if no one in India is watching these shows, why would anyone in any other part of the world? There's barely any public figures that would be willing to participate in such a project, so queer media stays underground. Currently, Karan Johar is the most popular—and one of the only—out celebrities in Bollywood, and, well, he's treated as something of a laughing stock by the public. He has one or two queer adjacent shows under his belt as a producer, but once again, they're barely known and available only on Netflix. There was a movie called Dostana in which he played a straight guy pretending to be gay but, well, that speaks for itself. And well, I can't exactly blame him for it, knowing how the Indian entertainment industry is.

To talk a little more about the specific comparison between India and Korea, I think you're fairly accurate in saying that the two countries seem to be roughly on par in terms of homophobia, although that's an extremely vague statement that's rather hard to either prove or disprove. While the difference in international attention towards Korean and Indian media is certainly a major component of the difference in discussion about the queer media from these countries, there's obviously other things that go into it as well. There's this video I watched some time ago on the progression of queer representation in K-dramas that's quite well researched. It's an hour and a half long, so in case you don't have the time to watch it (though I do recommend it), it basically talks about some of the dramas with queer rep that have aired on Korean television and their impact. While it's hard to gauge the level of impact of these shows on the availability of bls and gls in Korea, they certainly had an effect, if only telling the queer population of Korea that they are seen and heard. To my knowledge (although I may be mistaken), no such queer rep has ever aired on Indian television, meaning that there's nothing to push creators to put queer media out there. There have been old movies and shows that depict queerness, but none of them ever reached the sort of the scale where they may have some sort of impact on the industry. As I mentioned earlier, the widespread popularity of K-dramas (and k-pop) does make it easier for creators to make queer media since there's a much higher chance of the shows being successful thanks to the international audience. Bringing back Love In The Big City, the success of the book abroad and the high probability of the show being well received internationally is probably one of the reasons it was able to be produced amongst domestic backlash.

Now, I've been talking a lot about how it's difficult for queer Indian media to gain any sort of international recognition with domestic attention. However, it's not necessarily the case. Here's where I start rambling (I say, as if this post isn't verging on 2k words). It's been proven that the presence of the international market allows for greater creative freedom in spaces beyond television. The best example comes from Korea's very own 'soft power'; K-pop. There's a K-pop group called Dreamcatcher that debuted in 2017 with a rock sound and horror concept that was extremely rare in kpop at the time. They succeeded mainly by focusing most of their promotions to the foreign market, knowing that their concept would not be well liked in Korea. And they succeeded. Today, Dreamcatcher has a sizeable fandom and has even been growing in popularity in Korea, with the Korean public warming up to their genre and having influenced other girl groups to try out similar sounds. We've already talked about the lack of international attention for Indian media, but there's also the issue that the producers of queer Indian media aren't marketing to foreign audiences, which remain ignorant.

That's all I have, this is so long good lord. All in all, there's a bunch of factors that feed into each other creating a cycle which means that, unless there's a break somewhere, queer Indian media will remain unrecognized. I'm excited to see what other people have to say, because this is a topic close to my heart and I'd definitely enjoy seeing more discussions around it.

#yet another 2k post by yours truly who apparently Does not Have Self Control #this was fun though!#uffff im tired #this is not edited so forgive me if there's error or i repeat stuff #how do i even tag this #queer indian media #queer media #desiblr #fandom #bl meta #ql #meta #indian media #asian media #asian dramas #asian lgbtq dramas #bl industry

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moonyinpisces · 7 months ago

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hi! what are, in your opinion, must-read go fics?

OMG this is the worst thing to ask me, i love to yap about good omens fics like i'm teaching a literature class. i'm so thrilled to have this opportunity, here is my good omens required reading list:

Lie Back and Think of Dinner by jessthereckless (M, 11k) - THE looney tunes sex fic. every time they're intimate, natural disasters happen. it's part of a series, but but this first fic is REQUIRED!! love it, i'll never think of golden syrup the same way ;-) An Angelic Disposition by iamtheenemy (E, 3k) - established relationship, aziraphale uses every tool in his disposal to give crowley what he wants (despite crowley so dedicated to service topping), and it overwhelms him. MUST READ!! you’re not a religious person (but) by isozyme (M, 20k) - very true to the spirit of the show and their eternal refusal to communicate while desperately wanting more. this is THE BEST fic re: divine ecstasy being synonymous to sex for them, which is a killer combination!! roots by darcylindbergh (M, ~10k) - lovely established relationship/south downs fic. it's revealed that aziraphale has always dyed his hair blonde, and the thing that makes this fic VITAL is the acknowledgement that they deliberately choose their presentation and the way the world sees them. more parts of the fandom need to understand this somewhere, a place for us by aglaophonos (T, ~2k) - i'm biased because i love char and her work, but seriously. read this. if you're ever wondering why me and her are constantly talking about 1941 s3, this 1941 continuation fic she wrote encapsulates every reason WHY Lead me to the banquet hall by obstinatrix, wishwellingtons (E, 15k) - i mean. i mean. it's The Cheesecake Fic. why is crowley content to watch aziraphale eat, and how does he cope with that same hunger when aziraphale ISN'T there? you simply have to read this if you haven't, and reread it if you have affection and other cravings by JustStandingHere (E, 30k) - this is THE post s2 fic you need to read. through its historical flashbacks and precarious re-introduction of aziraphale and crowley's relationship following their fight, all through the lens of food... honestly that's what it's all about!

these are what i would consider to be required reading, as in - you will come away from these fics with a better understanding of the canon, which (in my opinion) is what elevates a fic from the rest. but if you'd like to check out the other fics i adore, my bookmarks are where i save every fic i enjoy reading, and it's about 99% good omens so you can always visit that if you're looking for something to read that'll be true to the spirit of the show!!

#thank you for this opportunity i hope i used it for good #good omens #good omens fic rec #good omens fanfic #ineffable husbands #ask box

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johannestevans · 9 months ago

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Addressing Common Arguments Against “Consuming Harmful Content”

Challenging purity culture in online spaces and their fears of “problematic media”.

Read this piece on Medium. / / Leave a tip.

Photo by Ethan Will via Pexels.

Constant and continuous arguments endure on social media about the dreaded and frightening spectre of problematic media — from television shows that supposedly “glorify” unhealthy relationships or “sexualise” and “excuse” abusive relationships; to erotica, adult books, and 18+ fanfiction that supposedly teach teenagers bad life lessons and impact their ethics; to anime and manga that surely must be the cause of child abuse the world over.

I wrote an in-depth essay about the intellectual flaws in these reactionary assumptions, delving into their roots in lacking media literacy and rising anti-sex attitudes here:

The above essay discusses at length many of the fears and anxieties that lead to this reactionary thinking, but does not challenge or explore the echo chambers that can arise in online spaces, particularly in aggressive environments such as Twitter/X, and for young or isolated individuals who are particularly vulnerable to peer pressure and fears of ostracisation if they admit to the “wrong” opinions.

Many of these arguments are used by “anti-shippers” within fandom and online spaces, the term commonly shortened as “antis” — if you’re unfamiliar with the term, these are people who define themselves as opposing one or more specific ships, fandoms, tropes, or kinks, often due to what they perceive to be their “problematic” or inherently “harmful” elements when engaged with or portrayed in various forms of media and art. Because of the virulent and highly aggressive nature of these online communities, these people — many of them young or isolated, often marginalised and disenfranchised from in-person, supportive environments — can become radicalised, and can experience great fear and anxiety at the premise of others holding different opinions or perspectives from the ones these online communities have impressed upon them should be held immutably by all.

In this piece I’m going to be addressing common arguments and assumptions seen on social media one by one — it is not really intended to convert the above, often radicalised individuals, but to provide support and guidance in understanding why their perspectives can be flawed, and how to engage with and deconstruct those arguments.

It is also intended to provide support and structure to begin to engage with and potentially challenge or affirm your own beliefs and ideas about fiction, art, and other forms of media, and the extent of the impact it can have on you or others — this piece is me addressing these arguments with my own perspective, but I would encourage people to disagree with and critique my rebuttals!

The goal here is always more critical thought, analysis, and understanding, and that doesn’t come from automatically following another person’s line of thought or argument just because it’s well-poised or you particularly respect or like them — no matter who that person or people may be.

“Depicting [a theme] in media is the same as glorifying it!”

Let’s first engage with what people might be discussing when they panic about “harmful content” and “problematic” ships or pieces of fiction.

They might worry about people reading or watching works that discuss or depict anything from violence, incest, sexual assault, age gaps, BDSM, kinky sex, child sexual abuse, trauma recovery, rape, rape recovery, drug use, bestiality, to abusive relationships or anything else, will encourage people to think positively about those acts, those traumas, and those experiences.

You might look at the list of things I just wrote there and go, “Um, there are big differences between some of those things and the others!”

And yet the same consideration still applies.

Just because a theme or idea is present in a work, or is depicted in it implicitly or explicitly, doesn’t mean it’s being “glorified” and portrayed as overwhelmingly positive — and even if a theme or aspect is being glorified, this does not mean we shall simply unthinkingly absorb that perspective.

Reading a story that contains something doesn’t mean I’ll automatically think that thing is good or bad, regardless of how it’s portrayed in fiction — the media and art we engage with doesn’t wholly change and adjust our own ethics and morals as soon as we’ve interacted with it.

We might play a videogame and disagree with the way some themes are presented, have criticisms of them, whilst enjoying and appreciating others; we might read a piece of erotica and find some parts about it very hot, but find others disturbing and a little uncomfortable; we might watch a TV show and just think it’s in very poor taste, despite theoretically being up for the premise.

Engaging with media does not turn off and on switches in our brains that make us completely “pro” or completely “anti” one premise or other.

People are more complicated than that.

We have complex and layered feelings about every argument and perspective there is, every experience there is, because human beings are social animals, and we experience very few things through an uncomplicated, binary lens.

For me personally, I often seek out works that cover the same traumas and harms I’ve experienced — why? Because seeking out those themes helps me process and better understand what has happened to me, and how I’ve felt about it, how I’ve responded.

“I don’t have a problem with people writing about certain harmful topics to show them as bad, but some people sexualise or fetishise them!”

I’m sure you’re right.

Some people might write about rape to work out a complex trauma recovery narrative — others might write about rape in a work as kink. An author might well write with both goals in mind in the same work.

A traumatic event doesn’t become less traumatic because it sexually aroused us or brought us physical pleasure — in fact, those feelings can add to the impact of a trauma and the inner conflict we experience in the aftermath.

Some people undercut victims of sexual abuse by saying they “enjoyed” it, pointing out that they orgasmed or showed signs of arousal as signs they “secretly” wanted it, and these feelings can contribute heavily to shame and fear as a victim.

Sexual arousal is a bodily response. It is not consent, and it’s not an excuse for assault or abuse. Moreover, some people might feel arousal or pleasure but not be fit to consent — for example, if someone is underage, or if someone is drugged or insensible with drink.

These people cannot give knowledgeable consent, but abusers might still say after an assault that they “enjoyed” it.

This is purity culture at work — anti-sex attitudes use people’s “enjoyment” of something to undercut their autonomy and right to consent, by implying they “deserve” that abuse — abuse is abuse whether it’s sexualised or not.

But the thing is, the obverse applies.

Just as someone’s mixed feelings or sensations of pleasure during a sexual assault does not mean they consented to the assault, or because someone’s feelings of happiness and love for their abuser does not mean they deserved the abusive treatment they experienced from them, a person writing sexually or erotically about a topic, or engaging with art and narratives about that topic, does not mean they actually want that thing to happen in real life, to real people, or to themselves.

Fiction is not real life.

We watch a horror film, and it doesn’t mean we want serial killers or demons to run amok, killing teenagers or possessing their victims — similarly, just because we engage with porn or erotica that sexualises certain topics doesn’t mean we’re pro- or in favour of those topics for real people.

Rape fantasies are incredibly common, despite being highly stigmatised, and just because someone fantasises about this sort of control fantasy does not mean they actually want to abuse someone or be abused.

“It’s harmful to depict abusive or immoral characters as sexy or desirable.”

If you have never experienced abuse, manipulation, or otherwise poor treatment from someone you thought was attractive, charming, or admirable, if you’ve never been groomed by someone with whom you were enamoured, I’m very glad.

I’m happy for you, honestly.

But many of us have.

People want to believe that all abusers are evil, are ugly, are obvious from a distance, are blatant from the out. People want to believe they can “tell” someone is abusive just from a glance, and write them off — and that anyone who would or might spend time with that person is therefore “asking for it”, or “letting themselves” be abused.

In actual fact, many abusers aren’t.

Many abusers are beautiful and charming — some of them draw you in, slowly bring you closer and closer until it’s very difficult to untangle yourself from your need and craving for their approval. They ruin lives, ruin psyches, and they cause unspeakable damage to their victims.

And yes, victims often feel conflicted in the aftermath of their abuse.

Many of us hero worship or greatly respect our abusers, love them very deeply, crave their good opinion, because we are carefully groomed and manipulated, over time, into relying on their praise and their attention. For victims isolated from other sources of care and support, and especially for young children and teenagers, it can be very difficult to recognise what is happening and has happened to us.

Even after we know and understand exactly what has happened to us, and also internalised that it was wrong, we can still feel conflicted.

We are not retroactively deserving of our abuse because we crave our abusers’ good opinion, or their love, still. This instinct does not excuse or justify the abuse we’ve experienced. Victims of abuse are still victims of abuse even if we go back to our abusers, even if we “accept” or attempt to justify our abuse to others, if we try to excuse it, if we don’t ask for help.

Abuse is never the victim’s fault, no matter how imperfect we are as victims.

“Writing queer characters as abusive is bad representation!”

If we exclusively write queer characters who are perfect and unimpeachable, we’re not letting ourselves write queer characters who are fully human, with all the flaws and complexities humanity comes with.

Queer people are not less deserving of this complex representation than cishet people are — and in any case, the purpose of art and media is not exclusively to provide good representation, or to show good moral examples for others.

We create to express ourselves, to reflect the world, to critique it, laugh at it, commiserate over it, to feel our feelings, to connect and communicate with others through shared stories.

If we only let ourselves do things that might be seen as “good rep”, we rob ourselves of the ability to express ourselves as completely as we might wish to.

“If you write abusive queer characters, you’re just contributing to homophobia and bigotry in art and media!”

Queer people writing queer stories with queer villains is not the same as cishet people including queer people or queer-coded characters just to be villains. The power dynamic is completely different.

Queer writers’ writing of queer villainy is often inspired by their own experiences, including of bigotry, and the harm they might do reflects harm by society, the ways harms might be felt more keenly by their victims.

Writing queer villains as villainous because their queerness makes them (or is used as a shorthand for them being) predatory, cruel, or callous, is homophobic and is often shitty, whether people intend that or not.

But just having queer villains, having queer characters do bad or abusive things, or just have flaws?

That’s as much a part of queer humanity as having queer heroes and having queer characters do good and helpful things.

Why would you read about rape when you could read consensual non-consent?

[Consensual non-consent being a kink wherein partners agree to roleplay a non-consensual situation.]

Rape in fiction is a form of consensual non-consent.

The fictional characters, who are not real and do not have real feelings, are not consenting, but the reader choosing to read is.

In the same way that two people playing a CNC roleplay game in the bedroom might be a safe and fun way of experiencing or re-experiencing the fear and trauma of assault with an escape clause (a safeword), a reader can do the same — they can stop reading.

If a television show, film, or videogame becomes upsetting, again, one can stop watching, stop playing. It is a person’s own responsibility to set safe boundaries for themselves and protect their own mental health.

“Why would someone write about trauma and abuse when they could write fluff?”

Why would someone watch a horror movie when they could watch a romcom? Why would someone eat cheese when chocolate is an option?

People do not have to choose one or the other — many people like both horror films and romcoms, cheese and chocolate, and reading about both horrible shit and positive things.

“You mentioned that people might engage with media about dark topics to work through their feelings from their own abuse. How do I know if someone’s actually been abused?”

Why do you think it’s your right to ask that?

Why are you prioritising your personal comfort and curiosity over that person’s privacy? If your instinct is to try to license who is and isn’t allowed to engage with a piece of art or media, why?

You are never entitled to the details of someone else’s abuse. Your validation is not important enough to potentially trade for someone’s private traumas and experiences.

“If you write or create about certain topics as a survivor, you’re just perpetuating abuse and you are as bad as your abuser!”

Creating works of art or fiction about people who are not real experiencing fictional harm that is also not real, is not in any way equivalent to real people doing real harm to others.

If your support of abuse survivors hinges on how palatable their reaction to their abuse is, and you believe that some abuse survivors “deserve” their abuse for depicting their abuse in art and fiction, you’re not actually supporting survivors.

If you believe that all abuse survivors do or should act the same way, or respond the same way, to their abuses, you are mistaken.

If you are effectively angry at someone for not looking enough like a victim, for being “impure”, and therefore the same as their abuser, that is a form of victim blaming.

Do you hold artists who create media about non-sexual trauma or violence to a different standard than those who write about sexual trauma or violence?

Why? What is the difference to you?

If someone writing about sexual abuse in media is equivalent to real life abuse, is a fictional murder?

“People shouldn’t write or engage with media about traumatic things, they should just go to therapy!”

Therapy is not a moral machine where bad people with bad thoughts go in and good people with good thoughts go in.

Good therapy and counselling provides us with the tools to manage our own mental health, our own emotional and psychological needs, heal from our traumas, and so forth.

Many therapists will actually recommend safe re-exposure to frightening or upsetting topics, and also encourage self-expression on the subject of one’s most impactful experiences, which might include creating art and media to explore and discuss their feelings.

With that said, therapy is as flawed as any other tools for emotional catharsis and healing — therapy and mental healthcare can be very expensive or inaccessible because of one’s working schedule; some therapists and mental health professionals are abusive or bigoted; some people may not be in the right place for MH care or therapy at this time, et cetera.

Therapy isn’t a catch-all for anything you disapprove of in someone else, and it’s also not a punishment to force someone to repent for their sins.

“It’s okay to write a story to cope, but you shouldn’t publish it in case it upsets others!”

So long as the work has appropriate content warnings and/or is published or screened in an appropriate space, it is not inherently harmful. In fact, reading narratives and engaging with those narratives can be valuable for us.

Engaging with media that bears similarity to our own lives, reflects our own experiences, written by other people who we know understand the complicated emotions of survivors — whilst still condemning the actions of abusers or not — can be extremely validating and offer a lot of assurance.

This is especially useful in regards to media that shows victims having a codependent relationship with or still loving their abusers, or where their abusers are shown as sympathetic, whilst the narrative still shows the toxicity and pain caused by the relationship.

Moreover, there can be a sense of reclamation and security in exploring stories about similar harm as we’ve experienced whilst knowing we are now in a place of safety and are free from those past experiences, or that other survivors have escaped and we can too.

“If children read this work or watch this show or play this game, they might think that the things depicted in it are okay!”

Is the work rated G or PG?

Is it shown on a children’s TV channel, or appear in a section that is marked for children? Is it put on a children’s website, where the primary audience is children?

In short, is the work aimed at kids?

If no, then it’s not for kids.

Particularly if a work is marked for adult audiences only, if it’s labelled erotica, if it’s marked M or E or NC-17, if it says it’s for adults or asks people to check a box agreeing that they’re an adult, then the work in question is most definitely not for children.

Everything in the world doesn’t have to be child-safe just because children exist.

It is the responsibility of parents and guardians to appropriately supervise their children’s online use, and to teach children and teenagers internet safety, some of which includes setting appropriate boundaries for themselves and not seeking out content that might distress them, or to know what to do if they stumble across content that does distress them — namely, to speak with a trusted adult about their feelings and what they can do to manage them and look after themselves, and be looked after.

It’s not the responsibility of random other adults in the world not to make horror movies or watch porn or play adult videogames or anything else, just because a child could potentially learn of their existence.

“But someone else engaging with that work might think the things depicted in it are okay!”

You’re right, they might do.

They might also engage with the work and think things depicted in it are bad. Fiction does not exclusively exist for our moral education.

“It makes me feel uncomfortable or unsafe that people are writing about [a topic] with a tone or in a manner that seems wrong to me!”

Yes, many of us feel uncomfortable with some topics being depicted in fiction, and might find them viscerally disgusting or triggering, consider them to be in poor taste, badly considered, or similar.

This is normal and okay.

It’s perfectly natural to have limits on what one can handle in fiction, or to find your ethical considerations don’t match up with the things other people make.

But it’s our job, as responsible adults who look after our own mental health and consider our own boundaries, to avoid that content.

You cannot control what other people think about, feel about certain topics, or how they portray them in fiction. You cannot control other people.

You can only control your environment, your boundaries, and the works you choose to engage with.

You can limit your time on social media, mute tags or keywords, block particular users or sites, or simply look away or leave the room / close the tab.

“What about rampant problematic works on Ao3!?”

Works on Ao3 are not a real issue.

They are not representation. Fanworks and original works on Ao3 are not the mainstream. They are being read exclusively by members of various internet subcultures who read fanfiction in those specific fandoms, after reading the tags.

This doesn’t mean we can’t or shouldn’t discuss certain tropes and norms in various fandoms — we might address our own biases around race, sexuality, religion, disability, and other characteristics, and how these biases and bigotries can come across in people’s approaches to fandom, the characters and ships they concentrate on, their headcanons, et cetera.

The same can be said of people’s original creations.

Ao3 has a robust tagging system, and allows people to mute and block tags they might be upset or triggered by — and in the event one clicks on an explicit work, a window will come up asking people to consent explicitly to moving through to read the work.

It is people’s own responsibility to set their own limits as to what they can handle in reading fiction — and not to obsess over what other people might or might not be reading, which we cannot control, and is also none of our business.

“What about loli and shotacon? Isn’t that the same as child pornography?”

“Child pornography” is generally not in use as a term — many people who have been victimised find that terms like “child porn” and CP grate, because “pornography” is work made with willing, adult participants.

Videos and images produced of children are instead referred to either as CSAM — child sexual abuse materials — or CSEM — child sexual exploitation materials. CSEM is evil because it involves the unspeakable and agonising victimisation of a real life child or children, being abused and manipulated by adults around them, and worse than that initial victimisation, the recording their abuse is another victimisation in itself.

With every share of a piece of this material, that child or children are victimised another time, made vulnerable to more people, and the creation of this material can create more market desire, meaning that other abusers will encourage further abuse and recording of these children’s victimisation, or for the recording abusers to seek out other children to abuse.

Victims of this sort of exploitation live in terror of the pictures or videos of their worst moments being shared to those they know, of being found by their loved ones, shared to workplaces, disseminated in any community they try to live in and be happy with — it is difficult enough to recover from one’s own abuse without the spectre of it constantly hanging over one’s head.

People’s cartoons or art of fictional children is not equivalent to CSEM, because there are no real children depicted in it.

It’s understandable to find these works disgusting or upsetting, triggering, unsettling — but to say that underage art or fiction is the same as or counts as CSEM is patently untrue. As a victim of CSA, it is galling to be told that choices my abuser made to harm and exploit me are equivalent to an abuser choosing to draw or read a comic about a victim that doesn’t actually exist.

Some final questions to ask yourself:

None of the above rebuttals are intended to imply people shouldn’t critique or criticise different media or their depictions.

As well as the initial essay I linked, I actually wrote a big guide on how to approach close reading of text, and I’m working on another about analysing television and film.

In my opinion, it’s really important to be aware of different tropes and themes that you feel are harmful in fiction and art — racist tropes, sexist ones, homophobic ones, and all the rest.

It’s worth considering how works are harmful, and what you actually want to be done about it.

I personally have criticisms of various tropes in media — I have particular dislike, for example, for the ways in which teacher/student relationships in TV shows and films are portrayed as “forbidden love”, with issue of their positions of power being depicted as one of bureaucracy or technical rules rather than a real power imbalance — I don’t care for the “sexy schoolgirl” trope, and the “barely legal” porn genre unsettles me.

All of the above three tropes often coincide with people’s thinking of teenage girls, especially those in school uniforms, as sex objects, and portraying school uniforms themselves as sexual or deserving of this sort of sexual attention.

Not all depictions are the same — some works subvert the sexy schoolgirl trope by having those schoolgirls be secret monsters than punish abusers, and some works exist that critique teacher/student dynamics.

It’s also important to note audience and outreach — a work that’s put on mainstream television channels or put in movie theatres by huge studios have a very different range of impact than an indie published novella, or one person’s fanfic on Ao3.

Note where you’re holding individual or small studio creators — especially those who are in some way marginalised and are already facing adversity in their work — to higher account than large studios, or fixating on imagined harm their work could potentially cause.

Is a work harmful, or is it just uncomfortable? Is it harmful, or is it just personally triggering to you?

Can the work you’re concerned about do as much harm as you’re envisaging? Is it actually reaching the individuals you are worried might be vulnerable to harm as a result of it? Does the work intend to do that harm or hold those harmful views, and are the authors or creators working to address or apologise for that harm?

Is the work discussing, critiquing, or exploring the emotional impact of the dark themes within it? Does it have warnings or disclaimers before the work begins?

If you’re worried about a work “normalising” or “glorifying” a troubling subject — does the work actually do that? What is your evidence for this, having engaged with the text? Is that thing discussed in the text, argued, explored in-depth, or merely mentioned? Do characters show inner conflict and interpersonal conflict over it? Is it actually portrayed as good or normal? Is your concern the characters’ perspectives within the text, or the authors or creators’ opinions?

Does the work carry ideas that are bigoted or feel like it includes apologism for some shitty ideas or ideology? Is the work a piece of propaganda, or function as propaganda? Do you feel the work is being advertised or pushed to an inappropriate audience for its subject matter?

If you do consider the work to be either likely to be personally distressing or upsetting to you, or potentially harmful because of its troubling or bigoted or just shitty ideas, how do you want to respond?

If it’s the former, you should set your own boundaries — you should use your mute and block functions, you should avoid the work, you should seek out things that will comfort you, and perhaps discuss the distressing topics with someone you trust, whether that’s a friend or partner, a loved one, or a counsellor or therapist.

If it’s the latter, you should absolutely deconstruct the piece in question and analyse the ways in which it’s shitty or harmful, or read essays by those who’ve done that work. You can maybe warn your friends about it, or if it’s a work of political concern — if the harm is being done because the work provides financial support to a hate group or a bigoted public persona, for example, you might perform a boycott, or involve yourself in acts of protest in response to the work or its creators.

If it’s important enough to you and your beliefs that you feel urged to do those things, perhaps you should — if all you feel urged to do is to harass or shout at people online, though, it might be better for your own mental health to take a step back and do something more positive for yourself.

Sometimes, a piece of work or media will be shitty, and shitty people will love it, and that will kinda suck — God knows I’ll see work that’s really transphobic or homophobic or antisemitic, and it’ll upset me that people I otherwise love and respect seem to be enjoying it so much.

I can talk to my friends and my family about it, and I’ll do that — and I can mute and block the topic, and critique it in the right circles, or write essays if I’m really inspired to, responding to the work and what I feel its impact is…

But if my instinct becomes to just snipe at people for enjoying it when they really don’t know what the problem is, or have a go at them when they’re doing so unthinkingly, that’s not really helpful to them or to myself. It’s not addressing the harm I feel is being done, and nor is it really constructive.

I’m an adult, after all — as I’ve said a few times already, it’s our own responsibility to set our own boundaries and consider what we’re doing to safeguard ourselves, and if in setting those boundaries and personal safeguarding limits, whether they’re in line with our own ethics and morality.

We cannot control other people and their feelings, or the works they create, but we can take care of ourselves, including breaking ourselves out of obsessive moral spirals or anxieties about other people’s thoughts — and personally, I think that’s actually a very revolutionary thing to do given that we exist in a world that constantly tries to encourage (and monetise) that sort of aimless outrage.

#musings #proship #antiship #purity culture #purity wank

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burst-of-iridescent · 9 months ago

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South Asian and Hindu Influences in ATLA (Part 1)

disclaimer: i was raised culturally and religiously hindu, and though i've tried to do my research for this post and pair it with my own cultural knowledge, i'm not an expert on hinduism by any means. should i mess up, please let me know.

please also be aware that many of the concepts discussed in this post overlap heavily with religions such as buddhism and jainism, which might have different interpretations and representations. as i'm not from those religions or cultures, i don't want to speak on them, but if anyone with that knowledge wishes to add on, please feel free.

it's well-known that atla draws from indigenous, east and southeast asian influences, but something i rarely see discussed in the fandom is the influences the show takes from hinduism and south asia, and there are actually far more than i think people are aware of.

so here's a (non-exhaustive list) of the main inspirations atla drew from south asian culture and hinduism, starting with...

The Avatar

the title of the show itself is taken from the ancient language of sanskrit, often considered the sacred tongue of the hindu religion. in sanskrit, the word "avatar" means to "descend" or "alight".

the concept of the avatar is a very old one, referring to the physical incarnation of a powerful deity or spirit. the idea of the avatar is most often linked to the god Vishnu, one of three supreme hindu gods collectively called the trimurti, or trinity. the avatar is said to manifest upon earth primarily in times of great need, when balance must be maintained between the forces of good and evil.

atla borrows heavily from this idea in having aang be the incarnation of a divine spirit who returns to the world during a time of immense strife, and is tasked with defeating a great evil to bring balance back to the world. and though i don't know if it was an intentional reference, it's interesting to note that Krishna, the most famous incarnation of Vishnu was also reborn amidst a fierce storm and carried through a raging sea to a new home where he would be protected from the king who sought to kill him. sounds a little familiar, doesn't it?

Agni Kai and the Philosophy of Firebending

the word "agni" derives from the sanskrit name Agni, the god of fire, though it can also generally mean "fire".

the concepts of lightning bending and the sun being the source of firebending are likely also taken from the idea of Agni, since he's said to exist simultaneously in three different forms on three different dimensions: as fire on earth, as lightning in the atmosphere, and as the sun in the sky.

Agni is a significant aspect of many rituals, including marriage rites, death rites, and the festivals of holi and diwali. the concept of Agni is one of duality: life and death, rebirth and destruction. hindu rituals accept and celebrate both aspects, revolving around the idea that destruction is not separate from creation, but rather necessary to facilitate it. the cremation of the dead, for instance, is seen as purification, not destruction: burning away the physical form so the soul is unencumbered, set free to continue the reincarnation cycle.

this influence can be seen in the firebending masters episode, which discusses the idea of fire being vital to life. the sun warriors safeguarding the original fire and demanding that zuko and aang bring fire to the dragons as a sacrifice could also reference the ritual of Agnihotra - the ritual of keeping a fire at the home hearth and making offerings to it. the purpose of this ritual differs depending on which text you refer to, but it is generally believed to purify the person and atmosphere in which it is performed, similar to how zuko and aang must make offerings to ran and shaw and survive their fire before being deemed worthy and pure.

Agnihotra is said to serve as a symbolic reminder of the vitality and importance of fire as the driving force of life, a lesson that zuko and aang also internalize from their encounter with the dragons.

Bumi

bumi's name is taken from the sanskrit word "bhumi", which means "earth". it's also the name of the hindu goddess of the earth, bumi or bhudevi.

one of the things the original animation didn't do and which i really enjoyed about the live action was that they made bumi indian and added desi inspiration to omashu. it makes perfect sense for a king whose name is as hindu-inspired as they come.

NWT Royal Palace

chief arnook's palace in the northern water tribe takes inspiration from the gopurams of hindu temples, massive pyramidal structures that served as entrance towers to the temple.

gopurams were built tall enough to be seen for miles around, beacons to signal tired or weary travellers who wished for a place to rest that a temple was nearby. it's a nice touch that the chief's palace is located in front of the spirit oasis, a similarly symbolic entryway to a sanctuary housing otherworldly deities.

Betrothal Necklaces

to preface: i doubt this was an intentional reference, and this great post talks about other cultures that could have inspired the water tribe betrothal necklaces. given the desi influence in the nwt architecture however, i figured it was worth mentioning.

the idea of betrothal necklaces being given to women by their male partners is similar to the thaali, a necklace given to hindu wives by their husbands. during hindu weddings, grooms tie the thaali around their brides' necks to symbolize their marriage. once given, wives are expected to wear their thaali till the day they die, as doing so is believed to bring good luck, health and prosperity to their husbands.

Chi-Blocking

though chi-blocking takes primary inspiration from the art of Dim Mak, it is also influenced by the south indian martial arts forms of adimurai and kalaripayattu, both of which include techniques of striking vital points in the body to disable or kill an opponent.

kalaripayattu also shares parallels with firebending, being a very physically demanding, aggressive martial art that emphasises the importance of discipline and mental fortitude. control of the mind is essential to control of the body, a philosophy similar to that espoused by iroh across the show.

Wan Shi Tong's Library

the library draws inspiration partly from the taj mahal, the famous mausoleum constructed by shah jahan during the mughal empire as a monument to his beloved wife, mumtaz mahal.

i'll end this post here since it's getting too long as it is, and the following section will be even longer. for while atla treated the concepts in this post with respect, the same unfortunately cannot be said for its depiction of guru pathik and combustion man - both of which we'll be discussing next.

#atla #avatar the last airbender #atla cultural influences #hinduism in atla

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adventures-in-mangaland · 3 months ago

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Another Dead Boy Detectives Fic Rec List

Netflix sucks and I'm sad, but the Dead Boy Detectives fandom continues to be awesome, so here are some more very quick fic recs!*

Tonight's the Night You Fight Your Best Mate's Dad by Opossum_Subatomic

Everyone's Alive College/University 5+1 things fic featuring Charles bringing Edwin coffee and slowburn payneland. Also Family/Wedding Drama involving Everyone Thinks They're Dating so acute is verges on Fake Dating. This author is seriously fantastic, everything they write is gold.

You should also check out Kissing Lessons, which is a high school AU that does what it says on the tin while also giving non-binary Monty and polyamory.

Ornithology by Rosie447

Monty gets a job working at Tragic Mick's. This one's not actually payneland, being gen and Monty-centric. I know, gasp. It's a fantastic and very sweet exploration of Monty discovering his sense of self post canon and works as a great metaphor for recovery from toxic family/relationships. Also, the ex-animal solidarity and bonding with Mick is lovely.

what some circumstance stole by Chrome

The Sandman crossover featuring Edwin and Hob being kidnapped and tortured together. Their friendship is really wholesome with eventual Father Figure and Found Family Feels for the whole agency and background Dreamling.

dandelion wine (life and death in summertime) by world_wanderer

Payneland Right Person Wrong Time AU in which neither of them die but they still meet and become friends. The May/December friendship is sweet but tragic, with a bittersweet ending. Superb.

Mirror Image by Anonymous

Charles' afterlife gets taken over my an evil shape-shifting doppelganger, leaving him with plenty of time to regret never talking to Edwin about his feelings. Angsty but with Feelings Realisation and the Power of Love and Friendship vibes.

my healing needed more than time by babyseraphim

Case fic with de-aged Charles! Baby Charles is precious but be prepared for discussions of childhood trauma/abuse.

The same author has also written I'm So Aces at Babysitting, which is a really cute two-chaptered AU featuring Charles and Edwin babysitting the kid versions of each other, with bonus Crystal and Niko doing the same. It's very wholesome and the author writes little kids really well.

Pouring into me by tragedy_machine

Love me some "Charles wants to date Edwin to figure out his feelings but gets turned down" fic. Feelings are hard, OK?

thank u, next by KiaraSayre

Edwin fucks and Charles seethes. It's very funny and also features some interesting worldbuilding with the Fae.

Like We've Never Known Hurt by dearheartdont

Just cute established relationship PWP and praise kink. So good.

all of these hollows by handwrittenhello

The boys are alive again but sans memories. Can they still find each other and prove their devotion to the Night Nurse?? While also evading heavenly and hellish forces trying to keep them apart??? Very interesting concept executed well.

Suo Gân by emryses

The agency takes on the case of a traumatised Edwardian ghost searching for her missing baby... Read it for Edwin family feels.

Where Primroses Bloom by PantryJesus

Reading aloud as a love language and Watership Down feels. Idk, I'm now convinced that Edwin is kind of rabbit-coded with the whole "if they catch you they'll kill you. But first they must catch you" thing. A lovely well written fic.

I'm so sick of online love by Hse11z5

College/University AU where the boys meet through a dating app. It's cute.

you can have the best of me, baby (and I will give you anything) by aletterinthenameofsanity

Again, it's the Friends with Benefits but with real feelings and mutual pining for me. Now has a Charles PoV companion fic.

True Love's Kiss by Asidian

In which Charles curses himself with a Sleeping Beauty enchantment in order to confirm his feelings for Edwin and Crystal is the real MVP. I love this one because the boys are both SO stupid but in very different in-character ways.

I also recommend Promised, in which they kind of play the Green card angle to keep Edwin out of Hell? Which honestly needs to be more of a trope. And Tight Quarters, starring the boys trapped in a magic circle, leading to Forced Proximity induced Feelings Realization (in more ways than one! 😉).

Something I Can Turn To by DontOffendTheBees

I love some domestic fluff, in this case as an Everyone's Alive/Childhood Friends AU in which the boys are poor but happy living together. I liked how they both survive their respective traumas, but Reality Ensues.

I also recommend Lived My Whole Life Before the First Light for a lovely but melancholy Soulmate AU that goes for the "seeing colours" trope for extra wistful angst.

Dining at the Ritz by TerresDeBrume

Meeting the Parents fic in which Edwin's parents are awful and Charles is Not Having It. This has Everyone Thinks They're Dating and autistic Edwin stimming representation, plus discussions of racism, classism and ableism. The fic is also part of a great Modern AU series in which the boys attended St Hilarion's at the same time and Charles saved Edwin from a non-supernatural but still almost deadly prank. Highly recommended!

The Case of the Couples Retreat by juliasfanart

Listen, I can't get enough of undercover fake dating/relationships at a couples retreat, OK? Some minor angst but overall very cute and fluffy.

acu (aysar cinematic universe) by ObsessedWithFandom

The agency is hired to solve the mystery of Charles' death and bring his killers to justice. I'm genuinely obsessed with this series; I love its OCs and Charles having an exboyfriend gives Edwin a fun crisis. Plus haunting Charles' killers is very satisfying and cathartic. Just imagine they're Netflix execs, y'all.

*Not actually quick, as it turns out. 😅

I love doing these lists because I always think I've only got a few recs and then I look back over my recent bookmarks and I've got a metric ton of great fics to rec. You guys are so talented. ❤️

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rootedinrevisions · 29 days ago

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Kinktober 2024: Day 29

CHARACTER: Jake "Hangman" Seresin

KINK: Costumes / Dress Up

WORD COUNT: 1.2K

WARNINGS: 18+ MINORS DNI. Lingerie, Implied smut.

TAG LIST: SEE COMMENTS

If you would like to be added to any of my Tag Lists or be tagged for a specific character please feel free to comment, send an ask, or send a DM and I'll be happy to get you added! Below are the fandoms I currently write for.

Glen Powell (himself and the characters he's played)

Twisters (Mostly Tyler right now, but possibly others soon)

Top Gun: Maverick (Hangman, Rooster, possibly others soon)

Marvel / MCU (Bucky Barnes as of now, but possibly others soon)

WWE / Wrestling

Jake’s footsteps echoed through the entryway as he stepped inside, calling out, “Honey, I’m home.” His tone was half-joking, the lilt of his voice suggesting he’d had a good day, probably full of his usual swagger.

Then he stopped short, his eyes landing on you at the top of the stairs. You wore a snug, sharp-looking flight attendant’s uniform, complete with a little cap and red lipstick that caught the light as you smiled.

“Well, well… what have we here?” His grin spread, slow and wicked, as he let the door close behind him, arms folding as he took in the sight. “Looks like someone was waiting on me to get home.”

“Just a little surprise for my favorite pilot,” you replied, descending the stairs with a sway in your step, letting him see every detail of your outfit.

He chuckled, eyes glinting as he watched you come closer.

“I have to say, I’m impressed. You really went all out for this,” he murmured, the cocky drawl unmistakable in his tone. “You here to serve me, sweetheart?”

“Oh, I’m here to do a lot more than that.” You closed the distance between you two, placing your hands on his chest as you leaned in. “But I think I might be running a tighter ship than you’re used to.”

Jake’s eyebrows raised, but his smirk stayed firm.

“Is that so?” He leaned down, voice dropping to a murmur against your ear. “You think you can handle me?”

“Care to find out?” You teased, feeling your pulse quicken as his arms wrapped around your waist.

Jake tilted his head, guiding you backward toward the stairs, a mischievous gleam in his eye as he murmured, “You’re playing a dangerous game, sweetheart. Let’s see if you can keep up with me.”

With that, he led you toward the bedroom, his grip on you firm yet gentle as he continued to throw cocky remarks your way, each one stoking the playful tension that had the air between you sparking.

Jake barely had time to adjust before you nudged him backward onto the bed, his eyes widening just slightly as he landed on the mattress with a soft thud. For once, he seemed momentarily off-balance, but that signature smirk returned almost instantly as he watched you climb over him, one knee resting on either side of his hips.

“Well, aren’t you full of surprises tonight,” he murmured, hands instinctively moving to your waist as you leaned down, close enough that he could feel the warmth of your breath.

“Guess you’re not the only one who can take charge,” you teased, letting your fingers trail along his chest before starting to undo the buttons on your uniform, one slow, deliberate motion at a time.

Jake’s eyes darkened, his cocky grin softening as he watched each button come undone, revealing flashes of scarlet lace beneath.

“That’s the set you wore for my birthday,” he murmured, his gaze tracing the vibrant red lace peeking from beneath the fabric. “You remember what happened the last time you wore that, right?”

“Oh, I remember,” you replied, sliding the jacket off your shoulders and tossing it aside before leaning down to brush your lips over his jaw, savoring the way his breath caught.

Jake’s hands tightened on your waist as he let out a low chuckle, clearly feeling the shift in control, though he was still enjoying every second of it. “You’re playing dirty, sweetheart,” he drawled, a glint of pride and admiration in his eyes.

You grinned, leaning in close until your lips were just a whisper away from his. “Good. I’d hate to make it too easy for you.”

With that, you pressed him back against the pillows, letting him feel the heat of your intentions as you traced your hands over his shoulders, taking your time with every move.

For once, Jake Seresin was speechless, completely at your mercy as you continued your slow, teasing reveal.

As you leaned over him, your movements became slower, more intentional. Jake’s hands rested at your waist, his touch no longer playful but warm and steady, grounding you both in the moment. His gaze softened, the earlier mischief replaced by something more genuine as he took in every inch of you, almost as though seeing you for the first time.

You let the last piece of your “uniform” fall to the floor, revealing the red lace set in full. Jake’s breath hitched as he reached up, his fingers tracing a gentle path along your arm.

“You look… perfect,” he murmured, his voice low and sincere, no trace of the usual cockiness. “Can’t believe you did all this for me.”

“Maybe I wanted to remind you how much you mean to me,” you whispered, letting your fingers trail along his jawline, feeling the warmth of his skin beneath your touch.

Jake’s hands slipped up to cradle your face, his thumbs brushing over your cheeks as he looked up at you, his green eyes softer than you’d ever seen.

“Trust me, I don’t need a reminder,” he said quietly, a faint smile tugging at his lips. “But I think I’m gonna remember this for a long, long time.”

You leaned down, your lips meeting his in a slow, lingering kiss that melted away the last of the teasing tension, leaving only the two of you, wrapped in each other. His arms tightened around you, pulling you closer as he deepened the kiss, his hand sliding up to tangle gently in your hair.

Breaking away just enough to catch your breath, you looked down at him, feeling the intensity of his gaze as he took you in, as if savoring every second.

“So… not too much for you, then?” you teased softly, brushing a hand over his shoulder.

Jake chuckled, pulling you back down to him. “Not even close,” he murmured, his voice roughened by the warmth between you. “Just means I’ll have to make it up to you. And trust me—I intend to.”

Jake’s fingers traced the delicate lace of your lingerie, his touch slow and reverent as he took his time, savoring every inch of you. His gaze roamed over you appreciatively, lingering on the vibrant red lace, before he slipped his hands to the straps on your shoulders, carefully sliding them down.

As the lace fell away, his eyes met yours, filled with warmth and intensity that left your heart racing. “You’re incredible,” he whispered, his hands steady as they guided you closer.

You leaned into him, feeling the strength in his arms as he wrapped them around you, pulling you flush against him. He placed a gentle kiss on your collarbone, then another just below your ear, the warmth of his breath sending a shiver down your spine.

Then, with a familiar glint in his eye, he murmured against your skin, “Hope you’re prepared, sweetheart. This flight might get a little… turbulent.” He chuckled softly, his voice thick with affection as his hands found your hips, positioning you carefully until you were perfectly aligned above him.

#Top Gun Hangman #Top Gun Hangman Fanfiction #Top Gun Hangman Fanfic #Jake Seresin #Jake Seresin Fanfiction #Jake Seresin Fanfic #Jake Hangman Seresin #Jake Seresin x reader #Hangman x reader #Jake Seresin Smut #Hangman Jake Seresin Smut

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fluentmoviequoter · 6 months ago

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Arrest Me, But Make it Sexy

Requested Here by @newobsessionweekly! Part 2 Here!

Pairing: Tim Bradford x fem!cop!reader

Summary: Tim recruits you to aid in a Metro op. When you ignore his direct orders, you dare him to arrest you, but you have a request.

Warnings: this is pure fluff and banter!! the song reference part is a teeny bit suggestive I guess, but it's completely clean/sfw as always!

Word Count: 1.5k+ words

Masterlist | Tim Bradford Masterlist | Request Info/Fandom List

cop cuties, cute and on duty. navy blue booties, go ahead and lock me up. arrest me, but make it sexy.

You’ve been a patrol cop since you completed your rookie training with Tim Bradford. Throughout the last few years of working alone, you’ve trusted him enough to ask for advice, offer to work for him and reach out when he was injured. Most cops don’t stay close to their TO, but Tim was always more than that. Somehow, against his will, you think, you and Tim became friends. He knew from the beginning of your training that you were going to be a great cop, which is why he decided to recruit you for a new job.

“Officer,” Tim greets as you walk into Wade’s office.

“Sergeant,” you reply. “I take it I’m here to see you and not be yelled at by Grey.”

“Why do you need to be yelled at?” Tim asks, raising his brows as he crosses his arms.

“Absolutely nothing, sir.”

“Sure. Metro is working a forgery operation, and we need an extra set of hands. I think you’re the right cop for this job.”

“You do?” you ask, suspicious of why he chose you over the hundreds of other choices.

“Yes. But you get to decide. Do you want to join the team and complete your first Metro op?”

“Yes, sir,” you agree. “Thank you for the opportunity.”

“You still have to prove that I’m right,” Tim reminds you. “Gear up, we’re leaving in ten.”

You nod before you exit the office. Working with Tim is something that you’re used to, but not in a Metro team.

“Get to the corner,” Tim orders.

You stay in place, watching the forger. He’s in plain view, waiting for something and checking his watch every minute or so. That makes him dangerous and reckless. The overview that Tim gave you and the Metro squad at the station didn’t place the suspect outside of his studio.

“Corner, now,” Tim repeats.

“He’s outside,” you radio.

“And you’re not in position.”

You huff and move your hand off of your radio. There’s no chance of catching this guy if you move from your current position. Tim is still going off the original, incorrect intel. Not to mention, moving could spook him and ruin this operation.

Tim says your last name over the radio, and you wait for him to continue. “Get in position.”

“There’s no point,” you argue.

Tim radios for someone else to cover his position as he moves toward you. His approach is nearly silent, but as he squats beside you, you don’t look over at him.

“You have to follow my orders out here,” he reprimands quietly.

“Even if they’re stupid orders?” you reply without looking away from the suspect.

“That’s not your call. This isn’t rookie training where you get input because you’re learning. You do what I say or you’re off my team.”

“I understand that.”

“Then get in your position at the corner,” he orders again.

You don’t listen but remain quiet rather than argue with him again. Tim sighs beside you and clenches his jaw.

“Do you remember where you’re supposed to be?” he asks.

“Yes, sir,” you answer.

“Then get into that position and be ready for the next phase of this op.”

“No, Sergeant Bradford.”

Tim looks at the side of your face. He’s had enough of you acting like a partner who can argue with him. As much as he trusts you, you’re still his subordinate and this is unacceptable, especially in the middle of a Metro operation. Leading Metro is the most rewarding yet challenging position he has had as a cop, and he won’t let you compromise his position or the trust his team has in him.

“You know I can still make arrests, right?” Tim asks harshly.

You raise your brows and turn toward him to snap, “So, what; are you gonna arrest me? For what?”

“For disobeying direct orders! I can arrest you now and put you on desk duty and break room fridge refills for the rest of the month.”

You look back at the suspect before you stand. Tim follows your movement, and you lean toward him to push your finger against his chest.

As you crowd him, you dare, “Arrest me, Officer Bradford. But make it sexy.”

Tim looks between your eyes before he grabs your right shoulder. He spins you quickly and pushes you against the cinder block wall behind you. He wraps one hand around both of your wrists behind your back as his other hand rests against your hip, just above your holster.

“You want to say that again?” Tim asks.

“Not that I expect you to know what a real Degas looks like, Officer,” you taunt loudly, “but the gallery you just destroyed is worth more than your life!”

“What are you doing?” Tim whispers in your ear.

“Go with it,” you request.

“Excuse me!” the suspect calls as he approaches you and Tim. “I couldn’t help but overhear. I’m an art connoisseur, of sorts. What seems to be the problem?”

Tim pulls his handcuffs from his belt and puts them loosely around your wrists. He pulls you away from the wall and against his side as he turns to face the art forger.

“This woman is an art forger,” Tim answers. “So, unless you purchased a Degas painting from her, there’s nothing to be concerned about.”

“I fear that’s impossible,” the man replies. “Degas is nearly impossible to forge. The paint age and brush strokes are dead giveaways.”

“Spoken like a true enjoyer,” you say.

“Shut up,” Tim demands. “Sir, if you’d like to have your art checked by our experts, I’d be happy to make that call for you.”

You nod, a small movement you hope will make the man trust you. The art experts know his signature, so if they can get a look at his work, Tim’s work will be done, and another forger will be behind bars. The crime itself seems too white-collar for Tim’s skills, but a successful arrest is a successful arrest.

“I would appreciate that, Officer,” the man answers. “I can give you access to my collection now.”

Tim radios for the art experts waiting nearby to come in. He keeps a hand around your wrist, his pinky occasionally brushing between your skin and the metal cuff. After the experts enter the warehouse, it only takes two minutes before they radio to Tim that they have the evidence they need.

“You’re in luck, sir,” Tim tells the suspect. “Looks like the only forgeries in there are yours.”

Tim moves his hand from your wrist to your waist and pulls your handcuffs from your belt.

“You’re under arrest for art forgery, possession of stolen goods, and unlawful sale of property,” Tim says as he secures your handcuffs onto the suspect.

Another Metro officer rushes past you and takes the man from Tim to lead him to a waiting patrol car. Tim turns to face you and pulls a pair of aviator sunglasses from his pocket before he puts them on.

“You’re welcome,” you tell him.

“There are better ways to tell your superior officer that a different approach may be better,” he responds, crossing his arms over his chest. “Ignoring orders isn’t it.”

“You weren’t listening!”

“I listened at the end. You did well, but don’t ever do that again.”

You smile and step forward until you nearly hit Tim’s folded arms. “Scared I’ll take your job?”

“You are stubborn, uncompromising, and have no respect for authority,” Tim lists. “My position is safe from you.”

You tilt your head to the side and shrug. Tim radios a code 4, then walks away.

“Are you going to take these cuffs off?” you call after him.

Tim turns and stops a step away from you.

“You’re the one that wanted to be arrested,” he replies. He shrugs and asks, “Was that sexy enough?”

“I mean, yeah, it worked,” you answer. “But defying your orders got you the arrest, so…”

“You have the right to remain silent,” Tim begins.

He continues reciting your Miranda rights as he leads you to his car. His hand trails down your right arm as he puts you in the backseat. Once he gets into the driver’s seat, you realize that the handcuff on your right wrist is loose enough you can get your hand through.

“Defying direct orders is wrong,” you muse. “What if I start a verbal flirtation while you take me to your station?”

“I will arrest you,” Tim threatens.

“With what cuffs?” you ask, spinning his on your finger. “You gave yours away and took mine.”

Tim shakes his head and pulls over. He opens the back door, and you hand him his handcuffs as you climb out.

“If I had to get arrested, I’m glad it was with you,” you say before you round the back of the car to get in the passenger seat.

“I was considering mentioning you for a Metro promotion,” Tim begins as he drives back onto the road. “But after that stunt today…”

“You’ll never see me the same?” you guess.

Tim looks over at you, though you can’t see his eyes past his aviators.

“Something like that,” he murmurs.

“You liked it,” you accuse playfully. “Admit it.”

Tim adjusts his sunglasses and says, “Maybe.”

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